‎Constantinople ‎

‎SUZAN GÖNÜL.‎

‎Tout passe, tout casse, tout lasse, mais. Les souvenirs restent.‎

‎New English Paperback. Pbo. Demy 8vo. (22 x 15 cm). In French. 78 p., ills. Tout passe, tout casse, tout lasse, mais. Les souvenirs restent. Memoirs of a Jewish lady of Istanbul.‎

‎SUZANNE CHAMPONNOIS.‎

‎Le mythe de Constantinople et l'opinion publique en Russie au XIXe siecle.‎

‎New English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In French. [vi], 106 p. Le mythe de Constantinople et l'opinion publique en Russie au XIXe siecle.‎

‎SYLVIE GANGLOFF, JEAN-FRANÇOIS PEROUSE.‎

‎La presence roumaine a Istanbul. Une chronique de l'ephemere et de l'invisible. (Programme 'Turquie - Mer Noire - Caucase' / Observatoire urbain d'Istanbul). Avec la collaboration de Thomas Tanase.‎

‎Fine English Paperback. Pbo. 4to. (29 x 21 cm). In French. 47 p., b/w ills. La presence roumaine a Istanbul. Une chronique de l'ephemere et de l'invisible. (Programme 'Turquie - Mer Noire - Caucase' / Observatoire urbain d'Istanbul). Avec la collaboration de Thomas Tanase. Les dossiers de l'IFEA. Seri; La Turquie aujourd'hui., No. 8.‎

‎SÂMIHA AYVERDI, (1905-1993).‎

‎The friend. Translated by Ismet Tümtürk.‎

‎Fine English Paperback. Pbo. Cr. 8vo. (20 x 14 cm). In English. [4], 165, [6] p., b/w plts. First Edition. Collected works, 23. The friend. Translated by Ismet Tümtürk. Samiha Ayverdi was a Turkish writer and Sufi mystic. She is the sister of architect and historian Ekrem Hakki Ayverdi. Samiha Ayverdi was born in Istanbul to Fatma Meliha Hanim and Ismail Hakki Bey, an Ottoman military official. She studied at Süleymaniye Kiz Numune Mektebi and among other things, learned French and read about philosophy and Islamic mysticism. She became a follower and later official successor of Sufi thinker Kenan Rifai, who became a major influence in her work. In 1938, she published her first novel titled 'Ask Budur' and followed it with over 30 novels and short story collections. Ayverdi died in 22 March 1993 and is buried at the Merkezefendi Cemetery in Zeytinburnu, Istanbul.‎

‎Sébah Pascal, Joaillier Policarpe‎

‎Panorama de Constantinople pris de la Tour de Galata‎

‎Sébah & Joaillier Cartonné In-4 (36,5 x 31,5 cm), format à l'italienne, dos en cuir, percaline chagrinée sur les plats biseautés, titre et décor doré (tour de Galata et tour de Léandre) au premier plat dont les bords sont biseautés, croissant de lune et étoile entourés de lauriers dorés au quatrième plat, sans date (circa 1888), 10 photographies sur papier albuminé, montées à la manière d'un leporello sur des panneaux en carton fort de 34 x 30,5 cm reliés par un morceau de toile pour former un panorama d'Istanbul d'environ 3,47 mètres de long ; mors légèrement fendus en queue, quelques épidermures sur le cuir au dos et sur les bords du premier plat, quelques traces sur les plats, zones décolorées au quatrième plat dont le cartonnage est un peu incurvé, par ailleurs assez bel exemplaire. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.‎

書籍販売業者の参照番号 : wx389

‎Sébah & Joaillier‎

‎Sébah & Joaillier, Photographie originale d'époque - XIXe - Murs des Sept Tours‎

‎Sébah & Joaillier, Photographie originale d'époque - XIXe - Murs des Sept Tours Très belle photographie d'époque, tirage albuminé de la fin du XIXème siècle, avec légende insolée dans le négatif « 727. Murs des Sept Tours - Sébah & Joaillier ». Empire Ottoman. Cette photographie représente la célèbre muraille théodosienne de Constantinople (Istanbul, Turquie), précisément la section des « Murs des Sept-Tours ». Au premier plan, une voie pavée ancienne longe les fortifications en ruine, avec un personnage en tenue traditionnelle ottomane posant sur le bas-côté. Dimensions : 26 x 20,9 cm État : La photographie ne tient pas seule à plat. Présence d'une trace d'oxydation sur le bord supérieur droit. Quelques pliures et une légère déchirure en marche supérieure. Voir photos pour plus de détails. Nombre de pages : 1 page‎

書籍販売業者の参照番号 : boz_006353

‎Sébah & Joaillier‎

‎Sébah & Joaillier, Photographie originale d'époque - XIXe - Tour de Beyazit‎

‎Sébah & Joaillier, Photographie originale d'époque - XIXe - Tour de Beyazit Très belle photographie d'époque, tirage albuminé de la fin du XIXème siècle, avec légende insolée dans le négatif « N. 188 Tour du Séraskérat - Sébah & Joaillier ». Empire Ottoman. Cette photographie représente une vue architecturale de la Tour du Séraskérat (aujourd'hui Tour de Beyazit), située dans la cour de l'ancien ministère de la Guerre ottoman à Constantinople (Istanbul, Turquie). On distingue au second plan l'architecture administrative de l'époque et, sur la droite, la silhouette de la Tour de Galata dans le lointain. Dimensions : 20,9 x 26,3 cm État : La photographie ne tient pas seule à plat. Présence d'une trace d'oxydation en marge inférieure. Voir photos pour plus de détails. Nombre de pages : 1 page‎

書籍販売業者の参照番号 : boz_006354

‎Sébah & Joaillier‎

‎Sébah & Joaillier, Photographie originale d'époque - Colonne brûlée - XIXe‎

‎Sébah & Joaillier, Photographie originale d'époque - Colonne brûlée - XIXe Très belle photographie d'époque, tirage albuminé de la fin du XIXème siècle, avec légende insolée dans le négatif « 182. Colonne brûlée de Constantinople - Sébah & Joaillier ». Empire Ottoman. Cette photographie représente une vue architecturale montrant l'imposante colonne brûlée cerclé de fer, des passants en tenues d'époque, les coupoles des bâtiments ottomans attenants et les rails d'un tramway hippomobile au premier plan. Dimensions : 20,9 x 26,3 cm État : La photographie ne tient pas seule à plat. Présence d'une trace d'oxydation sur la bordure inférieure droite et de petites tâches de maculage à l'arrière de la photographie. Voir photos pour plus de détails. Nombre de pages : 1 page‎

書籍販売業者の参照番号 : boz_006364

‎Sébah & Joaillier‎

‎Sébah & Joaillier, Photographie originale d'époque - Fontaines des Ablutions de la Mosquée-Validé - Constantinople - XIXe‎

‎Sébah & Joaillier, Photographie originale d'époque - Fontaines des Ablutions de la Mosquée-Validé - Constantinople - XIXe Très belle photographie d'époque, tirage albuminé de la fin du XIXème siècle, avec légende insolée dans le négatif « 154. Fontaines des Ablutions de la Mosquée-Validé - Sébah & Joaillier ». Empire Ottoman. Cette superbe épreuve d'époque illustre une scène de vie quotidienne et d'architecture ottomane saisie par le célèbre studio Sébah & Joaillier, institution majeure de la photographie orientaliste établie à Constantinople dès 1888 à la suite de l'association entre la famille Sébah et Polycarpe Joaillier. La vue représente la façade latérale de la Mosquée Yeni Valide sur les rives de la Corne d'Or à Eminönü. Sous les larges auvents en bois et les arcades de la galerie extérieure, plusieurs fidèles accomplissent les rituels d'ablution aux fontaines murales disposées en série. Dimensions : 27 x 21 cm État : La photographie ne tient pas seule à plat. Présence d'une trace d'oxydation sur la bordure supérieure droite et de quelques rousseurs éparses. Petite déchirure sur le bord gauche. Voir photos pour plus de détails. Nombre de pages : 1 page‎

書籍販売業者の参照番号 : boz_006454

‎SÜKRÜ ASLAN, BESIME SEN, HATICE KURTULUS.‎

‎Sözlü tarih görüsmeleriyle Kagithane. Kimler geldi, kimler geçti.‎

‎New English Paperback. Pbo. Roy. 8vo. (24 x 16 cm). In Turkish. 434 p., color and b/w ills. Oral history transcripts with the residents of the Kagithane district of Istanbul. Sözlü tarih görüsmeleriyle Kagithane. Kimler geldi, kimler geçti.‎

‎SÜLEYMAN BERK, SINASI ACAR.‎

‎Istanbul'un 100 hattati. Edited by Esra Erkal, Ömer Osmanoglu.‎

‎New New English Paperback. Pbo. Dust wrapper. Roy. 8vo. (24 x 16 cm). In Turkish. 180, [7] p. Ills. 100 important calligraphers from Istanbul. Istanbul'un 100 hattati. Edited by Esra Erkal, Ömer Osmanoglu.‎

‎SÜLEYMAN BÜYÜKKARCI.‎

‎Istanbul Ermeni okullari.‎

‎Fine English Paperback. Pbo. Roy. 8vo. (23 x 16 cm). In Turkish. [xiv], 282 p. Istanbul Ermeni okullari. Armenian schools in Istanbul (Constantinople).‎

‎SÜLEYMAN FARUK GÖNCÜOGLU.‎

‎Istanbul'un kitabi: Fatih. Vol 1.‎

‎New New English Istanbul'un kitabi. Fatih vol 1., Suleyman Faruk Goncuoglu, Fatih belediye baskanligi, Ist., 2011. Mint. Original bdg with dust wrapper. 4to. (32 x 25 cm.). 569, [1] p. B/w and color ills. In Turkish. A heavy volume. Istanbul's history, Fatih. Istanbul'un kitabi: Fatih. Vol 1.‎

‎SÜLEYMAN MOLLAIBRAHIMOGLU.‎

‎Süleymaniye Camii. Yapilisi ve özellikleri.‎

‎Very Good English Paperback. Pbo. Cr. 8vo. (20 x 14 cm). In Turkish. 72 p. Süleymaniye Camii. Yapilisi ve özellikleri. Turkish Edition of 'Süleymaniye Mosque. Its contruction and charasterictics'.‎

‎SÜLEYMAN NAZIF, (1870-1927).‎

‎Nasirüddin Sah ve Babiler.‎

‎Very Good English Paperback. Pbo. Cr. 8vo. (19 x 13 cm). In Ottoman script. 101, [1] p., 1 b/w plate. Nasrüddin Sah ve Babiler. A study on Nasiruddin Shah, (1831-1896), was the King of Persia from 17 September 1848 to 1 May 1896 when he was assassinated. He was the son of Mohammad Shah Qajar and Malek Jahan Khanom and the third longest reigning monarch in Persian history after Shapur II of the Sassanid dynasty and Tahmasp I of the Safavid Dynasty. Nasser al-Din Shah had sovereign power for close to 50 years and was also the first Persian monarch to ever write and publish his diaries. Naser al-Din was in Tabriz from Qajars tribe when he heard of his father's death in 1848, and he ascended to the Sun Throne with the help of Amir Kabir. Naser al-Din had early reformist tendencies, but was dictatorial in his style of government. With his sanction, some Babis were killed after an attempt on his life. This treatment continued under his prime minister Amir Kabir, who even ordered the execution of the Báb - regarded as a manifestation of God to Bábí's and Bahá'ís, and to historians as the founder of the Bábí religion. Unable to regain territory lost to Russia in the early 19th century, Naser al-Din sought compensation by seizing Herat, Afghanistan, in 1856. Great Britain regarded the move as a threat to British India and declared war on Persia, forcing the return of Herat as well as Persia recognition of the kingdom of Afghanistan.‎

‎SÜREYYA ÖZYURTKAN.‎

‎Baslangiçtan günümüze patrikhane dosyasi.‎

‎As New English Paperback. Pbo. Mint. Cr. 8vo. (20 x 14 cm). In Turkish. 232 p. Patriarchate history in Turkey. Baslangiçtan günümüze patrikhane dosyasi.‎

‎TAHIR ALANGU.‎

‎Çalgili kahvelerdeki külhanbey edebiyati ve nümuneleri.= Moritaten und Vierzeiler türkischer Plattenbrüder. Prep. by Robert Anhegger - Walter Ruben - Andreas Tietze.‎

‎Fine German Paperback. Roy. 8vo. (23 x 16 cm). Preface in German and Turkish, text in Turkish. [xv], [1], 60 sayfa. Extremely rare. First and Only Edition. Çalgili kahvelerdeki külhanbey edebiyati ve nümuneleri.= Moritaten und Vierzeiler türkischer Plattenbrüder. Prep. by Robert Anhegger - Walter Ruben - Andreas Tietze. ISTANBUL Constantinople Social life Turkish literature Turkish folklore Ottoman society.‎

‎TAHSIN ESENCAN.‎

‎Türk topçulugu ve kaynaklari (Nizamiceditten evvel ve sonra).‎

‎Very Good Turkish Paperback. Cr. 8vo. (20 x 14 cm). In Turkish. 126, [2] p. Türk topçulugu ve kaynaklari (Nizamiceditten evvel ve sonra). First Edition. Rare. History of Turkish / Ottoman gunnery and its sources.‎

‎TAHSIN ÖZ.‎

‎Istanbul camileri I-II.‎

‎New English Paperback. Pbo. 4to. (30 x 22 cm). In Turkish. 90 p., ills. Istanbul camileri I-II. First edition in 1962. Mosques of Istanbul. 2 volumes in 1.‎

‎TAKVÎM-I VEKÂYI [THE FIRST OFFICIAL NEWSPAPER OF THE IMPERIAL OTTOMAN].‎

‎["WEIRD ART OF A FRENCH NAMED DAGUERRE": DAGUERRE'S INVENTION IN THE FIRST OTTOMAN OFFICIAL NEWSPAPER] Takvim-i Vekâyi: Def'a 186, fî 19 S[aban] sene 1255 [i.e. Calendar of events: No 186, October 28, 1839].‎

‎Very Good Turkish, Ottoman (1500-1928) Original newspaper taken from a volume. Folio. (42,5 x 28 cm). In Ottoman script (Old Turkish with Arabic letters). [5] p.  Extremely rare early issue of this first official newspaper of the Ottoman Empire after the proclamation of Reform (Tanzîmât) in 1839,  informed Daguerre's new and weird invention ("photography" as it would be called in the 1850s) to the Ottoman peoples and readers. The article reads: "It is the talk of the town, steam engines have been able to run on rails in factories in recent years. Meanwhile, a man carefully focused on his thoughts so much and the craft turned into a strange art, and finally, a coquettish mirror (surface) appeared. This skillful Frenchman named Daguerre drew the lines of objects by reflecting the sunlight with the methods of the different science of art he learned, drew the contours of the objects, and gave 20 years secretly and openly to the formation of this strange art. Finally, he reached the goal and this event won the appreciation and admiration of everyone. This is to say, the image of the object, in the form of a large or small box free from light, is pictured inside by passing through the glass in front of it. In order for the reflected picture to be captured on a surface, some chemicals must be prepared. Daguerre has achieved this mix based on his experience. This substance applied on the plate is called iodine. After the plate is kept in the vapor of the iodine for a few minutes, it is immediately placed in the dark box, and the image passing through the window of the box is pictured for five minutes. Considering that some of the things that should be hidden are captured like this, it will be understood what a valuable invention this is...". In the continuation of the article, it is written that an Englishman named Talbot (Henry Fox Talbot) found the same thing with almost the same processes (!), but Daguerre had taken pictures before. Takvim-i Vekâyi was the first fully Turkish-language newspaper. It was launched in 1831 by Sultan Mahmud II, taking over from the Moniteur ottoman as the Official Gazette of the Ottoman Empire. With the beginning of the Tanzimat reform period, Takvim-i Vekayi produced versions in multiple language editions. It ceased publication in 1878, resuming in 1891-2, before being closed again. It resumed in 1908 until around 1922. In the 1831-1878 period it published a total of 2119 issues - an average of slightly less than one a week. ‎

‎TAMARA TALBOT RICE.‎

‎Bizans'ta günlük yasam: Konstantinopolis Bizans'in mücevheri. [= Everyday life in Byantium]. Translated by Bilgi Altinok. Ills. by Helen Nixon Fairfield.‎

‎Fine Turkish Paperback. Cr. 8vo. (20 x 14 cm). In Turkish. 287 p., ills. Bizans'ta günlük yasam: Konstantinopolis Bizans'in mücevheri. [= Everyday life in Byantium]. Translated by Bilgi Altinok. Ills. by Helen Nixon Fairfield.‎

‎TANJU CANTAY.‎

‎XVI.-XVII. yüzyillarda Süleymaniye Camiî ve bagli yapilari.‎

‎Very Good Turkish Paperback. Roy. 8vo. (24 x 16 cm). In Turkish. 56, 32, [2] p., 29, [iv] numerous b/w and color plates, 1 plan. XVI.-XVII. yüzyillarda Süleymaniye Camiî ve bagli yapilari.‎

‎Tavernier, Jean-Baptiste‎

‎Nouvelle Relation de l'Intérieur du Serrail du Grand Seigneur‎

‎1678 Chez Johannes van Someren, Amsterdam, 1678. In-24, plein veau glacé (postérieur), reliure signée Abich en pied, Chiffre doré sur les plats. (4), 271, (3) pages. Titre gravé. Gravure sur bois in-texte en caractères arabiques (La Illahé Illa Alla, Muhamed Resoul Alla).Fait suite aux "Six Voyages"‎

‎Coins petitement tachés à l'encre. Reste un exemplaire très beau et agréable.‎

書籍販売業者の参照番号 : 1718

‎TAYFUN SERTTAS.‎

‎Foto Galatasaray: Studio practice by Maryam Sahinyan.‎

‎New English Paperback. Small 4to. (26 x 22 cm). In English and Turkish. 328 p., color and b/w photos. Foto Galatasaray: Studio practice by Maryam Sahinyan. Foto Galatasaray project is based on the re-visualization of the complete professional archive of Maryam Sahinyan (Sivas, 1911 ¿ Istanbul, 1996), who worked as a photographer at her modest studio in Galatasaray, Beyoglu uninterruptedly from 1935 until 1985. The archive is a unique inventory of the demographic transformations occurring on the socio-cultural map of Istanbul after the declaration of the Republic and the historical period it witnessed; it is also a chronological record of a female Istanbulite studio photographer¿s professional career. Armed with the wooden bellows camera her father originally took over from a family that immigrated from the Balkans in the aftermath of the First World War and the black-and-white sheet film she continued to use until 1985, Sahinyan, in a sense, arrested time ¿ both against the technological advancements photography was experiencing and contemporary trends. In the end, she created an unparalleled visual coherence without compromising her technical and aesthetic principles. Consisting entirely of black-and-white and glass negatives, the physical archive of Foto Galatasaray is a rare surviving example of the classical photography studios of Istanbul¿s recent past. Changing hands after Sahinyan left the studio in 1985, the archive was transferred to a storehouse belonging to Yetvart Tomasyan, owner of Aras Publishing. Twenty-five years later, approximately 200,000 negatives in the archive were, over the course of two years, sorted, cleaned, digitized, digitally restored, categorized and protected by a team under the direction of artist/researcher Tayfun Serttas. Foto Galatasaray was never as visible as some of the elite photography studios, famous since the 19th century, like Phebus, Andriomenos or Sabah. Nonetheless, it played an important role in representing the middle and lower classes that ensured the continuity of the studio. Sahinyan was a devout Armenian woman, and her identity created a closely-knit circle that.‎

‎TC HARITA UMUMIYESI.‎

‎[PLAN OF KARS FORTRESS] Kars Kal'asi plâni (Based on 1898 discoveries and 1908 practice).‎

‎Very Good Turkish, Ottoman (1500-1928) Original map of Kars Fortress. Oblong: 45x57 cm. In Ottoman script. Scale: 1/21000. [PLAN OF KARS FORTRESS] Kars Kal'asi plâni (Based on 1898 discoveries and 1908 practice). A very detailed plan in Ottoman script of Kars Fortress and is environment. Some red markings. Extremely rare.‎