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Cinerama South Seas Adventure
20p., illus PAMPHLET Very good condition, small tear edge of back cover Souvenir programs
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Donkey Kong Country : [ONLY the game itself, without any accessories].
s.l. : Nintendo, ca. 1990.
Riferimento per il libraio : 38729
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Jet (Magazine, Jan. 5, 1961)
Small format: 4"w x 5 3/4"h. 64 pages. Staple-bound. Wear, spots, and small tears to cover. Interior pages unmarked. " Jet is an American magazine focusing on news, culture, and entertainment related to the African-American community. Founded in November 1951 by John H. Johnson of the Johnson Publishing Company in Chicago, Illinois, the magazine was billed as 'The Weekly Negro News Magazine'." [Wikipedia] Cover image: Negro Girl is a Playboy Club Bunny.
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Jet (Magazine, June 23, 1966)
Small format: 4"w x 5 3/4"h. 64 pages. Staple-bound. Wear, spots, and small tears to cover. Interior pages unmarked. " Jet is an American magazine focusing on news, culture, and entertainment related to the African-American community. Founded in November 1951 by John H. Johnson of the Johnson Publishing Company in Chicago, Illinois, the magazine was billed as 'The Weekly Negro News Magazine'." [Wikipedia] Cover image: James Meredith.
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Jet (Magazine, March 4, 1965)
Small format: 4"w x 5 3/4"h. 64 pages. Staple-bound. Wear, spots, and small tears to cover. Interior pages unmarked. " Jet is an American magazine focusing on news, culture, and entertainment related to the African-American community. Founded in November 1951 by John H. Johnson of the Johnson Publishing Company in Chicago, Illinois, the magazine was billed as 'The Weekly Negro News Magazine'." [Wikipedia] Cover image: Nat King Cole.
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Jeux et gages. Pour animer joyeusement réceptions, noces, surboums.
1984 Société Edicom, Paris - 1984 - In-8 agrafé - Sans pagination (environ 30 pages)
Riferimento per il libraio : 126030
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Les belles histoires nº 307 1998
Bayard Presse Sans date. Le contenu présente le magazine 'Les Belles Histoires de Pomme d'Api' un périodique jeunesse destiné aux enfants de 3 à 7 ans publié par Bayard Presse Jeune. Il propose des histoires courtes des héros attachants des documentaires et des activités comme des coloriages et jeux avec une version audio disponible sur la plateforme BayaM. La revue initialement lancée sous le titre 'Les Belles histoires de Pomme d'Api' a évolué pour devenir simplement 'Les Belles Histoires' depuis 1999
Riferimento per il libraio : 500356771
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Ottagono 95.
Mailand, Edizioni CO. P. IN. A., o. J. 174 S..+ NN. 4° Quart, Softcover/Paperback
Riferimento per il libraio : 82258
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Ottagono 99.
Mailand, Edizioni CO. P. IN. A., o. J. 184 S.. + NN. 4° Quart, Softcover/Paperback
Riferimento per il libraio : 82257
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PARIS MATCH-N°754-21 SEPTEMBRE 1963
136 PAGES FORMAT 26,5 CM X 34 CM-EN COUVERTURE LA NOUVELLE IDOLE DU SKI NAUTIQUE GUYONNE 15 ANS CHAMPIONNE DU MONDE,4P-CONTRE LA VIE CHERE SA DEUXIEME BATAILLE DE FRANCE,DE GAULLE-AUTOUR DE MME NHU,SA VEDETTE,LE CLAN AU COMPLET,8P-CHAMPION DU MONDE,MAIS A QUEL PRIX.,JIM CLARK,6P-LES RUSSES DECOUVRENT UN NOUVEL HITLER: MAO-UNIVERS MATCH LES CHINOIS,16P-UNE HEURE AVANT ILS NE SE CONNAISSAIENT PAS,ALAIN DELON,JANE FONDA,4P,4 PHOTOS-LES K EN VACANCES,BRIONI,8P-LE DEFI DE GIONO:L'ENNUI EN ROUGE ET BLANC,4P PAR GUILLAUME HANOTEAU,2 PHOTOS-TOUTE LA VERITE SUR DIEN BIEN PHU-PUBLICITE COULEURS PLEINE PAGE DE SAVIGNAC POUR LE STYLO BIC
Riferimento per il libraio : ABE-12221478926
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"Sepharial".
FORTUNE TELLING BY NUMBERS. Being an Introduction to the Art of the Kabalists.
pp. 61, (2), [Publisher's catalogue]. 8vo. Original green printed wraps. Contents include: I. The Properties of Numbers, II. The Day-Planet, III. The Hour-Planet, IV. Names and Numbers, V. The Magic Square, VI. Phonetic Values. Scarce. **PRICE JUST REDUCED! OCC 12
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(Durang).
THE MEMOIR OF JOHN DURANG, AMERICAN ACTOR, 1785-1816. Edited by Alan S. Downer.
176 p. + Frontis and Full page color plates. Original cloth binding. Original priced dust jacket slightly rubbed at edges. First Edition. As New. John Durang stands out in early American theater and dance. Born in York, PA, in 1768, he was, "charming, practical" and "extremely versatile" (acting, as well as dancing hornpipes, harlequins, rough versions of classical ballets, and even circus clowning). He also had lots of children who lived "the theater life" just like their dad, establishing a long line of Durang performing artists - including the contemporary playwright Christopher Durang, who lives in Bucks County. Durang was "the first native-born American to win widespread recognition as a dancer." PA 17
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(Entertainment) Robinson, Bill
Bill Robinson in "Born Happy"; Hilarious Variety Revue
Los Angeles: Mayan Theatre 1943. Folded once horizontally; a bit of minor rumpling. Broadsheet approx. 4-1/2 x 12-3/4 in. printed on both sides. Original program from the Los Angeles production of this multi-act revue that originated in San Francisco's Alcazar Theatre earlier in the spring of '43. A rare piece of LA theatrical ephemera. Mayan Theatre unknown
Riferimento per il libraio : 206795
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(Goldsmith, Oliver); Bloomfield, Joseph; Nash, Richard.
THE LIFE OF RICHARD NASH, OF BATH, ESQ; Extracted Principally From His Original Papers.
pp. vi, 234 (4)["Books just Published by J. Newbery. and W. Frederick, Bath"] + Engraved frontis portrait of Nash by Anthony Walker after William Hoare. 8vo. Age stained. Contemporary full leather binding, boards detached. Mildly XLib. NOTE: With two autograph ownerships of: Joseph Bloomfield (1753-1823), New Jersey lawyer, Revolutionary War soldier, judge, and political leader. He and his wife supported a variety of social causes, with Joseph serving as president of the first Society for the Abolition of Slavery, organized in Burlington, NJ in 1783. In 1789, he donated a small plot of land to house the Library Company of Burlington. Bloomfield served as Mayor of Burlington from 1795 to 1800, and he went on to serve as Governor of New Jersey from 1801 to 1802 and 1803 to 1812, then returned to military service as a Brigadier General in the War of 1812. After the war, he finished his political career as a U.S. Congressional Representative from 1817 to 1821. Biography of the undisputed King of Bath, which Newbery commissioned to one of his favorite writers, Oliver Goldsmith (though he goes unmentioned in this first edition). Richard Nash (1674-1762), English dandy, better known as "Beau Nash," was born at Swansea. He was descended from an old family of good position, but his father from straitened means had become partner in a glass business. Young Nash was educated at Carmarthen Grammar school and at Jesus College, Oxford. He obtained a commission in the army, which, however, he soon exchanged for the study of law at the Temple. Here among "wits and men of pleasure" he came to be accepted as an authority in regard to dress, manners and style. When the members of the Inns of Court entertained William III after his accession, Nash was chosen to conduct the pageant at the Middle Temple. This duty he performed so much to the satisfaction of the king that he was offered knighthood, but he declined the honor, unless accompanied by a pension. As the king did not take the hint, Nash found it necessary to turn gamester. The pursuit of his calling led him in 1705 to Bath, where he had the good fortune almost immediately to succeed Captain Webster as master of the ceremonies. His qualifications for such a position were unique, and under his authority reforms were introduced which rapidly secured to Bath a leading position as a fashionable watering-place. He drew up a new code of rules for the regulation of balls and assemblies, abolished the habit of wearing swords in places of public amusement and brought duelling into disrepute, induced gentlemen to adopt shoes and stockings in parades and assemblies instead of boots, reduced refractory chairmen to submission and civility, and introduced a tariff for lodgings. Through his exertions a handsome assembly-room was also erected, and the streets and public buildings were greatly improved. Nash adopted an outward state corresponding to his nominal dignity. He wore an immense white hat as a sign of office, and a dress adorned with rich embroidery, and drove in a chariot with six greys, laced lackeys and French horns. When the act of parliament against gambling was passed in 1745, he was deprived of an easy though uncertain means of subsistence, but the corporation afterwards granted him a pension of six score guineas a year, which, with the sale of his snuff-boxes and other trinkets, enabled him to support a certain faded splendour till his death. He was honored with a public funeral at the expense of the town. Notwithstanding his vanity and impertinence, the tact, energy and superficial cleverness of Nash won him the patronage and notice of the great. He was a man of strong personality, and considerably more able than Beau Brummell, whose prototype he was. First edition with all of the correct points. Rothschild 1022; Tinker 1093. The early American ownership adds substantial interest to this curious book. **PRICE JUST REDUCED! W144
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[26 Brigade Group Entertainment Unit]
Programme: Postwar Revue at the Tarakan Bowl Tuesday & Wednesday October 9 and 10 1945
Tarakan: AEF 1945. 1st edition. Very Good. small quarto. printed sheet 2pp. Large sheet folded in 4 pages listing acts & participants. EXTREMELY SCARCE AEF unknown
Riferimento per il libraio : 71808
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[ACHITECTURE]
Vue représentant les Ordres d’Architectures.
P., Chez Chéreau (fin XVIIIème). (Galerie de ver).
Riferimento per il libraio : 8887
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[African-Americana – Jazz – Entertainment] Unknown
“LOOK! This is What You’ve Been Waitin’ For†Dance Night Featuring The Original Eleven Clouds of Joy
Sedalia Missouri 1929. 11 x 18 inches heavy cardstock. Manuscript note verso reads “Flor Alpino Vals / Vanderbeckâ€. Some staining and tears mainly marginal. Overall very good to excellent. An advertisement for a performance by the Original Eleven Clouds of Joy likely an iteration—of which there were many—of the popular Kansas City-based swing jazz band Clouds of Joy. The group was formed in 1921 by trumpeter Terrence Holder 1897–1983 and in 1929 was led by saxophonist Andy Kirk 1898–1992 and found success largely due to the arrangements and playing of Mary Lou Williams. They would tour the US through 1948 playing Kansas City-style jazz had the top song on the Billboard chart in 1938 and the first single to hit number one on Harlem Hit Parade in its inauguration in 1942 with the song “Take It and Git.†Contemporary newspaper accounts list the band as performing under the name “The Original Eleven Dark Clouds of Joy†during this period though the banner in the photograph here omits the word ‘dark.’ This poster represents an uncommon relic of the band’s early days touring regionally roughly a decade before they enjoyed national success. unknown
Riferimento per il libraio : List2808
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[AMSTERDAM]
La Maison des Orphelins et le Pont de l’Amstel à Amsterdam.
Sans lieu ni date, (fin du XVIIIème).
Riferimento per il libraio : 8871
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[AMSTERDAM]
L’Eglise du Ouest et de la Boucherie, à Amsterdam à les voir de Keizersgracht.
P., Basset, (fin du XVIIIème).
Riferimento per il libraio : 8869
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[AMSTERDAM]
Vue d’Amsterdam prise du Vieux rempart.
P., Mondhard, (fin du XVIIIème).
Riferimento per il libraio : 8872
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[AMSTERDAM]
Vue générale de la Ville d’Amsterdam du côté de Tye.
P., Daumont,1760.
Riferimento per il libraio : 8870
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[BERGOP-ZOOM]
Prise et Pillage de la Ville de Bergop-Zoom.
Sans lieu ni date, (fin du XVIIIème).
Riferimento per il libraio : 8877
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[BIBLE]
Vue de Jérusalem avant sa destruction.
P., Daumont (fin XVIIIème). (Galerie de ver).
Riferimento per il libraio : 8881
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[BIBLE]
Vue de la partie intérieure de la Cour des Prestres dans le Temple de Salomon avec la manière de préparer et d’offrir les sacrifices selon la vison du Prophète Ezéchiel.
1760. (Galerie de ver).
Riferimento per il libraio : 8886
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[CIVITA-VECCHIA]
Vue du Port de Civita-Vecchia, Ville dans l’Etat de l’Eglise, en Italie.
P., Maillet, (fin du XVIIIème).
Riferimento per il libraio : 8852
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[DIVERTISSEMENT]
Extrait des délibérations de MM. les souscripteurs du Concert.
S.l., (1790) in-8, 2 pp., une feuille.
Riferimento per il libraio : 204985
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[DIVERTISSEMENT] - MAMCZARZ (Irene) -
Les intermèdes comiques italiens au XVIII siècle en france et en italie.
Paris, Editions du centre national de la recherche scientifique , 1972 ; in-4, cartonnage de l'éditeur.
Riferimento per il libraio : 201414991
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[Ellinger & Foote, Entertainment Promoter]
AUTOGRAPH LETTER SIGNED FROM ELLINGER & FOOTE'S AGENT P.A. CLARKE FROM HARRISBURG 25 SEPTEMBER 1865 ON PRINTED AND ILLUSTRATED LETTERHEAD OF 'ELLINGER & FOOTE'S GREAT MORAL EXHIBITION AND CONTINENTAL QUARTETTE.' WITH THE ILLUSTRATED ENVELOPE WITH STAMP AND POSTAL CANCEL
The three performers depicted on the letterhead are Charles W. Nestel "Commodore Foote" his sister Eliza Nestel "Queenie Foote" and Joseph Huntler "Colonel Small". Letterhead printed in blue ink on white lined paper. The letter from the troupe's agent P.A. Clarke seeks to arrange a booking in Danville PA. Offered with the stamped illustrated envelope postal cancel. Minor wear Very Good. <br /> <br /> The elaborate envelope illustration and its printed text depict the three performers flags in the background and reads: ELLINGER & FOOTE'S COMBINATION THE LITTLE MINIATURE TRIO. COMMODORE FOOTE MISS ELIZA NESTELLE COL. SMALL THE THREE SMALLEST PEOPLE IN THE WORLD./ MRS. C.G. RUSSELL W.B. HARRISON PROF. G.H. BROOKS MASTER ZACK MASTER WILLIE. / COL. WM. ELLINGER DIRECTOR. C.G. RUSSELL TREASURER. P.A. CLARKE BUSINESS AGENT." <br /> The envelope is addressed to Agt. Thompson Hall Danville Penna. cancelled 3 cent red Washington stamp and postal rubberstamp dated Hagerstown March 186 Small rubberstamp beneath envelope flap on verso "E.D. Foote Collection. unknown
Riferimento per il libraio : 36740
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[Entertainment]
Apollo Theatre Handbill
New York: Apollo Theatre 1938. Small staple holes at upper margin; old horizontal fold long since flattened. Double-sided handbill 5-5/8 x 8-1/2 in. printed on both sides. Weekly handbill advertising upcoming shows for three weeks beginning September 16 1938 although the year is not printed. Headliners for the three weeks are Ethel Waters Andy Kirk and Duke Ellington. Located on west 125th Street in the heart of Harlem the Apollo was and remains one of the cultural meccas of New York City providing top-level entertainment mostly by Black artists for a mostly Black audience. Apollo handbills from the postwar era are not uncommon those from the 1930s are far less so. Apollo Theatre unknown
Riferimento per il libraio : 206506
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[Entertainment]
Apollo Theatre Handbill
New York: Apollo Theatre 1938. Small punch-holes at upper margin where it may once have been secured in an album or notebook; slight abrasion to perimeter of holes otherwise about fine. Double-sided handbill 5-5/8 x 8-1/2 in. printed on both sides. Handbill advertising upcoming shows for the weeks of September 30 October 7 and October 14 in 1938 although the year is not printed. Headliners for the three weeks are Duke Ellington Blanche Calloway and Lucky Millinder. Although neglected today Blanche Calloway was the older sister of Cab Calloway and preceded him into show business providing an example for him with her own exuberant performance style. She was a true pioneer as a woman in a male-dominated field. She was in fact the first woman to lead an all-male orchestra which included some rising giants such as Ben Webster saxophone and Cozy Cole drums. Unable to make it far in the face of prejudice against Black and female performers she went on to a long an influential career in radio and as a dedicated advocate for Civil Rights. Apollo Theatre unknown
Riferimento per il libraio : 206505
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[Entertainment] Kalmar, Bert, et al
KALMAR FAMILY SHOW BUSINESS LETTER ARCHIVE
An archive of holographic letters written by members of a multi-generational show business family which found success on the stage and screen and behind the scenes from Broadway to Hollywood. The family patriarch was Bert Kalmar born Albert Kalvarinsky 1884 -1947 a successful lyricist who was inducted into the Songwriters Hall of Fame in 1970. He entered show business as a vaudeville magician and comedian and became a songwriter after a knee injury sidelined his stage career. In addition to yielding numerous hits for the Marx Brothers his partnership with Harry Ruby was portrayed in the 1950 Metro-Goldwyn-Mayer musical Three Little Words with Fred Astaire and Red Skelton. Before turning to songwriting Kalmar was in a vaudeville act with Jessie Brown 1892–1985 whom he married in 1910. They had two children: Irving Bert Kalmar Jr. 1913–97 and Margaret “Peggy†Kalmar 1928–64. Peggy married Robert Allison in 1950 and had no children. This archive contains more than 200 letters mostly written by Bert Jr. and Peggy to their parents as well as several dozen cards from friends sent upon the songwriter’s death in 1947. The letters span from the 1930s to the 1980s. The collection includes a few business-related letters about projects in development as well as royalty and tax statements following Bert Sr.’s death. Among the condolences for Kalmar Sr.’s death are letters from Hollywood notables. Tillie Winslow the wife of Columbia Picture musical producer Max Winslow wrote: “I am so sorry to hear of Bert’s passing. There is so little one can say to help one in times of sorrow. I know how hard the heart can hurt and I feel very keenly for you.†Kalmar Jr. also known as “Bigs†followed in his parents’ footsteps and pursued a career in acting achieving some limited success. Numerous letters in the collection recount his years traveling with a variety of stage productions. In 1943-44 he appeared with Ethel Barrymore in the production “The Corn is Green.†He joined the show in February and recalled the following in a letter to his parents: “I found out to my great surprise that the understudy they had and who had a few lines in Welsh and one in English was leaving before the show that night and I had to learn his business and Welsh lines and go on. The first scene was in mining clothes with soot all over my face. Then in eight minutes I had to have the soot off and juvenile make up on and change clothes for the next scene. I made it. It all went smoothly. Before I went on Miss Barrymore walked all the way across the stage and said ‘You’re the new one aren’t you. We’re glad to have you with us.’ … Later some of the other members of the cast said it was phenomenal – some of them had been in the show six months before she spoke to them.†This collection underscores the growing focus on Hollywood and motion pictures. The Kalmars moved from New York to Beverly Hills for the songwriter’s work and Kalmar Jr. moved between the two coasts to take advantage of opportunities on the stage and in film. This is also evident in letters from friends and associates in the acting world. A letter to Kalmar Jr. from James Lister foreshadows his career as a prominent Hollywood casting director. He wrote on September 1 1954 of his decision to leave New York with “Liam†whom he just signed to Universal Pictures: “We both feel that we’ve had New York and at the moment there seems to be more gold on the other side of the country…as well as trees.†The Kalmars were also close friends of Random House president Bennett Cerf. A typed letter signed TLS in the collection dated November 7 1946 recalls a fun evening: “Phyllis and I counted our evening with you and Jessie among the happiest we spent all year. I hope we can do a repeat performance at a very early date.†A few years after Kalmar’s death Peggy wrote in a letter to her mother about visiting Cerf at his office and his efforts to help her with a job in magazine publishing. The letters are in very good condition and most are accompanied by their original mailing envelope. unknown
Riferimento per il libraio : 70604
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[Entertainment – Minstrelsy] Horn, Even
“Fi-Hi-Hi/ The Black Shakers Song & Polkaâ€
New York City 1851. Sheet music measuring 10 x 13 inches 3 pp. Pencil markings of chords over third page. Some staining and a few small tears; overall excellent. Sheet music for “Fi-Hi-Hi†or “The Black Shakers Song & Polka†a track written by Even Horn and originally performed by the Fellows Minstrels. The Fellows who are also called on the cover “Fellows Ethiopean sic Troupe†were a New York City-based minstrel group who briefly ran Fellow’s Opera House on Broadway just above Canal Street. The singer of this tune whose girlfriend has “gone away to Leb’non stateâ€â€”perhaps Mount Lebanon New York or Lebanon Ohio—asks “Oh! pity me ye shakers all/ And tell me where I’ll find herâ€.<br /> <br /> The United Society of Believers or Shakers are an egalitarian and millenarian Christian sect who arrived in colonial America in the 1770s and appalled early Americans with their singing and dancing. Interestingly at least one researcher has suspected a connection between Shaker and minstrel song and dance; for one a popular 1840s Shaker song which goes “Hop up and jump up and whirl round whirl round†makes at least an interesting comparison with “Jump Jim Crow’s†“Wheel about turn about an’ do jus’ soâ€.1 Moreover Shaker communities were open to anyone who was willing to commit to a celibate communal life regardless of race or gender. For instance Mount Lebanon documented having Black members during its early days in the late 1700s2 and in 1819 the Shakers at South Union Kentucky freed those enslaved by their slaver converts.1<br /> <br /> We find eighteen other physical copies of “Fi-Hi-Hi†on OCLC. Of interest to historians of blackface minstrelsy and American theater.<br /> <br /> 1 Anne Grimes “Possible Relationship between ‘Jump Him Crow’ and Shaker Songs†Midwest Folklore 3 no. 1 Spring 1953 47–57.<br /> 2 “African American Shakers: In the Berkshires and Beyond†Hancock Shaker Village accessed March 6 2025 https://hancockshakervillage.org/online-exhibitions/african-american-shakers-berkshires/. unknown
Riferimento per il libraio : List2946
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[ESPAGNE]
Le Monastère Royal de l’Escurial, vu par derrière.
P., Daumont (fin XVIIIème).
Riferimento per il libraio : 8839
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[Fallavel (J.M.)]
Le jeu du Trictrac enrichy de figures, avec les jeux. Du revertier, du toute-table, du tourne-case, des dames rabatues, du plain et du toc. Seconde édition, reveüe, corrigée et augmentée.
Paris, Henry Charpentier, 1701 ; in-12, veau marbré, dos à nerfs décoré et doré, pièce de titre grenat, roulette dorée sur les coupes (reliure de l’époque) ; [11-1 bl.], 198, [18] pp., figures in texte.Suivi de : Suite du Trictrac, contenant les règles des jeux du revertier [...], et du toc. Comme on les joüe aujourd’huy. Paris, Heny Charpentier, 1699 ; [4], 111, [9] pp. (Barbier II-996-997).
Riferimento per il libraio : 20822
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[FLORENCE]
Vue de Florence proche la rivière d’Arno.
P., Basset, (fin du XVIIIème).
Riferimento per il libraio : 8853
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[FLORENCE]
Vue perspective de l’entrée de la cour et de la rue de l’Arno à Florence.
Sans lieu ni date, (fin du XVIIIème). (Gravures d’un moulin contrecollées au dos).
Riferimento per il libraio : 8854
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[GRECE]
Vue perspective du Port d’Aulide en la Béotie, vis à vis de l’Isle d’Eubée qu’on appelle maintenant Nègrepont.
P., Maillet, (fin du XVIIIème). (Gravure «Vaisseau du Premier Range portant pavillon de Vice Amiral» contrecollée au dos).
Riferimento per il libraio : 8851
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[HISTOIRE]
Disposition du festin fait par sa Majesté Louis XIII à Fontainebleau à Messieurs les Chevaliers du Saint-Esprit après leurs Créations à Fontainebleau le 26 May 1633.
P., Chez Mondhare (fin XVIIIème). (Taches, salissures).
Riferimento per il libraio : 8884
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[JERSEY]
Vue du Port et Rade de Gerzay.
P., Daumont, (1759).
Riferimento per il libraio : 8868
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[LONDRES]
Le Cœur de la Cathédrale Saint-Paul de Londres.
P., chez Daumont, (fin du XVIIIème).
Riferimento per il libraio : 8844
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[LONDRES]
Vue de Londres vers le Sud-Ouest.
1760.
Riferimento per il libraio : 8843
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[LONDRES]
Vue du Palais Royal Someset du côté de la Thamise.
P., chez Daumont, (fin du XVIIIème).
Riferimento per il libraio : 8846
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[LONDRES]
Vue du Palais Royal Someset du côté de la Thamise.
P., chez Daumont, (fin du XVIIIème).
Riferimento per il libraio : 8847
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[LONDRES]
Vue perspective de la Grande Place du Parc Saint-Jacques à Londres.
P., Huquier et fils, (fin XVIIIème).
Riferimento per il libraio : 8840
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[LONDRES]
Vue perspective du Chœur de l’Abbaye de Westminster, sépulture des Rois d’Angleterre.
P., chez Daumont, (fin du XVIIIème).
Riferimento per il libraio : 8845
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[MYTHOLOGIE]
La descente d’Oenée aux Enfers, avec le Palais de Pluton dans l’éloignement.
P., Basset (mi XVIIIème). (Petit trou de ver).
Riferimento per il libraio : 8885
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[OXFORD]
Le collège de l’Université, et celui de la Reine à Oxford.
P., chez Daumont, (fin du XVIIIème).
Riferimento per il libraio : 8849
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[OXFORD]
L’Eglise de tous les Saints dans l’Université d’Oxford
P., chez Daumont, (fin du XVIIIème).
Riferimento per il libraio : 8850
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[PERSE]
Le Caravan Seray de Cachan.P., Chez Basset, (fin du XVIIIème).
(Trace de pliure au centre).
Riferimento per il libraio : 8880
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[ROME]
L’Eglise Saint-Pierre de Rome.
P., de Poilly, (fin du XVIIIème). (Petit trou de ver et pliures).
Riferimento per il libraio : 8865
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