‎Architecture‎

‎Essay by Christoph Grafe and Beatrice Josse, Interview with artists Bonom, Strook and Christoph Hefti. Interview with architect Geert Pauwels by Egon Verleye‎

‎VOORUIT Icon & Future. Essay by Christoph Grafe and Beatrice Josse, Interview with artists Bonom, Strook and Christoph Hefti. Interview with architect Geert Pauwels by Egon Verleye‎

‎Softcover, 292 x 215 mm, 160 pages, English / NL edition. ISBN 9789463930796. This book offers an architectural report of the metamorphosis that the Vooruit art center has known during the last ten years. Spurred on by a growing need for the arts center to physically adapt and make new connections with its surroundings and its users, the iconic monument underwent a transformation from a cultural home to an urban platform. The book further elaborates on the vision of the architect and how he wants to build on this art and architecture treasure from the past in a unique and challenging way. The social importance and responsibilities of the arts center in the city are deepened in a debate, in which sustainability and greening are also given a place. In addition, art in the public space becomes an important theme in the publication. Three artists give their reflection on the new architecture through interviews. Their artworks are a lasting witness. In the first part, architecture reviewer Christoph Grafe elaborates on the social and architectural importance of the transformation. In the second part, Louis Demey (ov) enters into a dialogue with architect Geert LM Pauwels. Finally, the artists Christophe Hefti, Strook and Bonom give their view of art in the public space. The dialogue between old and new is beautifully portrayed by the powerful photography of Karin Borghouts, Michiel Devijver and Reinhart Cosaert. Authors Essay by Christoph Grafe and Beatrice Josse, Interview with artists Bonom, Strook and Christoph Hefti. Interview with architect Geert Pauwels by Louis Demey. Photography Reinhart Cosaert, Karin Borghouts, Reiner Lautwein, Stijn Bollaert, Michiel Devyver‎

‎Essays by Antón Capitel and Ignacio Solá-Morales‎

‎Contemporary Spanish Architecture. An Eclectic Panorama.‎

‎N.Y., Rizzoli Int.Public., 1986. Origi.Broschur, 4°, 140 Seiten.‎

‎Untere Ecke mit kl.Knick sonst guter Zustand.‎

Bookseller reference : 69403

‎ESSEN‎

‎Essen (Allemand/Anglais/Français/Néerlandais).‎

‎Couverture rigide. Reliure toile. 74 pages.‎

‎Livre en allemand. Editions Industriedruck AG, Vers 1970.‎

Bookseller reference : 207232

‎Essenwein, A‎

‎Handbuch der Architektur. Tl. 2: Die Baustile. Historische u. technische Entwickelung. Bd. 3, Hälfte 1: Die Ausgänge der classischen Baukunst (Christlicher Kirchenbau). Die Fortsetzung der classischen Baukunst im oströmischen Reiche (Byzantinische Baukunst).‎

‎Darmstadt, Bergstraesser, 1886. 4°. M. 22 Taf. u. 235 Abb. VIII, 164 S. Hldr. Einbd. stark beschabt u. bestoßen.. Rücken m. Kleberesten.‎

‎Angeb.: Bd. 3, Hälfte 2: Franz-Pascha, J., Die Baukunst des Islam. Darmstadt 1887. M. 4 (3 farb.) Taf. u. 216 Abb. VI, 150 S.‎

Bookseller reference : 191433

‎ESSENWEIN, AUGUST von.‎

‎Die romanische und die gothische Baukunst. Erstes Heft: Die Kriegsbaukunst.‎

‎Darmstadt, Arnold Bergsträsser, 1889. Lex8vo. Contemp. hcloth. Stamp. on titlepage. 259 pp., plates and textillustrations.‎

‎ESSIE SAKHAI‎

‎THE STORY OF CARPETS‎

‎, STUDIO EDITIONS 1994, 1994 Hardcover, 160 pages, ENG, 305 x 240 mm, in good condition, lots of info, illustrations in colour. ISBN 9781851707270.‎

‎This book explains how a carpet is made, and looks at the associated symbolism of design and color. It is also a guide to choosing, buying and caring for a carpet, and a directory of carpet types.‎

Bookseller reference : 59044

‎Esslingen - LÄCHELE, Rainer‎

‎Das Merkel'sche Schwimmbad in Esslingen - Vom Volksbad zur Wellness-Oase".‎

‎Markstein Verlag. Filderstadt 2007. 64 Seiten. Mit zahlreichen teils farbigen u. faks. Abbildungen. Farbig illustrierter OKart.-Einband. Neues noch eingeschweißtes Exemplar ! 23x17 cm‎

‎* Getreu diesem Motto stiftete Oskar Merkel 1907 den Esslinger Bürgern ein Volksbad. Im Herzen Esslingens gelegen, erfreut sich das Merkel'sche Schwimmbad seit nunmehr 100 Jahren großer Beliebtheit. Diente das Schwimmbad zu Oskar Merkels Zeiten noch hauptsächlich Hygiene- und Therapiezwecken, so genießt heute Groß und Klein das "schönste Jugendstilbad weit und breit" zur Erholung in der Freizeit. Die 2005 neu eröffnete Wellness-Landschaft lädt zum Wohlfühlen und Entspannen ein. Trotz Erweiterung und Renovierung wurde das ursprüngliche, beeindruckende Jugendstil-Ambiente erhalten. So vereinigt das Merkel'sche Schwimmbad bis heute Kunst und Leben auf gelungene Weise. Für dieses Erlebnis kommen die Badegäste aus der ganzen Region. Ab Sommer 2007 lockt das Bad auch noch in reinem Mineralwasser. Anschaulich beschrieben und mit zahlreichen Fotos illustriert, lädt dieses Buch ein, in die Geschichte des Merkel'schen Schwimmbades vom Volksbad zur modernen Wellness-Oase einzutauchen.‎

Bookseller reference : 128190

‎ESTAVOYER Lionel‎

‎Demeures de Franche-Comté.‎

‎Broché couverture à rabats, 28X22 cm, 2009, 173 pages, nombreuses illustrations en couleurs, les éditions du sekoya. Signature de l'auteur avec date page de titre, bon exemplaire..‎

Bookseller reference : 7834

‎Estefan a Bernab S nchez‎

‎Signa Iudicii. Or genes, fuentes y tradici n hisp nica‎

‎, Brepols - Fidem, 2021 Paperback, vii + 407 pages, Size:165 x 240 mm, Illustrations:6 col., 22 tables b/w., Language: Spanish. ISBN 9782503593425.‎

‎Summary Surgida en la remota Antig edad, la leyenda de los signa iudicii ha permeado tradiciones y pueblos, culturas y religiones diversas, durante siglos. En todo ese tiempo, esta relaci n de signos que preceder n al fin del mundo ha sufrido variada suerte, desde la gran productividad que present durante los albores de la apocal ptica, con un primitivo cat logo de siete se ales ampliado paulatinamente, pasando por un uso pragm tico y proselitista durante el per odo medieval, hasta su eclipse con la llegada del racionalismo epistemol gico. Se trata de un repertorio de se ales escatol gicas de amplia naturaleza (atmosf rica, legendaria, geol gica, espiritual) que buscaba impactar en el imaginario social y colectivo a trav s de lo que hemos denominado factor miedo. La materia tuvo inmensa repercusi n en las tradiciones ga lica, anglosajona o latina, y la recogen desde autores como Lactancio, Or genes o Comodiano, hasta el mismo Agust n de Hipona. Posteriormente, su difusi n fue dilatada, primero a trav s de varios te ricos y ex getas del cristianismo durante los siglos X, XI y XII, y m s tarde de mano de los autores en lenguas vern culas occidentales. A partir del siglo XIII se introduce en la Pen nsula Ib rica, inaugur ndose con un texto que Gonzalo de Berceo dedic a los muy grandes signos ante [...] del Judicio cabdal. Paralelamente a las versiones cristianas, destaca la incidencia que la materia tuvo entre varios autores musulmanes peninsulares a lo largo de los siglos. TABLE OF CONTENTS Consideraciones iniciales El fi n de los d as: rasgos del pensamiento escatol gico El juicio fi nal Las ra ces de la leyenda: antecedentes 1. La tradici n sibil stica 1.1. La fi gura de la sibila 1.2. Libros y or culos sibilinos 1.3. Un acr stico protocristiano y alejandrino de los Oracula 2. Uso cristiano del material sibilino 2.1. Pastor de Hermas 2.2. Te fi lo de Antioqu a 2.3. Clemente de Alejandr a 2.4. Or genes de Alejandr a 2.5. Eusebio de Cesarea 2.6. Lactancio 2.7. Agust n de Hipona 2.8. Quodvultdeus Carthaginiensis 2.9. Teosof a de Tubinga 3. La sibila literaria, su Canto y el Ordo prophetarum 3.1. Anselm Turmeda 3.2. Miscel nea de manuscritos medievales 3.3. Gil Vicente 3.4. Crist bal de Castillejo 3.5. Toribio Ruiz 3.6. Baltasar de Vitoria 3.7. Pedro Calder n de la Barca La base de la leyenda de los signa iudicii 4. Libro IV de Esdras 5. Apocalipsis de Tom s 6. Comodiano 7. San Jer nimo, mediador de la leyenda? La materia ga lica, posible eslab n entre el acr stico sibilino y la leyenda 8. Poemas irlandeses de Blathmac, In Tenga Bithnua, Saltair y Airdena 9. La tradici n anglosajona Pecado - culpa - contrici n: la construcci n del factor miedo La leyenda se afi anza: los signa iudicii dentro de la tradici n escatol gica latina (siglos XI-XIII) 10 Pseudo-Beda 11. Pedro Dami n 12. Bruno Astensis 13. Hildeberto de Tours 14. Raoul Ardens 15. Pedro Comestor 16. Manuscrito Q: De signis ante judicium 17. Alain de Lille 18. Tom s de Aquino 19. Jacobo de la Vor gine Los signos previos al juicio fi nal en la literatura de la Pen nsula Ib rica 20. Versiones cristianas de los signa iudicii 20.1. Gonzalo de Berceo 20.2. Alfonso X 20.3. Ram n Llull 20.4. Francesc Eiximenis 20.5. Pero Guill n de Segovia 20.6. La tradici n catalana de los Evangelia Nicodemi 20.7. Mart n Mart nez de Ampi s 20.8. Manuscrito C.101 20.9. Toribio Ruiz 20.10. Bernal d'Echepare 20.11. Fray Paulino de la Estrella 20.12. Diego Santos Lostado y Calder n 20.13. Contrafacta: la vis c mica de la leyenda 20.13.1. Profec a de Evangelista, an nima 20.13.2. El Juyzio hallado y trovado 20.13.3. Cancionero y Romancero, de Gabriel de Peralta 21. Versiones musulmanas 21.1. Leyenda de La doncella de Carcayona 21.2. Leyendas de Alidachel el Malo y El d a del Juicio, an nimas 21.3. Y a ibn Gabir 21.4. Ali al-Ansari 21.5. Mohammed Rabad n Conclusiones Cuadro cronol gico Bibliograf a ndice de autores ndice de manuscritos‎

Bookseller reference : 65474

‎Estelle Ingrand-Varenne, Elisa Pallotini, Janneke Raaijmakers ? (eds)‎

‎Writing Names in Medieval Sacred Spaces. Inscriptions in the West, from Late Antiquity to the Early Middle Ages‎

‎, Brepols, 2023 Hardback, xx + 386 pages, Size:156 x 234 mm, Illustrations:94 b/w, 26 col., 4 tables b/w., 3 maps color, Language(s):English, French. ISBN 9782503602363.‎

‎Summary This volume proposes a framework for reflection on practices of writing personal names in medieval sacred spaces, uniting historians, art historians, and specialists in written culture (both epigraphers and palaeographers). It traces the forms and functions of names that can be found within the space of early medieval churches and cemeteries, focusing mainly, but not solely, on inscriptions. By examining names written in various kinds of media, from liturgical books to graffiti and more formal inscriptions, the contributors investigate the intentions and effects of the act of writing one's own name or having one's name written down. Their interest resides less in the name itself than the interactions it had with its spatial, iconographic, linguistic, ritual, and cultural context, and what this indicates about medieval graphical practices. What is a name from a graphic point of view? What are the specificities of the epigraphic manifestations of names? By whom were names written, and for whom were they intended (if they were even meant to be accessed)? Addressing these and other questions, this volume shows the importance of inscriptions as historical sources and the contribution they give to the study of medieval societies at the intersection of history, anthropology, archaeology, linguistics, and semiology. TABLE OF CONTENTS Introduction ? VINCENT DEBIAIS Le nom et l' tre: De la th orie aux mises en forme pigraphiques ? ESTELLE INGRAND-VARENNE Graver son nom dans la pierre: Aspects techniques et culturels ? THIERRY GREGOR Topographie du nom du saint dans l' glise: L'exemple des inscriptions br ves de d dicace ? ANNICK GAGN Le nom, marque dans l'image et marqueur de l'objet ? VINCENT DEBIAIS Le nom l'oeuvre: Les signatures pigraphiques d'artistes et de commanditaires entre qu te de gloire et perspectives eschatologiques ? EMILIE MINEO Hic fuit: Scratching Names on Sacred Walls ? CARLO TEDESCHI Saints' Names and Relics: The Evidence of Church Inscriptions ? ELISA PALLOTTINI Ces morts dont on inscrit le nom dans la pierre ... ? C CILE TREFFORT Et breve in exigo marmore nomen ero: Un seul nom pour pitaphe (Gaule, Aquitaine, VIe-VIIIe s.) ? MORGANE UBERTI The Memory of a Person's Name ? JANNEKE RAAIJMAKERS The Social Meaning of Names ? JANNEKE RAAIJMAKERS Naming as a Liturgical Act ? ELS ROSE Beyond the Pale? Those Who Were Not Worthy to Be Named ? MARCO MOSTERT Conclusions ? ESTELLE INGRAND-VARENNE, ELISA PALLOTTINI, and JANNEKE RAAIJMAKERS Bibliography Indices‎

Bookseller reference : 64418

‎Esther Huntington Reilly‎

‎At Home with Decorating‎

‎Chilton 1971. This book has hardback covers. Ex-library With usual stamps and markings In fair condition suitable as a study copy. Dust Jacket in fair condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item900grams ISBN:0801956161 Chilton hardcover‎

Bookseller reference : 3317272 ISBN : 0801956161 9780801956164

‎Esther Theiler‎

‎Painters and Sitters in Early-Seventeenth Century Rome. Portraits of the Soul‎

‎, Brepols, 2023 Hardback, 336 pages, Size:220 x 280 mm, Illustrations:6 b/w, 146 col., Language: English. ISBN 9782503590837.‎

‎Summary Significant innovations in portraiture occurred during the transitional period from the end of the sixteenth-century to the early seventeenth-century in Rome. Portraits by Annibale Carracci, Valentin de Boulogne, Anthony van Dyck, Simon Vouet and Gianlorenzo Bernini display a loosening of formality and a trend towards movement. These artists produced a portrait type that was more inclusive of the viewer, more communicative, more revealing of a private face. The portraits in this study were less likely to celebrate achievements, family or social standing, titles, rank or station. Instead they portray individuals who exist apart from their professional personae. They reveal unique and characteristic traits of their subjects captured at a particular moment in time. They used subtle affetti, painting technique and colour to express mood and atmosphere and evoke the presence of the sitter. The sitters include poets, courtiers, buffoons and the artists themselves, and each composition is attentive to the thoughts, emotions and imaginative life of the individuals. TABLE OF CONTENTS Acknowledgements List of Illustrations Introduction The image breathes Rhetorical devices in portraiture The ?motions of the mind?: painting the soul From the Renaissance to the Baroque Chapter One A portrait ?most rarely done full face? of a learned prelate Early seicento portraiture in Rome Venice and colorito Caravaggio and Annibale: ?the new baroque illusionism? The ?proximity and close association of the Monsignore and Annibale? Domenichino and Agucchi Agucchi's imprese: textual expressions of identity Erminia and the Shepherds Venere Dormiente - The Sleeping Venus The portrait of Giovanni Battista Agucchi Annibale Carracci as portraitist Annibale's illness Domenichino and portrait painting Del Mezzo: yearning for the middle Il Trattato della Pittura A portrait by Annibale Carracci or Domenichino? Chapter Two Painting as silent poetry: portraits of Giambattista Marino From decorum to modernit Ut pictura poesis Dicerie Sacre La Galeria Rome: ?with trembling feet, I leave behind myself? Early Roman portraits Caravaggio's portrait: ?another me . . . in two divided? Paris: the portrait by Frans Pourbus ?is very dear to me? Marino's triumphant return to Rome: ?music always, and always poetry, morning and evening? Ottavio Leoni's portraits of writers Maffeo Barberini's circle of poets portraits of the soul ?There are thousands of portraits of me in Rome?: Simon Vouet's lost portrait The ?speaking portrait? in Rome Virginio Cesarini: Fenice degl'ingegni Portrait of a buffoon Chapter Three The upside-down world The parasite The buffoon portrait in the Renaissance: the ?good-natured fool? The sixteenth century: ?the princely tables are cluttered with buffoons? Gabriele Paleotti: ?deformity not deformedly rendered? The seventeenth century: the individual in buffoon portraits Hairy Harry, Mad Peter, and Tiny Amon: court mascots and servants in an urban Arcadia Giangiovetta and the dwarf of the duke of Cr qui Raffaello Menicucci: the buffoon count of Monte San Savino Celeberrimus in utroque Orbe Terrarum: the printed portraits of Raffaello Menicucci Valentin de Boulogne Il Cassero: Rocca del Conte Valentin, il Babuino and Menicucci Tristano Martinelli: from buffoon to actor Bernardino Ricci: Il Tedeschino The ?self? portrait: the life makes the age Chapter Four Artist as virtuoso ?Done with the aid of a mirror? Narcissus: ?as he drank, he chanced to spy the image of his face? The reflection of the Creator Why paint self-portraits? Annibale Carracci's Self-portrait on an Easel Artemisia Gentileschi: ?the soul of this woman? Simon Vouet: absolute absorption Gian Lorenzo Bernini: showing that which does not exist Vel zquez in Rome: brushwork and the blur The expressive power of the brush Conclusion ?Here I am? Appendix I Appendix II Appendix II Bibliography Abbreviations Primary and Secondary Sources Photographic Credits Notes Index Key Subjects and Concepts‎

Bookseller reference : 63448

‎Esthétique Industrielle. N° 60.‎

‎La création architecturale et son orientation.‎

‎Paris, Mars-Avril 1963 ; grand in-8°,oblong broché, couverture gris pale illustrée d'une photo en noir au 1er plat et d'une publicité en couleur au 2ème plat; 2ff.nch., 112pp. + 13 feuillets publicitaires; nombreuses illustrations photographiques et schémas dans le texte.Couverture légèrement défraichie avec petit accroc au dos .‎

‎Numéro consacré à La Création architecturale et son orientation. Avec la participation de Claude Parent, des architectes Edouard Albert, Jean Balladur, Pierre O. Bauer, André Bloch, Roger Bruny, Michel Mangematin, André Bruyère, Jean Chemineau, Pierre Claisse, Jean Fayeton, Guillaume Gilet, Jean Ginsberg, Patrice Goulet ( élève), Serge Kétoff, Rémi Le Caisne, André Le Donné, Marcel Lods, Lionel Mirabaud, Alexandre Persitz, Paul Salmon ( Promoteur), les ingénieurs Jean -L. Sarf,René Sarger, Michel Parent ( Conservateur), le docteur Didier-Jacques Duché . Renferme également : Actualités (sur l'esthétique industrielle, arts ménagers, aviation, etc..), Informations techniques.(GrF)‎

Bookseller reference : cROU-1663

‎ESTRANGIN Jean-Julien‎

‎ETUDES ARCHÉOLOGIQUES, HISTORIQUES ET STATISTIQUES SUR ARLES, contenant la description des monuments antiques et modernes ainsi que des notes sur le territoire‎

‎Aubin, Libraire-Editeur Aix 1838 In-8 ( 215 X 135 mm ) de [8] ff. I-VIII puis 9-399 pages, demi veau acajou à coins, dos à nerfs orné de filets dorés, pièce de titre de basane anthracite, tranches marbrées ( Reliure de l'époque ). 7 planches hors-texte dont 1 dépliante en frontispice. EDITION ORIGINALE. Rousseurs passim, bel exemplaire.‎

Bookseller reference : 657071

‎ESVELD, Tiny;‎

‎Charles Schneider French art deco glass‎

‎, Tiny Esveld, 2015 Hardcover, 23 cm x 29 cm, 288 pages, with 500 photographs in color. fine copy !. ISBN 9789081577663.‎

‎reference book !! In 1913 the two brothers had saved enough to buy their own glassfactory, together with a friend, Henri Wolf. This factory was located in Epinay-sur-Seine near Paris. 1913 was not a good year to start a business. In 1914 the first world war broke out and till 1918, the brothers did not really start to make art glass. In 1918 they needed money to relight their furnaces and they accepted the help from an English investor. At that moment they were no longer in control of their glassworks. The investor wanted profit and in 1923 it led to a rupture. The Schneider brothers scraped every bit of money that they could find to buy their factory back. Luckily they succeeded. From then on the success came. In 1924 the Schneider glassworks build the biggest concrete hall ever with the most modern furnaces. In 1926 they are the biggest glassfactory in France with almost 500 employees. In 1925 Charles was asked to be a member of the jury at the Exposition des Art Decoratifs in Paris. This meant that his work could not enter the exposition and would not compete with the work of the other artists. It was an honour to be a member of the jury, so he accepted, but maybe it had been better if he had declined for the honour and participated as an artist. He would have swept the competition away. His coupe bijoux and the big black footed bowls in contrasting colours were an enormous success all over the world. Most of their production went to North and South America. The glass of Charles Schneider has such joyfull colours, bright and happy colours like orange and yellow. It looks like the sun shines every day. The little bijoux vases are jewels of technique and shape and colour. The ?Le verre Francais? line had a great success with the stylized flowers in stunning colours. As the majority of the le verre francais glass , was only etched one time, the producing costs were low. The general public loved these bright vases. The success of the Schneider factory continued until 1929. In 1929 the banks on Wall street crashed and rich people lost a lot or all of their money. The market for luxury goods collapsed. Schneider tried to survive by cutting down costs, but this does not help when there are no buyers left. After a struggle of a three years the furnace extinguised in 1932. The factory filed for bankruptcy in 1938. Charles Schneider died in 1953 before the revival of his glass. In the eighties his glass was rediscovered. It has its place now among Galle and Daum glass as their equivalent.‎

Bookseller reference : 47807

‎ETABLES‎

‎Les bâtiments de l'exploitation agricole. Tome III : L'étable.‎

‎Couverture rigide. Cartonnage de l'éditeur. 124 pages. 21 x 27 cm.‎

‎Livre. Editions la Maison Rustique, 1950.‎

Bookseller reference : 137406

‎Etablissements Maison, Le Riceys (Aube).‎

‎Fers Forgés.‎

‎1925 S.l.n.d. (ca. 1925), 1 vol. in-4° (318 x 235 mm) cartonnage souple marron, plat supérieur titré et illustré dun élément de ferronnerie, de 17 planches sur onglets maintenus par deux rivets.Petit accident recollé au dos‎

‎Très beau catalogue de présentations de réalisations de ferronnerie d'art des Etablissements Maison.22 photographies originales, tirage argentique, collées sur 17 planches cartonnées avec mention imprimée des établissements.Toutes les réalisations portent un titre manuscrit à lencre noire en marge.On y retrouve : Porte de la Cour des Métiers, Arts décoratifs 1925 - Porte de vestibule Louis XIV, Château de Rouez (Aisne) - Baie du Pavillon Lalique , Arts décoratifs 1925 - Balcons et rampe du Perron à Chauny - Porte Marchand de Vins à Dijon - Rampe Escalier dhonneur Grand Palais - Rampe Louis XVI, rue Pergolèse à Paris - Rampe Louis XIII, Château de Rouez (Aisne) - Rampe à Chauny (2) - Rampe Louis XIII dans la Creuse - Rampe à Troyes - Balcon Grand Palais, Arts décoratifs 1925 - Balcons, Vérandah (sic), appliques à Chauny - Balcon (Propriété Vans la Creuse) - Balcon modernes (7) - Balcon Propriété à Tulle.Au verso de la couverture, adresse manuscrite de J. Moutard, propriétaire des établissements Maison à partir de 1920 ; et cachet dappartenance de Max BOISSY, architecte à Troyes.« Les Etablissements Maison - Ferronnerie dArt, Les Riceys (Aube) - sont fondés en 1860 par Louis-Ernest Maison (1841-1920), forgeron issu d'une famille de serruriers d'art actifs depuis 1749. Ils sont reconstruits après la Première Guerre mondiale à leur emplacement actuel sur le site d'un ancien moulin à farine. Une partie des ateliers est remplacée par des travées en sheds vers 1950. Le site était desservi par un embranchement ferroviaire du CDA. Louis Maison contribue largement à imposer la vogue du fer forgé dans l'architecture comme chez les particuliers. Ses uvres se répandent à Troyes (grilles de la préfecture, du palais de justice, de la Caisse d'épargne, du chur de la cathédrale), en France (ferronneries des hôtels de ville de Sens et de Roubaix, rampes de l'escalier d'honneur du Grand Palais à Paris) et à l'étranger (grille du palais du gouvernement à Dakar). À côté de la serrurerie artistique, l'entreprise réalise des constructions métalliques en tous genres : charpentes, combles, planchers, ponts, halles et marchés, marquises, serres, jardins d'hiver... Louis Maison accumule les distinctions : premier prix à l'Exposition universelle de Paris de 1878, médailles d'or aux Expositions universelles de 1889 et de 1900, aux expositions de Moscou (1891), Chicago (1893), Saint-Louis (1904), Milan (1906) et Londres (1908), aux expositions de Reims, Nancy, Dijon, Orléans, Troyes, etc... L'entreprise ricetonne devient fournisseur de l'État et de la Ville de Paris.En 1920, Jean Moutard, petit-fils du fondateur, prend la succession. L'activité de restauration se substitue progressivement à l'activité de création. En 1936, la société assure la réfection du dôme des Invalides à Paris. La même année, elle débute la réhabilitation des balcons, grilles et fontaines de la place Stanislas à Nancy, travail qui s'achève en 1978. En 1960, l'entreprise compte une soixantaine d'employés. Jacques Moutard, puis Jean-Noël Moutard en assurent la direction jusqu'à nos jours. En 1978, les ateliers restaurent la statue de Vercingétorix d'Alise-Sainte-Reine (Côte d'Or). De 1982 à 1986, ils participent à la réfection de la statue de la Liberté à New York. En 2005, l'entreprise fonctionne sous la raison sociale Serrurerie Moutard et travaille à 80 % pour les Monuments historiques. » (sources : La BONNETERIE et autres industries locales par l'image, Blog de Fouinos).‎

Bookseller reference : 13595

‎Etablissements Sainrapt et Brice‎

‎Bretagne - Quelques travaux, commentés à l'occasion du centenaire des Etablissements Sainrapt et Brice‎

‎PARIS, Etablissements SAINRAPT ET BRICE -1953 - In-' - Cartonnage éditeur - Gardes ornées - Nombreuses illustrations Nb en texte - Quelques travaux de Gros Chantiers (BTP) commentés à l'occasion du CENTENAIRE des ETABLISSEMENTS SAINRAPT ET BRICE - Edité en hommage aux Fondateurs de la Maison Monsieur Louis-Pierre Brice, Monsieur Edouard Jung, Madame Bassot et Messieurs Auger, Falissard, Ligonnet, Schleeveis - 155 pages + table - Bel exemplaire - envoi rapide et soigné Entreprise créée en 1852 par Michel Sainrapt ; prend le nom de Sainrapt et Brice en 1910, le directeur étant Alexis Brice. - Fusionne en 1982 avec la Société générale d'entreprises, la nouvelle société prenant le nom de : Société générale d'entreprises Sainrapt et Brice‎

‎ETEL ADNAN, (1925-2021).‎

‎Etel Adnan: Impossible homecoming.= Imkansiz eve dönüs. Edited by Serhan Ada. Curated by Serhan Ada, Simone Fattal. [Exhibition catalogue].‎

‎New English Paperback. 4to. (29 x 24 cm). In English and Turkish. 214 p., color and b/w ills. Impossible Homecoming is a retrospective exhibition of artist and poet Etel Adnan, whose life spanned nearly a century. Curated by Serhan Ada and Simone Fattal, the exhibition includes ceramics, carpets, leporellos, oil paintings, drawings, prints, and a film by the artist who ?has mastered more than one medium.? Visitors can also listen to recorded interviews made with the artist at various points in her life. The publication accompanying the exhibition includes the writings of the curators Serhan Ada and Simone Fattal, as well as a short text written by the artist Etel Adnan for the exhibition and an article titled About the End of the Ottoman Empire. In addition, the publication features Hans Ulrich Obrist's article titled Ever Etel, Jean Fremon's article titled The Worlds of Etel Adnan, Jalal Toufic's preface to Etel Adnan's Arab Apocalypse book, and Theodoros Terzopoulos's text titled The Colour of the Word. The publication also presents a comprehensive biography of the artist with illustrations of the displayed work.‎

‎Eternit‎

‎Tubi e raccordi di amianto-cemento per fotnature stradali urbane. Destinate al convogliamento di acque nere miste e chiare‎

‎30 cm, bross. ill; pp. 67, molte ill, 1 tav. f. t‎

‎ETH Zrich‎

‎Architectural papers 2 Big Scale‎

‎<p>Architectural papers 2. Big Scale ETH Z�rich 192 pp 22 x 16.5 cm Paperback english/german ISBN: 978-84-252-2166-8 According to natural scientific logics the size of creatures in nature is strictly linked to their form. A fly for example possesses a form that can absolutely not be increased. Should this still occur the hence emerging monster would collapse because his supporting elements although proportionally increased would not be capable of carrying the overweight. If we consider architecture as a phenomenon that follows the laws of the physical world size and scale appear as initial conditions under which architecture has to be pondered. This volume of Architectural Papers gathers a series of data arguments and projects produced at our chair surrounding this theme. It hence represents material that was collected during this process of learning although it aspires to reach a wider public. To teach and to learn architecture is not only about transferring knowledge but in my opinion primarily about producing knowledge. The large dimension of the transformations in our built environment that globalization has pandered represents a new methodological paradigm the project has to be confronted with. Here some questions related to planning will be treated defending its role more as a structural one and less as a formalizing one with the autonomous presence although interrelated of singular objects which in our times appear recharged with great responsibility and which can no longer be based on already assumed continuities as maybe they could have in former times. A substantial part of this volume is composed of reflections regarding the European high building as a new type more and more present in our everyday reality. To teach and to produce architecture means to participate in a wide dialogue in which multiple voices references interlocutors have to interrelate. This book attempts to condensate a moment of this intellectual construction.</p> Gustavo Gili paperback‎

Bookseller reference : 978-84-252-2166-8

‎ETH Zurich Institute for Landscape Architecture‎

‎Landscape Architecture in Mutation -Essays on Urban Landscape‎

‎GTA Verlag 2005-01-01. Perfect Paperback. Used:Good. GTA Verlag paperback‎

Bookseller reference : DADAX3856761578 ISBN : 3856761578 9783856761578

‎Ethan Allen‎

‎The Ethan Allen Treasury 68th Edition‎

‎NYC: Ethan Allen/ Baumritter 1968. Book. Very Good. Hardcover. 1st Edition Thus. Unusual item surely a high end promo done by EA date given is a guess based on colors and TVs shown in the very showy photographs that appear thruout. Heavy boards have green padded letherette covering. Some board scar minor and some board tip abrasion. Full gilt text edge. JUST ADDED to this listing for sale as a pair at the listed price with one-book priced domestic media mail shipping jacketed hardcover of Genevieve Fernandez 1984 "American Traditional" 'a comprehensive guide to home decorating the Ethan Allen way.' jacket has interior stain minor the odd tear book quite nice lightly handled clean sound unmarked. ISBN0671476874. We feel that books offered for internet sale should be described thoroughly and accurately. Books listed by Brass Dolphin are so described and graded using the strict traditional standards. For this reason we have virtually zero returns. Ethan Allen/ Baumritter Hardcover‎

Bookseller reference : 7335 ISBN : 0671476874 9780671476878

‎Etherton D‎

‎The Penguin Dictionary of Architecture‎

‎Penguin Books 1967. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item350grams ISBN: Penguin Books hardcover‎

Bookseller reference : 4700414

‎Etienne Anheim, David Fiala (eds)‎

‎Saintes-Chapelles du XIIIe au XVIIIe si cle‎

‎, Brepols - Harvey Miller, 2024 softcover, Pages: 272 pages, Size:210 x 270 mm, Illustrations:76 b/w, 28 col., Language(s):French, English. ISBN 9782503605364.‎

‎Si la fondation de la Sainte-Chapelle de Paris par Louis IX pour accueillir la couronne d? pines au milieu du XIIIe si cle est bien connue et si l'on sait qu? l?imitation du saint roi, plusieurs princes de France fond rent des chapelles dites saintes entre la fin du Moyen ge et le d but de la Renaissance, l?histoire longue et complexe de ces chapelles est encore mal connue et mal comprise. Il ne s?agit pas de nier la possibilit de construire un id al-type de la Sainte-Chapelle, mais plut t de s?interroger sur l? cart entre ce que les documents du pass appellent Sainte-Chapelle , sans pr juger d?un sens stable et univoque travers le temps, et ce que les p riodes post rieures et la recherche actuelle peuvent d signer sous ce nom. Une Sainte-Chapelle, des Saintes-Chapelles ? Ces contributions cherchent r pondre cette question en s?interrogeant sur la d finition de la notion, sa circulation, ses transformations dans le temps et dans l?espace. En comparant les diff rentes Saintes-Chapelles , ce volume veut d fendre l?id e que les Saintes-Chapelles sont des objets historiques particuli rement r v lateurs parce qu?elles ont t des rouages discrets mais fondamentaux : leur statut hybride, entre cour et glise, de m me que leur histoire longue, de la couronne d? pines la R volution, en font un observatoire id al pour mieux comprendre et expliquer les volutions l??uvre dans l?exercice du pouvoir et la c l bration de Dieu par la monarchie cap tienne entre le Moyen ge et les Lumi res. TABLE OF CONTENTS Introduction tienne Anheim, David Fiala, la recherche des Saintes-Chapelles Elizabeth A.R. Brown, La Sainte-Chapelle de Paris, ses appelations et son renom aux XIIIe et XIVe si cles Anne Massoni, Les Saintes-Chapelles, des chapitres coll giaux comme les autres ? Murielle Gaude-Ferragu, Les c r monies extraordinaires la Sainte-Chapelle de Paris (XIVe-XVe si cle) Christophe Boucheron, Jean Mortis et le Cartulaire de la Sainte-Chapelle de Paris de 1457 Meredith Cohen, What Saint Louis Saw. The Sainte-Chapelle and the Palais de la Cit in the Thirteenth-Century tienne Hamon, La mont e de la Sainte-Chapelle de Paris : fonctions, symboles et formes tienne Anheim, La ma trise d?enfants de la Sainte-Chapelle de Paris (XIIIe-XVIIIe s.). Institution et discipline entre la cour et l?Eglise Xavier Bisaro, Le vitrail et l?image : la Sainte-Chapelle de Paris dans les sources c r monielles du XVIIe si cle Dany Sandron, Notre-Dame et la Sainte-Chapelle au XIIIe si cle Paul Binski, Perspectives anglaises sur la Sainte-Chapelle Jean-Bernard de Vaivre, Laurent Vissi re, D votions aristocratiques la Sainte-Chapelle de Dijon Jean-Vincent Jourd?heuil, La fondation de la Sainte-Chapelle de Bourges (1392-1405) : une fondation princi re durant le Grand Schisme Yves Pauwels, Le porche de la Sainte-Chapelle de Champigny-sur-Veude : un manifeste de modernit architecturale Julien Noblet, La Sainte-Chapelle de Chamb ry et le projet d?Am d e VIII : nouvelles observations arch ologiques Laura Gaffuri, Paolo Cozzo, De Chamb ry Turin. La Sainte-Chapelle et la Chapelle Royale de la Cour de Savoie (XVe-XVIIIe si cles) Bernard Dompnier, Les calendriers festifs des Saintes-Chapelles aux XVIIe et XVIIIe si cles Conclusion tienne Anheim, David Fiala, Les Saintes-Chapelles, des institutions imaginaires‎

Bookseller reference : 66368