‎Architecture‎

‎Christian Schoen ; Eva Heisler, Halld r Bj rn Run lfsson, translation : Shauna Laurel Jones‎

‎ICELANDIC ART TODAY‎

‎, Hatje Cantz, 2009 Hardcover, 336 pages, ENG. edition, 300 x 245 x 30 mm, in Very Good Condition, illustrated in color / b/w. ISBN 9783775722957.‎

‎Art in Iceland is as young as it is exciting. Considering the fact that Icelandic culture is strongly oriented toward language, the visual arts did not begin developing until the early twentieth century. This situation, which is remarkable for a Western country, may explain the unique nature of the contemporary art scene in Iceland. Even though international Conceptual Art continues to exercise a considerable influence and globalization is affecting this island in the North Atlantic, Icelandic art is nevertheless marked by a very specific creative energy and the pleasure of experimentation, and it has produced a large number of outstanding artists. Icelandic Art Today introduces fifty important protagonists of contemporary art , among them Finnbogi P tursson, Gabr ela Fridriksd ttir, Helgi Thorgils Fr dj nsson, Icelandic Love Corporation, Katr n Sigurdard ttir, Margr t H. Bl ndal, lafur lafsson + Libia Castro, Ragnar Kjartansson, R r , Steingr mur Eyfj rd.‎

书商的参考编号 : 63408

‎Christiane L. Joost-Gaugier‎

‎Islamic Elements in the Architecture of Puglia‎

‎, Brepols, 2019 Paperback, 220 pages, Size:220 x 280 mm, Illustrations:1 b/w, 234 col., Language: English. ISBN 9782503580319.‎

‎Summary Puglia is one of the most extraordinary parts of Italy. Inhabited for over 8,000 years, this region has experienced almost every type of civilization known to the European world. Little has been written in English about the surviving Neolithic and aboriginal Italic remains of Puglia, its rich architectural heritage of Greek, Roman, Early Christian, Byzantine, Angevin French, Romanesque, Gothic, Renaissance, Baroque, and even its modern monuments. This book focuses on the important Islamic contribution to the architecture of Puglia, a contribution that was centered in the once Muslim city of Lucera and subsequently came to be of significance for the building of Christian cathedrals and churches in this beautiful region, little known to the outside world.? Lucera exemplifies all the periods of architecture noted above, and is, in addition, unique because it was a protected Muslim island in a sea of Christianity during the High Middle Ages - at the very time Christians were conducting crusades against the infidel. Thus the individuality of the place stands alone, among the many ancient cities of Puglia, because it was once a Muslim world. This book shows how Lucera had always been an important center in ancient times and how it came to be an Islamic city. It spotlights the accomplishments of the Muslims, and the influence they left - despite the brutal extermination they endured in the early 14th century - on the architecture of Lucera and other cities in north and central Puglia, including such important centers as Troia, Trani, Bitonto, Canosa, Altamura, Gravina, Giovinazzo, Terlizzi, Pietramontecorvino, Bisceglie, Ruvo, Castel del Monte, Molfetta, Bovino, San Severo, and Foggia. Thus the seventeen towns and cities whose architecture is studied and illustrated in this volume serve to highlight the Islamic legacy in Puglia, a part of Italy which is known - and revered by those who know - for its archaeological, classical, and Romanesque relics. TABLE OF CONTENTS Chapter 1: Introduction: Puglia, the Background Chapter 2: The Setting: Lucera - The 'Shining Light' of Puglia Chapter 3: The Creation of a Muslim Colony Chapter 4: The Muslims in Lucera and a Brutal Goodbye Chapter 5: The First Building of the New (Christian) Lucera, its Cathedral Chapter 6: The Fourteenth Century Context: The Survival of Muslim Elements in Christian Lucera Chapter 7: The Legacy of Islam is Not Forgotten in Lucera to Modern Times Chapter 8: Muslim Elements in the Buildings of Surrounding Towns and Cities: Bitonto, Ruvo di Puglia, Terlizzi, Castel del Monte, Altamura, Gravina, and Giovinazzo Chapter 9: Muslim Elements in the Buildings of Surrounding Towns and Cities: Bisceglie, Trani, Molfetta, Canosa, Troia, Bovino, Pietramontecorvino, San Severo, and Foggia Chapter 10: Conclusions: The Significance of Lucera and the Muslim Legacy for Puglia‎

书商的参考编号 : 65897

‎CHRISTE Yves‎

‎Jugements Derniers‎

‎La Pierre-Qui-vire Zodiaque 1999 Grand In Quarto Jaquette illustée en couleurs . Collection " Les Formes de la Nuit " . Illustrations très nombreuses en couleurs hors-texte sur papier couché et noir et blanc , cartes et plans . Calligraphie soignée , paragraphes aérés , grandes marges . Qualité unique de ces ouvrages à offrir en cadeau . Beaux Arts . Architecture . Religion . Spiritualité . - 372 p . , 2 kg 700 gr.‎

‎Couverture rigide Comme neuf Jaquette neuve‎

书商的参考编号 : 020450

‎Christopher D. Roy, Benjamin Schwarz‎

‎Kilengi. Afrikanische Kunst aus der Sammlung Bareiss‎

‎Hannover, Kestner-Ges, 1997 Leinen, 426 Seiten, 32.5 x 25 cm. viele Abbildungen Deutscher text.‎

‎Ausstellung 30. August - 19. Oktober 1997. Im Almanach des Blauen Reiters ver ffentlichten Franz Marc und Wassily Kandinsky 1912 auch afrikanische Skulpturen aus Kamerun, neben zahlreichen Bildern unterschiedlicher Ethnien, Zeichnungen von Kindern, Laien sowie Volkskunst und Beispiele aus der europ ischen Kunst. Gesucht und entdeckt wurde in der afrikanischen Kunst das "Urspr ngliche", die gro e Kraft aller tief empfundenen Kunst. Der Blaue Reiter, der keine strenge programmatische Ausrichtung verfolgte, griff mit dem Blick auf Afrika einen Aspekt auf, den Picasso 1905 bei seiner ersten Begegnung mit afrikanischer Kunst thematisierte und den die " Fauves "-K nstler fast leitmotivisch verfolgten. Wie die K nstler der "Br cke" in Dresden, so gingen auch die M nchner "Blauen Reiter" in die V lkerkundemuseen, um f r ihre eigene Kunst dort Anregungen zu finden. Seit dieser ersten ffnung der Augen durch die Avantgardisten in der Zeit vor dem Ersten Weltkrieg ist das Interesse an afrikanischer Kunst lebendig geblieben. Zu berraschend und origin r sind die vielf ltigen Gestaltungsmittel im plastischen Bereich, um nur in der einen oder anderen Lesart aufgebraucht werden zu k nnen. Neben formalen Kriterien ist auch der Umgang mit den unterschiedlichen Materialien voll gro er berraschungen. In der Sammlung Bareiss sind zahlreiche Masken, Skulpturen, St be, Throne u. a. vorhanden, die nicht unter puristischen Gesichtspunkten "bereinigt" wurden, sondern noch Textile, Federn, Bastgeflecht etc. haben und so die Verbindung mit dem Kost m des T nzers aufzeigen. Die Skulpturen lassen so trotz der Statik musealer Pr sentation ihren "bewegten" Sinn erkennen. Unter dem Gesichtspunkt einer von Aktion und Performance belebten Kunst erhalten so diese afrikanischen Kunstwerke eine neue Qualit t. Zahlreiche Abbildungen in dem Text von Christopher D. Roy tragen hier zu einem besseren Verst ndnis bei. "Walter Bareiss Leidenschaft f r afrikanische Kunst ist langsam gewachsen. Als treibende Kraft seiner Sammelt tigkeit wirkte nicht wie bei vielen anderen die Bedeutung afrikanischer Kunst f r die abstrakte Moderne. Ihn faszinierte die enge Verflechtung der Kunstformen mit der Mythologie und Religion und ihre Rolle in der Tradierung von Wissen und der Bes nftigung von Naturkr ften. Der rote Faden, der sich durch seine Auswahl zieht, ist die pers nliche Begeisterung f r die sthetische Kraft der Objekte, Kilengi - Freude, die durch Sch nheit entsteht." (Peter Noever).‎

书商的参考编号 : 66457

‎Chris Dercon‎

‎Koen Theys Home-Made Victories‎

‎, MER. Paper Kunsthalle, 2013 Hardcover, 256 pages , ENG, 290 x 235 mm, in good order, illustrations in colour, *** With inscription and signed by the Artist ISBN 9789490693961.‎

‎S.M.A.K. presents the first major retrospective of the Belgian video artist Koen Theys ( 1963, Brussels). Theys was one of the founding fathers of the Belgian video art scene since the early eighties and stood at the cradle of the discourse around video art in Belgium and by extension throughout Europe. In his work Theys combines a thorough substantive and formal research on video art as a medium, with a very expressive - referring to a baroque aesthetic - imagery, often combined with references to the European and Belgian cultural and political history. The work of Theys was collected early by MOMA (New York) and Centre Pompidou (Paris). The book will survey his monumental video and photography-based works from the early 80s until now. Met HOME-MADE VICTORIES brengt S.M.A.K. de eerste grote overzichtstentoonstelling van Koen Theys ( 1963, Brussel), een pionier van de Belgische videokunst. De tentoonstelling is opgevat als een doorsnede van Theys' oeuvre van de vroege jaren '80 tot nu.‎

书商的参考编号 : 59003

‎CHRIST Yvan et Ionel SCHEIN‎

‎L'oeuvre et les rêves de Clauce-Nicolas LEDOUX (1736-1806). Richement illustré (reproductions de documents (cartes, gravures, dessins et 64 photographies en noir des vestiges de l'oeuvre) et documenté. Notes et légendes par Jacques OHAYON.‎

‎Ledoux et don temps ; Ledoux et notre temps.‎

‎Editions du Chêne 1971. Petit in-4 (25 x 24) relié, couverture ornée d'orig., 204 pages sur papier cartonné avec sommaire, planches, photos, notice biographique, bibliographie.‎

书商的参考编号 : AUB-951

‎CHRIST (Yvan), SCHEIN (I.).‎

‎L'oeuvre et les rêves de Claude-Nicolas Ledoux.‎

‎Paris Chêne 1971 1 vol. relié in-4 ,cartonnage illustré, 201 pp., nombreux dessins en noir. Très bon état.‎

书商的参考编号 : 99354

‎CHRIST Yvan ; Ionel SCHEIN‎

‎L'oeuvre et les rêves de Ledoux‎

‎CHËNE 1971 In-8 relié. État correct d’occasion.‎

‎Etat correct d’occasion‎

书商的参考编号 : 59960

‎Christopher Vane Percy‎

‎Lalique : A Collector's Guide‎

‎, Crescent Books 1989, 1989 Hardcover, 192 pages, ENG, 305 x 235 mm, book itself is in good condition, illustrations in colours and b/w. ISBN 045863690951.‎

‎Presents the creations of the most successful glassmaker of the 20th century, with details on the origin, value and techniques used in many of Lalique's finest bottles, ashtrays and clocks‎

书商的参考编号 : 59341

‎Christopher White ; Debbie Wayment‎

‎later Flemish pictures : In the collection of her Majesty the Queen‎

‎, Royal Collection Enterprises Limited, 2007 Hardcover, 421 pages, English, 310 x 255 x 40 mm, 240 colour illustrations, Condition as New. ISBN 9781902163635.‎

‎The Royal Collection contains one of the finest and most varied collections of Old Master paintings in the world. The 147 works catalogued in the present volume are by Flemish artists who were active principally in the seventeenth century; they include a large and outstandingly good group of genre paintings by David Teniers the Younger, and other paintings by such diverse artists as Jan Brueghel, Gonzalez Coques, Frans Francken, Frans Snyders, Karl Philips Spierincks and Jan Wildens. The most important group of works, however, are those by Rubens. The full range of the artist's practice is represented in the collection. There are works that are entirely by his hand, and others that were carried out either with known collaborators or with the help of his studio. The introduction to the catalogue gives a fully documented history of the growth of the collection from the early Stuarts to the reign of Queen Victoria. The close relations Charles I enjoyed with Rubens are discussed in detail, and there is a full account of the important acquisitions made by later members of the royal family, notably Frederick, Prince of Wales and George IV.‎

书商的参考编号 : 55008

‎Christophe Bertiau, Dirk Sacr (eds)‎

‎latin et la litt rature n o-latine au XIXe si cle. Pratiques et repr sentations‎

‎, Brepols, 2020 Paperback, v + 299 pages, Size:160 x 240 mm, Languages: French, English, Italian. ISBN 9789492771322.‎

‎Summary Le XIXe si cle est connu comme l' poque o l'essor des nationalismes et des langues nationales en Europe a d finitivement rel gu le latin aux marges du monde social. Or, si le latin conna t alors un ind niable d clin, il n'en demeure pas moins tout un temps une langue importante pour les nations modernes. Le pr sent volume tudie les manifestations d'une tradition linguistique pluris culaire qui ne s'est pas teinte l'aube de la modernit . Fruit d'une collaboration internationale, il rassemble des contributions portant sur diff rents pays d'Europe occidentale et centrale. Les auteurs retracent l'histoire du latin au XIXe si cle, s'interrogent aussi bien sur les raisons de son succ s que sur celles de son d clin et pr tent une attention particuli re aux aspects th matiques et stylistiques des textes. La litt rature n o-latine, qui n'est pas indiff rente au surgissement des romantismes europ ens, est pass e la loupe. L'ouvrage met galement en vidence l'inflexion que l'inspiration latine antique a pu donner une oeuvre po tique en langue moderne. TABLE OF CONTENTS Christophe Bertiau, "Le latin, une mati re ?bourgeoise?? Sur le d clin du latin dans l'enseignement l' poque contemporaine" The article refutes the received idea of Latin being a "bourgeois" school subject. It states on the contrary that the political and economic rise of the bourgeoisie accounts for the decline of Latin in secondary education during the last two centuries. Although Latin kept its dominant position in the curriculums throughout the nineteenth century, its supremacy was increasingly challenged by certain exponents of the bourgeoisie, who demanded school learning to be more markedly connected to the professional world. Jan Spoelder, "The decline of Latin as the academic language at Dutch universities and its consequences for education in Latin" In the eighteenth century, Latin lost its status as the universal scholarly language in countries like France, Germany and Britain. However, the Royal Decree of 1815 provided that Latin remained the exclusive academic language in the Kingdom of the Netherlands. More and more tension arose between maintaining classical educational ideals and the with to use the vernacular. Only when the Act on Higher Education was passed in 1876, this meant in practice the end of the mandatory use of Latin at Dutch universities. This new situation also ended the raison d' tre of the Latin school, the kind of education that had prepared for university entrance in the towns of the Dutch Republic and the later Kingdom. This type of school was reorganised to meet the altered requirements of the modern time under the name of Gymnasium. This school, with compulsory Greek and Latin, is still flourishing magnificently at the moment. Patrizia Paradisi, "Il latino nelle cerimonie ufficiali del Regno d'Italia, dall'Universit di Bologna al Campidoglio a Roma (Gandino, Albini e Pascoli)" Patrizia Paradisi stresses the significance Latin displayed for the official ceremonies of the Kingdom of Italy at the time of Giovanni Battista Gandino, Giuseppe Albini and Giovanni Pascoli. It thus appears how Latin was used to compose speeches, letters, an inscription for a medal, a hymn or a journal on the occasion of various ceremonies. Giacomo Dalla Piet , "L'evoluzione stilistica del latino all'interno della curia romana nel secolo XIX" Giacomo Dalla Piet sketches how the Latin style of encyclical letters developed during the nineteenth century. He interprets the adoption of a high style, which was to become increasingly Ciceronian, under the pontificate of Leo XIII as testament to the latter's universalist project and new way of conceiving papacy. ?ime Demo, "Stubborn persistence at the outskirts of the West: Latin in nineteenth-century Croatia" The article gives an insight into the status of Latin in nineteenth-century Croatia. Latin retained there until the mid-century a decided importance as a means of international communication, as a political instrument, as a medium of instruction or as a literary language. However, Croatian tended towards more and more superseding Latin in its uses. As a result, Latin was hardly ever used outside Church and education in the second half of the century. Neven Jovanovi?, "Two gentlemen-translators from nineteenth-century Dubrovnik" The author analyses the Latin translations of Antonio Sivrich and Blasius Ghetaldi, two poets from Dubrovnik. He compares how both translators worked and reflects upon the reasons why they rendered into Latin Italian sonnets and anacreontic poems (Sivrich) or Ivan Gunduli?'s Croatian epos Osman (Ghetaldi). Svorad Zavarsk , "?Et meus vere paradisus audit: mandra, poesis?: The poetry of Antonius Faber" Svorad Zavarsk presents the work of the neo-Latin poet from Bratislava Antonius Faber. He affirms that the main interest of A.?Faber's little classical poetry is its originality. This poetry can be seen as a compromise between traditional neo-Latin poetry and the romantic revival. It epitomises quite good the linguistic situation of Hungary at that time, where the national language was more and more often preferred to Latin. Florian Schaffenrath, "Antonio Mazzetti's neo-Latin epic poem on Emperor Ferdinand I (1838)" Florian Schaffenrath tackles a panegyric (gratulatio) addressed by Antonio Mazzetti to Emperor Ferdinand?I and examines its reception. He highlights the enthusiasm this poem motivated by current political affairs elicited, even though Latin verses no longer were in fashion. Antonino Zumbo, "Scrivere una novella romantica in versi latini: il Polymetron di Giovanni Andrea Vinacci" The article deals with the Polymetron, a romantic short story written in Latin verses by Andrea Vinacci. The story displays a Byronian inspiration and is located in the nineteenth-century Italian independence wars. Both these characteristics suggest that far from a mere formal dialogue with the Ancients has neo-Latin literature always attempted to stay in tune with its time. Romain Jalabert, "Des vers latins romantiques, en France" Romain Jalabert shows that a whole part of nineteenth-century French neo-Latin poetry was opened up to Romanticism. Original Latin poems inspired by Romanticism and Latin translations of poems in modern languages were no oddities. Schools played a leading role in this new tendency. Alphonse de Lamartine enjoyed great success as a source of inspiration for Latin poets. Dirk Sacr , "Colonel William Siddons Young (1832-1901) as a Latin poet" Dirk Sacr presents the life and work of the atypical British neo-Latin poet Colonel William Siddons Young (1832-1901). Young was an army officer in the Bengal civil service. Although some Latinists considered him as the greatest living Latin poet, his Latin verses display imperfections and he rapidly fell into oblivion after his death. But because of his atypical profile, he could serve the cause of Latin as a universal language. Through the figure of Young, this article provides us with an overview of the evolution of living Latin in the late nineteenth century. Marie-France David-de Palacio, "Un epigrammaton liber fin-de-sie cle: les ?latineries? de Jean Richepin" This contribution demonstrates on the basis of Jean Richepin's "Latineries" how a writer can breath new life into his own poetic language by imitating ancient authors. Whereas the style models on the epigrams of Roman Antiquity, and more specifically of Martial, the content exhibits a "Gallic" character.‎

书商的参考编号 : 65842

‎CHRIST (Yvan).-‎

‎Le Louvre et les Tuileries. Histoire architecturale d'un double palais.‎

‎P., Tel, 1949, grand in 4° broché, 156pp. ; texte sur deux colonnes ; couverture rempliée ; très importante iconographie.‎

‎PHOTOS sur DEMANDE. ...................... Photos sur demande ..........................‎

书商的参考编号 : 22188

‎CHRIST YVAN‎

‎LES CATHEDRALES DE FRANCE / CHEFS-D'OEUVRE DE L'ART SACRE / L'OUVRAGE LE PLUS COMPLET ET LE MIEUX DOCUMENTE QUI A DEJA PASSIONNE 150 000 LECTEURS.‎

‎DES DEUX MONDES. 1963. In-4. Cartonné. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur frais. 215 pages illustrées de nombreuses photos et dessins et croquis en noir et blanc - Jaquette en bon état conservé sous jaquette transparente et illustrée d'une photo en noir et blanc.. Avec Jaquette. . . Classification Dewey : 720-Architecture‎

‎Classification Dewey : 720-Architecture‎

书商的参考编号 : R320012445

‎Christoph Grafe (ed). Texts: Bernard Colenbrander, Christoph Grafe, Bram van Kaathoven, Jannah Loontjens, Bart Tritsmans. Photography: Michiel De Cleene‎

‎Linkeroever. Sprong over de Schelde / Across the river‎

‎, BE] VAi , 24.50 Paperback, 255x200mm, 208p, English / Dutch (NL) edition . ISBN 9789492567024.‎

‎Voor veel inwoners van de stad Antwerpen is Linkeroever onbekend terrein. Vanaf de oevers van de Schelde ziet de overkant van de rivier eruit als een verzameling hoge gebouwen, zwevend boven een groene strook. Hoewel herinneringen aan zomeravonden op het Sint-Annastrand deel uitmaken van het collectieve geheugen van de stad, wordt Linkeroever vaak over het hoofd gezien en vergeten. Het is 'aan de andere kant van de rivier' - een deel van de stad, maar toch ver weg. In 2016 lanceerde de Antwerpse stadsbouwmeester Christian Rapp een internationale ideeenwedstrijd met de expliciete ambitie om Linkeroever tot het voorwerp van ontwerpend onderzoek te maken en om het debat over het belang van dit deel van de stad voor heel Antwerpen aan te zwengelen. De wedstrijd was een zoektocht naar Leitbilder ? visies die een beeld geven van wat de toekomst van de stad zou kunnen zijn. Linkeroever. Sprong over de Schelde is bedoeld als meer dan louter het verzamelen van de inzendingen. In het boek vormt dit initiatief het uitgangspunt voor het opnieuw aan de orde stellen van de bredere vragen over de huidige stand van zaken in stedenbouw en ontwerp. Als Linkeroever een stad is die op het punt staat plaats te vinden, dan markeren dit boek en deze wedstrijd het begin van die ontwikkeling. For many of the city's inhabitants, the Antwerp Linkeroever is unknown territory. From the banks of the Scheldt, the opposite side of the river appears as a series of high-rise buildings hovering over a green strip. Although recollections of summer evenings on the beach of Sint-Anna are part of the collective memory of the city, the Linkeroever is often overlooked and forgotten. It is 'across the river' - a part of the city, yet also something separate. In 2016, Antwerp City Architect Christian Rapp launched an international ideas competition, with an explicit ambition to address the Linkeroever as an object of design research and to start the debate on the importance of this part of the city for the whole of Antwerp. The competition looked for Leitbilder - images that offer a vision on what the future of the city might be. Linkeroever. Across the River intends to extend beyond merely collecting the results of the competition. Instead, it takes this initiative as the starting point for readdressing larger questions about the state of urban development and design today. If the Linkeroever is a city about to happen, this book and the competition wish to mark the start of this journey.‎

书商的参考编号 : 50699

‎Christian Laes, Irina Metzler (eds)‎

‎Madness in the Ancient World: Innate or Acquired? From Theoretical Concepts to Daily Life‎

‎, Brepols, 2023 Paperback, 360 pages, Size:156 x 234 mm, Illustrations:11 b/w, 23 col., 1 tables b/w., Language: English. ISBN 9782503601908.‎

‎Summary This is the first book volume ever to study the ?difficult' subject of congenital, intellectual disability in the ancient world. The contributions cover the Ancient Near East, Egypt and the Graeco-Roman world, up to the late ancient period, China, the rabbinic tradition, Byzantium, the Islamic world, and the Middle Ages in the Latin West. The engaging and thought-provoking chapters combine careful textual analysis with attention to the material evidence and comparative perspectives, not the least those offered by disability history for recent periods in history. TABLE OF CONTENTS Acknowledgements Hidden in Plain Sight or Simply Untraceable? The Challenge of Studying Intellectual Disability in the Ancient World (Christian Laes) ?Mad Bones': Tracing Mental Disability in the Bioarchaeological Record and its Possible Socio-Economic Implications in Past Societies (Chryssa Bourbou) Dagger of the Mind: Macedonian Kings and Chronic Traumatic Encephalopathy (CTE) (Alexandra F. Morris) The Quest for Down Syndrome (and Other Symptoms) in Antiquity (Edgar Kellenberger) Excluded from the Kingdom or Leading the Revolution? M roi and the Question of Intellectual Disability in New Testament Writings (Dominika Kurek-Chomycz & Emma Swai) Brain Injury and Intellectual Disabilities in Early and Medieval China: Two Case Studies (Olivia Milburn) The Shoteh in Rabbinic Sources: Intellectual Disability or Mental Illness? (Lennart Lehmhaus) Searching for Intellectual Disability in Byzantium (Fotis Vasileiou) Fools in Arabic Medicine and Hospitals: Medical, Social and Economic Studies (Peter E. Pormann) Incapacitas mentis: Medieval Musings about Congenital Fools (Irina Metzler) Living Creatively with Intellectual Disabilities: A Father's Observations as an Opportunity for Historical Research (Edgar Kellenberger) Source Index General Index‎

书商的参考编号 : 63243

‎Christian Etheridge, Michele Campopiano (eds)‎

‎Medieval Science in the North. Travelling Wisdom, 1000-1500‎

‎, Brepols, 2021 Hardback, 232 pages, Size:156 x 234 mm, Illustrations:10 b/w, 5 col., Language: English. ISBN 9782503588049.‎

‎Summary Medieval science has become an increasingly popular area of academic interest over the past couple of decades, but much of this work has up to now concentrated on France and the Mediterranean, while relatively little attention has been paid to the north of Europe. This has led to the assumption that Northern Europe stood aside from the mainstream of scientific knowledge in the Middle Ages, when in fact the region was a vital part of the medieval network of scientific scholarship. This important volume aims to redress the balance in scholarship by bringing together for the first time a collection of studies on medieval scientific knowledge that focuses on both Scandinavia and England. The essays gathered here examine topics as wide-ranging as the intellectual network between Denmark and Paris; the role of Dominican friars in spreading scientific knowledge in Scandinavia; the practical application of technology by English armourers; fragments of scientific manuscripts found in early modern Swedish documents; the use of scientific volumes and descriptions of university life in medieval Icelandic literature; and fresh insights into the careers of the English scientists Roger of Hereford, Roger Bacon, and Robert Grosseteste. Together, these papers show the dynamism and depth of science in the medieval North, and offer new insights into how scientific wisdom travelled through, across, and between the peoples of this region. TABLE OF CONTENTS Acknowledgements Introduction - CHRISTIAN ETHERIDGE AND MICHELE CAMPOPIANO Roger of Hereford and the Transformation of Computus in Twelfth-Century England - C. PHILIPP E. NOTHAFT Travelling Optics: Robert Grosseteste and the Optics behind the Rainbow - GILES E. M. GASPER, BRIAN K TANNER, SIGBJ RN S NNESYN AND NADER EL-BIZRI Language and Wisdom: Mathematics and Astronomy in Bacon s Edition of the Secretum secretorum - MICHELE CAMPOPIANO Wisdom's Trips to Denmark - STEN EBBESEN Medieval Scientific Book Fragments Held in Swedish and Finnish Archives: The Tantalizing Remains of a Greater Scientific Corpus - CHRISTIAN ETHERIDGE Friars of Science: Dominican Transmission and Usage of Scientific Knowledge in Medieval Scandinavia - JOHNNY GRANDJEAN G GSIG JAKOBSEN Master Perus of Arabia: An Exemplary Magician in Medieval Iceland - MARTEINN HELGI SIGUR SSON Science in Medieval Fiction: The Case of Konr s saga keisarasonar - FLORIAN SCHRECK Continental Ironmongers, Whalers, Smugglers, and Craftsmen: Immigration and Trade Routes and their Influence on the London Armourers' Industry - BRAD KIRKLAND‎

书商的参考编号 : 65119

‎Chrystel Bernat, Fr d ric Gabriel (eds)‎

‎motions de Dieu. Attributions et appropriations chr tiennes (XVIe - XVIIIe si cle)‎

‎, Brepols - Ecole Pratique des Hautes Etudes, 2019 Paperback, 404 pages, Size:156 x 234 mm, Illustrations:12 b/w, Language: French. ISBN 9782503583679.‎

‎Summary Parler de Dieu suppose de lui attribuer des qualit s qui montrent combien sa nature diverge de celle de l'homme. De sa perfection d coulent notamment l'impassibilit et l'immutabilit . D s lors, comment parler d' motions de Dieu, puisque les mouvements, le d r glement et l'alt ration qu'elles pr sument renvoient, d s l'Antiquit , la faiblesse et la passivit humaines ? Ces motions divines traversent pourtant bien l'Ancien Testament, qui pr sente un Dieu tour tour afflig , offens , en col re, aimant et prenant piti de ses cr atures. Ces anthropomorphismes doivent-ils tre lus de mani re all gorique, comme la preuve d'une inad quation s mantique et d'une intention p dagogique ? Est-ce parce que ce sujet r siste que le vaste courant d'histoire des motions l'a d laiss ? L'implication affective du Fils a pourtant t d cisive pour appr hender la sp cificit chr tienne et l'empathie divine comme source de consolation supr me. Notre volume se situe l'intersection de ce double angle mort th matique de l'histoire des motions, et chronologique de l'histoire de la th ologie de la souffrance de Dieu qui n glige l' poque moderne. Il propose d' largir l'enqu te aux gestes sociaux dans lesquels les motions de Dieu sont impliqu es. En quel sens peut-on parler d' motions divines ? Par qui, dans quels cadres et quelles intentions sont-elles mobilis es ? quels titres sont-elles r v latrices de la difficult penser la divinit ? Les embarras narratifs, ontologiques, ex g tiques et confessionnels auxquels donnent lieu ces motions divines se d ploient ici dans des cadres th ologiques, homil tiques, litt raires, et plus largement oratoires, th traux et guerriers. TABLE OF CONTENTS Chrystel Bernat, Avant-propos. motion et divinit : valeur heuristique d'un paradoxe doctrinal Fr d ric Gabriel, Introduction. Les motions de Dieu : situation et histoire d'un probl me Piroska Nagy, Liminaire. motions de Dieu au Moyen ge : de la passivit la compassion Premi re partie : Matrices bibliques et philosophiques, entre immutabilit de Dieu et anthropopathie Gilbert Dahan, Les motions de Dieu dans l'ex g se m di vale Alberto Frigo, Affectiones Dei : les d bats sur les passions divines dans la scolastique m di vale et postm di vale Brigitte Tambrun, Le Dieu des sociniens serait-il sujet toutes les passions humaines ? Laurent Thirouin, Quand il est parl de Dieu la mani re des hommes : l'irritation de Dieu chez Pascal Deuxi me partie : Combats et justice : dynamiques de l' motion divine V ronique Ferrer, Jamais le soleil radieux ne se courrouce : l'interpr tation confessionnelle de la col re divine dans le contexte r form des pers cutions (XVIe et XVIIe si cles) Silvia Mostaccio, Dieu la guerre. Les motions de Dieu et la guerre de Quatre-vingts ans aux Pays-Bas espagnols Chrystel Bernat, La dilection divine. Usages et enjeux d'une proximit lective dans la litt rature pastorale huguenote en temps de pers cution (XVIIe et XVIIIe si cles) Troisi me partie : Transpositions et mises en sc ne Audrey Duru, Sensibilit divine et communaut motionnelle dans la trag die humaniste biblique : le Jepht latin de Buchanan (1554) et ses traductions fran aises (1566-1601) Claudie Martin-Ulrich, Les motions de Dieu dans l'oraison fun bre de la Renaissance fran aise : un cas d' cole ? Paula Barros, De la sobre intemp rance divine la sanctification des passions humaines : motion et spiritualit dans l'Angleterre du premier XVIIe si cle Fr d ric Gabriel, La Passion comme mise en sc ne de l' motion : rh torique et christologie chez Jacques Biroat S bastien Drouin, Postface. Divines motions humaines‎

书商的参考编号 : 66073

‎Christian Hanak, Eva Horun (dir.)‎

‎New Architecture in Copenhagen 2007/2008‎

‎Danish Architecture Centre, Copenhagen, 2008. In-4, broché sous couverture rempliée et illustrée en couleur, 81 pp. City / Christianshavn - Frederiksberg - Norrebro / Bispebjerg - Versterbro / Kongens Enghave - Osterbro - Vestamager - Sundbyerne - Vanlose / Bronshoj - Husum - Valby - Greater Copenhagen‎

‎Nombreuses illustrations en couleur in texte.Ouvrage en langue anglaise. --- Plus d'informations sur le site archivesdunord.com‎

书商的参考编号 : 2722

‎Christophe Van Gerrewey‎

‎Nikolaas Demoen Labyrinth‎

‎, Posture Editions Nr 34, 2020 HB, 297 x 210 mm, 72 pages, Illustrated. ENG edition. ISBN 9789491262357.‎

‎Labyrinth takes us on a walk through the spaces constructed within the pages of the book and visualises a world in which the exit can?t be found. With the morphology of the house (windows, doors, steps and curtains) and the theatre (curtains, stage, perspective), a world is evoked in which nothing can serve as a point of reference. The experience is similar to surfing on the internet, scrolling through instagram, unfolding the gallery map of Art Brussels or shopping in a French supermarket. All images in the book are woodcuts. Christophe Van Gerrewey has written a text that actually creates an imbroglio. The entire book is printed in letterpress. The book launch coincides with the screening of Demoen?s film Papers, books and bolero, on view at Kunsthal Gent. Book launch at Kunsthal on 7 Feb 2020.‎

书商的参考编号 : 64015

‎Christ Yvan‎

‎Notre dame de paris‎

‎Vilo 1974 80 pages 20x12. 1974. Broché. 80 pages.‎

‎Bon Etat‎

书商的参考编号 : 134629

‎Christoph Mauntel, Klaus Oschema (eds)‎

‎Order into Action. How Large-Scale Concepts of World-Order determine Practices in the Premodern World‎

‎, Brepols, 2022 Hardback, 332 pages, Size:156 x 234 mm, Illustrations:5 b/w, 16 col., Language: English. ISBN 9782503590462.‎

‎Summary The construction and application of models that order complex phenomena such as 'the world' is not a 'neutral' activity: theoretical models and ideas help us to perceive and categorize the information conveyed by experience and tradition alike; in turn, they also influence the behaviour and actions of individuals and groups. Collecting a global series of case studies on premodern societies, this volume proposes new approaches to research into premodern models of world-order and their effects. With its focus on the period between c. 1300 and 1600, it seeks to open up fresh perspectives for premodern Global History and the analysis of phenomena of transcultural contact and exchange. Focussing on religious, political, and geographical ideas and models, the contributions explore whether and how large-scale concepts influenced or even determined concrete actions. The examples include socio-religious concepts (Christianity, terra paganorum, d?r al-?arb), political concepts (empire) and geographical notions. A special section is dedicated to comparative insights into societies in Sub-Saharan Africa, Australia, and pre-Columbian America. Taken together, the contributions underline the importance and effects of historically shaped cultural traits in the long term. TABLE OF CONTENTS List of Illustrations, Acknowledgements Introduction: Creating Order and Causing Action ? Klaus Oschema and Christoph Mauntel D?r al-?arb vs terra paganorum: On the Practical Implications of Circumscribing the Sphere of the 'Infidels' ? Daniel G. K nig The Concept of Christendom: Christianitas as a Call to Action ? Nora Berend A 'Medieval Islamist' Versus an 'Arab Machiavelli'? The Legacy of the Mamluk Scholars Ibn Taym?ya (1263-1328) and Ibn Nub?ta (1287-1366) ? Albrecht Fuess The Mongol World-Order: From Universalism to Glocalization ? Michal Biran Between Universal Empire and the Plurality of Kingdoms: On the Practical Influence of Political Concepts in Late Medieval Latin Europe ? Christoph Mauntel and Klaus Oschema Imperial Geography and Fatherly Benevolence: The Chinese World Order and the Construction of its Margins ? Donatella Guida The Advent of the Black Magus: Moving towards a Continental Hierarchy ? Michael Wintle Beyond Eurasia ? the African Contribution to the Pre-Modern World: Examining the Global and the Local in the Kilwa Sultanate, East Africa ? Mark Horton Seeing Through the Rainbow: Aboriginal Australian Concepts of an Ordered Universe ?Veronica Strang Translating Otherworlds: The Encounter of Pre-Columbian and European Cosmologies in Colonial Missionary and Indigenous Texts from Highland Guatemala ? Frauke Sachse *** Index‎

书商的参考编号 : 64944

‎Christian T mpel, ; Joods Historisch Museum‎

‎Oude Testament in de schilderkunst van de Gouden Eeuw‎

‎, Uitgeverij W Books B.V. 1991, 1991 Paperback, 272 pagina's, NL , 280 x 230 mm, in prima staat, met talrijke foto's / illustraties in kleur en z/w,. ISBN 9789066303188.‎

‎De Gouden Eeuw is een periode in de Nederlandse geschiedenis die goeddeels samenvalt met de zeventiende eeuw. De noordelijke Nederlanden, die samen de Republiek der Zeven Verenigde Nederlanden vormden, maakten een bloeiperiode door op gebied van handel, wetenschap en kunsten. Ook wat betreft haar politieke en militaire macht (vooral ter zee) nam de Republiek in de wereld een vooraanstaande positie in. De bloeitijd van de noordelijke Nederlanden, tot uitdrukking gebracht in de metafoor gouden eeuw, wordt gezien als belangrijke nieuwe fase in de ontwikkeling van de westerse beschaving. Deze metafoor, ontstaan in de negentiende eeuw, is algemeen verbreid, maar heeft ook regelmatig discussie opgeroepen.[1]‎

书商的参考编号 : 58386

‎CHRIST, Yvan.‎

‎Paris des utopies. Paris tel qu’il aurait pu être. Nouvelle édition revue, corrigée et considérablement augmentée.‎

‎Paris, Balland 1977, 320x240mm, 206pages, cartonnage illustré de l’éditeur. Bon état.‎

‎Pour un paiement via PayPal, veuillez nous en faire la demande et nous vous enverrons une facture PayPal‎

书商的参考编号 : 55680

‎Christ (Yvan)‎

‎Paris des utopies. Paris tel qu’il aurait pu être‎

‎Balland 1977 In-4 relié. 154 pages. Grand in-4 31 x 24 cm. Reliure cartonnée illustrée de l’éditeur, 154 pp., illustrations en noir.. Très bon état d’occasion.‎

‎Très bon état d’occasion‎

书商的参考编号 : 2379

‎Christoph Stiegemann‎

‎Peter Paul Rubens und der Barock im Norden‎

‎, Imhof verlag, 2020 Hardcover with dusjacket 21,5 28 cm, 576 Seiten, 452 Farb- und 11 SW- Abbildungen. Deutsch text. ISBN 9783731909569.‎

‎Peter Paul Rubens und der Barock im Norden Katalog zur Ausstellung im Erzbisch flichen Di zesanmuseum Paderborn Paderborn Di zesanmuseum 29. Mai bis 25. Oktober 2020 Peter Paul Rubens ist der bedeutendste Meister des fl mischen Barock. Von seiner Werkstatt in Antwerpen aus verbreiteten sich seine Arbeiten, aber auch seine Bildideen in ganz Europa. Ausgehend von der barocken Neuausstattung des Paderborner Doms durch fl mische K nstler aus dem direkten Umfeld des Malers, stehen die Kunst und der sch pferische Einfluss Rubens? im Zentrum einer gro angelegten Ausstellung im Di zesanmuseum Paderborn.Der reich bebilderte Katalog zur Ausstellung, an dem f hrende Experten der Rubensforschung mitgewirkt haben, bietet ein umfassendes Panorama des fl misch gepr gten Barock und seiner bahnbrechenden k nstlerischen Innovationen und Einfl sse in Malerei und Skulptur. Er pr sentiert auch virtuose, so noch nie gezeigte Skizzen und Bozzetti von der Hand Rubens? und seiner Zeitgenossen und Nachfolger, in denen der Leser der sch pferischen Kraft ? der prima idea ? der genialen Barockk nstler ganz nahe kommen kann. Eine eigene Abteilung widmet sich dar ber hinaus Konzepten des Barock in der Gegenwartskunst. Hier sind u. a. Arbeiten von Gerhard Richter, Tony Cragg und Hans Op de Beeck zu sehen.‎

书商的参考编号 : 56005