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Ortega y Gasset José
Aurora ragione storica
br.
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Ortega y Gasset José
Filosofia della caccia
br. In tempi di veganesimo integrale e di ecologia addomesticata dalle multinazionali, questo saggio ricorda come la caccia possa essere il modo più sincero per essere vicini alla Natura. Prefazione di Marco Cimmino.
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Ortega y Gasset José
Goethe. Un ritratto dall'interno
br. Le biografie di Goethe, osserva Ortega y Gasset, sono state elaborate secondo un'ottica monumentale, una visione solamente dal di fuori, a distanza e senza dinamismo interiore. Il "suo" Goethe - promette l'autore spagnolo - sarà invece costruito secondo un'ottica inversa: un "Goethe dall'interno" che, inutile al suo io, è stato proprio l'uomo che ci ha insegnato la fedeltà al nostro. Però, come scrive nella Prefazione il filosofo Stefano Zecchi, «Goethe è celebrato e ammirato, ma è il vero sconfitto della nostra civiltà che si è costruita attraverso la radicale scissione dei saperi, che ha sviluppato una modernità specializzando le conoscenze, disgregando qualsiasi idea di organicità della vita. Non c'è neppure un pezzetto di Goethe nella nostra cultura, perché lui è il più geniale antimoderno della modernità, perché la sua visione del mondo, se avesse trionfato, avrebbe configurato una diversa concezione dell'uomo sulla Terra e in Cielo». Il chiarimento della sua figura, in modo che ci possa servire, lo si può ottenere soltanto rovesciando il nostro rapporto con Goethe. Una operazione che salva il classico, usandolo senza riguardo per la nostra salvezza, un tentativo di risurrezione che lo risommerge nell'esistenza. Ne risalta un Goethe vitalmente inquieto e insoddisfatto: e lo è come il suo Faust, come Werther e Meister.
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Ortega y Gasset José
Meditazioni sulla felicità
br.
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Ortega y Gasset José; Lodi E. (cur.)
Variazioni su Don Giovanni.
br. «Non ha visto davvero Don Giovanni - scrive Ortega y Gasset - chi non vede accanto al suo bel profilo di corteggiatore andaluso la tragica figura della morte, che lo accompagna ovunque, che è la sua drammatica ombra. Essa scivola con lui nel ballo; con lui scala le graticole dell'amore; entra insieme a lui nella taverna, e sul bordo del bicchiere da cui beve Don Giovanni si muove la bocca scheletrica di questo muto personaggio... quella è la sua suprema conquista, l'amica più fedele che segue sempre le sue orme». Ortega y Gasset, il più cristallino dei filosofi spagnoli, riflette in questo libro su uno dei miti maggiori che la Spagna abbia generato: il Don Giovanni, archetipo letterario e umano ritratto per la prima volta da Tirso de Molina e poi inseguito da decine di autori, da Mozart a Byron, al popolare Don Juan Tenorio di Zorrilla. Nelle sue pagine, Ortega rilegge il Don Giovanni e lo colloca sullo sfondo della cultura del Novecento. La sua affascinante trama di pensiero è qui accostata a quella di un altro raffinatissimo autore, suo contemporaneo, sullo stesso tema: José Bergamín. Variazioni su Don Giovanni compone così una dialettica scintillante di riverberi tra psicologico e culturale, tra spagnolo e universale. (Enrico Lodi). Con un saggio di José Bergamín.
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Ortega y Gasset José; Savigliano A. (cur.)
Che cos'è la filosofia?
br. Il celebre corso, "Che cos'è la filosofia?" (1929) - svolto in un teatro a causa delle contestazioni studentesche alle quali partecipò anche Ortega costituisce il manifesto della ragione vitale e storica in dialogo con Dilthey, Husserl e soprattutto Heidegger. L'occupazione filosofica, di indole rigorosamente teoretica, non è priva di audacia ed é caratterizzata da una dimensione ludico-sportiva, a cui si dedicano gli uomini liberi; perciò essa è un'attività superflua dell'uomo 'nobile' che nondimeno la giudica indispensabile per vivere una vita qualitativamente umana ed all'altezza del tempo.
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Ortega y Gasset José; Savignano A. (cur.)
Meditazioni del Chisciotte
br. Con le meditazioni chisciottesche, Ortega indaga sulla peculiarità unica e irriducibile della vita umana, anche se il suo modo d'essere gli appare sotto forma di eroismo e tragedia, la cui espressione è affidata al romanzo. Dei molteplici approcci ermeneutici con cui è stata analizzata quest'opera unanimemente ritenuta fondamentale nell'evoluzione del pensiero orteghiano prediligiamo il significato filosofico con speciale riferimento al tema della vita circostanziale, che dev'essere salvata attraverso un rinnovato rapporto con la cultura, senza eludere la decisiva questione della verità, intesa come verità vitale e prospettiva. Benché incompiuto, da questo primo libro è possibile arguire uno schema sufficientemente organico, basato sull'insinuazione di una teoria metafisica del reale. Così il Proemio contiene la celebre definizione della vita come l'io interagente con la circostanza, con l'imperativo di salvezza di entrambi. La Meditazione preliminare sviluppa una critica della circostanza personale di Ortega e delle condizioni della Spagna del suo tempo. Infine, la Meditazione Prima delinea un'originale concezione del romanzo.
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Ortega y Gasset José; Taddio L. (cur.)
Meditazione sulla tecnica e altri saggi su scienza e filosofia
br. La presente raccolta di saggi di Ortega y Gasset ruota attorno al più peculiare fenomeno dell'epoca contemporanea, ossia l'ingombrante e onnipervasiva presenza della tecnica. Più in particolare, essa mira a inserire la riflessione del filosofo iberico sulla tecnica nel più ampio contesto dell'antropologia filosofica di Ortega. Da una condizione iniziale di carenza e di dipendenza dall'ambiente circostante, l'uomo compie un atto inaudito: inventa la tecnica, cioè un'impresa che mira non tanto ad adattare l'individuo all'ambiente, ma piuttosto quest'ultimo all'individuo, finendo così letteralmente per "riformare" la natura. Lungi dall'essere un'aggiunta tardiva alla condizione umana, la tecnica è parte essenziale della nostra stessa natura, e ci distingue in modo netto da qualunque altro ente.
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Ortega y Gasset José; Taddio L. (cur.)
Meditazione sulla tecnica e altri saggi su scienza e filosofia
br. La presente raccolta di saggi di Ortega y Gasset ruota attorno al più peculiare fenomeno dell'epoca contemporanea, ossia l'ingombrante e onnipervasiva presenza della tecnica. Più in particolare, essa mira a inserire la riflessione del filosofo iberico sulla tecnica nel più ampio contesto dell'antropologia filosofica di Ortega. Da una condizione iniziale di carenza e di dipendenza dall'ambiente circostante, l'uomo compie un atto inaudito: inventa la tecnica, cioè un'impresa che mira non tanto ad adattare l'individuo all'ambiente, ma piuttosto quest'ultimo all'individuo, finendo così letteralmente per "riformare" la natura. Lungi dall'essere un'aggiunta tardiva alla condizione umana, la tecnica è parte essenziale della nostra stessa natura, e ci distingue in modo netto da qualunque altro ente.
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ORTES, Giovanni Maria
Dei fidecommessi a famiglie e a Chiese e Luoghi pii in proposito del termine dei mani-morte. introdotto a questi ultimi tempi nell'economia nazionale libri due.
Milan, Destefanis, 1804. 403 S. OKart. (ungeschnitten, Rücken leicht lädiert).
Riferimento per il libraio : 3411021
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ORTES, Giovanni Maria
Della economia nazionale. Tomo I (libri I - III).
Milano, Destefanis, 1804. XL, 361 S. OKart.
Riferimento per il libraio : 3632414
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ORTES, Giovanni Maria
Errori popolari intorno all'economia nazionale. Considerati sulle presenti controversie; tra i laici e i chierici.
Milano, Destefanis, 1804. 437 S. OKart. (Rücken leicht lädiert, ungeschnitten).
Riferimento per il libraio : 3411015
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Ortese Anna Maria
ROMANZI. VOLUME II.
Adelphi, 2005. In-8, tela editoriale, sovracoperta, cofanetto, pp. 1143. Offriamo il solo volume secondo. In ottimo stato.
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ORTH DOTT. GIOVANNI
MANUALE DELLA DIAGNOSTICA ANATOMO-PATOLOGICA E DELLE AUTOPSIE.
[Medicina] (cm.23.5) Mezza pergamena, piatti in tela bruna decorata. Titolo in nero impresso al dorso. -pp332. Versione italiana autorizzata sull'ultima tedesca del Dr. Carlo Maglieri riveduta dal Dr. Luciano Armani professore di istologia patologica nella R. Università di Napoli.Lievi bruniture ai tagli, leggere mende agli angoli della legatura, peraltro buon esemplare. Libro
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Ortolani Antonella
La parola disarmonica. Lorenzo Viani tra realismo grottesco e deformazione espressionista
ril. Nella sua ostinata ricerca del vero, (ossia della traduzione dei valori umani più "autentici" nelle strutture essenziali di una forma di per sé significante) e nell'incessante e inesausto tentativo di dare voce all'unica realtà che gli sta a cuore, quella dei suoi diseredati, della sua turba rincorsa dalla sventura", Viani percorre una strada irta di ostacoli, di imperfezioni, di rapinose appropriazioni: gergo, dialetto, lingua letteraria. Tutto concorre a elaborare la sua cifra stilistica, quella lingua giocata sul registro di una visionarietà, di una distorsione grottesca del reale, che vira decisamente nella direzione di una visione espressionista.
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Ortu Gian Giacomo
Famiglia e società nella Sardegna medioevale e moderna
br. Negli ultimi decenni gli studi sulla famiglia sono stati al centro della maggiore storiografia internazionale, nell'incrocio delle più innovative esperienze di ricerca di storia sociale, storia locale e microstoria. In questo saggio Gian Giacomo Ortu indaga gli istituti familiari sardi non tanto nei loro caratteri statici e formali - sulla scia dei tanti studi sui tipi e forme di famiglia -, ma nel rapporto vivo e dinamico che essi hanno con la dimensione locale, i contesti politici, i processi economici, i dinamismi sociali, i valori etici e culturali. L'approccio utilizzato, ad ampio spettro disciplinare - anzi «transdisciplinare» -, sorretto da un quadro di riferimenti scientifici che è sempre europeo, consente di gettare fasci potenti di luce sulle trasformazioni epocali e sulle fasi congiunturali della società sarda tra XI e XVIII secolo.
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Orvieto Laura; Orvieto Angiolo; Del Vivo C. (cur.)
Leone da Rimini
ill., br. Leone da Rimini, avvocato ebreo, è un professionista affermato nella Firenze degli ultimi anni dell'Ottocento. Attento alla tradizione religiosa degli avi quanto convinto dell'importanza di partecipare, con gli altri ebrei, alla vita civile del nuovo Stato italiano, s'innamora di Piccarda Guidi, giovane di un'aristocratica famiglia cattolica del Casentino. Prende così avvio la vicenda di un romanzo popolare inedito, steso a quattro mani da Angiolo e Laura Orvieto nel 1907, con l'intento di affrontare alcuni fra i più delicati temi del rapporto fra l'ebraismo e la società italiana al passaggio del secolo. Il matrimonio misto, la presenza degli ebrei nell'attività politica, l'affare Drejfus, il ruolo della donna, sono i temi al centro della vicenda; intanto la narrazione spazia fra Firenze, Camaldoli, La Verna e la Versilia delle prime villeggiature, affiancando natura e storia e disegnando con destrezza i profili di protagonisti e comprimari, le loro aspirazioni, i dissidi e la complessità dei rapporti, in un quadro lucido e articolato della società toscana del primo Novecento.
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Orvieto Paolo
De Sanctis
br. Nel 2017 si celebra il bicentenario della nascita di un grande italiano, Francesco De Sanctis (1817-1883), al quale è stato attribuito il non piccolo merito di essere stato il vero fondatore della critica italiana, grazie alla sua produzione saggistica e alla fondamentale "Storia della letteratura italiana" (1870-71). E stato un autore che ha attraversato quasi l'intero Ottocento e che ha segnato in profondità la stagione di passaggio verso l'Unità, alla quale ha partecipato attivamente in prima persona. In queste pagine viene ripercorsa la parabola umana e culturale di De Sanctis, che nelle lezioni delle sue varie scuole e nei molteplici saggi registra fedelmente i moti e i terremoti della cultura, della letteratura e poi anche della politica italiana pre e post-unitaria. Tuttavia, per lui l'arte non è solo un epifenomeno culturale e non è neppure "un capriccio personale"; è piuttosto consustanziale alla stessa storia, politica e civile dell'Italia, per cui la storia letteraria degli Italiani scorre di pari passo con la vicenda etica della loro "coscienza". Ma forse l'aspetto più trascurato di De Sanctis è quello politico: più volte dopo l'Unità deputato e ministro della Pubblica istruzione con Cavour, Ricasoli e poi con Cairoli, fautore di un assai interessante e attuale centro-Sinistra, equidistante dalla reazionaria e clericale Destra e dal radicalismo repubblicano e rivoluzionario della Sinistra storica.
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Orvieto, Angiolo A cura di C. Pellegrini; appendice a cura di R. Fedi.
Prose. Con appendice di lettere di Pascoli, Pirandello, D'Annunzio, Capuana, Cecchi, Cardarelli.
cm. 15,5 x 21, 296 pp. 435 gr. 296 p.
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Orvieto, Laura A cura di C. Del Vivo.
Storia di Angiolo e Laura.
cm. 17 x 24, xviii-148 pp. con 1 tav. f.t. Fondazione Carlo Marchi - Quaderni Per Laura Orvieto (1876-1953), scrittrice per ragazzi, nota soprattutto per le ?Storie della storia del mondo?, anche una autobiografia assume toni novellistici. L?infanzia, la giovinezza, il matrimonio, i successi del marito Angiolo, l?attivit? di giornalista e di scrittrice, tutto si veste dei colori di una piccola epopea familiare. Fino a quando le leggi razziali interromperanno la possibilit? di svolgere ogni attivit? civile, impedendo anche la pubblicazione della stessa ?Storia di Angiolo e Laura?, rimasta fino ad oggi inedita. For Laura Orvieto (1876-1953), a writer of children?s stories known above all for her collection of tales ?Storie della storia del mondo?, even an autobiography undertakes the appearance of a novel. Her childhood, youth, marriage, the success of her husband Angiolo, her activity as journalist and writer, all take on the colours of a small family epic. Until 1938 when racial laws made it impossible to undertake any civil activity, impeding the pubblication of the work ?Storia di Angiolo e Laura?, that until today has remained unpublished. 377 gr. xviii-148 p.
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Orvieto, Laura A cura di Caterina Del Vivo.
Viaggio meraviglioso di Gianni nel paese delle parole. Fantasia grammaticale.
cm. 17 x 24, xxviii-162 pp. con 1 ill. e disegni n.t. Fondazione Carlo Marchi - Quaderni La scrittrice propone ancora una volta una ?storia? destinata ai pi? giovani, e affronta un soggetto particolare: il percorso di un giovane verso la conoscenza e le capacit? creative del linguaggio complesso. Scritto all?inizio degli anni Trenta, il Viaggio fu scartato dagli editori a vantaggio di opere della scrittrice di argomento pi? gradito al regime. Anche qui ? testimoniato il forte legame di Laura Orvieto con la tradizione e la cultura ebraica. Once more the writer proposes a ?story? designed for young people and deals with a particular subject: a young man?s path to knowledge and the creative capabilities of complex language. Written in the early ?30s, ?Journey .? was rejected by the publishers in favour of the author?s works dealing with themes more dear to the regime. Laura Orvieto?s strong connection to the jewish tradition and culture is evident here, too. 435 gr. xxviii-162 p.
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Orwell George
Un'autobiografia per sommi capi. Scritti autobiografici
br. L'India, Parigi, Londra, la Spagna della guerra civile: in questi saggi George Orwell ricompone la sua vita. Ci sono gli anni in collegio, il periodo trascorso in Birmania, gli anni in cui, "sotto copertura", frequentava gli indigenti di Parigi e di Londra per sperimentare la loro vita e poterla raccontare, il periodo di cui fu raccoglitore di luppolo e poi commesso in un negozio di libri usati. Ci sono i ricordi della Guerra civile spagnola, le riflessioni sull'antisemitismo e le tensioni tra il mondo anglosassone e quello sovietico. E poi la potenza della natura a emergere, e la forza della scrittura, che diventi una necessità. Un messaggio profondamente attuale, da un uomo che ha vissuto a pieno la vita sociale, politica e culturale della prima metà del Novecento. Orwell ha pubblicato i suoi articoli in numerose riviste che nella versione più completa sono stati raccolti dalla Orwell Foundation. La raccolta propone gli articoli secondo una chiave di piccoli saggi autobiografici e sei di questi risultano totalmente inediti in Italia: Mendicanti a Londra, Asili notturni, La poesia e il microfono, Luoghi di villeggiatura paradisiaci e Lo spirito sportivo. Introduzione di Alessandro Gnocchi.
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Orwell George; Giachino E. (cur.)
Un'autobiografia involontaria. Una vita tra le carte
br. Nessuno è così onesto da raccontare tutto di sé, umiliazioni comprese: la pensava così George Orwell sulle autobiografie. Ma quello che queste carte disegnano è proprio il suo ritratto, un autoritratto, che per definizione mette a fuoco solo ciò che vogliamo mostrare di noi stessi. Così attraverso racconti, articoli, lettere e stralci di diario, lo scrittore simbolo per generazioni di tribù politiche e letterarie ha composto una seppur involontaria autobiografia. Sfogliandola scopriamo l'Orwell ragazzino, terrorizzato tra le mura di una severissima prep school, il giornalista coraggioso che dorme nelle capanne coi senzatetto londinesi per raccontare la raccolta del luppolo, il malato in sanatorio sull'isola di Jura che si interroga sul valore di ciò che ha scritto; ritroviamo i temi a lui più cari - la denuncia della brutalità imperialista, l'avversione per la sinistra intellettuale e vigliacca - e i luoghi che lo hanno segnato - la Catalogna, la Birmania, Marrakesh. E mentre conosciamo lo scrittore, siamo conquistati dall'uomo che ha vissuto senza risparmiarsi, la mente libera e lo sguardo rivolto al futuro, convinto che "a cinquant'anni ognuno ha la faccia che si merita".
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OSARIO DE OLIVEIRA Jose 1900 1964.
Espanha vista pelos portugueses.
Madrid Publicaciones Españolas 1964. 4to. 78 pp. 1 h. y 8 láminas dobles con fotografías. Cubiertas originales. unknown
Riferimento per il libraio : Varia-13877
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Oscar WILDE 1854 1900
A Florentine Tragedy and La Sainte Courtisane MP3 CD Jan 01 2017 Oscar WILDE 1854 - 1900
IDB Productions 2017-01-01. MP3 CD. New. A Florentine Tragedy is a portion of an unfinished stage show produced by Oscar Wilde. The plot is about Simone a rich 16th century Florentine tradesperson who happens to see his wife Bianca together with a prince in their hometown Guido Bardi. After simulating generosity Simone contests the prowler to a duel wins over him and throttles him. This made Simone and Bianca reunite and love each other even more. </br></br>Oscar Fingal O'Flahertie Wills Wilde was an Irish poet and script writer. After drafting in many styles during the latter part of the 19th century he was among London's very famous script writers in the first years of 1890s. He is mostly recognized for his epigrams and stage plays his work of fiction The Picture of Dorian Gray also with the incidents of his captivity and early demise. </br></br>When he became a spokesman for aestheticism he was occupied with different literary goings-on: he wrote a collection of poems gave lectures in the United States and Canada on the new "English Renaissance in Art" and thereafter went back to London where he was hired creatively as a journalist. He was renowned for his intelligence humor outrageous robe and glistening dialogue talent Oscar was among the most famous figures of his time. He also advanced his thoughts of the rule of art in a sequence of conversations and essays and integrated topics of depravity deceit and attraction into what would be his only novella The Picture of Dorian Gray published in 1890. The chance to build aesthetic specifics concisely and unite them with bigger societal plots led Oscar to transcribe a dramatical skit. He produced Salome in French while in Paris even though it was declined a licence for England because of a definite restraint on the depiction of Biblical matters on the English play. IDB Productions unknown
Riferimento per il libraio : 1U-UNY5-P8UE ISBN : 1776741331 9781776741335
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Oscar Wilde 1854 1900
Aphorisms MP3 CD Jan 01 2016 Oscar Wilde 1854 - 1900
IDB Productions 2016-01-01. MP3 CD. New. This item is a brand new factory sealed MP3 disc supplied in a DVD case IDB Productions unknown
Riferimento per il libraio : VP-ZAA1-P7GI ISBN : 1776666682 9781776666683
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Oscar WILDE 1854 1900
Aphorisms MP3 CD Jan 01 2017 Oscar WILDE 1854 - 1900
IDB Productions 2017-01-01. MP3 CD. New. Oscar Wilde IDB Productions unknown
Riferimento per il libraio : 6Y-S38J-O1MB ISBN : 177674134X 9781776741342
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OSCAR WILDE 1854 1900.
Bahtiyar prens ve baska masallar. = The happy prince and other tales. Translated by Nurettin Sevin 1900-1975.
Istanbul: Hilmi Kitabevi / Sirketi M�rettibiye Basimevi 1938. 1st Edition . Soft cover. Very Good. 8vo - over 7� - 9�" tall. Paperback illustrated cover. Cr. 8vo. 19 x 13 cm. In Turkish modern with Latin script. xvi 75 5 p. Bahtiyar prens ve baska masallar. = The happy prince and other tales. Translated by Nurettin Sevin 1900-1975. It contains five stories as in original first: "The Happy Prince" "The Nightingale and the Rose" "The Selfish Giant" "The Devoted Friend" and "The Remarkable Rocket". Happy prince is allegorical to the social class system of Victorian England-the wealth of the upper classes versus the impoverishment of the poor. The statue of the prince has its jewels delivered to the poor via the swallow now on top of the hill the prince can see the poverty that had previously been shielded from him. Eventually the statue loses all its material wealth; he is richer inside for helping the needy but no longer outside and the swallow dies. The people remove the prince statue now that he is plain and discuss the next statue that will replace him because material wealth is most important to them. Nurettin Nureddin Sevin 1900-1975 was a Turkish writer and translator. After he graduated from Istanbul Robert College 1917 and the Teacher Training School for Men 1923 he studied at the West Theatre School in London. When he returned to Turkey 1923 he worked as a teacher in Istanbul at Kabatas High School for Boys and as a faculty member at the Faculty of Political Sciences and the State Conservatory. He is buried in Besiktas Yahya Efendi Graveyard. First Modern Turkish Edition. Nureddin Sevin who was also a poet is known for his plays and critiques together with his translations from classical and contemporary western writers. He won the second award of the Turkish Housewives Association in 1968 with his play Alexius'un Sancilari Alexius' Stomachache. First Modern Turkish Edition. This edition not in OCLC. Rare. <br/> <br/> Hilmi Kitabevi / Sirketi M�rettibiye Basimevi paperback
Riferimento per il libraio : 050553
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Oscar Wilde 1854 1900 Illustrated Drawings By Pamela Bianco in Color & b/w Color Frontispiece PORTRAIT of Infanta Pink De
Birthday of the Infanta The Short Tale of the Spanish Court of the Renaissance About the Infanta Daughter of the King of Spain
Macmillan NY 1929. HBDJ October 1929 stated 1st Edition Dates Match Color illustrated DJ rub wear Soil & small Chips along Top edges & top spine DJ Soiling small tears Back DJ Interior nice tight clean light FoX Wear PC NF/GOOD 59 pgs Original Blue decorated in Black Cover Tall 8vo 6 1/4" x 9 1/2". Titled on spine in Black Dj illustration is present and is a repeat of the frontispiece. First Edition. Hard Cover. Macmillan , NY hardcover
Riferimento per il libraio : 22923
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Oscar WILDE 1854 1900
De Profundis MP3 CD Jan 01 2017 Oscar WILDE 1854 - 1900
IDB Productions 2017-01-01. MP3 CD. New. De Profundis is a Latin phrase for "from the depths IDB Productions unknown
Riferimento per il libraio : C4-PN5G-DHHR ISBN : 1776741358 9781776741359
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OSCAR WILDE 1854 1900.
Lady Windermere'in yelpazesi. Piyes 4 perde. = Lady Windermere's fan. Translated by Irfan Konur G�rgen.
Istanbul: Hilmi Kitabevi 1938. 1st Edition . Hardcover. Very Good. 8vo - over 7� - 9�" tall. In special modern cloth bdg. Foolscap 8vo. 18 x 12 cm. In Turkish. 101 p. First Turkish Edition of Wilde's 'Lady Windermere's fan'. Lady Windermere'in yelpazesi. Piyes 4 perde. = Lady Windermere's fan. Translated by Irfan Konur G�rgen. <br/> <br/> Hilmi Kitabevi hardcover
Riferimento per il libraio : 027970
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Oscar WILDE 1854 1900
The Duchess of Padua MP3 CD Jan 01 2017 Oscar WILDE 1854 - 1900
IDB Productions 2017-01-01. MP3 CD. New. The Duchess of Padua is a stage performance by Oscar Wilde. It is composed of 5 acts melodramatic tragedy taking place in Padua and drafted in blank verse. It was scribed for the female cast Mary Anderson in 1883 while she was in Paris. After she refused it was discarded till its first show at the Broadway Theatre in New York City with the title Guido Ferrantion where it was shown for three weeks. It has been seldom restaged or deliberated. </br></br>Oscar Fingal O'Flahertie Wills Wilde was an Irish poet and script writer. After drafting in many styles during the latter part of the 19th century he was among London's very famous script writers in the first years of 1890s. He is mostly recognized for his epigrams and stage plays his work of fiction The Picture of Dorian Gray also with the incidents of his captivity and early demise. </br></br>When he became a spokesman for aestheticism he was occupied with different literary goings-on: he wrote a collection of poems gave lectures in the United States and Canada on the new "English Renaissance in Art" and thereafter went back to London where he was hired creatively as a journalist. He was renowned for his intelligence humor outrageous robe and glistening dialogue talent Oscar was among the most famous figures of his time. He also advanced his thoughts of the rule of art in a sequence of conversations and essays and integrated topics of depravity deceit and attraction into what would be his only novella The Picture of Dorian Gray published in 1890. The chance to build aesthetic specifics concisely and unite them with bigger societal plots led Oscar to transcribe a dramatical skit. He produced Salome in French while in Paris even though it was declined a licence for England because of a definite restraint on the depiction of Biblical matters on the English play. IDB Productions unknown
Riferimento per il libraio : TS-CSTK-NXXL ISBN : 1776741366 9781776741366
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Osgood E. 1835 1900 Fuller
The candle of Latimer and daughter of Zion
Nabu Press 2010-06-24. Paperback. Good. Nabu Press paperback
Riferimento per il libraio : SONG1175482935 ISBN : 1175482935 9781175482938
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Osman Tarek Bury Laurent
Revolutions Egyptiennes: de Nasser a la Chute de Moubarak (Le Bruit Du Monde Band 1)
LES BELLES LETTRES 2011 272 pages 20 6x2 2x13cm. 2011. Broché. 272 pages.
Riferimento per il libraio : 500166933
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Osmond Edward 1900 1981
A Family of Polar Bears
Sussex England: circa late 1940s-early1950s. Oil on Winsor and Newton's "Rathbone" Canvas board. 16 x 12 inches. Signed lower right. Osmond was born on 6 May 1900 in Orford Suffolk the son of the Rev. Percy Herbert Osmond a clergyman with the Church of England and his wife Agnes Paulina n�e Sadler and grew up in Surrey where his father was appointed to the vicarage of Ewshot near Farnham in 1906. Osmond was educated privately and from 1917 studied at Regent Street Polytechnic earning his Art Teacher's Diploma and a Diploma in Art History in 1924. He taught part-time at Hastings College of Technology Sussex and at Hornsey College of Art whilst exhibiting his work primarily painting in oils and illustrations in wash and line. Osmond was married to Constance M. Biggs a sculpter who also exhibited at the Royal Academy in 1927 and turned freelance in 1928 contributing illustrations to Hutchinson' Pie and to books including a Reader's Library edition of Black Beauty 1932. He began writing and illustrating his own books in the early 1950s the first of which A Valley Grows Up was published by the Oxford University Press in 1953. It went on to win the Carnegie Medal for the year's most outstanding children's book in 1954. That same year Osmond began writing and illustrating the Animals of the World series for Oxford University Press 1954-57 which were widely praised for their depth and detail. Osmond subsequently wrote and illustrated a wide variety of books including From Drumbeat to Tickertape 1960 a study of communication The Artist in Britain from the eighth to the twentieth century 1961 and Exploring Fashions and Fabrics 1967. He continued to produce popular books on animals and the peoples of other lands as well as illustrating The Thames Flows Down 1957 written by his wife under the pen-name Laurie Osmond. Osmond was a member of the Society of Industrial Artists and the Society of Authors. His death was registered in Lewes E. Sussex in 1981. Sussex, England: circa late 1940s-early1950s unknown
Riferimento per il libraio : 16-3149
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Osmond Edward 1900 1981
A Group of Camels
Sussex England: circa late 1940s-early1950s. Oil on Winsor and Newton's "Rathbone" Canvas board. 16 x 12 inches. Signed lower right. Osmond was born on 6 May 1900 in Orford Suffolk the son of the Rev. Percy Herbert Osmond a clergyman with the Church of England and his wife Agnes Paulina n�e Sadler and grew up in Surrey where his father was appointed to the vicarage of Ewshot near Farnham in 1906. Osmond was educated privately and from 1917 studied at Regent Street Polytechnic earning his Art Teacher's Diploma and a Diploma in Art History in 1924. He taught part-time at Hastings College of Technology Sussex and at Hornsey College of Art whilst exhibiting his work primarily painting in oils and illustrations in wash and line. Osmond was married to Constance M. Biggs a sculpter who also exhibited at the Royal Academy in 1927 and turned freelance in 1928 contributing illustrations to Hutchinson' Pie and to books including a Reader's Library edition of Black Beauty 1932. He began writing and illustrating his own books in the early 1950s the first of which A Valley Grows Up was published by the Oxford University Press in 1953. It went on to win the Carnegie Medal for the year's most outstanding children's book in 1954. That same year Osmond began writing and illustrating the Animals of the World series for Oxford University Press 1954-57 which were widely praised for their depth and detail. Osmond subsequently wrote and illustrated a wide variety of books including From Drumbeat to Tickertape 1960 a study of communication The Artist in Britain from the eighth to the twentieth century 1961 and Exploring Fashions and Fabrics 1967. He continued to produce popular books on animals and the peoples of other lands as well as illustrating The Thames Flows Down 1957 written by his wife under the pen-name Laurie Osmond. Osmond was a member of the Society of Industrial Artists and the Society of Authors. His death was registered in Lewes E. Sussex in 1981. Sussex, England: circa late 1940s-early1950s unknown
Riferimento per il libraio : 16-3140
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Osmond Edward 1900 1981
A Group of Giraffes
Sussex England: circa late 1940s-early1950s. Oil on Winsor and Newton's "Rathbone" Canvas board. 16 x 12 inches. Signed lower left. Osmond was born on 6 May 1900 in Orford Suffolk the son of the Rev. Percy Herbert Osmond a clergyman with the Church of England and his wife Agnes Paulina n�e Sadler and grew up in Surrey where his father was appointed to the vicarage of Ewshot near Farnham in 1906. Osmond was educated privately and from 1917 studied at Regent Street Polytechnic earning his Art Teacher's Diploma and a Diploma in Art History in 1924. He taught part-time at Hastings College of Technology Sussex and at Hornsey College of Art whilst exhibiting his work primarily painting in oils and illustrations in wash and line. Osmond was married to Constance M. Biggs a sculpter who also exhibited at the Royal Academy in 1927 and turned freelance in 1928 contributing illustrations to Hutchinson' Pie and to books including a Reader's Library edition of Black Beauty 1932. He began writing and illustrating his own books in the early 1950s the first of which A Valley Grows Up was published by the Oxford University Press in 1953. It went on to win the Carnegie Medal for the year's most outstanding children's book in 1954. That same year Osmond began writing and illustrating the Animals of the World series for Oxford University Press 1954-57 which were widely praised for their depth and detail. Osmond subsequently wrote and illustrated a wide variety of books including From Drumbeat to Tickertape 1960 a study of communication The Artist in Britain from the eighth to the twentieth century 1961 and Exploring Fashions and Fabrics 1967. He continued to produce popular books on animals and the peoples of other lands as well as illustrating The Thames Flows Down 1957 written by his wife under the pen-name Laurie Osmond. Osmond was a member of the Society of Industrial Artists and the Society of Authors. His death was registered in Lewes E. Sussex in 1981. Sussex, England: circa late 1940s-early1950s unknown
Riferimento per il libraio : 16-3141
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Osmond Edward 1900 1981
A Kangaroo Family
Sussex England: circa late 1940s-early1950s. Oil on Winsor and Newton's "Rathbone" Canvas board. 16 x 12 inches. Signed lower right. Osmond was born on 6 May 1900 in Orford Suffolk the son of the Rev. Percy Herbert Osmond a clergyman with the Church of England and his wife Agnes Paulina n�e Sadler and grew up in Surrey where his father was appointed to the vicarage of Ewshot near Farnham in 1906. Osmond was educated privately and from 1917 studied at Regent Street Polytechnic earning his Art Teacher's Diploma and a Diploma in Art History in 1924. He taught part-time at Hastings College of Technology Sussex and at Hornsey College of Art whilst exhibiting his work primarily painting in oils and illustrations in wash and line. Osmond was married to Constance M. Biggs a sculpter who also exhibited at the Royal Academy in 1927 and turned freelance in 1928 contributing illustrations to Hutchinson' Pie and to books including a Reader's Library edition of Black Beauty 1932. He began writing and illustrating his own books in the early 1950s the first of which A Valley Grows Up was published by the Oxford University Press in 1953. It went on to win the Carnegie Medal for the year's most outstanding children's book in 1954. That same year Osmond began writing and illustrating the Animals of the World series for Oxford University Press 1954-57 which were widely praised for their depth and detail. Osmond subsequently wrote and illustrated a wide variety of books including From Drumbeat to Tickertape 1960 a study of communication The Artist in Britain from the eighth to the twentieth century 1961 and Exploring Fashions and Fabrics 1967. He continued to produce popular books on animals and the peoples of other lands as well as illustrating The Thames Flows Down 1957 written by his wife under the pen-name Laurie Osmond. Osmond was a member of the Society of Industrial Artists and the Society of Authors. His death was registered in Lewes E. Sussex in 1981. Sussex, England: circa late 1940s-early1950s unknown
Riferimento per il libraio : 16-3148
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Osmond Edward 1900 1981
Bambi and Mother at a Waterfall
Sussex England: circa late 1940s-early1950s. Oil on Winsor and Newton's "Rathbone" Canvas board. 16 x 12 inches. Signed lower right. Osmond was born on 6 May 1900 in Orford Suffolk the son of the Rev. Percy Herbert Osmond a clergyman with the Church of England and his wife Agnes Paulina n�e Sadler and grew up in Surrey where his father was appointed to the vicarage of Ewshot near Farnham in 1906. Osmond was educated privately and from 1917 studied at Regent Street Polytechnic earning his Art Teacher's Diploma and a Diploma in Art History in 1924. He taught part-time at Hastings College of Technology Sussex and at Hornsey College of Art whilst exhibiting his work primarily painting in oils and illustrations in wash and line. Osmond was married to Constance M. Biggs a sculpter who also exhibited at the Royal Academy in 1927 and turned freelance in 1928 contributing illustrations to Hutchinson' Pie and to books including a Reader's Library edition of Black Beauty 1932. He began writing and illustrating his own books in the early 1950s the first of which A Valley Grows Up was published by the Oxford University Press in 1953. It went on to win the Carnegie Medal for the year's most outstanding children's book in 1954. That same year Osmond began writing and illustrating the Animals of the World series for Oxford University Press 1954-57 which were widely praised for their depth and detail. Osmond subsequently wrote and illustrated a wide variety of books including From Drumbeat to Tickertape 1960 a study of communication The Artist in Britain from the eighth to the twentieth century 1961 and Exploring Fashions and Fabrics 1967. He continued to produce popular books on animals and the peoples of other lands as well as illustrating The Thames Flows Down 1957 written by his wife under the pen-name Laurie Osmond. Osmond was a member of the Society of Industrial Artists and the Society of Authors. His death was registered in Lewes E. Sussex in 1981. Sussex, England: circa late 1940s-early1950s unknown
Riferimento per il libraio : 16-3143
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Osmond Edward 1900 1981
Rabbits with a pastoral valley below
Sussex England: circa late 1940s-early1950s. Oil on Winsor and Newton's "Rathbone" Canvas board. 16 x 12 inches. Signed lower right. Osmond was born on 6 May 1900 in Orford Suffolk the son of the Rev. Percy Herbert Osmond a clergyman with the Church of England and his wife Agnes Paulina n�e Sadler and grew up in Surrey where his father was appointed to the vicarage of Ewshot near Farnham in 1906. Osmond was educated privately and from 1917 studied at Regent Street Polytechnic earning his Art Teacher's Diploma and a Diploma in Art History in 1924. He taught part-time at Hastings College of Technology Sussex and at Hornsey College of Art whilst exhibiting his work primarily painting in oils and illustrations in wash and line. Osmond was married to Constance M. Biggs a sculpter who also exhibited at the Royal Academy in 1927 and turned freelance in 1928 contributing illustrations to Hutchinson' Pie and to books including a Reader's Library edition of Black Beauty 1932. He began writing and illustrating his own books in the early 1950s the first of which A Valley Grows Up was published by the Oxford University Press in 1953. It went on to win the Carnegie Medal for the year's most outstanding children's book in 1954. That same year Osmond began writing and illustrating the Animals of the World series for Oxford University Press 1954-57 which were widely praised for their depth and detail. Osmond subsequently wrote and illustrated a wide variety of books including From Drumbeat to Tickertape 1960 a study of communication The Artist in Britain from the eighth to the twentieth century 1961 and Exploring Fashions and Fabrics 1967. He continued to produce popular books on animals and the peoples of other lands as well as illustrating The Thames Flows Down 1957 written by his wife under the pen-name Laurie Osmond. Osmond was a member of the Society of Industrial Artists and the Society of Authors. His death was registered in Lewes E. Sussex in 1981. Sussex, England: circa late 1940s-early1950s unknown
Riferimento per il libraio : 16-3145
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Osmond Edward 1900 1981
Reindeer and a Snowy landscape with a Man on skis
Sussex England: circa late 1940s-early1950s. Oil on Winsor and Newton's "Rathbone" Canvas board. 16 x 12 inches. Signed lower right. Osmond was born on 6 May 1900 in Orford Suffolk the son of the Rev. Percy Herbert Osmond a clergyman with the Church of England and his wife Agnes Paulina n�e Sadler and grew up in Surrey where his father was appointed to the vicarage of Ewshot near Farnham in 1906. Osmond was educated privately and from 1917 studied at Regent Street Polytechnic earning his Art Teacher's Diploma and a Diploma in Art History in 1924. He taught part-time at Hastings College of Technology Sussex and at Hornsey College of Art whilst exhibiting his work primarily painting in oils and illustrations in wash and line. Osmond was married to Constance M. Biggs a sculpter who also exhibited at the Royal Academy in 1927 and turned freelance in 1928 contributing illustrations to Hutchinson' Pie and to books including a Reader's Library edition of Black Beauty 1932. He began writing and illustrating his own books in the early 1950s the first of which A Valley Grows Up was published by the Oxford University Press in 1953. It went on to win the Carnegie Medal for the year's most outstanding children's book in 1954. That same year Osmond began writing and illustrating the Animals of the World series for Oxford University Press 1954-57 which were widely praised for their depth and detail. Osmond subsequently wrote and illustrated a wide variety of books including From Drumbeat to Tickertape 1960 a study of communication The Artist in Britain from the eighth to the twentieth century 1961 and Exploring Fashions and Fabrics 1967. He continued to produce popular books on animals and the peoples of other lands as well as illustrating The Thames Flows Down 1957 written by his wife under the pen-name Laurie Osmond. Osmond was a member of the Society of Industrial Artists and the Society of Authors. His death was registered in Lewes E. Sussex in 1981. Sussex, England: circa late 1940s-early1950s unknown
Riferimento per il libraio : 16-3147
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Osmond Edward 1900 1981
Squirrels in a tree with a girl and dog below
Sussex England: circa late 1940s-early1950s. Oil on Winsor and Newton's "Rathbone" Canvas board. 16 x 12 inches. Signed lower right. Osmond was born on 6 May 1900 in Orford Suffolk the son of the Rev. Percy Herbert Osmond a clergyman with the Church of England and his wife Agnes Paulina n�e Sadler and grew up in Surrey where his father was appointed to the vicarage of Ewshot near Farnham in 1906. Osmond was educated privately and from 1917 studied at Regent Street Polytechnic earning his Art Teacher's Diploma and a Diploma in Art History in 1924. He taught part-time at Hastings College of Technology Sussex and at Hornsey College of Art whilst exhibiting his work primarily painting in oils and illustrations in wash and line. Osmond was married to Constance M. Biggs a sculpter who also exhibited at the Royal Academy in 1927 and turned freelance in 1928 contributing illustrations to Hutchinson' Pie and to books including a Reader's Library edition of Black Beauty 1932. He began writing and illustrating his own books in the early 1950s the first of which A Valley Grows Up was published by the Oxford University Press in 1953. It went on to win the Carnegie Medal for the year's most outstanding children's book in 1954. That same year Osmond began writing and illustrating the Animals of the World series for Oxford University Press 1954-57 which were widely praised for their depth and detail. Osmond subsequently wrote and illustrated a wide variety of books including From Drumbeat to Tickertape 1960 a study of communication The Artist in Britain from the eighth to the twentieth century 1961 and Exploring Fashions and Fabrics 1967. He continued to produce popular books on animals and the peoples of other lands as well as illustrating The Thames Flows Down 1957 written by his wife under the pen-name Laurie Osmond. Osmond was a member of the Society of Industrial Artists and the Society of Authors. His death was registered in Lewes E. Sussex in 1981. Sussex, England: circa late 1940s-early1950s unknown
Riferimento per il libraio : 16-3146
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Osmond Edward 1900 1981
Two Goats with a Bird above
Sussex England: circa late 1940s-early1950s. Oil on Winsor and Newton's "Rathbone" Canvas board. 16 x 12 inches. Signed lower left. Osmond was born on 6 May 1900 in Orford Suffolk the son of the Rev. Percy Herbert Osmond a clergyman with the Church of England and his wife Agnes Paulina n�e Sadler and grew up in Surrey where his father was appointed to the vicarage of Ewshot near Farnham in 1906. Osmond was educated privately and from 1917 studied at Regent Street Polytechnic earning his Art Teacher's Diploma and a Diploma in Art History in 1924. He taught part-time at Hastings College of Technology Sussex and at Hornsey College of Art whilst exhibiting his work primarily painting in oils and illustrations in wash and line. Osmond was married to Constance M. Biggs a sculpter who also exhibited at the Royal Academy in 1927 and turned freelance in 1928 contributing illustrations to Hutchinson' Pie and to books including a Reader's Library edition of Black Beauty 1932. He began writing and illustrating his own books in the early 1950s the first of which A Valley Grows Up was published by the Oxford University Press in 1953. It went on to win the Carnegie Medal for the year's most outstanding children's book in 1954. That same year Osmond began writing and illustrating the Animals of the World series for Oxford University Press 1954-57 which were widely praised for their depth and detail. Osmond subsequently wrote and illustrated a wide variety of books including From Drumbeat to Tickertape 1960 a study of communication The Artist in Britain from the eighth to the twentieth century 1961 and Exploring Fashions and Fabrics 1967. He continued to produce popular books on animals and the peoples of other lands as well as illustrating The Thames Flows Down 1957 written by his wife under the pen-name Laurie Osmond. Osmond was a member of the Society of Industrial Artists and the Society of Authors. His death was registered in Lewes E. Sussex in 1981. Sussex, England: circa late 1940s-early1950s unknown
Riferimento per il libraio : 16-3150
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Osmond Edward 1900 1981
Two Koala Bears in a Tree
Sussex England: circa late 1940s-early1950s. Oil on Winsor and Newton's "Rathbone" Canvas board. 16 x 12 inches. Signed lower left. Osmond was born on 6 May 1900 in Orford Suffolk the son of the Rev. Percy Herbert Osmond a clergyman with the Church of England and his wife Agnes Paulina n�e Sadler and grew up in Surrey where his father was appointed to the vicarage of Ewshot near Farnham in 1906. Osmond was educated privately and from 1917 studied at Regent Street Polytechnic earning his Art Teacher's Diploma and a Diploma in Art History in 1924. He taught part-time at Hastings College of Technology Sussex and at Hornsey College of Art whilst exhibiting his work primarily painting in oils and illustrations in wash and line. Osmond was married to Constance M. Biggs a sculpter who also exhibited at the Royal Academy in 1927 and turned freelance in 1928 contributing illustrations to Hutchinson' Pie and to books including a Reader's Library edition of Black Beauty 1932. He began writing and illustrating his own books in the early 1950s the first of which A Valley Grows Up was published by the Oxford University Press in 1953. It went on to win the Carnegie Medal for the year's most outstanding children's book in 1954. That same year Osmond began writing and illustrating the Animals of the World series for Oxford University Press 1954-57 which were widely praised for their depth and detail. Osmond subsequently wrote and illustrated a wide variety of books including From Drumbeat to Tickertape 1960 a study of communication The Artist in Britain from the eighth to the twentieth century 1961 and Exploring Fashions and Fabrics 1967. He continued to produce popular books on animals and the peoples of other lands as well as illustrating The Thames Flows Down 1957 written by his wife under the pen-name Laurie Osmond. Osmond was a member of the Society of Industrial Artists and the Society of Authors. His death was registered in Lewes E. Sussex in 1981. Sussex, England: circa late 1940s-early1950s unknown
Riferimento per il libraio : 16-3142
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Osmond Edward 1900 1981
Wild Goats or Llamas with Cacti and Mountain top
Sussex England: circa late 1940s-early1950s. Oil on Winsor and Newton's "Rathbone" Canvas board. 16 x 12 inches. Signed lower right. Osmond was born on 6 May 1900 in Orford Suffolk the son of the Rev. Percy Herbert Osmond a clergyman with the Church of England and his wife Agnes Paulina n�e Sadler and grew up in Surrey where his father was appointed to the vicarage of Ewshot near Farnham in 1906. Osmond was educated privately and from 1917 studied at Regent Street Polytechnic earning his Art Teacher's Diploma and a Diploma in Art History in 1924. He taught part-time at Hastings College of Technology Sussex and at Hornsey College of Art whilst exhibiting his work primarily painting in oils and illustrations in wash and line. Osmond was married to Constance M. Biggs a sculpter who also exhibited at the Royal Academy in 1927 and turned freelance in 1928 contributing illustrations to Hutchinson' Pie and to books including a Reader's Library edition of Black Beauty 1932. He began writing and illustrating his own books in the early 1950s the first of which A Valley Grows Up was published by the Oxford University Press in 1953. It went on to win the Carnegie Medal for the year's most outstanding children's book in 1954. That same year Osmond began writing and illustrating the Animals of the World series for Oxford University Press 1954-57 which were widely praised for their depth and detail. Osmond subsequently wrote and illustrated a wide variety of books including From Drumbeat to Tickertape 1960 a study of communication The Artist in Britain from the eighth to the twentieth century 1961 and Exploring Fashions and Fabrics 1967. He continued to produce popular books on animals and the peoples of other lands as well as illustrating The Thames Flows Down 1957 written by his wife under the pen-name Laurie Osmond. Osmond was a member of the Society of Industrial Artists and the Society of Authors. His death was registered in Lewes E. Sussex in 1981. Sussex, England: circa late 1940s-early1950s unknown
Riferimento per il libraio : 16-3144
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Osorio, Elsa
Im Himmel Tango. Roman. Aus dem Spanischen von Stefanie Gerhold.
Frankfurt, M. : Insel- Verlag, 2007. 504 S. ; 21 cm; gebunden, Orig.-Pappband mit Original-Schutzumschlag;
Riferimento per il libraio : 133374
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OSSENDOWSKI Ferdinand
THE FIRE OF DESERT FOLK.
The account of a journey through Morocco. Allen & Unwin, London, 1926. In-8 p., tela editoriale (dorso lievem. sbiadito), tit. oro al dorso, pp. 312, con tavv. fotograf. in b.n. f.t. Prima edizione. Resoconto di un viaggio all'interno del Marocco. Testo ben conservato.
Riferimento per il libraio : 10519
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OSSENDOWSKI Ferdinand
THE FIRE OF DESERT FOLK. The account of a journey through Morocco.
In-8 p., tela editoriale (dorso lievem. sbiadito), tit. oro al dorso, pp. 312, con tavv. fotograf. in b.n. f.t. Prima edizione. Resoconto di un viaggio all'interno del Marocco. Testo ben conservato.
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OSSIAN (d.i. James Macpherson)
Ossian's Gedichte. Rhythmisch übersetzt v. J. G. Rhode. Zweite verbesserte Ausgabe. 3 Bde.
Berlin: Duncker & Humblot 1817/1818. XXVII, 280/ VII, 277 (1) /272 S. mit jew 1 Frontispiz u. zahlr. Vignetten. mod. priv. Pappbände. *Stellenweise leicht fleckig*.
Riferimento per il libraio : 269650
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Ossola Carlo
Ungaretti, poeta
br. «Sono un frutto/ d'innumerevoli contrasti d'innesti». Così si definisce Giuseppe Ungaretti nella poesia "Italia", manifesto del "Porto Sepolto", 1916. Tale l'origine, e pari il destino: nato ad Alessandria d'Egitto nel 1888 da genitori lucchesi emigrati al momento delle opere di scavo del canale di Suez; studente a Parigi, alla Sorbona e al Collège de France, nel crogiolo delle avanguardie e della lezione di Henri Bergson; soldato e poeta sul fronte del Carso (1915-1918), e poi in Francia e nuovamente in Italia, indi in Brasile (1936-1942), e infine per sempre a Roma. In questo libro Carlo Ossola presenta ai lettori del XXI secolo l'opera poetica di un autore che è stato un classico del Novecento europeo e la consegna alle nuove generazioni. Il volume abbraccia l'intero arco della creazione letteraria di Ungaretti, ricostruendo la lezione dei classici - soprattutto Petrarca, Racine, Shakespeare -, ripercorrendo l'attività di traduttore e i rapporti con i contemporanei, da Saint-John Perse a Henri Michaux, da Murilo Mendes a Francis Ponge. Di Ungaretti richiama infine il «ruolo essenziale che svolge nella poesia del Novecento italiano, quello di aver fatto - come pochi altri artisti del xx secolo - della propria poesia crogiolo e specchio delle tradizioni europee, e dell'Europa una sola patria di arti e civiltà».
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