‎Architecture‎

‎FAYARD CHANOINE A.‎

‎SAINT HILAIRE AU PUY ET L' EGLISE SAINT-GEORGES , SEIZIEME CENTENAIRE 368 - 1968‎

‎LE PUY EN VELAY EDITIONS DE LA SOCIETE ACADEMIQUE 1968 Un volume in-8 broché de 112 pages , illustrations , très bon exemplaire . Bon Couverture souple‎

Référence libraire : 010860

‎Fay Sweet‎

‎The kitchen design planner‎

‎Un volume impostato come planner per la creazione di una nuova cucina, in tutte le sue parti. Volume in lingua inglese. In generale volume in discrete condizioni.‎

‎Faymonville, Karl:‎

‎Der Dom zu Aachen und seine liturgische Ausstattung vom 9. bis zum 20. Jahrhundert. Kunstgeschichtliche Studie mit 188 Abbildungen und 5 Tateln.‎

‎Verlag von F. Bruckmann München 1909. Hardcover Leinen mit Lederrücken ohne Schutzumschlag Zustand: keine Beschädigungen eine Namenseintragung im Vorsatz. Ecken Kanten gut. Der Rücken ist einseitig angeplatzt und hat eine Queraufplatzung. Der Block ist fest und gut. Vorsatz und Schnitt sind fleckig. Mit einem Ex libris im Vorsatz. Verlag von F. Bruckmann, München, hardcover‎

Référence libraire : 247002

‎Faymonville, Karl‎

‎Die Kunstdenkmäler der Stadt Aachen II. Die Kirchen der Stadt Aachen mit Ausnahme des Münsters. Mit 8 Tafeln (davon 2 gefaltet) und 168 Abbildungen im Text.‎

‎Düsseldorf, Schwann 1922. 4°. VIII, 344 S. OBroschur, unbeschnitten. Umschlag mit Lichtspur und etwas beschädigt. (=Die Kunstdenkmäler der Rheinprovinz 10.II).‎

‎Orig.-Ausgabe. Körber 715.10.‎

Référence libraire : 19304AB

‎Faymonville, Karl‎

‎Die Kunstdenkmäler der Stadt Aachen II. Die Kirchen der Stadt Aachen mit Ausnahme des Münsters. Mit 8 Tafeln (davon 2 gefaltet) und 168 Abbildungen im Text.‎

‎Düsseldorf, Schwann 1922. 4°. VIII, 344 S. Original-Halbleinwand mit Rückentitel in Gold. Kanten etwas berieben, ein Gelenk etwas eingerissen. Besitzvermerk am Vorsatz. (=Die Kunstdenkmäler der Rheinprovinz 10.II).‎

‎Orig.-Ausgabe. Körber 715.10.‎

Référence libraire : 32541AB

‎Faymonville, Karl‎

‎Die Kunstdenkmäler der Stadt Aachen II. Die Kirchen der Stadt Aachen mit Ausnahme des Münsters. Mit 8 Tafeln (davon 2 gefaltet) und 168 Abbildungen im Text.‎

‎Düsseldorf, Schwann 1922. 4°. VIII, 344 S. Original-Halbleinwand mit Rückentitel in Gold. Minimal berieben. Dezentes priv. Exlibris am Spiegel. Name am Vortitel. (=Die Kunstdenkmäler der Rheinprovinz 10.II).‎

‎Orig.-Ausgabe. Körber 715.10.‎

Référence libraire : 47103AB

‎Faymonville, Karl‎

‎Die Kunstdenkmäler des Kreises Monschau. Mit 7 Tafeln und 96 Abbildungen im Text (sowie einer Karte).‎

‎Düsseldorf, Schwann 1927. 4°. VIII, 140 S. OLwd. Geringf. Gebrauchsspuren, schönes Exemplar. (=Die Kunstdenkmäler der Rheinprovinz 11.I). 1‎

‎Orig.-Ausgabe. Körber 715.11.1.‎

Référence libraire : 7058AB

‎Faymonville, Karl (u.a.)‎

‎Die Kunstdenkmäler der Stadt Aachen III. Die profanen Denkmäler und die Sammlungen der Stadt Aachen. Mit 6 Tafeln (eine gefaltet) und 141 Abbildungen im Text.‎

‎Düsseldorf, Schwann 1924. 4°. VII, 284 S. Original-Leinwand. Rücken mit Lichtspur. Etwas berieben. (=Die Kunstdenkmäler der Rheinprovinz 10.III).‎

‎Orig.-Ausgabe. Körber 715.10.3.‎

Référence libraire : 7059AB

‎Fazio, Michael W.‎

‎The domestic architecture of Benjamin Henry Latrobe‎

‎xx, 769 p., 22 p. of plates Hardcover Very good condition good‎

‎Faÿ-Hallé, Antoinette et Dupont-Logié, Cécile (dir.)‎

‎Richesses de la céramique dans les musées de Picardie‎

‎Imprimerie Finet, Noyon, 1985. Petit in-8, broché sous couverture illustrée en couleurs, 191 pp. La diversité de notre patrimoine, par Walter Amsallem - Préface, par Hugues Hairy - Préambule, par A. Faÿ-Hallé - Avant-propos, par C. Dupont-Logié - Poterieà glaçure plombifère : Le Beauvaisis. - Le Noyonnais?. - Sorrus. - Englefontaine - Faïence stannifère ...‎

‎Nombreuses illustrations en noir et blanc in texte. --- Plus d'informations sur le site archivesdunord.com‎

Référence libraire : 884

‎Fearnside, William Gray and Harral, Thomas - Editors‎

‎Woods Views in London Westminster and their Vicinities / The History of London / London and Its Environs‎

‎London: Orr and Co. Book. Illus. by Woods John - Engraver. Fair. Hardcover. First Edition. Beautifully illustrated work on London and "its environs" with many engravings. Undated circa mid 19th century as a gift inscription on the flyleaf is dated 1844. Interior is in very good condition; binding is a bit loose with reinforced inner hinges moderate edge wear more so on the spine ends and moderate rub marks; small stains on inside of rear board. Orr and Co. hardcover‎

Référence libraire : 092963

‎Feaver, Canon D. R.‎

‎The Pictorial History of St Albans Abbey‎

‎No marks or inscriptions and no creasing to covers. A very clean very tight copy with bright unmarked boards and no bumping to corners. 24pp. History and illustrated guide to St Albans Abbey.‎

‎Fechin, Eya; Moses Porter‎

‎Fechin: The Builder‎

‎A clean, unmarked book with a tight binding. 8 3/8"w x 9 7/8"h. Slight wear to cover. Many b&w photos. Inscribed by Fechin.‎

‎Fechter, P‎

‎Die Tragödie d. Architektur.‎

‎Weimar, Lichtenstein, 1922. M. 9 Taf. 212 S. OHlwd.‎

Référence libraire : 410393

‎Federica Rossetti‎

‎commento a Persio dell'umanista Giovanni Britannico. Dalla tipografia bresciana del Quattrocento all'editoria europea del Cinquecento‎

‎, Brepols, 2025 Hardback, Pages: 324, Size:160 x 240 mm, Languages: Italian, Latin. ISBN 9782503581460.‎

‎Summary Perse, auteur satirique latin du Ier si cle ap. J-C., eut la faveur des lecteurs partir des premi res phases de sa r ception et durant la p riode humaniste, en raison de son style original et exigeant et de la moralit de sa po sie. En 1481 le commentaire des Satires de Perse par Giovanni Britannico, humaniste et imprimeur italien du XVe si cle, venait d' tre publi dans la ville de Brescia. Britannico fit deux r visions en 1486 et en 1500, ce qui lui permit de proposer un regard global sur l'ex g se de Perse faite partir des ann es Quatre-vingts du Quattrocento, gr ce son dialogue avec la production de ses coll gues (Politien, Fonzio, Merula, Barbaro etc). Le commentaire jouit d'une norme diffusion au Nord des Alpes durant le XVIe si cle, en particulier dans la r gion du Rhin, en influen ant les tudes post rieures sur Perse. L' dition critique du commentaire, accompagn e d'une introduction importante, augmente nos connaissances sur l'Humanisme italien et sa grande influence, en fournissant des l ments nouveaux sur la r ception du genre litt raire de la satire romaine en Italie et au-del . Persio, autore satirico latino del I secolo d.C., ebbe una grossa fortuna fin dalle prime fasi della sua ricezione e soprattutto nel periodo umanistico, grazie all'originalit e alla raffinatezza del suo stile, nonch alla forte impronta morale della sua poesia. Nel 1481, nella citt di Brescia, fu pubblicato il commento alle Satire di Persio redatto da Giovanni Britannico, umanista e tipografo italiano del XV secolo. Britannico realizz due revisioni del suo lavoro, nel 1486 e nel 1500, riuscendo cos a offrire una visione d'insieme sull'esegesi persiana sviluppatasi a partire dagli anni Ottanta del Quattrocento, anche attraverso il confronto con la produzione dei suoi contemporanei (Poliziano, Fonzio, Merula, Barbaro, ecc.). Il commento conobbe un'ampia diffusione al di l delle Alpi nel corso del XVI secolo, in particolare nella regione renana, esercitando una notevole influenza sugli studi successivi su Persio. L'edizione critica di questo commento, accompagnata da un'approfondita introduzione, contribuisce ad ampliare le nostre conoscenze sull'Umanesimo italiano e sulla sua influenza in Europa, offrendo nuovi elementi per comprendere la ricezione del genere della satira romana sia in Italia che in ambito europeo. TABLE OF CONTENTS Avant-propos Ringraziamenti Introduzione Capitolo I. Giovanni Britannico. Maestro, commentatore ed editore di classici Capitolo II. Il commento a Persio di Giovanni Britannico Capitolo III. La ricezione del commento nel Cinquecento europeo Bibliografia Nota critica Indice dei nomi Indice degli autori e dei passi citati‎

Référence libraire : 70658

‎Federico Celestini (ed)‎

‎Giacinto Scelsi: Music across the Borders‎

‎, Brepols, 2019 Hardback, 448 pages, Size:220 x 280 mm, Illustrations:3 b/w, 30 musical examples, Languages: English, French, German. ISBN 9782503586441.‎

‎Summary The work of the Italian composer Giacinto Scelsi (1905-1988) brings a special urgency to the main questions of musical thought. These questions concern subjectivity in composition and music making; the relationship between sound, structure, and form; the relationship between improvisation and composition; and the role of musical writing in terms of composition and performance. This is undoubtedly also the product of his complex working method, in which improvisation, composition, musical writing, and performance follow one another, each imposing their own, often divergent, mark on the end result. The opening of the Isabella Scelsi Foundation archive in Rome in 2009 highlighted the significance of the composer while facilitating new research perspectives on his work. Now is the right time for a larger publication to document and propagate recent results and new approaches. TABLE OF CONTENTS Federico Celestini, Preface Federico Celestini, Introducing Giacinto Scelsi Genesis, Analysis and Performance Sandro Marrocu, Il compositore fu una cooperativa. Ri?essioni su un processo creativo Christian Utz, Analyzing Scelsi Elisabetta Piras, Essere per interpretare, interpretare per essere: prospettive esecutive della musica di Giacinto Scelsi Works Andrea Di Giacomo, Molti pezzi su 88 tasti. Indagine su un catalogo pianistico costruito a posteriori Ian Dickson, Small Ensemble and Solo Instrumental Works Francesca Placanica, Ritual and Embodiment in Giacinto Scelsi's Solo Works for Voice: A Performance Studies Approach Alessandro Cecchi, Giacinto Scelsi compositore di quartetti per archi: un approccio discorsivo Friedrich Jaecker, Works for Orchestra and Chorus Reception Alessandra Montali, La ricezione scelsiana in ambito musicologico, interpretativo e compositivo Pierre Albert Castanet, Giacinto Scelsi et la France: Le champ des n buleuses Markus Bandur, Vom Innern des Tones und sakralen Sehns chten . Zur Rezeption von Giacinto Scelsis Musik in Deutschland Thomas Peattie, Giacinto Scelsi in the USA and in the UK Elfriede Reissig, Scelsi in Austria Resources Alessandra Carlotta Pellegrini, Do Not Diminish the Sense Which You Do Not Understand : Giacinto Scelsi's Archive, Library, Museum Friedrich Jaecker, Catalogue of the Works of Giacinto Scelsi Abstracts Biographies Index of Names‎

Référence libraire : 65909

‎Federico Gon (ed)‎

‎Haydn's Last Creative Period‎

‎, Brepols, 2021 Hardback, xiv + 365 pages, Size:210 x 270 mm, Illustrations:15 b/w, 87 musical examples, Language(s):English, German.*new ISBN 9782503594880.‎

‎Summary This volume focuses on one of the most crucial parts of Haydn's career-a key era in which the experiments of the 1770s arrived at the consolidation and definition of new compositional forms and practices in the 1780s. The 'mature' Haydn represents a musician marked by full creative ferment in all musical genres and reveals the profile of a composer at the peak of his career. Through new research, this book examines the views of Haydn's compositional practice as both self-aware and as adaptations based on the public's changing tastes. Such was an achievement that Haydn obtained without betraying the principles of balance, solidity and expressiveness that he developed during decades of musical practice at the Esterh zy court. TABLE OF CONTENTS Introduction, Federico Gon Biography and Reception J nos Malina, Orfeo and Armida, Don Juan and Figaro: New Light on the Busiest Decade of Haydn's Career Sterling E. Murray, Haydn and the Oettingen-Wallerstein Court: A Study in Musical Patronage and Stylistic Intent Nancy November, Late Haydn for the Home: Arrangements of the London Symphonies in the Nineteenth Century Bryan Proksch, Age, Infirmity, and Oldness in the Early Biographies of Haydn Christian Speck, Ein Haydn-Gem lde von Julius Schmid im Kontext der Korrektur der Haydn-Rezeption durch Guido Adler Musical Form and Analysis L. Poundie Burstein, Paths and Pauses within Haydn's Piano Trio No. 16 Lauri Suurp , New Path to Conventional Goals: Formal Reinterpretation in the First-Movement Recapitulations of Haydn's Symphonies Nos. 94 and 98 Floyd Grave, Convention, Reinvention, and the Play of Contraries in the First Movement of Haydn's Concerto for Keyed Trumpet Halvor K. Hosar, Sonata/Fugue Mixtures in Haydn's Late Masses: History and Form James S. MacKay, Baroque Polyphony and Intelligent Conversation: Joseph Haydn's String Quartets from Opus 20 to Opus 76 Rhetoric and Intertextuality Stephanie Klauk - Rainer Kleinertz, Haydn's String Quartet Production after Opus 33 Anatole Leikin, Performing Expressive Rhetorical Devices in the First Movement of Haydn's Piano Sonata in E-flat Major, Hob. xvi:49 Federico Gon, A Time for War and a Time for Peace : The Symphony No. 100 by Joseph Haydn and the Revolutionary Events of 1793 Bal zs Mikusi, The Spider and the Bee, or How Does Mozart Come into Haydn's The Seasons? John A. Rice, The Bergamasca Schema in Late Haydn‎

Référence libraire : 65401

‎Federico Poletti‎

‎MR&MRS CLARK : Ossie Clark and Celia Birtwell. Fashion and print 1965-1974‎

‎, Silvana Editoriale, 2023 HB, 290 x 240 mm, 216 p, 200 Coloured illustr. , ENG / ITA , . ISBN 9788836653768.‎

‎The catalogue pays homage to an iconic "fashion duo", Ossie Clark and Celia Birtwell, two English creatives whose short but very intense artistic and personal partnership gave rise to an unmistakable style that left its mark in London during the period between Mary Quant's miniskirt and the subversive punk movement of Malcolm MacLaren and Vivienne Westwood, from 1965 to 1974. Ossie and Celia is the story of a special alchemy, one of the first artistic couples in which a designer and a fabric designer worked together to complete each other in total harmony, up until their separation in 1973. Celia created wonderful prints inspired by nature and the different artistic currents that Ossie, with his skill in cutting and modelling, transformed into sensual and feminine clothes. This also thanks to the lightness of the fabrics such as crepes, silks and chiffons that conquered the international jet-set and the music scene of the time. From Brigitte Bardot to Liz Taylor, up to Verushka, everyone was fascinated by their fashion. Mick Jagger, Brian Jones, Keith Richards, Jimi Hendrix, Marianne Faithfull, Anita Pallenberg, Eric Clapton, George Harrison, Bianca Jagger and Marisa Berenson are just some of the people that Ossie Clark dressed. Starting with a first important nucleus of clothes from the archive of MassimoCantini Parrini, then enriched with further loans from the American collection of Lauren Lepire and from the London archives of the Clark family and Celia Birtwell herself, the exhibition recounts the context and evolution of the two artists with clothes, fabrics, unseen sketches, videos, photos and vintage editorials.‎

Référence libraire : 61008

‎Federico Garcia Lorca‎

‎Th atre de Federico Garcia Lorca, illustr e par G. Wakhevitch‎

‎, Gallimard, 1967 Reliure plein simili cuir dans cassette, 336 pages, 23 x 18.5 cm, FR. En bon tat.‎

‎Th atre de Federico Garcia Lorca, illustr e par G. Wakhevitch‎

Référence libraire : 68930

‎Fedden, Robin and Rosemary Jones‎

‎The National Trust Guide‎

‎Hardback reprint in a protected dust jacket. VG/G++ (small loss at the top of the jacket spine). 18589. eng‎

‎Feder, Theodore H.‎

‎GREAT TREASURES OF POMPEII AND HERCULANEUM‎

‎Foxing to bottom of textblock. Minor shelfwear to DJ. ; Looks at the archaeological treasures of Pompeii and Herculaneum. ; 157 pages‎

‎Federica Bustreo‎

‎Gotiek‎

‎Softcover, 256 pagina's / pages / NL / ENG / ITA / D, 240 x 190 mm, illustrations in colour / illustraties in kleur / illustrationen in farbe, In very good condition / als Nieuw / sehr gute kondition, . ISBN 9788881176977. De gotiek is de naam voor een laatmiddeleeuwse stijl toegepast in de periode 1140-1500 in de beeldende kunsten en de architectuur, die vooral aanwezig is in kerkgebouwen. Kenmerkend is onder andere het gebruik van spitsbogen bij raam- en deuropeningen en gewelven.‎

‎Feduchi, Luis‎

‎Spanish Folk Architecture Volume 1: The Northern Plateau‎

‎Blume 1977. Volume 1. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In poor condition suitable as a reading copy. No dust jacket. Both hinges split. Please note the Image in this listing is a stock photo and may not match the covers of the actual item1950grams ISBN:8470310178 Blume hardcover‎

Référence libraire : 4310619 ISBN : 8470310178 9788470310171

‎FEDUCHI, Luis M. [Luis Martínez-Feduchi Ruiz, 1901-1975].‎

‎El Mueble en los Museos Arqueológico y Valencia de Don Juan. Introducción y notas.‎

‎Madrid, Afrodisio Aguado, s.a. (hacia 1960) ["El Mueble en España" IV]. 4to.; 65 pp., 1 h. y 64 láminas fotográficas aparte. Texto en español, francés e inglés. Encuadernación original en tela.‎

‎Fehl, Philipp; Lucy Sandler (Ed. )‎

‎THE CLASSICAL MONUMENT Reflections on the Connection between Morality and Art in Greek and Roman Sculpture‎

‎Spine sunned and discolored. ; Monographs On Archaeology And Fine Arts No. XXIV; 4to 11" - 13" tall; 115 pages‎