‎Architecture‎

‎EMERIC-DAVID M. T. B.‎

‎M?moire sur la d?nomination et sur les r?gles de l'architecture dite gothique.‎

‎Broch?. 22 pages. Rousseurs.‎

‎Emerson John Editor‎

‎British Railway Modelling Annual 2009‎

‎Bourne: Warners Group Publications 2008. 178 pages 585g. Soft card covers As New. Illustrated with many colour and b/w photographs and drawings for the keen modeller. . 1st Thus. Soft Card Cover. As New. 4to - over 9�" - 12" tall. Book. Warners Group Publications‎

Référence libraire : 23027 ISBN : 0955619491 9780955619496

‎Emerson John Editor‎

‎British Railway Modelling Annual 2008‎

‎Bourne: Warners Group Publications 2007. 178 pages 585g. Soft card covers As New. Illustrated with many colour and b/w photographs and drawings for the keen modeller. . 1st Thus. Soft Card Cover. As New. 4to - over 9�" - 12" tall. Book. Warners Group Publications‎

Référence libraire : 23026 ISBN : 0955619432 9780955619434

‎Emert Giulio Benedetto‎

‎Monumenti di Trento‎

‎<p>21 cm, brossura; pp. 319, 305 ill nel testo</p>‎

‎Emery Anthony‎

‎GREATER MEDIEVAL HOUSES OF ENGLAND AND WALES 1300-1500: VOLUME II - EAST ANGLIA CENTRAL ENGLAND AND WALES‎

‎Cambridge UK: Cambridge University Press 2000. HC. very good w/very good dustjacket hardcover. B&W illustrations. ISBN 0521581311 Slight cant to book block when laid flat. 724pp. Cambridge University Press unknown‎

Référence libraire : BOOKS067337I ISBN : 0521581311 9780521581318

‎Emery, H(enri)‎

‎La photographie artistique.‎

‎Paris, Charles Mendel, o. J. (ca. 1910). 4°. (4), 142 S., (1) Bl., (24) S. (Anzeigen). Mit 16 Heliogravüren der Ed. Laussedat u. Imp. I. Heuse nach Photographien von Henri Emery. Chromolithogr. Orig.-Broschur mit mont. Heliogravüre + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden + (leicht fleckig, vord. Gelenke angerissen, Rücken an Kopf u. Fuss mit Fehlstellen).‎

‎1 Bogen stark gelockert. Durchgehend leicht gebräunt.‎

Référence libraire : 4888BB

‎Emile-Bayard‎

‎"L'art de reconnaître l'architecture française - Monuments, églises, hôtels, maisons - ""Guides pratiques de l'amateur et du collectionneur d'art"""‎

‎Gründ. 1929. In-12. Broché. Etat d'usage, Couv. légèrement passée, Dos plié, Papier jauni. 289 pages - nombreuses illustrations en noir et blanc dans et hors texte. 2e plat plié. Scotch en coiffe de pied.. . . . Classification Dewey : 720-Architecture‎

‎Classification Dewey : 720-Architecture‎

Référence libraire : R300321045

‎Emile Kesteman‎

‎bladen voor de grafiek nr.2 jrg 1- TOM PAYOT‎

‎, Lier, 1968., In suite, originele uitgeversomslag, 21,5x28cm, z.p., geillustreerd met 10 originele houtsneden.‎

‎TOM PAYOT De bladen voor de grafiek nr.2 jrg.1‎

Référence libraire : 58917

‎Emile Wennekes, Emilio Audissino (eds)‎

‎Cinema Changes: Incorporations of Jazz in the Film Soundtrack‎

‎, Brepols, 2019 Hardback, xxvi + 334 pages, Size:210 x 260 mm, Illustrations:35 b/w, 26 musical examples, Language: English. ISBN 9782503584478.‎

‎Summary Cinema is the form of entertainment that can be, above all, identified with the twentieth century. It gradually replaced theatre as a popular form of performed storytelling, and replaced opera too as the new "multimedia" art form, soon incorporating music as one of cinema's privileged means to co-tell stories. Speaking of music, jazz was as sensational a twentieth-century novelty as cinema was. The two soon teamed up, and jazz, with its various incarnations and styles, has accompanied the moving images and the cinematic narratives throughout the decades. It was inevitable that these two iconic art/entertainment forms, jazz and cinema, should meet, blend, cooperate, and have a reciprocal influence. While the early film music was mostly symphonic and inspired by the late-romantic nineteenth-century idiom, jazz and Afro-American music - in various form and with diverse and changing racial/social connotations - appeared onscreen even before the landmark film The Jazz Singer (1927), which officially launched the sound era. This collection of essays seeks to study the long-standing relationship between jazz and cinema, from the silent era to the contemporary sound cinema, on an international level. TABLE OF CONTENTS Emile Wennekes - Emilio Audissino Prologue: A Reel Jazz Survey Rendition / Reception Emile Wennekes Out of Tune? Jazz, Film and the Diegesis Phillip Johnston Jazzin' the Silents: Jazz and Improvised Music in Contemporary Scores for Silent Film Luca Stoll Cinema: A Privileged Way of Acquiring Intimacy with Jazz Standards Marida Rizzuti Play, My Fiddle, Play! Jazz and Klezmer at the End of the 1930s Randall Cherry Ethel Waters and the Search for Racial Redemption Jazz and National Cinemas Emilio Audissino The Multiform Identity of Jazz in Hollywood: An Assessment through the John Williams Case Study Nicolas Pillai Rhythms of the Everyday: an Alternative History of the British Jazz Film Philippe Gonin Jazz and Cinema: Which Jazz for Which Movies in France from 1945 to the early 1960s? Julio Arce - Celsa Alonso From the Chotis to the Charleston: Jazz in Spanish Films prior to the Civil War Roberto Calabretto Jazz Music in Michelangelo Antonioni's Films Willem Strank When Jazz Meets German Cinema: A Brief Overview Jason R. Hillebrand A Song Helps Us Live: The Narrative Function of Jazz in the Soviet Musical Film Jolly Fellows Case Studies Francesco Finocchiaro - Leo Izzo The Sound of the Nightmares: On the Jazz Music in Fritz Lang's Metropolis Ryan Patrick Jones Dignity in the Twilight of Minstrelsy: Race, Nuance, and Aspiration in Duke Ellington's Symphony in Black: A Rhapsody of Negro Life Adam Biggs The Blues and Dissonance in Michelangelo Antonioni's Blow-Up Armando Ianniello Umiliani, Trovajoli, and Rota: The Jazz Film Score of Boccaccio '70 Marcel Bouvrie Synergetic Jazz Score: The Narrative of the Relation between the Diegetic and Nondiegetic Music in Whiplash Mervyn Cooke 'The Same Goddamn Songs the Same Goddamn Way'? Makin' Whoopee with The Fabulous Baker Boys Abstracts Biographies Index of Names‎

Référence libraire : 66042

‎Emile Langui‎

‎Expressionism in Belgium‎

‎, Laconti, 1972 Hardcover, 236 pages, ENG edition, 240 x 200 mm, book is in good shape, the illustrated dustjacket "lost" its good shape, illustrations in colours / b/w.‎

‎Kunst > Expressionisme - Fauvisme‎

Référence libraire : 62814

‎Emilio Audissino (ed.)‎

‎John Williams Music for Films, Television, and the Concert Stage‎

‎, Brepols 2018, 2018 xxiv + 440 pages., 220 x 280 mm, English, Hardcover, . ISBN 9782503580340.‎

‎This volume is a large exploration of the many sides of Williams's output. Once mostly considered a commercial composer and a mere rewriter of previous composers? styles, only recently Williams? music has begun to be taken seriously, and scholars from the music and the film departments have begun to produce research in the form of books, journal articles, conference papers, and Ph.D. theses. The present volume seeks to build upon, complement and review what has been written so far on Williams. This volume is a large exploration of the many sides of Williams's output, aimed at showing the range of his production (not merely focussing on film music) and at analysing the depth of his dramaturgic and compositional skills with selected case studies. To accomplish this exploration ? which has not the pretence of exhaustiveness but certainly that of being an accurate survey possessing both latitude and depth ? a large team of international scholars has been assembled from all around the world. The contributors come from film, media and music departments ? to provide a variety of disciplinary perspectives on Williams's work. Emilio Audissino (University of Southampton, UK) is a film scholar and film musicologist. Dr Audissino's main research interests are Hollywood and Italian cinema, film style and technique, horror and comedy, film analysis, and sound and music in films. His book Film/Music Analysis. A Film Studies Approach (2017) concerns a method to analyse music in films that blends Neoformalism, Gestalt Psychology, and Leonard Meyer's musicology. A John Williams specialist, he is the author of John Williams's Film Music: 'Jaws', 'Star Wars', 'Raiders of the Lost Ark' and the Return of the Classical Hollywood Music Style (2014), the first book in English on the composer.‎

Référence libraire : 57186

‎EMILE BAYARD.‎

‎L'ART DE RECONNAITRE L'ARCHITECTURE FRANCAISE.‎

‎Gründ.. 1929.. In-8. Broché. Etat d'usage, Couv. légèrement passée, Dos abîmé, Intérieur acceptable. 289 pages. 1ère et 4 ème de couverture illustrées en noir et blanc. Nombreuses illustrations en noir et blanc, hors texte. 2 plats de couverture détachés. Manques sur dos fendu.. . . . Classification Dewey : 720-Architecture‎

‎Monuments, églises, maisons. Classification Dewey : 720-Architecture‎

Référence libraire : RO20075245

‎EMILE COMBE (TEXTE DE)-HENRI MONTASSIER (PEINTURES DE)-RAOUL SERRES (EAUX FORTES DE)‎

‎L'ACHEVEMENT DU BOULEVARD HAUSSMANN‎

‎42 PAGES-6 PLANCHES HORS TEXTE PAR HENRI MONTASSIER (2-COULEURS) ET RAOUL SERRES (4-NOIR ET BLANC)-COUVERTURE AVEC VIGNETTE CONTRECOLLEE (2 PETITES DECHIRURES EN MORS)-CHEMISE CARTONNEE AVEC PIECE DE TITRE-EXEMPLAIRE N°1677-NON COUPE-FERMETURE A LACET (BRIN ARRIERE INCOMPLET)-(400E)‎

‎DEVAMBEZ COUVERTURE RIGIDE ETAT TRES BON‎

Référence libraire : ABE-1712620540252

‎EMILE-BAYARD‎

‎L'Art de reconnaître les styles: architecture, ameublement.‎

‎Paris, Garnier Frères, 1910 12 x 19, 459 pp., 280 illustrations, reliure dos cuir, bon état (épidermures)‎

Référence libraire : 11538

‎EMILE-BAYARD‎

‎L'Art de reconnaitre l'Architecture française.- Monuments, eglises, maisons.‎

‎P., Grund (« Guides pratiques de l'amateur et du collectionneur d'art »), 1929. petit in-12, 289 pages, abondamment illustré noir & blanc, cartonnage illustré.‎

‎Très bel exemplaire, très frais. [DB-1]‎

Référence libraire : 38346

‎EMILE-BAYARD‎

‎L'Art de reconnaitre les Styles.‎

‎P., Garnier Freres, 1920. Hardcover in-12, 458 pages, gravures noir & blanc, reliure demi-cuir, dos lisse, plats art deco, couverture conservée.‎

‎Coiffes frottées sinon bel exemplaire. [HA109-1]‎

Référence libraire : 77700

‎EMILE-BAYARD‎

‎Le style Louis XIV.‎

‎Couverture souple. Broché. 342 pages.‎

‎Livre. Ouvrage orné de 180 gravures. Librairie Garnier Frères (Collection : L'art de reconnaître les styles), 1923.‎

Référence libraire : 42711

‎EMILE-BAYARD‎

‎LE STYLE MODERNE (L'Art de reconnaitre les Styles).- Ouvrage orné de 170 gravures.‎

‎P., Garnier Freres, sans date. in-12 broché de 374 pages.‎

‎Bon état. [NV-1]‎

Référence libraire : 79257

‎EMILE-SOLDI:‎

‎Les Arts Méconnus. Les nouveaux musées du Trocadéro. Ouvrage orné de 400 gravures.‎

‎Paris, Ernest Leroux, 1881, in-4to, XV + 531 p., ill. avec 400 gravures + 3 planches dépliantes ill., reliure en toile originale, ill. avec des ornements en or et noir, tranches dorées .‎

Référence libraire : 85928aaf

‎Emile Lousse‎

‎Leuvensche Universiteit tijdens den tweeden wereldoorlog, 1939-1945‎

‎, de Kinkhoren Brugge Brussel , 1945 Paperback, 75 pagina's, NL, 215 x 140 mm, in goede staat, met enkele foto's in z/w, .‎

Référence libraire : 59409

‎Emily A. Winkler, Liam Fitzgerald (eds)‎

‎Normans in the Mediterranean‎

‎, Brepols, 2021 Hardback, 268 pages, Size:156 x 234 mm, Illustrations:11 b/w, 5 col., Language: English. ISBN 9782503590578.‎

‎Summary In both popular memory and in their own histories, the Normans remain almost synonymous with conquest. In their relatively brief history, some of these Normans left a small duchy in northern France to fight with Empires, conquer kingdoms, and form new ruling dynasties. This book examines the explosive Norman encounters with the medieval Mediterranean, c. 1000-1250. It evaluates new evidence for conquest and communities, and offers new perspectives on the Normans' many meetings and adventures in history and memory. The contributions gathered here ask questions of politics, culture, society, and historical writing. How should we characterize the Normans' many personal, local, and interregional interactions in the Mediterranean? How were they remembered in writing in the years and centuries that followed their incursions? The book questions the idea of conquest as replacement, examining instead how human interactions created new nodes and networks that transformed the medieval Mediterranean. Through studies of the Normans and the communities who encountered them - across Iberia, the eastern Roman Empire, Lombard Italy, Islamic Sicily, and the Great Sea - the book explores macro- and micro-histories of conquest, its strategies and technologies, and how medieval people revised, rewrote, and remembered conquest. TABLE OF CONTENTS Illustrations Acknowledgments Introduction: The Normans and Conquest in the Mediterranean - EMILY A. WINKLER AND ANDREW SMALL Part I. Motivations and Strategies Norman Conquests: Nature, Nurture, Normanitas - MATTHEW BENNETT Marriage as a Strategy for Conquering Power: Norman Matrimonial Strategies in Lombard Southern Italy - AUR LIE THOMAS The Changing Priorities in the Norman Incursions into the Iberian Peninsula's Muslim-Christian Frontiers, c. 1018-c. 1191 - LUCAS VILLEGAS-ARISTIZ BAL Part II. The Implications of Conquest in Sicily and Southern Italy Norman Change, Lords and Rural Societies - SANDRO CAROCCI The Nobility of Norman Italy, c. 1085-1127 - GRAHAM A. LOUD Shaping the Urban Landscape: The Normans as New Patrons in Salerno - MADDALENA VACCARO Palermo and the Norman Conquest of Sicily - THERESA J CKH Community and Conquest on Medieval Monte Iato, Sicily - NICOLE M LK Part III. Perceptions and Memories Holy War in the Central Mediterranean: The Case of the Zirids and the Normans - MATT KING Hagiography and the Politics of Memory in the Norman Conquest of the Italian South - KALINA YAMBOLIEV‎

Référence libraire : 65410

‎Emile Langui‎

‎peinture sous le signe de la mer: Ostende, Galeries Royales, 5 ao t - 4 septembre 1951‎

‎Ostende, Galeries Royales, 1951 softcover, 50 pages illustre. catalogue expo.‎

‎Editions de la connaissance,‎

Référence libraire : 60574

‎EMILE BERTAUX‎

‎ROME. DES CATACOMBES A JULES II.‎

‎H. LAURENS / LES VILLES D'ART CELEBRE. 1905. In-8. Cartonnage d'éditeurs. Etat d'usage, Couv. légèrement passée, Coiffe en pied abîmée, Intérieur frais. 176 pages. toilé vert, titres rouge, ornement vert. Nombreuses photos en noir et blanc dans le texte. Charnière intérieures fendues. Dos fané.. . . . Classification Dewey : 720-Architecture‎

‎Classification Dewey : 720-Architecture‎

Référence libraire : R260136520

‎Emile Kaufmann‎

‎De Ledoux à Le Corbusier - Origine et développement de l'architecture autonome.‎

‎Livre & Communication 1990, in/8 broché, 110 pages.‎

‎EMILE-BAYARD‎

‎L'Art de reconnaitre l'Architecture française.- Monuments, eglises, maisons.‎

‎petit in-12, 289 pages, abondamment illustré noir & blanc, cartonnage illustré. Très bel exemplaire, très frais. [DB-1]‎