‎Architecture‎

‎Francblin Catherine‎

‎Daniel Buren.‎

‎Artpress. 1987. In-8. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 79 pages - jaquette en bon état - nombreuses photos en couleurs et en noir et blanc dans et hors texte - quelques plans en noir et blanc dans et hors texte.. Avec Jaquette. . . Classification Dewey : 720-Architecture‎

‎Classification Dewey : 720-Architecture‎

Referenz des Buchhändlers : R100068198

‎Franz Horn‎

‎Dichter‎

‎Berlin, Schuppelschen Buchhandlung, 1817 Hardcover with marbled boards, 3 volumes in 1 book, 228 + 224 + 253 pages, 15.5 x 10 cm, German text. *Good condition.‎

‎Die Dichter, ein Roman von Franz Horn, Berlin 1817‎

Referenz des Buchhändlers : 68953

‎FRAUENFELDER, Reinhard:‎

‎Die Kunstdenkmäler des Kantons Schaffhausen, Band 2: Der Bezirk Stein am Rhein. ‘KDS’, 39.‎

‎Basel, Birkhäuser, 1958, in-4°, XII + 368 S., mit 461 Abbildungen, Original-Leinen.‎

Referenz des Buchhändlers : 4526aaf

‎Fran ois Rousseau‎

‎Dieux du Stade : Les rugbymen du Stade fran ais, Paris, et leurs invit s photographi s nus‎

‎, stade, 2004 Hardcover with dusjacket, 159 pages, fullpage photo's, Tres bon etat. ISBN 9782951592858.‎

‎A collection of nude photos of the French national rugby team. With a foreword by Madonna, this book celebrates the raw power of the nude male athlete in candid locker room scenes and is intended for those fascinated by the male form.‎

Referenz des Buchhändlers : 67881

‎France Nerlich, Eleonora Vratskidou (eds)‎

‎Disrupting Schools: Transnational Art Education in the 19th Century‎

‎, Brepols, 2022 Hardback, 232 pages, Size:216 x 280 mm, Illustrations:24 b/w, 31 col., Language: English. ISBN 9782503570310.‎

‎Summary The category of the "national school", paramount for the emerging discipline of art history in the 19th century, tended to dismiss the crucial encounters, confrontations and exchanges prompted by the fact that artists commonly travelled abroad, especially for the purposes of education and training. The aim of this volume is to address the complexities of this under-researched phenomenon, shedding light on the motivations and impact of transnational art education on artists' careers, on the actors and educational institutions involved (e.g. state-run academies, private schools or studios, museums, outdoor practices) and on the growing international networks connecting artists, patrons, collectors, dealers, critics and scholars. Even though the nation was a major category for historical actors of the period, it is essential to question the validity of the national framework as an analytical tool for current scholarship: our aim is therefore to propose a new reading of 19th-century art worlds based on the idea of circulations, entanglements and revised geographies. In the 19th century the destinations and itineraries of art students were reshaped by changing artistic trends and reputations, as well as by larger economic and geopolitical transformations engendered by the formation of new nation states and the remapping of Empires. The more or less temporary expatriations and the experience of difference during the key-period of artistic training generated divergent individual responses to foreign artistic contexts. Their responses were formed amidst persistent tensions between the elaboration of ?national art? and the appeal to artistic values that crossed national boundaries. Examining both recurring patterns as well as individual examples, the contributors to the volume analyze career strategies that took advantage of resources labeled as "foreign" and explore the implications of an increasingly internationalized art market for the choices of aspiring artists. Beyond the emphasis on the circulation of people/actors, specific attention is given to the transfers of teaching methods, techniques and art theoretical discourses between artistic centers. Contributions also take into consideration the more or less precarious living conditions of art students abroad, their modes of socialization and group formations, the experience of the city and participation in artistic and intellectual circles. TABLE OF CONTENTS INTRODUCTION France Nerlich and Eleonora Vratskidou, Transnational Art Education, or How to Rethink the History of Nineteenth-Century Art SHARING KNOWLEDGE, TESTING METHODS: Susanne M ller-Bechtel, Academic Life Drawing in Rome in the Second Half of the Eighteenth Century: Shaping a Common Language Claudia Denk, Traduttore, The German Edition of Pierre-Henri de Valenciennes' Treatise for Travelling Landscape Painters St phanie Baumewerd, A German Spin-Off of French Studio Practice: Karl Wilhelm Wach and the 'New' Berlin School of Painting Arnika Groenewald-Schmidt, Nino Costa's Transnational Training in the Roman Campagna DIFFRACTED PARIS Foteini Vlachou, Moving While Sitting Still? Columbano Bordalo Pinheiro Anticipating Paris in Lisbon Gitta Ho, Caroline Pockels's 'Peaceful Campagne in Paris': A Braunschweig Portrait Artist in the French Capital, or The Merits of the Ordinary Galina Mardilovich, What Russian Printmakers Found in Paris Davy Depelchin, Inheriting Networks: Three Generations of Belgian Artists Abroad Mayken Jonkman, Planting Seeds in Paris: Foreign Pupils as Investment; The Art Dealer Adolphe Goupil and the Dutch Painter Frederik Hendrik Kaemmerer BEING HERE AND ELSEWHERE Elena Chestnova, Gottfried Semper: Teaching and Writing on the Move F bio D'Almeida, A Brazilian Defence of the Reform of the cole des Beaux-Arts in Paris (1863): Pedro Am rico's Manifesto Pamela A. Ivinski, An American (Not Only) in Paris: The Continental Training of Mary Cassatt, 1866-74 Emily C. Burns, National or Cosmopolitan? Cultural Politics and Artists' Clubs in Paris, 1890-1910 BIBLIOGRAPHY INDEX‎

Referenz des Buchhändlers : 65046

‎Franz De Backer‎

‎dochterke van Rubens‎

‎Antwerpen , Boekengilde Die Poorte, 153 Oorspronkelijk uitgeversomslag, houtsnede van Jozef Cantr op de omslag en illustraties binnenin, 201 pagina's, 19.5 x 12.5 x 2 cm. ISBN 6094053894864.‎

Referenz des Buchhändlers : 65608

‎Francis M. Naumann‎

‎Duchamp Family of Artists‎

‎, Artis-Naples, the Baker Museum 2014, 2014 Softcover, 150 pages, ENG, 240 x 205 mm, NEW, dustjacket, illustrated in colour and b/w, very rare , . ISBN 9780989549424.‎

‎Marcel Duchamp is considered the most influential artist of the 20th century. This reputation is due primarily to his introduction of the readymade, an alternative to the traditional art-making process wherein anything designated by an artist as a work of art?from a bicycle wheel mounted on a stool to a bottle rack purchased from a department store?automatically becomes art and should be treated as such. Whereas this radical notion has done much to alter the course of contemporary art, few realize that it can be traced to Duchamp?s involvement with his family, specifically, to objections expressed by his brothers to his Nude Descending a Staircase, a painting he submitted for display to the Salon des Ind pendants in 1912. Rather than accept the reservations voiced by his brothers and substitute this painting for another, Duchamp chose instead to withdraw it, whereupon he made the momentous decision that he would no longer conform to accepted conventions of taste. At the time, Duchamp?s eldest brother Jacques Villon was a cubist painter and printmaker, and his older brother Raymond Duchamp-Villon was a modernist sculptor. In this context, a readymade can be understood as an open challenge to the art his family practiced and represented, namely, the traditional genres of painting and sculpture. Although books have been written about the three Duchamp brothers, The Duchamp Family of Artists is the first study devoted to the entire family, from their maternal grandfather mile Nicolle, a painter and printmaker of some note in French art at the end of the nineteenth century, to their sister Suzanne and her husband Jean Crotti, who, in the early 1920s, established an art movement of their own called Tabu. The present exhibition and catalogue traces the career of these artists?from their earliest works to those for which they have become best known, emphasizing the phases of the artists? careers in which their paths either conjoined or intersected‎

Referenz des Buchhändlers : 59196

‎FRACCHIA Charles A. et BRAGSTAD Jeremiah O.‎

‎Détournement de demeures.‎

‎Paris, Chêne, 1976. 22 x 24, sans pagination, nombreuses illustrations en couleurs, broché, bon état.‎

Referenz des Buchhändlers : 30294 ISBN : 285108089

‎FRANZ (Thierry), Francine ROZE, DANIELE VERON-DENISE.‎

‎Eclat et scintillement. Lumière sur le décor de la chambre de la duchesse à Lunéville.‎

‎Lunéville, 2014, grand in-8 broché (143 pages). Entièrement illustré.‎

‎bon afrique‎

Referenz des Buchhändlers : 9593

‎FRANCHE-COMTE‎

‎Eglises, calvaires, fontaines, châteaux et maisons rurales de la Haute-Saône.‎

‎broché - 10,5x21 - 43 pp - 1984 - éditions de l'office départemental du tourisme, Vesoul. Nombreuses photographies dans le texte. Texte et légendes par Denis GRISEL.‎

‎ANTHROLOGIE HISTOIR PHILOSOPHIE LITTERATURE PARADES‎

Referenz des Buchhändlers : 7400

‎Francesca Giacomelli, Massimo Minini, Jasper Morrison, Irina Zucca Alessandrelli‎

‎ENZO MARI : DRAWINGS‎

‎, Silvana Editoriale, 2023 HB, 260 x 200 mm, 208 pages, 180 illustraties , EN-IT edition. ISBN 9788836653454.‎

‎The late Italian artist and writer Enzo Mari (1932-2020) is perhaps most famed for his modernist and industrial furniture designs, such as the box chair and the "sof sof" chair, but he produced an expansive oeuvre in art across various mediums. This catalog, published for an exhibition at Galleria Massimo Minini, gathers the artist's drawings, prints and sculptures. The works in the volume embody the fruits of Mari's research into "programmed" or "algorithmic" art; he was especially interested in creating works that could be enjoyed diachronically. To that end, he created a series of models consisting of a programmed combination of prefabricated module elements; these sequences visually represent the passage of time. Mari's extraordinarily methodical, intellectually rigorous approach to all of his work translates exquisitely to his art.‎

Referenz des Buchhändlers : 61064

‎Francis Stijnen‎

‎Er was eens een confederale republiek Belgi . Gebundelde lezingen over de Slag van Turnhout in 1789 en de periode van de Brabantse Omwenteling‎

‎, Brepols, 2024 Hardback, 184 pages, Size:216 x 280 mm, Illustrations:69 col., 7 comics of 1-4 pages, Language: Dutch.* NEW. ISBN 9789056220754.‎

‎Summary Het einde van de achttiende eeuw markeerde een kantelpunt in de Europese geschiedenis. 1789 is een begrip, ook voor Belgi , Vlaanderen en Turnhout. Dit boek biedt een frisse kijk op de Brabantse Omwenteling en de Slag van Turnhout, die er de aanzet toe gaf. In deze bundel, met flair en verve samengebracht door historicus Francis Stijnen en striptekenaar Patrick De Vusser, krijgt de lezer een kleurrijk beeld van Turnhout en Vlaanderen tijdens deze woelige periode, waarin zelfs een kortstondige confederale republiek Belgi het licht zag. Boeiende lectuur voor jong en oud, die aanzet tot nadenken, vlot geschreven voor een breed publiek, met originele illustraties en authentieke spotprenten. Wie ge nteresseerd is in sterke verhalen uit ons verleden en de wortels van onze hedendaagse samenleving, vindt hier zeker zijn gading. Geschiedenis en strip komen samen in een ongewoon en gedurfd verhaal! TABLE OF CONTENTS Hoofdstuk 1: 27 oktober 1789, de Slag van Turnhout: Oorlogstaferelen in een klein Brabants stadje Tussendoortje 1: De machtsverhoudingen in Europa op het einde van de achttiende eeuw Hoofdstuk 2: Verlicht denken tegenover ingewortelde traditie Tussendoortje 2: De Verlichting als baanbreker voor de rechten van de mens Hoofdstuk 3: De Slag van Turnhout in Europese context, het verhaal van generaal Jan Andries Vander Mersch Tussendoortje 3: De evolutie van de krijgskunst in de 18de eeuw Hoofdstuk 4: Was de Slag van Turnhout een uiting van trouw aan de Kerk? Het verhaal van Godfried Hermans, prelaat van Tongerlo en hoofdaalmoezenier van het patriottenleger Tussendoortje 4: Jan Baptist Verlooy start de Vlaamse Beweging Hoofdstuk 5: De Brabantse Omwenteling, oude en nieuwe idee n over rechtsgang en strafuitvoering: Goswin de Fierlant als vooruitstrevend jurist Tussendoortje 5: Grenzen worden opgemeten en zichtbaar gemaakt met grenspalen Hoofdstuk 6: De Slag van Turnhout, een menselijke benadering van de impact op de gewone man Tussendoortje 6: De munten van de Verenigde Belgische Staten Hoofdstuk 7: De Republiek der Verenigde Nederlandse Staten, 'les Etats Belgiques Unis', elf maanden onafhankelijk confederaal Belgi Tussendoortje 7: Herdenkingen Slag van Turnhout doorheen de jaren‎

Referenz des Buchhändlers : 65013

‎François Alain et DE GROEVE Paul‎

‎Eternit 1905-2005, l'histoire du toit, dans le monde et dans le temps/het verhaal van het dak, in de wereld, in de tijd.‎

‎Baden (Allemagne), Editions Lammerhuber, 2004. 25 x 32, 263 pp., très nombreuses illustrations en couleurs, reliure d'édition pleine toile + jaquette, état neuf.‎

‎bilingue : français/néerlandais.‎

Referenz des Buchhändlers : 40922

‎Fran ois Wallerich‎

‎Faire croire pour faire corps Les miracles eucharistiques dans l?Occident m di val (XIe-XIIIe s.)‎

‎, , 2026 Paperback, 636 pages, 165 x 250 mm, Illustrations:3 tables b/w, French, Latin. *New . ISBN 9782851213457.‎

‎A host bleeds in the hands of the priest who raises it. The wine takes on the appearance of pitch in the chalice. An angel removes the sacred species from the hands of the celebrant. How can we explain the large number of such miracles in the sources produced by the medieval West from the 11th century onwards? Eucharistic miracles, which were fairly rare in the early Middle Ages, experienced an undeniable growth at this time, which this book seeks to understand. Accordingly, the book aims to connect the notions of faire croire and faire corps. Miracle stories were certainly intended to make people believe (faire croire): as the dogma of transubstantiation is gradually defined with precision, and as the ecclesiastical institution must combat heresies and dissidences proliferating, the miracle supports a pastoral effort aimed at regulating the beliefs and practices of the faithful. But it is also, and perhaps above all ? this is the thesis defended here ? a question of coming together as one body (faire corps): ensuring the unity of the Church; defending the clerical monopoly on the sacred; guaranteeing a social order that confirms the distinction and superiority of clerics over the laity. Une hostie saigne entre les mains du pr tre qui l? l ve. Le vin prend l?apparence de la poix dans le calice. Un ange soustrait les saintes esp ces des mains du c l brant. Comment expliquer la pr sence en nombre de tels prodiges dans les sources que produit l?Occident m di val partir du XIe si cle ? Les miracles eucharistiques, assez rares durant le haut Moyen ge, connaissent alors un essor ind niable que le pr sent ouvrage s?efforce de comprendre. Pour ce faire, le livre cherche articuler les notions de faire croire et de faire corps. Les r cits miraculaires sont certes destin s faire croire : alors que le dogme de la transsubstantiation est peu peu d fini avec pr cision, et que l?institution eccl siale doit combattre les h r sies et dissidences qui se multiplient au sujet du sacrement de l?autel, le miracle vient l?appui d?une pastorale qui vise normer les croyances et les pratiques des fid les. Mais il s?agit aussi, et peut- tre surtout ? telle est ici la th se d fendue ?, de faire corps : assurer l?unit de l? glise ; d fendre le monopole cl rical du sacr ; garantir un ordre social qui ent rine la distinction et la sup riorit des clercs sur les la cs.‎

Referenz des Buchhändlers : 69211

‎Frank Lloyd Wright, Bruce Brooks Pfeiffer‎

‎Frank Lloyd Wright : His Living Voice‎

‎, Press at California State University, Fresno / CSUF, 1987 Hardcover, 207 pages, ENG, 235 x 160 mm, in good condition, dustjacket, ill. in b/w. ISBN 9780912201139.‎

‎Frank Lloyd Wright (June 8, 1867 ? April 9, 1959) was an American architect, designer, writer, and educator. He designed more than 1,000 structures over a creative period of 70 years. Wright played a key role in the architectural movements of the twentieth century, influencing architects worldwide through his works and hundreds of apprentices in his Taliesin Fellowship. Wright believed in designing in harmony with humanity and the environment, a philosophy he called organic architecture. This philosophy was exemplified in Fallingwater (1935), which has been called "the best all-time work of American architecture".‎

Referenz des Buchhändlers : 60046

‎Frank Lloyd Wright‎

‎Frank Lloyd Wright Architecte Américain‎

‎Paris Albert Morancé 1930 L'ARCHITECTURE VIVANTE 32pp., 25 planches en phototypie numérotées de 1 à 25, empruntées au trimestre 28, été 1930 de l'Architecture Vivante, en feuilles sous portefeuille spécial de l'éditeur. Texte de Jean Badovici illustré de nombreux plans et croquis pour cette petite monographie consacrée aux plus célèbres constructions du début de la carrière de Wright. (100808)‎

‎Pas de jaquette Portefeuille De L'éditeur‎

Referenz des Buchhändlers : 100808

‎Frank Geudens / Angelo Figus‎

‎GenovanversaeviceversA vormgever/modeontwerper Angelo Figus‎

‎Ghent, Snoeck-Ducaju, 2003 Hardcover, 95pp., 25x34.5cm., rijkelijk geillustr. in kleur, nieuw. Text in english. ISBN 9789053494714.‎

‎Catalogus Modemuseum Antwerpen, in het kader van Europalia.italia.‎

Referenz des Buchhändlers : 36635

‎FRANZKE, Andreas;‎

‎Georg Baselitz‎

‎M nchen, Prestel, 1988 Hardcover, Festereinband mit Schutzumschlag, 272 Seiten mit 240 Abb., davon 189 in Farbe. text; GER . ISBN 9783791309736.‎

Referenz des Buchhändlers : 66191

‎Frans Masereel‎

‎Geschichte Ohne Worte. 60 Holzschnitte von Frans Masereel. (personal copy of Gaston Eysselinck)‎

‎M nchen, Wolff, 1927 Hardcover, 21,1,60 pages, 15.5 x 12 cm, German text. First edition. Personal copy of Gaston Eysselinck, with dedication by Ast Fonteyne who gifted the book to Eysselinck.. Good condition. .‎

‎Geschichte Ohne Worte. 60 Holzschnitte von Frans Masereel. (personal copy of Gaston Eysselinck)‎

Referenz des Buchhändlers : 70789

‎Francesco Bandarin‎

‎h ritage de l'humanit : Splendeurs Du Patrimoine Mondial‎

‎, Unesco 2004, 2004 Hardcover, 310 pages, Texte en Francais, 305 x 240 x 23 mm, Comme Neuf, illustrations en couleur / n/b, jaquette illustre . ISBN 9789232038845.‎

‎Co dit avec l'UNESCO, L'H ritage de l'humanit pr sente le patrimoine mondial dans toute sa grandeur et souligne le r le vital qu'il a jou tout au long de l'histoire dans la formation d'identit s culturelles. Les dix chapitres qui composent ce livre (de la naissance de l'histoire la vie en libert ) nous guident entre nature (Grand Canyon, dragons de Komodo, etc.) et culture (splendeur majestueuse du Taj Mahal, ch teau de Versailles, cath drale de Chartres ou beaut du canal du Midi, etc.). La richesse de l'iconographie - photographies, reproductions d'aquarelles, gravures, manuscrits enlumin s - nous rappelle nos responsabilit s et devoirs communs vis- -vis des merveilles de la nature et de la cr ation humaine. Nous sommes tous les l gataires des beaut s du monde. Pr servons tous ces tr sors.‎

Referenz des Buchhändlers : 55177

‎Fran oise Aubry‎

‎HET BRUSSEL VAN HORTA‎

‎, Ludion, 2023 Nieuwe, herziene uitgave, Brussel, hoofdstad van de art nouveau in 2023, PB+, 240 x 170 mm, 144 p, 320 illustraties, NL edition, Publication date: Mei 23. ISBN 9789493039926.‎

‎n 2023 viert Brussel, en bij uitbreiding het hele land, het jaar van de art nouveau. Wie vertegenwoordigt deze revolutionaire stijl in ons land beter dan de beroemde architect Victor Horta. Deze handige gids loodst u langs zijn creaties in Brussel, van openbare gebouwen tot privewoningen en monumenten, allen opgetrokken in art nouveau-stijl. Victor Horta wordt in 1861 in Gent geboren en verricht baanbrekend werk met zijn architectuur: denk aan de typische decoratieve vormen, de experimentele indeling van de interieurs rond de centrale lichtschacht, de niveauverschillen, bijzondere raampartijen, trappenhuizen en wintertuinen. Denk ook aan al het metaal en het glas, die vanaf toen belangrijke onderdelen van de constructies zouden uitmaken. Horta haalde het licht naar binnen en creeerde een ongekend ruimtegevoel in de burgerwoningen van zijn tijd. Hij luidde daarmee een compleet nieuw architecturaal tijdperk in. Deze handige gids behandelt Horta's gebouwen in chronologische volgorde waaruit de stijlevolutie van de architect blijkt, van het nog klassieke Huis Matyn tot de huizen Solvay, Van Eetvelde, Tassel of het Paleis voor Schone Kunsten. Het boek is niet alleen een praktische gids met een handige bladwijzer en plattegrond, maar bevat tevens ook boeiende kaderteksten die dieper ingaan op bepaalde thema's. Een must voor uw Hortawandeling in Brussel.‎

Referenz des Buchhändlers : 61672

‎Francisca Vandepitte ; Geert Van der Hallen ; translation : Wouter Meeus‎

‎IMAGINE! 100 jaar internationaal surrealisme‎

‎, Ludion, 2024 Hardcover, 232 pag. NED. 330 x 230 x 25 mm, NIEUW; geillustr. stofomslag, illustraties in kleur / z/w. ,Expo : 21/2/2024 - 21/7/2024, Kon. Musea voor Schone Kunsten van Belgie. *NIEUW ISBN 9789464781113.‎

‎In 1924 werd Andr Bretons Manifeste du Surr alisme voor het eerst gepubliceerd: exact een eeuw later vieren de Koninklijke Musea voor Schone Kunsten van Belgi de honderdste verjaardag van het surrealisme met de tentoonstelling IMAGINE! Van Giorgio de Chirico tot Jackson Pollock, Salvador Dal , Ren Magritte, Joan Mir , Dorothea Tanning, Man Ray en Leonor Fini: IMAGINE! brengt grote namen van het surrealisme samen en licht de beweging toe aan de hand van thema's als de droom, het labyrinth, het onderwuste en de metamorfose. De tentoonstelling legt ook interessante verbanden: aan de hand van meer dan 130 kunstwerken (schilderijen, werken op papier, sculpturen, objecten, assemblages en foto's) belicht IMAGINE! de raakvlakken en verwantschappen, maar ook de breuklijnen tussen het surrealisme en een van zijn voorgangers, het symbolisme. Vanaf 1880 was Brussel een hotspot voor de kunsten en de avant-garde. Het symbolisme - vertegenwoordigd door Rops, Spilliaert, Khnopff, Delville en Minne - ontwikkelde zich er en anticipeerde op de opkomst van de surrealistische beweging. Enkele decennia later werd de stad het brandpunt van het Belgisch surrealisme. De tentoonstelling werd geproduceerd in samenwerking met het Centre Pompidou (Parijs) en zal na Brussel en Parijs verder reizen naar de Hamburger Kunsthalle, de Fundaci n Mapfre in Madrid en het Philadelphia Museum of Art.‎

Referenz des Buchhändlers : 63315

‎Franco Sciannameo (ed)‎

‎Italian Film Music, 1950s-1970s. Between Tradition, Innovation, and Internationalisation‎

‎, Brepols, 2023 Hardback, 454 pages, Size:210 x 270 mm, Illustrations:32 b/w, 48 musical examples, Language(s):English, Italian. ISBN 9782503608464.‎

‎Summary The music heard in Italian cinema along the arch of the three decades highlighted in this book, has not only made history but has become an unspoken of patrimony of humanity. This book provides a platform to build a lasting tribute to those composers who were, indeed, the ?sounding? protagonists of hundreds of films - from Fellini's La dolce vita to Tornatore's Cinema Paradiso to a myriad of cultural documentaries and productions made for cinema and television. The book is divided into three parts comprising essays on the music of Nino Rota, lesser-known composers yet important on the national circuit like Carpi, Gervasio, Vlad, and Chailly, and four essays dedicated to the towering figure of Ennio Morricone whose legacy will continue to hover over Italian cinema of the 50s-70s for many decades to come. An introductory essay, 17 chapters annotated and provided with musical examples, tables, and iconographic material written by internationally known academics specialised in Italian film music; bibliographies and abstracts following each essay; biographies of the contributing authors; and an index organized by names and subjects, make this volume an indispensable research tool free of geopolitical barriers and ideological constrains in the bourgeoning field of Film Music. TABLE OF CONTENTS Franco Sciannameo Preface Part One: One the Road with Nino Rota Giada Viviani Un viaggio audiovisivo lungo il Po. Mario Soldati e Nino Rota agli esordi della televisione Francesco Finocchiaro We Were the Leopards : Strategies of Adaptation from Tomasi di Lampedusa to Visconti & Rota Anna Igielska Visconti's Integration of Opera Excerpts: Towards a Comparative and International Perspective Pasquale Giaquinto 'Kremmerzian' Influence in Nino Rota's Music for the Cinema of Federico Fellini: 'Rosa Aurata' in Giulietta degli spiriti (1965) Franco Sciannameo Fellini's Melophobia, Rota and Prova d'orchestra Part Two: Homages, Considerations, New Horizons Franco Sciannameo L'Armata Brancaleone and the Musical that Never Was Antonio Ferrara La grottesca combinazione audiovisiva di un pastiche parodistico di danze: l'allestimento musicale di Sedotta e abbandonata Marida Rizzuti Film Music in the Concert Programs of the Orchestre Sinfoniche della RAI of Milan and Rome Oreste Palmiero Fiorenzo Carpi e il cinema (con un catalogo delle sue colonne sonore e un contributo biografico) Beatrice Birardi Comporre con spontaneit controllata : la musica per film secondo Raffaele Gervasio Anna Scalfaro Music for TV Dramas by Luciano Chailly Marco Cosci How Does the Italian Cultural Heritage Sound? The Case of Roman Vlad's Documentary Music Giacomo Albert Sound in Italian Experimental Cinema 1950s-1970s: Between Audiovisual Counterpoint, Deconstructions, Asynchronies, Remediations, and Collages Part Threee: Ennio Morricone beyond Absolute Music Hugh Maloney Film Music as Greek Chorus: Ennio Morricone and Il ritorno di Ringo Antonella Coppi - Stefano Cucci Unusual Linguistic and Syncretic Opposites in the Music of Ennio Morricone Alessandro Mastropietro Informal Film Music: Morricone, De Seta and Un uomo a met (1966) Maria Birbili Sam Fuller's and Ennio Morricone's White Dog: Auteur Cinema Meets the Civil Rights Movement Abstracts and Biographies Index of Names‎

Referenz des Buchhändlers : 63348

‎Fran ois Nemer‎

‎Jean Cocteau : Catalogue de l'exposition au Centre Pompidou‎

‎, Centre Georges Pompidou, 2003 Softcover, 415 Pages, Illustrated. ISBN 9782844262219.‎

‎ITexte en Francais Exhibition catalogue‎

Referenz des Buchhändlers : 57653

‎Frans van de Velde.‎

‎Kallo in oude prentkaarten‎

‎, Europese Bibliotheek - Zaltbommel 1981, 1981 Hardcover, NL, 210 x 150 mm, 38 pagina's met foto's / illustraties in z/w, in prima staat. ISBN X.‎

Referenz des Buchhändlers : 58155