‎Architecture‎

‎Amouroux, Dominique et Christian Sarramon.‎

‎De pierre et de brique villes, villages et maisons en midi-pyrénées.‎

‎Éditions DS 1982 conseil régional de l'ordre des architectes de Midi-Pyrénées. In-4,160 pages, nombreuses illustrations en couleurs et . Cartonné éditeur illustré en couleurs.‎

‎Les textes sont de Dominique Amouroux et les photos de Christian Sarramon. Dessins dans le texte d'introduction par Robert Fort pour le C.A.U.E. du Tarn.‎

Riferimento per il libraio : DZN-1645

‎AMOUROUX (Dominique)‎

‎De pierre et de brique.‎

‎Paris, Conseil régional de l'Ordre des Architectes, 1982 In-4, cartonnage d'éditeur illustré, 159 p., nombreuse photographies en couleurs.‎

‎Cartonnage très lég. frotté, sinon bonne condition. - Frais de port : -France 4,95 € -U.E. 9 € -Monde (z B : 15 €) (z C : 25 €)‎

Riferimento per il libraio : 532597

‎AMOUROUX (Dominique) - SARRAMON (Christian).‎

‎De pierre et de brique. Villes, villages et maisons en midi-Pyrénées.‎

‎Editions DS, Conseil Régional de lOrdre des Architectes, 1982, in-4, reliure déditeur illustrée, photos couleurs, illustrations, discrète signature du précédent propriétaire de cet ouvrage en queue de la petite page de titre. Bel Exemplaire.‎

Riferimento per il libraio : 4315

‎Amos Rapoport (Sous la direction de)‎

‎Pour Une Anthropologie De La Maison‎

‎Dunod 1973 In-8 broché, 205 pp.‎

‎Bon état d’occasion‎

Riferimento per il libraio : 138516

‎AMODIO A. De , Directeur‎

‎Vieilles Maisons Françaises n° 52 . Avril 1972 : Les Châteaux Privés - Le Paysage Breton - Le Dessin De DON - La Chronique De Beaumesnil - Pouzauges - Lettre de Mon Moulin - Château De Magnitot - La Houssaye Près De Sens‎

‎Paris Au Bureau 1972 In 8 Suite du sommaire : La belle histoire du moulin de la galette - Cadrans solaires - Le parc naturel du Haut Languedoc - Préservons l'esprit du Languedoc - Les deux châteaux de Fages ( Dordogne ) - Nuisement-Aux-Bois - Ces vieux murs de feuillus vêtus . Photographies et nombreux dessins , schémas . Architecture . - 126 p. , 350 gr.‎

‎Couverture souple Très Bon État . 1° édition‎

Riferimento per il libraio : 009908

‎AMODIO A. De , Directeur‎

‎Vieilles Maisons Françaises n° 54 . Octobre 1972 : L'abbaye De Longpont - Le Château De Saint-Brice - La Maison Noble De La Garlaie - Les Girouettes En Anjou - Le Château de Laclotte - Le prieuré De La Haute-Eglise - Le Château De Rouville‎

‎Suite du sommaire : Cadran solaire - Le Château de la Métairie . Photographies et nombreux dessins , schémas . Architecture . - 126 p. , 350 gr.‎

‎Amouroux (Dominique), Sarramon (Christian)‎

‎Bâtiments public. Une nouvelle génération.‎

‎français In-4 de 182 pp.; broché de l'éditeur. Collection Architecture "Les bâtiments ". Riche iconographie. Petites usures au dos.‎

‎AMOUROUX Dominique‎

‎Quand la matière devient forme. Atelier d'architecture A. F. Rodier‎

‎Graphite, 1983. In-8 broché de 91 pages illustrées. Bon état‎

‎Amphibien. - Flanderky, P.:‎

‎Frösche und Unken.‎

‎O.O., O.J. (um 1940). Farbiger Offsetdruck auf festem Papier. Bildformat: 62 x 87 cm.‎

‎Schulwandbild. - Knitterfaltig.‎

Riferimento per il libraio : 210DG

‎Amrhein James‎

‎Reinforced Masonry Engineering Handbook: Brick and Other Structural Clay Units‎

‎Macmillan. Ex Library. Oversize Hardback. Very Good/Good. Ex-library with the usual stamps stickers etc. Binding is solid and text/interior is clean and free of marking of any kind. Contents include: Materials Loads Retaining walls Design of reinforced masonry structural members Formulas for reinforced masonry design Walls Detailing of reinforcing steel Building details Explanation of tables and diagrams Use of . same etc. Macmillan hardcover‎

Riferimento per il libraio : 127033

‎Amsonei Wolfgang‎

‎Contemporary European Architects‎

‎Taschen. Non daté. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 160 pages. Nombreuses photos en couleurs dans et hors texte. Texte en français, anglais et allemand. Plats contrepliés en un rabat. Trace d'étiquette sur le premier plat. . . . Classification Dewey : 720-Architecture‎

‎Classification Dewey : 720-Architecture‎

Riferimento per il libraio : RO20241464

‎AMSONEIT Wolfgang‎

‎CONTEMPORARY EUROPEAN ARCHITECTS. Volume I.‎

‎Köln, Benedikt Taschen, 1991; in-4 softcover, 160 pp, illustrations. In english-french & german. Very Good Condition.‎

Riferimento per il libraio : 46509

‎AMSLER Christine; FATIO Olivier (préf.); KELLER Pierre et LOMBARD Thierry (avant-propos):‎

‎Maisons de campagnes genevoises du XVIIIe siècle. Tome 1.‎

‎Genève, Domus Antiqua Helvetica, 1999. Fort volume in-4 à l'italienne, pleine soie grise, jaquette couleurs.‎

‎Importante iconographie en noir et en couleurs. Edition originale tirée à 2000 exemplaires. En belle condition.‎

Riferimento per il libraio : 15487

‎Amstein, Jakob‎

‎Wie verschaffe ich mir ein nützliches Heim? Praktisches Handbuch für Anfänger, Laien, Baumeister, Haus- und Landbesitzer.‎

‎Bern, K. J. Wyss, 1914. 8°. 49 S. Mit 6 Tafeln u. 2 Plänen. Illustr. Orig.-Halbleinenband. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +‎

‎Durchgehend leicht gebräunt. Schnitt etwas stockfleckig. Der Einband berieben.‎

Riferimento per il libraio : 26274AB

‎Amy Faulkner, Francis Leneghan (eds)‎

‎Age of Alfred. Rethinking English Literary Culture c. 850-950‎

‎, Brepols, 2024 Hardback, 600 pages, Size:156 x 234 mm, Illustrations:18 b/w, 2 col., 5 tables b/w., Language:English. ISBN 9782503606651.‎

‎King Alfred the Great (r. 871-899) remains a key figure in English literary history. Although his reputation as a scholar who was personally responsible for the translation of a number of Latin works is no longer secure, the figure of the wise king nevertheless casts a long shadow over vernacular writing from the late ninth century through to the twelfth. This volume takes stock of recent developments and debates in the field of Alfredian scholarship and showcases new directions in research. Individual chapters consider how English authors before, during, and after Alfred's reign translated and adapted Latin works, often in innovative and imaginative ways. Other contributions provide new contexts and connections for Alfredian writing, highlighting the work of Mercian scholars and expanding the corpus beyond the works traditionally attributed to the king himself. Together, these essays force us to rethink what we mean by 'Alfredian' and to revise the literary history of the 'long ninth century'.‎

Riferimento per il libraio : 63029

‎Amy Seyrig Will‎

‎Le temple de bel a palmyre - texte et planches‎

‎Librairie orientaliste paul geuthner 1975 infolio. 1975. Relié.‎

‎couverture légèrement défraîchie quelques rousseurs sur tranches intérieur propre bonne tenue‎

Riferimento per il libraio : 100111913

‎Amy Neff‎

‎Soul's Journey. Franciscan Art, Theology, and Devotion in the Supplicationes variae‎

‎, Brepols, 2019 Hardback, xviii + 354 pages, Size:245 x 297 mm, Illustrations:244 col., Language: English. ISBN 9780888442109.‎

‎Summary The Biblioteca Medicea Laurenziana in Florence houses an extraordinary manuscript: an anthology of devotional texts and images called the Supplica tiones variae, dated 1293 and made for use in Genoa, that ends with a remarkable series of full-page illustra tions. Although the Supplicationes does not include or illustrate Bonaventure's seminal text, The Soul's Journey into God, the manuscript is effectively the site for performance of a spiritual pilgrimage, for it is through the Franciscan theologian's mystical and poetic concepts that the deeper meanings of its images can be discerned. The decorative program of the Supplicationes mirrors Bonaventure's theology of Christ as Center. Circular in composition, the introductory drawing of the Dextera dei visualizes the book's underlying thematics of the center, while at the manuscript's actual midpoint, Christ is pictured as the Man of Sorrows, who conjoins opposites, human suffering and divine glory. Yet the manuscript is also a progressive journey of ascent. In the Supplicationes, as in Bonaventure's influential book, the path to salvation begins in the world, where humankind has fallen away from God. In its Labors of the Months and marginal drolleries, the manuscript's calendar gives unusual emphasis to the hard work, ignorance, sin, and distance from God that are part of earthly existence. But there is hope: even imperfect human nature innately reaches upwards, craving relief from misery. God answers human neediness, Bonaventure writes, with the gift of prayer, and the Supplicationes pictures this gift in an unusual miniature depicting Trinitarian grace descending on David in prayer. David becomes a model for the reader's subsequent journey through the manuscript's progressively higher levels of prayer, from the vocal prayers of psalms and offices to the contemplative prayer of reading. But it is especially remarkable that in this Franciscan book the highest level of prayer consists in contemplating images. In the sequence of tinted drawings that closes the book, text yields to image, as the reader-viewer performs a non-verbal, experiential imitatio Christi, perusing the thirty-three illustrations of Christ's life as if following the number of years of his life, and passing through Christ's humanity to salvation.‎

Riferimento per il libraio : 66022

‎Amyx, D. A.‎

‎CORINTHIAN VASE-PAINTING OF THE ARCHAIC PERIOD [3 VOLUME SET] Vol. I: Catalogue; Volume II: Commentary: the Study of Corinthian Vases; Vol. III: Indexes, Concordances, and Plates‎

‎Vol. II: Lower corners bumped. Vols 1 & 3: NF. ; 143 plates at end. ; 3 Volume Set; Vol. 1/3/2022; 809 pages‎

‎AMÓN, Santiago (1927-1988).‎

‎Picasso.‎

‎Madrid, Visor, 1989. 4to. mayor; 239 pp. y 16 láminas en color y blanco y negro fuera de texto. Encuadernación original en tela.‎

‎An Van Camp‎

‎BRUEGEL TO RUBENS : GREAT FLEMISH DRAWINGS‎

‎, Ashmolean Museum, Oxford, 2024 Softcover, 244 pages, ENG. edition; 280 x 220 mm, NEW , 180 colored illustrations / 10 b/w. ISBN 9781910807590.‎

‎Many of the drawings coming from Antwerp are registered on the Flemish Government's Masterpieces List and will not be shown again for the next five to ten years to protect them from fading Highlights will include a sketchbook in which a young Rubens has copied Holbein's Dance of Death woodcuts, intricate pen and ink drawings by Pieter Bruegel, meticulously drawn miniatures by Joris Hoefnagel, portrait studies by Anthony van Dyck, and a rare survival of a friendship album containing numerous drawings and poems dedicated to its owner Two recently discovered drawings by Rubens will also be included, a design for a book-illustration on optics and an anatomical study of three legs. This catalogue will accompany the Bruegel to Rubens exhibition held at the Ashmolean Museum in Oxford between 22 March and 23 June 2024. Through a selection of over 100 world-class drawings created by Flemish artists in the sixteenth and seventeenth centuries, an insightful and comprehensive overview will be given into how these drawn sheets were used as part of artistic practice, within or beyond the artist's studio. By revealing the drawings' function, rather than on their attribution or iconography, these sheets will become more fully understood through the eyes of contemporary readers. Identifying how and why these sheets were created will render these artworks more accessible to a wider audience. The three main essays will each deal with one of the principal functions of drawings at the time: studies (copies and sketches), designs for other artworks (paintings, prints, tapestries, metalwork, stained glass, sculpture and architecture), and finally the independent drawings. Each essay will discuss the relevant works within their functional context and compared with other related objects. Introductory chapters will focus on what precisely can be considered a drawing, including its materials, media and techniques, in addition to an attempt to explain the notion of Flanders and Flemish art. Emphasis will be placed throughout the catalogue on how Flemish artists collaborated in creating the most astonishing artworks of their time, unveiling their networks and friendships, as well as their travels across Europe, revealing their international importance. The exhibition is a partnership with the Museum Plantin-Moretus in Antwerp and will bring together for the first time the most stunning drawings from both the Ashmolean and the Plantin-Moretus collections, in addition to further loans from renowned Antwerp and Oxford institutions like the Rubenshuis and Christ Church Picture Gallery. Many of the sheets coming from Antwerp are registered on the Flemish Government's Masterpieces List and will not be shown again for the next five to ten years to protect them from fading. Prominent artists featured in this catalogue include Pieter Bruegel the Elder, Peter Paul Rubens, Anthony van Dyck, and Jacques Jordaens, among many others.‎

Riferimento per il libraio : 63253

‎Anastasia Young‎

‎Art et techniques de la bijouterie.‎

‎, Vial, 2016 Hardcover with dusjacket 320 pages Texte en Francais, Illustrations en couleurs en noir & blanc nombreuses illustrations dans et hors texte. 22.5 x 3 x 26 cm BON ETAT . ISBN 9782851011534.‎

‎Ce guide pr sente, tape par tape, les principales techniques (sculpture, modelage, fonte, sertissage, enfilage, etc.) et mati res utilis es pour r aliser des bijoux.‎

Riferimento per il libraio : 63988

‎Anastasia Drandaki‎

‎Late Antique Metalware. The Production of Copper-Alloy Vessels between the 4th and 8th Centuries. The Benaki Museum Collection and Related Material‎

‎, Brepols, 2021 Paperback, 410 pages, Size:216 x 280 mm, Illustrations:250 col., 5 tables b/w., Languages: English, Greek, French. ISBN 9782503569413.‎

‎Summary The book examines the fourth- to eighth-century copper alloy wares in the Benaki Museum, using them as the basis on which a wider debate about the production, circulation and use of copper vessels in Late Antiquity can be built. It is an attempt at a holistic approach to this rich but as yet little studied material. Apart from the necessary typology and dating, the study also includes systematic discussion of questions regarding the alloys used in the manufacture of the copperwares and the techniques employed in their production and decoration. The study of primary sources provided evidence about the late Roman and Medieval Greek terminology associated with each group of objects, as well as interesting information about the distribution of various types of vessels, the context in which they were used and the value their owners placed on them, while also containing useful references to the coppersmiths themselves. Most of the Benaki copperwares were acquired on the Egyptian market and can be connected with the rich local production in the Late Roman and Early Islamic period. Yet the study of these artefacts showed that they have striking similarities with a wide range of archaeological material discovered over an extremely large geographical area, from the Eastern Mediterranean to Italy, Germany, Spain and the UK. The geographical spread of copper alloy wares that follow a parallel development in different parts of the empire and also appear almost contemporaneously in Western European burials reignites the debate on the production centres and subsequent modes of distribution of these artefacts. In turn these issues touch on the long-standing debate on the so-called 'Coptic bronzes' and the actual role of Egypt in the overall production of and trade in these articles in Late Antiquity. TABLE OF CONTENTS Contents Forewords Introduction Part ?. Types of vessels 1. Small bowls 2. Three-footed bowls 3. Footed bowls 4. Bowls with horizontal handles 5. Bowls with long spouts 6. Bowls with moveable handles 7. Bottles and Ewers 8. Ladles 9. Spoons - forks - strainers 10. Buckets 11. Amphoriskoi 12. Flasks 13. Lighting devices 14. Censers Part ?. 15. Technical results 16. Workshops 17. Forms and decoration Conclusions Sommaire Appendix: Catalogue of the copper alloy vessels in the Benaki Museum Byzantine Collection Map Abbreviations - Bibliography Index‎

Riferimento per il libraio : 65468

‎Ana Di guez, Angel Rodriguez Rebollo (eds)‎

‎Pictor Doctus, between Knowledge and Workshop. Artists, Collections and Friendship in Europe, 1500-1900‎

‎, Brepols, 2022 Paperback, 279 pages, Size:216 x 280 mm, Illustrations:11 b/w, 70 col., Language(s):English, Spanish. ISBN 9782503589084.‎

‎Summary Recent research on the collections treasured by artists during their lifetime, or those collections they had access to, has contributed significantly to the understanding of their own compositions. Traditional historiography has favoured the study of the royal and aristocratic collections that could have inspired artists rather than of the artists' own collections. Only those of the 'great' artists, such as Rubens, Bernini, Vel zquez or Mengs, have been comprehensively examined. In the eighteenth century, the notion of collecting itself was transformed. An aesthetic taste was fostered and developed through the gathering of objects, and the personal collection of an artist could therefore provide the key to a more thorough understanding of their production. The nineteenth century witnessed artists bequeathing their collections to different institutions, sometimes even creating their own institutional collection. Architects, painters, sculptors and goldsmiths assembled some of the most important artistic collections of their time in their workshops. TABLE OF CONTENTS Introduction. The Pictor Doctus and the Artists' Collections: From Taste to a Training Resource ? Ana Di guez-Rodr guez & ngel Rodr guez Rebollo I. Learning from the Artistic Collections, Libraries and Workshops Pablo de C spedes, arte y humanismo en su biblioteca. Una nueva propuesta de interpretaci n en torno a su colecci n bibliogr fica ? Alejandro Jaquero-Esparcia Bernardino Poccetti as Collector ? Alexander R stel & Grant Lewis ?Ha muerto Rubens?. El eco de su colecci n en el rey de Espa a ? Mat as D az Padr n Francisco de Sol s, Collector of Drawings ? ngel Rodr guez Rebollo & Isabel Garc a-Tora o II. Coteries: The Role of the Friendship and the Academies Vicente Carducho's Modelling of Artistic Practice and Connoisseurship ? Tiarna Doherty Between Guild and Academy: Collections of Central European Painters as a Source of Artistic Progress or a Steady Livelihood? ? Tom ? Vale? French Barbizon Landscapes Collected by Pre-Raphaelite and Aesthetic Movement Artists in the second half of the Nineteenth Century ? Sarah Herring Women Painters and Academicians: Models and Collections ? Mari ngeles P rez-Mart n III. Artists at the Court: Experience and Erudition Court Institutions and their Impact on Artworks by the valet de chambre Artists Serving at the Valois-Burgundian Court during the Fifteenth Century ? Oskar Rojewski Vel zquez and the Royal Collection. Opening the Pandora's Box ? Miguel Hermoso Cuest Index of Names‎

Riferimento per il libraio : 64806

‎Ana Sous ; Annette Lagler‎

‎Roland Mertens : Same Same But Different‎

‎, Roland Mertens, 2014 Hardcover, 123 pages, ENG / GER.,305 x 255 x 20 mm, In Very Good Condition, illustrated in color / b/w. ISBN 9783000475894.‎

Riferimento per il libraio : 63189

‎Ana G. Canizares‎

‎Outdoor Spaces Good Ideas‎

‎Collins Design 2006. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item1350grams ISBN:9780060893231 Collins Design paperback‎

Riferimento per il libraio : 6828086 ISBN : 0060893230 9780060893231