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19th Century British Engraver?
Roman Catholic Coat Of Arms With The Motto "Mane Thecel Phares
London: ca. 1850. Engraving on laid paper Oblong. 5.5 x 6.6 cm. Very Good with repaired tear on verso. From the Collection of Hon. Gerald Henry Brabazon Ponsonby 1829 - 1908 Private Secretary to the Lord-Lieutenant of Ireland; son of the 4th Earl of Bessborough. [London: ca. 1850?] unknown
Ссылка продавца : 63-7093
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19th Century British Engraver
Rt Hon. The Fourth Earl of Sandwich.
Paternoster Row London: ca. 1820. Engraving on laid paper 16.5 x 10 cm. Good with tear from left bottom corner to center of engraving loss at left bottom corner. [Paternoster Row, London: ca. 1820] unknown
Ссылка продавца : 63-1941
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19th Century German Engraver
Russische Volksbelustigungen Russian amusements
Berlin Germany: 1828. 5.75" x 8". Wood engraving. Good with tears to bottom edge. Text in German. [Berlin, Germany?]: 1828 unknown
Ссылка продавца : 63-1263
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19th Century German Engraver
Russland 1812 Russia 1812
Germany: 1863. . Steel Engraving. 15 x 20 cm. Oblong. Good with staining. Text in German. [Germany: 1863]. unknown
Ссылка продавца : 63-1162
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19th Century French Artist
R�cr�ations de L'Enfance Recreations of Childhood
Epinal France: Ch. Pellerin 1870s. Hand-colored broadside lithograph 15.5" x 11.5". Losses on three side affecting images and text. Two halves separated along center and mounted on paper. Printed in France. Originally conceived in 1796 by Jean-Charles Pellerin in his native village of �pinal Vosges the images d'�pinal were inexpensive woodcuts and lithographs of religious and historical content intended for the common consumer. During the Napoleonic wars these images became extremely popular as Pellerin's printing house Imagerie d'�pinal cornered the market on commemorative historical prints. During the Great War the traditional style of these prints appealed to French artists looking to show their patriotism as in the eyes of an increasingly anti-German public the image d'�pinal came to represent a distinctly French product unmarred by foreign influence. The prints had a further appeal in that their minimalist form allowed many artists to stay true to the modernist ideals of their time. Epinal, France: Ch. Pellerin, [1870s] unknown
Ссылка продавца : 18-2326
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19th Century Photographer
Sackville Street Dublin
Dublin Ireland: ca. 1890. Black and white photograph mounted on decorative card 7 x 4.5 cm. Very Good. From the Collection of Hon. Gerald Henry Brabazon Ponsonby 1829 - 1908 Private Secretary to the Lord-Lieutenant of Ireland; son of the 4th Earl of Bessborough. [Dublin, Ireland: ca. 1890] unknown
Ссылка продавца : 63-7072
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19th Century French Artist
Sainte Genevi�ve de Brabant. Saint Genevieve of Brabant. No. 884
Epinal France: Olivier-Pinot 1870-1900. Color broadside Bilderbogen 10" x 11". Good. Some wrinkling. Loss at bottom edge not affecting image or text. Text in French. Originally conceived in 1796 by Jean-Charles Pellerin in his native village of �pinal Vosges the images d'�pinal were inexpensive woodcuts and lithographs of religious and historical content intended for the common consumer. During the Napoleonic wars these images became extremely popular as Pellerin's printing house Imagerie d'�pinal cornered the market on commemorative historical prints. During the Great War the traditional style of these prints appealed to French artists looking to show their patriotism as in the eyes of an increasingly anti-German public the image d'�pinal came to represent a distinctly French product unmarred by foreign influence. The prints had a further appeal in that their minimalist form allowed many artists to stay true to the modernist ideals of their time. Epinal, France: Olivier-Pinot, [1870-1900] unknown
Ссылка продавца : 18-2391
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19th Century French Artist
Sc�nes du Siege de Paris. Scenes of the Siege of Paris
Epinal France: Ch. Pellerin 1870s. Large format hand-colored broadside lithograph 15.5" x 11.5". Very Good. Minor losses on edges not affecting image. Bottom row of images separated from rest of page. Mounted on paper. Printed in France. Originally conceived in 1796 by Jean-Charles Pellerin in his native village of �pinal Vosges the images d'�pinal were inexpensive woodcuts and lithographs of religious and historical content intended for the common consumer. During the Napoleonic wars these images became extremely popular as Pellerin's printing house Imagerie d'�pinal cornered the market on commemorative historical prints. During the Great War the traditional style of these prints appealed to French artists looking to show their patriotism as in the eyes of an increasingly anti-German public the image d'�pinal came to represent a distinctly French product unmarred by foreign influence. The prints had a further appeal in that their minimalist form allowed many artists to stay true to the modernist ideals of their time. Epinal, France: Ch. Pellerin, [1870s] unknown
Ссылка продавца : 18-2345
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19th Century German Artist
Sebastopel
1854. Lithograph. 18.5 x 12.5 cm. Oblong. Good with minor creasing staining. Text in German. 1854 unknown
Ссылка продавца : 63-1106
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19th Century German Engravers
Set Of Three Small Prints of Wood Engravings of Riga 1878 - 1901
1878 - 1901. 5" x 5" Prints includes two duplicates of wood engraving. Very Good with some toning. Text in German. 1878 - 1901 unknown
Ссылка продавца : 63-1253
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19th Century German Artist
Sieg Der Musik
Berlin Germany: 1875. Chromolithograph. 5.5" x 8.5". Very Good. Text in German. [Berlin, Germany: 1875?] unknown
Ссылка продавца : 63-3759
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19th Century French Artist
Si�ge de S�bastopol. Siege of Sebastopol
Epinal France: Ch. Pellerin 1870s. Large format hand-colored broadside lithograph 15" x 12". Very Good. Reinforced with tape on verso. Printed in France. Originally conceived in 1796 by Jean-Charles Pellerin in his native village of �pinal Vosges the images d'�pinal were inexpensive woodcuts and lithographs of religious and historical content intended for the common consumer. During the Napoleonic wars these images became extremely popular as Pellerin's printing house Imagerie d'�pinal cornered the market on commemorative historical prints. During the Great War the traditional style of these prints appealed to French artists looking to show their patriotism as in the eyes of an increasingly anti-German public the image d'�pinal came to represent a distinctly French product unmarred by foreign influence. The prints had a further appeal in that their minimalist form allowed many artists to stay true to the modernist ideals of their time. Epinal, France: Ch. Pellerin, [1870s] unknown
Ссылка продавца : 18-2347
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19th Century French Artist
Si�ge de S�bastopol. Siege of Sebastopol
Epinal France: Ch. Pellerin 1870s. Large format hand-colored broadside lithograph 15" x 12". Fair. Separated at center into two halves and repaired with tape on verso. Minor losses on edges and some toning from age. Printed in France. Originally conceived in 1796 by Jean-Charles Pellerin in his native village of �pinal Vosges the images d'�pinal were inexpensive woodcuts and lithographs of religious and historical content intended for the common consumer. During the Napoleonic wars these images became extremely popular as Pellerin's printing house Imagerie d'�pinal cornered the market on commemorative historical prints. During the Great War the traditional style of these prints appealed to French artists looking to show their patriotism as in the eyes of an increasingly anti-German public the image d'�pinal came to represent a distinctly French product unmarred by foreign influence. The prints had a further appeal in that their minimalist form allowed many artists to stay true to the modernist ideals of their time. Epinal, France: Ch. Pellerin, [1870s] unknown
Ссылка продавца : 18-2956
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19th Century French Artist
Si�ge et Bombardement de Strasbourg. Siege and Bombardment of Strasbourg
Epinal France: Pinot & Sagaire 1870-1871. Large format color broadside 16" x 11". Very Good. Printed in France. Originally conceived in 1796 by Jean-Charles Pellerin in his native village of �pinal Vosges the images d'�pinal were inexpensive woodcuts and lithographs of religious and historical content intended for the common consumer. During the Napoleonic wars these images became extremely popular as Pellerin's printing house Imagerie d'�pinal cornered the market on commemorative historical prints. During the Great War the traditional style of these prints appealed to French artists looking to show their patriotism as in the eyes of an increasingly anti-German public the image d'�pinal came to represent a distinctly French product unmarred by foreign influence. The prints had a further appeal in that their minimalist form allowed many artists to stay true to the modernist ideals of their time. Epinal, France: Pinot & Sagaire, [1870-1871] unknown
Ссылка продавца : 18-2252
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19th Century French Artist
Si�ge et Bombardement de Strasbourg. Siege and Bombardment of Strasbourg
Epinal France: Pinot & Sagaire 1870-1871. Large format color broadside 16" x 11". Very Good. Minor foxing. Printed in France. Originally conceived in 1796 by Jean-Charles Pellerin in his native village of �pinal Vosges the images d'�pinal were inexpensive woodcuts and lithographs of religious and historical content intended for the common consumer. During the Napoleonic wars these images became extremely popular as Pellerin's printing house Imagerie d'�pinal cornered the market on commemorative historical prints. During the Great War the traditional style of these prints appealed to French artists looking to show their patriotism as in the eyes of an increasingly anti-German public the image d'�pinal came to represent a distinctly French product unmarred by foreign influence. The prints had a further appeal in that their minimalist form allowed many artists to stay true to the modernist ideals of their time. Epinal, France: Pinot & Sagaire, [1870-1871] unknown
Ссылка продавца : 18-2253
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19th Century French Artist
Si�ge et Bombardement de Strasbourg. Siege and Bombardment of Strasbourg
Epinal France: Pinot & Sagaire 1870-1871. Large format color broadside 12" x 11". Losses along right and left hand edges. Mounted on paper. Printed in France. Originally conceived in 1796 by Jean-Charles Pellerin in his native village of �pinal Vosges the images d'�pinal were inexpensive woodcuts and lithographs of religious and historical content intended for the common consumer. During the Napoleonic wars these images became extremely popular as Pellerin's printing house Imagerie d'�pinal cornered the market on commemorative historical prints. During the Great War the traditional style of these prints appealed to French artists looking to show their patriotism as in the eyes of an increasingly anti-German public the image d'�pinal came to represent a distinctly French product unmarred by foreign influence. The prints had a further appeal in that their minimalist form allowed many artists to stay true to the modernist ideals of their time. Epinal, France: Pinot & Sagaire, [1870-1871] unknown
Ссылка продавца : 18-2251
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19th Century French Artist
Si�ge et Bombardement de Paris par les Prussiens Guerre de 1870. Siege and Bombardment of Paris by the Prussians War of 1870
Epinal France: Pinot & Sagaire 1870-1871. Large format color broadside 16" x 11". Very Good. Minor wrinkling on top. Reinforced with tape on verso. Printed in France. Originally conceived in 1796 by Jean-Charles Pellerin in his native village of �pinal Vosges the images d'�pinal were inexpensive woodcuts and lithographs of religious and historical content intended for the common consumer. During the Napoleonic wars these images became extremely popular as Pellerin's printing house Imagerie d'�pinal cornered the market on commemorative historical prints. During the Great War the traditional style of these prints appealed to French artists looking to show their patriotism as in the eyes of an increasingly anti-German public the image d'�pinal came to represent a distinctly French product unmarred by foreign influence. The prints had a further appeal in that their minimalist form allowed many artists to stay true to the modernist ideals of their time. Epinal, France: Pinot & Sagaire, [1870-1871] unknown
Ссылка продавца : 18-2254
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19th Century French Artist
Si�ge et Bombardement de Paris par les Prussiens Guerre de 1870. Siege and Bombardment of Paris by the Prussians War of 1870
Epinal France: Pinot & Sagaire 1871. Large format color broadside 10.5" x 14.5". Losses on left hand side. Part of image and text missing. Mounted on paper. Printed in France. Originally conceived in 1796 by Jean-Charles Pellerin in his native village of �pinal Vosges the images d'�pinal were inexpensive woodcuts and lithographs of religious and historical content intended for the common consumer. During the Napoleonic wars these images became extremely popular as Pellerin's printing house Imagerie d'�pinal cornered the market on commemorative historical prints. During the Great War the traditional style of these prints appealed to French artists looking to show their patriotism as in the eyes of an increasingly anti-German public the image d'�pinal came to represent a distinctly French product unmarred by foreign influence. The prints had a further appeal in that their minimalist form allowed many artists to stay true to the modernist ideals of their time. Epinal, France: Pinot & Sagaire, [1871] unknown
Ссылка продавца : 18-2234
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19th Century French Artist
Si�ge et Bombardement de Paris par les Prussiens Guerre de 1870. Siege and Bombardment of Paris by the Prussians War of 1870
Epinal France: Pinot & Sagaire 1871. Large format color broadside 10.5" x 14.5". Very Good. Printed in France. Minor wrinkling. Reinforced with tape on verso. Minor losses on edges not affecting image. Originally conceived in 1796 by Jean-Charles Pellerin in his native village of �pinal Vosges the images d'�pinal were inexpensive woodcuts and lithographs of religious and historical content intended for the common consumer. During the Napoleonic wars these images became extremely popular as Pellerin's printing house Imagerie d'�pinal cornered the market on commemorative historical prints. During the Great War the traditional style of these prints appealed to French artists looking to show their patriotism as in the eyes of an increasingly anti-German public the image d'�pinal came to represent a distinctly French product unmarred by foreign influence. The prints had a further appeal in that their minimalist form allowed many artists to stay true to the modernist ideals of their time. Epinal, France: Pinot & Sagaire, [1871] unknown
Ссылка продавца : 18-2233
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19th Century European Engraver
Spain and Portugal Map
London: 19th Century European Publisher 1841. 13 x 10 inches. Very Good. 19th Century hand-colored folded map of Spain and Portugal. Scarce. [London]: 19th Century European Publisher, [1841?] unknown
Ссылка продавца : 18-0695
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19th Century Scottish Tracts
Stow Monthly Visitor October 1846 & April 1847: The Orphan / The Contrast in Death
Edinburgh: R. Marshall Printer W. Innes Bookseller 1846. Very Good. 8.25 inches tall single sheets folded once to make 4 pp. -- 2 narratives with religious themes. Both unrecorded in OCLC COPAC etc. Part of the Tract Movement in Scotland and England designed to appeal to the purses of the wealthy to beseech charitable contributions on behalf of the poor and indigent. R. Marshall Printer, W. Innes, Bookseller unknown
Ссылка продавца : H9640
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19th Century English Artist
Street Scene With Tudor Timber-Framed Building at Center Figure In Full Plate Armor Holding a Spear and Shield Emblazoned with St. George's Cross as used in the flags of England
London ca. 1820. Steel Engraving Hand-Colored. 5" x 6.5". Print mounted on mat with beveled edges Very Good. [London, ca. 1820] unknown
Ссылка продавца : 63-2125
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19th Century British Artist
Switzerland. 19th Century Map
London: 19th Century British Publisher 1800s. 13 x 18 inches. Very Good. 19th Century atlas map printed in color with hand-drawn borders. Scarce. [London]: 19th Century British Publisher, [1800s] unknown
Ссылка продавца : 18-1020
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19th Century European Artist
Switzerland. 19th Century Map
London: Edward Stanford 1800s. 13 x 16 inches. Very Good. 19th Century folded map printed in color. Scarce. London: Edward Stanford, [1800s] unknown
Ссылка продавца : 18-0888
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19th CENTURY THEATRICAL PRACTICE Fitzgerald Percy.
The Art of Acting.
London.: Swan Sonnenschein & Co. 1892. Hardback volume 6 1/2 x 4 1/4 inches xii194 pp. spine very slightly cocked. Text initially "delivered in the form of lectures at the Royal Institution the Society of Arts and the Royal Institute Hull." Frontispiece portrait of the famous 19th century French actor Frederic Lemaitre. The text unfolds sage advice relating to acting technique "keep one's head.while appearing to give up one's heart" as well as discussion of scenic devices common on the 19th century stage such as the illusion of "ice breaking up on a vast sea"; also the use of elevator stages etc. An interesting companion to 19th century theatre. . Swan Sonnenschein & Co. hardcover
Ссылка продавца : 54032
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19TH CENTURY PRAYER BOOK The United Parishes Of S. Margaret Lothbury S. Christopher Le Stocks S. Bartholomew By The Exchange
The Book Of Common Prayer: And Administration Of The Sacraments And Other Rites And Ceremonies Of The Church According to the use of the United Church of England and Ireland : Together with the Psalter or Psalms of David.
Oxford : Printed at the University Press. Sold by E. Gardner and Son Oxford Bible Warehouse Paternoster Row London; And By All Booksellers M.DCCC.LXIV. 1844 . 0. A very good full leather binding with gilt label to front board. 4to. 12.50" x 10.25" x 1.75". Unpaginated. Polished black morocco over thick boards. Corners bumped. Front board with dulled gilt label: "The United Parishes Of S. Margaret Lothbury S. Christopher Le Stocks S. Bartholomew By The Exchange." Spine with 5 raised bands and dulled gilt title: "Common Prayer". All page edges gilt now a little dulled Original yellow endpapers soiled. Light spotting to free-endpapers. Title-page in red & black. Clear English text throughout in double columns. Each page within a red-lined border. Pages refering to Morning and Evening Prayer soiled due to previous regular use. With 4 black silk marker ribbons. A very good 19th century parayer book with an interesting provenance. "St Christopher le Stocks was a parish church on the south side of Threadneedle Street in the Broad Street Ward of the City of London. Of Medieval origin it was rebuilt following the Great Fire of London in 1666 but demolished to make way for an extension of the neighbouring Bank of England. The parish was united with that of St Margaret Lothbury in 1781 and the church pulled down the next year. In 1839 Saint Bartholomew by the Exchange was added when its church was also demolished. " . Oxford : Printed at the University Press. Sold by E. Gardner and Son, Oxford Bible Warehouse, Paternoster Row, London; And By Al hardcover
Ссылка продавца : 44304
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19th Century Literature By Women Authors
The Cadet De Colobrieres. A Tale of the Old Convents of Paris. Madame Charles Reybaud with Cleveland: A Tale of the Catholic Church By Mary Anne G. Murray-Gartshore with Life in Sweden. The President's Daughters. Part II Nina. By Frederika Bremer
Philadelphia and New York: Various 1843. Three novels by these women writers individually published & separately paginated bound in one volume including: The Cadet De Colobrieres. A Tale of the Old Convents of Paris. Translated from the French of Madame Charles Reybaud. Complete in One Volume. Philadelphia: Carey and Hart 1847. 91 pages; with a one-page Preface by the un-named translator. Henriette Etiennette Fanny Arnaud Reybaud 1802-1871 French writer who wrote under the name of Madame Charles Reybaud and other noms-de-plume. Title page with the signature at top margin of V.E. Baudry May 1847. Cleveland: A Tale of the Catholic Church. New York: Burgess Stringer & Co. 1847. 105 pages printed double-column. Author is not noted on title page; by British writer Mary Anne Georgia Murray-Gartshore. d. 1851. Tipped on to the title page are two thin strips of paper with a clipped signature and date of V.E. Baudry Sept. 1847. Life in Sweden. The President's Daughters. Part II Nina. By Frederika Bremer translated by Mary Howitt. New York Published by Harper & Brothers 1843. 137 pages printed double column. Fredrika Bremer 1801-1865 Swedish writer feminist reformer; Mary Howitt Mary Howitt 1799-1888 prolific English author; nee Botham; published translations from Frederika Bremer and Hans Andersen and successful children's books. DNB. Previous owner small bookplate of S.M. DuPont on the front endpaper; binder's note in pencil on back free endpaper "Dupont � roan�" Approx. 6" x 9 1/8" size; bound in blue & black striped & marbled paper covered boards black leather spine and corners gilt spine titles and simple rule-lines gilt. Much rubbing and wear to the boards & corners; some foxing and spotting to the contents; in good condition. . First Edition. Leather. Good. Various
Ссылка продавца : 25566
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19th Century British Engraver
The History of Moses; Giving an Account of his birth his being found by Pharaoh's daughter in the ark of bulrushes and the miracles wrought by him for the deliverance of the children of Israel. Embellished With Cuts
Glasgow Scotland: Printed for the Booksellers 1840. 16mo. 24 pp. Chapbook Good with toning loose pages small tears minor losses. Wood-engraved vignette to title page and 14 other half page wood cuts. Glasgow, Scotland: Printed for the Booksellers, [1840] unknown
Ссылка продавца : 15-9775
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19TH CENTURY MASONIC ENGRAVING A LURAT and EDWARD G HESTER Engravers .
The Installation Of H.R.H. The Prince Of Wales K.G. As Most Worshipful Grand Master Of The United Grand Lodge Of Ancient Free And Accepted Masons Of England 28th April 1875
London: Printed and Published by McQueens by Bro E J Harty 213 Regent Street Jan 1st 1878 . 0. Very Rare Engraving Of Masonic Interest 94cm x 61cm / 38" x 24" : "The Installation Of H.R.H. The Prince Of Wales K.G. As Most Worshipful Grand Master Of The United Grand Lodge Of Ancient Free And Accepted Masons Of England 28th April 1875". Followed by: " This Engraving Is Dedicated By Special Permission To His Royal Highness By Bro. Edward James Harty PM 1201." It is Engraved by A. Lurat and Edward G. Hester Printed by McQueens and Published Jan 1st 1878 By Bro. E. J. Harty 213 Regent Street. The engraving has been professionally re-framed 118cm x 86cm / 46" x 34" using archival standard materials preserving the original brass presentation plaque attached to the rear of the frame: "Presented to The Mitcham Masonic Lodge No 2384 By The Family Of The Late W. Bro J. M. Leather PM." The engraving has a few light brown spots but is otherwise in very good condition. This installation ceremony was the largest congregation of Freemasons everheld. E. J. Harty was master of Eclectic Lodge 1201 in 1877. "Albert Edward Prince of Wales was initiated as a freemason in Stockholm by the King of Sweden in 1868. On the resignation in 1874 of the Marquess of Ripon as Grand Master following his conversion to Roman Catholicism the Prince of Wales became Grand Master serving until his accession to the throne. The Prince�s initiation encouraged some of his brothers to follow suit. Arthur Duke of Connaught was initiated by the Prince of Wales in 1874 while he was master of the Prince of Wales�s Lodge No. 259 and Leopold Duke of Albany became freemason in the same year in the Apollo University Lodge No. 357 at Oxford.The election of Albert Edward Prince of Wales later King Edward VII as Grand Master in 1874 gave great impetus to Freemasonry. The Prince was a great supporter of and publicist for Freemasonry. He regularly appeared in public both at home and on his tours abroad as Grand Master laying the foundation stones of public buildings bridges dockyards and churches with Masonic ceremonial. His presence ensured publicity and reports of Masonic meetings at all levels appeared regularly in the national and local press. Freemasonry was constantly in the public eye and Freemasons were known in their local communities. From 637 in 1814 the Grand Lodge had grown to 2850 lodges when the Prince resigned the Grand Mastership on becoming King in 1901." - ugle: The History of the Grand Lodge . London: Printed and Published by McQueens, by Bro E J Harty, 213 Regent Street, Jan 1st 1878 . 0 hardcover
Ссылка продавца : 38500
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19TH CENTURY BIBLE RIVIERE BINDING
The New Testament of Our Lord and Saviour Jesus Christ. With Engravings on Wood from Designs of Fra Angelico Pietro Perugino Francesco Francia Lorenzo Di Credi Fra Barolommeo Titian Raphael Gaudenzio Ferrari Daniel Di Volterra and others.
Longman Green Longman Roberts and Green London 1865 0. A very good 19th century leather binding by Riviere. 4to. 25cm x 19.5cm x 5.5cm pp.16/pp. 540. Contemporary binding by Riviere signed in gilt on the front turn-in of dark brown goatskin the covers with a border composed of a gilt and blind fillets and a gilt arabesque roll mitred to a gilt and blind fillet panel with gilt flowers between and blind arabesque cornerpieces and at the centre a gilt circular ornamental block. Corners bumped and edges lightly rubbed. Spine with six raised bands gilt decorated compartments and gilt title: "New Testament". All page edges bright gilt. Inner gilt turn-ins. Binder's stamp to lower edge of the verso of the front board: "Bound By Riviere." Neat inked dedication to front endpaper: "Joseph Parker A New Year's Gift from his affectionate Aunt Eliza Andrews. 1st January 1865." Foxing to free-endpapers otherwise clean text and decorations throughout. With an engraved frontispiece 59 single-page illustrations and marginal ornaments initial letters and medallions all engraved on wood by W.T. Green J. Cooper J.L. Williams R.C. West T. Williams W. Linton Messrs. Dalziel A. Williams W. Measom F. Anderson J. Thompson and H. Shaw. A very good book in a quality binding. Referenced by: Darlow & Moule / Herbert 1951. . Longman, Green, Longman, Roberts and Green, London, 1865 0 hardcover
Ссылка продавца : 44436
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19TH CENTURY JUVENILE LITERATURE
The Two Bogies. The Real Bogie and the Unreal Bogie. A Tale of Conscience.
London.: Darton and Clark. No date. Ca. 1848. Juvenile book 6.25 x 5 inches; 24 pp; stiff paper covers; front cover embossed. Text on front cover identifies the book as one in the series Greens Fireside Stories. The slim book has three-hole string-binding but also a later stitched binding along the spine. There is a color wood-engraved frontispiece or plate. It would appear from other WorldCat listings pertaining to this series that a second color illustration is called for but no longer present in this volume. Indeed common sense suggests that if one Bogie is illustrated the second would be similarly represented. Overall a juvenile book evidently prized by its original owners but reflecting heavy usage over the one hundred sixty plus years. . Darton and Clark. unknown
Ссылка продавца : 50884
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19th century school primer
The United States School Primer. Designed for Schools and Families Carefully Compiled for the Instruction and Improvement of the Infant Mind and Heart: Containing More Than One Hundred Engravings
Jan 01 1839. Paperback. Fair. New York: George F. Cooledge 1839. Softcover in decorative wraps. First Edition - printing of date unclear 46 pages plus covers. Illustrated with period woodblock prints. Some wear to lower spine/ front cover soiling toning etc. else good overall condition. No marks NOT EX-LIBRARY. paperback
Ссылка продавца : 10-ILYN-FLMF
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19th Century American Scientist
The Vital and Nervous Forces in Relation to the Principles of Disease Especially the Excitement of Fever and Inflammation. Chapter 1. Changes Between the Vital and Nervous Forces of the Skin and Viscera in the Production of Fever
N.P. n.d. 1850's. 12mo. 16 pp. Good Folded Section toning throughout small tears on edges inked editing notes on first few pages. N.P., n.d. [1850's?] unknown
Ссылка продавца : 15-4178
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19th Century French Artist
Th��tre des Folies-Berg�re. Chambre rustique Depose No. 5.
Nancy France: Delhalt 1890s. Large format color broadside Bilderbogen 16" x 11". Good. Some wrinkling on edges and two quarter-inch tears in margins not affecting image. Text in French. Originally conceived in 1796 by Jean-Charles Pellerin in his native village of �pinal Vosges the images d'�pinal were inexpensive woodcuts and lithographs of religious and historical content intended for the common consumer. During the Napoleonic wars these images became extremely popular as Pellerin's printing house Imagerie d'�pinal cornered the market on commemorative historical prints. During the Great War the traditional style of these prints appealed to French artists looking to show their patriotism as in the eyes of an increasingly anti-German public the image d'�pinal came to represent a distinctly French product unmarred by foreign influence. The prints had a further appeal in that their minimalist form allowed many artists to stay true to the modernist ideals of their time. Nancy, France: Delhalt, [1890s] unknown
Ссылка продавца : 18-2949
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19th Century German Artist
Troitzko Sergievsky Laurae I Moskau Troitsko Sergievsky Laura IN Moscow
Germany: 1853. Lithograph on wove. 9 x 13.5 cm. Oblong. Good with minor staining uneven edges. Text in German. Germany: 1853 unknown
Ссылка продавца : 63-1086
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19TH CENTURY
TUDOR WHARVES ICE: THE SHIPS ANAHUAC LUCY S. WILLS AND ANNA DECATUR
1870. 19TH CENTURY. TUDOR WHARVES ICE: THE SHIPS ANAHUAC LUCY S. WILLS AND ANNA DECATUR. Photographer unknown. ca. 1870. Matted framed original photograph matted to 11 x 17 inches. Diagonal vista: The ships Anahuac Lucy S. Wills and Anna Decatur load ice at the Tudor Wharves Charlestown Massachusetts. The first two ships were East Boston-built and Boston-registered; the latter was built and registered in Portsmouth New Hampshire. Charlestown Bridge is in the foreground with one lone spectator observing the shipyard docks. Frederick Tudor known as "The Ice King" combined two trades without much apparent connection ice and sawdust and by using the sawdust for insulation was able to create a shipping industry in New England that reached the far East and South America. Some vertical bands of toning faintly apparent from original wood backing. 338-9 Bunting "Portrait of a Port: Boston 1852-1914." a. unknown
Ссылка продавца : 82226
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19TH CENTURY FLOWER LITHOGRAPHS Livings Frances & A.
Twelve White Flowers.
London.: Hamilton Adams & Co. 1888. Hardbound book illustrated with 12 black and white flower lithographs 48 pages 9 3/4 x 7 3/4 inches debossed title in silver on blue cloth all gilt edges. Light soiling to covers and wear to cover extremities foxing to half title page; overall very good clean condition. Lithographs are beautifully preserved under tissue guards. An elegant volume with illustrations by Frances Livings and text describing each flower by A. Livings interspersed with poetry. Flowers include: camellia narcissus eucharis chrysanthemum lily of the valley lapageria rose anemone clematis sweet pea azalea and helleborus. . Hamilton, Adams, & Co. hardcover
Ссылка продавца : 56058
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19TH CENTURY VELLUM DOCUMENT HILL J. / SNOWDEN J.
Vellum document - Conveyance of freehold building land situate in Great Cornard Suffolk - Mr. John Hill to Mr. John Snowden
Sudbury Suffolk: Thomas Bates 4th October 1886. 0. Folded vellum document 16" x 10.25" - Conveyance 4th October 1886 . Indenture Regarding freehold building land in Great Cornard Suffolk. Between John Hill No. 1 Ponsonby Place Pimlico City of Westminster Messenger and John Snowden Sudbury Suffolk Gentleman. previously in the possession of Edward Rudd. For a piece of land near the church in Great Cornard. . Sudbury, Suffolk: Thomas Bates, 4th October 1886. 0 hardcover
Ссылка продавца : 45827
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19TH CENTURY VELLUM DOCUMENT WILSON C. J. / RUDD A. E.
Vellum document - Conveyance of a piece of land in Great Cornard Suffolk - Mr. Charles J. Wilson and Mr. Arthur E. Rudd.
Sudbury Suffolk: Andrewes Canham & Andrewes 29th October 1909. 0. Folded vellum document 16" x 10.25" - Conveyance 29th September 1886 . Indenture Regarding a piece of land in Great Cornard Suffolk. Between Charles James Wilson great Cornard Suffolk Gentleman and Arthur Edward Rudd of Sudbury Suffolk Grocer. For a piece of land near the church in Great Cornard. . Sudbury, Suffolk: Andrewes Canham & Andrewes, 29th October 1909. 0 hardcover
Ссылка продавца : 45826
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19TH CENTURY VELLUM DOCUMENT HILL J. / LLOYD J.
Vellum document - Conveyance two messuages in Great Cornard Suffolk - Mr. John Hill to Mr. James Lloyd
Sudbury Suffolk: Andrewes Canham & Andrewes 29th September 1886. 0. Folded vellum document 16" x 10.25" - Conveyance 29th September 1886 . Indenture Regarding freehold land in Great Cornard Suffolk. Between John Hill No. 1 ponsonby Place Pimlico City of Westminster Messenger and James Lloyd of Great Cornard Suffolk Labourer. for a plot of land near the church in Great Cornard with a frontage towards the High Road leading from Sudbury to Bures St. Mary. . Sudbury, Suffolk: Andrewes Canham & Andrewes, 29th September 1886. 0 hardcover
Ссылка продавца : 45825
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19TH CENTURY VELLUM DOCUMENT ANDREWES A. B. / WILSON C. B.
Vellum document - Conveyance of a piece of land at Gt. Cornard Suffolk - Miss A B Andrewes to Mr. Chas. J. Wilson
Sudbury Suffolk: Thomas Bates 25th April 1890. 0. Folded vellum document 16" x 10.25" - Conveyance 25th April 1890 . Indenture Regarding freehold building land & premises situated in Great Cornard Suffolk. Between Alice Brereton Andrewes of Sudbury spinster and Charles James Wilson of Sudbury gentlemen for a plot of land previously in the possession of John Snowden of Sudbury gentleman and For a parcel of building land near the church in Great Cornard with a frontage towards the High Road leading from Sudbury to Bures St. Mary. Document includes the signature of Lancelot Andrewes as a witness Family history records show: Miss Alice Beeton Brereton Andrewes. Born 1847 Sudbury Suffolk. Baptised 23 June 1847 St. Peter Sudbury. Died 15th August 1927 Daughter of Sudbury-born Solicitor & Alderman George William Andrewes and his wife Mary. 1851 Census: Friars Street Sudbury. With parents; four sisters; a Groom; a Cook; Housemaid; and two Nursemaids.1861 Census: Friars Street Sudbury. With widowed father; six sisters; one brother; a Governess; a Cook; Housemaid; and two Nursemaids. 1871 - 1911 Census: 67 Friars Street Sudbury. . Sudbury, Suffolk: Thomas Bates, 25th April 1890. 0 hardcover
Ссылка продавца : 45821
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19th Century Italian Photographer: Edition Photoglob
Ventimiglia. Vintage photograph
Ventimiglia: 19th Century. Silver photograph. 21 x 27.5 cm. Ttile and name of photographer beneath the image. No. 2171. Ventimiglia: 19th Century unknown
Ссылка продавца : 51-3290
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19th Century German Artist
Vinterpalladset I St. Petersborg Winter Palace in St. Petersburg
Germany: 1853. Lithograph on wove. 9 x 13.5 cm. Oblong. Good with minor staining uneven edges. Text in German. Germany: 1853 unknown
Ссылка продавца : 63-1087
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19th Century Chinese Taoist Disciples?
Wen Wu Di Jio Jie Bao Shen Yong Min Xin Jin Guan Zhu Xian Shi Xin Yu Jio Jie Xin Jin and Mo Jie Zhen Jin Wisdoms of Wen Wu Emperors and Wisdom of other Sages 4 Titles Bound in One Volume
Henan China: Henan Ming Xin Tan 1914. 8vo. 84 pp. String-bound Soft Covers. Good with tears losses toning. Illustration. Text in Chinese. Henan, China: Henan Ming Xin Tan, 1914 paperback
Ссылка продавца : 19-5634
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19th Century Chinese Taoist Disciples?
Wen Wu Er Di Bao Shen Yong Min Zen Jin Living Wisdom by Wen and Wu Emperors
Canton China: ca. 1920s. 4to. 52 pp. String-bound Soft Covers. Good with tears losses toning. Illustrations inside cover. Text in Chinese. Canton, China: [ca. 1920s] paperback
Ссылка продавца : 19-5632
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19th Century Chinese Writer
Zu Ben Dong Zho Lea Guo Zhi Tales About Countries in Eastern Zho Dynasty
Shanghai China: ca. 1900s. 12mo. ca. 75 pp. String bound Soft Covers. Good with marginal tears losses creasing some toning. Illustrated. Volume One in 16-part series. Text in Chinese. Shanghai, China: [ca. 1900s]? paperback
Ссылка продавца : 19-5640
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19th Century German Artist
Z�ndnadeln. No. 5
Berlin: W. Reuter's Druckerei 1871. Large format broadside Bilderbogen 20" x 24". Good. Repaired with tape on verso. Text in German. Scarce. Originally conceived in 1796 by Jean-Charles Pellerin in his native village of �pinal Vosges the images d'�pinal were inexpensive woodcuts and lithographs of religious and historical content intended for the common consumer. During the Napoleonic wars these images became extremely popular as Pellerin's printing house Imagerie d'�pinal cornered the market on commemorative historical prints. During the Great War the traditional style of these prints appealed to French artists looking to show their patriotism as in the eyes of an increasingly anti-German public the image d'�pinal came to represent a distinctly French product unmarred by foreign influence. The prints had a further appeal in that their minimalist form allowed many artists to stay true to the modernist ideals of their time. [Berlin]: W. Reuter's Druckerei, [1871] unknown
Ссылка продавца : 18-2420
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19th Century German Artist
Z�ndnadeln. Ernste und Heitere Bilder Aus Dem Deutschen Nationalkrieg Gegen Napoleon III. Serious and Serene Pictures from the German National War Against Napoleon III.
Berlin: W. Reuter's Druckerei 1871. Large format broadside Bilderbogen 20" x 24". Good. Repaired with tape on verso. Text in German. Scarce. Originally conceived in 1796 by Jean-Charles Pellerin in his native village of �pinal Vosges the images d'�pinal were inexpensive woodcuts and lithographs of religious and historical content intended for the common consumer. During the Napoleonic wars these images became extremely popular as Pellerin's printing house Imagerie d'�pinal cornered the market on commemorative historical prints. During the Great War the traditional style of these prints appealed to French artists looking to show their patriotism as in the eyes of an increasingly anti-German public the image d'�pinal came to represent a distinctly French product unmarred by foreign influence. The prints had a further appeal in that their minimalist form allowed many artists to stay true to the modernist ideals of their time. [Berlin]: W. Reuter's Druckerei, [1871] unknown
Ссылка продавца : 18-2418
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19th Century German Artist
Z�ndnadeln. No. 19. Z�ndnadeln. Ernste und Heitere Bilder Aus Dem Deutschen Nationalkrieg Gegen Napoleon III und Aus Der Darauf Folgenden Zeit. Serious and cheerful images from the German National War against Napoleon III and from the ensuing time.
Berlin: W. Reuter's Druckerei 1871. Large format broadside Bilderbogen 20" x 24". Good. Repaired with tape on verso. Text in German. Scarce. Originally conceived in 1796 by Jean-Charles Pellerin in his native village of �pinal Vosges the images d'�pinal were inexpensive woodcuts and lithographs of religious and historical content intended for the common consumer. During the Napoleonic wars these images became extremely popular as Pellerin's printing house Imagerie d'�pinal cornered the market on commemorative historical prints. During the Great War the traditional style of these prints appealed to French artists looking to show their patriotism as in the eyes of an increasingly anti-German public the image d'�pinal came to represent a distinctly French product unmarred by foreign influence. The prints had a further appeal in that their minimalist form allowed many artists to stay true to the modernist ideals of their time. [Berlin]: W. Reuter's Druckerei, [1871] unknown
Ссылка продавца : 18-2421
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19th Century French Artist
�pisode de la Bataille de Saint-Privat pr�s Metz. Episode of the Battle of Saint-Privat near Metz
Epinal France: Pinot & Sagaire 1870-1871. Large format color broadside 16" x 11". Very Good. Minor wrinkling. Reinforced with tape on verso. Printed in France. Originally conceived in 1796 by Jean-Charles Pellerin in his native village of �pinal Vosges the images d'�pinal were inexpensive woodcuts and lithographs of religious and historical content intended for the common consumer. During the Napoleonic wars these images became extremely popular as Pellerin's printing house Imagerie d'�pinal cornered the market on commemorative historical prints. During the Great War the traditional style of these prints appealed to French artists looking to show their patriotism as in the eyes of an increasingly anti-German public the image d'�pinal came to represent a distinctly French product unmarred by foreign influence. The prints had a further appeal in that their minimalist form allowed many artists to stay true to the modernist ideals of their time. Epinal, France: Pinot & Sagaire, [1870-1871] unknown
Ссылка продавца : 18-2246
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