‎Fin de siècle‎

‎Maqdisi? Mut?ahhar ibn T?a?hir active th century.‎

‎Kitab al-Bad wa-al-tarikh / al-mansub ila Abi Zayd Ahmad ibn Sahl al-Balkhi wa-huwa li-Mutahhar ibn Tahir al-Maqdisi ; itana bi-nashrihi Klaman Huwar. Volume v.5 1919 Hardcover‎

‎2019. Hardcover. New. Lang: - ara Vol: - Volume v.5. Reprinted in 2019 with the help of original edition published long back 1919. This book is printed in black & white Hardcover sewing binding for longer life with Matt laminated multi-Colour Dust Cover Printed on high quality Paper re-sized as per Current standards professionally processed without changing its contents. As these are old books we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. Any type of Customisation is possible. Hope you will like it and give your comments and suggestions. Volume v.5 hardcover‎

书商的参考编号 : 1111016825858

‎Maqdisi? Mut?ahhar ibn T?a?hir active th century.‎

‎Kitab al-Bad wa-al-tarikh / al-mansub ila Abi Zayd Ahmad ibn Sahl al-Balkhi wa-huwa li-Mutahhar ibn Tahir al-Maqdisi ; itana bi-nashrihi Klaman Huwar. Volume v.6 1919‎

‎2019. Softcover. New. Lang: - ara Vol: - Volume v.6. Reprinted in 2019 with the help of original edition published long back 1919. This book is Printed in black & white sewing binding for longer life with Matt laminated multi-Colour Soft Cover HARDCOVER EDITION IS ALSO AVAILABLE Printed on high quality Paper re-sized as per Current standards professionally processed without changing its contents. As these are old books we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. Any type of Customisation is possible. Hope you will like it and give your comments and suggestions. Volume v.6 paperback‎

书商的参考编号 : PB1111016825857

‎Maqdisi? Mut?ahhar ibn T?a?hir active th century.‎

‎Kitab al-Bad wa-al-tarikh / al-mansub ila Abi Zayd Ahmad ibn Sahl al-Balkhi wa-huwa li-Mutahhar ibn Tahir al-Maqdisi ; itana bi-nashrihi Klaman Huwar. Volume v.3 1919‎

‎2019. Softcover. New. Lang: - ara Vol: - Volume v.3. Reprinted in 2019 with the help of original edition published long back 1919. This book is Printed in black & white sewing binding for longer life with Matt laminated multi-Colour Soft Cover HARDCOVER EDITION IS ALSO AVAILABLE Printed on high quality Paper re-sized as per Current standards professionally processed without changing its contents. As these are old books we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. Any type of Customisation is possible. Hope you will like it and give your comments and suggestions. Volume v.3 paperback‎

书商的参考编号 : PB1111016825860

‎Maqdisi? Mut?ahhar ibn T?a?hir active th century.‎

‎Kitab al-Bad wa-al-tarikh / al-mansub ila Abi Zayd Ahmad ibn Sahl al-Balkhi wa-huwa li-Mutahhar ibn Tahir al-Maqdisi ; itana bi-nashrihi Klaman Huwar. Volume v.1 1919‎

‎2019. Softcover. New. Lang: - ara Vol: - Volume v.1. Reprinted in 2019 with the help of original edition published long back 1919. This book is Printed in black & white sewing binding for longer life with Matt laminated multi-Colour Soft Cover HARDCOVER EDITION IS ALSO AVAILABLE Printed on high quality Paper re-sized as per Current standards professionally processed without changing its contents. As these are old books we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. Any type of Customisation is possible. Hope you will like it and give your comments and suggestions. Volume v.1 paperback‎

书商的参考编号 : PB1111016825862

‎Marcel Georges Roethlisberger‎

‎ABRAHAM BLOEMAERT AND HIS SONS. Paintings and Prints.‎

‎, Aetas Aurea, Vol. XI DAVACO, Cloth bound with dusjacket, as new !! 1993. 2 vols. in 4to. VIII, 710 pp. text and over 1250 ills. on 439 plts. (35 in color).Biography by Marten Jan Bok. ISBN 9070288834.‎

‎This is the first monograph on the leading Utrecht painter Abraham Bloemaert (1566-1651) and his four sons who were painters and engravers. Bloemaert emerges as the foremost master of Utrecht, his stature comparable to that of his contemporaries Hendrick Goltzius and Cornelis van Haarlem.The output of Abraham Bloemaert is considerable: over 200 extant paintings and 625 prints designed by him and engraved by such masters as Matham, Saenredam, Bolswert and Cornelis and Frederick Bloemaert. His stylistic development during an activity of sixty years leads from mannerist works in the style of Spranger and the school of Haarlem to a realist approach, a Caravaggesque interlude, a stint at court art, and a final classicizing style. He treated a multitude of themes from the Old and New Testament, altarpieces, mythological works, landscapes, and genre pieces, with important contributions in each field. A fervent Catholic with Jesuit ties, he is the chief representative of Dutch Catholic art. Connected with his lifelong teaching activity are the 166 prints of the Tekenboek. The book opens with an introductory text which sums up the art of Abraham and places it into the context of his time. The bulk of the book is the catalogue which includes in chronological sequence all the extant and the firmly documented lost paintings by Abraham, with copies and imitations, and all the original engravings designed by him. They comprise the 380 engravings by Frederick and the 60 engravings by Cornelis Bloemaert designed by their father. Separately catalogued are 30 dated drawings which provide support for undated works, and 35 comparative works by other masters. This is followed by a complete study of the fine oeuvre of Hendrick Bloemaert, the closest continuator of Abraham, hitherto largely neglected: 120 extant paintings of genre scenes, religious themes, portraits, and mythologies. Finally a study of Adriaen Bloemaert. A large proportion of the works of Abraham and his sons are here studied and reproduced for the first time. The book closes with a fully documented biography of Abraham Bloemaert and his sons and a list of pupils; this portion is the work of the Utrecht historian Marten Jan Bok.‎

书商的参考编号 : 15139

‎Marjorie E. Wieseman‎

‎Caspar Netscher and late seventeenth-century Dutch painting / catalogue raisonn of the paintings‎

‎, Aetas Aurea, Vol. XVI , Cloth bound with dusjacket, as new !!, 2002. 4to., 542 pp. text, 378 ill. (33 full-page colourplts). ISBN 9070288370.‎

‎Caspar Netscher (1635/6-1684) was one of the most acomplished and successful artists active in the Netherlands during the latter part of the seventeenth century. Paradoxically, however, the same factors that made him so successful during his lifetime and into the eighteenth century also occasioned his exclusion from the modern canon of seventeenth-century Dutch painting, for his art represents a decisive move away from the hearty egalitarian aesthetic that prevailed during the earlier part of the century. Responding to (and helping define) his patrons' desire for international style and sophistication, Netscher's exquisite portraits and subject pieces are unmistakably Dutch, yet are imbued with an elegance more in keeping with progressive pan-European tastes.This is the first full-length study to examine the work of this important Dutch artist The text is complemented by an appendix of documents relevant to the artist (most previously unpublished), and concludes with an exhaustive catalogue raisonne of the paintings. The latter contains detailed information on 220 accepted paintings by the artist, 44 problematic attributions (including some compositions known only through copies and works that involve a significant amount of studio assistance); 470 rejected works; and 388 paintings mentioned in the literature prior to 1800 but presently untraced.‎

书商的参考编号 : 15134

‎Marijn Everaarts, Matthias Depoorter, Griet Steyaert, e.a‎

‎FACE TO FACE WITH HUGO VAN DER GOES : Old Master, New Interpretation‎

‎, Hannibal Books, 2022 HB, 300 x 250 mm, 144 pages, illustr. *English edition. ISBN 9789464366716.‎

‎In this fascinating introduction to the work and life of Flemish Primitive Hugo van der Goes (c. 1440-1482/1483), several experts and researchers shed light on the virtuosity of the master himself. The Death of the Virgin is one of the most important works in Musea Brugge's world-renowned collection of Early Netherlandish painting. After an intensive five-year restoration the masterpiece has come into its own again, with many brilliant elements, a bright colour palette and newly uncovered details. Face to Face with Hugo van der Goes - Old Master, New Interpretation offers an insight into the timeless yet contemporary character of the masterpiece and pays attention to the iconic value of a work waiting to be discovered. With text contributions by Matthias Depoorter, Lieven De Visch, Marijn Everaarts, Sibylla Goegebuer, Griet Steyaert and Anne van Oosterwijk. This publication is issued on the occasion of the exhibition Face to face with Death. Hugo van der Goes, Old Masters and New Interpretations at the Sint-Janshospitaal in Bruges from 28 October 2022 to 5 February 2023.‎

书商的参考编号 : 60056

‎Margaret L. Koster‎

‎Hugo van der Goes and the Procedures of Art and Salvation.‎

‎Turnhout, Brepols, 2008 Hardback, original editor's jacket, english, IV+178 pp., 42 b/w ill. + 95 colour ill., 220 x 280 mm. ISBN 9781905375158.‎

‎Studies in Medieval and Early Renaissance Art History (HMSAH 49). Hugo van der Goes is a towering figure in the history of art. Hugely original, he exerted a massive influence, pushing the portrayal of volume, motion and light to its limits while exploring an inherited Christian iconography in profoundly new ways. This book identifies the artist?s painterly procedures as well as the religious practices and hopes his painting served. Focusing on Hugo?s masterpiece, the Portinari Altarpiece, Koster pictures the painter, his patron, and the wider public as a set of diverse forces fuelling this artist?s achievements. Painted in the Netherlands for a Florentine chapel, the altarpiece also reflects artistic exchange in the Fifteenth Century. Koster presents a ground-breaking technical examination of Hugo?s triptych and for the first time, readers can access all of the evidence in a high-resolution and easily-navigable form ? and for a work of supreme historical importance. But this book also studies the work?s origins in the Modern Devotion movement, Hugo?s personality, the machinations of a wealthy Italian donor, and the patterns of response within a church setting. Rich in information, wide-ranging in its sources, and original in its understanding of Hugo?s aims, this book also places ? uniquely ? the tools of its analysis in the hands of specialists and general readers alike.‎

书商的参考编号 : 25869

‎Maria Isabel Lopez Garrido,‎

‎LA COLECCION ARTISTICA DE LA REAL ACADEMIA DE MEDICINA DE SEVILLA. 1700-2000.‎

‎Sevilla, Caja San Fernando., 2012 Hardcover, 178 pages, Illustrated. Text in Spanish. 30x24cm.‎

‎fine condition.‎

书商的参考编号 : 50449

‎Marly Michelle‎

‎Mademoiselle Coco und der Duft der Liebe: Roman (Mutige Frauen zwischen Kunst und Liebe Band 5)‎

‎Aufbau Taschenbuch 2018 496 pages 13 5x20 5x4 1cm. 2018. perfect. 496 pages.‎

‎Etat correct‎

书商的参考编号 : 500124287

‎Marijn Everaarts, Matthias Depoorter, Griet Steyaert, e.a.‎

‎Oog in oog met Hugo van der Goes, Oude meester, nieuwe blik‎

‎, Hannibal Books, 2022 Gebonden, hardcover, , 292 x 245 mm, 144 pages Nederlandse uitgave. . ISBN 9789464366723.‎

‎In deze fascinerende introductie tot het werk en leven van de Vlaamse primitief Hugo van der Goes (ca. 1440-1482/1483) belichten verschillende experts en onderzoekers de virtuositeit van de meester himself. Zijn Dood van Maria is een van de belangrijkste werken in de wereldbefaamde collectie Vlaamse schilderkunst van Musea Brugge. Na een intensieve restauratie van vijf jaar komt het meesterwerk weer volledig tot zijn recht met talloze schitterende elementen, een fel kleurenpalet en recent ontdekte details. Oog in oog met Hugo van der Goes ? Oude meester, nieuwe blik biedt een inkijk in het tijdloze en hedendaagse karakter van het topstuk en besteedt aandacht aan de iconische waarde van een te ontdekken oeuvre. Met tekstbijdragen van Matthias Depoorter, Lieven De Visch, Marijn Everaarts, Sibylla Goegebuer, Griet Steyaert en Anne van Oosterwijk. Publicatie naar aanleiding van de tentoonstelling Oog in Oog met de Dood. Hugo van der Goes, oude meesters, nieuwe blikken in het Sint-Janshospitaal in Brugge van 28 oktober 2022 tot 5 februari 2023.‎

书商的参考编号 : 60057

‎Marsh David‎

‎Quattrocento Dialogue: Classical Tradition and Humanist Innovation (Harvard Studies in Comparative Literature 35)‎

‎Harvard university press 1980 160 pages in8. 1980. Relié. 160 pages.‎

‎avec sa jaquette bonne tenue notes au stylo noir à l'intérieur‎

书商的参考编号 : 100126313

‎Martineau Jane Robison Andrew‎

‎The Glory of Venice: Art in the Eighteenth Century‎

‎YALE UNIV PR 1995 528 pages in4. 1995. Cartonné jaquette. 528 pages.‎

‎Comme neuf avec sa jaquette et son emboîtage cartonné‎

书商的参考编号 : 100125921

‎Marino Barovier (Author)‎

‎Vetripedia: Masterpieces of Venetian Glass‎

‎, Prestel, 2025 Three Volumes in a Slipcase, hardcovers, 1712 pages, 30,0 x 32,0 cm, 3,285 color illustrations. ISBN 9783791377391.‎

‎This magnificent and unprecedented three-volume set showcases one of the world?s most important collections of twentieth-century Venetian glass?1.000 masterpieces marvelously photographed and cataloged by a renowned expert in the field. Celebrated for its exceptional craftsmanship, artistic mastery, and iconic design, Venetian glass has a rich historical legacy. The techniques developed by Venetian glassmakers have influenced glassmaking worldwide. Presented in three impressive volumes, this private collection includes works by thirty of the most influential artists, artisans, and studios from 1895?1970. Through Marino Barovier?s expertly insightful texts, readers will learn the evolution of the techniques, forms, colors, and tastes in Venetian glass during the Novecento?a century of sociopolitical, historical, and cultural change of egregious magnitude. Each glass object is described in terms of its aesthetic beauty, style and proportions, artistic quality and rarity. The author describes the technical difficulties of the realization and the perfection of the technique that went into each piece. He also considers the designer?s standing; the significance of the manufacturers and glass masters; and their historical importance. Photographed with exceptional clarity and quality, the works are presented in remarkable full-page spreads, grouped by manufacturer, designer and type. The result is an impeccable and invaluable reference work reflecting the latest scholarship, that will appeal to glass experts, collectors, and anyone interested in modern glass art and design.‎

书商的参考编号 : 66351

‎Mar?ash? Ma?m?d ?amd? ibn D?w?d active th century.‎

‎Naat al-khulln / athar Mamud amd ibn Muammad ibn Dwd al-Marah al-Dimashq. 1894 Hardcover‎

‎2020. Hardcover. New. Lang: - ara Pages 48. Reprinted in 2020 with the help of original edition published long back 1894. This book is Printed in black & white Hardcover sewing binding for longer life with Matt laminated multi-Colour Dust Cover Printed on high quality Paper re-sized as per Current standards professionally processed without changing its contents. As these are old books we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots. If it is multi volume set then it is only single volume if you wish to order a specific or all the volumes you may contact us. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. Any type of Customisation is possible with extra charges. Hope you will like it and give your comments and suggestions. hardcover‎

书商的参考编号 : 1111014836053

‎Mara, Pol‎

‎Zeichnungen, Gouachen, Ölbilder. Ausstellung vom 11. September bis 6. Oktober 1970.‎

‎Köln., Galerie Gmurzynska., 1970. 21 x 15 cm. 18 unpaginierte S. Illustrierter OKarton., 41113AB 1. Auflage. Einbandkanten stellenweise mit minimalen Bereibungen. Sonst gutes bis sehr gutes Exemplar.‎

‎Mit einer Einführung von Jean Dypreau und 12 Abbildungen.‎

书商的参考编号 : 41113AB

‎Marc Bloch - prefazione di Jacques Le Goff, con un Ricordo di Marc Bloch di Lucien Febvre‎

‎I re taumaturghi Studi sul carattere sovrannaturale attribuito alla potenza dei re particolarmente in Francia e in Inghilterra‎

‎bross. edit. ill., lievi fioriture, minime tracce d'uso - trad. di Silvestro Lega - illustrazioni in b.n. fuori testo‎

‎MARC, FR‎

‎Briefe aus dem Feld. Berlin, Rembrandt Vlg,.‎

‎(1940). 167, (1) S., 32 Bilder. OLwd.‎

‎Erste Ausgabe. - Auch Auflage von 1941 lieferbar.‎

书商的参考编号 : 1047599

‎Marc, Franz - 1880 München - bei Verdun 1916‎

‎Exlibris Daniel Pesl II.‎

‎1904. Lithographie auf grauem Velin, 1904. Darstellungsgröße 10,8:2,8 cm, Blattgröße 11,8:3,8 cm. Lankheit 848. Sehr guter und tadellos erhaltener Druck, verso minimale Klebespuren.‎

书商的参考编号 : 0084-C

‎Marc, Franz - 1880 München ? bei Verdun 1916‎

‎Tiger.‎

‎o.J. Holzschnitt, 1912, auf feinem Japan. Darstellungsgröße 19,8 x 24 cm, Blattgröße 25: 36,7 cm. Verso mit Bleistift bezeichnet ?Handdruck vom Originalholzstock bestätigt Maria Marc?. Der Holzschnitt von Franz Marc wurde für die Nrn. 1-25 der Vorzugsausgabe durch Heinrich Campendonk mit der Hand vom Originalholzstock auf Japanpapier abgezogen. - Provenienz: Lempertz, Köln, Auktion 1234, Lot 129; Hessische Privatsammlung. - Literatur: Hoberg/Jansen Bd. III, Nr. 27, vgl. 3. Auflage; Söhn HDO 507-1; nicht bei Schardt; nicht bei Lankheit. Erschienen in: Buch Der Toten. Hrsg. Wolf Pryzgode. Erster Sonderdruck der Dichtung, München, Roland-Verlag, 1919. [2 Warenabbildungen]‎

‎Sein Vater, der Maler und Professor Wilhelm Marc (1839- 1907), bringt dem Sohn die handwerklichen Grundlagen bei, doch steht eine Laufbahn als Künstler zunächst nicht zur Debatte. Vielmehr will Franz Marc Theologie studieren und einen geistlichen Beruf ergreifen. Obwohl er diesen Wunsch schließlich wieder verwirft und nach sei­nem Militärdienst ein Studium der Malerei an der Akade­mie der Bildenden Künste in München beginnt, wohnt seinem Schaffen immer eine religiöse Dimension inne. Nicht die äußere Gestalt, die er mit viel Symbolkraft vor allem in der Farbigkeit verändert, sondern das innere Wesen, die ?Tierseele?, steht im Zentrum der Bilder von Franz Marc, der während eines Studienaufenthalts in Paris mit der Malerei des Impressionismus in Berührung kommt. Sein bevorzugtes Motiv werden die Tiere, die er auf Anregung seines Freundes, des Schweizer Tiermalers Jean-Bloé Niestlé (1884-1942) nicht nach ihrer Natur, son­dern nach ihrem Wesen zu erfassen versucht. Franz Marc experimentiert mit verschiedenen Mal-Stilen und entdeckt vor allem die Farbgebung als sein persönliches Ausdrucksmittel. Die Freundschaft mit Wassily Kandinsky (1866-1944) und Gabriele Münter (1877-1962) ist durch eine intensive Auseinandersetzung mit der Far­benlehre geprägt. Gemeinsam mit Kandinsky begründet Franz Marc die avantgardistische Künstlergemeinschaft ?Der Blaue Reiter?, dem sich später auch noch Paul Klee (1879-1940) und August Macke (1887-1914) anschließen. Das Blaue Pferd verkörpert für Marc die Sehnsucht nach der Erlösung von dem irdischen Ballast, der sichtbaren Welt, die für den Künstler nichts weiter als eine Täuschung darstellt, die es zu überwinden gilt. An der Seite seines lebenslangen Freundes Macke besucht Marc in Paris den französischen Maler Robert Delaunay (1885-1941), dessen Orphischer Kubismus beide Künstler sehr beeindruckt. Mehr noch als Delaunay beeindruckt Franz Marc aber die Kunst des Futurismus, die er nach seiner Rückkehr aus Paris in einer Bonner Ausstellung bewundern kann. Es wird für Marc immer deutlicher, dass er sein Streben nicht in der Figuration erreichen kann, und seine Farben spren­gen ihre Formen ab. Franz Marc entfernt sich auch unter dem Eindruck der heraufziehenden Weltkriegswolken immer mehr vom Tiermotiv und wendet sich der Abstraktion zu. Die Natur, die ihn einst begeistert hat, empfindet er nun als hässlich und das rein geistige Sein als einziges Ziel des wahren Künstlers. Sein spätes Hauptwerk, die vierteilige Bilder147 folge ?Spielende Formen, Heitere Formen, Zerbrochene Formen und Kämpfende Formen? illustriert diese Ent­wicklung eindrucksvoll und hat die Kritik zu ganz unter­schiedlichen Interpretationen angeregt. Die düstere, resi­gnierende Grundstimmung, die Marcs Werk durchzieht, kulminiert in apokalyptischen Darstellungen lebloser Welten und bewegen den Künstler vielleicht auch zu sei­ner verhängnisvollen freiwilligen Meldung zum Kriegs­dienst. Franz Marc fiel am 4. März 1916 in Braquis bei Verdun. Er wurde nur 36 Jahre alt. Sein vielleicht berühmtestes Bild, der ?Turm der blauen Pferde?, war 1937 Teil der berüchtig­ten Ausstellung ?Entartete Kunst?. Es gilt heute als ver­schollen.‎

书商的参考编号 : EN-163

‎Marc, Franz - Isgard Kracht‎

‎Franz Marc - "entartet", aber deutsch.‎

‎Köln/ Nördlingen., Eine Edition des Internationalen Kunstkritikerverbandes, im Verlag Steinmeier., 2005. 18,5 x 12 cm. 47 S. Illustrierter OKarton., 11309D Erste Auflage. Einbandkanten mit minimalen Bereibungen, kleiner Fleck auf der Vorderseite. Sonst gutes bis sehr gutes Exemplar. Band 15 der Reihe "Schriften zur Kunstkritik". Herausgegeben von Walter Vitt.‎

书商的参考编号 : 11309DB

‎Marc, Franz [und] Else Lasker-Schüler‎

‎Der Blaue Reiter präsentiert Eurer Hoheit sein Blaues Pferd. Karten und Briefe. Herausgegeben und kommentiert von Peter-Klaus Schuster.‎

‎Mchn., Prestel Verlag., 1989. 25 x 17 cm. 167 S. OPappband mit llustriertem OUmschlag., 38285AB 4. Auflage. Umschlagkanten nachgedunkelt, Rücken aufgehellt, etwas angestaubt. Gutes Exemplar‎

‎Mit zahlreichen Farbabbildungen der von Marc gestalteten Postkarten und Malerbriefe.‎

书商的参考编号 : 38285AB

‎Marcabrun active th century.‎

‎Poesies completes du troubadour Marcabru / publiees avec traduction notes et glossaire par J.-M.-L. Dejeanne. 1909 Hardcover‎

‎2020. Hardcover. New. Lang: - fre Pages 320. Reprinted in 2020 with the help of original edition published long back 1909. This book is Printed in black & white Hardcover sewing binding for longer life with Matt laminated multi-Colour Dust Cover Printed on high quality Paper re-sized as per Current standards professionally processed without changing its contents. As these are old books we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots. If it is multi volume set then it is only single volume if you wish to order a specific or all the volumes you may contact us. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. Any type of Customisation is possible with extra charges. Hope you will like it and give your comments and suggestions. hardcover‎

书商的参考编号 : 1111015039040

‎Marcaccio, Fabian‎

‎Paintant Stories. Herausgegeben von/Edited by Martin Hentschel und/and Udo Kittelmann.‎

‎Bielefeld., Kerber Verlag., 2000. 29 x 22 cm. 82 S. Illustrierter OPappband., 59151BB Erste Auflage. Stoßkanten und Kapitale leicht bestoßen, sonst gutes Exemplar.‎

‎Texte in Deutsch und Englisch. Mit Beiträgen von Martin Hentschel und Jeffrey Kipnis (nur in Englisch) sowie einem Gespräch von Udo Kittelmann mit Fabian Marcaccio. Durchgehend mit farbigen Abbildungen versehen. Erschien anlässlich der gleichnamigen Ausstellung: Württembergischer Kunstverein, Stuttgart, 13.10. - 26.11.2000; Kölnischer Kunstverein, Köln, 28.4. - 24.6.2001. Gebundene Ausgabe.‎

书商的参考编号 : 59151BB

‎Marcaccio, Fabian / Stockholder, Jessica - Ingvild Goetz / Christiane Meyer-Stoll (Herausgeberinnen)‎

‎Fabian Marcaccio - Jessica Stockholder.‎

‎München., Kunstverlag Goetz., 1998. 24 x 17 cm. 83 S. OKarton., 69580A Erste Auflage. Gutes bis sehr gutes Exemplar.‎

‎Durchgehend mit meist farbigen Abbildungen versehen. Katalog zur Ausstellung "Fabian Marcaccio - Jessica Stockholder", vom 12. Oktober 1998 bis zum 27. März 1999 in der Sammlung Goetz in München. Texte in deutscher und englischer Sprache.‎

书商的参考编号 : 69580AB