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[BALLET]
Dictionnaire du ballet moderne.
Paris, Fernand hazan , 1957 ; in-8, 360 pp., cartonnage d'éditeur avec jaquette.
Riferimento per il libraio : 201100468
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[BALLETS RUSSES] BALANCHINE (George).
Histoire de mes ballets.
Fayard, 1969. In-8 reliure pleine toile éditeur, jaquette photo. Traduit par P. Thévenon. Nombreuses photographies hors texte. E.O.
Riferimento per il libraio : L15093
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[BALLIÈRE DE LAISEMENT (Charles Louis Denis), FLEURY (Jacques)]
Le Rossignol, Opéra-Comique. Représenté pour la première fois, Sur le Theatre de Rouen, Le Vendredi 8 Octobre 1751.
1752 In-8, broché, couverture de papier gris moderne, 56 p., plusieurs pages de partition avec musique notée et paroles. Rouen, E.V. Machuel, 1752.
Riferimento per il libraio : 38401
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[BALLET, DANSE] - NEGRE (Mireille) -
Une vie entre ciel et terre.
Paris, Balland, 1990 ; in-8, 196 pp., broché, couverture illustr. Bon état.
Riferimento per il libraio : 201008853
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[BALLET - 20th Century] RAYNER, Henry 1902-1957
Drypoint etching of a ballet dancer
1940. Image size 175 x 135 mm. sheet size 279 x 216 mm. Signed in the stone "H. Rayner"; also signed in pencil below platemark at lower right. With "Ballet" and "copyright" in pencil to lower margin. Printed in olive green-toned ink on wove paper. <br /> <br /> Very slightly worn; minor foxing to blank margins. An Australian artist who studied and worked in Britain Rayner was a student of Walter Sickert at the Royal Academy and a friend of Augustus John. <br /> <br /> "Henry Rayner's single-minded devotion to the drypoint technique created what is almost certainly the largest body of drypoint work of any mid-20th century artist. Rayner typically took 15 or fewer impressions from each plate. It has taken nearly 70 years for Henry Rayner's drypoint work to begin attracting serious interest among collectors." Roger Stanton Hewitt Henry Rayner website. unknown
Riferimento per il libraio : 29684
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[BALLET - 18th Century]
Pygmalion of Het Beeld Bezield Door de Liefde; zo als hetzelve door Carolina en Charlotta Frederic oud 9 en 7 Jaaren op den Amsteldamschen Schouwburg in het laatste des Jaars 1758 gedanst is. Engraving by Jan Punt 1711-1779 after George van der Myn 1723-1763
Paris: Basan 1759. 385 x 260 mm. Printed on laid paper. <br /> <br /> The outdoor scene with trees and statuary depicts Caroline and Charlotte daughters of Frédéric Sluyter performing in a production of Pygmalion at the Schouwberg Theatre in Amsterdam. The dancer at left is on her right foot with arms outstretched costumed in a dress with a low rounded neckline pointed waistline and a wide panniered skirt; the dancer at right is on her left foot with arms outstretched wearing male attire including cocked hat frock coat with stiff flared skirt breeches and heeless shoes. <br /> <br /> Browned; small stain to lower right corner. Scarce. NYPL: b12155632. BM 1854 0614.342.<br /> <br /> Caroline and Charlotte Frédéric were part of a troupe of child performers active in Amsterdam in the 1760s. Basan unknown
Riferimento per il libraio : 29663
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[BALLET -- PETER PAN/WOMEN]. [HIGGINS, Susan (Artistic Director); PERRY, Anita (Composer); & ELSNER, Dan (Technical Director).]
Peter Pan -- a children’s ballet. . . children and young adult ballet students from the Cascade Athletic Club pre-professional dancers from the Oregon Concert Ballet Company. Artistic Director’s manuscript performance notebook with stage notes Perry’s musical score and updates along with choreography notes.
Portland & Gresham OR: Susan Higgins Ballet Instructor & Artistic Director Cascade Athletic Club; Oregon Concert Ballet Co. 1984. 4to. Approx. 250 pp sections separately paginated and unnumbered some numbered in ink several with duplicate numbering consisting of typescript musical score and illustrations many of the pages with extensive ink and/or pencil annotations some updates photocopies with additional revisions many pages with updates taped onto the musical score approx. 200 pp. preserved in archival mylar sleeves remainder 3-hole punched at gutter margin and inserted. Contemporary black vinyl 3-ring binder minor scuffing edgewear still VG exemplar. A wonderful original ballet director’s art direction notebook for the Peter Pan ballet staged in 1984 intended to offer young up-and-coming ballet students at the time to experience live performances and to unify Eastside/Westside Royal Academy of Dancing trained students. It would be 5 years before the Oregon Ballet and Pacific Ballet Theater would consolidate under the direction of James Canfield to form the Oregon Ballet Theatre. This ballet featured four acts divided into The Nursery Neverland Ship of the Pirates and Conclusion featuring solos by Wendy Tinker Bell Peter and Captain Hook over the length of the production. Dancers 4-5 years old were featured as the Neverland Fairies 5-7 years old with 2 years of training and pre-primary Royal Academy examinations behind them played Forest Fairies; Lost Children were 6-9 years old and had performed Barre and footwork; followed by the Pirates and soloists including Wendy Heather Miller Peter Pan Laura Spradlin Captain Hook Elizabeth Johnson and the mermaids drawn from the Lake Oswego School of Ballet under the directorship of Christine Donald. The original score by Anita Perry b. 1960 an up-and-coming Canadian composer out of British Columbia where she had studied piano with Lee Kum Sing and composition with Cortland Hultberg. In her early 20’s M. Perry had already won several composition awards was known for her original ballet works and wrote this score with orchestration for a variety of instruments “lending to the performance. . . a more closely approximated real environment experienced by professional dancers.†Peter Pan as a ballet required a fair amount of athleticism and as indicated here in Higgins’s artistic director’s notebook required extensive choreography changes scene adjustments and revisions by M. Perry. Higgins studied and danced at the British Royal Ballet later with Elvie DeMarko 1924-1989 of Ballet Russe and then with Robert Barnett of the Atlanta Ballet. No similar notebooks or programs survive for this 1984 ballet and there are no recordings or printed musical scores this cataloguer could uncover. Susan Higgins, Ballet Instructor & Artistic Director, Cascade Athletic Club; Oregon Concert Ballet Co., unknown
Riferimento per il libraio : 61448
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[BALLET ICONOGRAPHY - 20th Century]
Before the Ballet. Drypoint by noted German Impressionist painter and etcher Ernst Oppler 1867-1929
1915. Signed in full in pencil just outside platemark at lower right. Also signed and dated in the plate "E. Oppler 15" at lower left inscribed in pencil "9-50" just outside platemark at lower left and "VII.II" at lower left corner with titling in pencil to lower margin. On ivory laid Bosquet watermarked paper. Impression size 180 x 270 mm. 7 x 9-1/2" with wide margins. <br /> <br /> A pre-performance or intermission scene depicting three tiers of an elaborate performance space with people both sitting and standing some in animated conversation with players in the orchestra pit before a closed curtain. Number 9 of an edition limited to 50 copies this impression an apparent second state of seven. <br /> <br /> Oppler is considered the premiere chronicler of ballet in Germany. "He spent his student years in Munich London and Holland before settling in Berlin in 1905. As a member of the Berliner Secession he developed into a sought-after portraitist and from 1912 through his drawings and graphic works to one of the perhaps to the most significant German artistic chroniclers of ballet history. Especially the Ballets Russes and their soloists owe to Oppler's enthusiasm an appreciation known until today only among ballet afficionados. Oppler is recognized as the inventor of an illuminated drawing pencil which enabled him to sketch from the audience during rehearsals and performances." Deutsches Tanzarchiv Köln. unknown
Riferimento per il libraio : 39089
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[BALLET LIBRETTI - 18th Century - French]
Collection of 5 rare 18th century French ballet libretti
Quarto. Full mid-tan mottled calf with coat of arms gilt to both boards raised bands on spine in decorative compartments gilt marbled endpapers. With occasional decorative woodcut initials and head- and tailpieces throughout.<br /> <br /> 1. DESTOUCHES Andre Cardinal 1672-1749<br /> Le Carnaval et La Folie Comedie-Ballet representée par l'Academie Royale de Musique pour le premiere fois. Le troisième Janvier 1704. Remise au théâtre Le seizième May 1719. Le treizième Juillet 1730. Le septième Août 1738. Et le Mardi onziéme Juin. 1748. Nouvelle Édition Prix XXX. Sols. Paris: Aux Depens de l'Academie. On trouvera les Livres de Paroles à la Salle de l'Opera & à l'Academie Royale de Musique rue S. Nicaise. . Avec Approbation et Privilege du Roy. . De l'Imprimerie de la Veuve Delormel & Fils 1748. 1f. recto title verso "Les Paroles de Monsieur de la Motte. La Musique de Monsieur Destouches." 1f. cast list 5-51 i approbation and imprint. With manuscript paraph to title. <br /> <br /> Named cast includes:<br /> - "Acteurs Chantans dans les Choeurs" for the Côté du Roi performance Mlles. Dun Toulou Delorge Larcher Cazeau Rosalie Le Tourneur Duperey and Grimiaux and Messrs. Lefebre Le Page C Laubertie Fel Bourque Duchênet Rochette and Gratin; and for the Côté de la Reine performance Mlles. Cartou Masson Gondré Rôllet Delâtre Lablotiere Daliere Victoire Hery and Folliot and Messrs. S. Martin Le Mesle Bellanger Levasseur Belot Chapotin Favier and Le Roy<br /> - "Acteurs du Prologue" Mlle. Romainvile; Messrs. Person Le Page and de la Tour<br /> - Dancers Mlle. Puvigné in Hebé; Mlles. Lyonnois Courcelle and Thieri in Les Graces; Messrs. Devisse Caillez Laval Feuillade and Mion; Mlles. Dazenoncourt Briseval Minot and Puvigné in "Jeux & Plaisirs." <br /> <br /> A pupil of Campra Destouches achieved considerable success as a composer of stage music. His Isse was greatly admired by King Louis XIV. "Le carnaval et la folie is one of the first examples of a lyric comedy in France." James R. Anthony in Grove Music Online<br /> <br /> 2. CAMPRA André 1660-1744 Monteclair Bourgeois and Rameau<br /> Fragmens de Differens Ballets Représentés par l'Academie Royale de Musique Le Mardi 10 Séptembre 1748. Prix XXX. Sols. Paris: Aux Depens de l'Academie. On trouvera les Livres de Paroles à la Salle de l'Opera & à l'Academie Royale de Musique rue S. Nicaise. . Avec Approbation et Privilege du Roy. . De l'Imprimerie de la Veuve Delormel & Fils 1748. In a prologue and 3 acts.<br /> <br /> - 1f. recto title verso "Les Paroles de M. Danchet. La Musique de M. Campra." 3-4 cast list 5-8 "Prologue des Amours de Venus"<br /> <br /> Named cast includes:<br /> - "Acteurs Chantans dans les Choeurs" for the Côté du Roi performance Mlles. du Toulou Delorge Larcher Cazeau Rosalie Folliot Le Tourneur and Grimiau and Messieurs Lefebvre Le Page C. Laubertie Fel Bourque Duchênet Rochette and Gratin; and for the Côté de la Reine performance Mlles. Cartou Masson Gondré Rôllet Delâtre Lablotiere Daliere Chesdville Hery and Duperey and Messieurs S. Martin Le Mesle Bellanger Levasseur Belog Chapotin Favier and Le Roy <br /> - "Acteurs du Prologue" Mlle. Romainville Jacquet and Met<br /> - Dancers Mlles. Imblot Sauvage Parquet Amedée Carville Devaux Bellot L. and Bellot C; Mrs. Le Febvre Laurent Laval Caillé Feuillade and Bourgeois; Messieurs Le Lievre and Devisse. <br /> <br /> Campra was a leading figure in French theatrical and sacred music in the early 18th century.<br /> <br /> With:<br /> MONTECLAIR Michel Pignolet 1667-1737<br /> 1 Les Soirées de l'Eté tirées du ballet Des Festes de l'Eté: Le Paroles d de M. Pellegrin. La Musique de M. Monteclair. 2 cast list 3-22 pp. <br /> <br /> Named cast includes:<br /> - Actors Mlles. Coupée and Chevalier and Messieurs Person de la Tour and Le Page<br /> - Dancers Mlles. Camargo Lyonois Thierry Dazenoncourt Sauvage Beaufort and Briseval; Mrs. Dupré Dumay Matignon Hamoche and Caillé; Monsieurs Tessier and Levoir<br /> <br /> "Although not prolific Montéclair wrote in most of the genres cultivated during the early 18th century in France excepting only the keyboard. He was one of the most versatile of the generation between Lully's death 1687 and Rameau's advent as a stage composer 1733; composers of this 'préramiste' period are often described as 'imitators of Lully' but Montéclair and Campra are among those who influenced Rameau's dramatic music. In his stage works Montéclair was particularly sensitive to the dramatic function of orchestral colour. His operatic scores are much clearer than those of his contemporaries in giving directions for specific instruments like the off-stage horns 'played very softly to simulate the hunt in the distance' in the second entrée of Les festes de l'été Montéclair added that 'if no cors de chasse are available oboes and violins may play the following and remain in the orchestra'. In the same work a 'Prélude à trois basses' introduces the first scene of the third entrée where the main roles are sung by basses; the prelude to the second scene whose main roles are sung by sopranos is scored for violins and violas without continuo. The parts enter in reverse order and the melodic material is derived from the earlier prelude ex.1. Les festes de l'été and Jephté both contain an a cappella chorus and the former has a large-scale double chorus - an operatic counterpart to the choruses in Lalande's grands motets." James R. Anthony in Grove Music Online<br /> <br /> With: <br /> BOURGEOIS Thomas Louis 1676-1750 or 1751<br /> 1 L'Estime tiré Des Amours Déguisés. Les Paroles de Monsieur Fuzelier. La Musique de Monsieur Bourgeois. 2 cast list 3-14 pp.<br /> <br /> Named cast includes:<br /> - Actors Mlles. Fel Jacquet and Gondré; Messieurs de Chassé Poirier and Person<br /> - Dancers Mlles. Dallemand Thieri St. Germain Minot Sauvage Briseval and Himblot; Mrs. Dupré Lany Devisse Lyonnois Dumat Matignon Hamoche Laval and Feuillade; Mr. Doumoulin.<br /> <br /> A French composer and singer best known for his contributions to the 18th century French cantata Bourgeois also wrote ballets and divertissements.<br /> <br /> With: <br /> RAMEAU Jean-Philippe 1683-1754<br /> 1 Pigmalion Acte de Ballet. La Musique de Monsieur Rameau 2 cast list 3-10 1f. approbation and privilege<br /> <br /> "Rameau was one of the greatest figures in French musical history a theorist of European stature and France's leading 18th-century composer. He made important contributions to the cantata the motet and more especially keyboard music and many of his dramatic compositions stand alongside those of Lully and Gluck as the pinnacles of pre-Revolutionary French opera." Graham Sadler and Thomas Christensen in Grove Music Online<br /> <br /> 3. RAMEAU<br /> Les Festes de l'Himen et de L'Amour; ou Les Dieux d'Egypte Ballet Héroïque Donné à Versailles le quinze Mars 1747. Et Représenté pour la premiere fois par L'Academie Royale de Musique le Mardi 5 November 1748. Prix XXX. Sols. Paris: Aux Depens de l'Academie. On trouvera les Livres de Paroles à la Salle de l'Opera & à l'Academie Royale de Musique rue S. Nicaise. . Avec Approbation et Privilege du Roy. . De l'Imprimerie de la Veuve Delormel & Fils 1748. 1f. recto title verso blank 3 half-title with "La Poëme est de M. de Cahusac. La Musique de M. Rameau. La Danse de M. Laval Compositeur des Ballets du Roi." 4 cast list 5 synopsis 6 cast list 7-58 1f. privilege. With manuscript paraph to title. <br /> <br /> Named cast for the Prologue includes:<br /> - "Acteurs Chantans dans les Choeurs" for the Côté du Roi performance Melles. Dun Tulou Delorge Larcher Cazeau Rosalie Le Tourneur Dupereyand Grimiaux and Messieurs Lefebvre Le Page C. Laubertie Fel Bourque Duchênet Rochette and Gratin; and for the Côte de la Reine performance Mlles. Cartou Masson Gondré Rôllet Delâtre Lablotiere Daliere Victoire Hery Folliot and Messieurs S. Martin Le Mesle Bellanger Levasseur Belot Chapotin Favier and Le Roy.<br /> - "Acteurs du Prologue" Mlles. Coupée and Romainveille; Mr. Poirier<br /> - Dancers Mlles. Carville Courcelle and St. Germain in Les Graces; Mlles. Puvignée Dazenoncourt Himblot and Briseval and Mrs. Laval Laurent le Lievre and Bourgeois in Jeux et Plaisirs; Mlles. Minot Beaufort Thierry and Sauvage in Vertus. <br /> <br /> Named cast for the Premiere Entrée includes: <br /> - "Acteurs Chantans" Mlles. Chevalier and Gondré; Monsieur Jeliote<br /> - Dancers Mlles. Puvignée Derseuille Chevrier Masson Hutte St- Germain Courcelle Thiery Minot Dallemand Belnot C. Parquet Devaus Amedée Camargo Dazenoncourt Beaufort Belnot L. and Belnot C.; Mrs. Dupré F. Barrois Hamoche Mion Matignon Dumay Laval Dupré Feuillade Caillé le Liévre and Laurent; Messieurs Lany and Dumoulin<br /> <br /> Named cast for the Seconde Entrée includes:<br /> - "Acteurs Chantans" Mlle. Romainville; Messieurs le Page De la Tour and Albert<br /> - Dancers Mlles. Lyonnois Amedée Devaux Sauvage L. Belnot and C. Belnot; Mrs. Laval Matignon Dumay le Lievre Hamoche Feuillade Lyonnois Mion Laurent and Bourgeois; Messieurs Lyonnois and Dupré <br /> <br /> Named cast for the Troisieme Entrée includes:<br /> - "Acteurs Chantans" Mlles. Fel Coupée and d'Aliére; Messieurs Jeliote Person Poirier and Lamarre<br /> - Dancers Mlles. Camargo Dallemand Puvignée Lyonois St. Germain Courcelles Thiery Puvignée Desnoncourt and Minot; Mrs. Lany Dumoulin Tessier Laval Hamoche Caillez Feuillade Dumay and Dupré; Monsieur Device<br /> <br /> First Edition. Sonneck p. 500 editions of 1765 and 1778 only. <br /> <br /> 4. RAMEAU<br /> Platée Ballet Bouffon representé par L'Academie Royale de Musique pour le Carnaval De mil sept cent quarente!neuf. Le Mardi quatre Fevrier de la même année. Prix XXX Sols. Paris: Aux Depens de l'Academie. On trouvera les Livres de Paroles à la Salle de l'Opera & à l'Academie Royale de Musique rue S. Nicaise. . Avec Approbation et Privilege du Roy. . De l'Imprimerie de la Veuve Delormel & Fils 1749. 1 title 2 "Les Paroles de Monsieur Autreau. La Musique de Monsieur Rameau." 3-4 cast list 5-55. 1f. approbation and privilege. With manuscript paraph to title.<br /> <br /> Named cast include:<br /> - "Acteurs Chantans dans les Choeurs" for the Côte du Roi performance Mlles. dun Tulou Delorge Larcher Cazeau Rosalie Le Tourneur Deperey and Grimiaux and Messieurs Lefebvre le Page C. Laubertie Fel Bourque Duchênet Rochette and Gratin; and for the Côté de la Reine performance Mlles. Cartou Masson Rôllet Lablotiere Daliere Victoire Hery Folliot s. Martin Le Mesle Bellanger Levasseur Bellot Chapotin Favier and Le Roy<br /> - "Acteurs du Prologue" Mlles. Cartou Chesdeville Coupée and Rozalie; Messrs. Poirier Person De Lamare<br /> - Dancers Mlles L. Belnot C. Belnot Desiré Lyonnois Briseval Dazenoncourt Imblot Parquet and Amedée; Mrs. Laval Caillé Monservin Le Lievre Laurent Hamoche Bourgeois and Milon; Monsieur Lany<br /> - "Acteurs du Ballet" Mlles. Jacquet Fel and Coupée; Messrs. De la Tour Le Page Person Poirier and DeLamare<br /> - Dancers Mlles. Lany Courcelle St-Germain Thiery Minot Beaufort Sauvage Dallemand Carville Devaux L. Belnot C. Belnot Lyonnois Dallemand Desiré Dazenoncourt and Briseval; Mrs. Dumay Dupré Matignon Feuillade le Lievre Laval Hamoche Bourgeois Laurent and Mion; Me. Dourdet; Messrs. Lyonois Dupré Monservain Tessier Dumoulin Devise and Lany<br /> <br /> First Edition of the second version.<br /> <br /> 5. SALOMON Joseph-François 1649-1732<br /> Medée et Jason Tragedie Representée par L'Academie Royale de Musique pour la premiere fpois. Le vingt-quatrième jour d'avril 1713. Reprise le premier de May 1727. Et le vingt-deux Novembre 1736. Remise au Théâtre le Jeudi 20 Février 1749. Prix XXX Sols. Paris: Aux Depens de l'Academie. On trouvera les Livres de Paroles à la Salle de l'Opera & à l'Academie Royale de Musique rue S. Nicaise. . Avec Approbation et Privilege du Roy. . De l'Imprimerie de la Veuve Delormel & Fils 1749. 1 title 2 "Les Paroles de Monsieur Pellegrein. La Musique de Monsieur Salomon." 3-4 cast list 5-64 i approbation and privilege. With manuscript paraph to title. <br /> <br /> Not in Sonneck.<br /> <br /> A French composer and organist "Salomon's operas Medée et Jason and Théonoé are in the tradition of Lully and Campra." Guy Bourligueux in Grove Music Online<br /> <br /> Binding somewhat worn rubbed and bumped; minor loss to head and tail of spine; slightly shaken; hinges partially split. Minor internal wear; edges slightly browned; occasional foxing; two leaves loose. Very good crisp wide-margined copies overall. unknown
Riferimento per il libraio : 39101
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[Ballet] [African American interest] The Joffrey Ballet Company
Original window card for the Joffrey Ballet Company circa 1976
New York: Joffrey Ballet 1976. Vintage window card for the Joffrey Ballet Company at City Center New York circa 1976. <br /> <br /> Founded in 1956 by Robert Joffrey and Gerald Arpino the company initially consisted of six dancers performing original pieces created by Joffrey touring the US in a station wagon. The company found its first permanent residency in New York City in 1966 expanding to Los Angeles in 1982. The group gained recognition for its groundbreaking use of multimedia elements in performances and was one of the first dance companies to create a ballet set to rock music. It also served as the basis for Robert Altman's 2003 film "The Company" starring Malcolm McDowell and James Franco. The Joffrey Ballet moved from New York to Chicago in 1995 and continues to operate there today.<br /> <br /> 14 x 22 inches. Small splash and faint soil on the bottom left corner else about Near Fine with pinholes at each corner. Joffrey Ballet unknown
Riferimento per il libraio : 163670
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[Ballet] Basil, W de; Sol Hurok
S. Hurok Presents Ballets Russes de Monte-Carlo with separate program for their first appearance in Philadelphia. 2 Souvenir programs
New York/Philadelphia: Richard Davis 1934. First edition. Wraps. Good overall. Profusely illustrated souvenir of the Ballet Russes first American tour with b&w printed photographs of dancers including Massine Danilova Riabouchinska Toumanova Lichine and Baronova and scenery and costume printed color illustrations by Christian Berard Andre Derain Raoul Dufy and Joan Miro.<br /> <br /> Includes a printed insert "Synopsis of Ballets" with brief descriptions of the following ballets: La Concurrence Les Presage Le Beau Danube Scuola de Ballo Beach Le Lac des Cygnes Petrouchka Prince Igor and Le Tricorne. <br /> <br /> The loosely inserted program is entitled "The Philadelphia Forum presents for the First Time in Philadelphia Monte Carlo Ballet Russe Director General W. de Basil". It features Les Sylphides Le Tricorne and Le Beau Danube names the individual dancers for this performance and provides the story lines. Printed on rear wrapper: Artistic Director Rene Blum; Maitre de Ballet Leonide Massine; and Regisseur General Serge Grigorieff. 4 x 5 1/2" 8 pp staple bound; crudely opened o/w very good condition. Not found in World Cat.<br /> <br /> Large 4to 40 pp. Bound with blue cord ribbon. Original publisher's glossy gold paper wrappers title lettered in blue with Derain drawing of 2 dancers at front wrapper. Wrappers rubbed with a couple of creases; corners bumped; previous owner inscription in blue ink inside front wrapper; text and illustrations bright and clean. OCLC: 25907918 records 4 copies at the University Nebraska/Lincoln University Wisconsin/Madison California Institute of the Arts and the Metropolitan Museum. Richard Davis paperback
Riferimento per il libraio : 25753
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[Ballet] Sotheby's
Ballet and Theatre Material and Related Reference Books.
1982. London Sotheby Parke Bernet and Co 1982. 18cm x 24.5cm. 192 unnumbered pages. Original Softcover. Good condition only with some stronger signs of wear. Includes the pricelist of estimates loosely inserted. Including Léon Bakst - The Yellow Sultana 1916 / Léon Bakst - Costume design for the Negro Dancer from Le Dieu Bleu / Costume and Decor Designs by Benois Gontcharoiva and Exter / Reference books from the Collection of Serge Leslie and Doris Niles etc. paperback
Riferimento per il libraio : 311BB
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[BALLET]. PRITCHARD, Jane (Ed)
Diaghilev and the Ballets Russes 1909-1929: when art danced with music. Edited by. . . .
London & Washington D.C.: Victoria & Albert Museum; National Gallery of Art 2013. Folio. 271 1 pp. Decorated title over 200 colour illustrations colour plates and black & white photo text illustrations. Black boards white raised & embossed lettering front cover spine w/ d.j. F/F copy. First edition stated of this lavishly illustrated work celebrating one of the most dazzling enterprises of the 20th century. The Ballets Russes revolutionized the art of ballet combining Russian and Western traditions with modernism. They thrilled and shocked audiences with brillian choreography music design and dances. Diaghliev brought together the vitality of contemporary art drawing upon the talents of Leon Bakst Natalia Goncharova Picasso Matisse and Giorgio de Chirico to create dynamic set designs and beautifully decorated costumes presenting on stage the artistic movements of Futurism Cubism and Surrealism. Victoria & Albert Museum; National Gallery of Art, hardcover
Riferimento per il libraio : 52119
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[BALLET]. DEHKES, Evelyn S
The pink ballet slippers. Illustrated by Ruth Ruhman.
Indianapolis: Bobbs-Merrill Co. 1954. 8vo. 202 pp. Numerous illusts. Blue cloth gilt lettrng slght shlfwr w/ d.j. cover art by Ruhman price of $ 2.50 on frnt flp slght chppng hd of spine mnr creasng edgewear still NF/VG copy w/ frmr ownrshp signature on ffep. First edition early printing of this scarce classic children’s title on how a young girl becomes a ballerina. Bobbs-Merrill Co., hardcover
Riferimento per il libraio : 41735
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[BALLIÈRE DE LAISEMENT (Charles Louis Denis), FLEURY (Jacques)]
Le Rossignol, Opéra-Comique. Représenté pour la première fois, Sur le Theatre de Rouen, Le Vendredi 8 Octobre 1751.
In-8, broché, couverture de papier gris moderne, 56 p., plusieurs pages de partition avec musique notée et paroles. Edition originale de cet opéra-comique, paroles et musique notée, composé en collaboration par Gabriel-Charles De Lattaignant et Jacques Fleury, representé pour la première fois au théâtre de Rouen le 8 octobre 1751. Page de tire un peu roussi. Quelques auréoles claires. Bon exemplaire.
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[BALOCCHI Giuseppe Luigi - SOUMET Alexandre].
Nabucco. Dramma sacro adattato alla musica dell'assedio di Corinto di Rossini e fatto eseguire le ultime tre sere del carnevale 1850 nella chiesa di S. Giovanni Evangelista [...] dalla congregazione di Maria SS. Addolorata e S. Giuseppe Calasanzio [...].
Firenze , dalla Tipografia Tofani, 1850, in-16, br. editoriale con titolo entro cornice decorativa sulla copertina anteriore, pp. 39, [1]. Libretto d'opera. Un leggero alone alle prime carte.
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[BARTHES] - MORRIS, Mark.
MYTHOLOGIES. Essais de/Essais van : Roland Barthes.- Dances based on the Essays of Roland Barthes.
in-4°, 48 pages, illustrations, broche, couverture illustree en couleurs.- Le successeur de George Balanchine, Mark Morris crée des ballets basés sur les essais de Roland Barthes. Tres bel exemplaire. [PIL-HA1@] Soap-Powders and Detergensts - Striptease - Championship Wrestling
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[BERLIOZ Hector] BRUNET François
Hector Berlioz, - épistolier, journaliste, librettiste et mémorialiste
Paris, Editions Honoré Champion, "Romantisme et modernités" n° 215, 2025, 15,5 x 23,5, 570 pages sous couverture souple illustrée. "Le corpus des textes écrits par Hector Berlioz au long de sa vie est considérable : nombreuses lettres, quelque 6 000 pages d'articles de critique musicale, des nouvelles, des Mémoires, et aussi les livrets de plusieurs de ses ouvrages lyriques. La présente étude montre la richesse de ce corpus, sa variété, son inventivité verbale, son lyrisme, sa sentimentalité dans le cas des lettres intimes, son ironie et son humour vengeurs dans les textes critiques, tous révélateurs du génie de cet esprit supérieur et de son talent d'écrivain."
Riferimento per il libraio : MUSIQUE4646460226
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[BERLIOZ].- BOSCHOT (Adolphe).-
La jeunesse d'un romantique. Hector Berlioz 1803-1834. D'après de nombreux documents inédits. 3e édition.
1912 Paris, Plon, 1906, in 12 relié demi-percaline marron à la bradel, XII-543 pages ; ex-libris gravé sur le premier contre-plat ; complet des 3 portraits annoncés
Riferimento per il libraio : 84667
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[BERLIOZ].- BOSCHOT (Adolphe).-
Le Faust de Berlioz.
P., Costallat, (1910), petit in 12 broché, 71 pages ; portrait en frontispice ; couverture fanée.
Riferimento per il libraio : 16267
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[BERLIOZ].- BOSCHOT (Adolphe).-
Le crépuscule d'un romantique. Hector Berlioz 1842-1869. D'après de nombreux documents inédits. 4e édition.
1912 Paris, Plon, 1912, in 12 broché, 711 pages ; couverture illustrée (petit défaut au dos).
Riferimento per il libraio : 84666
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[BEJART]. DEBUSSY - D"ANNUNZIO.
Le Martyre de Saint-Sebastien.
petit in-4 carre, non pagine (env. 100 pp.), photos en noir, broche, couv. illustree. Bon etat. [HP-5] Texte bilingue Français et Neerlandais - Bilingual French and Flemish
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[BERTATI Giovanni testo di - ANFOSSI Pasquale compositore - - CARTE DECORATE DEL SETTECENTO].
Lo zotico incivilito dramma giocoso per musica da rappresentarsi in Firenze nel Teatro di via del Cocomero nella primavera dell'anno 1778. Sotto la protezione dell'A.R. del serenissimo Pietro Leopoldo ...
In Firenze, appresso Anton-Giuseppe Pagani librajo alle Scalere di Badia, 1778, in-8 piccolo, magnifica cartonatura coeva in carta dorata e goffrata con disegno a racemi floreali lilla su fondo oro, pp. 68. Con emblema xilografico dell'Accademia degli Infuocati (motto: A tempo infuocati) raffigurante una bomba che esplode sul frontespizio. Reca anche i nomi degli attori. Una sola copia censita in ICCU. Magnifico esemplare.
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[BERTATI Giovanni].
Il curioso indiscreto. Dramma giocoso per musica da rappresentarsi nel teatro di S.A. Serenissima il Signor Principe di Carignano nell'Autunno dell'Anno MDCCLXXVIII.
Torino, presso Onorato Derossi Libraio della Societa de' Signori Cavalieri sotto i primi Portici della Contrada di Po, [1778], in-12, cartonatura muta coeva (lievi difetti), pp. 60. In fine: nella stamperia Mairesse. Contiene i nomi dei cantanti, dei ballerini e dei figuranti. Libretto con il testo di Giovanni Bertati. La musica, qui non presente, era di Pasquale Anfossi. Firma di possesso coeva sulla controcopertina anteriore: Giuseppe Pangella.
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[Bizet, Georges] López-Cobos, Jesus ; Carrasco, Valentina ; Teatro dell’Opera di Roma
Bizet Carmen 2018 [2 volumes]
Intesa Sanpaolo, Mondadori Electa e Musicom, , coll. « Vox Imago » 2018 2 volumes. In-4 29 x 26 cm. Sous étui : cartonnage éditeur sous jaquette illustrée, 143 pp., illustrations et documents d’époque en noir & blanc et en couleurs, bibliographie - Portefeuille carton illustré contenant 3 CD. Exemplaire en très bon état.
Riferimento per il libraio : 97751
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[BIBLIOPHILIE, BIOGRAPHIE, OPERA] - MAUCLAIR (Léon) -
EMILE SCARAMBERT de l'opéra (1863-1938).
Besancon, Imprimerie Bosssanne Frère , 1943 ; in-8, 47 pp., cartonnage de l'éditeur. Demi-cuir bordeau a coins 4 nerfs - en bel état - exemplaire n°15 signé de l'auteur - et dédicacé de même en bel état.
Riferimento per il libraio : 201408019
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[Bolshoi Ballet (Moscow)].
Ballet Production Photos. Prokofiev's Romeo & Juliet and other productions.
Moscow: Bolshoi Ballet 1973-76. 14 Black & White Photographs 9.5" x 7.5" & smaller sizes some oblong. Very Good. Notes on verso in Russian. From the Alma Law Collection. [Moscow: Bolshoi Ballet], 1973-76. unknown
Riferimento per il libraio : 63-1888
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[BURRET]. - DELMET (Paul)
Chansons Tendres. Préface, couverture, aquarelles et dessins hors texte par Léonce Burret.
P., Enoch & Cie, 1900. In-8, broché, couv. ill. en couleurs, 318 pp., illustrations tirées en bistre, vert, bleu ou brun, musique notée.
Riferimento per il libraio : 552744
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[Béjart Maurice] Silvio de Sario:
Images et mots qui dansent. La magie du théâtre de Béjart.
Fernand Nathan, 1977. Grand in-4, pleine toile noire, jaquette couleurs. En belle condition.
Riferimento per il libraio : 20021
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[Béjart Maurice] France Ferran, Tony Catany (phot.):
Jorge Donn danse Béjart.
Fernand Nathan, 1977. In-4, pleine toile titrée or, jaquette couleurs. Infimes défauts à la jaquette, belle condition générale.
Riferimento per il libraio : 20020
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[Béjart Maurice] Colette Masson, Gérard Mannoni:
Maurice Béjart.
Editions Plume / Calmann Lévy, 1991. In-folio, pleine toile titrée en blanc, jaquette couleurs. En belle condition.
Riferimento per il libraio : 20016
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[Béjart Maurice] Mannoni Gérard:
Maurice Béjart.
L'Avant-Scène Ballet / Danse, 1985. Grand in-8, cartonnage photographique. En belle condition. Abondamment illustré en noir.
Riferimento per il libraio : 20442
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[Callas] Meneghini
Maria Callas ma femme
Flammarion 1983 Traduit de l’italien par Isabelle Reinharez. In-8 broché. Illustrations en noir. 349 pages. Très bon état d’occasion.
Riferimento per il libraio : 4230
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[CHINE] [FETE NATIONALE] [OPERA DE PARIS]
34e Double Dix - Fête Nationale de la République Chinoise à Paris
Paris, Aljanvic Publicité, 1945. 1 booklet, in-4, soft illustrated covers, 20 pp., with large portraits of Docteur Sun-Yat-Sen and Président Tchang-Kai-Chek, issued for the 34th anniversary of the Republic of China founding. Good condition. Very rare document published in limites numbers. This one number 18.
Riferimento per il libraio : 13249
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[CHINESE OPERA COSTUME]
Designs on Chinese Opera Costumes
Beijing, Peoples Art Publishing House, 1957. Edited by the Research Studio of the Northeast Drama Institute. Designs reproduced by Xia Yang, Lu Hua and Ma Qiang. 1 grand volume ef, 73 pp., bound in illustrated silk cover with original slipcase, presenting 73 coloured plates of Chinese Opera Costume. Lavishly decorated and nicely presented. This grand volume is in very good condition. Description in Chinese.
Riferimento per il libraio : 2309
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[CHALIAPINE] - BOROVSKY (Victor)
Chaliapine.
Gr. In-8, 551p. Avec un cahier photographique hors texte. Exemplaire en parfaite condition.
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[CHINESE OPERA MASKS].
川剧脸谱 Chuanju lianpu Sichuan Opera Masks.
Sichuan.: 四川美术出版社. Sichuan meishu chubanshe. 1986. Poster showing 56 captioned Chinese Sichuan Opera facepaint masks. Text in simplified Chinese characters 76 x 52.5cm occasional light creasing corner pinholes in very good and bright condition. In Chinese opera individual characters are distinguished by highly codified facial make-up often described as painted “masks” and in some regional traditions particularly Sichuan opera by the use of actual masks. These visual conventions function as an interpretive guide for audiences signalling a character’s identity personality and moral attributes. Musical style facial design and costume vary markedly between regional operatic forms including Beijing opera Sichuan opera Yue opera and Cantonese opera reflecting distinct local performance traditions and aesthetic systems. . 四川美术出版社. [Sichuan meishu chubanshe]. unknown
Riferimento per il libraio : 223029
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[CHINESE VAUDEVILLE AND PEKING OPERA].
支那芝居と寄席の話. Shina shibai to yose no hanashi. Peking Opera and Vaudeville.
奉天. Mukden.: 滿鐵鐵道總局營業局旅客課. Mantetsutetsudōsōkyokueigyōkyokuryokakuka Hōten. Showa 14 1939. Black and white photographic illustrations 18.7 x 12.7cm 33pp original wrappers upper cover pictorial. Minor wear and light browning. Good copy. This charming tourist booklet with its delightful pictorial cover offers a comprehensive introduction to Peking Opera and Chinese vaudeville. It outlines the rules governing movement and costume in opera and describes the range of story types and productions a visitor might expect to see. The vaudeville section explains the various forms of oral entertainment performed for audiences together with the customs and rules observed in the theatre. Published in Mukden the booklet provides an accessible and informative overview of the region’s popular entertainments. . 滿鐵鐵道總局營業局旅客課. [Mantetsutetsudōsō unknown
Riferimento per il libraio : 219549
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[CIMAROSA Domenico - BERTATI Giovanni, libretto di].
Il matrimonio segreto, dramma giocoso in due atti - Le mariage secret opéra-bouffon en deux actes. Representé pour la prmière fois, à Paris, sur le Théâtre de l'Odéon, le 30 Mars 1811.
Paris, au Théâtre de L'Odéon, 1814, in-8, cartonatura decorata moderna, pp. [72]. Libretto dell'opera con testo italiano e traduzione francese a fronte. Manca l'ultima carta che recava l'ultima pagina del testo in francese.
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[Club Stodola][Chicago] 3 Penny Opera, Righteous Podiatrist, Boney Pile (performers)
Original poster and tickets for a 1992 performance by 3 Penny Opera Righteous Podiatrist and Boney Pile
Chicago: Club Stodola 1992. Vintage poster for a performance by bands 3 Penny Opera Righteous Podiatrist and Boney Pile circa 1980s at Chicago's Club Stodola. Stapled to the top left corner of the poster are four tickets for the event noting a date of June 19. Poster folded twice and addressed for mailing on the verso with a postmarked date of June 10 1992. <br /> <br /> Located on Chicago's north side Club Stodola was a neighborhood Polish bar-turned-music-club in the 1980s and 1990s that frequently hosted punk bands.<br /> <br /> 17 x 11 inches folded twice vertically. Tickets 5.25 x 2.25 inches. Generally Near Fine. Club Stodola unknown
Riferimento per il libraio : 167709
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[COUSSEMAKER]
Catalogue de la bibliothèque et des instruments de musique de feu M. Ch. Edm. H. de Coussemaker […] dont la vente aura lieu les mardi 17 avril 1877 et trois jours suivants […] à Bruxelles.
Bruxelles, Fr.-J. Olivier, 1877. In-8 broché, IV-208 pp., catalogue de 1618 ouvrages et 36 instruments de musique.
Riferimento per il libraio : 564739
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[Colloque de Cerisy 1985] - [LITTERATURE et OPERA] - BERTHIER (Philippe) et RINGGER (Kurt), textes recueillis par.-
Colloque de Cerisy 1985. Littérature et Opéra. Textes recueillis par Philippe Berthier et Kurt Ringger.
Grenoble, Presses Universitaires de Grenoble, 1987, in 8° broché, 185 pages ; couverture illustrée ; cachets.
Riferimento per il libraio : 71589
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[Connaissance des Arts]
CONNAISSANCE DES ARTS
N° 497 - Juillet-août 1993 : Revue de 130 pages, format 285 x 215 mm, illustrée, brochée
Riferimento per il libraio : LFA00b06
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[COLLECTIF]
L'art du ballet des origines à nos jours.
Ed. Le Tambourinaire, 1952. In-8 br.-Contributions de : R. Queneau (Roland Petit et le public américain), P. Michaut, W. George, P. Morand, P. Guth, Anna de Noailles, etc. Nombreuses illustrations in texte et 45 planches hors texte dont 12 en couleurs. E.O.
Riferimento per il libraio : 12615
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[collectif] Kochno Boris (préface)
les ballets 1933
The Royal Pavilion, Art Gallery, Museums, Brighton 1987 Livre en anglais. In-4 broché 28 cm sur 21. 96 pages. Illustrations en noir et blanc et en couleurs in et hors-texte. Bon état d’occasion.
Riferimento per il libraio : 137704 ISBN : 948723076
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[CREMIEUX, HECTOR; CREMIEUX, HECTOR - HALEVY, LUDOVIC]
IL FINANZIERE E IL CIABATTINO: OPERETTA BUFFA IN UN ATTO DI HECTOR CREMIEUX. MUSICA: JACQUES OFFENBACH. VERSIONE RITMICA ITALIANA: LINO CARPINTERI, MARIANO FARAGUNA; LA CANZONE DI FORTUNIO:OPERA-COMIQUE IN UN ATTO DI HECTOR CREMIEUX E LUDOVIC HALEVY. MUSICA: JACQUES OFFENBACH. VERSIONE RITMICA ITALIANA: DANIELE SPINI. [STAGIONE LIRICA 1988-89]. PRIMA EDIZIONE.
IN-8°, PP. 105 (11), ILL. B.N. N.T., BROSS. EDIT., COP. ILL. COL. (LIEVISSIME TRACCE DI POLVERE), OTTIMO STATO (F). 635 60
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[CUEVAS Marquis de]. DAGUERRE Pierre.
LE MARQUIS DE CUEVAS.
Denoël. 1954. In-8° broché. Couverture illustrée. 161 pages. 32 planches photos hors texte, la plupart de Serge Lido (dont 2 vues des ballets "Colloque sentimental" et "Tristan fou", dans des décors de Salvador Dali). E.O.
Riferimento per il libraio : 3475
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[d'aprés la photographie de G. CAMUS]
MILY-MEYER
1895 une carte d'invitation fantaisie non écrite, crème double page (un feuillet plié en deux), format : 12,8 x 11,5 cm, 1ère page illustrée d'une gravure à l'eau-forte en noir, représentant un portrait de MILY-MEYER d'aprés la photographie de G. CAMUS, (format de la cuvette : 12 x 10,5 cm), sans date (1895)
Riferimento per il libraio : 23622
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[DANSE] - [BALLETS des CHAMPS-ELYSEES].-
Ballets des Champs-Elysées. Direction artistique Boris Kochno. Maitre de ballet Roland Petit.
1946 Paris, 1946, in 4° en feuilles, sous chemise rempliée illustrée (par Christian Bérard).
Riferimento per il libraio : 81530
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[Danse] LIFAR Serge - BOZZONI Max - etc
Etat des sommes à payer du Théatre National de l'Opèra - sans date (vers 1950) - avec signatures autographes de danseurs -
1 page in-folio - bon état -
Riferimento per il libraio : GF25320
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