‎Architecture‎

‎Marie-Th r se Champagne, Irven M. Resnick (eds)‎

‎Jews and Muslims under the Fourth Lateran Council. Papers Commemorating the Octocentenary of the Fourth Lateran Council (1215)‎

‎, Brepols, 2019 Hardback, 280 pages, Size:156 x 234 mm, Illustrations:2 b/w, Language: English. ISBN 9782503581514.‎

‎Summary The Fourth Lateran Council (1215) was groundbreaking for having introduced to medieval Europe a series of canons that sought to regulate encounters between Christians and Jews and Muslims. Its canon 68 demanded that Jews and Muslims wear distinguishing dress, in order to prevent Christians from entering into illicit sexual relations with them, restricted the movement of Jews in public spaces during Holy Week, and exhorted secular authorities to punish Jews who in any way "insult" or blaspheme against Christ himself. Other canons sought to exercise greater control over moneylending, to provide relief to Christian borrowers, to extract tithes from Jews who held Christian properties as pledges, and prohibited Jews from exercising power as public officials over Christians. The canons condemned converts who preserved elements from their former religion, promoted a fifth Crusade to the East, exempted Crusaders from taxes and from interest payments to Jewish moneylenders, restricted trade with Muslims or Saracens, and condemned Christians who provided arms or assistance to Saracens. The Council's canons affected the missionary efforts of the late medieval Church and its attempts to convert Jewish and Muslim minorities, and established essential guidance on minority relations not to be surpassed until Vatican II in the 1960s. TABLE OF CONTENTS John Tolan, Introduction Part I-Jews under the Fourth Lateran Council Valerie Ramseyer, Wellesley College, Rethinking Boundaries between Christian, Jewish, and Muslim Communities in Pre-Lateran IV, Southern Italy Alex Novikoff, Kenyon College, Performance and the Audio-Visual Jew in the Age of Pope Innocent III Irven Resnick, University of Tennessee-Chattanooga, The Jews' Badge Anna Sapir Abulafia, Lady Margaret Hall, Oxford University, The Fourth Lateran Council through the Lens of Jewish Service Rebecca Rist, University of Reading, From a Jewish Text: Anti-Jewish Papal Policy of the Lateran IV Decrees Part II-Muslims under the Fourth Lateran Council Ryan Szpiech, University of Michigan, Saracens and Church Councils, from Nablus (1120) to Vienne (1313-1314) Giulio Cipollone, Pontificia Universit Gregoriana, Christian and Muslim Captives Taken in Crusades and Jih?d: Not a Single Word Spoken at the Fourth Lateran Council Yvonne Friedman, Bar-Ilan University, The Crusade/Peacemaking Dichotomy: A Nuanced Approach Clara Almagro Vidal, Universidade de vora/CIDEHUS, Military Orders, Muslims, and the Fourth Lateran Council in Castile Ana Echevarria, Universidad Nacional de Educaci n a Distancia, The Marks of the Other: The Impact of Lateran IV in the Regulations Governing Muslims in the Iberian Peninsula Josep Hernando Delgado, Universitat de Barcelona, From Islam to Christianity: Preaching, Conversion, and the Religious Practices of Muslim Slaves from the Fourth Lateran Council through the Fifteenth Century Appendix Bibliography Index‎

Referenz des Buchhändlers : 66023

‎Marieke Abram, Steven Harvey, Lukas Muehlethaler (eds)‎

‎Popularization of Philosophy in Medieval Islam, Judaism, and Christianity‎

‎, Brepols, 2022 Hardback, 465 pages, Size:156 x 234 mm, Language(s):English, Arabic, Hebrew. ISBN 9782503577838.‎

‎Summary This volume explores attempts at the popularization of philosophy and natural science in medieval Islam, Judaism, and Christianity. Medieval philosophers usually wrote their philosophical books for philosophers, so the desire to convey psychological, cosmological, metaphysical, or even physical teachings to the 'vulgus' may seem surprising. This disdain for the multitude and their weak intellectual capabilities is expressed most clearly in the medieval Islamic and Jewish Aristotelian traditions of philosophy, but is certainly found among the Scholastics as well. Yet philosophy was taught to non-philosophers and via a variety of literary genres. Indeed, scholars have argued that philosophy most influenced medieval society through popular forms of transmission. Among the questions this volume addresses are the following: Which philosophers or theologians sought to direct their philosophical writings to the many? For what purposes did they seek to popularize philosophy? Was the goal to teach philosophical truths? Were certain teachings not transmitted? Which teachings were transmitted most often? For whom exactly were these popularized texts written? Were the authors of popularized philosophy always aware they were writing for non-philosophers? How did they go about teaching philosophy to a wide audience? How successful were these attempts? In what ways did popularized philosophy impact upon society? To what extent were the considerations and problems in the medieval popularization of philosophy the same or different in the various religious traditions of philosophy? How philosophical was the popularized philosophy? In addressing these questions, this pioneering volume is the first of its kind to bring together scholars of medieval Islamic, Jewish, and Christian thought to discuss the popularization of philosophy in these three religious traditions of philosophy. TABLE OF CONTENTS General Introduction ? Marieke Abram and Steven Harvey PART I: INTRODUCTORY REMARKS 1. Philosophy as Literature: Appraisal, Defence, and Satire of Rational Thought in Classical Arabic Poetry and Prose ? Gerhard Endress 2. Broadening the Audience for Philosophy Among Medieval Jews ? Charles H. Manekin 3. Popularization of Philosophy in the Latin West: The Philosophical Opportunities of Popularization ? John Marenbon PART II: POPULARIZATION OF PHILOSOPHY VIA THE MEDIEVAL ENCYCLOPEDIAS 4. Introduction ? Steven Harvey 5. Anonymous Philosophical Compendia: An Attempt at Vulgarization? ? Elvira Wakelnig 6. Levels of Philosophical Sophistication in Medieval Hebrew Encyclopedias of Philosophy and Science ? Resianne Fontaine 7. The Summa dictorum: A Theological-Philosophical Encyclopedia for Monks ? Guy Guldentops PART III: POPULARIZATION OF PHILOSOPHY VIA BOOKS OF INSTRUCTION 8. Introduction ? Sarah Stroumsa 9. Between Popularity and Marginality: al-Ba?alyaws?'s Book of Imaginary Circles ? Ayala Eliyahu 10. Rua? ?en: An Early Popular Hebrew Introduction to Science ? Ofer Elior 11. Medieval Philosophy of Nature Popularised? Albert the Great's De animalibus ? Katja Krause PART IV: POPULARIZATION OF PHILOSOPHY VIA MYSTICAL LITERATURE 12. Introduction ? Yossef Schwartz 13. Popularization of Philosophy in the Sufi Milieu: The Reception of Avicenna's Doctrine of the Origination of the Human Soul in ?Ayn al-Qu??t al-Hamad?n?'s Writings ? Salimeh Maghsoudlou 14. Myth and Metaphysics: The Popularization of Platonic and Neo-Platonic Motifs through Kabbalistic Theosophy ? Tanja Werthmann 15. Popularized Philosophy in Hendrik Herp's Mystical Guide, the Spieghel der volcomenheit ? Marieke Abram PART V: POPULARIZATION OF PHILOSOPHY VIA SCRIPTURAL EXEGESIS AND SERMONS 16. Introduction ? Howard Kreisel 17. The Conception of Philosophical Problems in Fakhr al-D?n al-R?z?'s Qur??n Commentary (Maf?t?? al-ghayb) and the Popularization of Philosophy ? Lukas Muehlethaler 18. Fifteenth-Century Synagogue Sermons ? Chaim Meir Neria 19. Approaching Wisdom: The 'Anonymous of Tegernsee' and his Translation of Bernard's Sermones super Cantica Canticorum ? Lydia Wegener PART VI: POPULARIZATION OF PHILOSOPHY VIA POETRY 20. Introduction ? Anne Eusterschulte 21. Intellectual Poetry in the Medieval Islamicate World: Verse and the Popularization of Philosophical Knowledge ? M. A. Mujeeb Khan 22. The Road to Hell is Paved with Good Philosophers: The Ladder of Knowledge in Immanuel of Rome's Hell and Heaven ? Yehuda Halper 23. 'Donna gentile': Philosophy in and around the Vita nuova ? Myrtha de Meo-Ehlert PART VII: CONCLUDING REFLECTIONS 24. Religious Critique as a Popularization of Philosophy ? Frank Griffel 25. Jewish Averroists contra the Popularization of Philosophy: The Case of the Philosophists ? Shalom Sadik 26. Popular Philosophy is the True Philosophy ? Warren Zev Harvey 27. The Modern Popularization of Medieval Philosophy ? Peter Adamson 28. Some Remarks on Vulgarization of Philosophy in the Middle Ages ? Loris Sturlese INDICES Index of Names, Ancient and Premodern Index of Names, Modern and Contemporary Index of Books, Ancient and Premodern Index of Subjects‎

Referenz des Buchhändlers : 65022

‎Marieke De Mar , Ria Bosman‎

‎Ria Bosman OVERWEGINGEN‎

‎, Posture Editions, 2025 Hardcover, 160 pages, 210 mm 297 mm, NL/ENG. *NEW. ISBN 9789491262692.‎

‎Ria Bosman (b. 1956, Beveren-Waas) is fascinated by colour and material. Her abstract oeuvre encompasses a wide range of works, including sketches and workbooks, works on paper, textile and object paintings, and monumental leather and textile structures. Her work lies at the interface between textile and painting, with a clear emphasis on the latter. A constant in her oeuvre is the systematic investigation of the effects of colour: on form, on other colours, on a variety of materials and on the surrounding space. Overwegingen is a publication by Posture Editions containing 75 works on paper. The drawings are like thought exercises, contemplative shifts, enigmatic rustlings, inner monologues, hesitant movements, whispers across fields of colour, rhythmic movements in the artist's studio. Some are preparations for her monumental fabrics, others are simply solf ge for the mind. All drawings in the book were painted between 2020 and 2025 with acrylic paint on drawing blocks. Marieke De Mar , winner of the Confituur book prize for her recent novel ?Ik ga naar de schapen?. Especially for the book, she is writing a short story inspired by Ria's drawing series. This book is published in the context of the exhibition ?OP HET RITME VAN DE STILTE? (23.03?-?09.06.2025) and realised with the support of Be-Part Platform for Contemporary Art Kortrijk & Waregem. Ria Bosman is represented by Tatjana Pieters Gallery.‎

Referenz des Buchhändlers : 68262

‎Marieke Jooren, Helewise Berger, Suzanne Veldink‎

‎Seurat‎

‎, Kroller-Muller Museum, 2014 Paperback, 144 pagina's, NL, 270 x 220 mm, in prima staat, met illustraties in kleur en z/w. ISBN 9789073313293.‎

‎Georges-Pierre Seurat was een Frans kunstschilder en tekenaar. Het werk van Georges Seurat behoort tot het pointillisme, een schilderstijl binnen het impressionisme. Hij was samen met Paul Signac de grondlegger van het 19e-eeuwse neo-impressionisme‎

Referenz des Buchhändlers : 59597

‎MARIEN Marcel‎

‎Marcel Mari n, Homogeneous heterogeneity.‎

‎, New York, Landry-Bonino Gallery,, 1972 couverture originale, agraf in-4 , 25,5 x 19,5 cm, 12 nn pp, ill. en couleur et en noir et blanc, .‎

‎(Catalogue d'exposition). New York, Galerie Landry-Bonino, 28 novembre 1972‎

Referenz des Buchhändlers : 68085

‎MARIETTE Jean.‎

‎L'Architecture françoise, ou Recueil des plans, élévations, coupes et profils des églises, palais, hôtels & maisons particulières de Paris, & des châteaux et maisons de campagne ou de plaisance des environs, et de plusieurs autres endroits de France, bâtis nouvellement par les plus habiles architectes, et levés et mesurés exactement sur les lieux.‎

‎Paris, Jean Mariette, 1727. Fort in-folio (430 x 292 mm), 1 f. n. ch., 226 pl. Veau granité, dos à nerfs pastiche richement orné, pièce de titre en maroquin rouge, coupes et coins restaurés, trait d'encre circulaire sur une planche sans gravité, restauration de papier sur une déchirure avec manque de quelques centimètres sur une planche dépliante du Palais du Louvre (reliure moderne avec plats de l'époque conservés).‎

‎"Le Grand Marot".Seconde édition du "Grand Marot", publiée par Jean Mariette sous le nom de "L'Architecture françoise" après le rachat des gravures de Jean Marot par ce dernier. Il s'agit du quatrième recueil de gravures que publia Jean Mariette (Paris, 1660-Paris, 1742) sous ce titre.Cet important recueil de planches gravées offre l'un des plus beaux panoramas de l'architecture française du Grand Siècle, mettant en lumière des oeuvres des plus prestigieux bâtisseurs du temps, dont Jean Marot lui-même, François Mansart, Lemercier, de Brosse…De près de 200 planches pour la première édition donnée par Marot, l'ouvrage fut publié avec quelques planches supplémentaire dans cette réédition de Jean Mariette, selon Millard. Toutefois, et comme l'indique ce dernier, il n'est pas rare que le volume comprenne encore quelques planches de plus comme c'est le cas de cet exemplaire qui en totalise 226.Cet exemplaire débute par cinquante-six planches d'édifices religieux, dont sept pour la Sorbonne, onze pour le Val de Grace, quatre sur l'église des Religieuses de l'Assomption, trente-deux planches de différentes églises parisiennes et deux pour l'église St Pierre à Rome. Viennent ensuite deux planches pour les Invalides, une de l'Hôpital des Suisses, deux du Temple de Charenton, une du Palais Royal, celui de Richelieu, neuf du Louvre, quatre des Tuileries, deux pour le Palais du duc d'Orléans à Blois, une pour celui de l'Electeur Palatin, soixante dix-sept planches de maisons et d'hôtels particuliers, vingt-deux de châteaux, deux du Capitole à Rome, huit sur le Temple de Balbec en Syrie, neuf d'un temple de Grèce, six de palais d'ordres ioniques et corinthiens, onze planches d'arcs de triomphe dont dix de l'invention de Marot, une planche de jardin et onze planches de tombeaux et mausolées. Trois planches ne sont pas toujours présentes, une planche intitulée "Loterie qui se devait tirer dans l'Isle Notre-Dame" et deux planche de plafonds du Louvre, ces deux dernières sont ici présentes. Parmi ces planches, 22 sont sur double page et 8 sont dépliantes. Constitué de vues, de plans, de perspectives, cet ensemble met en valeur les plus importants édifices de Paris et ses environs.Architecte, avec le titre d'Architecte des bâtiments du Roi, et graveur, Jean Marot (Paris, 1619-Paris, 1679) est l'auteur de nombreuses réalisations. Il est l'architecte des hôtels de Mortemart et de Monceaux à Paris, de la façade de l’église des Feuillantines du faubourg Saint-Jacques, des grottes des appartements de Madame de Montespan et de Madame de La Vallière au château de Saint-Germain-en-Laye, de la façade de l’hôtel de Pussort et du château de Lavardin dans le Maine ; et de projets non réalisés comme pour la façade principale du Louvre, pour le château de l'électeur palatin à Manheim ou d'Arcs de Triomphe.Bon exemplaire.Millard, I, n° 113 et n° 117.‎

Referenz des Buchhändlers : 10721

‎MARIGNAN A.‎

‎LA DECORATION DES EGLISES DE LA FRANCE SEPTENTRIONALE DU XIIe AU XIIIe SIECLE‎

‎PARIS ERNEST LEROUX , EDITEUR 1911 De la collection " PETITE BIBLIOTHEQUE D' ART ET D' ARCHEOLOGIE " , un volume in-12 broché de XIX + 334 pages non coupées , couverture rempliée légèrement salie , autrement bon exemplaire . Bon Couverture souple‎

Referenz des Buchhändlers : 009219

‎Marigny, Isabelle Desvaux De;Lagesse, Henriette Valentin‎

‎Living in Mauritius: Traditional Architecture of Mauritius‎

‎Thames & Hudson 1990. Hard Cover. Very Good/Good . 4to - over 9. Dj. shows some shelfwear rubbing no tears. Light edgewear om bds. Clean tight pages bright unmarked. 208 pp. nice color photography. Thames & Hudson hardcover‎

Referenz des Buchhändlers : 21174 ISBN : 0500236038 9780500236031

‎Marije Osnabrugge (ed)‎

‎Questioning Pictorial Genres in Dutch Seventeenth-Century Art. Definitions, Artistic Practices, Market & Society‎

‎, Brepols, 2021 Paperback, 402 pages, Size:216 x 280 mm, Illustrations:130 col., 19 tables b/w., Language: English. ISBN 9782503596242.‎

‎Summary Church interiors, cortegaerdjes, scenes of everyday life, tronies, landscapes, spoockerijen, group portraits, bambocciate, hunting scenes, history paintings, sottoboschi, still lives and many other subjects: the wide variety of pictorial genres and sub-genres in which Dutch artists specialized is a key component in our perception of Dutch seventeenth-century art. Yet the epistemological framework constituted by genre definitions, conventions and hierarchies is far from self-evident, nor does it necessarily reflect how people in the seventeenth-century thought about artworks. In fact, art literature of the period is largely silent on these matters and artists do not appear to have followed an established set of principles. This volume examines the way pictorial genres can be, and have been, defined by artists, theorists, audiences and art historians; how individual artists conceived the subject matter of their artworks; and how society and the art market contributed to the development of certain subjects. As such, it embraces the complex and often messy reality of pictorial genres in seventeenth-century Dutch art. TABLE OF CONTENTS Questioning Pictorial Genres in Dutch Seventeenth-Century Art: Introduction Marije Osnabrugge (University of Geneva) I. Defining genre The So-Called Hierarchy of Genres in Seventeenth-Century Dutch Art Theory Jan Blanc (University of Geneva) Spotting Specialists: A Digital Approach to Contemporary Concepts of Genre and Specialisation Weixuan Li (University of Amsterdam / Huygens - KNAW) The Seventeenth-Century Dutch Portrait: An Unstable Genre Ann Jensen Adams (UC Santa Barbara) The Bambocciata: Investigating a "Would-be genre" Suzanne Baverez (ENS ULM/EPHE, Paris) From Genre Scenes l'antique to genre s rieux : the Contribution of Gerard de Lairesse Tijana ?akula (Utrecht University) Definition through Appreciation: The Corporate Group Portrait from the Seventeenth until the Twenty-First Century Norbert Middelkoop (Amsterdam Museum) II. Artists and Genres Guns and Roses: Versatility and Variety in the Oeuvre of Jacques de Gheyn Susanne Bartels (University of Geneva / RKD The Hague) Otto Marseus van Schrieck and the Sottobosco Paintings: Hybrid Subject as a form of Automimesis. VE. Mandrij (Unversity of Konstanz) Rembrandt as Genre and History Painter: Picturing Pain Stephanie Dickey (Queen's University, Kingston) Defining the Hybrid Genre in the Context of Saenredam's Perspectives Helen Hillyard (Dulwich Picture Gallery, London) The 'Little Street' - Vermeer's Writing on the Wall Reindert Falkenburg (NYU Abu Dabi) III. The Market and Society The Dominance of History Painting: Social Class and Subject Matter of Paintings in Amsterdam, 1650-1700 Angela Jager (University of Geneva) Rethinking Swanenburg: The Rise and Fortune of New Iconographies of the 'Hell' in Italy and the Northern Netherlands Tania De Nile (MiBAC, Rome) La Sc ne de Corps de Garde comme Autorepr sentation L onard Pouy (Haute cole de la Joaillerie, Paris) Honour and Shame in Dutch Seventeenth-Century Art and Culture Wayne Franits (Syracuse University)‎

Referenz des Buchhändlers : 65091

‎Marijn Everaarts, Matthias Depoorter, Griet Steyaert, e.a.‎

‎Oog in oog met Hugo van der Goes, Oude meester, nieuwe blik‎

‎, Hannibal Books, 2022 Gebonden, hardcover, , 292 x 245 mm, 144 pages Nederlandse uitgave. . ISBN 9789464366723.‎

‎In deze fascinerende introductie tot het werk en leven van de Vlaamse primitief Hugo van der Goes (ca. 1440-1482/1483) belichten verschillende experts en onderzoekers de virtuositeit van de meester himself. Zijn Dood van Maria is een van de belangrijkste werken in de wereldbefaamde collectie Vlaamse schilderkunst van Musea Brugge. Na een intensieve restauratie van vijf jaar komt het meesterwerk weer volledig tot zijn recht met talloze schitterende elementen, een fel kleurenpalet en recent ontdekte details. Oog in oog met Hugo van der Goes ? Oude meester, nieuwe blik biedt een inkijk in het tijdloze en hedendaagse karakter van het topstuk en besteedt aandacht aan de iconische waarde van een te ontdekken oeuvre. Met tekstbijdragen van Matthias Depoorter, Lieven De Visch, Marijn Everaarts, Sibylla Goegebuer, Griet Steyaert en Anne van Oosterwijk. Publicatie naar aanleiding van de tentoonstelling Oog in Oog met de Dood. Hugo van der Goes, oude meesters, nieuwe blikken in het Sint-Janshospitaal in Brugge van 28 oktober 2022 tot 5 februari 2023.‎

Referenz des Buchhändlers : 60057

‎MARIJNISSEN, R.H.‎

‎WERKEN VAN BRUEGEL UIT NEDERLANDS EN BELGISCH OPENBAAR BEZIT.‎

‎Amsterdam / Brussel, Nederlandse Stichting Openbaar Kunst, 1969 Ingenaaid, beige linnen hardcover met goudopdruk, 27.4x23.8 cm., 88 pp., 55 illustraties in kleur en in z/w.‎

‎kunstcatalogi, Bruegel, Pieter, Stedenbouw, Architectuur, Kunst, Fotografie, Film, Radio, Televisie, Bruegel, Pieter (de Oude), schilderkunst, Schilderkunst‎

Referenz des Buchhändlers : 55125

‎MARIJNISSEN, Roger H.;‎

‎BRUEGEL, Arcade, 1969 FR‎

‎, Brussel, Arcade, 1969 Reli , avec couverture, titre dor et cachet dor sur la planche avant, dos d cor de titre dor , couverture originale illustr e en couleur, 27x30,5cm, 387pp, illustr e n / b et en couleur.‎

‎Biographie. Le temps et le travail de Bruegel. Tableau synoptique. Le livre est en bon tat.‎

Referenz des Buchhändlers : 54824

‎Marijnke de Jong en Irene de Groot‎

‎ORNAMENTENPRENTEN IN HET RIJKSPRENTENKABINET 1: 15 EN 16 EEUW‎

‎, Sdu Uitgevers 1988, 1988 Softcover, 327 pagina's, Nederlands, 297 x 210 mm, met 664 prenten en illustraties, Index, zeer veel informatie voor de liefhebber. ISBN 9789012055819.‎

Referenz des Buchhändlers : 55994

‎Marika Ceunen‎

‎Energie op waterkracht : Leuvense watermolens van weleer Volume 13‎

‎Ppaerback, 60 pâgina's, NL, 250 x 180 mm, goed, met afb. in kleur.‎

‎Marilee Boyd Meyer ; David Acton ; Beverly K. Brandt‎

‎Inspiring Reform : Boston's Arts and Crafts Movement‎

‎, Harry N. Abrams, 1997 Hardcover, 248 pages, English, 365 x 230 x 30 mm, In Fine Condition!.,Oblong, Illustrated dustjacket, illustrations in colour / b/w. ISBN 9780810963412.‎

‎This book reproduces more than 150 works dating from the 1890s to the 1930s. They include examples of furniture, ceramics, metalwork, jewellery, textiles, photography, book arts and typography, and wood-block prints. Boston's Society of Arts and Crafts was the first such organization in the USA. Published to mark the centenary of its founding, and examining Boston's role in the growth of the nation's Arts and Crafts movement. Essays by specialists explore each medium, and there is also discussion of Boston's many reform societies, settlement houses, trade schools, craft workshops and publishers, which helped to propel the Arts and Crafts movement to national significance.‎

Referenz des Buchhändlers : 55060

‎Marilyn Bridges‎

‎This Land Is Your Land : Across America by Air‎

‎, Aperture Book 1997, 1997 Hardcover, 106 pages, English, 325 x 290 mm, book in fine condition, with pictures in b/w, . ISBN 9780893816049.‎

‎This Land Is Your Land offers a unique perspective on the American landscape, making the familiar fantastic, as well as an aesthetic experience of dizzying proportions. Marilyn Bridges takes us on an inspiring journey, as we look down together on the fleeting moments and lasting signatures of the United States that are etched on our continent. An aerial photographer who has explored ancient cultures around the world for more than a decade, Bridges has now focused her attention on a subject no less intriguing: the grandeur of America. By flying and photographing at low altitudes, and by maintaining a sensuous closeness with her subject, Bridges avoids the simplistic representation of landscape as mere design. Divided regionally, This Land Is Your Land accents the variety of America, but follows civilization's uneasy interaction with the environment as a common thread. We see the earth shaped and reshaped to service humanity. Monuments rise to celebrate our achievements even as nature wards off intrusion. Fledgling communities spring up among lava and sand. Scars left by clear-cutting, mining, and nuclear waste raise concerns for the future. Yet here, too, there is ironic wit. The towering presidential portraits at Mount Rushmore appear dwarfed by surrounding mountains. The Statue of Liberty hides in plain sight, completely swathed in scaffolding. From the intimacy of a farmhouse to the majesty of the Grand Canyon, Bridges's original vision provides an unequaled perspective on the land in which we live. In the Book's Essay by acclaimed writer William Least Heat-Moon, and the Afterword by Bridges, we are given insight into the photographer's working process and the inspiration behind her images. Certainly, This Land Is Your Land contains an urgent environmental message; in every photograph we sense a longing for a purer time, before humanity dismissed the land's indigenous curves and flow in favor of the urban grid. Still, Bridges offers no facile solutions or sentimental appeals. Faced with the jumble of American progress, we look for a vision of nature as idyllic--only to be awed by the savage forces unleashed by Mount St. Helens and the Kilauea volcano. Never what you expect, This Land Is Your Land provides page after page of visual surprises. The book inspires in us a haunting and profound admiration for a vibrant land which will prevail long after our civilization has gone.‎

Referenz des Buchhändlers : 56628

‎MARIMEKKO FABRICS FASHION ARCHITECTURE‎

‎5514‎

‎In Pristine Condition. unknown‎

Referenz des Buchhändlers : Aav, Marianne, ed

‎MARIN DE CARRANRAIS F. ( De )‎

‎L'ABBAYE DE MONTMAJOUR. Etude historique d'après les manuscrits de D. CHANTELOU et autres documents inédits.‎

‎Typographie Et Lithographie Marius Olive' Marseille 1877 In-8 ( 250 X 160 mm ) de 162 pages, cartonnage de papier bois à la bradel, dos lisse janséniste avec pièce de titre de maroquin bronze, tête dorée, couvertures conservée ( Reliure signée de RANDEYNES et Fils ). EDITION ORIGINALE. Rousseurs passim, bel exemplaire bien relié enrichi d'un envoi autographe signé de DE MARIN DE CARRANRAIS.‎

Referenz des Buchhändlers : 744745

‎Marina Warner, Dorothy Cross, Ralph Rugoff (Editor), Patrick Murphy‎

‎Dorothy Cross‎

‎, Charta, 2005 Hardcover 144 pages with 244 illustrations including 216 in colour.. ISBN 9788881585335.‎

‎Irish museum of modern art,‎

Referenz des Buchhändlers : 53942

‎Marinatos, Spyridon‎

‎A BRIEF GUIDE TO THE TEMPORARY EXHIBITION OF THE ANTIQUITIES OF THERA‎

‎Heavy foxing to some pages. Creasing to corners of front wrap. ; 39pp, illustrated. ; Guides: No. 32; 39 pages‎

‎Marinatos, Spyridon‎

‎Kreta und das mykenische Hellas. Aufnahmen von Max Hirmer. Mit 278 Tafeln, davon 42 mit montierten Farbtafeln.‎

‎Mchn, Hirmer 1959. 4°. 63, (1) S., 1 Bl., (Tafeln), (65)-130 S. OLwd mit OU. Teils leicht stockfleckig. Schutzumschlag beschädigt.‎

Referenz des Buchhändlers : 52589AB

‎Marines, Louis L. - Hay, Roger D.‎

‎D. Roger Hay. The Essence of Root Meaning‎

‎Mm 240x320 "Architects and Studies". As new - come nuovo. Volume in copertina rigida originale, 104 pagine profusamente illustrate, perlopiù a colori, nel testo in lingua inglese - english text. Spedizione in 24 ore dalla conferma dell'ordine.‎

‎MARINI Luciano P.‎

‎La Basilique des Frari.‎

‎Venise, Ardo, Editions d'art, 1979. 19 x 24, 58 pp., nombreuses illustrations en couleurs, broché,très bon état.‎

‎texte en français.‎

Referenz des Buchhändlers : 43874

‎Marini P. Luciano‎

‎La Basilique des Frari‎

‎Ardo 1979 in4. 1979. Broché.‎

‎Bon Etat de conservation intérieur propre propre accroc sur le haut du premier plat petite tache sur la première page‎

Referenz des Buchhändlers : 100129136

‎Marino, Peter‎

‎The architecture of Chanel.‎

‎London., Phaidon., 2021. 37 x 29 cm. 277 S. Schwarzer OLeinen mit schwarzem Schnitt mit illustriertem OUmschlag. OKassettenschuber., 2523E First Published. Tadelloses Exemplar.‎

‎Durchgehend mit Aufnahmen, Grundrisszeichnungen, Handzeichnungen und teilweise Inneneinrichtungsaufnahmen der jeweiligen Chanel Geschäftsräume in New York, Chicago, Miami, Los Angeles, Istanbul, Singapore, Seoul, Hong Kong, Nanjing, Tokyo und Osaka. Text in Englisch.‎

Referenz des Buchhändlers : 2523EB