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PAUL FERRIER (VERSION FRANCAISE DE)
DON JUAN. OPERA EN DEUX ACTES ET NEUF TABLEAUX. MUSIQUE DE W.A. MOZART.
LIBRAIRIE THEATRALE. 1922. In-12. Broché. Etat d'usage, Couv. légèrement passée, Dos abîmé, Intérieur frais. 123 pages. Manque le dos. Plats détachés.. . . . Classification Dewey : 782.1-Théâtre musical, opéra
Riferimento per il libraio : R260162543
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Paul Milliet - H. Gremont- J. Massenet
Herodiade - Opera en quatre actes et sept tableaux
Au Menestrel a Paris, partition pour chant seul, non date, circa 1900. Superbe petite demi reliure fine, nerfs, filets, decors dores, 210 pages.Tres bon etat.
Riferimento per il libraio : 10451
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PAUSCH Oskar, VANHAECKE Frank
La garde-robe du rêve/De garderobe van de droom (Hôtel de ville de Bruxelles, 26. 09 - 25.10.1987).
Ville de Bruxelle, 1987. 21 x 28, 38 pp., quelques planches en couleurs et en N/B, broché, très bon état.
Riferimento per il libraio : 103.334
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Paul Bourcier
Naissance du ballet 394-1673
La recherche en danse, coll. « La recherche en danse » 1995 In-8 broché, 239 pp.
Riferimento per il libraio : 85976
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Paul Vidal
VIDAL Paul - Carte de visite autographe signée, Opéra Comique 1914
Paul VIDAL. Carte de visite autographe signée en date du 10 juillet 1914, Paris. Carte de visite adressée à un ami pour rappel de date à l'opéra comique. Dimensions cartes : 9 x 5 cm. 1 page. Etat : Bon état de conservation, malgré la présence d'onglets au verso. Voir photos. Paul Antonin Vidal né à Toulouse le 16 avril 1863 et mort à Paris le 9 avril 1931 est un compositeur français. Wikipédia Envoi soigné dans un emballage rigide et étanche. Satisfait ou remboursé. Si vous n'êtes pas entièrement satisfait, je reprends la marchandise avec retour à ma charge pour l'Europe et à la charge de l'acheteur pour le reste du monde. N’hésitez pas à visiter ma boutique et affiner vos recherches en fonction des catégories qui vous intéressent. Ma boutique L'Art Délivré. Lettres autographes, vieux papiers, livres anciens, photographies, gravures, timbres… Nous expertisons et/ou rachetons dans toute la France vos lettres, collections de lettres et livres anciens. Merci de votre visite. Jérôme KAYSER.
Riferimento per il libraio : boz_006117
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Paul De Kruif
La lotta per la vita
Legatura in cartoncino rigido con titoli in oro contenuti in caselle al dorso e al piatto , che presenta patina di polvere. Traduzione di Stanis La Bruna. Stato di conservazione buono con pagine seppia e tagli bruniti velati da fioriture. Volume doppio CXCVIII - CC ( 198 - 200 ) della collana. Numero pagine 371. USATO
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Paul Martin (director); Rolf E Vanloo, Walter Forster, Jo Hanns Rosler (screenwriters); Heinz Hentschke (opera); Maria Rokk, Pau
Maske in Blau Mask in Blue Original program for the 1943 German film
N.p.: Herzog Film 1943. Vintage program for the 1943 German film. Titles and text in German.<br /> <br /> A skilled amateur dancer gets her big break when she is discovered by a musical composer despite the objections of her father. <br /> <br /> 7.25 x 10.5 inches. Bifold. Very Good plus lightly age-toned. Herzog Film unknown
Riferimento per il libraio : 156117
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PAVIL (Julien).
Ces messieurs les auteurs. Par le trou du souffleur.
Paris HENRI GOULET 1 Croquis de Julien Pavil présentés par Robert Cayla. Paris, chez Henri Goulet, s.d., couverture rempliée titrée en noir, XXXIV planches sur feuilles doubles, justificatif.
Riferimento per il libraio : 15513
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PAVAROTTI Luciano et WRIGHT William
De vive voix.
Paris, Plon, 1996. 16 x 24, 303 pp., plusieurs illustrations en couleurs et en N/B, broché, bon état.
Riferimento per il libraio : 60453
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PAVAROTTI & WRIGHT
Pavarotti de vive voix
Plon 1996 In-8 broché. Planches hors-texte en noir & couleurs. 302 pages. Très bon état d’occasion.
Riferimento per il libraio : 2536
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PAVAROTTI LUCIANO.
Io, Luciano Pavarotti. A cura di William Wright.
In 8°, t.t. edit. con sovrac. ill. (lievissime tracce d'uso), pp. 330,(6), con 49 fot. b.n. in tavv. f.t.; coll. "Le Scie"; prima ed., nel complesso ottimo es.. (m302/d)
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PAVOLINI Corrado - CASELLA Alfredo.
Il deserto tentato. Mistero in un atto. Musica di Alfredo Casella.
Milano, G. Ricordi & C., 1937, in-8 piccolo, brossura editoriale (copertina anteriore illustrata da Cisari), pp. 23, [1]. Prima edizione. Opera di argomento aviatorio, rappresentata per la prima volta al Maggio Musicale Fiorentino del 1937. Cammarota, Futurismo, 366.6. Ottime condizioni.
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Payne Charles
American ballet theatre
Alfred A Knopf 1978 Livre en anglais. In-4 cartonnage éditeur sous jaquette 31 cm sur 28,5. 380 pages. Jaquette en bon état. Bon état d’occasion.
Riferimento per il libraio : 137714
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PAYNE ALEXIS
GRANDS OPERAS DU REPERTOIRE- RESUME DES LIVRETS, ANALYSES MUSICALES, DISCOGRAPHIE
FAYARD. 1979. In-8. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 574 pages- 2 petites déchirures en tranche en pied du 1er plat de la jaquette. Avec Jaquette. . . Classification Dewey : 782.1-Théâtre musical, opéra
Riferimento per il libraio : R150209513 ISBN : 221300675
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Payne A
Grands opéras du répertoire : Résumé des livrets, analyses musicales, discographie
Fayard 1979 In-8 relié, sous jaquette un fânée, néanoins bon état d’occasion.
Riferimento per il libraio : 73261
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PAYNE, Alexis.
Grands Opéras du Répertoire. Résumé des livrets. Analyse musicale. Discographie.
Paris, Fayard, 1979 ; in-8°, plein cartonnage bleu de l'éditeur, titre en blanc, jaquette blanche illustrée en couleurs; 574pp.
Riferimento per il libraio : c6377
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PAYNE ALEXIS
GRANDS OPERAS DU REPERTOIRE- RESUME DES LIVRETS, ANALYSES MUSICALES, DISCOGRAPHIE
ISBN : 221300675X. FAYARD. 1979. In-8 Carré. Relié, Jaquette. Bon état. Couv. convenable. Dos satisfaisant. Intérieur frais. 574 pages- 2 petites déchirures en tranche en pied du 1er plat de la jaquette
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Pazdro Michel, Collectif
Guide des opéras de Wagner - Collection Les indispensables de la musique.
Fayard. 1988. In-8. Broché. Etat d'usage, Couv. légèrement pliée, Dos plié, Papier jauni. 894 pages, texte en 2 colonnes - coins, tranches et dos frottés.. . . . Classification Dewey : 782.1-Théâtre musical, opéra
Riferimento per il libraio : R200138868
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Pearsall Ronald
Victorian Sheet music covers
1 24,5x18,5 cm., legatura in piena tela con titoli in oro al dorso, sovraccoperta illustrata a colori, pagg. 112, numerose illustrazioni in bianco e nero, prima edizione, in inglese, buone condizioni.
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Peattie, Antony (Ed.)
Falstaff. Welsh National Opera.
The Arts Council, (1988). 50 S., Illustr.; 20 cm; kart.
Riferimento per il libraio : 1070523
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Pecci, Riccardo
Puccini e Catalani Il principe reale, il pertichino e l'«eredità del Wagner»
Alfredo Catalani versus il conterraneo Giacomo Puccini: il volume ricostruisce l'immagine dei due compositori attraverso la stampa coeva, quindi affronta la sfida tra Edgar e Loreley e soprattutto quella tra Manon Lescaut e La Wally. Mostrando come l'«eredità del Wagner» evocata da Catalani giochi un ruolo importante in questa competizione. I due ultimi capitoli indagano possibili rapporti tra La Wally e il Puccini novecentesco della Fanciulla del West. Alfredo Catalani versus his fellow citizen Giacomo Puccini: the volume reconstructs the two composers' biographies through contemporary press, then describes the challenge between Edgar and Loreley and, in more depth, that between Manon Lescaut and La Wally, showing the importance of the «Legacy of Wagner» mentioned by Catalani in this competition. The last two chapters investigate into the possible relationship between La Wally and twentieth century Puccini's opera La fanciulla del West. Centro studi Giacomo Puccini - Premio Rotary 1 cm 17 x 24, x-252 pp. con 2 figg. n.t. a colori.
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Pedrotti Roberta
Storia dell'opera lirica. Un immenso orizzonte. Dalle origini ai giorni nostri
ill., br. Roberta Pedrotti ci guida alla scoperta del mondo del melodramma, della sua storia e dei suoi protagonisti, ma anche dei suoi codici, dei suoi segreti, delle sue tradizioni e dei suoi nuovi orizzonti nel mondo contemporaneo. Pagina dopo pagina prendiamo parte a un viaggio affascinante nelle vicende che hanno caratterizzato la nascita di un'arte capace di rinnovarsi e rimanere viva e attuale dal Seicento fino ai giorni nostri, sempre protesa, come una musa bifronte, fra passato e futuro. È il racconto di artisti come Monteverdi, Vivaldi, Händel, Mozart, Rossini, Bellini, Donizetti, Verdi, Puccini, Wagner, Strauss e Britten, ma è anche una storia di politica, società, arti e tecnologie. Lo sguardo panoramico e a curato dell'autrice, infatti, si arricchisce di approfondimenti, schede e spunti di riflessione che rendono il volume anche un manuale di consultazione, una guida per il mondo dell'opera e dei melomani. Un libro pensato per tutti, per essere semplice ma non superficiale, per accompagnare anche il lettore meno esperto e offrirgli mappa e bussola così da potersi orientare in un universo straordinario, tutto da scoprire. Prefazione di Azio Corghi. Premessa di Francesco Lanzillotta.
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PEDROTTI, Carlo
Fiorina, o, la fanciulla di Glaris. Melodramma semiserio in due atti da rappresentarsi al Teatro Regio di Parma il Carnevale 1860-61. Musica del Maestro Carlo Pedrotti.
Cm. 17,5 x 11; pp. 34; brossura editoriale in carta leggera.<BR>Timbro a secco 1-61: è infatti il libretto della prima rappresentazione, tenutasi a Parma.<BR>CONDIZIONI BUONE<BR>Nomi degli interpreti a stampa.
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PEJU, Pierre - HOFFMANN, E. T. A.
L'ombre de soi-même. E. T. A. Hoffmann. Une biographie.
Coll. "D'ailleurs", Paris, éd. Phébus, 3 février 1992, EDITION ORIGINALE, in-8, cartonnage souple à rabats éd., couv. ill. coul. sur fond noir éd., 240 pp., bibliographie, table des matières, Bonne biographie du compositeur Ernst Theodor Amadeus, auteur des "contes". Pas courant Très bon état; les tranches sont légèrement salies
Riferimento per il libraio : 70441
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Peking Opera
Paper Cut in China; Facial Makeup of Peking Opera
Peking China: Peking Opera 200. Presumed first edition/first printing. Hardcover. Fair. Lavishly illustrated including illustrating on otherwise clear plastic. Text in Chinese and English. Cover has slight wear and soiling. Some pages are disbound but present and suitable for framing. Appears complete. Peking opera or Beijing opera is a form of Chinese opera which combines music vocal performance mime dance and acrobatics. It arose in the late 18th century and became fully developed and recognized by the mid-19th century. The form was extremely popular in the Qing dynasty court and has come to be regarded as one of the cultural treasures of China. The art form is also preserved in Taiwan Republic of China where it is known as Guójù literally: "National theatre". Peking opera features four main types of performers. With their elaborate and colorful costumes performers are the only focal points on Peking opera's characteristically sparse stage. They use the skills of speech song dance and combat in movements that are symbolic and suggestive rather than realistic. Above all else the skill of performers is evaluated according to the beauty of their movements. Performers also adhere to a variety of stylistic conventions that help audiences navigate the plot of the production. The layers of meaning within each movement must be expressed in time with music. . Melodies include arias fixed-tune melodies and percussion patterns. The repertoire of Peking opera includes over 1400 works which are based on Chinese history folklore and increasingly contemporary life. Types of facial makeup are a special method of makeup in Chinese traditional operas. Since every historical character or characters of a certain type are provided with a particular facial type similar to music scores for singing and playing music such a method of makeup is named "Types of facial makeup". Among all Chinese traditional operas types of facial makeup in Peking Opera have developed into the most systematic and mature one. Historical characters in Chinese traditional Peking Opera are provided with different types of facial makeup. They can reflect the identity status personality and appearance of the characters and therefore can intensify the artistic appeal on stage. As an impressionistic and exaggerated art types of facial makeup in Peking Opera is featured by painting brows eyelids and jowls in various patterns such as bat swallow wing and butterfly wing. Also it is characterized by portraying facial expressions with exaggerated nasal fossas and lipped fossas. The age can be reflected by the height and shape of "Crow's-feet" temperament by the opening and closing of "Chordal furrow" and personality by different patterns of "Glabella furrow". Additionally in the types of facial makeup in Peking Opera there exist some invariable images including white-faced Tsao Tsao and black-faced Bao Zheng. The white-faced image symbolizes wickedness and viciousness while black-faced image stands for equity and selflessness. Due to unchangeable rules in types of facial makeup personalities of a character with certain facial makeup can be seen from the facial colors and figures. As one of the onstage art techniques various types of facial makeup in Peking Opera enable the audience to know a character's personality easily and accordingly get more involved in the appreciation of the performance. Thus types of facial makeup enjoy the fame of "Interior Pictures" which is an extremely crack skill of art exclusively existing in Chinese operas. Patterns of theatrical masks have served as a symbol of China. Nowadays on the market there appear many exquisite and aesthetic commodities and stamps printed with such patterns which are of high appreciating and collecting values. Peking Opera hardcover
Riferimento per il libraio : 72198
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Peleman, Bert
Huldealbum Lodewijk de Vocht
, Antwerpen : J.-E. Buschmann ,, 1972 Gebonden, Hardcover met stofomslag compleet. 90 pag. met illustraties Met handgeschreven opdracht en gesigneerd, gedateerd door Lodewijk De Vocht aan Cecilia van Beirendonck.
Riferimento per il libraio : 62128
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PELLISSIER M., DES-ESSART M., RIFAUT M.
LE DUEL, DRAME LYRIQUE EN 3 ACTES
Chez Duvernois, Paris. 1826. In-8. Broché. Etat d'usage, Plats abîmés, Dos abîmé, Quelques rousseurs. Plaquette de 56 pages. 2e plat très abîmé.. . . . Classification Dewey : 782.1-Théâtre musical, opéra
Riferimento per il libraio : RO40207118
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Pellico, Silvio
Opere complete di Silvio Pellico. Con le addizioni di Piero Maroncelli Alle Mie Prigioni
Mm 150x230 Volume in copertina rigida coeva, rilegatura in mezza pelle con titolo e fregi in oro al dorso, XXV-771 pagine. Lieve usura da scaffale ai bordi, peraltro volume in condizioni molto buone con legature ben salde. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
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PELLISSIER M., DES-ESSART M., RIFAUT M.
LE DUEL, DRAME LYRIQUE EN 3 ACTES
Chez Duvernois, Paris. 1826. In-8 Carré. Broché. Etat d'usage. Plats abîmés. Dos abîmé. Quelques rousseurs. Plaquette de 56 pages. 2e plat très abîmé. Musique de M. Rifaut. Représ. pour la 1re fois à Paris, sur le Théâtre royal de l'Opéra-comique, par les comédiens ordinaires du roi, le 4 juillet 1826.
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Peltz, Mary Ellis
Metropolitan Opera Milestones
74p. Hardcover Very good condition, edges lightly worn
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Penaloza, Si Si; et al
Nuvo Magazine, Summer 2006 - Nellie Furtado Cover Photo
120 pages. Features: Da Vinci Code Tour; The International Law Association comes to Canada; Aerin Lauder - elegance with a twist; Richard Bradshaw - The Canadian Opera Company; and more. Moderate wear. Clean and unmarked. A quality copy of this sumptuous issue. Magazine
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Pepoli Carlo, Orcel Michel, Brunel Pierre
L'Avant-Scène opéra n° 96 Mars 1987- Les Puritains Bellini- Les enfants dissipés, par André Tubeuf
L'Avant-Scène. 1987. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 144 pages. Nombreuses photos et illustrations en noir et blanc, dans le texte.. . . . Classification Dewey : 782.1-Théâtre musical, opéra
Riferimento per il libraio : RO30320464
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PEPOLI C., BELLINI Vincenzo
I Puritani e i cavalieri. Opera seria in 3 atti da rappresentarsi nel Teatro dell'Ill.ma Citta' in Alessandria sotto la protezione di S. S. R. M. l'autunno 1840
In 16, pp. 54. Gora al fr. e al marg. inf. delle prime carte. Timbro di possesso al f. Br. rifatta con carta d'epoca. Libretto dell'opera (parole di C. Pepoli, musica di Vincenzo Bellini).
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PEPOLI CARLO
I PURITANI E I CAVALIERI - Opera in tre parti
in16° - brossura editoriale - pp. 35 - Musica di Vincenzo Bellini - condizioni ottime
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PEPOLI Carlo [libretto di, su musica di Vincenzo Bellini].
I puritani e i cavalieri. Opera seria in 3 parti. Poesia del signor Pepoli. Musica del celebre m.o Bellini.
Firenze, Tipografia Galletti [prima metà dell'800], in-8, br. in carta marmorizzata ottocentesca, pp. 28. Contiene i nomi dei cantanti. La prima rappresentazione dell'opera si tenne a Parigi il 24 gennaio 1834.
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Pepoli Carlo(testo), Bellini Vincenzo (musica)
I puriatni e i cavalieri. Opera seria in tre parti
18 cm, brossura illustrata; pp. 32, firma alla copertina e al frontespizio
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PEPOLI Carlo, testo di - BELLINI Vincenzo, musica di.
I Puritani e i Cavalieri. Opera seria in tre parti di E. [sic] Pepoli. Musica di V. Bellini.
Milano, R. Stabilimento Musicale Ricordi, [c. 1870], in-8 piccolo, br. editoriale, pp. 35, [1]. Libretto dell'opera. Mancanze al dorso.
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PERRAULT (Charles). CATULLE (Claude).
"La Belle au Bois dormant".
1980 Gouache et aquarelle, encre de Chine sur papier cartonné, signée en bas à droite, titrée, 1965, 58 x 34 cm.
Riferimento per il libraio : 19116
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Perrault Charles Hoffmann Ginette Ballet Laurence
Cendrillon
Nathan 1998 16x17 27x0 25cm. 1998. Broché.
Riferimento per il libraio : 500238369
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PERROUX Alain
L'Opéra, mode d'emploi. Collection : L'Avant-Scène Opéra.
Paris, Editions Premières Loges/L'Avant-Scène Opéra, 2003. 15 x 21, 261 pp., très nombreuses illustrations en N/B, broché, très bon état.
Riferimento per il libraio : 97126
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PERGOLESE ou PERGOLESI (Giovanni Battista), BAURANS (Pierre), SOUSMIS (Louis) adaptation
La Servante maîtresse, opéra-comique en deux actes, paroles françaises de Baurans (...). Partition réduite pour piano et chant par Soumis seule édition conforme aux représentations de l'Opéra-comique et précédée d'une notice historique par Albert de Lasalle.
Grand in-8 (270x185 mm), demi-basane rouge de l'époque, dos lisse orné de filets dorés (dos éraflé), (6), 68 p. Paris, E. Girod, 1862.
Riferimento per il libraio : 36224
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PERACCHI Antonio, MIRESKI Francesco
Evandro in Pergamo. Dramma serio per musica in due atti da rappresentarsi nel Teatro da S. Agostino il Carnevale del 1825
In 24, pp. 47 + (3b). Qualche lieve spellatura al marg. est. dei p. Bella legatura in p. pl. coeva con cornicetta tip. oro ai p. e fregi al d. Libretto della prima rappresentazione di questo dramma serio scritto da Antonio Peracchi e musicato da Francesco Mireski andato in scena per la prima volta al Teatro S. Agostino di Genova il Carnevale del 1825. Compaiono i nomi degli attori e dei ballerini dei balli composti da Salvatore Scarpa.
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Percival, John
The World of Diaghilev
Numerous illustrations and photographs. Index. Purple cloth covers with silver title on spine. Dust jacket faded with light wear to edges.
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Percy Anderson (1851-1928), painter and stage designer with the D'Oyly Carte Opera Company and Sir Herbert Beerbohm Tree [Cecil
Percy Anderson painter and D'Oyly Carte stage designer. Autograph Letter Signed to Cecil H. Broadhurst regarding the 'tremendously fantastic' dresses he has designed for Sir Herbert Beerbohm Tree's production of 'Joan of Arc'.
6 October 1913; on letterhead of 55 York Terrace Regent's Park N.W. 2pp 12mo; and 1p 8vo. On a bifolium with the 8vo page written lengthwise across the central pages. In good condition lightly aged and worn. Folded twice. Signed 'Percy Anderson.' According to a pencil note Broadhurst was Beerbohm Tree's 'press agent'. He has received Broadhurst's letter late the same night and begins by informing him that he cannot go to Covent Garden the following day as he will be with a sitter. He continues: 'As I implied to you in my last letter it seems almost impossible for me to give you details of the costumes to be worn in “Joan of Arc.†Period Charles XII of France he reigned from 1403 to 1461. The dresses are of necessity tremendously fantastic & in designing them I have endeavoured to make them historically correct. Therefore what else can I say about them' Were the dresses 'fanciful' it would be easy for Anderson to describe them but 'as it is they must be rather on conventional lines'. He concludes: 'I hate to appear discourteous & if I cld. be of any use to you or to Mr. Eyles I wld. but I think you will readily understand the difficulty'. 6 October 1913; on letterhead of 55 York Terrace, Regent's Park, N.W. unknown
Riferimento per il libraio : 22246
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Percy Anderson (1851-1928), stage designer and painter with D'Oyly Carte Opera Company and Sir Herbert Beerbohm Tree [William Be
Percy Anderson D'Oyly Carte stage designer. Four Autograph Letters Signed to theatrical wigmaker William Berry Clarkson praising the work he has done on his behalf in connection with several productions.
12 March 1912 31 December 1912 and the other two without year; all on letterheads of 55 York Terrace Regent's Park N.W. Total of 7pp 12mo. All in good condition lightly aged and worn. Each folded once. All signed 'Percy Anderson'. ONE: 12 March 1912. Begins: 'Your properties are quite splendid.' He thanks Clarkson and his assistant for the trouble they have taken 'over the “Mâ€'. Ends: 'I thought everything as good as it cd be – I refer to yr work of course'. TWO: 31 December 1912. He thanks him for his 'delightful' card and for 'yr. good wishes & for the tickets you so kindly send me for The Miracle. It was most thoughtful of you.' He ends in the hope that 1913 will be a crowning success you for sic & that you will have a very happy time'. THREE: 19 January no year. He is seeing 'Mr. Simmons' at 11 am the following day and will 'look in' on Clarkson afterwards. He thanks him 'for all the good work' on 'The Country Girl' adding: 'I want you to put all yr “guts†please into the “Ulysses†wigs'. FOUR: 10 September no year. 'It is too kind of you to send me those lovely figs. There's nothing I like better & I am most grateful.' FOUR: 31 December 1912. The recipient William Clarkson was the owner of Clarkson's Wigs Wellington Street London. James Morton in his 'Gangland Soho' 2012 alleges that Clarkson who has a blue plaque to his name at 41-43 Wardour Street was not only a repeated insurance fraudster but a notorious homosexual blackmailer after whom the public lavatory in Dansey Place was named 'Clarkson's Cottage'. RE Anderson & G & S: "The artist and costume designer Percy Anderson 1851-1928 was based in London where he exhibited watercolours at the New Water Colour Society in 1886. He designed costumes for the original productions of the last four Gilbert and Sullivan operas at the Savoy Theatre - The Yeomen of the Guard 1888 The Gondoliers 1889 Utopia Limited 1893 and The Grand Duke 1896 and for several D’Oyly Carte revivals including that for Utopia Limited considered by Rupert D’Oyly Carte in 1926 and but never realised. Given Gilbert’s exacting attitude to his productions it is an accolade to Anderson that he worked with Gilbert on so many including Gilbert and Edward German’s Fallen Fairies 1909 when Gilbert said Anderson: ‘surpassed himself’". 12 March 1912, 31 December [1912], and the other two without year; all on letterheads of 55 York Terrace, Regent's Park, N.W. unknown
Riferimento per il libraio : 22247
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Peretti Antonio
Cenni descrittivi del nuovo teatro dell'illustrissima comunità di Modena
In 16° (15,5x10cm); (6), 39, (1), pp. e 1 c. di tav. fuori testo (incisione xilografica raffigurante la facciata del teatro comunale di Modena). Brossura marmorizzata novecentesca. Esemplare assai raro di questo libretto scritto in occasione dell'inaugurazione del teatro comunale di Modena nel 1841 dal celebre leterato e giornalista modenese Antonio Peretti. Contiene numerose informazioni sulla pianta, la facciata, l'atrio, la platea, il palcoscenico e i servizi del celebre teatro ideato dal celebre architetto Vincenzo Maestri. Esemplare in buone condizioni. Raro.
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Perez de Ayala, Ramon
Las mascaras
Large duodecimo in light green DJ (white-green spine); 349 p ; 19 cm. In Spanish. || Spanish drama -- 20th century -- History and criticism. || Contents: Galdos -- Benavente -- Valle-Inclan -- Linares Rivas -- Villaespesa -- Morano -- Lope de Vega -- Shakespeare -- Ibsen -- Wilde -- Don Juan.
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PERGOLESE ou PERGOLESI (Giovanni Battista), BAURANS (Pierre), SOUSMIS (Louis) adaptation
La Servante maîtresse, opéra-comique en deux actes, paroles françaises de Baurans (...). Partition réduite pour piano et chant par Soumis seule édition conforme aux représentations de l'Opéra-comique et précédée d'une notice historique par Albert de Lasalle.
Grand in-8 (270x185 mm), demi-basane rouge de l'époque, dos lisse orné de filets dorés (dos éraflé), (6), 68 p. Edition donnée à l’occasion de la reprise de l’oeuvre à l’opéra-comique, le 12 août 1862 sous la direction de M. Perrin. Précédé d'une préface historique sur l'opéra par Albert de La Salle. Contient p. 62, une pièce pour clavecin de Domenici Scarlatti qui devait être interprétée avant le lever du rideau. Cachet à froid de l'éditeur E. Girod et cachet du libraire, Marcel Colombier.
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Pergolesi G. B
La serva padrona. Intermezzi
18 cm, brossura editoriale; pp. 16
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Perini Dario
Rapporti Fra proprietà, Impresa e Man D'opera Nell'agricoltura Italiana. Vol XV Veneto
Mm 190x265 Brossura di pp. 116 fioriture alla copertina e abrasioni ai margini. Dedica e firma al margine superiore della copertina. SPEDIZIONE IN 24 ORE DALL'ORDINE.
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