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‎Elisabeth Dhanens‎

‎Onze-Lieve-Vrouwkerk te Ninove, Inventaris van het kunstpatrimonium in Oost-Vlaanderen‎

‎Gent, Provincie Oost-Vlaanderen 1980, 1980 Paperback, 129 paginas + 100 afbeeldingen, Nederlands, 240 x 160 mm, Nieuwstaat, .‎

‎Na een historische inleiding en bibliografie volgt nog wat uitleg over de voormalige parochiekerk van Ninove, die gesloopt werd begin 19de eeuw. Dan komt de volledige inventaris aan bod van de huidige parochiekerk, die eigenlijk de voormalige abdijkerk is.‎

Referencia librero : 57741

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‎Elisabeth Dilen Hansen‎

‎Gennem hovedet muren / Mit dem Kopf durch die Wand / Head through the wall : Sammlung Block‎

‎, Statens Museum for Kunst 1992, 1992 287 Seiten. Der Katalog verzeichnet 517 Werke und Objekte aus der Sammlung.Texte D nisch / Englisch / Deutsch.Gutes kondition. ISBN 9788775510764.‎

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‎Elisabeth Dumont-Le Corre‎

‎Les ponts mythiques‎

‎Belin 2011 117 pages IN4. 2011. Cartonné éditeur. 117 pages.‎

‎Très bon état‎

Referencia librero : 684

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Maison Vallon Librairie
Le Thor France Francia França France
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‎Elisabeth Foch-Eyssette‎

‎Montagne des photographes : La Montagne est tout un art.‎

‎, Bordas, 1989 Hardcover, 239 pages, Francais, Illustrations/ Photo's en n/b, 360 x 270 x 38 mm, Grand Format , jaquette, Prima Conditions !., gaine en carton ISBN 9782040184704.‎

‎Cette cha ne de montagnes a t cr e il y a environ 300 millions d'ann es. Les Romains d couvrirent que cette zone tait riche en filons d?or et d?argent. C'est pourquoi ils ont construit ici plusieurs forts et tabli plusieurs routes commerciales dans cette r gion. Au Moyen ge, cette zone constituait la fronti re entre le royaume des Francs et celui des Wisigoths. Plusieurs ch teaux, comme le ch teau du Hautpoul et le ch teau de Lastours, datent de cette poque. Gr ce l'enclavement de cette zone, la Montagne Noire a t largement pargn e par les effets d vastateurs de la Guerre de Cent Ans. Pendant des si cles, l?exploitation des m taux pr cieux a t la principale source de revenus de cette r gion. Apr s l' puisement des filons d'or, d'argent et de cuivre au XVe si cle, cette zone fut de plus en plus abandonn e. En partie gr ce ce d veloppement, la Montagne Noire est devenue au fil des si cles l'une des plus belles r serves naturelles du sud de la France.‎

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‎Elisabeth Franck‎

‎Dzamonja‎

‎, Elisabeth Franck Gallery, 1990 Softcover, 49 pagina's, engelstalige tekst, 26 x 21 cm, mooie staat.‎

‎Dzamonja‎

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‎Elisabeth Gurock, Badisches Landesmuseum‎

‎Jugendstil am Oberrhein : Kunst und Leben ohne Grenzen‎

‎, Badisches Landesmuseum, Karlsruhe, 2009 Hardcover, 375 Seiten, DEU. edition, 285 x 250 mm, Gut, mit abb. in Farbe / s/w. ISBN 9783765085109.‎

‎Der Oberrhein war Schauplatz zahlreicher Kriege und gewaltsamer Grenzverschiebungen, aber auch ein Land mit langen Friedenszeiten, die zu h chsten Leistungen auf dem Gebiet der Kunst f hrten. Um 1900 erlebte der Kultur- und Wirtschaftraum Oberrhein starke soziale Ver nderungen und einen noch nie da gewesenen Wohlstand. Diese Um- und Aufbruchzeit brachte eine neue k nstlerische Epoche hervor den Jugendstil, der mit enormer Dynamik nahezu alle Bereiche des Lebens eroberte. Autor: Wolfgang Hug: Hochindustrialisierung und B rgergesellschaft am Oberrhein um 1900 Jacqueline Maltzahn-Redling: Orte der Gl ckseligkeit: Unterhaltung und Konsum am Oberrhein Sonia Dehning: In Bilder verbannt und h ufig verkannt: K nstlerinnen am Oberrhein Andreas Seim: Kreuz und Quer die F den: Textiles am Oberrhein und Hochrhein um 1900 Anke E. Sommer: Jugendstilglasmalerei am Oberrhein Brigitte von Savigny: Tapetenindustrie am Oberrhein Ernst Strebel: Einfl sse der Jugendstilbewegung in der Architektur von Curjel & Moser Joanna Flawia Figiel: Karlsruhe: Altehrw rdige Residenzstadt und der neue Stil. Joanna Flawia Figiel: Mannheim: Dynamischer Start ins 20 Jahrhundert Joanna Flawia Figiel: Freiburg und Heidelberg: Universit tsst dte um 1900 Arthur Mehlst ubler: Jugendstilm bel des badischen Oberrheins Gerhard Kabierske: Das Wichtigste ist die k nstlerische Freiheit". Hermann Billings Beitrag zur badischen Architektur um 1900 Cornelie Holzach: Schmuckindustrie und Kunstgewerbeschule um 1900 in Pforzheim Fran ois Ingersheim: Das Elsass um 1900: Die els ssische Renaissance Christine Peltre: Hansi Joanna Flawia Figiel: M hlhausen: Am Rande oder im Mittelpunkt des Geschehens Joanna Flawia Figiel: Basel: Finanzmetropole und ihr Jugendstil. Andrea V gh: Grafik in Basel 1896 bis 1918 Rose-Marie Schulz-Rehberg: Architekten des Fin-de-Si cle in Basel Geisteswissenschaften Geschichte Ausstellungskataloge Kunst Badisches Landesmuseum Karlsruhe Regionalgeschichte L ndergeschichte Jugendstil Jugenstil-Kunst-Oberrhein Karlsruhe‎

Referencia librero : 63598

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‎Elisabeth Oy-Marra, Heiko Damm (eds)‎

‎Naples as Laboratory / Laboratorium Neapel. Style Options, Artistic Rivalry and Self Fashioning in Neapolitan Baroque Painting / Plurale Stilbildung, K nstlerkonkurrenz und Self Fashioning in der neapolitanischen Barockmalerei‎

‎, Brepols, 2026 Paperback, Pages: 194, Size:216 x 280 mm, Illustrations:6 b/w, 76 col., Languages: English, German. ISBN 9782503579665.‎

‎Summary Seventeenth-Century painting in Naples distinguishes itself from that of other artistic capitals for its immense variety of coexisting styles and, in turn, for the rivalry this inspired among artists living in the principal city of the Spanish viceroys. The various tendencies, in fact, might best be described as the manifestation of these rivalries among predominant artists in and around Naples, known in the annals of art history as the great reformers of painting at the turn of the seventeenth century: Caravaggio, who on his travels to and from Malta left behind a number of highly influential paintings; two pupils of Annibale Carracci, Domenichino and Giovanni Lanfranco, who left their individual marks on the city for nearly a decade; the Spaniard Jusepe de Ribera, who lived and worked in Naples and was visited by Vel zquez as he journeyed through Italy. Under Spanish rule and closely tied to the Papal States, this major center of trade on the gulf presented a unique point of convergence for these heterogeneous cultural currents. This conference volume brings together contributions on painters such as Caravaggio and Jusepe de Ribera, as well as Aniello Falcone, Artemisia Gentileschi, Salvator Rosa, and Francesco Solimena. The recurring subject throughout the texts is self-promotion and self-fashioning, as well as the artists' social and intellectual situation 'in situ'. TABLE OF CONTENTS A Laboratorio of Painting: Style, Self-Fashioning and Competition in Neapolitan Baroque Elisabeth Oy-Marra & Heiko Damm Caravaggios Sieben Werke der Barmherzigkeit: Zur Frage devianter Details Rudolf Preimesberger (?) After the Fall of Osuna: Ribera's Work of the 1620s in the Context of Artistic Rivalry, Patronage and Stylistic Currents Justus Lange Riberas Self-Fashioning als Naturalista Elisabeth Oy-Marra Portents of Nature: Jusepe de Ribera and the Bearded Woman Carlo Avilio The Fame Game: A Business Analysis of Artemisia Gentileschi's Neapolitan Career Christopher R. Marshall Beyond Naples: The Self Fashioning of Salvator Rosa Helen Langdon The Clock, the Court, and the Canvas: Luca Giordano and the Virtue of Productivity Tiffany A. Racco Francesco Solimena zwischen Egologie und Eusozialit t Salvatore Pisani Aniello Falcone? Der tote Soldat in der National Gallery in London. Ann herungen an ein kunsthistorisches Methodenproblem Stefan Albl Die Kunst der Macht: Die spanischen Vizek nige als Auftraggeber neapolitanischer Barockmalerei am Beispiel des Conde de Monterrey (reg. 1631-1637) Katrin Zimmermann‎

Referencia librero : 70533

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‎Elisabeth Ravaud‎

‎Radiography and Painting‎

‎, Brepols, 2023 Hardback, 2 vols, xviii + 567 pages, Size:240 x 340 mm, Illustrations:76 b/w, 272 col., 5 tables b/w., Language: English. ISBN 9782503554549.‎

‎Radiography is a technique that has been employed in the study of paintings for more than a century. The history of this method of analysis indicates that its development has been modest since the 1960s, as its use has been limited to reductive approaches that take into account no more than the immediately intelligible signs. By systematically considering the physical mechanisms involved in the creation of an image, this volume seeks to demonstrate that we can access new fields of radiological analysis by identifying two categories of 'signs': those that may be obvious but whose meaning is misleading, and those which are not immediately comprehensible. This study has been primarily based on a thorough and essential reviewing of current literature concerning the materials and processes used for the making of paintings. The semiological analysis is based on the understanding of the physical phenomena occurring in the formation of the image, and on correlations between the radiographic images of a painting and the information stemming from its observation, other scientific results, and the restoration reports. Furthermore, a number of experiments were conducted to consolidate certain assumptions regarding image-formation mechanisms. Ultimately, this book hopes to show how data resulting from radiographic analysis can be seen and set in a broader context of information on a specific work or a group of works, in order to enrich our knowledge of art history, history of technology, and conservation as well as restoration. La radiographie est une technique appliqu e aux peintures depuis pr s d'un si cle. L'histoire de cette technique d'analyse montre que son d veloppement s'est trouv limit depuis les ann es 1960 en raison d'une approche uniquement bas e sur la prise en compte de signes imm diatement suggestifs. Or ce mode d'analyse ne permet pas d'expliquer l'ensemble des images observ es sur une radiographie de peinture. En consid rant de mani re syst matique le m canisme de formation de l'image, ce travail souhaite d montrer que l'on peut acc der de nouveaux champs de l'analyse radiologique en identifiant deux autres cat gories de signes: les signes suggestifs mais dont la signification est trompeuse et les signes non imm diatement intelligibles. Cette analyse a t possible gr ce une revue de la litt rature la plus compl te possible sur les mat riaux constitutifs et les proc d s employ s pour la r alisation des peintures. L'analyse s miologique est bas e sur la compr hension des ph nom nes physiques en jeu dans la formation de l'image et sur des corr lations entre les images observ es et les informations provenant de l'observation, d'autres examens r alis s sur l'oeuvre ou encore de rapports de restauration. De plus une exp rimentation a t conduite pour conforter certaines hypoth ses de m canisme de formation de l'image. Enfin, les donn es issues de la radiographie peuvent tre replac es dans un contexte plus large de donn es ou informations connues sur une ?uvre ou groupe d'oeuvres pour enrichir nos connaissances en histoire de l'art, histoire des techniques et conservation-restauration. TABLE OF CONTENTS VOLUME ONE - TEXT Preface Acknowledgements Introduction Chapter I. A history of the radiography of paintings Chapter II. The paint layer Chapter III. The preparatory phases Chapter IV. Supports Chapter V. Damage and Restorations Chapter VI. Contribution of radiography to the history of art, the history of painting practices and conservation Conclusion Annex 1: List of the x-rays done by Alan Borroughs during his stay in Paris in 1926 Bibliography Index VOLUME TWO - ILLUSTRATIONS‎

Referencia librero : 63293

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‎Elisabeth Taburet-Delahaye‎

‎Thermes et h tel de Cluny, mus e national du Moyen ge. Oeuvres nouvelles, 1995-2005‎

‎, R union des mus es nationaux, 2006 Couverture souple, 127 pages, 27 x 21 cm, FR. *en bon tat. ISBN 2711851893.‎

‎L'exposition ?uvres nouvelles, 1995 - 2005 pr sent e au mus e national du Moyen ge - Thermes & h tel de Cluny a regroup les plus belles ?uvres acquises pendant la p riode o Viviane Huchard fut la directrice du mus e, de novembre 1994 juillet 2005. Viviane Huchard a t l'origine de nombreux enrichissements majeurs des collections, qu'il s'agisse de dons ou d'acquisitions titre on reux, r alis es pour certaines gr ce au m c nat. Pour lui rendre hommage et pour faire conna tre au public les ?uvres acquises pendant cette p riode, le mus e a pr sent une soixantaine d'?uvres datant du Xe au XVIe si cle dans les mat riaux les plus divers et les techniques les plus vari es : sculptures de pierre, d'alb tre, de bois ou d'ivoire, tissus et tapisseries, peintures sur parchemin, sur bois ou sur verre, orf vrerie et maillerie, sans oublier les t moignages de la vie quotidienne . L'exposition se d ployant principalement dans les deux premi res salles du mus e. Les ?uvres, que leur fragilit ou leurs dimensions ne permettaient pas de d placer, ont t laiss es en place. Elles sont signal es par un cartel sp cifique, semblable ceux de l'exposition proprement dite. Ainsi le public a-t-il pu juger et appr cier des ?uvres qui ont t , pour lui, rep r es, choisies et tudi es. Cet album en couleur pr sente l'ensemble de ces acquisitions: sculptures, tapisseries, enluminures, maux, ivoires, vitraux... Parmi le floril ge des ?uvres illustr s, on appr ciera notamment le Lectionnaire de Cluny (XIe si cle), un Christ en croix maill (XIIIe si cle), une Carte jouer (XVe si cle), un Chapiteau double provenant de Saint-Denis (XIIe si cle),une T te d'homme barbu de Notre-Dame de Paris (XIIIe si cle) ; d'autres y taient montr es pour la premi re fois, notamment un ensemble de vues int rieures et ext rieures des b timents au moment de la cr ation du mus e au XIXe si cle.‎

Referencia librero : 70040

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‎Elisabeth Tonnard‎

‎En zie!, Speak! Eyes. (37/100)‎

‎Gent, Druksel, 2010 Softcover, 44 pages, The edition is limited to 126 signed copies, of which 100 books are numbered and 26 lettered. 18 x 12 cm. *Als nieuw.‎

‎?Speak! eyes ? En zie! consists of poems made through Microsoft Word?s autosummary functionality. Fifteen existing works of literature, including for instance Hamlet, The Waste Land, and La Chartreuse de Parme, were autosummarized into new poems. The image above shows Vol. II of The Works by Edgar Allen Poe. Languages in the book are English, German, French and Dutch.‎

Referencia librero : 70078

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‎Elisabetta Cristallini - con un saggio di Simona Rinaldi e i contributi di Laura Barreca, Manuela Feliziani, Paolo Martone, Enrico Petti, Gioia Pica, Marco Tonelli, Marco Trulli‎

‎Kepoi Giardini d'artista nella Tuscia‎

‎bross. edit. ill. con bandelle - prima edizione - riccamente illustrato in b.n. e a colori nel testo‎

‎Elisabetta Neri, David Strivay‎

‎Polychroma. The meaning of colours in roman sculptures‎

‎, silvana, 2024 Paperback, Dimensions 240 x 170 mm, 202 Illustrations col.ill., 256 Pages, Language(s) Eng/ French edition.*NEW ISBN 9788836656035.‎

‎Cet ouvrage pr sente les r sultats du projet Horizon 2020 MSCA-IF PolyCRoMA, qui concerne l' tude de la polychromie l' poque romaine et romaine tardive. Documenter des traces de couleurs non imm diatement visibles par analyse physico-chimique sur un corpus d' l ments sculpturaux et architecturaux de quelques grands mus es europ ens, c'est initier la premi re tude syst matique de la polychromie romaine, avant que le temps ne rende la perte des couleurs d finitive. ----- This book presents the results of the Horizon 2020 MSCA-IF PolyCRoMA project, which focuses on the study of polychromy in the Roman and Late Roman periods. Documenting traces of color not immediately visible through physico-chemical analysis on a corpus of sculptural and architectural elements from some of Europe's major museums, it initiates the first systematic study of Roman polychromy, before time renders the loss of color definitive.‎

Referencia librero : 66348

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‎Elise Louviot, Charles Garcia, Stephen Morrison (eds)‎

‎Formule au Moyen ge IV. Formulas in Medieval Culture IV‎

‎, Brepols, 2022 Hardback, 302 pages, Size:156 x 234 mm, Illustrations:7 b/w, 4 col., 4 tables b/w., Language(s):French, Spanish, English. ISBN 9782503594149.‎

‎Summary Le ph nom ne formulaire est foisonnant, prot iforme et omnipr sent dans tous les aspects des pratiques culturelles m di vales. Po sie, actes piscopaux, encyclop dies, r cits de miracles, charmes, formulaires notariaux, chroniques : tous ces genres textuels emploient des formules des degr s divers et sous des formes vari es. Au-del de cette diversit apparente se dessinent cependant des probl matiques communes: d sir de permanence, argumentation fond e sur un savoir partag unissant une communaut d'utilisateurs (et excluant aisi ceux qui n'appartiendraient pas ladite communaut ), souplesse et adaptabilit bien r elles derri re la fixit apparente de la forme. Ce quatri me ouvrage consacr la formule m di vale rassemble des contributions en fran ais, en anglais et en espagnol. travers l' tude fine d'une multitude de documents de natures et d'origines g ographiques tr s vari es, ces articles analysent les formules la fois dans leur fonctionnement textuel (et parfois graphique) et dans leur r le social. La confrontation de disciplines diff rentes permet d'aborder le ph nom ne formulaire dans sa globalit , et ainsi de mieux distinguer ce qui n'est propre qu' un type de formules ou de texte particulier et ce qui est au contraire essentiel au concept de formule. TABLE OF CONTENTS Introduction, Elise Louviot (Universit de Reims Champagne-Ardenne) Expression du pouvoir Le formulaire de la corroboratio dans les documents d'un cartulaire m di val portugais, Maria Cristina Cunha et Maria Jo o Oliveira e Silva (Facult des Lettres de l'Universit de Porto - Portugal / CITCEM) Los pr logos de los cartularios de Santa Cruz de Coimbra (siglo XII): entre la continuidad y la innovaci n formularia, Leticia Ag ndez San Miguel (Universidad de Cantabria) ?Pro ratione officii nostri debemus?. Les devoirs du bonus pastor dans les actes de l' v que Barth lemy de Joux (1113-1151), Adele Di Lorenzo (Universit de Sienne) Derecho es que se fagan lealmente. El formulario de la compraventa de Sevilla en la segunda mitad del siglo XIII, Pilar Ostos Salcedo (Universidad de Sevilla) La presentaci n gr fica de las f rmulas diplom ticas en documentos y c dices de Santiago de Compostela en los siglos XIV y XV, Adri n Ares Legaspi (Universidad de Sevilla) Formuler la pr minence du prince en Savoie (XIIIe-XVe si cles), Florentin Briffaz (Universit Lumi re-Lyon 2) R cits Les formules d signant le roi Arthur dans l'Alliterative Morte Arthure, Anne Mathieu et Colette St vanovitch (IDEA, Universit de Lorraine) The Stereotypical Representation of the Jewish Figure in Some Late Medieval English Texts?, Agn s Blandeau (Universit de Nantes) Usage des formules bibliques dans les r cits de miracles eucharistiques. L'exemple du verset Qui manducat... (1 Cor 11, 29), Fran ois Wallerich (Universit Paris-Nanterre) La formulation tripartite du monde dans les encyclop dies et textes litt raires du Moyen ge, Natalia I. Petrovskaia (Utrecht University) Prot ger et gu rir A il herbe pour mal de teste ? Formules et style formulaire dans Le Livre de Sydrac, Val rie Gontero-Lauze (Aix-Marseille Universit ) "Medicinal Formulas and the Art of Healing: the Power of Words. A Study of Middle English Extracts from Medical Recipes of MSS O. 1. 13, R. 14. 32 and R. 14. 51?, V ronique Soreau (Universit de Poitiers) Les formules apotropa ques : le pouvoir de la parole, le pouvoir des lettres, Edina Bozoky (Universit de Poitiers et Centre d' tudes sup rieures de civilisation m di vale) Conclusion La formularit au prisme des formules liturgiques, Charles Garcia (Universit de Poitiers et CESCM) Table des manuscrits Index des oeuvres et auteurs Table des illustrations‎

Referencia librero : 65026

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‎Elise Meier‎

‎scheppende kracht van papier Duurzaam, innovatief en sociaal‎

‎, , 2023 softcover, 127 pp. met prachtige illustraties. 26 18,7 cm. ISBN 9789083189451.‎

‎Meester papierschepper Leo Hoegen uit Utrecht heeft een lange staat van dienst als papierschepper. Ruim veertig jaar ervaring in experimenteren en innoveren, meedoen aan kunstprojecten, advies geven aan buitenlandse bedrijven en vooral heel veel les geven. ?De scheppende kracht van papier? bestaat uit de interessantste hoogtepunten van Leo?s carri re, die lezen als een avonturenboek. Elk hoofdstuk biedt praktijkoefeningen om te leren papierscheppen, met een QR-code voor een film waarin Leo laat zien hoe u dat doet. Stap voor stap wordt u ingewijd in de geheimen van dit eeuwenoude, maar nog springlevende ambacht. Een lesboek dat ook prima geschikt is als leesboek. Auteur Elise Meier heeft diverse boeken over ambachten op haar naam staan zoals Gouden Handen, Kunst& Ambacht, Op zoek naar het nieuwe ambacht. Ook schrijft zij regelmatig in tijdschriften over ambachten en immaterieel erfgoed.‎

Referencia librero : 62904

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‎ELISKA FUCIKOVA‎

‎RODOLPHE II Monarque et mecene‎

‎, Cercle d'Art, 1990 Hardcover, 271 pages, Francais, Illustrations. ISBN 9782702202555.‎

Referencia librero : 54671

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‎Elison, Thomas (Hrsg.)‎

‎Verzierungen für Parcks und Gärten‎

‎- Décorations pour Parcs et Jardins ou Dessins pour Portes de jardins et portiques, Niches, Sieges, Temples, Bains, Maisons de plaisance, Galleries, Façades, Observatoires, Ecuries, Ruines, portes Sérres et Murs à Espalier. Mit deutschem u. französischem gest. Titel sowie 55 gest. Tafeln. Leipzig, Baumgärtner, [1808]. Kl.-4to. (20,5 x 12,8 cm). Marmorierter geglätteter Lederband d. Zt. mit rotem Rückenschild (wohl eines Berner Buchbinders). [5 Warenabbildungen]‎

‎Deutsche Ausgabe von "Decorations for parks and gardens..." (London, J. Taylor, um 1800). - Qualitätsvolle seitenverkehrte Nachstiche eines Werkes, das mal dem Verleger John Taylor, mal dem Architekten Charles Middleton (1756-1818?) oder auch dem Architekten des Prinzen von Wales Thomas Elison zugeschrieben wird. Leider ist dieser nicht näher nachweisbar, so dass offen bleiben muss, wer wirklich für die Darstellungen verantwortlich zeichnet. - Gegenüber dem von der BL digitalisierten Exemplar der Originalausgabe sind vier Tafeln (24, 29, 33 u. 51) nicht übernommen, sondern durch Gartenportale u. -bänke aus anderen Quellen ersetzt worden. - Die Tafeln zeigen Türen u. Tore, kleine Gebäude, mittelalterliche Ruinen (6), Brücken (10) sowie abschließend drei Treibhäuser.<br> Provenienz: Spiegel mit zeitgenöss. gest. Exlibris ("D. fec.") für C. Wild, d.i. sehr wahrscheinlich der Berner Bundesarchivar Karl Samuel Wild (1765-1848; vgl. HBLS VII, S. 531). - Ebenfalls auf dem Spiegel oben links das gedruckte Eignerzeichen "Stämpfli-Studer Bern", hier jedoch mit interessanter handschriftlicher Ergänzung: "Emma" Stämpfli-Studer Bern "gesch[enkt] an Max 20. VIII 27". Emma Stämpfli-Studer (1848-1930) leitete nach dem Tod ihres Mannes Karl (1894) die familieneigene Druckerei u. ist vor allem auch als Pionierin bei der Einrichtung von Kinderkrippen bekannt geworden. Welchem "Max" sie das Buch kurz vor ihrem Tod schenkte, konnte ich nicht herausfinden. - Vorsätze mit Wasserzeichen eines Posthorn u. "Berne" sowie nicht eindeutig zu identifizierender Name.<br> RIBA 970 u. Kunstbibliothek Berlin 3433 (engl. Ausgabe). - Colvin³ S. 338. - Dochnahl S. 53. - Schwach berieben (Rücken etwas stärker). Vorsätze u. erste u. letzte Blatt mit Leimschatten. Ca. 10 Blatt mit Braunflecken am unteren Rand (Darstellungen nur wenig betroffen).‎

Referencia librero : 5754

‎Elisséev / Grousset / Hacqin / Salles / Stern‎

‎Arts musulmans . Extrême-Orient.‎

‎Paris, Armand Colin, 1939. In-4, br. , 496 pp. , nbr. illustrations.‎

‎dos manquant en partie, titre conservé, à relier ,dans l'état Remise de 20% pour toutes commandes supérieures à 200 €‎

Referencia librero : 2684

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Livres Anciens Komar
Meounes les Montrieux France Francia França France
[Libros de Livres Anciens Komar]

€ 27.44 Comprar

‎Elizabeth Gill Lui, Keya Keita, Jane C Loeffler, Kevin Spence‎

‎Building Diplomacy: The Architecture Of American Embassies‎

‎Los Angeles: Four Stops Press / Cornell University Press 2004. 1st Edition . Hardcover. Fine/Near Fine. 267 Pp. Grey Cloth Gilt. First Printing. Inscribed By Author Elizabeth Gill Lui And Dated In 2005. Book Fine Hinges Tight No Wear. Dj With Tiny Surface Abrasion At Top Spine Edge. <br/> <br/> Four Stops Press / Cornell University Press hardcover‎

Referencia librero : 059616 ISBN : 0801443261 9780801443268

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Arroyo Seco Books
United States Estados Unidos Estados Unidos États-Unis
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€ 58.04 Comprar

‎Elizabeth Wilhide‎

‎Sir Edwin Lutyens: Designing in the English Tradition FIRST AMERICAN EDITION‎

‎New York: Harry N. Abrams Inc 2000. First American Edition. Hardcover. Near Fine/Near Fine. 10" x 9" x 1. Sir Edwin Landseer Lutyens was the greatest British architect of his time known for his public buildings large country houses and exquisite gardens. Less known is that Lutyens also designed the furniture and interiors for most of his houses. This volume illustrates his work and style with 121 illustrations 82 plates in full color. A beautiful pictorial history of design. Index 192 pp. <br><br>CONDITION: Maroon hardcopy entitled in gilt on spine. Tasteful owner bookplate inside front cover. Pictorial dust jacket cover photograph of spiral staircase; rear cover photograph of dining room at Marsh Court in Hampshire England. Minor edge wear. Near fine. Full refund if not satisfied. Harry N. Abrams, Inc hardcover‎

Referencia librero : 077526

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Shelley and Son Books
United States Estados Unidos Estados Unidos États-Unis
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€ 50.77 Comprar

‎Elizabeth A.T. Smith‎

‎Case Study Houses 1945-1966 : De Californische impuls‎

‎, Taschen / De Morgen, 2007 Hardcover, 96 pag. NL, 240 x 190 mm, goede staat, ill. in kleur / z/w. ISBN 9789077686577.‎

Referencia librero : 62153

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ERIK TONEN BOOKS
Antwerpen Belgium Bélgica Bélgica Belgique
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€ 20.00 Comprar

‎Elizabeth Austin Ph.D.‎

‎Treading on Thin Air: Atmospheric Physics, Forensic Meteorology, and Climate Change : How Weather Shapes Our Everyday Lives‎

‎, Pegasus Books 2016, 2016 Hardcover, 273 pages, EN , 235 x 165 mm , with pictures / illustrations in colour and b/w, in very fine condition !. ISBN 9781605988221.‎

‎Weather, water, and climate. How we feel, how productive we are, even our sheer existence, depends on these three things. The United States economic activity varies annually by 1.7% due to weather-that is more than $500 billion dollars each year! Weather applications on mobile devices are the second most popular 'apps' - more popular than social networking, maps, music,and news. In Treading on Thin Air, Dr. Elizabeth Austin, a world-renowned atmospheric physicist, reveals how the climate is intimately tied to our daily lives. The effects and impacts of weather on humans, society and the planet are changing with the times. Dr. Austin will demystify climate change, revealing what is really happening with our climate and why, whether it is El Nino, tornadoes, floods or hurricanes. Weather and society are at its most fascinating at extremes, and as Dr. Austin is one of a handful of forensic meteorologists around the globe. She has been called upon to investigate plane crashes, murders, wildfires, avalanches, even bombing cases. Drawing upon her rich experiences, Austin's Treading on Thin Air promises to be an enlightening and informative journey through the wild word of weather.‎

Referencia librero : 58251

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ERIK TONEN BOOKS
Antwerpen Belgium Bélgica Bélgica Belgique
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‎Elizabeth Darling‎

‎Le Corbusier‎

‎Carlton Books Ltd 2000 Livre en anglais. In-8 cartonnage éditeur. 23 cm sur 17. 80 pages. Nombreuses photographies en couleurs et noir et blanc dont certaines hors-texte. Jaquette en bon état. Bon état d’occasion.‎

‎Bon état d’occasion‎

Referencia librero : 117096 ISBN : 1858689635

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Librairie de l'Avenue
Saint-Ouen France Francia França France
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€ 17.00 Comprar

‎Elizabeth Dawson‎

‎Lives and Afterlives. The Hiberno-Latin Patrician Tradition, 650?1100‎

‎, Brepols, 2023 Paperback, 179 pages, Size:156 x 234 mm, Illustrations:6 tables b/w., Language: English. ISBN 9782503606040.‎

‎Summary Saint Patrick is a central figure in the medieval Irish Church. As the converter saint he was a central anchor through which Irish people came to understand their complicated religious past as well as their new place in the wider Christian world. This study considers some of the earliest and most influential writings focused on Saint Patrick, and asks how successive generations forged, sustained and redirected aspects of the saint's persona in order to suit their specific religious and political needs. In this book Elizabeth Dawson, for the first time, treats the Hiberno-Latin vitae of Patrick as a body of connected texts. Seminal questions about the corpus are addressed, such as who wrote the Lives and why? What do the works tell us about the communities that venerated and celebrated the saint? And what impact did these Lives have on the success and endurance of the saint's cult? Challenging the perception that Patrick's legend was created and sustained almost exclusively by the monastic community at Armagh, she demonstrates that the Patrick who emerges from the Lives is a varied and malleable saint with whom multiple communities engaged. TABLE OF CONTENTS Acknowledgements List of Abbreviations Preface Chapter 1. Beginnings Chapter 2. T rech n Chapter 3. Muirch Chapter 4. Beyond the seventh century Chapter 5. Expanding the Tradition: Vita Secunda, Vita Tertia & Vita Quarta Epilogue Appendix Bibliography Index‎

Referencia librero : 63184

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ERIK TONEN BOOKS
Antwerpen Belgium Bélgica Bélgica Belgique
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€ 70.00 Comprar

‎Elizabeth Haines‎

‎Heide Hinrichs Morning Change‎

‎, Posture Editions Nr 33, 2019 PB, 297 x 210 mm, 160 pages, Illustrated. ENG-NL-GE edition. ISBN 9789491262340.‎

‎Morning Change is a book on movement, location and nomadism in the oeuvre of the Brussels based German artist Heide Hinrichs (b. 1976). It is an invitation to follow different lines that are directed east ? east of Kassel, east of Busan, east of Seattle, east of London. The lines are drawn over continents and oceans, against the Earth?s own movement we unconsciously witness with each sunrise. Within the traces of these lines, static objects are put back into motion and they are made to leave their recommended positions of meaning. The publication brings together three groups of works, developed over different periods of time between 1999 and 2018, exploring the artist?s recurring interest in these topics. the horse ? a story that starts 10 year after the fall of the Iron Curtain, Silent Sisters?/?Stille Schwestern together with a series of drawings and installations that were conceived in response to DICTEE ? a text written by the Korean-American artist Theresa Hak Kyung Cha and On Some of the Birds of Nepal (Parting the Animal Kingdom of the East) ? an installation that Hinrichs created in the context of the first Kathmandu Triennale 2017. An essay by Elizabeth Haines is woven through Morning Change‎

Referencia librero : 64031

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‎Elizabeth McGrath, Bert Schepers, Nils B ttner, Gerlinde Gruber, Fiona Healy, Eveliina Juntunen, Gregory Martin, Jeremy Wood‎

‎Hercules to Olympus Part XI, 2: Mythological Subjects Hercules to Olympus / 2 volumes.‎

‎, Brepols - Harvey Miller, 2023 hardcover with dusjacket, 2 vols, 946 pages.Size:175 x 260 mm Illustrations:450 b/w. Language(s):English. ISBN 9781912554867.‎

‎One remarkable feature of European culture as it developed in the Renaissance was the accommodation it made with ancient paganism. The classical gods and their legends were allegorised, transformed into symbolic figures or emblematic scenes that might accord with Christian morality. At the same time a secular space was created in art for the depiction of the most popular myths, above all the love stories recounted by the ancient poets. These stories were not only attractive in themselves; they offered the opportunity to depict nude figures in narrative action, which the example of antiquity held forth as the highest goal for painting. Rubens was one of the greatest creators of classical allegory; he was also a supreme interpreter of the classical stories. No painter was so at home in the literature of the Greeks and Romans. When he painted for pleasure, which, increasingly in the course of his life, he felt able to do, he used pagan myth to express and celebrate themes of love, beauty and the creative forces of nature, often in wonderfully idiosyncratic ways. At the same time, as a Christian committed to the ideals of the Catholic Reformation, Rubens respected the restrictions generally placed on the depiction of pagan tales. Most of his mythological paintings were made for private settings, for display within houses (including his own) or in the galleries of princes, noblemen and prelates. It is happy accident of history that these splendid paintings are now widely visible in the great museums of the world.‎

Referencia librero : 60700

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‎Elizabeth McGrath, Gerlinde Gruber, Gregory Martin, Koenraad Jonckheere, Bert Schepers, Nils B ttner‎

‎Mythological Subjects, Paris to Venus. Corpus Rubenianum Ludwig Burchard, vol. 11.3 Corpus (2 VOLS.)‎

‎Turnhout, Brepols, 2025 2 vols, 976 pages 175 x 260 mm, Illustrations:224 b/w, 91 col. English text. NEW . ISBN 9781915487636.‎

‎One remarkable feature of European culture as it developed in the Renaissance was the accommodation it made with ancient paganism. The classical gods and their legends were allegorised, transformed into symbolic figures or emblematic scenes that might accord with Christian morality. At the same time there emerged a new, secular, genre of art devoted to the depiction of the most popular myths, above all the love stories recounted by the ancient poets. These stories were not only attractive in themselves; they offered the opportunity to depict nude figures in narrative action, which the example of antiquity held forth as the highest goal for painting. Rubens was one of the greatest creators of classical allegory; he was also a supreme interpreter of the classical stories. No painter was so at home in the literature of the Greeks and Romans. When he painted for pleasure, which, increasingly in the course of his life, he felt able to do, he used pagan myth to express and celebrate themes of love, beauty and the creative forces of nature, often in wonderfully idiosyncratic ways. Still, as a Christian committed to the ideals of the Catholic Reformation, Rubens respected the restrictions generally placed on the depiction of pagan tales. Most of his mythological paintings were made for private settings, for display within houses (including his own) or in the galleries of princes, noblemen and prelates. It is a happy accident of history that so many of these splendid paintings are now widely visible in the great museums of the world. TABLE OF CONTENTS Volume One Preface Catalogue Raisonn - Paris and his Judgement of the Goddesses: Nos 101-106 - Phaeton?s Temerity and the Consequences: Nos 107-108 - Philemon and Baucis: No.109 - Procris and Cephalus: No. 110 - Prometheus: No. 111 - Proserpina?s Abduction by Pluto: No. 112 - The Story of Psyche: Nos 113-114 - Satyr Subjects: Nos 115-120 - Silenus, with Bacchic and Rustic Companions: Nos 121-129 - Venus: Her Loves and her Worship: Nos 130-139 - Vertumnus and Pomona: No. 140 - Rejected Attributions: Nos R1-5 Volume Two List of Figures Figures Bibliography Indexes I: Collections II: Subjects III: Other Works by Rubens Mentioned in the Text IV: Names and Places Sources of Photographs‎

Referencia librero : 68179

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‎Elizabeth McGrath, Paul van Calster (eds)‎

‎Thinking through Rubens Selected Studies by Arnout Balis.‎

‎, Brepols, 2024 Hardcover, Pages: 220 pages,90 x 255mm,Illustrations:18 b/w, 88 col. Language(s):English. ISBN 9781915487285.‎

‎Over the course of his life, Arnout Balis (d. 2021) did a lot of thinking about and around Rubens. A principal beneficiary of this was the Corpus Rubenianum, that multi-volume catalogue of the work of the artist to which he devoted so much of his scholarly endeavour ? as author, and, still more, as the most generous of editors. But he also produced wide-ranging, as well as more closely detailed, studies on the artist that were written for a variety of contexts. Arnout Balis was an artist before he was an art historian, and the question of how Rubens channelled his ideas into visual form constantly attracted and intrigued him. He was fascinated, too, by the practicalities of the artist?s method of production, given the enormous output of Rubens?s studio. Not only did he rigorously assemble and analyse every scrap of information about pupils or associates of the master, but he made himself an expert in the work of each of Rubens?s artistic contemporaries. In all his investigations, whether involving the attribution of a painting, an iconographic puzzle or the solution to a historical problem, he took nothing for granted, treating any received idea or initial intuition with due scepticism until it could be shown to stand the test of the evidence, documentary and visual. The present volume shows the Balis method in action. It includes several studies already acclaimed as exemplary, and others which deserve to be more widely known. Five of them are made available here for the first time in English translation. Preface Arnout Balis: A Personal Memoir by Elizabeth McGrath 1 Hippopotamus Rubenii: A Small Chapter in the History of Zoology (1981) 2 Image and Counterimage: On Dissident Rubens Biographies (1985) 3 Picturing Fables in Seventeenth-Century Flemish Painting (1985) 4 ?Fatto da un mio discepolo?: Rubens?s Studio Practices Reviewed (1994) 5 Working it out: Design Tools and Procedures in Sixteenth- and Seventeenth-Century Flemish Art (2000) 6 Rubens and Inventio: The Contribution of his Theoretical Notebook (2001) 7 Rubens and his Studio: Defining the Problem (2007) 8 A Painting by Willem Panneels, an Intriguing Pupil of Rubens (2020) 9 Many Hands in Rubens?s Workshop: an Exploration (2021) 10 A Sheet from Rubens?s Theoretical Notebook (2021)‎

Referencia librero : 63266

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‎Elizabeth Pilliod‎

‎Pontormo at San Lorenzo. The Making and Meaning of a Lost Renaissance Masterpiece‎

‎, Brepols - Harvey Miller, 2022 Hardback, 384 pages, Size:225 x 300 mm, Illustrations:58 b/w, 90 col., 2 tables b/w., Language(s):English, Italian. ISBN 9781909400948.‎

‎Summary Pontormo's frescoes in San Lorenzo were the most important cycle of the sixteenth century after Michelangelo's Sistine frescoes.? They had an enormous impact on artists until their destruction in the eighteenth century, and their interpretation has also had a significant bearing not only on the reception of this artist, but also of late Renaissance art in Florence. Based on archival and historical research, this book determines a new date for the inception of the fresco cycle and reconstructs the day-by-day activity in the church that had an impact on Pontormo's project. ?It reveals Pontormo's painstaking working method. The new reconstruction corrects the visual order of the frescoed scenes, and conclusively demonstrates the orthodoxy of the choir's iconography.? It sets them into the artistic and architectural context of the church of San Lorenzo, relating them to works of art by Fra Bartolomeo and Michelangelo, as well as to complex liturgical and religious functions.? This study establishes the intentions of the Medici and the canons of the church in having Pontormo paint the specific space in the church where he painted, and the specific subjects that were included.? Finally, it reveals the unsuspected impact Pontormo's paintings had on other works of art. TABLE OF CONTENTS INTRODUCTION: The introduction explains the history and historiography of both Pontormo in general and this commission in particular. CHAPTER 1: LIFE AND DEATH IN THE CHOIR Can we re-imagine the day-to-day progress of the commission? Beginning with a re-dating of the project, I shall trace the practical realities of daily painting in the choir, the comings and goings of artists and people: the ?world? of the choir will be explored. The frequent trope of Pontormo as an isolated loner and painfully slow artist will be disproved. The close supervision of the major stakeholders for the project, the Duke and the church, will be demonstrated. CHAPTER 2: REVERSALS OF FORTUNE My discovery that Pontormo reversed his preliminary sketches when they were scaled up into full-scale cartoons has demonstrated that several of the extant drawings used to reconstruct the choir must be inverted. Adjusting the reconstruction to take this into account resolves issues of visual, thematic, and iconographic coherence which have perplexed scholars. Essential elements in my new reconstruction reveal new and unexpected functions and meanings for Pontormo's paintings. These functions and iconographical connections place the lost paintings in a new light in relation to the fabric of the church of San Lorenzo. CHAPTER 3: LAWRENCE'S ACTS and CHAPTER 4: CYCLES OF SALVATION In these two sections I explain the significance of the frescoes. The first chapter focuses on the end wall, which was the public view of the choir and on which Pontormo's painting of Saint Lawrence provided a personal message of salvation to viewers. The second of these two chapters explains the entire set of images. This is the first time a seamlessly cohesive and inclusive interpretation of the cycle has been found. The new textual associations supplied in these chapters establishe that far from being of questionable orthodoxy, Pontormo's frescoes were a brilliant encapsulation of the functions of the choir. CHAPTER 5: THEN AND NOW: PONTORMO'S PLACE IN HISTORY Vasari's comments about the San Lorenzo commission in the Life of Pontormo created a negative view. This chapter corrects that, and replaces it with an appreciation of the gigantic task he confronted, the brilliance of his solutions, and the positive reception he and his paintings received.‎

Referencia librero : 64576

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‎Elizabeth Prettejohn.‎

‎Alma-Tadema - Sir Lawrence Alma-Tadema 1836-1912.‎

‎, van Gogh museum / Waanders , 1996 softcover, 287 pagina's, met prachtige illustraties in kleur, lit. index.noten. ISBN 9789040099045.‎

‎Lawrence Alma-Tadema (1836-1912). Geboren in Friesland en vanaf 1870 werkzaam in Londen, was ongelooflijk succesvol in het Victoriaanse Engeland en behoorde tot de meest gevierde en best betaalde kunstenaars. Hij specialiseerde zich in het weergeven van antieke zeden en gewoonten. Zijn voorstellingen waren gebaseerd op de nieuwste archeologische ontdekkingen en geschilderd met verbazingwekkende details. Met koel marmer, diepblauwe zeeen, kostbare stoffen en elegante personages, dit alles gestileerd volgens de Victoriaanse smaak, riep hij een poetisch beeld op van de antieke wereld. Naast de bijna obsessieve aandacht voor het detail worden Alma-Tadema's schilderijen gekenmerkt door bijzondere lichteffecten, composities met duizelingwekkende perspectieven en fraaie doorkijkjes. Deze illusionistische trucs, waardoor de toeschouwer als het ware in het beeld getrokken wordt, zouden later worden opgepakt door de filmindustrie van Hollywood. Deze bijzondere publicatie geeft een representatief‎

Referencia librero : 51639

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‎Elizabeth Wilhide‎

‎Luci d'arredo‎

‎Volume in lingua italiana dedicato all'uso della luce e di vari lampadari. Copertina e sovracoperta un po' vissuti, interni buoni.‎

‎ELKOUSS, Eduardo‎

‎TORREVIEJA. ARQUITECTURA CONTEMPORÁNEA 1988/1998 - Torrevieja 1999 - Muy ilustrado‎

‎Torrevieja, Edit. ayunt. Torrevieja, 1999. Numerosas ilustraciones en color ynegro. 105p. 4º apaisado. Rústica editorial ilustrada. Muy buen ejemplar.‎

‎Ella Grant Wilson‎

‎FAMOUS OLD EUCLID AVENUE OF CLEVELAND AT ONE TIME CALLED THE MOST BEAUTIFUL STREET IN THE WORLD - 2 VOL. SET COMPLETE‎

‎US: Privately Printed 1932 1937. first edition. Hardcover. Good . 6 x 9 in. Blue cloth boards with gilt. Both signed by Ella Wilson on the pg with her photo. Very scarce in both volumes. Condition is GOOD ; covers clean gilt worn on vol. 1. Spine head has slight loss on vol. 1 both have mild wear to corners and spine ends. Binding tight. Fold-out plate in vol. 1 has a mis-fold and chips to edge. Otherwise text and plates in both are clean and unmarked. PO's name dated 1932 in vol 1 on ffep. Arch. RGR. Privately Printed hardcover‎

Referencia librero : 53840

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Andre Strong Bookseller
United States Estados Unidos Estados Unidos États-Unis
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€ 211.52 Comprar

‎Ella Krasner Johanna Thornycroft Andreas von Einsiedel‎

‎Maisons de Russie‎

‎Flammarion 2005 216 pages IN4. 2005. Reliure Editeur avec jaquette. 216 pages.‎

‎Très bon état‎

Referencia librero : 5781

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Maison Vallon Librairie
Le Thor France Francia França France
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‎Ella Sophie Beaucamp, Philippe Cordez (eds)‎

‎Typical Venice? The Art of Commodities 13th-16th Centuries. ,‎

‎, Brepols - Harvey Miller 2020, 2020 Hardcover, . iv + 268 p., 70 col. ills , 220 x 280 mm, English, FINE ISBN 9781912554300.‎

‎What is the art of commodities, and how does it contribute to shaping a city? The case of Venice, which perhaps more than any other late medieval or early modern city depended on trade, offers some widely applicable considerations in response to these questions. Commodities exist as such only when they can be bought and sold. Select materials, techniques and tools, motifs, and working processes are entailed in the conception and realization of commodities, with the aim of producing and selling in numbers. The art of commodities is an art of anticipation and organization, as complex as the material, social, and symbolic situations it results from, deals with, and contributes to shaping. In turn, an analysis of commodities allows for profound insights in these situations. The art of commodities ultimately presents specific challenges, solutions, and styles; it is an art of objects, as well as an art of cities and societies. In Venice, commodities did much more than circulate throughout the Lagoon: the city was made of them. The studies in this book consider the Serenissima?s diverse commodities, merchants, and routes from multiple perspectives. Ella Beaucamp is a doctoral candidate at Ludwig-Maximilians-Universit t M nchen, where she developed her dissertation topic within the research group ?Premodern Objects. An Archaeology of Experience?, led by Philippe Cordez. She studies the high medieval stone reliefs of Venetian house facades, relating them to the larger context of Mediterranean trade and artistic production. The Centro Tedesco di Studi Veneziani, the Gerda Henkel Stiftung, and the Max Weber Foundation ? German Humanities Institutes Abroad have supported her work. For her master?s thesis she was the recipient of the Heinrich W lfflin Prize from Ludwig-Maximilians-Universit t M nchen. Philippe Cordez is Deputy Director of the German Center for Art History in Paris. His research and teaching deal with medieval art history and more generally with object studies in art history. This work has been supported by the cole des Hautes tudes en Sciences Sociales in Paris, the Universit t Hamburg, the Kunsthistorisches Institut in Florenz ? Max-Planck-Institut, Ludwig-Maximilians-Universit t M nchen, the Universit de Montr al, and the Sterling and Francine Clark Art Institute, Williamstown. His book Treasure, Memory, Nature: Church Objects in the Middle Ages, translated from French and awarded the Prize of the German Medievalists? Society (Medi vistenverband e.V.), is available at Harvey Miller Publishers.‎

Referencia librero : 57175

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‎Elle Shushan, Essaka Joshua, Emma Rutherford, Ellie Smith, Alison Lapper‎

‎Without Hands - The Art of Sarah Biffin‎

‎, Paul Holberton Publishing Ltd, 2022 Softcover, 104 pages, ENG. edition, 250 x 195 mm, NEW , illustrated in color / b/w. ISBN 9781913645366.‎

‎Overview A celebration of an artist whose under-sung legacy testifies to the enduring power of originality, drive, and devotion. Accompanying an exhibition at Philip Mould & Company, Without Hands presents the art of Sarah Biffin. Biffin (1784-1850) was born with phocomelia, a condition described on her baptism record as "born without arms and legs." After learning to sew and write as a child, Biffin joined a traveling sideshow where she painted in front of an audience. Eventually, she rose to fame as a talented miniaturist, signing many of her works "without hands." Despite her prolific output, including commissions from royalty and exquisitely detailed self-portraits, Biffin's work has been overlooked by art historians. Beautifully illustrated and including original research, Without Hands celebrates Biffin as an artist who challenged contemporary attitudes to disability.‎

Referencia librero : 63176

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‎Ellemberger Jean‎

‎La reconstruction de l'aula de l'Université de Genève‎

‎32 cm, brossura illustrata; pp. (16), numerose foto nel testo. Estratto dalla Revue Vie. Art. Cité, 1945‎

‎Ellen Marie Moysons, Koen Van Damme. Fotografie: John Tromp‎

‎LUX AETERNA Ellen Marie.‎

‎, Stichting Kunstboek, 2022 HB, 290 x 240 mm, 144 pages, 80 Kleurenillustraties, EN-NL edition. ISBN 9789058566812.‎

‎Kunstenares Ellen Marie grijpt terug naar de ambachtelijkheid van oude meesters. Dat leerde ze niet aan de Willem De Kooning Academie waar ze eerst studeerde, maar aan de Barcelona Academy of Art, waar ze traditionele teken- en schildertechnieken kreeg onderwezen. Nu heeft ze een eigen studio in Barcelona en geeft ze er les aan de Academy. Lux Aeterna, 'Eeuwig Licht' is een reeks van 57 schilderijen waarin ze het proces volgt van een dansende man op weg naar zelfverwezenlijking, de hoogste der menselijke behoeften. In het eerste deel treffen we hem aan kronkelend van zielenpijn, getormenteerd doordat een blinddoek hem belet het licht dat hem omringt, waar te nemen. In deel twee valt de blinddoek af en komt er geleidelijk een dans op gang. Er ontstaat een dialoog tussen het licht dat op zijn lichaam valt en het onzichtbare licht, de levenskracht die van binnenuit opwelt, eerst ingetogen daarna steeds woester. In het derde deel spatten de klodders verf van het doek. De vorm valt meer en meer uit elkaar en transmuteert tot een onherkenbare massa waarin nog slechts de suggestie van een figuur zit. In het vierde deel ten slotte, vindt de man na een lange eenzame tocht verwantschap bij gelijkgestemde zielen die baden in het goddelijke licht. Dit verhaal verbeeldt de innerlijke zoektocht van de kunstenares naar Waarheid, Licht en Vrijheid. Kunstrecensent Koen Van Damme (The Art Couch) schreef vijf gedichten bij dit bijzondere werk.‎

Referencia librero : 57944

Livre Rare Book

ERIK TONEN BOOKS
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‎Ellen Seifermann‎

‎Johannes Kahrs: Tropical Nights‎

‎, Kunsthalle Nurnberg, Verlag Fur Moderne Kunst, 2014 Hardcover, 80 pages, English, . ISBN 9783869840864.‎

‎Berlin-based artist Johannes Kahrs (born 1965) presents Tropical Nights, a collection of 26 recently completed figurative paintings. Kahrs is often inspired by film and photography, and many of his subjects come directly from movies or the artist's own street photography.‎

Referencia librero : 69847

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‎Ellenzweig, Harry - Dillon, David‎

‎Ellenzweig Associates. Architecture for Discovery‎

‎Mm 235x315 "Architects and Studies". As new - come nuovo. Brossura originale, 140 pagine profusamente illustrate, perlopiù a colori, nel testo in lingua inglese - english text. Spedizione in 24 ore dalla conferma dell'ordine.‎

MareMagnum

Salvalibro Snc
Foligno, IT
[Libros de Salvalibro Snc]

€ 10.00 Comprar

‎ELLER (The Rev. Irwin)‎

‎The History of Belvoir Castle, from the Norman Conquest to the Nineteenth Century: accompanied by a Description of the present Castle, and critical notices of the Paintings, Tapestry, Statuary, &c, with which it is enriched.‎

‎First edition, small 4to (275 x 180 mm), viii, 410pp., large paper copy, engraved frontispiece, engraved and printed titles, folding pedigree, 3 plans, 2 engraved plates, front inner hinge shaken, orig. green embossed cloth, gilt, head of spine slightly frayed otherwise a nice copy.‎

‎Ellermeyer, Jürgen / Rainer Postel (Hrsg.)‎

‎Stadt und Hafen. Hamburger Beiträge zur Geschichte von Handel und Schiffahrt.‎

‎Hamburg, Hans Christians, 1986. 209 S. Mit zahlr. Abb. u. Plänen. (= Arbeitshefte zur Denkmalpflege in Hamburg, 8 / Veröffentlichungen des Hamburger Arbeitskreises für Regionalgeschichte, 2). 4to. 29,5 cm. OKart.‎

‎Möller/Tecke V, 22.8. - Beiträge von Hans-Dieter Loose, Jörg Haspel, Karin Maak, Helmut Stubbe-da Luz u.a. zu bau- u. wirtschaftsgeschichtlichen Fragen. - Gutes Exemplar‎

Referencia librero : 23190

‎Ellger, D. u.a‎

‎Die Kunstdenkmäler d. Landes Schleswig-Holstein (Neue Folge) (10). Stadt Schleswig, Band 2: Der Dom und der ehemalige Dombezirk.‎

‎Berlin, Dt. Kunstverlag, 1966. 4to. 18 S., 1 Bl., 709, (3) S. m. 541 Textabb., 4 gefaltete Grund- u. Aufrisse. OLwd.‎

Referencia librero : 1158543

‎Ellger, Dietrich‎

‎Der Dom und der ehemalige Dombezirk. Unter Mitwirkung von J. Kolbe, R. Zöllner und S. Lücke-David. Mit 541 Abbildungen und IV gefalt. Grundriß-Tafeln im Anhang.‎

‎Mchn-Bln, Deutscher Kunstverlag 1966. 4°. XVIII S., 1 Bl., 709, (1) Bl. OLwd mit OU. - Schutzumschlag mit kleinen Gebrauchsspuren. (=Die Kunstdenkmäler der Stadt Schleswig. Zweiter Band). 1‎

Referencia librero : 17742AB

‎Ellger, Dietrich (Bearb.)‎

‎Die Kunstdenkmäler des Landkreises Flensburg. Mit einem Beitrag von Friedrich Saeftel. (Im Auftrag des Kultusministeriums hrsg. u. mit einem Vorwort von Peter Hirschfeld).‎

‎(München), Deutscher Kunstverlag, 1952. XI, 389 TextS. Mit 100 Textabb., 365 Abb. a. Taf. u. 1 auf den hint. Spiegel mont. Kte. (= Die Kunstdenkmäler des Landes Schleswig-Holsteins, Bd. 6). Kl.-4to. OLn.‎

‎Exlibris a. Reihentitel. - Kunstgeschichtliche Übersicht. Das Bauernhaus im Landkreis Flensburg. Die Kunstdenkmäler nach Orten (von Adelby bis Westerholz). Mit Verzeichnissen der Künstler, Handwerker u. Werkstätten, Markentafeln, Personenregister, ikonographischem Register u. Bildnachweis. - Gutes Exemplar‎

Referencia librero : 42031

‎Elli Tzavella‎

‎Byzantine Attica. An Archaeology of Settlement and Landscape (4th-12th Centuries)‎

‎, Brepols, 2024 Paperback, 664 pages, Size:178 x 254 mm, Illustrations:90 b/w, 106 col., 11 maps color, Language: English. ISBN 9782503611204.‎

‎Summary Attica, the region which surrounds Athens (Greece) is a key area for understanding the transformation of the ancient Roman world to its Medieval successor in the eastern Mediterranean. Located at a crossroads for land and maritime communications, being well populated, carrying a thorough administrative organization and a heavy cultural and religious tradition, the region participated in the broader historic evolutions from the 4th to the 12th centuries. Moreover, Attica stands out in contemporary historic and archaeological research due to its very intensive field research, starting in the 19th century and culminating since the 1960s, through rescue excavation and systematic studies. The outcome of this multi-faceted research on field and monuments which concerns the 4th to 12th centuries forms the backbone of the present volume. Stepping beyond this compilation, however, this study proceeds into being a synthesis of evidence on settlement patterns, road communications, defensive works, religious activities and burial habits. These topics are underpinned by aspects which belong to the longue dur e, geography and the natural environment, which are considered as crucial to the understanding of the Byzantine history. In short, the present book covers as many aspects of the studied area as possible, aiming to show the potential of regional studies for the history and archaeology of Late Antiquity and Byzantium. TABLE OF CONTENTS Preface Foreword & Acknowledgements Introduction Part I: Byzantine Attica: the geography, the history and earlier studies Chapter I - Attica: a landscape surrounded by the sea General geography of Attica Natural environment and resources Chapter II - Attica in Byzantine history 'Attica' as a region in Byzantine sources The history and administrative status of Byzantine Attica Historical sources on Byzantine Attica Chapter III - Byzantine Attica: earlier research Archaeological excavations of Early and Middle Byzantine Attica Studies on Byzantine churches in Attica Field surveys and Byzantine finds Research on the topography of Byzantine Attica Toponyms in Byzantine Attica Chapter IV - Land routes and maritime communication in Byzantine Attica Introduction The evidence of the 'Tabula Peutingeriana' Land routes: topographic and archaeological evidence Byzantine Megarid: a forgotten hub of interregional communications Ports and anchorages in Byzantine Attica Part II: Byzantine Attica: the archaeology of human activity Chapter V - Attica in the Late Roman & Early Byzantine period (4th to mid-7th c.) Settlements in all shapes and sizes Economy Defensive structures in all shapes and sizes Religious buildings Chapter VI - Attica in the 'Transitional period', mid-7th to 9th centuries The 'Transional Period' ('Dark Ages'): state of research The problem of the textual sources Attica and the 'Slavic question' Settlements in the Transitional Period A note on the evidence Chapter VII - Attica in the middle byzantine period, 10th to 12th centuries Settlements in all shapes and sizes Burial spaces Settlement economy Landed properties of the Metropolis of Athens in Attica The emergence and flourishing of monasteries The monastic economy Chapter VIII - Discussion and concluding remarks Attica in Byzantine times: an overview Attica: fragmented regions, different geographies? Byzantine Attica in perspective Part III: Byzantine Attica: an inventory of sites Chapter IX - Early and Middle Byzantine sites in Attica, 4th-12th c. Appendix From the ancient Attic ' demoi' to the Late Roman 'choria' A list of Attic ' demoi' relevant to this book Churches and monasteries in Attica List of colour maps List of figures & colour plates Notes Bibliography Index Colour plates‎

Referencia librero : 64180

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‎Elling, Ch‎

‎Function and form of the roman Belvedere.‎

‎Kobenhavn, Munksgaard, 1950. M. 46 Taf. 59 S. OBr. Rücken etwas gebräunt. Unaufgeschn. (Det Kgl. Danske Videnskab. Selskab. Arkeol.-kunsthist. Medd. 3/4).‎

Referencia librero : 189819

‎ELLING, CHRISTIAN a. KAY FISKER (Edts.).‎

‎Monumenta Architectura Danicae. Danish Architectural Drawings 1660-1920. Copenhagen, 1961.‎

‎Copenhagen, 1961. Folio. Orig. hpergament i kassette. Topguldsnit. 402 pp. samt 181 plancher, de fleste i farver.‎

‎ELLING, CHRISTIAN a. KAY FISKER (Edts.).‎

‎Monumenta Architectura Danicae. Danish Architectural Drawings 1660-1920. Copenhagen, 1961.‎

‎Copenhagen, 1961. Folio. Orig. hpergament i kassette. Topguldsnit. 402 pp. samt 181 plancher, de fleste i farver.‎

Referencia librero : 15072

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‎ELLING, CHRISTIAN og VIGGO STEN MØLLER.‎

‎Holmens Bygningshistorie 1680-1930.‎

‎København, Henrik Koppel, 1932. Folio. Orig. hldrbd. Et stempel på titelbladet og forsatsbladet.190 pp., 32 opmålingsplancher, talrige tekstillustrationer.‎

‎ELLING, CHRISTIAN og VIGGO STEN MØLLER.‎

‎Holmens Bygningshistorie 1680-1930.‎

‎København, Henrik Koppel, 1932. Folio. Orig. hldrbd. Et stempel på titelbladet og forsatsbladet.190 pp., 32 opmålingsplancher, talrige tekstillustrationer.‎

Referencia librero : 38278

Livre Rare Book

Herman H. J. Lynge & Son
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