‎Ss‎

‎SS. bains Harpal Walia SL. Aggarwal RK. Lekhi S. S. S. L. R. K.‎

‎Macro Economics B.Com. 2nd Sem. Prof. Gndu‎

‎Kalyani Publishers 2013. U. New. 1st Edition Reprint Kalyani Publishers unknown‎

書籍販売業者の参照番号 : 697874127 ISBN : 9327226437 9789327226430

‎SS. Balzak V. F. Vasyutin and YaG. Feigin S. S. a. G.‎

‎Economic Geography of the USSR‎

‎New York: MacMillan 1949. First Edition. Hardcover. Fine/Very Good . Nice copy but jacket has some edge wear and minor penciling. One closed tear of 3/4 inches. No writing in the book - not even an owners name. MacMillan hardcover‎

書籍販売業者の参照番号 : 005981

‎SS. Banwait S. S.‎

‎A Handbook of Business and Banking Management‎

‎Cyber Tech Publications 2011. Hardcover. New. Printed Pages: 272. Cyber Tech Publications hardcover‎

書籍販売業者の参照番号 : 55313

‎SS. Banwait S. S.‎

‎A Handbook of Business and Banking Management‎

‎Cyber-Tech Publications 2011. hardcover. New. pp. 272 Cyber-Tech Publications hardcover‎

書籍販売業者の参照番号 : 62072239 ISBN : 8178847094 9788178847092

‎SS. Banwait S. S.‎

‎Insurance and Crime a Consideration of Effects Upon Society‎

‎2009. Hardcover. used. Selfbook Code: 9788178844572 RK: A20 old book hardcover‎

書籍販売業者の参照番号 : 9788178844572 ISBN : 8178844575 9788178844572

‎SS. Banwait S. S.‎

‎Insurance and Crime‎

‎Cyber-Tech Publications 2009. hardcover. New. pp. 296 Index Cyber-Tech Publications hardcover‎

書籍販売業者の参照番号 : 6394927 ISBN : 8178844575 9788178844572

‎SS. Barlingay S. S.‎

‎A Modern Introduction to Indian Aesthetic Theory‎

‎D.K. Printworld P Ltd 2007. First edition. Paperback. New. 15 X 23 cm. The foundation of the Indian aesthetic theory can be traced to Bharatamuni`s Natyashastra where he gave his theory of beauty theory of rasa which was later elaborately developed by learned scholars. In this work Prof. Barlingay examines the development of the rasa theory by various authorities on art and aesthetics and finally presents his own critical understanding of it The volume begins with a survey of the history of Indian art by examining painstakingly the relation between art and beauty perception of time and space in art and classification of arts. It then plunges into a detailed study of origin and development of rasa theory: from rasa in the Vedas and Upanishads to Bharata`s rasa theory and perspectives of Abhinavagupta Bhattatauta Bhatta Lollata Kuntaka Dandin Mammata Vamana Rudrata Vishvanatha Bhamaha Jagannatha and others who enriched it further with their own theories. It explains how principles were employed and re-employed by the masters to reveal various meanings inter-relationships symbols and perceptions of art. It highlights the salient features of each master`s unique manner of interpretation of art concepts. The work is a must for scholars and students keen to study the fundamentals of concept and theory of Indian art particularly with reference to drama and poetics. Book Contents Foreword Key To Transliteration Preface 1. Prologue Different Arts -- Their Interrelations The Parameters -- Art And Beauty Cultural Traditions In Art -- The Parameters Of Appreciation The Classification Of Arts Time Music And Dance: Tala Laya And Svara Perception Of Time And Space In Art Milestones In The History Of Dramaturgy And Poetics 2. Psychology Of Bhavas Bhavas: Meaning And Types Sthayi Bhavas Vyabhicari Bhavas Sattvika Bhavas Sthayi Bhavas And Rasa Sthayi Bhavas And Mental States Sthayi Bhavas And Artha Vibhavas Types Of Vibhavas Anubhavas 3. Theories Of Poetry The Basic Parameters Of Literature Natya Or Drama Rupaka Contents Of Natyashastra Abhinaya And Poetry Dance And Drama The Main Authors and Their Theories Drama Vs. Literature Bharata`s Mode Of Theorization Bharata`s Context : Stage Drama Rupakas Beautiful In The Text Alamkara : A Parameter Of Poetry Rasavat Alamkara : Its Introduction And Elimination Riti And Similar Concepts Vakrokti Aucitya : A Constitutive And Evaluative Parameter Of Beauty Dhvani Types Of Meaning Sphotavada: Abhihitanvayavada And Anvitabhidhanavada Anandavardhana`s View Symbol And Its Interpretation 4. Rasa Theory -- Historical Survey Rasa Theory -- Historical Survey Rasa In Vedas And Upanishads Rasa In Ayurveda Rasa In Different Philosophical Systems Rasa In Natyashastra The Purpose Of Drama : Siddhis The Process Of Art-creation Rasa For Alamkarins Transformation In The Meaning Of Rasa Focus On Appreciation Views Of Lollata Shankuka And Bhattatauta Abhinavagupta`s View Bhattanayaka`s View 5. Bharata`s Rasa Theory Rasa Theory: Bharata And Abhinavagupta Natya And Nataka Stage Medium: An Aspect Of Natya The Samkhya Theory Rasanirmiti And Rasasvada Prakriyas Employment Of Samkhya Theory In The Indian Theory Of Art Natya And Kavya The Meaning Of Natya Three Stages Of An Art Art As Communication The Three Stages Of Communication The Language Of Natya Evidence From Natyashastra Some Confused Interpretations Bharata On Bhavas Sthayi Bhavas 6. Bharata`s Rasa Theory Continued -- Dharmi Vritti Pravriti And Siddhi The Element Of Communication In Art Imitation Or Anukarana Types Of Vritti And Pravrittis Classification Of Arts Purpose Of Art: Superworl Printed Pages: 400. D.K. Printworld (P) Ltd paperback‎

書籍販売業者の参照番号 : 3370 ISBN : 8124603782 9788124603789

‎SS. Barlingay S. S.‎

‎A Modern Introduction to Indian Aesthetic Theory‎

‎D.K. Printworld P Ltd 2007. First edition. Paperback. New. 15 X 23 cm. The foundation of the Indian aesthetic theory can be traced to Bharatamuni`s Natyashastra where he gave his theory of beauty theory of rasa which was later elaborately developed by learned scholars. In this work Prof. Barlingay examines the development of the rasa theory by various authorities on art and aesthetics and finally presents his own critical understanding of it The volume begins with a survey of the history of Indian art by examining painstakingly the relation between art and beauty perception of time and space in art and classification of arts. It then plunges into a detailed study of origin and development of rasa theory: from rasa in the Vedas and Upanishads to Bharata`s rasa theory and perspectives of Abhinavagupta Bhattatauta Bhatta Lollata Kuntaka Dandin Mammata Vamana Rudrata Vishvanatha Bhamaha Jagannatha and others who enriched it further with their own theories. It explains how principles were employed and re-employed by the masters to reveal various meanings inter-relationships symbols and perceptions of art. It highlights the salient features of each master`s unique manner of interpretation of art concepts. The work is a must for scholars and students keen to study the fundamentals of concept and theory of Indian art particularly with reference to drama and poetics. Book Contents Foreword Key To Transliteration Preface 1. Prologue Different Arts -- Their Interrelations The Parameters -- Art And Beauty Cultural Traditions In Art -- The Parameters Of Appreciation The Classification Of Arts Time Music And Dance: Tala Laya And Svara Perception Of Time And Space In Art Milestones In The History Of Dramaturgy And Poetics 2. Psychology Of Bhavas Bhavas: Meaning And Types Sthayi Bhavas Vyabhicari Bhavas Sattvika Bhavas Sthayi Bhavas And Rasa Sthayi Bhavas And Mental States Sthayi Bhavas And Artha Vibhavas Types Of Vibhavas Anubhavas 3. Theories Of Poetry The Basic Parameters Of Literature Natya Or Drama Rupaka Contents Of Natyashastra Abhinaya And Poetry Dance And Drama The Main Authors and Their Theories Drama Vs. Literature Bharata`s Mode Of Theorization Bharata`s Context : Stage Drama Rupakas Beautiful In The Text Alamkara : A Parameter Of Poetry Rasavat Alamkara : Its Introduction And Elimination Riti And Similar Concepts Vakrokti Aucitya : A Constitutive And Evaluative Parameter Of Beauty Dhvani Types Of Meaning Sphotavada: Abhihitanvayavada And Anvitabhidhanavada Anandavardhana`s View Symbol And Its Interpretation 4. Rasa Theory -- Historical Survey Rasa Theory -- Historical Survey Rasa In Vedas And Upanishads Rasa In Ayurveda Rasa In Different Philosophical Systems Rasa In Natyashastra The Purpose Of Drama : Siddhis The Process Of Art-creation Rasa For Alamkarins Transformation In The Meaning Of Rasa Focus On Appreciation Views Of Lollata Shankuka And Bhattatauta Abhinavagupta`s View Bhattanayaka`s View 5. Bharata`s Rasa Theory Rasa Theory: Bharata And Abhinavagupta Natya And Nataka Stage Medium: An Aspect Of Natya The Samkhya Theory Rasanirmiti And Rasasvada Prakriyas Employment Of Samkhya Theory In The Indian Theory Of Art Natya And Kavya The Meaning Of Natya Three Stages Of An Art Art As Communication The Three Stages Of Communication The Language Of Natya Evidence From Natyashastra Some Confused Interpretations Bharata On Bhavas Sthayi Bhavas 6. Bharata`s Rasa Theory Continued -- Dharmi Vritti Pravriti And Siddhi The Element Of Communication In Art Imitation Or Anukarana Types Of Vritti And Pravrittis Classification Of Arts Purpose Of Art: Superworl Printed Pages: 400. D.K. Printworld (P) Ltd paperback‎

書籍販売業者の参照番号 : 3370

‎SS. Barlingay S. S.‎

‎A Modern Introduction to Indian Aesthetic Theory‎

‎D.K. Printworld P Ltd. DK Print. . hardcover. New. pp. xxvi 374 Index 1st Edition Text in English & Sanskrit D.K. Printworld (P) Ltd. DK Print. hardcover‎

書籍販売業者の参照番号 : 6238739 ISBN : 8124603774 9788124603772

‎SS. Barlingay S. S.‎

‎A Modern Introduction to Indian Aesthetic Theory‎

‎DK Print World 2007-11-30. Hardcover. Used:Good. DK Print World hardcover‎

書籍販売業者の参照番号 : SONG8124603774 ISBN : 8124603774 9788124603772

‎SS. Barlingay S. S.‎

‎A Modern Introduction to Indian Aesthetic Theory‎

‎D.K. Printworld P Ltd 2007. First edition. Paperback. New. 15 X 23 cm. The foundation of the Indian aesthetic theory can be traced to Bharatamuni`s Natyashastra where he gave his theory of beauty theory of rasa which was later elaborately developed by learned scholars. In this work Prof. Barlingay examines the development of the rasa theory by various authorities on art and aesthetics and finally presents his own critical understanding of it The volume begins with a survey of the history of Indian art by examining painstakingly the relation between art and beauty perception of time and space in art and classification of arts. It then plunges into a detailed study of origin and development of rasa theory: from rasa in the Vedas and Upanishads to Bharata`s rasa theory and perspectives of Abhinavagupta Bhattatauta Bhatta Lollata Kuntaka Dandin Mammata Vamana Rudrata Vishvanatha Bhamaha Jagannatha and others who enriched it further with their own theories. It explains how principles were employed and re-employed by the masters to reveal various meanings inter-relationships symbols and perceptions of art. It highlights the salient features of each master`s unique manner of interpretation of art concepts. The work is a must for scholars and students keen to study the fundamentals of concept and theory of Indian art particularly with reference to drama and poetics. Book Contents Foreword Key To Transliteration Preface 1. Prologue Different Arts -- Their Interrelations The Parameters -- Art And Beauty Cultural Traditions In Art -- The Parameters Of Appreciation The Classification Of Arts Time Music And Dance: Tala Laya And Svara Perception Of Time And Space In Art Milestones In The History Of Dramaturgy And Poetics 2. Psychology Of Bhavas Bhavas: Meaning And Types Sthayi Bhavas Vyabhicari Bhavas Sattvika Bhavas Sthayi Bhavas And Rasa Sthayi Bhavas And Mental States Sthayi Bhavas And Artha Vibhavas Types Of Vibhavas Anubhavas 3. Theories Of Poetry The Basic Parameters Of Literature Natya Or Drama Rupaka Contents Of Natyashastra Abhinaya And Poetry Dance And Drama The Main Authors and Their Theories Drama Vs. Literature Bharata`s Mode Of Theorization Bharata`s Context : Stage Drama Rupakas Beautiful In The Text Alamkara : A Parameter Of Poetry Rasavat Alamkara : Its Introduction And Elimination Riti And Similar Concepts Vakrokti Aucitya : A Constitutive And Evaluative Parameter Of Beauty Dhvani Types Of Meaning Sphotavada: Abhihitanvayavada And Anvitabhidhanavada Anandavardhana`s View Symbol And Its Interpretation 4. Rasa Theory -- Historical Survey Rasa Theory -- Historical Survey Rasa In Vedas And Upanishads Rasa In Ayurveda Rasa In Different Philosophical Systems Rasa In Natyashastra The Purpose Of Drama : Siddhis The Process Of Art-creation Rasa For Alamkarins Transformation In The Meaning Of Rasa Focus On Appreciation Views Of Lollata Shankuka And Bhattatauta Abhinavagupta`s View Bhattanayaka`s View 5. Bharata`s Rasa Theory Rasa Theory: Bharata And Abhinavagupta Natya And Nataka Stage Medium: An Aspect Of Natya The Samkhya Theory Rasanirmiti And Rasasvada Prakriyas Employment Of Samkhya Theory In The Indian Theory Of Art Natya And Kavya The Meaning Of Natya Three Stages Of An Art Art As Communication The Three Stages Of Communication The Language Of Natya Evidence From Natyashastra Some Confused Interpretations Bharata On Bhavas Sthayi Bhavas 6. Bharata`s Rasa Theory Continued -- Dharmi Vritti Pravriti And Siddhi The Element Of Communication In Art Imitation Or Anukarana Types Of Vritti And Pravrittis Classification Of Arts Purpose Of Art: Superworl Printed Pages: 400. D.K. Printworld (P) Ltd paperback‎

書籍販売業者の参照番号 : 3370 ISBN : 8124603782 9788124603789

‎SS. Barlingay; Foreword By ECG. Sudarshan S. S. E. C.‎

‎A Modern Introduction to Indian Aesthetic Theory: The Development from Bharata to Jagannatha‎

‎New Delhi India: D.K. Printworld P Ltd. 2007 Printed Pages: 400. First Edition. Paperback. New. 15 x 23 Cm. D.K. Printworld (P) Ltd. paperback‎

書籍販売業者の参照番号 : 027295 ISBN : 8124603782 9788124603789

‎SS. Barlingay S. S.‎

‎Confessions and Commitments‎

‎Munshiram Manoharlal Publishers Pvt. Ltd. 1994. First edition. Hardcover. New. 15 x 23 cm. Teacher educationist journalist social reformer political activist and philosopher rolled in one Professor S.S. Barlingay is known for his markedly unorthodox views on different fields ranging from epistemology and logic to aesthetics and social philosophy. As a freedom fighter he was closely associated with the mainstream of our national life. Printed Pages: 94. Munshiram Manoharlal Publishers Pvt. Ltd. hardcover‎

書籍販売業者の参照番号 : 582

‎SS. Barlingay S. S.‎

‎Confessions And Commitments‎

‎Munshiram Manoharlal Publishers Pvt. Ltd.� 1994. First. Hardcover. New. 15 X 23. 1 B/w Illustration. Teacher educationist journalist social reformer political activist and philosopher rolled in one Professor S.S. Barlingay is known for his markedly unorthodox views on different fields ranging from epistemology and logic to aesthetics and social philosophy. As a freedom fighter he was closely associated with the mainstream of our national life. Munshiram Manoharlal Publishers Pvt. Ltd.� hardcover‎

書籍販売業者の参照番号 : MRML-9788121506731 ISBN : 8121506735 9788121506731

‎SS. Barlingay S. S.‎

‎Confessions and Commitments‎

‎Munshiram Manoharlal Publishers Pvt. Ltd. 1994. First edition. Hardcover. New. 15 x 23 cm. Teacher educationist journalist social reformer political activist and philosopher rolled in one Professor S.S. Barlingay is known for his markedly unorthodox views on different fields ranging from epistemology and logic to aesthetics and social philosophy. As a freedom fighter he was closely associated with the mainstream of our national life. Printed Pages: 94. Munshiram Manoharlal Publishers Pvt. Ltd. hardcover‎

書籍販売業者の参照番号 : 582 ISBN : 8121506735 9788121506731

‎SS. Barlingay S. S.‎

‎Modern Introduction of Indian Aesthetic Theory‎

‎D.K. Printworld P Ltd. 2007. Hardcover. New. D.K. Printworld (P) Ltd. hardcover‎

書籍販売業者の参照番号 : DK-9788124603772 ISBN : 8124603774 9788124603772

‎SS. Barlingay S. S.‎

‎Modern Introduction of Indian Aesthetic Theory‎

‎D.K. Printworld P Ltd. 2007. Paperback. New. D.K. Printworld (P) Ltd. paperback‎

書籍販売業者の参照番号 : DK-9788124603789 ISBN : 8124603782 9788124603789

‎SS. Barlingay S. S.‎

‎Reunderstanding Indian Philosophy � Some Glimpses‎

‎D.K. Printworld P Ltd. 2014. Hardcover. New. D.K. Printworld (P) Ltd. hardcover‎

書籍販売業者の参照番号 : DK-9788124601075 ISBN : 8124601070 9788124601075

‎SS. Barlingay S. S.‎

‎Reunderstanding Indian Philosophy: Some Glimpses‎

‎D.K. Printworld P Ltd. 1998. First edition. Hardcover. New. 15 x 23 cm. What is Philosophy Is it determined by any geographical boundaries Does it emerge out of cultural patterns of the Society With such and other basic questions Prof. Barlingay analyses the concepts theories and trends in philosophy as they have developed in our sub-continent over the ages. Although the account of philosophy is called `Indian` he emphasises that the issues discussed by the ancient and medieval philosophers are essentially abstract and there is nothing `Indian` about this philosophy exclusively. Moreover the understanding of indian philosophy that has emerged in the past two centuries owes its direction and commitment to Indologist of Western orientation. Prof. Barlingay`s aim is to overview the Indian philosophy as presented by ancient and medieval philosophers and not the `re-routed` interpretation. Hence he refers to it as a `Re-understanding`. In this challenging endeavor Prof. Barlingay has discussed in-depth and critically the basic issues and problems raised by the orthodox and unorthodox systems like Carvaka Jain Buddhism Nyaya Vaisesika Samkhya Yoga Purva Mimamsa and Vedanta. The book is replete with his logical reasoning. Within its anthropological context the author establishes a epistemological metaphysical and axiological significance of the Indian philosophy offering the reader a unique insight in the subject. Printed Pages: 381. D.K. Printworld (P) Ltd. hardcover‎

書籍販売業者の参照番号 : 1773 ISBN : 8124601070 9788124601075

‎SS. Barlingay S. S.‎

‎Reunderstanding Indian Philosophy; Some Glimpses‎

‎D.K. Print World Ltd 1998-08-01. 1. Hardcover. Used:Good. D.K. Print World Ltd hardcover‎

書籍販売業者の参照番号 : DADAX8124601070 ISBN : 8124601070 9788124601075

‎SS. Barlingay S. S.‎

‎Reunderstanding Indian Philosophy: Some Glimpses‎

‎D.K. Printworld P Ltd. 1998. First edition. Hardcover. New. 15 x 23 cm. What is Philosophy Is it determined by any geographical boundaries Does it emerge out of cultural patterns of the Society With such and other basic questions Prof. Barlingay analyses the concepts theories and trends in philosophy as they have developed in our sub-continent over the ages. Although the account of philosophy is called `Indian` he emphasises that the issues discussed by the ancient and medieval philosophers are essentially abstract and there is nothing `Indian` about this philosophy exclusively. Moreover the understanding of indian philosophy that has emerged in the past two centuries owes its direction and commitment to Indologist of Western orientation. Prof. Barlingay`s aim is to overview the Indian philosophy as presented by ancient and medieval philosophers and not the `re-routed` interpretation. Hence he refers to it as a `Re-understanding`. In this challenging endeavor Prof. Barlingay has discussed in-depth and critically the basic issues and problems raised by the orthodox and unorthodox systems like Carvaka Jain Buddhism Nyaya Vaisesika Samkhya Yoga Purva Mimamsa and Vedanta. The book is replete with his logical reasoning. Within its anthropological context the author establishes a epistemological metaphysical and axiological significance of the Indian philosophy offering the reader a unique insight in the subject. Printed Pages: 381. D.K. Printworld (P) Ltd. hardcover‎

書籍販売業者の参照番号 : 1773 ISBN : 8124601070 9788124601075

‎SS. Bartolomeo I S. S.‎

‎Ufficio delle celebrazioni liturgiche del sommo pontefice. Via Crucis Meditazioni e preghiere del patriarca ecumenico di costantinopoli .‎

‎Venerdi Santo 1994. Hardcover. Very Good. Very good hardcover. No DJ. Italian. Pages are clean and unmarked. Covers show minor shelf wear. Binding is tight hinges strong.; 100% Satisfaction Guaranteed! Ships same or next business day! Venerdi Santo hardcover‎

書籍販売業者の参照番号 : 1107110042

‎SS. Beneckson Editor S. S.‎

‎TEE Magazine Vol. 1 #1 October 1968 - #7 April 1969; Vol. 2 #1 December 1969 - #4 March 1970‎

‎Stapled illustrated wraps. Moisture mark to spine of first issue. Articles and advertisements highlighting South Florida golf scene. Unaccountably scarce. ; Small 8vo 7½" - 8" tall; All shipments through USPS insured Priority Mail. S.S. Beneckson hardcover‎

書籍販売業者の参照番号 : 2671

‎SS. Berry Firm S. S.‎

‎Daffodils and irises for your garden 1936 / S.S. Berry. Volume 1936 1936 Leather Bound‎

‎2020. Leather Bound. New. Leather Binding on Spine and Corners with Golden Leaf Printing on round Spine extra customization on request like complete leather Golden Screen printing in Front Color Leather Colored book etc. Reprinted in 2020 with the help of original edition published long back 1936. This book is printed in black & white sewing binding for longer life Printed on high quality Paper re-sized as per Current standards professionally processed without changing its contents. As these are old books we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. Hope you will like it and give your comments and suggestions. Lang: - eng Vol: - Volume 1936 Pages 40. EXTRA 10 DAYS APART FROM THE NORMAL SHIPPING PERIOD WILL BE REQUIRED FOR LEATHER BOUND BOOKS. COMPLETE LEATHER WILL COST YOU EXTRA US$ 25 APART FROM THE LEATHER BOUND BOOKS. FOLIO EDITION IS ALSO AVAILABLE. Volume 1936 hardcover‎

書籍販売業者の参照番号 : LB1111016998559

‎SS. Berry Firm S. S.‎

‎Daffodils and irises for your garden 1935 / S.S. Berry. Volume 1935 1935‎

‎2020. Softcover. New. Lang: - eng Vol: - Volume 1935 Pages 12. Reprinted in 2020 with the help of original edition published long back 1935. This book is Printed in black & white sewing binding for longer life with Matt laminated multi-Colour Soft Cover HARDCOVER EDITION IS ALSO AVAILABLE Printed on high quality Paper re-sized as per Current standards professionally processed without changing its contents. As these are old books we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. Any type of Customisation is possible. Hope you will like it and give your comments and suggestions. Volume 1935 paperback‎

書籍販売業者の参照番号 : PB1111017009997