‎Architecture‎

‎Elisabeth Begemann, Diana Pavel, Georgia Petridou, Anna-Katharina Rieger, Rubina Raja, J rg R pke (eds)‎

‎Magnification and Miniaturization in Religious Communications in Antiquity and Modernity. Materialities and Meanings‎

‎, Brepols, 2023 Paperback, xiv + 230 pages, Size:216 x 280 mm, Illustrations:47 b/w, 72 col., 3 maps b/w, 1 maps color, Language: English. ISBN 9782503604794.‎

‎Summary Human agents might not be the measure of all things. Nonetheless, human bodies, and their bodily dimensions, often are, with size impacting on the ways in which we conceive of, interact with, and relate to the world around us. The scaling up or down of features ? magnification and miniaturization ? is particularly evident in the creation of anthropogenic items intended for use in religious ritual, and here sizing can be employed as a deliberate strategy to encourage shock and awe, admiration and deterrence, among spectators. Taking as its starting point the concept of 'materialities and meanings', this volume explores how human perceptions and understanding of magnified and miniaturized forms and structures are shaped and changed, both synchronically and diachronically, by our understanding of the human body and its size, and the impact that this has in our relationship with the wider world in the context of ritual practices. The chapters collected here consider a range of questions, from a discussion on the essentials of magnification or miniaturization to an exploration of the impact of such strategies on humans and their wider socio-political ramifications. Together, these chapters contribute to a unique discussion that offers new insights into 'materialities and meanings', the creation of items for ritual, and the ways in which they influence human perception and understanding. TABLE OF CONTENTS List of Illustrations Abbreviations 1. Magnification and Miniaturization in Religious Communication in Antiquity and Modernity: Materialities and Meanings Elisabeth Begemann, Diana Pavel, Georgia Petridou, Rubina Raja, Anna-Katharina Rieger, and J rg R pke Miniaturization 2. Look Closely and You Will See: The Banqueting Tesserae from Palmyra and Small-Scale Iconography Rubina Raja 3. The Material Record of Micro-Shares: An Archaeological Case Study on Sanctuary Transactions in Ancient Sicily Natascha Sojc 4. What Do Tiny Objects Want? A Case Study with Miniature Pottery from Pompeii Anna-Katharina Rieger 5. Are the Same Objects Desirable for People and for Gods? Material and Dimensional Interchangeability Elisabeth Trinkl Monumentalization 6. Scaling Altars in the Etruscan Funerary Sphere Diana Pavel 7. Urban Monumentality and Religion J rg R pke 8. Perceptions of Changing Religious Landscapes in Augustan Rome Devmini Malka Wijeratne 9. The King and the Population as Protagonists of the Oath: Intermediatory Semantics in Ancient Near Eastern Treaties Elena Malagoli Domestic Space 10. Small, Versatile, Numinous: Pagan-Mythological Statuettes at the End of Antiquity Ine Jacobs 11. The Dancing Deity: Diminishing the Goddess Libertas on the Palatine Elisabeth Begemann 12. Di Penates: From Small Objects to Anthropomorphic Gods Peter Scherrer The Fragmented and the Augmented Body 13. The Eyes Have It: Materialities, Monumentality, and Meanings in Eye-shaped Modern Greek tamata and Ancient Greek anathemata Georgia Petridou 14. A Triangle of Mary: Relating Religious Artefacts to Non-Religious Lorry Drivers Manuel Moser Index‎

Referentie van de boekhandelaar : 63347

‎Elisabeth Augustin‎

‎Moord en doodslag in Wolhyni‎

‎Rotterdam, Nijgh & Van Ditma, 1936 Gebonden linnen omslag met illustratie van Jozef Cantr , binnenin 8 houtsneden, waarvan 4 volleblads, 159 pagina's, 20 x 14 x 3 cm.‎

Referentie van de boekhandelaar : 65609

‎Elisabeth Oy-Marra, Heiko Damm (eds)‎

‎Naples as Laboratory / Laboratorium Neapel. Style Options, Artistic Rivalry and Self Fashioning in Neapolitan Baroque Painting / Plurale Stilbildung, K nstlerkonkurrenz und Self Fashioning in der neapolitanischen Barockmalerei‎

‎, Brepols, 2026 Paperback, Pages: 194, Size:216 x 280 mm, Illustrations:6 b/w, 76 col., Languages: English, German. ISBN 9782503579665.‎

‎Summary Seventeenth-Century painting in Naples distinguishes itself from that of other artistic capitals for its immense variety of coexisting styles and, in turn, for the rivalry this inspired among artists living in the principal city of the Spanish viceroys. The various tendencies, in fact, might best be described as the manifestation of these rivalries among predominant artists in and around Naples, known in the annals of art history as the great reformers of painting at the turn of the seventeenth century: Caravaggio, who on his travels to and from Malta left behind a number of highly influential paintings; two pupils of Annibale Carracci, Domenichino and Giovanni Lanfranco, who left their individual marks on the city for nearly a decade; the Spaniard Jusepe de Ribera, who lived and worked in Naples and was visited by Vel zquez as he journeyed through Italy. Under Spanish rule and closely tied to the Papal States, this major center of trade on the gulf presented a unique point of convergence for these heterogeneous cultural currents. This conference volume brings together contributions on painters such as Caravaggio and Jusepe de Ribera, as well as Aniello Falcone, Artemisia Gentileschi, Salvator Rosa, and Francesco Solimena. The recurring subject throughout the texts is self-promotion and self-fashioning, as well as the artists' social and intellectual situation 'in situ'. TABLE OF CONTENTS A Laboratorio of Painting: Style, Self-Fashioning and Competition in Neapolitan Baroque Elisabeth Oy-Marra & Heiko Damm Caravaggios Sieben Werke der Barmherzigkeit: Zur Frage devianter Details Rudolf Preimesberger (?) After the Fall of Osuna: Ribera's Work of the 1620s in the Context of Artistic Rivalry, Patronage and Stylistic Currents Justus Lange Riberas Self-Fashioning als Naturalista Elisabeth Oy-Marra Portents of Nature: Jusepe de Ribera and the Bearded Woman Carlo Avilio The Fame Game: A Business Analysis of Artemisia Gentileschi's Neapolitan Career Christopher R. Marshall Beyond Naples: The Self Fashioning of Salvator Rosa Helen Langdon The Clock, the Court, and the Canvas: Luca Giordano and the Virtue of Productivity Tiffany A. Racco Francesco Solimena zwischen Egologie und Eusozialit t Salvatore Pisani Aniello Falcone? Der tote Soldat in der National Gallery in London. Ann herungen an ein kunsthistorisches Methodenproblem Stefan Albl Die Kunst der Macht: Die spanischen Vizek nige als Auftraggeber neapolitanischer Barockmalerei am Beispiel des Conde de Monterrey (reg. 1631-1637) Katrin Zimmermann‎

Referentie van de boekhandelaar : 70533

‎Elie Saegeman‎

‎Octave Landuyt. Ricorso. FR.‎

‎, Stichting Kunstboek, 2007 Hardcover, 28 x 24.5 cm, 304 pages ., 300 illustraties, Texte en Francais Fine copy. Including an index.*NEUF. ISBN 9789058562395.‎

‎Octave Landuyt (Gand, 1922), peintre, graveur, sculpteur, designer, cr ateur de d cors de th tre, de bijoux et de tapisseries, a remport de nombreux prix pour son travail plastique et pour le design industriel. Ses ?uvres sont expos es dans de nombreux mus es nationaux et trangers.‎

Referentie van de boekhandelaar : 64816

‎ELIAS, H.J. Dr.‎

‎Onze wording tot Natie. Inleiding tot de geschiedenis der Vlaamsche beweging.‎

‎Kortrijk, Steenlandt, 1932 Oorspronkelijk uitgevers omslag met opdruk, 118 p gina's, 23.5 x 16 cm.‎

‎De strijd om de taalwetgeving. De Vlaamse gedachte.‎

Referentie van de boekhandelaar : 64966

‎Elizabeth Pilliod‎

‎Pontormo at San Lorenzo. The Making and Meaning of a Lost Renaissance Masterpiece‎

‎, Brepols - Harvey Miller, 2022 Hardback, 384 pages, Size:225 x 300 mm, Illustrations:58 b/w, 90 col., 2 tables b/w., Language(s):English, Italian. ISBN 9781909400948.‎

‎Summary Pontormo's frescoes in San Lorenzo were the most important cycle of the sixteenth century after Michelangelo's Sistine frescoes.? They had an enormous impact on artists until their destruction in the eighteenth century, and their interpretation has also had a significant bearing not only on the reception of this artist, but also of late Renaissance art in Florence. Based on archival and historical research, this book determines a new date for the inception of the fresco cycle and reconstructs the day-by-day activity in the church that had an impact on Pontormo's project. ?It reveals Pontormo's painstaking working method. The new reconstruction corrects the visual order of the frescoed scenes, and conclusively demonstrates the orthodoxy of the choir's iconography.? It sets them into the artistic and architectural context of the church of San Lorenzo, relating them to works of art by Fra Bartolomeo and Michelangelo, as well as to complex liturgical and religious functions.? This study establishes the intentions of the Medici and the canons of the church in having Pontormo paint the specific space in the church where he painted, and the specific subjects that were included.? Finally, it reveals the unsuspected impact Pontormo's paintings had on other works of art. TABLE OF CONTENTS INTRODUCTION: The introduction explains the history and historiography of both Pontormo in general and this commission in particular. CHAPTER 1: LIFE AND DEATH IN THE CHOIR Can we re-imagine the day-to-day progress of the commission? Beginning with a re-dating of the project, I shall trace the practical realities of daily painting in the choir, the comings and goings of artists and people: the ?world? of the choir will be explored. The frequent trope of Pontormo as an isolated loner and painfully slow artist will be disproved. The close supervision of the major stakeholders for the project, the Duke and the church, will be demonstrated. CHAPTER 2: REVERSALS OF FORTUNE My discovery that Pontormo reversed his preliminary sketches when they were scaled up into full-scale cartoons has demonstrated that several of the extant drawings used to reconstruct the choir must be inverted. Adjusting the reconstruction to take this into account resolves issues of visual, thematic, and iconographic coherence which have perplexed scholars. Essential elements in my new reconstruction reveal new and unexpected functions and meanings for Pontormo's paintings. These functions and iconographical connections place the lost paintings in a new light in relation to the fabric of the church of San Lorenzo. CHAPTER 3: LAWRENCE'S ACTS and CHAPTER 4: CYCLES OF SALVATION In these two sections I explain the significance of the frescoes. The first chapter focuses on the end wall, which was the public view of the choir and on which Pontormo's painting of Saint Lawrence provided a personal message of salvation to viewers. The second of these two chapters explains the entire set of images. This is the first time a seamlessly cohesive and inclusive interpretation of the cycle has been found. The new textual associations supplied in these chapters establishe that far from being of questionable orthodoxy, Pontormo's frescoes were a brilliant encapsulation of the functions of the choir. CHAPTER 5: THEN AND NOW: PONTORMO'S PLACE IN HISTORY Vasari's comments about the San Lorenzo commission in the Life of Pontormo created a negative view. This chapter corrects that, and replaces it with an appreciation of the gigantic task he confronted, the brilliance of his solutions, and the positive reception he and his paintings received.‎

Referentie van de boekhandelaar : 64576

‎Elisabeth Ravaud‎

‎Radiography and Painting‎

‎, Brepols, 2023 Hardback, 2 vols, xviii + 567 pages, Size:240 x 340 mm, Illustrations:76 b/w, 272 col., 5 tables b/w., Language: English. ISBN 9782503554549.‎

‎Radiography is a technique that has been employed in the study of paintings for more than a century. The history of this method of analysis indicates that its development has been modest since the 1960s, as its use has been limited to reductive approaches that take into account no more than the immediately intelligible signs. By systematically considering the physical mechanisms involved in the creation of an image, this volume seeks to demonstrate that we can access new fields of radiological analysis by identifying two categories of 'signs': those that may be obvious but whose meaning is misleading, and those which are not immediately comprehensible. This study has been primarily based on a thorough and essential reviewing of current literature concerning the materials and processes used for the making of paintings. The semiological analysis is based on the understanding of the physical phenomena occurring in the formation of the image, and on correlations between the radiographic images of a painting and the information stemming from its observation, other scientific results, and the restoration reports. Furthermore, a number of experiments were conducted to consolidate certain assumptions regarding image-formation mechanisms. Ultimately, this book hopes to show how data resulting from radiographic analysis can be seen and set in a broader context of information on a specific work or a group of works, in order to enrich our knowledge of art history, history of technology, and conservation as well as restoration. La radiographie est une technique appliqu e aux peintures depuis pr s d'un si cle. L'histoire de cette technique d'analyse montre que son d veloppement s'est trouv limit depuis les ann es 1960 en raison d'une approche uniquement bas e sur la prise en compte de signes imm diatement suggestifs. Or ce mode d'analyse ne permet pas d'expliquer l'ensemble des images observ es sur une radiographie de peinture. En consid rant de mani re syst matique le m canisme de formation de l'image, ce travail souhaite d montrer que l'on peut acc der de nouveaux champs de l'analyse radiologique en identifiant deux autres cat gories de signes: les signes suggestifs mais dont la signification est trompeuse et les signes non imm diatement intelligibles. Cette analyse a t possible gr ce une revue de la litt rature la plus compl te possible sur les mat riaux constitutifs et les proc d s employ s pour la r alisation des peintures. L'analyse s miologique est bas e sur la compr hension des ph nom nes physiques en jeu dans la formation de l'image et sur des corr lations entre les images observ es et les informations provenant de l'observation, d'autres examens r alis s sur l'oeuvre ou encore de rapports de restauration. De plus une exp rimentation a t conduite pour conforter certaines hypoth ses de m canisme de formation de l'image. Enfin, les donn es issues de la radiographie peuvent tre replac es dans un contexte plus large de donn es ou informations connues sur une ?uvre ou groupe d'oeuvres pour enrichir nos connaissances en histoire de l'art, histoire des techniques et conservation-restauration. TABLE OF CONTENTS VOLUME ONE - TEXT Preface Acknowledgements Introduction Chapter I. A history of the radiography of paintings Chapter II. The paint layer Chapter III. The preparatory phases Chapter IV. Supports Chapter V. Damage and Restorations Chapter VI. Contribution of radiography to the history of art, the history of painting practices and conservation Conclusion Annex 1: List of the x-rays done by Alan Borroughs during his stay in Paris in 1926 Bibliography Index VOLUME TWO - ILLUSTRATIONS‎

Referentie van de boekhandelaar : 63293

‎Elise Meier‎

‎scheppende kracht van papier Duurzaam, innovatief en sociaal‎

‎, , 2023 softcover, 127 pp. met prachtige illustraties. 26 18,7 cm. ISBN 9789083189451.‎

‎Meester papierschepper Leo Hoegen uit Utrecht heeft een lange staat van dienst als papierschepper. Ruim veertig jaar ervaring in experimenteren en innoveren, meedoen aan kunstprojecten, advies geven aan buitenlandse bedrijven en vooral heel veel les geven. ?De scheppende kracht van papier? bestaat uit de interessantste hoogtepunten van Leo?s carri re, die lezen als een avonturenboek. Elk hoofdstuk biedt praktijkoefeningen om te leren papierscheppen, met een QR-code voor een film waarin Leo laat zien hoe u dat doet. Stap voor stap wordt u ingewijd in de geheimen van dit eeuwenoude, maar nog springlevende ambacht. Een lesboek dat ook prima geschikt is als leesboek. Auteur Elise Meier heeft diverse boeken over ambachten op haar naam staan zoals Gouden Handen, Kunst& Ambacht, Op zoek naar het nieuwe ambacht. Ook schrijft zij regelmatig in tijdschriften over ambachten en immaterieel erfgoed.‎

Referentie van de boekhandelaar : 62904

‎Elisabeth Taburet-Delahaye‎

‎Thermes et h tel de Cluny, mus e national du Moyen ge. Oeuvres nouvelles, 1995-2005‎

‎, R union des mus es nationaux, 2006 Couverture souple, 127 pages, 27 x 21 cm, FR. *en bon tat. ISBN 2711851893.‎

‎L'exposition ?uvres nouvelles, 1995 - 2005 pr sent e au mus e national du Moyen ge - Thermes & h tel de Cluny a regroup les plus belles ?uvres acquises pendant la p riode o Viviane Huchard fut la directrice du mus e, de novembre 1994 juillet 2005. Viviane Huchard a t l'origine de nombreux enrichissements majeurs des collections, qu'il s'agisse de dons ou d'acquisitions titre on reux, r alis es pour certaines gr ce au m c nat. Pour lui rendre hommage et pour faire conna tre au public les ?uvres acquises pendant cette p riode, le mus e a pr sent une soixantaine d'?uvres datant du Xe au XVIe si cle dans les mat riaux les plus divers et les techniques les plus vari es : sculptures de pierre, d'alb tre, de bois ou d'ivoire, tissus et tapisseries, peintures sur parchemin, sur bois ou sur verre, orf vrerie et maillerie, sans oublier les t moignages de la vie quotidienne . L'exposition se d ployant principalement dans les deux premi res salles du mus e. Les ?uvres, que leur fragilit ou leurs dimensions ne permettaient pas de d placer, ont t laiss es en place. Elles sont signal es par un cartel sp cifique, semblable ceux de l'exposition proprement dite. Ainsi le public a-t-il pu juger et appr cier des ?uvres qui ont t , pour lui, rep r es, choisies et tudi es. Cet album en couleur pr sente l'ensemble de ces acquisitions: sculptures, tapisseries, enluminures, maux, ivoires, vitraux... Parmi le floril ge des ?uvres illustr s, on appr ciera notamment le Lectionnaire de Cluny (XIe si cle), un Christ en croix maill (XIIIe si cle), une Carte jouer (XVe si cle), un Chapiteau double provenant de Saint-Denis (XIIe si cle),une T te d'homme barbu de Notre-Dame de Paris (XIIIe si cle) ; d'autres y taient montr es pour la premi re fois, notamment un ensemble de vues int rieures et ext rieures des b timents au moment de la cr ation du mus e au XIXe si cle.‎

Referentie van de boekhandelaar : 70040

‎Elizabeth Austin Ph.D.‎

‎Treading on Thin Air: Atmospheric Physics, Forensic Meteorology, and Climate Change : How Weather Shapes Our Everyday Lives‎

‎, Pegasus Books 2016, 2016 Hardcover, 273 pages, EN , 235 x 165 mm , with pictures / illustrations in colour and b/w, in very fine condition !. ISBN 9781605988221.‎

‎Weather, water, and climate. How we feel, how productive we are, even our sheer existence, depends on these three things. The United States economic activity varies annually by 1.7% due to weather-that is more than $500 billion dollars each year! Weather applications on mobile devices are the second most popular 'apps' - more popular than social networking, maps, music,and news. In Treading on Thin Air, Dr. Elizabeth Austin, a world-renowned atmospheric physicist, reveals how the climate is intimately tied to our daily lives. The effects and impacts of weather on humans, society and the planet are changing with the times. Dr. Austin will demystify climate change, revealing what is really happening with our climate and why, whether it is El Nino, tornadoes, floods or hurricanes. Weather and society are at its most fascinating at extremes, and as Dr. Austin is one of a handful of forensic meteorologists around the globe. She has been called upon to investigate plane crashes, murders, wildfires, avalanches, even bombing cases. Drawing upon her rich experiences, Austin's Treading on Thin Air promises to be an enlightening and informative journey through the wild word of weather.‎

Referentie van de boekhandelaar : 58251

‎Elisabeth Ballu‎

‎Votre maison dans le sud-ouest - Pays basque, Landes, Gironde‎

‎Ch. Massin, non date. Format 21x28 cm, reliure sous jaquette illustree, 79 pages. Un nom sur la page de garde.Bon etat, petites traces d'usage sur un livre d'occasion.‎

Referentie van de boekhandelaar : 21803

‎Elia, Gian Franco‎

‎Città e potere‎

‎cm. 22, brossura; pp. 217‎

‎ELIASBERG, A.‎

‎Russische Baukunst.‎

‎München, G. Müller, 1922. 4 Bl., 173, (5) S. m. 161 meist ganzseit. Abb. OHlwd (Einbd gebräunt, Kapitale bestoßen).‎

‎Eliasbergs Ausführungen beruhen zum großen Teil auf den Architekturbänden aus Igor Grabars "Geschichte der russischen Kunst".‎

Referentie van de boekhandelaar : 1168159

‎ELIF SEHITOGLU.‎

‎The historic hammams of Bursa.‎

‎New English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In English. [xii], 151 p., color and b/w ills. The historic hammams of Bursa. The aim of the book you are about to read is to provide detailed information about the history of hammam culture in the city of Bursa, which is famous for its hot springs and hammams, and about the "public hammams" built in the Ottoman period. In order to create in the minds of readers an image of the "Turkish Hammam" in all its aspects it describes the tradition of bathing in the context of history as a whole and the emergence of the hammam phenomenon, the architectural and historical characteristics of the Ottoman hammam, the importance of the hammam tradition in Turkish culture and its place in social life. The book contains a review of the present state of the hammams of Bursa and the reasons for their decline. Proposals have been made as to how these structures could be better integrated into modern life.‎

‎Elingius, Erich (Hrsg).‎

‎Die Palmaille in Altona. Ein Kulturdokument des Klassizismus. Mit einer Einleitung von Werner Jakstein. 2. Aufl.‎

‎Hamburg Trautmann 1940. . Vgl. Möller/Tecke I 6341. - Leicht angestaubt Hamburg, Trautmann, 1940. unknown‎

Referentie van de boekhandelaar : 31140

‎Elisabeth Dhanens‎

‎Onze-Lieve-Vrouwkerk te Ninove, Inventaris van het kunstpatrimonium in Oost-Vlaanderen‎

‎Paperback, 129 paginas + 100 afbeeldingen, Nederlands, 240 x 160 mm, Nieuwstaat, . Na een historische inleiding en bibliografie volgt nog wat uitleg over de voormalige parochiekerk van Ninove, die gesloopt werd begin 19de eeuw. Dan komt de volledige inventaris aan bod van de huidige parochiekerk, die eigenlijk de voormalige abdijkerk is.‎

‎Elison, Thomas (Hrsg.)‎

‎Verzierungen für Parcks und Gärten‎

‎- Décorations pour Parcs et Jardins ou Dessins pour Portes de jardins et portiques, Niches, Sieges, Temples, Bains, Maisons de plaisance, Galleries, Façades, Observatoires, Ecuries, Ruines, portes Sérres et Murs à Espalier. Mit deutschem u. französischem gest. Titel sowie 55 gest. Tafeln. Leipzig, Baumgärtner, [1808]. Kl.-4to. (20,5 x 12,8 cm). Marmorierter geglätteter Lederband d. Zt. mit rotem Rückenschild (wohl eines Berner Buchbinders). [5 Warenabbildungen]‎

‎Deutsche Ausgabe von "Decorations for parks and gardens..." (London, J. Taylor, um 1800). - Qualitätsvolle seitenverkehrte Nachstiche eines Werkes, das mal dem Verleger John Taylor, mal dem Architekten Charles Middleton (1756-1818?) oder auch dem Architekten des Prinzen von Wales Thomas Elison zugeschrieben wird. Leider ist dieser nicht näher nachweisbar, so dass offen bleiben muss, wer wirklich für die Darstellungen verantwortlich zeichnet. - Gegenüber dem von der BL digitalisierten Exemplar der Originalausgabe sind vier Tafeln (24, 29, 33 u. 51) nicht übernommen, sondern durch Gartenportale u. -bänke aus anderen Quellen ersetzt worden. - Die Tafeln zeigen Türen u. Tore, kleine Gebäude, mittelalterliche Ruinen (6), Brücken (10) sowie abschließend drei Treibhäuser.<br> Provenienz: Spiegel mit zeitgenöss. gest. Exlibris ("D. fec.") für C. Wild, d.i. sehr wahrscheinlich der Berner Bundesarchivar Karl Samuel Wild (1765-1848; vgl. HBLS VII, S. 531). - Ebenfalls auf dem Spiegel oben links das gedruckte Eignerzeichen "Stämpfli-Studer Bern", hier jedoch mit interessanter handschriftlicher Ergänzung: "Emma" Stämpfli-Studer Bern "gesch[enkt] an Max 20. VIII 27". Emma Stämpfli-Studer (1848-1930) leitete nach dem Tod ihres Mannes Karl (1894) die familieneigene Druckerei u. ist vor allem auch als Pionierin bei der Einrichtung von Kinderkrippen bekannt geworden. Welchem "Max" sie das Buch kurz vor ihrem Tod schenkte, konnte ich nicht herausfinden. - Vorsätze mit Wasserzeichen eines Posthorn u. "Berne" sowie nicht eindeutig zu identifizierender Name.<br> RIBA 970 u. Kunstbibliothek Berlin 3433 (engl. Ausgabe). - Colvin³ S. 338. - Dochnahl S. 53. - Schwach berieben (Rücken etwas stärker). Vorsätze u. erste u. letzte Blatt mit Leimschatten. Ca. 10 Blatt mit Braunflecken am unteren Rand (Darstellungen nur wenig betroffen).‎

Referentie van de boekhandelaar : 5754

‎Elizabeth Wilhide‎

‎Sir Edwin Lutyens: Designing in the English Tradition FIRST AMERICAN EDITION‎

‎New York: Harry N. Abrams Inc 2000. First American Edition. Hardcover. Near Fine/Near Fine. 10" x 9" x 1. Sir Edwin Landseer Lutyens was the greatest British architect of his time known for his public buildings large country houses and exquisite gardens. Less known is that Lutyens also designed the furniture and interiors for most of his houses. This volume illustrates his work and style with 121 illustrations 82 plates in full color. A beautiful pictorial history of design. Index 192 pp. <br><br>CONDITION: Maroon hardcopy entitled in gilt on spine. Tasteful owner bookplate inside front cover. Pictorial dust jacket cover photograph of spiral staircase; rear cover photograph of dining room at Marsh Court in Hampshire England. Minor edge wear. Near fine. Full refund if not satisfied. Harry N. Abrams, Inc hardcover‎

Referentie van de boekhandelaar : 077526

‎ELKOUSS, Eduardo‎

‎TORREVIEJA. ARQUITECTURA CONTEMPORÁNEA 1988/1998 - Torrevieja 1999 - Muy ilustrado‎

‎Torrevieja, Edit. ayunt. Torrevieja, 1999. Numerosas ilustraciones en color ynegro. 105p. 4º apaisado. Rústica editorial ilustrada. Muy buen ejemplar.‎

‎Ellmerer, Barbara:‎

‎Blue Spanish sky.‎

‎Sulgen, Verlag Niggli AG, 2005. 4°. (43) S. mit vielen ganzseitigen farbigen Illustrationen von Barbara Ellmerer. Mit einer farbigen Gouache auf Bütten. Illustrierter Pappband ind Leinenschuber.‎

‎N°. 7 von10 der Special Edition mit einer Gouache auf Bütten. Handschriftlich signiert, datiert und bezeichnet von Barbara Ellmerer. – Sehr gut erhaltenes Exemplar.‎

Referentie van de boekhandelaar : 5043DB

‎Ellwood, G.M‎

‎English furniture and decoration 1680 to 1800‎

‎Stuttgart, Julius Hoffmann, 1909 Hardcover bound in linen, 200 pages, 30 x 24 cm.‎

‎English furniture and decoration 1680 to 1800‎

Referentie van de boekhandelaar : 64851

‎ELLING, CHRISTIAN og VIGGO STEN MØLLER.‎

‎Holmens Bygningshistorie 1680-1930.‎

‎København, Henrik Koppel, 1932. Folio. Orig. hldrbd. Et stempel på titelbladet og forsatsbladet.190 pp., 32 opmålingsplancher, talrige tekstillustrationer.‎

Referentie van de boekhandelaar : 38278

‎Ellen Marie Moysons, Koen Van Damme. Fotografie: John Tromp‎

‎LUX AETERNA Ellen Marie.‎

‎, Stichting Kunstboek, 2022 HB, 290 x 240 mm, 144 pages, 80 Kleurenillustraties, EN-NL edition. ISBN 9789058566812.‎

‎Kunstenares Ellen Marie grijpt terug naar de ambachtelijkheid van oude meesters. Dat leerde ze niet aan de Willem De Kooning Academie waar ze eerst studeerde, maar aan de Barcelona Academy of Art, waar ze traditionele teken- en schildertechnieken kreeg onderwezen. Nu heeft ze een eigen studio in Barcelona en geeft ze er les aan de Academy. Lux Aeterna, 'Eeuwig Licht' is een reeks van 57 schilderijen waarin ze het proces volgt van een dansende man op weg naar zelfverwezenlijking, de hoogste der menselijke behoeften. In het eerste deel treffen we hem aan kronkelend van zielenpijn, getormenteerd doordat een blinddoek hem belet het licht dat hem omringt, waar te nemen. In deel twee valt de blinddoek af en komt er geleidelijk een dans op gang. Er ontstaat een dialoog tussen het licht dat op zijn lichaam valt en het onzichtbare licht, de levenskracht die van binnenuit opwelt, eerst ingetogen daarna steeds woester. In het derde deel spatten de klodders verf van het doek. De vorm valt meer en meer uit elkaar en transmuteert tot een onherkenbare massa waarin nog slechts de suggestie van een figuur zit. In het vierde deel ten slotte, vindt de man na een lange eenzame tocht verwantschap bij gelijkgestemde zielen die baden in het goddelijke licht. Dit verhaal verbeeldt de innerlijke zoektocht van de kunstenares naar Waarheid, Licht en Vrijheid. Kunstrecensent Koen Van Damme (The Art Couch) schreef vijf gedichten bij dit bijzondere werk.‎

Referentie van de boekhandelaar : 57944

‎ELLING, CHRISTIAN a. KAY FISKER (Edts.).‎

‎Monumenta Architectura Danicae. Danish Architectural Drawings 1660-1920. Copenhagen, 1961.‎

‎Copenhagen, 1961. Folio. Orig. hpergament i kassette. Topguldsnit. 402 pp. samt 181 plancher, de fleste i farver.‎

Referentie van de boekhandelaar : 15072

‎Elle Shushan, Essaka Joshua, Emma Rutherford, Ellie Smith, Alison Lapper‎

‎Without Hands - The Art of Sarah Biffin‎

‎, Paul Holberton Publishing Ltd, 2022 Softcover, 104 pages, ENG. edition, 250 x 195 mm, NEW , illustrated in color / b/w. ISBN 9781913645366.‎

‎Overview A celebration of an artist whose under-sung legacy testifies to the enduring power of originality, drive, and devotion. Accompanying an exhibition at Philip Mould & Company, Without Hands presents the art of Sarah Biffin. Biffin (1784-1850) was born with phocomelia, a condition described on her baptism record as "born without arms and legs." After learning to sew and write as a child, Biffin joined a traveling sideshow where she painted in front of an audience. Eventually, she rose to fame as a talented miniaturist, signing many of her works "without hands." Despite her prolific output, including commissions from royalty and exquisitely detailed self-portraits, Biffin's work has been overlooked by art historians. Beautifully illustrated and including original research, Without Hands celebrates Biffin as an artist who challenged contemporary attitudes to disability.‎

Referentie van de boekhandelaar : 63176