‎Architecture‎

‎III F. Valentine Hooven‎

‎Beefcake, The Muscle Magazines of America 1950-1970‎

‎, Taschen, 1995 softcover, 159 pages, very richly illustrated with coloured illustrations, *as new. ISBN 9783822889398.‎

‎Beefcake, The Muscle Magazines of America 1950-1970‎

Referenz des Buchhändlers : 67882

‎Ike Kligerman‎

‎Ike Kligerman Barkley: Houses‎

‎New York: The Monacelli Press 2010. First edition. Hardcover. Very Good/Very Good. 4to . pp. 256 ""John Ike Thomas Kligerman and Joel Barkley speak architectural languages of the past with a sure command of grammar and syntax and a rich vocabulary of form and detail. As designers they build upon what went before to extend the trajectory of architecture. ―Robert A. M. Stern The signature residential works of Ike… The Monacelli Press hardcover‎

Referenz des Buchhändlers : 362910 ISBN : 158093269X 9781580932691

‎Ikuo Hirayama Josaku Maeda (Conversation East and West of Drawing), Kishin Shinoyama (Peeling off the strange architecture Gaudi‎

‎Geijutsu Shincho No. 339 March 1978 Special Feature Introduction to Drawing <Japanese Version>‎

‎Shinchosha 1978. Soft Cover. Fine. The book is in fine condition. Shinchosha paperback‎

Referenz des Buchhändlers : 2092902137307092

‎Ilaria Andreoli, Helena Szepe (eds)‎

‎Art of the Renaissance Book. Tributes in Honor of Lilian Armstrong‎

‎, Brepols, 2023 Hardback, 480 pages, Size:220 x 280 mm, Illustrations:15 b/w, 142 col., Language(s):English, Italian, French. ISBN 9782503584638.‎

‎Summary This book presents new research by eminent and emerging scholars in honor of Lilian Armstrong, whose extraordinary research has elucidated a vast corpus of imagery previously hidden inside manuscripts and books produced in late medieval and Renaissance Venice and the Veneto. Armstrong was one of the pioneers focusing upon the unique nature of each copy of early printed editions, an approach which has transformed the field of book history. Her studies of antiquarian imagery in books and manuscripts revealed the inventiveness and originality of these works, and that many important classical motifs initially emerged in such marginal spaces before they were canonized in sculpture and oil painting. The contributions by art historians, manuscript scholars, and book historians collected here on the book arts across Europe are testimonies to the fact that Lilian Armstrong's research has been highly influential across disciplines and geographical areas of study. TABLE OF CONTENTS INTRODUCTION The Art of the Renaissance Book: Honoring Lilian Armstrong Helena Katalin Sz pe and Ilaria Andreoli PART I: EARLY PRINTED BOOKS AND THEIR DECORATION I, libelle: Rodericus Zamorensis Launches his Book Martin Davies The Graphic Style of the First Books Printed in Venice Renzo Baldasso Italian Book Design as Paradigm and Challenge for German Artists, Intellectuals, and Printers (among others Ulrich Schreier, Hartmann Schedel, and G nther Zainer) Christine Beier Nicolas Jenson and Jacobus Rubeus in Cologne and Zutphen Lotte Hellinga Une nigmatique illustration dans un incunable v nitien Fran ois Avril Il Calepino 1533: una doppia emissione, un frontespizio "metalibrario," e una nuova edizione delle Tre Parche Edoardo Barbieri PART II: MANUSCRIPT PAINTING IN ITALY An Illustrated "Esopo" of the Veneto in the British Library Matilde Malaspina Una nuova tessera per l'attivit di Cristoforo Majorana e la biblioteca di Andrea Matteo III Acquaviva Teresa d'Urso Per Alessandro Leoni, Antonio Maria da Villafora, e il Maestro delle Sette Virt Giordana Mariani Canova Due codici miniati da Antonio Maria da Villafora: un commentario al primo libro delle Sentenze di Egidio Romano della Biblioteca Angelica e un messale del Mus e Jacquemart-Andr Federica Toniolo and Gennaro Toscano Benedetto Bordon, the Barozzi Breviary Master, and the Venetian Procurators of Saint Mark Helena Katalin Sz pe Il miniatore Giorgio Colonna e la raffigurazione dell'Arsenale veneziano Susy Marcon PART III: COLLECTING AND THE HISTORY OF SCHOLARSHIP ON EARLY BOOKS Venetian Miniatures in Munich Incunabula: New Additions Ulrike Bauer-Eberhardt An Ex-Celotti Antiphonal Cutting Inscribed "BF" in the North Carolina Museum of Art Lyle Humphrey Re-uniting Cuttings by Antonio Maria da Villafora Collected by James Dennistoun in Padua in 1839 with their Parent Manuscript Jonathan J.G. Alexander Les Missels imprim s Venise (1896): storia di un incunabolo moderno Ilaria Andreoli‎

Referenz des Buchhändlers : 64365

‎ILARIA FALCONI, SINAN KUNERALP.‎

‎Palazzo Gamberini: Ambasciata di Turchia in Roma.= Palazzo Gamberini: Türkiye'nin Roma Büyükelçiligi. Translated by Pinar Özen Rosati.‎

‎New English Paperback. 4to. (31 x 23 cm). In Italian and Turkish. 163 p., color ills. Palazzo Gamberini: Ambasciata di Turchia in Roma.= Palazzo Gamberini: Türkiye'nin Roma Büyükelçiligi. Translated by Pinar Özen Rosati.‎

‎Ilaria Molteni, Valeria Russo (eds)‎

‎Inventing Past Narratives. Venice and the Adriatic Space (13th?15th Centuries)‎

‎, Brepols - Harvey Miller, 2024 Paperback, Pages: 108 pages, Size:210 x 270 mm, Illustrations:10 b/w, 49 col. Language(s):English. ISBN 9788028004644.‎

‎By the late Middle Ages, Venice became the main stage of a national and international myth: while enhancing its historical role in the past, the city tried to demonstrate the legitimacy of its role in the present. In fact, for celebrating its triumph and erasing its weaknesses and defeats, Venice generated a rich repertoire of past narratives that were bringing together heterogeneous materials, by composing unconnected pieces and attributing new meanings to different histories or objects from other pasts. An ambitious goal had to be achieved: that of creating the impression of a unique and grandiose city whose roots were lost in a remote and magnificent past. The result is a patchwork that, through the longue dur e approach, has been articulated around both new and ancient stories, local and foreign myths, reconstructed or rediscovered objects and narratives. In order to investigate more precisely the trajectories of the Venetian past narratives, this volume intends to determine, through an interdisciplinary prism, which are the different strategies, objectives, and resources that have been exploited in the framework of these past narratives. TABLE OF CONTENTS Introduction Ilaria Molteni & Valeria Russo Framing Venetian Past Narratives. An Epistemological Introduction Articles Francesca Gambino About the Time Charlemagne Invaded the Laguna and Venice Returned Frankish Fire with Bread Niccol Gensini ?Bons Mariniers? Between History and Prophecy. Venice, Venetians, and the Mediterranean Sea in the Prophecies de Merlin Giuseppina Brunetti Morte a Vwenezia. Per la morte di Dante: l?invenzione e i documenti Ruben Campini, Ivan Foletti, & Annalisa Moraschi Clash of Titans. Venturi, Kondakov, and the Staging of Late Medieval Venetian Painting in the History of Art History‎

Referenz des Buchhändlers : 62965

‎ILBAN ÖZ.‎

‎Istanbul: Topkapi and Yildiz palaces.‎

‎Very Good English Paperback. Pbo. Large 8vo. (22 x 19 cm). In English. 59 p., color ills. Istanbul: Topkapi and Yildiz palaces.‎

‎ILDEBRANDSHUSE.‎

‎En bygningshistorisk og etnologisk undersøgelse af 24 ejendomme i gaderne Åbenrå-Landemærket i København.‎

‎Nationalmuseet, K., 1966. 4to. Opapbd. 275 pp. Rigt illustreret.‎

Referenz des Buchhändlers : 960

‎Ildiko Csepregi‎

‎Incubation in Early Byzantium. The Formation of Christian Incubation Cults and Miracle Collections‎

‎, Brepols, 2024 Hardback, 328 pages, Size:156 x 234 mm, Language: English. ISBN 9782503606606.‎

‎Summary Incubation (temple sleep) was a well-known ritual in the Near East and became increasingly popular in Classical and Hellenistic Greece, becoming attached to Asclepius and other divinities. It flourished in the Eastern Mediterranean, where it was encountered by the emergent Christianity. Temple sleep was so widespread that it was impossible to ban. The Christianization of the incubation ritual was thus a detailed and lengthy (but successful) process that encompassed several aspects of the Church's self-definition, including important social and theological issues of the era. The list of relevant issues is extensive: the fate of Greek temples and the reinterpretation of sacred space, confronting Hippocratic medicine, and the learned Greek intelligentsia. Since disease and a search for cure is a ubiquitous human need, the early Church embraced a healing ministry, in secular terms as well as in ritual healing. Incubation records show how the Church viewed dreams, conversion, or the notions of magic and divination. All these come within the framework of writing miracles: the transformation of the cult was thus incorporated into standard Church discourse, from ritual practice to proper literary genres. This first comprehensive monograph on Christian incubation examines the rich material of all the relevant Greek miracle collections: those of Saint Thecla, Cyrus and John, the different versions of Saint Cosmas and Damian and saint Artemios, as well as the minor incubation saints, As a result, it unfolds the transformation of healing sites and practices related to dreams as they spread across Byzantium, from rural Asia Minor to Constantinople and Alexandria. TABLE OF CONTENTS Introduction Part I. Cults and Records Chapter 1. Greek Incubation and its Aftermath Chapter 2. The Literary Background of the Collections Chapter 3. Christian Incubation Saints: Their Cult Sites and Miracle Records Part II. Sources Chapter 4. Material Sources Chapter 5. Oral Tradition Chapter 6. The Hagiographers Part III. Stories Chapter 7. Compositional Structure in the Miracle Collections Chapter 8. Narrative Techniques and Variants of Dream Stories Chapter 9. Dreaming about Doctors Chapter 10. Mirroring Society and its Beliefs Conclusion Bibliography Index‎

Referenz des Buchhändlers : 64247

‎ILE-ET-VILAINE‎

‎Num?ro de la revue "Vieilles Maisons Fran?aises" consacr? au d?partement d'Ile-et-Vilaine. VMF n? 128.‎

‎Num?ro complet. 23x30 cm.‎

‎ILGIN KÜLEKÇI, GIZEM MATER, TURGUT SANER.‎

‎Architectural survey at the necropolis of Larisa (Buruncuk).= Larisa (Buruncuk) nekropolünde mimari arastirmalar.‎

‎New English Paperback. Roy. 8vo. (24 x 17 cm). In English and Turkish. 260 p., color ills. Architectural survey at the necropolis of Larisa (Buruncuk).= Larisa (Buruncuk) nekropolünde mimari arastirmalar. In the second issue of ITU Foundation - Architectural History Research, the necropolis of ancient Larisa (Buruncuk), an important Aegean site, is displayed along with the architectural documentation of its grave units. This main topic is complemented by a text on the first map of Larisa from 1900 and a general description of the site. The necropolis of Larisa predominantly consists of small grave mounds with a ring- wall. The southernmost edge of the entire terrain is crowned by the Great Tumulus which is of colossal size. The formation of the necropolis must have occurred essentially between the 6 th and 4 th centuries BCE. However, discussions of dating, considerations on the social aspect of the graves, and the re-evaluation of 20 th century burial finds will be accomplished over time only after the termination of fieldwork. The texts, drawings and photographs in this issue serve the intention of registering the Larisa survey as an ITU Project, and presenting immediately the city's necropolis that is of great importance for the studies on the region.‎

‎ILHAN AKSIT.‎

‎Chora: Byzantium's shining piece of art.‎

‎New New English Original bdg. Dust wrapper. In publisher's special slip-case. Oblong 4to. (29 x 38 cm). In English. 240 p., color ills. Located in the Edirnekapi neighborhood of Istanbul and dating as far back as the 6th Century, the Church of Chora Monastery (Kariye Mosque) stands out as a noteworthy Byzantine work of art in the world of art history with its mosaics and frescoes. The monastery was renovated during the Palaeologos Dynasty, also known as the "Third Golden Age" of Byzantine Art, and has spectacular mosaics and frescoes which are at the heart of our work. Before studying these mosaics and frescoes in our book, we provided the vast history of the period in an effort to clarify the themes featured on the panels. Also included in our book is the life story of Theodore Metochites, a versatile administrator and the person behind the creation of the mosaics and frescoes of the monastery which represent the most beautiful examples of Byzantine art. There are mosaics in the exterior and interior narthexes of Chora depicting the lives of Jesus and Mary as well as religious stories, while its domes, arches and walls have both mosaics and frescoes concerning subjects that are interrelated and depicted mostly together and sometimes in different locations. For a holistic recounting of those related depictions that are placed independently from each other, repetitions were necessary at times. In addition to this world-renowned church which we tried to present to you within a broad time line, we also covered the other churches in Istanbul that belong to the Byzantine Period, in the last section of our book. We ended our journey with these churches and monasteries, which are also significant in Byzantine history.‎

‎ILHAN AKSIT.‎

‎Istanbul saraylari, kasirlari, köskleri ve yalilari.‎

‎New New English Original bdg. Dust wrapper. In publisher's special slip-case. Oblong 4to. (30 x 32 cm). In Turkish. 347 p., color ills. A luxury and photographic study of Istanbul's yalis (seasides), palaces, kiosks, and kasirs. Istanbul saraylari, kasirlari, köskleri ve yalilari. A very heavy volume in its box.‎

‎ILHAN AKSIT.‎

‎The history and architecture of the Hagia Sophia.‎

‎New New English Original bdg. Dust wrapper. In special slip-case. 4to. In English. 300 p. Color and b/w ills. Having decorated the silhouette of Istanbul for nearly 1500 years, the Hagia Sophia has been regarded as the Eighth Wonder of the World by several scientific journals. It has become one of the most important stones in art history for the mosaics and decorations it houses. When the construction of the church, which was begun upon the order of Emperor Justinian, was completed, those who had seen it were stunned by its superior architectural features of the period and the quality of the materials used in its construction. Arriving on Christmas Day, December 27th, 537 riding a chariot pulled by four horses, Emperor Justinian inaugurated the impressive structure with the prayers of Patriarch Menas. It was to remain the heart of the Christian world as the most important church of the Eastern Roman Empire for the next 916 years. Adorned with the finest mosaics of Byzantine art, it did not take long before this structure became synonymous with Constantinople. As the pride of Christianity, the Hagia Sophia was to sustain major damage from as fires and earthquakes. However, ironically, it was the Latins who wreaked the most havoc upon the church during the 4th Crusade of 1204. Despite all the disasters that befell the city, the Hagia Sophia managed to remain intact, continuing to be the shining light of the envy of the world, The long Byzantine era concluded with the conquest of Constantinople by Sultan Mehmet Khan II in 1453, thus marking the start of the Islamic era at the Hagia Sophia. The highly reverent Ottomans carefully converted this huge house of worship into a mosque. Bearing the title 'Caliph of Islam', the sultans conducted their obligatory prayer services and religious holiday receptions here. One of the most important indications of the merit showered upon the structure during this period was the fact that some Ottoman sultans were buried here. Having served as one of the most important mosques of the Islamic world for 481 years, the Hagia Sophia's mosaics were plastered over in compliance with Islamic custom. Moreover, the Turkish works and architectural additions contributed an incomparable richness to the aura of the Hagia Sophia. A number of Byzantine era structures remain extant today thanks to the renovation studies conducted during the Ottoman era. In particular, the additions and repairs made by Mimar Sinan, as well as the periodic studies commissioned by some Ottoman sultans have contributed towards ensuring the structure maintained the same splendor when it was first built. Sultan Abdulmecit commissioned the Swiss architect, Gaspare Fossati to renovate the Hagia Sophia between 1847-1849, during which the mosaics were also repaired. The mosaics began to be cleaned and displayed in 1934 when the structure was converted into a museum. Having remained intact for practically 15 centuries, UNESCO has also placed this structure on the list of edifices that need to be preserved. We took it upon ourselves to acquaint readers of this book with the architecture, mosaics, legends and Turkish-era works of this world-famous structure. I wish to thank and offer my regards to all everyone who has contributed their time and labor towards the production of this book.‎

‎ILHAN ÖZKECECI.‎

‎Kayseri câmi mîmârîsinde minber - minâreler.= (Mimbar - minarets in Kayseri's mosque architecture).‎

‎Fine English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In Turkish and only preface in English. [viii], 152 p., numerous color and b/w ills. kayseri câmi mîmârîsinde minber - minâreler.= (Mimbar - minarets in Kayseri's mosque architecture).‎

‎ILIN, M.‎

‎MOSCU. ARQUITECTURA Y ESCULTURA.‎

‎20,5x16. 256p. Fotogr. Ilstr. Fecha, firma y sello anterior poseedor. Enc. Tela ed.‎

‎Ilja Cremers ; Viviane Venneman ; Ann-Sophie De Witte ; e.a.‎

‎Gevonden Goed -Goed Gevonden : 10 jaar verdiepen in Vlaanderen.‎

‎, BAAC, 2021 Paperback, 176 pag., NED. uitgave, 240 x 170 x 15 mm, NIEUW, illustraties in kleur / z/w. ISBN 9789464448580.‎

‎We schreven mee aan Gevonden Goed Gevonden. 10 jaar verdiepen in Vlaanderen, een overzicht van 10 jaar archeologisch onderzoek door BAAC, onafhankelijk studiebureau voor Archeologie en Bouwhistorie. Het resultaat is een boek vol boeiende artikels waarin BAAC-medewerkers de lezer meenemen op een reis tussen wetenschap en verwondering, tussen onderzoek en verhaal. Geheugen Collectief herwerkte de wetenschappelijke teksten van BAAC tot een publieksboek.‎

Referenz des Buchhändlers : 63305

‎Ilja Leonard Pfeijffer / Stephan Vanfleteren‎

‎Atelier Stephan Vanfleteren. FR‎

‎, Hannibal Kannibaal , 2023 hardcover, couverture,25 x 18,4 cm, 448 pages , Texte en Francais ISBN 9789464666571.‎

‎Aper u magistral de la photographie de studio par Stephan Vanfleteren Au cours des douze derni res ann es, Stephan Vanfleteren (1969) a travaill de mani re intense chez lui, dans un studio clair par la lumi re du jour. Atelier est un recueil de ces ?uvres. Qu?il travaille la lumi re naturelle ou avec un clairage artificiel, Vanfleteren est la recherche de beaut et de sens. Les rideaux de th tre gris y sont omnipr sents, en toile de fond. Le photographe immortalise tant des personnalit s connues que des anonymes. Il s?int resse aux rides sur le visage d?un vieux p cheur et examine la main de Nick Cave avec la m me attention qu?une bouteille chou e sur la plage. Il adore ses enfants, qu?il voit grandir, et les vieux artistes passionn s. Il contemple le petit corps raidi d?un martin-p cheur ou la taille souple d?un danseur, suit du regard la lumi re du soleil qui glisse doucement sur le rideau. Vanfleteren se rattache la tradition de ma tres anciens mais reste fid le au style qui a toujours fait sa particularit . Son savoir-faire technique et son c?ur d?artiste font de nous les t moins et les complices de la lumi re incidente. Avec des contributions textuelles par Ilja Leonard Pfeijffer et Stephan Vanfleteren. Omschrijving Aper u magistral de la photographie de studio par Stephan Vanfleteren Ce livre montre que Vanfleteren a int rioris cette lumi re particuli re tel point qu?il peut la faire appara tre sans l?aide de lampes ou du soleil. ? Ilja Leonard Pfeijffer Au cours des douze derni res ann es, Stephan Vanfleteren (1969) a travaill de mani re intense chez lui, dans un studio clair par la lumi re du jour. Atelier est un recueil de ces ?uvres. Qu?il travaille la lumi re naturelle ou avec un clairage artificiel, Vanfleteren est la recherche de beaut et de sens. Les rideaux de th tre gris y sont omnipr sents, en toile de fond. Le photographe immortalise tant des personnalit s connues que des anonymes. Il s?int resse aux rides sur le visage d?un vieux p cheur et examine la main de Nick Cave avec la m me attention qu?une bouteille chou e sur la plage. Il adore ses enfants, qu?il voit grandir, et les vieux artistes passionn s. Il contemple le petit corps raidi d?un martin-p cheur ou la taille souple d?un danseur, suit du regard la lumi re du soleil qui glisse doucement sur le rideau. Vanfleteren se rattache la tradition de ma tres anciens mais reste fid le au style qui a toujours fait sa particularit . Son savoir-faire technique et son c?ur d?artiste font de nous les t moins et les complices de la lumi re incidente. Avec des contributions textuelles par Ilja Leonard Pfeijffer et Stephan Vanfleteren.‎

Referenz des Buchhändlers : 62877

‎Ilja M. Veldman‎

‎Leerrijke reeksen van Maarten van Heemskerck‎

‎, Frans Halsmuseum, 1986 Softcover, 111 pagina's, 30 x 21 cm, NL. *goede staat .‎

‎Leerrijke reeksen van Maarten van Heemskerck‎

Referenz des Buchhändlers : 69512

‎Ilka und Andreas Ruby / Philipp Ursprung‎

‎Images. Architecture in Focus.‎

‎München, Prestel Verlag, 2004. origi.Pappband, quer 4°, 160 Seiten.‎

‎Kanten minimal bestossen sonst guter Zustand.‎

Referenz des Buchhändlers : 44157

‎ILKNUR AKTUG.‎

‎Izmir Pertev Pasa Yeni Cuma camii.‎

‎Fine Turkish Paperback. Cr. 8vo. (20 x 14 cm). In Turkish. [vii], 27 p., ills. Izmir Pertev Pasa Yeni Cuma camii.‎

‎ILKNUR ALTUG KOLAY.‎

‎Bati Anadolu 14. yüzyil Beylikler mimarisinde yapim teknikleri.‎

‎Fine English Paperback. Pbo. Roy. 8vo. (23 x 16 cm). In Turkish. 163 p., 30 p. several b/w ills. Construction techniques of Western Anatolian Principalities architecture at 14th century. Bati Anadolu 14. yüzyil Beylikler mimarisinde yapim teknikleri.‎

‎Ilkosz, Jerzy / Stortkuhl, Beate (Hrsg):‎

‎Hans Poelzig in Breslau. Architektur und Kunst 1900 - 1916. Bgleitband zur Ausstellung.‎

‎Delmenhorst Aschenbeck & Holstein 2000. Br. Delmenhorst, Aschenbeck & Holstein 2000. unknown‎

Referenz des Buchhändlers : 66405CB

‎ILLIN, M.‎

‎MOSCU. ARQUITECTURA Y ESCULTURA.‎

‎20x16. 256p. Sello anterior poseedor. Fotogr. Ilstr. Enc. Tela ed. Sobrecubierta.‎

‎Illinois Theatre Chicago Thomas J Noonan Charles E Nixon‎

‎ILLINOIS THEATRE‎

‎Chicago: Illinois Theatre 1900. First edition. Hardcover. Good minus. Octavo; 45 xvi pages soiled cream cloth a.e.g. <br/><br/>Less than six weeks after Chicago's grandest new theater the Iroquois opened it burned to the ground due to flagrant safety violations and corruption. More than 600 died in America's worst theater disaster. It resulted in new codes requiring outward-opening safety doors. This hardcover book appeared before the opening performance. It relates a history of the theatres in Chicago by Charles E. Nixon; tells why this magnificent venue was built and how with illustrations of the theatre plans and interiors and furnishings. "The Iroquois . will impress even the most superficial observer by its beauty and grandeur . The style architecturally is French renaissance which has a strong suggestion of the classic. designed by architect Benjamin H. Marshall ." Illustrated and with plates of posters and of the builders and equipment suppliers to the theatre. Illinois Theatre hardcover‎

Referenz des Buchhändlers : 250301