‎Architecture‎

‎Katharine Van Cauteren‎

‎De Memling Rubens L' ge d'or de la Flandre.‎

‎, Hannibal, 2024 Hardcover, HB+, 290 x 250 mm, 304 pages, FR edition. ISBN 9789464666823.‎

‎Pourquoi Hans Memling peignait-il tout avec une telle minutie dans le d tail? Comment Rubens cr ait-il, en quelques coups de pinceau, des effets sp ciaux qui feraient p lir d'envie Steven Spielberg? Et pourquoi les Pays-Bas m ridionaux ont-ils t le centre artistique du monde durant trois si cles? De Memling Rubens : l' ge d'or de la Flandre raconte l'histoire de l'art flamand des quinzi me, seizi me et dix-septi me si cles comme vous ne l'avez jamais lue auparavant. Un v ritable tour de montagnes russes travers 300 ans d'histoire culturelle. Les chefs-d'oeuvre poustouflants de la collection de The Phoebus Foundation, des joyaux inconnus de Hans Memling, Quentin Metsys, Pierre Paul Rubens et Antoine Van Dyck, vous plongent dans un monde de folie et de p ch , de fascination et d'ambition. En chemin, vous croiserez des ducs et des empereurs, des citoyens riches et des saints pauvres, des galeries d'art comme des caves vin, et Anvers comme Hollywood sur l'Escaut. Il s'agit d'un r cit passionnant sur l'image et sa signification, et sur le lien entre culture et soci t . L'ouvrage parle surtout de nous et de ce que nous sommes, aujourd'hui, en tant que personnes.‎

书商的参考编号 : 63494

‎Katrien Loret‎

‎Dirk Braeckman - No Denial, No Explanation‎

‎Antwerp, Tim Van Laere, 2023 Hardcover, 88 pages, Illustrated., Quadrilingual: English, Dutch, French, Italian .*New. ISBN 9789464004366.‎

‎Tim Van Laere Gallery presents No Denial, No Explanation, a new solo exhibition by internationally acclaimed artist Dirk Braeckman. Dirk Braeckman is celebrated for his stilled, enigmatic visual language?one that continuously questions, suspends, and redefines the photographic medium. His austere, often monochromatic images oppose the velocity and superficiality of today?s visual overload. They urge the viewer to slow down, to look more attentively, and to embrace ambiguity. For Braeckman, the essence of photography lies not in the moment of capture, but in the entire process?from the initial shot to the final image. With this approach, he engages with photography through a painterly lens, emphasizing the process of image construction. His works are not straightforward reproductions of reality, they are carefully altered, marked, deconstructed, and recomposed by the artist. As a result, the viewer doesn?t just get a glimpse through Braeckman?s lens, but feels his physical presence within each work.‎

书商的参考编号 : 67429

‎Katrin Loret‎

‎Friedrich Kunath : New Ballads‎

‎, Tim Van Laere Books, 2021, 2021 80 pagina's, illustraties in kleur, 25,5 x 20,5 cm, hardcover, Duits/Engels/Frans. ISBN 9789464004083.‎

‎The universe of Friedrich Kunath is carefully balanced around dichotomies. His paintings address the greater questions in life, bringing viewers into a disruptive state of searching for meaning in life while realizing the ridiculousness of this quest. The artist?s personal journey from East to West Berlin and on to his new-found home in Los Angeles presented him with a wide variety of source material ranging from the canon of art history and German philosophy to the idiom of kitsch and the make-believe world of Hollywood and LA. Many of these materials are impacted by two poles ? the culture of wisdom and pop culture ? to the point of obsession and even, at times, systematization. Dealing with such universal themes of human existence as love, loss, optimism, vulnerability and melancholy, he employs a variety of media, from painting, sculpture, drawing, video and photography to expansive installations, all provided with a tragicomic pathos and dreams of possibilities. In almost every work, there is a tangible realization that the world is a spectacle of unfulfilled dreams in which the rawness of life is fled through the parallel universe of pop culture.‎

书商的参考编号 : 57564

‎KATONO TÔRU (né en 1925) Bunichira Kawamura, Osamu Murai‎

‎From North‎

‎1993 Sapporo, Katono Architects Co., Ltd, 1993, 305x215mm, 102 pp., bradel papier photographiques, avec titre, étui avec lettrage argent en creux.‎

‎Texte de Bunichira Kawamura, photographies d'Osamu Murai, conception graphique Kijûrô Yahagi.L'architecte, né à Hokkaidô, Katano a assisté Antonin Raymond pour la construction de la chapelle Saint Michael en 1960. Sa maison, construite en 1968 à Sapporo (présentée dans l'ouvrage) fut sélectionné par Docomomo et couronnée par JIA25 (Japan Institute of Architects) en 2002. Première monographie de ses oeuvres toutes réalisées à Hokkaidô. Textes en Japonais. Un marque-page est joint portant la signature autographe de l'architecte.(103862)‎

书商的参考编号 : 103862

‎Katja Baumhoff, Kerstin Richter‎

‎grandeur et la gr ce: Maillol et Sintenis‎

‎, Hirmer, 2024 softcover 144 pag 21 x 2.2 x 21.8 cm Illustrated. Texte en Francais. ISBN 9783777443942.‎

‎La grandeur et la gr ce: Maillol et Sintenis Paperback ? 1 mei 2024 Franstalige uitgave Katja Baumhoff (redacteur), Kerstin Richter (redacteur), & 1 meer Alle verschijningsvormen en edities zien Aristide Maillols (1861 ? 1944) ruhig harmonisches Meisterwerk La M diterran e wird im Kontext seines ?uvres und im Zusammenspiel mit dem Werk der angesagtesten deutschen Bildhauerin der Zwanziger Jahre Berlins betrachtet: Ren e Sintenis (1888 ? 1965). Neben gegenseitiger Wertsch tzung und erstaunlich verwandter Projekte verband beide der gemeinsame M zen ? Harry Graf Kessler.Einst f r den unsteten Weltb rger Harry Graf Kessler geschaffen, verzauberte die monumentale Figur Maillols ?La M diterran e? die kulturellen Eliten. Der Band zeichnet anhand ausgew hlter Objekte aus Maillols Oeuvre die Entwicklung und Nachwirkung dieser Skulptur nach und vollf hrt einen kontrastreichen Dialog mit den meist kleinformatigen Tierplastiken, weiblichen Aktfiguren, Radierungen und Grafiken einer der wichtigsten deutschen Bildhauerinnen der klassischen Moderne ? Ren e Sintenis.‎

书商的参考编号 : 64468

‎Kati Heck‎

‎Hauruck d'Orange Kati Heck HAURUCK‎

‎, Hannibal / Kannibaal , 2020 HARDCOVER, 29 X 24,5 CM 216 PAGINA'S ENGLISH / DUTCH EDITION . ISBN 9789463887458.‎

‎The highly original universe of artist Kati Heck As we grow older, we filter out of our perception the details that we have been conditioned to believe are unimportant. It takes an exceptionally talented painter to pierce that veil and capture the essential richness and strangeness of the world. This, it seems to me, is Kati Heck?s gift.? ? Ben Eastham, editor-in-chief of art-agenda Over the years, Kati Heck (b. 1979) has developed a highly personal vision of the everyday. Her works resemble fictitious projections from her own universe, and she uses the diversity that is inherent in painting to create a link with the potential of the imagination. Heck is principally known as a painter, but also seeks expression in other media such as photography, sculpture and performances. Her colourful oeuvre is consistently characterised by irony, drama and a highly original sense of the grotesque. Hauruck, which is being published to accompany Heck?s solo show in Kunstmuseum Den Haag (from 6 June to 8 November 2020), contains some 75 works that were created between 2013 and 2020, as well as a graphic short story written specially for this book. With a textual contribution from Ben Eastham, editor-in-chief of art-agenda. ?If we say painting is a language, then Kati Heck speaks it in all dialects. The twentieth century saw painting analysed and deconstructed until we declared it dead. In her intuitive manner, Kati Heck revives and reconstructs painting into a new form, entirely her own, to create a universe that captivates us. Don?t let her fool you. Kati Heck may appear to be lounging with a cat on her lap, but, as always, in the back of her mind, she is patiently plotting the moment when women, for the benefit of the world, take it over. She is the motherly embodiment of nature vs. nurture. She?ll roast you a chicken, invite you for dinner, and sit across from you with that particular smile of hers, examining the way your teeth come together while you chew. She will join you while you drink yourself under the table and then hold a magnifying glass to the dribble coming off your chin. Heck keeps us on our toes. Her paintings, like her presence, hold us accountable for existing.? ? Makeal Flammini, artist ?This work is characterised by an absurdist view of the world and art. Make acquaintance with her large, figurative paintings and step into the wondrous world of Kati Heck.?‎

书商的参考编号 : 53694

‎Katherine McHale‎

‎Ingenious Italians, Immigrant Artists in Eighteenth-century Britain‎

‎, Brepols - Harvey Miller, 2024 Hardback, 344 pages, Size:225 x 300 mm, Illustrations:2 b/w, 165 col., 2 tables b/w., Language: English. ISBN 9781915487179.‎

‎Summary This book fills a significant gap in the literature on eighteenth-century art in Britain. Although immigrant Italian artists played a crucial role in the development of Britain's expanding art world over the course of that century, they have been largely overlooked in books on both British and Italian art. When mentioned in works on eighteenth-century British art, Italian artists are regarded as bit players who were tangential to the art world. Ingenious Italians seeks to correct this view, demonstrating the critical role played by immigrants who brought their skills and talents to a new country. In Britain, they established networks of Italian and British colleagues, cultivated new patrons and created innovative works for a growing market. In doing so, they influenced the development of art in British society. This little-explored facet of art history in Britain presents readers with a new perspective from which to consider the art of the era, highlighting the important work contributed by Italian artists in Britain. The book also contains an appendix of biographical information on the Italian artists working in Britain throughout the eighteenth century. TABLE OF CONTENTS Introduction Chapter 1: Early Arrivals: Verrio and the Venetians Chapter 2: Life in Britain Chapter 3: Innovative Italians: New Ideas for New Clients Chapter 4: The Impact of Italian Immigrants: 'Exciting a Spirit of Ardent Emulation' Conclusion Bibliography Appendix: Italian Artists Active in Britain 1700-1800 Index‎

书商的参考编号 : 64229

‎Kati Heck‎

‎Kati Heck Hauruck d'Orange Kati Heck HAURUCK‎

‎, Hannibal / Kannibaal , 2020 HARDCOVER, 29 X 24,5 CM 216 PAGINA'S TWEETALIGE EDITIE ENGELS-NEDERLANDS. .‎

‎Met gevoel voor humor en absurditeit ontleedt Kati Heck (1979, D sseldorf) de wereld om zich heen en herschept een geheel eigen universum. Wie probeert een duidelijk verhaal te ontdekken in haar raadselachtig schilderijen, sculpturen, films en collages komt bedrogen uit. Heck biedt geen houvast maar stuurt aan op de verbeeldingskracht. Hauruck d?Orange is haar eerste grote museale solotentoonstelling in Nederland. Het werk van Kati Heck is een virtuoze kakofonie van kleur, beeld en taal. In figuratieve, vaak omvangrijke schilderijen en sculpturen brengt zij twee werelden samen: de ene herkenbaar en te herleiden naar gebeurtenissen en personen uit de dagelijkse omgeving van de kunstenaar, de andere ontregelend of ronduit verontrustend als een koortsachtige droom. Personages worden op theatrale wijze opgevoerd ? poserend of uitbundig verkleed - en ook Heck zelf is een regelmatige passant in haar eigen werk. Steeds verschijnt ze in een andere bijna allegorische gedaante, als haar eigen muze. Van raadselachtig realisme tot cartooneske schetsen De tentoonstelling in GEM brengt meer dan twintig nieuwe en recente werken samen. Heck plaatst ze in een bijzondere enscenering die de bezoeker uitnodigt om niet alleen de ogen te gebruiken, maar ook het lichaam, de herinnering en het onderbewustzijn. Hauruck d?Orange laat goed zien hoe Heck diverse media en beeldtalen naast en door elkaar gebruikt, vol verwijzingen naar zowel de kunstgeschiedenis en literatuur als folklore, populaire cultuur en autobiografie. Van raadselachtig realisme tot cartooneske schetsen: Heck schept een parallelle wereld waarin categorie n en betekenissen vloeibaar zijn. Naast schilderijen, tekeningen, collages en sculpturen presenteert de tentoonstelling de video Der springende Punkt case II: O (2017). Dit tweede deel uit een nog onvoltooide filmtrilogie komt voort uit de Babydetektivclub, een onvaste groep van bevriende makers met wie Heck samenwerkt. De film speelt op humoristische wijze met clich s uit het detective-genre en vertegenwoordigt een bepaalde democratische do it yourself mentaliteit. Dit blijkt ook uit het enorme handgemaakte ?manifest? dat de bezoeker verwelkomt bij binnenkomst in GEM: alles mag en niets is wat het lijkt. Metamorfose Het ?Hauruck? uit de tentoonstellingstitel Hauruck d?Orange is een veelvoorkomend woord in Hecks schilderijen. Het is Duitse spreektaal voor een aansporing: komaan! ?Orange? refereert daarbij natuurlijk aan de nationale kleur van het land waar zij zichzelf met deze tentoonstelling op de kaart zet. In de tentoonstellingsruimte spelen drie andere kleuren de hoofdrol. Samen vormen ze een ?verwassen? versie van de Duitse en Belgische vlag, wat voor Heck verwijst naar het vervagen van identiteit. Het idee van metamorfose ? het overgaan van het een in het ander ? komt vaker terug in haar werk, bijvoorbeeld in tweekoppige wezens of hybride mensfiguren. Kati Heck woont en werkt in Pulle, Belgi . Ze volgde de opleiding schilderen aan de Koninklijke Academie voor Schone Kunsten in Antwerpen. Haar werk was recent onder meer te zien in de Deichtorhallen in Hamburg, CAC Malaga en het M HKA in Antwerpen.‎

书商的参考编号 : 53693

‎Katrien De Blauwer‎

‎Katrien De Blauwer: Blue Bruises‎

‎Antwerpen , GALLERY FIFTY ONE, 2025 Illustrated softcover, 120 pages, 21 x 15 cm, ENG. *NEW.‎

‎'There are images that speak to you in a low voice, without raising the tone, without clamor. Images that do not try to show everything, but which, through their very modesty, leave a lasting imprint. Katrien De Blauwer?s work belongs to these. The first time I held one of Katrien?s collages in my hands, it felt like opening a private diary where words had been replaced by visual fragments: a hand, a shoulder, a silhouette, a hidden gaze. As if, by cutting, reframing, erasing, she revealed something more accurate than reality itself something truer than the original photograph. Her work evokes the uneasy silence of an Antonioni film, the unspoken tensions that gather in the margins of the image, bodies held in suspension. In her collages there is the hushed, troubled, and sensual atmosphere of 1950s cinema. As in film noir, it is not action that matters, but waiting. Not dialogue, but the glances that are avoided. And women, often fragmented, become ghostly presences ? at once desired and elusive. Katrien does not photograph; she collects. She hunts, she searches, she cuts in silence. And from that silence emerges a language of rare intensity. These are images of absence, of memory, of solitude. Images that impose nothing, yet inhabit you long after you have left them. Above all, they speak of us. This book is a passage. A plunge into a world where intimacy is expressed through suggestion, where the off-screen becomes the true subject. It is not about understanding, but about feeling. About letting oneself be crossed through. About listening to what whispers behind the images. Katrien De Blauwer cuts into the world, and in the gaps she opens, something of ourselves appears.' This FIFTY ONE Publication is released on the occasion of Paris Photo 2025 and the upcoming solo show at Art Antwerp 2025.‎

书商的参考编号 : 68227

‎Katrien Vandermarliere, M. Jos Van Hee‎

‎M. Jos Van Hee, Ontwerpen 1977-1993‎

‎Antwerpen , deSingel, 1993 Oorspronkelijk uitgeversomslag, 93 pagina's, 28 x 20.5 cm. Nederlandstalige tekst. *Als nieuw.‎

‎Deze catalogus wed uitgegeven naar aanleiding van een tentoonstelling in deSingel van 14 mei tot en met 20 juni 1993, Antwerpen.‎

书商的参考编号 : 67234

‎Katrien Lichtert‎

‎Margaretha van Parma The Emperor's Daughter between Power and Image‎

‎, Hannibal Books, 2024 HB, 265 x 215 mm, 240 pages, illustrated in color, ENG edition. ISBN 9789464941333.‎

‎The Emperor's Daughter between Power and Image Margaret, Duchess of Parma (1522?1586), an extraordinarily fascinating figure, has slipped through the cracks of history until recently. As the illegitimate daughter of Charles V, she had a rather unusual start in life. In time, however, Margaret became one of the most powerful women in Italy, attracting a lot of attention. In 1559, she was appointed governor-general of the Netherlands. She was also a keen art lover and patron of the arts. This book takes a closer look at the life of Margaret of Parma and the sumptuous court where she lived as a woman-in-power, with all the pomp and circumstance that involved, via fashion, art, music, festivities and the elite pursuit of hunting. It also examines the dangerous political atmosphere of the Low Countries at the time, with the Iconoclasm, the Dutch Revolt, the arrival of the Duke of Alba and the Eighty Years? War. The beautiful drawings from the Brussels Album (1555?56) bring Margaret?s wondrous world to life in an exceptional way. As do more than a hundred artworks ? portraits, paintings and luxury objects ? from the sixteenth century. Authors from different disciplines look at every aspect of Margaret?s life and times, to ensure that the emperor?s daughter finally occupies her rightful place in history. Publication accompanying the exhibition Margaret. The Emperor's Daughter between Power and Image at MOU‎

书商的参考编号 : 64824

‎Katarzyna Kuras, Krzysztof Fokt (eds)‎

‎Memory, Identity, and Governance in Early Modern Poland-Lithuania‎

‎, Brepols, 2025 Hardback, Pages: 528, Size:156 x 234 mm, Illustrations:17 b/w, 8 col., 5 maps b/w, Language: English. ISBN 9782503619361.‎

‎Summary In the early modern period, Poland-Lithuania stood as a realm where the echoes of a storied past intertwined with the ambitions of a dynamic present. This volume illuminates how its diverse populace navigated the complexities of their shared heritage, weaving tradition with innovation to craft a uniquely multi-layered identity. The essays presented here examine the dual nature of historical inheritance in this vast polity. On the one hand, the past served as a treasure trove of enduring ideas, compelling narratives, and time-tested practices that enriched cultural and political life. On the other, it posed formidable challenges, requiring creative adaptation to meet the demands of changing times. By exploring established narratives, performative traditions, and historical frameworks, the contributors uncover the intricate ways in which memory influenced decision-making and societal evolution. They reveal how the past was neither static nor simply an obstacle, but was an active force that shaped contemporary aspirations and inspired visions of the future. Through the lenses of rulers, nobles, intellectuals, and commoners, this collection offers fresh perspectives on how the people of Poland-Lithuania harnessed the power of history to craft a legacy that transcended their era. Essential reading for scholars and enthusiasts alike, this work examines the enduring dialogue between memory and identity in one of Europe's most compelling early modern states. TABLE OF CONTENTS The Composite Nature of Poland-Lithuania: Political, Cultural, and Social Dynamics in Early Modern East Central Europe Katarzyna Kuras and Krzysztof Fokt Part I. The Glorious Past in the Collective Memory and Political Practice Chapter 1. Between Myth and History: The Sarmatian Narrative of Poland-Lithuania Joanna Orze? Chapter 2. Voices on an Extinct Dynasty: The Jagiellons in the Political Writings of the First Interregnum Marek Ferenc Chapter 3. A Phronetic Journey Through Poland's Memorial Landscape Iwona Barwicka-Tylek Part II. Legacies and Identities of the Regions and Provinces and their Developments Chapter 4. The Transformation of Legacy: How the Ukrainian Cossacks Adapted the Traditions of Rus' and Poland-Lithuania Viktor Brekhunenko Chapter 5. Cultural and Political Dualities: Livonia's Integration and Identity within Poland-Lithuania Bogus?aw Dyba? Chapter 6: Lithuanian Sejmiks: Defending Lithuanian Independence and Equality with Poland, 1697-1763 Andrei Matsuk Part III. The History and Memory of Institutions Chapter 7. The Liberum Veto and the Parliamentary System of Poland-Lithuania: Historiography's Struggles with a Challenging Legal Legacy Tomasz Kucharski Chapter 8. Local Governance and Civic Engagement: The Role of Sejmiks in Poland-Lithuania Micha? Zwierzykowski Chapter 9. The Seventeenth-Century Wars in Polish Historical Consciousness: Myths, Realities, and Legacies Zbigniew Hundert Part IV. The Res Publicae of the Commoners: Memory, Social Practice, and Cohesion in the Towns and Villages Chapter 10. The Heritage of Everyday Life: Legal Culture in the Towns and Cities of Early Modern Poland Maciej Miku?a Chapter 11. Local Heritage: The Sources of Identity of the Peasantry and Petty Townsfolk in pre-Partition Poland-Lithuania Mateusz Wy?ga Part V. Cultural Practices and Their Developments: Communication, Education, Healthcare Chapter 12. Domestic and Foreign Travels of Inhabitants of Poland-Lithuania as Forms of Exploring and Preserving Cultural Heritage and Elements of Social Communication Adam Kucharski Chapter 13. Balancing Tradition and Influence: Noblewomen in the Social Fabric of Early Modern Poland Agnieszka Jakuboszczak Chapter 14. Health, Illness, and Medical Treatments in Early Modern Poland-Lithuania Katarzyna P?kacka-Falkowska and Jakub W?glorz Part VI. Intact Deposits of Faith? Religious Developments in Poland-Lithuania Chapter 15. Confessional Divisions and the Evolution of Worship in Royal Prussia S?awomir Ko?cielak Chapter 16. Holiday Customs and Catholic Reformers in Eighteenth-Century Poland-Lithuania: The Story of Religious Heritage Resilience Stanis?aw Witecki Glossary of Offices Index‎

书商的参考编号 : 70567

‎Katharina van Cauteren‎

‎Mere-Monster of Lake Tagua Tagua Monster Mania and Court Intrigues in the Eighteenth Century‎

‎Antwerp, Phoebus Focus V, 2019 Paperback, 96 pages, 21,1 x 14,1 x 1,1 cm. Illustrated. Text in ENG. ISBN 9789463883368.‎

‎Phoebus Focus 5 - The Mere-Monster of Lake Tagua Tagua Monster Mania and Court Intrigues in the Eighteenth Century‎

书商的参考编号 : 56321

‎Katya Tylevich‎

‎MICHA L BORREMANS The Acrobat.‎

‎, David Zwirner , 2022 PB, 178 x 114 mm, 64 page, ENG edition, illustrated with coloured illustrations. ISBN 9781644230831.‎

‎Recalling classical painting, both through technical mastery and choice in subject matter, Borremans's depictions of the surprising and the bizarre invites a second look. Uncanny scenes of figures looking at blurred acrobatic displays, hooded subjects rendered in Rembrandt-esque lighting, or solemn portraits demonstrate Borremans's unique vision. In this recent body of work, Borremans continues to draw the viewer in closer with his intimately scaled paintings of mysterious figures in peculiar arenas. Accessible yet full of rich detail, this pocket-size book features fifteen masterful works offering a mystifying narrative. An illuminating text by Katya Tylevich mines the scenes Borremans sets, conjuring the multidimensionality of the works' emotional power and their unique place in the lineage of art history.‎

书商的参考编号 : 58769

‎Katya Tylevich‎

‎Micha l Borremans: The Monkey‎

‎, David Zwirner Books , 2024 softcover, . ISBN 9781644231463.‎

‎Presenting the Belgian artist Micha l Borremans?s newest group of psychologically charged paintings, this catalogue highlights his exceptional technical skill, interest in figuration, and innovative approach to mise-en-sc ne. ?Everything is a self-portrait. And now I have been painting monkeys. . . . It?s like making a movie.? ?Micha l Borremans, Interview magazine As a pendant to his acclaimed catalogue The Acrobat, The Monkey showcases seventeen paintings that reveal his interest in exploring surface and artifice. Borremans portrays mysterious sitters?including the titular monkeys, which are glazed toy figurines?and depicts enigmatic scenes that simultaneously invite viewers in and keep them at bay. Katya Tylevich?s insightful commentary delves into the depths of Borremans?s compositions, connecting the themes and motifs in The Monkey to those present in previous bodies of work. Tylevich delves into the complex emotional and art-historical registers at play in the artist?s new paintings and maps the trajectory of his practice, observing other instances of repetition and fabulation across his practice. The publication, featuring this essay alongside beautifully illustrated images of the new paintings, serves as the ideal complement to the artist?s 2024 exhibition at David Zwirner, London‎

书商的参考编号 : 63948

‎Katharina Van Cauteren‎

‎Oer : De wortels van Vlaanderen : Vlaamse kunst tussen 1880 en 1930‎

‎, Hannibal Books, 2025 Hardcover, 432 pag., 29 x 25 cm,, illustraties in kleur / z/w.* nieuw. ISBN 9789464666960.‎

‎Referentiewerk over de wortels van de Vlaamse culturele geschiedenis, van Emile Claus tot L on Spilliaert OER is een boek over wortels. Over wat het betekent om Vlaming te zijn. Over hoe kunstenaars als Emile Claus, Valerius De Saedeleer, George Minne en Gustave Van de Woestyne al aan het begin van de twintigste eeuw heimwee koesterden naar het Vlaanderen van hun dromen. Ook de werken van James Ensor, Rik Wouters en L on Spilliaert konden nergens anders ter wereld tot stand komen dan hier, in ?le plat pays?. Na de Eerste Wereldoorlog brengen Constant Permeke, Gust. De Smet, Frits Van den Berghe en Edgard Tytgat de kijk van kunstenaars ?van hier? op de wereld ?van hier?. Zo is dit boek een zoektocht naar wat Vlaanderen is, was, of kan zijn. Aan de hand van rijk ge llustreerde essays wekt OER de brede culturele context van de Vlaamse belle poque en het interbellum weer tot leven. Het is een verkenning van de eigen wortels, van wat blijft groeien uit wat ooit was. Dat maakt het verleden springlevend. OER is een boek over toen en nu, over u en mij.‎

书商的参考编号 : 61861

‎Katharina Van Cauteren‎

‎Politics as painting‎

‎Tielt, Lannoo, 2016 Hardcover with dusjacket, 416 pages, 30 x 26 x 4 cm, English, Richly illustrated. ISBN 9789401432399.‎

‎Apart from a handful of art historians no sane person has ever heard of the Brussels painter Hendrick De Clerck (1560-1630). Nevertheless, De Clerck was a contemporary of Peter Paul Rubens and like Rubens he worked for the Archdukes Albert and Isabella. But while Rubens has gone down in history as an artistic trailblazer and painting powerhouse, Hendrick De Clerck has quietly faded into oblivion. Yet the subtly coded, vibrantly coloured pictures that De Clerck paints for Albert and Isabella are political propaganda of the highest order. In creating a mode of archducal representation that could help to gain an empire, the sky is quite literally the limit. De Clerck represents Isabella as wise Minerva, chaste Diana, the Virgin Mary. And that's nothing compared to her husband, for in De Clerck's paintings Albert is transformed into the sun god Apollo or even into Jesus Christ himself. Hendrick De Clerck's mastery of ingenious pictorial strategy made him a leading player in one of the most ambitious projects history has ever seen. For those who know how to read them, his paintings tell a story of power, political promises, and grandiose ambition. Most of all, they are supreme examples of image-building. For as the Archdukes were well aware, even as a monarch you're only as important as you make yourself.‎

书商的参考编号 : 65218

‎Katrin Kogman Appel, Ilona Steimann (eds)‎

‎Premodern Jewish Books, their Makers and Readers in an Era of Media Change‎

‎, Brepols, 2024 Hardback, 464 pages, Size:216 x 280 mm, Illustrations:106 col., Language: English. ISBN 9782503604633.‎

‎Summary This volume brings together studies about books as artefacts within transitional zones. The history of the book from the handwritten to the printed medium is understood as a process marked by innovation and social change, but also by disorientation and bewilderment. The journey of a book from production to use was determined by a complex set of factors: communication among authors, makers of books, patrons, and readership; the emergence of publishers; and decisions to be made concerning production and publication. These factors underwent tremendous changes during the fifteenth and sixteenth centuries owing to the spread of printing and the rise of Humanism in Europe. Particular focus is put on the physical evidence of books, both handwritten and printed, and what it can tell us about a book's production and its reception. TABLE OF CONTENTS Introduction Katrin Kogman-Appel and Ilona Steimann Part One: Media Change Chapter 1: Changes in Bookmaking: Joel ben Simeon's Manuscripts in the Transition from Customized to Mass Production? Rodica?Herlo-Lukowski Chapter 2: Joel ben Simeon in Transition Evelyn M. Cohen Chapter 3: Jewish Books between Portugal to the Early Sefardi Diaspora.? D bora Marques de Matos Chapter 4: The Emergence of the Printing Self: Egodocuments and Micro-Egodocuments in Jewish Paratexts from Manuscript to Print Avriel Bar-Levav Chapter 5: From Manuscript to Print and Back Again. Two Case Studies in Late Sixteenth-Century Jewish Book Culture Pavel Sl dek Chapter 6: Lishmah Qedushat Sefer Torah or the Impossibility of Printing a Kosher Torah Scroll from Rabbinic Perspectives Annett Martini Part Two: The Craft of Editing Chapter 7: The 1514 'Grace after Meals and Sabbath Hymns and Qiddush' and the Experimental Beginnings of Woodcut Illustrations in Prague Sarit Shalev-Eyni Chapter 8: Hayyim Shahor and Jewish Life in Sixteenth-Century Ashkenaz Lucia Raspe Chapter 9: Of Roots and Signs: Printing Ashkenazi Responsa in Sixteenth-Century Venice Tamara Morsel-Eisenberg Part Three: Reading Chapter 10: The Masorete and His Readers: A Relationship Obscured Now Rediscovered Dalia-Ruth Halperin Chapter 11: Early Hebrew Printing and the Quality of Reading: A Praxeological Study Hanna Liss Chapter 12: Hegemonies of Reading. Layout, Materiality, and Authorship in Early Hebrew Prints Federico Dal Bo ? Part Four: Confiscation and Destruction Chapter 14: Burning the Talmud. Before and After Print David Stern Chapter 15: The Bookless Talmud and the Talmud Book: The Loss of Books in the Medieval and Early Modern World? Yakov Z. Mayer ? Part Five: Christian Collections Chapter 16: A Medieval Hebrew Psalter with Latin Glosses (MS Paris, BnF h breu 113) and Its Cambridge Connection ? Judith Olszowy-Schlanger Chapter 17: A Forced Journey between Two Faiths. The Hebrew Manuscripts of the University of Vienna Ilona Steimann? Chapter 18: 'Ben Hacane Liber qui dicitur Pelia'. Egidio da Viterbo's Kabbalistic Excerpts Saverio Campanini? Chapter 19: Alfonso de Zamora and Hebrew Manuscripts on Grammar and Exegesis in Sixteenth-Century Spain Javier del Barco Chapter 20: On the Beginnings of Christian Hebraist Bibliography in the Sixteenth Century Maximilian de Moli re Manuscript Index General Index‎

书商的参考编号 : 64240

‎Katja Schmitz-von Ledebur‎

‎Raphael Gold & Silk - The Revolution of Tapestry Design‎

‎, Hannibal Books, 2023 HB, 305x x285 x 25 mm ENG edition, 232, p, illustrated in colour / b/w., *NEW, ISBN 9789464666595.‎

‎In the autumn of 2023, the Kunsthistorisches Museum Vienna showcases a medium that played a central role in the public celebrations of princely power and magnificence during the Renaissance: monumental tapestries. The most exquisite products fashioned from delicate silks and precious metal threads were produced in Brussels, including the series of tapestries depicting the story of the Apostles, commissioned by Pope Leo X (1475-1521) for the Sistine Chapel in Rome. The cartoons, which led to a stylistic revolution in Flemish tapestry design, are by the celebrated Italian artist Raffaele Santi (1483-1520). Taking Raphael's designs as a starting point, the exhibition explores the evolution of the art of tapestries in the sixteenth century, and presents a selection of masterpieces from the Kunsthistorisches Museum's rich holdings of tapestries‎

书商的参考编号 : 62221

‎Kathryn Moore, Hasan-Uddin Khan (eds)‎

‎Religious Architecture of Islam. Volume I: Asia and Australia‎

‎, Brepols, 2021 Hardback, 488 pages, Size:220 x 280 mm, Illustrations:300 col., Language: English. ISBN 9782503589350.‎

‎Summary The Religious Architecture of Islam is a wide-ranging multi-author study of the architectural traditions associated with the religion of Islam across the globe. A total of 59 essays by 48 authors are presented across two volumes, Volume 1: Asia and Australia and Volume 2: Africa, Europe, and the Americas. Essays address major themes across historical and contemporary periods of Islam and provide more focused studies of developments unique to specific regions and historical periods. The essays cover Islamic religious architecture broadly defined, including mosques, madrasas, saints' shrines, and funerary architecture. The Religious Architecture of Islam both provides an introduction to the history of Islamic architecture and reflects the most recent scholarship within the field. TABLE OF CONTENTS Hasan-Uddin Khan and Kathryn Blair Moore - Introduction Background Themes Heba Mostafa - Locating the Sacred in Early Islamic Architecture Nezar AlSayyad and ?pek T reli - The Mosque in the Urban Context D. Fairchild Ruggles - Gardens as Places of Piety and Faith Imdat As - Complex Patterns and Three-Dimensional Geometry in Islamic Religious Architecture Matthew Saba and Michael A. Toler - Archives and Archival Documents in the Study of Islamic Religious Architecture West and Central Asia Abeer Hussam Eddin Allahham - The Holy Mosque of Mecca Akel Ismail Kahera - The Mosque of the Prophet at Medina Kathryn Blair Moore - The Dome of the Rock through the Centuries Mattia Guidetti - The Great Mosque of Damascus through the Medieval Period Mattia Guidetti - Early Islam and Byzantine Churches Melanie Michailidis - Early Mosques in Iran and Central Asia Matthew Saba - Funerary Architecture in Iraq under the Abbasids and their Successors, 750-1250 Megan Boomer and Robert Ousterhout - Muslims, Byzantines, and Western Christians on the Haram al-Sharif Stephennie Mulder - Mosques under the Ayyubids Stephennie Mulder - Shrines in the Central Islamic Lands Melanie Michailidis - Shrines and Mausolea in Iran and Central Asia Sheila Blair - The Ilkhanids and their Successors Bernard O'Kane - Religious Architecture of Central Asia under the Timurids and their Successors Farshid Emami - Religious Architecture of Safavid Iran Oya Pancaro?lu - Islamic Architecture in Medieval Anatolia, 1150-1450 Zeynep Y rekli - Three Sufi Shrines under the Ottomans Ali Uzay Peker - Seljuk and Ottoman Mosques Imdat As - Kocatepe: The Unbuilt State Mosque of Turkey James Steele - Regionalist Expressions of the Mosque in the Arabian Peninsula and Middle East South and East Asia Alka Patel - The Sultanates in South Asia, 700-1690 Laura E. Parodi - Mughal Religious Architecture Kamil Khan Mumtaz - Badshahi Masjid, Lahore Kamil Khan Mumtaz - The Architecture of Sufi Shrines in Pakistan Imran bin Tajudeen - Pre-Islamic and Vernacular Elements in the Southeast Asian Mosques of Nusantara Nancy S. Steinhardt - The Mosque in China Hasan-Uddin Khan - The Great Mosque of Xi'an (Qing Zhen Si) Australia Tammy Gaber - New Australian Mosques‎

书商的参考编号 : 65110

‎Katrin G nther‎

‎Rubens‎

‎, K nemann, 2017 Hardcover, 264 pages, 19 x 19 cm, German/English/spanish/Dutch/French. ISBN 9783741919992.‎

‎Rubens - Rubens‎

书商的参考编号 : 70036

‎Katrijn van Bragtt‎

‎Study of a Young Woman An exceptional glimpse into Michaelina Wautiers studio (1604-1689)‎

‎Antwerp, Phoebus Focus XIX, 2020 Paperback, 102 pages, 21,1 x 14,1 x 1,1 cm. Illustrated. Text in NL. ISBN 9789082746778.‎

‎Phoebus Focus 19 - Study of a Young Woman An exceptional glimpse into Michaelina Wautier's studio (1604-1689)‎

书商的参考编号 : 56305

‎Katharina Van Cauteren‎

‎Suzanna en de ouderlingen. MeToo in de tijd van Hendrick De Clerck (ca. 1560-1630)‎

‎, Phoebus Focus XXX, 2023 Softcover, 152 pag. NL, 21 x 14,8 cm , ill. Phoebus Focus XXX NL ISBN 9789464666144.‎

‎De Brusselse schilder Hendrick De Clerck (ca. 1560-1630) was in zijn dagen een gevierd kunstenaar. Met de regelmaat van de klok werkte hij voor de aartshertogen Albrecht en Isabella en hun Europese netwerk. Ook voor de rest van de beau monde in de Spaanse Nederlanden penseelden De Clerck en zijn atelier honderden taferelen bij elkaar, waaronder moraliserende Bijbelse voorstellingen zoals de Suzanna en de ouderlingen die centraal staat in deze editie van Phoebus Focus. Het thema van Suzanna komt al voor in de beeldende kunst sinds de eerste eeuwen van het christendom. Pas in de zestiende eeuw krijgt Suzanna artistiek echt vleugels. Onder de veilige paraplu van een moraliserende levensles, biedt haar verhaal het perfecte excuus voor een tafereel in het teken van zinnenprikkelend naakt. Hoewel Hendrick De Clerck sierlijke maar suggestieve gewaden over zijn Suzanna drapeert, geeft ze in deze editie van Phoebus Focus alsnog alles bloot.‎

书商的参考编号 : 61111

‎Kathy de N ve ; Fabien M relle‎

‎Underneath the Bark / Dessous l' corce ENG / FR‎

‎, Lannoo, 2019 Hardcover, 224 pages, ENG / FR, 285 x 235 mm, NEW / NOUVEAU, illustrations in colour b/w. ISBN 9789401457927.‎

‎- One hundred drawings and a selection of sculpture by emerging French artist Fabien M relle, whose work has been exhibited worldwide to international acclaim- Winner of the 2010 Prix Canson, awarded annually for outstanding work on paper"Drawing is a line of life that I cling to in order not to fail" - Fabien M relle "A free spirit capable of creating and imposing both his highly-personal imaginary world and a similarity of meaning" - Artillery Magazine Fabien M relle is a French artist whose delicate and intricate drawings look realistic but on closer examination convey otherworldly and often disquieting subjects. Stuck to the pregnant belly of his wife, an elephant clinging on his back, or in close embrace with his father, Fabien M relle portrays himself as the protagonist in his drawings in an absurd and surrealistic play. He is known for the anatomical precision of his figures, the sea of white that surrounds them, and the dreamlike quality of his work. This book combines the highlights from his oeuvre to date, with a hundred drawings and a selection of sculptures. M relle has exhibited at The Armory Show in New York, at Art Paris, and was one of the most prominent artists in Jan Fabre's recently curated show, The Raft (Mu.Zee Oostende). In 2010, he was the first winner of the Prix Canson, awarded annually for outstanding work on paper. Text in English and French.‎

书商的参考编号 : 59547

‎Katie Treggiden , Micha Pycke, Ruth Ruyffelaere‎

‎Urban potters makers in the city‎

‎, Ludion, 2021 Paperback, 256 pages, 24 x 17 cm, English text. New. ISBN 9789493039537.‎

‎Clay is back: the age-old craft of ceramics is being embraced by a new generation of urban makers and collectors. Author Katie Treggiden explores the contemporary revival of pottery, focusing on six inspiring cities and their makers. 27 young and passionate ceramicists in New York, London, Tokyo, Copenhagen, Sydney and Sao Paulo introduce us to their work, their studios and their inspiration. Urban Potters: Makers in the City will appeal to a broad audience ? not only those who practice pottery themselves, but anyone who is interested in the handmade. The book also includes a practical source list of places to buy handmade ceramics in the six cities featured.‎

书商的参考编号 : 70798