‎Histoire de l'art‎

‎Collectif, Durozoi Gérard‎

‎Dictionnaire de l'art moderne et contemporain‎

‎Fernand Hazan 2002 In-4 30 cm sur 20. 676 pages. Bon état d’occasion.‎

‎Bon état d’occasion‎

书商的参考编号 : 58757

‎Collectif, Govignon Brigitte‎

‎La petite encyclopédie de l'art‎

‎Réunion des Musées Nationaux 1995 In-4 relié 27 cm sur 22. 287 pages. Bon état d’occasion.‎

‎Bon état d’occasion‎

书商的参考编号 : 58726

‎Collectif.‎

‎Art et architecture à Melun au Moyen Age. Actes du colloque d'histoire de l'art et d'archéologie tenu à Melun les 28 et 29 novembre 1998. Textes réunis par Yves Gallet.‎

‎Picard, 2000, gr. in-8°, 344 pp, 21 illustrations et plans en couleurs, 103 illustrations, plans et figures en noir, 4 tableaux généalogiques, notes, broché, couv. illustrée à rabats, bon état‎

‎Redécouvrir le riche passé médiéval de la ville de Melun : c'est ce à quoi nous invitent historiens de l'art et archéologues, réunis en colloque à l'occasion du huitième centenaire de la dédicace de l'ancienne collégiale royale Notre-Dame (1198-1998). En dépit de la place subalterne qu'elle occupe aujourd'hui en Ile-de-France, la ville de Melun, logée dans un site remarquable comparable à celui de Paris, a connu au Moyen Age des heures glorieuses. Simple chef-lieu sur la route menant de Sens à Paris vers la fin de l'Antiquité, la ville, transformée en castrum par l'édification d'une enceinte monumentale au IVe siècle, devient à l'époque mérovingienne le siège d'un éphémère évêché et connaît peut-être un rayonnement dont on se souvenait encore au XIIe siècle. Eclipsée à l'époque carolingienne, la ville retrouve sous les Capétiens un dynamisme dont l'empreinte se lit toujours dans la topographie urbaine. C'est également le temps des prestigieuses fondations royales, dans la ville et aux alentours, avec la collégiale Notre-Dame, bâtie à l'initiative de Robert le Pieux, l'abbaye cistercienne du Lys à Dammarie, où a longtemps reposé le cœur de Blanche de Castille, ou encore l'abbaye, disparue, du Jard, fondée par Adèle de Champagne, sans oublier l'ancien château de Philippe Auguste et de Charles V. Avec les autres villes royales qui gravitent autour de Paris, Melun a tenu un rôle important dans la genèse du pouvoir capétien et faillit être un temps la seconde capitale du royaume. C'est de ce passé illustre et de son héritage artistique que les enquêtes réunies dans cet ouvrage racontent l'histoire. Ce devoir de mémoire a été confié à des spécialistes reconnus et à de jeunes chercheurs, qui livrent une étude entièrement renouvelée et souvent inédite d'un patrimoine dont l'importance depuis longtemps pressentie peut désormais être appréciée en toute connaissance de cause. C'est une lumière neuve qui est jetée sur l'histoire de Melun et de sa région, et plus largement, sur l'histoire religieuse, politique et monumentale de l'Ile-de-France.‎

书商的参考编号 : 123059

‎Collectif.‎

‎L'Homme et son image. Art millénaire japonais.‎

‎Bruxelles, Crédit Communal de Belgique, 1989, in-4°, 386 pp, très nombreuses illustrations en couleurs, dans le texte et à pleine page, chronologie; biblio, broché, couv. illustrée, pt tache en marge de qqs feuillets, bon état‎

‎Catalogue de l'exposition "L'Homme et son image - Art millénaire japonais", consacrée à la représentation de l'homme dans l'art japonais, présentée en 1989 au Palais des Beaux-Arts de Bruxelles dans le cadre de Europalia 89 "Japan in Belgium" : 130 chefs-d'œuvre de coroplastie (figures d'argile des sépultures antiques), sculpture et peinture, en présentation chronologique, de la préhistoire au XIXe siècle, avec reproductions, notices et commentaires ; accompagné de textes de Nobuyoshi Yamamoto, Willy Vande Walle, Chantal Kozyreff, Karel Hellemans, Robert Duquenne, Alain Rocher, François Berthier.‎

书商的参考编号 : 126144

‎COLLECTIVE.‎

‎Bilgi Çagi ve Sanat. 6. Ulusal Sanat Sempozyumu (8-10 Mayis 2000 Ankara).‎

‎Fine English Paperback. Pbo. Roy. 8vo. (24 x 16 cm). In Turkish. [vii], 239 p. Bilgi Çagi ve Sanat. 6. Ulusal Sanat Sempozyumu (8-10 Mayis 2000 Ankara).‎

‎COLLECTIVE.‎

‎Majesty and grace: The art of Korea.= Ihtisam ve zerafet: Kore sanati.‎

‎New English Paperback. Roy. 8vo. (24 x 16 cm). In English and Turkish. [180] p., color ills.‎

‎COLLECTIVE.‎

‎Riproduzioni su seta.= Reproductions on silk.= Reproductions sur soie.= Reproducciones en seda 1985.‎

‎Very Good English Paperback. Pbo. 4to. (28 x 21 cm). In Italian, English, French, and Spanish. 62 p. Fully color ills. Riproduzioni su seta.= Reproductions on silk.= Reproductions sur soie.= Reproducciones en seda 1985.‎

‎COLOMBIER Pierre du‎

‎Histoire de l'art. Les Grandes Etudes Historiques.‎

‎Paris, Fayard, 1942 12 x 19, 578 pp., broché, bon état‎

书商的参考编号 : 3420

‎CONOLLY Cyril‎

‎Les diplomates disparus suivi de Les enfants gâtés par Franck Venaille‎

‎Salvy Salvy, 1989. In-8 broché, couverture à rabats de 160 pages. Très Bon état‎

‎Toutes les expéditions sont faites en suivi au-dessus de 25 euros. Expédition quotidienne pour les envois simples, suivis, recommandés ou Colissimo.‎

书商的参考编号 : 175314

‎CONTEMPORARY ART SOCIETY.‎

‎Olympia International Fine Art & Antiques Fair. 9-19 June 2011. Fair guide.‎

‎As New English Paperback. Pbo. Mint. Cr. 8vo. (23 x 11 cm). In English. Color and b/w ills. 98, [2] p. Olympia International Fine Art & Antiques Fair. 9-19 June 2011. Fair guide.‎

‎COOPER Douglas‎

‎Paul Gauguin. 45 lettres à Vincent, Théo et Jo van Gogh‎

‎La bibliothèque des arts La bibliothèque des arts, 1983. In-4 relié toile sous jaquette illustrée rempliée de 352 pages. Collection Rijksmuseum Vincent Van Gogh, Amsterdam. Bon état‎

‎Toutes les expéditions sont faites en suivi au-dessus de 25 euros. Expédition quotidienne pour les envois simples, suivis, recommandés ou Colissimo.‎

书商的参考编号 : 179397

‎COREE ]‎

‎Les Frottis des sculptures anciennes de la Corée décembre Exposition, Paris, 16 1980-16 janvier 1981‎

‎Ministère de la Culture Séoul, Ministère de la culture, 1981. In-4 carré broché de 44 pages illustrées. Catalogue d'exposition Paris, janvier 1981. Couverture légèrement salie sinon bon état‎

‎Toutes les expéditions sont faites en suivi au-dessus de 25 euros. Expédition quotidienne pour les envois simples, suivis, recommandés ou Colissimo.‎

书商的参考编号 : 175779

‎CORPET Olivier‎

‎Christian Dotremont‎

‎Editions de l'Imec Editions de l'Imec, 2005. In-4 broché, couverture à rabats de 111 pages illustrées. Bon état‎

‎Toutes les expéditions sont faites en suivi au-dessus de 25 euros. Expédition quotidienne pour les envois simples, suivis, recommandés ou Colissimo.‎

书商的参考编号 : 178091

‎Cotté Sabine‎

‎Monet‎

‎Henri Scrépel album cartonné avec emboîtage 1974 In-4 carré (30,5 x 30,5 cm.), album cartonné sous emboîtage, 57 pages + 45 tableaux légendés ; coiffes et coins un peu frottés, plats et emboîtage légèrement défraîchis, bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.‎

书商的参考编号 : gg1577

‎COURTHION Pierre‎

‎Le romantisme‎

‎Skira, 1961. Le Goût de Notre Temps. In-12 carré toile grège de l'éditeur sous jaquette illustrée et étui de 137 pages, 58 vignettes contrecollées en couleurs. Bon état.‎

‎Craplet Chanoine Bernard‎

‎Auvergne romane‎

‎Zodiaque, coll. « La nuit des temps », n° 2 1978 Edition revue et augmentée. In-8 relié 22 cm sur 17. 372 pages. Jaquette illustrée d’un paysage au printemps. en bon état. Bon état d’occasion.‎

‎Bon état d’occasion‎

书商的参考编号 : 109439

‎Curated by ALI SERKANDER DEMIROL, SERACETTIN SAHIN & SEVGI KUTLUAY.‎

‎1400. yilinda Kur'an-i Kerim. Türk ve Islam Eserleri Müzesi Kur'an-i Kerim Koleksiyonu.‎

‎New New Turkish Original bdg. Dust wrapper. Folio. (34 x 23 cm). In Turkish. 464 p., color ills. All edges gilt. 1400. yilinda Kur'an-i Kerim. Türk ve Islam Eserleri Müzesi Kur'an-i Kerim Koleksiyonu. Collection of qurans in the Museum of the Turkish and Islamic Arts.‎

‎Curated by BETTINA PAUST.‎

‎Joseph Beuys. Zeichnung als fundus. Arbeiten aus dem Museum Schloss Moyland.= Joseph Beuys. Aslolan çizgidir. Schloss Moyland Müzesi Koleksiyonundan bir seçki. 18 Februar.= Subat / 31 Marz . Mart 2005. Kazim Taskent Sanat Galerisi. [Exhibition catalogue]. Prep. by Veysel Ugurlu. Edited by Mine Haydaroglu.‎

‎Fine English Paperback. Pbo. 4to. (29 x 22 cm). In German and Turkish. 192 p. Color and b/w ills. Dieses Ausstellungsbuch wurde anlässlich der von 18. Februar bis 31. März 2005 in Yapi Kredi Kâzim Taskent Gallerie verwirklichten Ausstellung "Joseph Beuys - Zeichnung als Fundus" vorbereitet. Nebenseits dem Ausstellungskatalog, das Buch enthält Textbeiträge von Peer Steinbrück, Bettina Paust, Franz Joseph van der Grinten, Ali Akay, Barbara Streider und Canan Beykal. ART OF PAINTING GErman painting History of art. Joseph Beuys. Zeichnung als fundus. Arbeiten aus dem Museum Schloss Moyland.= Joseph Beuys. Aslolan çizgidir. Schloss Moyland Müzesi Koleksiyonundan bir seçki. 18 Februar.= Subat / 31 Marz . Mart 2005. Kazim Taskent Sanat Galerisi. [Exhibition catalogue]. Prep. by Veysel Ugurlu. Edited by Mine Haydaroglu.‎

‎Curated by INGE SCHOLZ-STRASSER, PETER PAKESCHI.‎

‎Freud and contemporary art.= Freud ve çagdas sanat. [Exhibition catalogue].‎

‎New English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In English and Turkish. 86 p., color and b/w ills. Freud and contemporary art.= Freud ve çagdas sanat. [Exhibition catalogue]. Contemporary artists' tributes to Freud donated to his museum upon his death début in Istanbul in "Freud and Contemporary Art".‎

‎Curated by KAREN SMITH.‎

‎Out of ink: Interpretations from Chinese contemporary art.= Mürekkepten: Çin güncel sanatindan yorumlamalar. [Exhibition catalogue]. 11 April - 20 July 2019. Artists: Xu Bing, Chen Haiyan, Jian-Jun Zhang, Xing Danwen, Luo Yongjin, Sun Yanchu, Qiu Anxiong, Li Ming, Xu Hongming, Chen Guangwu, Liang Wei, Zhou Fan, and Tang Bohua.‎

‎New English Paperback. 4to. (29 x 24 cm). In English and Turkish. 159 p., color ills. Out of ink: Interpretations from Chinese contemporary art.= Mürekkepten: Çin güncel sanatindan yorumlamalar. [Exhibition catalogue]. 11 April - 20 July 2019. Artists: Xu Bing, Chen Haiyan, Jian-Jun Zhang, Xing Danwen, Luo Yongjin, Sun Yanchu, Qiu Anxiong, Li Ming, Xu Hongming, Chen Guangwu, Liang Wei, Zhou Fan, and Tang Bohua. Out of Ink: Interpretations from Chinese Contemporary Art explores the essential ideals of the ink painting tradition as manifest in the work of 13 contemporary artists at work in China today. Their art does not necessarily rely upon conventional materials - ink, paper, or brush - but encapsulates the cultural spirit of ink. The experimental forms of expression that underscores their practice are a prism through which to understand how artists are rethinking the conventions of ink to forge new ties to the present cultural context, and enrich this weighty tradition in the process. The exhibition curated by Karen Smith echoes content familiarly seen in ink painting, such as landscapes or natural forms, as single or juxtaposed elements from the natural world, as well as the role of calligraphy. These reveal the spirit of ink, a core value that is its most enduring esoteric quality, yet, none of the artists presented here claim to be ink artists. Instead they work with, appropriate, manipulate, or deconstruct, the spiritual and aesthetic ethos of "ink" as cultural metaphor, philosophical system, and as understanding of relationship between man and the physical world of form and space. In their respective ways, each artist makes a contribution to the future possibilities of a medium that has been the dynamic pulse of the nation's culture through China's long civilization.‎

‎Curated by MARISA OROPESA, MARIA TORAL.‎

‎Goya, witness of his time: Engravings and paintings.= Goya, zamaninin tanigi: Gravürler ve resimler. [Exhibition catalogue]. Edited by Begüm Akkoyunlu Ersöz, Tania Bahar.‎

‎New English Paperback. 4to. (28 x 24 cm). In English and Turkish. 389 p., color and b/w ills. Goya, witness of his time. Engravings and paintings.= Goya, zamaninin tanigi. Gravürler ve resimler. [Exhibition catalogue]. Edited by Begüm Akkoyunlu Ersöz, Tania Bahar. Francisco de Goya (1746-1828), known as one of the most unique artists of European painting and a pioneer of modern painting, was introduced to the Turkish audience for the first time with four series of engravings, along with a selection of oil paintings, at the Pera Museum in 2012. Curated by Marisa Oropesa, the exhibition consisted of works from Spain and Italy's leading museums and private collections. As one of the best narrators of darkness, the exhibition united Goya's various oil paintings and engraving series-Caprichos, Disasters of War, Tauromaquia, Proverbs or Follies- that bear witness to a turbulent period in Spain and Europe. The works in the catalogue, besides his career as a court painter and portraitist, explore Goya's extraordinary imagination, along with his reflections of the social circumstances of the era, from a critical perspective. The catalogue seeks to shed light upon Goya's extraordinary imagination with his realistic and at times frightening style that makes him one of the best narrators of darkness separating him from his contemporaries, as his art transcends time, influencing 20th century modernism.‎

‎Curated by SUSANNE WEISS, INKA GRESSEL.‎

‎The event of a thread: Global narratives in textiles.= Iplikten çözülmeler: Tekstilde küresel anlatilar. [Exhibition catalogue].‎

‎New English Paperback. 4to. (28 x 24 cm). In English and Turkish. 236 p., color ills. The event of a thread: Global narratives in textiles.= Iplikten çözülmeler: Tekstilde küresel anlatilar. [Exhibition catalogue]. 'The Event of a Thread' brings together 25 international contemporary artists, who use textile to create aesthetic and cultural narratives through objects, installations and video works. The title of the exhibition is a quotation from On Weaving (1965), the reference book by Anni Albers, one of the most important artists from the Bauhaus textile workshops. Albers believed that socio-cultural and economic activities impacted textiles, and stated that 'Just as it is possible to go from any place to any other, so also, starting from a defined and specialized field, can one arrive at a realization of ever-extending relationships. Thus tangential subjects come into view.?' According to Albers, one could discover 'the event of a thread"' at the root of each development. In the exhibition, weaving threads are utilized as a metaphor, which facilitate the interaction of weaving styles, stories and production techniques from different cultures, and mediate the development of new connections between them. Organized in collaboration with the Institute for Foreign Cultural Relations (ifa, Institut für Auslandsbeziehungen), one of the oldest art institutions in Germany, the exhibition is curated by Susanne Weiss and Inka Gressel on the invitation of ifa and aims to build on the original selection by creating new connections in each institution the exhibition travels to, with the assistance of curators at each institution and the addition of new works from local artists. 'The Event of a Thread' brings together a variety of stories ranging from the tradition of quipu used by ancient Andean cultures in South America to the textile techniques from the indigenous people of Wichi in Argentine and from Bedri Rahmi Eyüboglu's revival and adoption of the long-forgotten tradition of yazma (originally used for hand-painted kerchief) to Burhan Dogançay's tapestries created at the Aubusson workshops. The exhibition focuses on the historical, social and cultural meanings of fabrics, investigates the various uses of textile as a tool of expression and brings together different artistic positions that interact with one another within the exhibition space.‎

‎Curator: MOHAMMAD KHAZAEE.‎

‎The 10th Tehran International Poster Biennial. 19 October - 11 November 2009 Tehran Museum of Contemporary Art. Cover Design: Biennial Poster, Ghobad Shiva. Executive Director: Amir Abdolhosseini. Publication Director: Mohammad Hassan Estabi.‎

‎Fine English Paperback. Pbo. 4to. (27 x 22,5 cm). In Persian and English. 156 p. Ills. The 10th Tehran International Poster Biennial. 19 October - 11 November 2009 Tehran Museum of Contemporary Art. Cover Design: Biennial Poster, Ghobad Shiva. Executive Director: Amir Abdolhosseini. Publication Director: Mohammad Hassan Estabi.‎

‎Curators: EVGENIA PETROVA, TAYFUN BELGIN.‎

‎Scenes from Tsarist Russia. 19th century Russian classics from the State Russian Museum Collection.= Çarlik Rusyasi'ndan sahneler. Rus Devlet Müzesi Koleksiyonu'ndan 19. yüzyil Rus klasikleri. [Exhibition catalogue].‎

‎New English Paperback. Pbo. 4to. (29 x 24 cm). In English and Turkish. 192 p., color ills. 'Scenes from Tsarist Russia: 19th Century Russian Classics from the State Russian Museum Collection, not only presented art lovers with a selection of masterpieces being displayed for the first time in Turkey, but also offered scenes of Russian history through Russian Realist paintings. The masterpieces from the rich collection from the State Russian Museum in St. Petersburg reflected every aspect of life including labour and poverty, the world of children, public festivals, war and death, scenes from bourgeois life, and revolution. In literature, music, and fine arts, the "Russian spirit" is depicted as a world of emotions in which love, sorrow, and death run rampant. After the 1860s, Realist conventions came to dominate the genre scenes. Progressive artists of Russia began portraying the fundamental problems of the period such as social injustice, serfdom (until 1861, peasants were considered as property of landowners in Russia), child labor, subjugation of women, and poverty. Daily life hence became a point of interest in art. In the 1870s and particularly after the 1880s, a more positive attitude came into view; the artists gradually diverged from depicting painful worlds. The public was no longer the victim, but a powerful subject. A tendency to poeticize folklore, as well as the public perception of nature and the universe began to emerge. Social problems were addressed in their entirety; analysis replaced condemnation. The exhibition, which included artists from Repin to Makovsky, Yaroshenko to Shishkin along with many others, presented not only Russia of the period with all its different aspects, but with its themes and characters the exhibition offered audiences a unique experience, one similar to reading the works of the great Russian writers such as Nikolai Gogol and Fyodor Dostoevsky.'.‎

‎Dali salvador‎

‎Visages cachés‎

‎1973 Paris le cercle du nouveau livre 1973 in8, pleine toile de l'éditeur, plat orné de la signature de Dali en lettres rouges, dans un encadrement or et argent, 442 pp + 26 pages de photographies et biographies, exemplaire numéroté joli exemplaire‎

书商的参考编号 : 2322