‎Architecture‎

‎CHRISTIN E.‎

‎Documents et Matériaux. 4 Livraisons n°157, 227, 347 et 484 : MARMOUSET (Marmoset - Kleine Statuen).‎

‎"RAGUENET A. et DUCHER FILS. Non daté. In-4. En feuillets. Bon état, Livré sans Couverture, Dos satisfaisant, Intérieur frais. Fascicule de 32 pages, illustré de gravures, en noir et blanc, hors-texte. 31 x 20.5 cm. Extrait des ""Materiaux et documents d'architecture de sculpture et de tous les arts industriels."". . . . Classification Dewey : 720-Architecture"‎

‎Classification Dewey : 720-Architecture‎

Ссылка продавца : RO80088497

‎CHRISTIN E.‎

‎Documents et Matériaux. 7 Livraisons n°122, 174, 211, 301, 403, 434 et 469 : CUL-DE-LAMPE. Siebenhar - Viollet-le-Duc - Feuga et Despierr avec Miaudre - Virebent - Vandenbergh - Ballu et Deperthes - Herman - Sauvageot et Bonnet ...‎

‎"RAGUENET A. et DUCHER FILS. Non daté. In-4. En feuillets. Bon état, Livré sans Couverture, Dos satisfaisant, Intérieur frais. Fascicule de 52 pages paginées de 17 à 68, illustré de gravures, en noir et blanc, hors-texte. 31 x 20.5 cm. Extrait des ""Materiaux et documents d'architecture de sculpture et de tous les arts industriels."". . . . Classification Dewey : 720-Architecture"‎

‎Classification Dewey : 720-Architecture‎

Ссылка продавца : RO80088502

‎CHRISTIN E.‎

‎Documents et Matériaux. 13 Livraisons n°132, 191, 213, 216, 267, 305, 346, 370, 416, 438, 459, 492 et 515 : CONSOLE. Porte et Paret - Daumet - E. Morin - Viollet-le-Duc - Tremblay et Ménard - Just. Lisch - Lemaitre - Labranche - Louvier et Breton ...‎

‎"RAGUENET A. et DUCHER FILS. Non daté. In-4. En feuillets. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Fascicule de 104 pages paginées de 17 à 120, illustré de gravures, en noir et blanc, hors-texte. 31 x 20.5 cm. Extrait des ""Materiaux et documents d'architecture de sculpture et de tous les arts industriels."". . . . Classification Dewey : 720-Architecture"‎

‎... Louis Rogniat - Coulon et Jegoudez - Leconte et Despois-de-Folleville ... Classification Dewey : 720-Architecture‎

Ссылка продавца : RO80088510

‎CHRISTIN E.‎

‎Documents et Matériaux, 3 Livraisons, n°196, 276 et ?? : Bénitier et Fonts-Baptismaux.‎

‎"RAGUENET A. et DUCHER FILS. Non daté. In-4. En feuillets. Bon état, Livré sans Couverture, Dos satisfaisant, Intérieur frais. Fascicule de 12 pages, paginées de 9 à 20, illustré de gravures, en noir et blanc, hors-texte. 31 x 20.5 cm. Extrait des ""Materiaux et documents d'architecture de sculpture et de tous les arts industriels."". . . . Classification Dewey : 720-Architecture"‎

‎Classification Dewey : 720-Architecture‎

Ссылка продавца : RO80088480

‎Christopher R. McDowell‎

‎Early Betts Medal Companion: Medals of America's Discovery and Colonization (1492?1737)‎

‎, Brepols, 2023 Hardback, xxii + 324 pages, Size:216 x 280 mm, Illustrations:300 col., Language: English. ISBN 9780897223898.‎

‎Summary This book is a companion to C. Wyllys Betts's masterpiece, American Colonial History Illustrated by Contemporary Medals, and should be used in conjunction with Betts's book and not as a substitute. Betts' Contemporary Medals is the definitive work in the area of American colonial medals and has been for over 100 years. It is far from perfect and includes medals that, upon reflection, have little or nothing to do with America, while at the same time ignoring others closely associated with the American colonial experience. Betts also included some medals that do not exist. The present book does not take on the daunting?if not quixotic?task of including all the medals associated with the Americas that Betts failed to describe. Rather, it follows the course set out by him?right, wrong, or indifferent. If Betts included a medal in his book, it is discussed and illustrated here. The only medals added are those closely associated with variants already included or those indispensable to an understanding of a medallic series. This volume updates and illustrates each listing in the first two chapters of Betts. With only a few exceptions, every Betts medal described in Chapters I and II of Betts's book is illustrated here, many for the first time. These medallic images, along with the historical narrative, bring the story of America's discovery and colonization to life. In instances where additional images are included, they are used to explain some aspect of the medal and not the historical account. This was C. Wyllys Betts's vision: history told only through contemporary medals. TABLE OF CONTENTS Introduction Chapter 1. The Period of Discovery Chapter 2. The Period of Colonization Index‎

Ссылка продавца : 63247

‎CHRIST , Yvan.‎

‎Eglises Parisiennes actuelles et disparues.‎

‎Paris, Editions " Tel", 1947 ; in-4°, broché, couverture rempliée crème imprimée en sépia; 44 pages de texte et 102 illustrations ; couverture un peu jaunie sinon très bon état intérieur.‎

‎Photographies de l'époque par Marc Foucault et reproductions photographiques de gravures pour les sites disparus.( GrG)‎

Ссылка продавца : c3859

‎Christian Debize‎

‎Emile Gall et l'Ecole de Nancy‎

‎, Serpenoise (Editions), 2000 Softcover, 120 pages, Texte en Francais, 250 x 205 mm, bon etat, illustr. en couleur / n/b. ISBN 9782876923454.‎

Ссылка продавца : 61960

‎Christian Kaiser‎

‎Epikur im lateinischen Mittelalter. Mit einer kritischen Edition des X. Buches der Vitae philosophorum des Diogenes Laertios in der lateinischen bersetzung von Ambrogio Traversari (1433)‎

‎, Brepols, 2019 Hardback, viii + 493 pages, Size:156 x 234 mm, Language: German. ISBN 9782503587691.‎

‎Summary Die Studie liefert im ersten Teil erstmalig eine umfassende historisch-systematische, monographische Aufarbeitung der Rolle Epikurs in der Philosophie-, Kultur- und Ideengeschichte des lateinischen Mittelalters (von Isidor von Sevilla bis zum Ende des 15. Jahrhunderts). Quellennah werden viele mittelalterliche Denker von Rang und Namen besprochen. Neben der Philosophie im engeren Sinne wird auch die Bedeutung, die Epikurs Denken im theologischen, medizinischen und poetologischen Diskurs innehatte, eingehend beleuchtet. Durch diese F lle wird es jetzt erstmals m glich, ein fundiertes Bild ber das mittelalterliche Wissen zur epikureischen Philosophie - das sehr viel detaillierter und facettenreicher war als bisher allgemein angenommen - und vor allem zu deren systematischer Funktion innerhalb der mittelalterlichen Denkgeb ude zu gewinnen. Der zweite Teil bietet die kritische und kommentierte Edition der ersten lateinischen bersetzung des X. Buches des Diogenes Laertios, die Ambrogio Traversari 1433 fertiggestellt hatte. Diese bersetzung bildete den Grundlagentext f r die Epikur-Rezeption der Renaissance und Fr hen Neuzeit. F r die Edition wurden neben Traversaris Autograph 16 weitere Handschriften aus dem 15. Jahrhundert sowie die Editio princeps von Marchese (ohne Epigramme; ca. 1472) und die zweite Edition von Brugnoli (erstmals mit lat. bersetzung der Epigramme; 1. Auflage 1475) herangezogen. TABLE OF CONTENTS Teil I. Epikur im lateinischen Mittelalter 1. Einleitung: Forschungsstand, Voraussetzungen, Grundlagen 1.1. Bisherige philosophiehistorische Ans tze 1.2. Quellen zu Epikur im Mittelalter 2. Die patristische Pr gung 2.1. Drei Weltanschauungen: Epikureer - Stoiker - Christen 2.2. Epikureer und andere H retiker 3. Die Epikureer in den Texten des Mittelalters 3.1. Die Funktionsstelle der ,Epikureer' im System der vera philosophia 3.2. Epikureische Philosophie im medizinwissenschaftlichen Kontext 3.3. Leben und Lehre Epikurs in den bio-doxographischen Darstellungen des Mittelalters 4. Der Tod der menschlichen Seele: Ecclesiastes, die ,Araber' und die Epikureer 5. Verdichteter Konflikt: Epikur bei Dante und in den fr hen Kommentaren zur Commedia 5.1. Moderne Fabeln vom ,zweifachen Epikur' bei Dante 5.2. Epikurs ewiger Tod in der Schmerzensstadt 5.3. Die epikureische H resie in den fr hen Commedia-Kommentaren 6. Ambrogio Traversaris lateinische bersetzung des X. Buches des Diogenes Laertios 6.1. Umst nde und Werkprozess der bersetzung Traversaris 6.2. Leonardo Brunis bersetzungen und ihr Verh ltnis zu Traversaris Widmungsbrief in den Vitae philosophorum 7. Die versio Ambrosiana und die Epikur-Rezeption im 15. Jahrhundert 7.1. Die rhetorische Vereinnahmung der Ethik Epikurs bei Cosma Raimondi und Lorenzo Valla 7.2. Die Rezeption der versio Ambrosiana vor der editio princeps (ca. 1472) 7.3. Die Academia Romana und die ersten Drucke des lateinischen Epikur Teil II. Kritische Edition: Diogenes Laertios, Vitae philosophorum, Buch X, lateinische bersetzung von Ambrogio Traversari A. Editorische Vorbemerkungen B. Edition C. Kommentar Literaturverzeichnis Register‎

Ссылка продавца : 65893

‎Christopher WitcombeK‎

‎Eye and Art in Ancient Greece : A Study in Archaeoaesthetics‎

‎, Brepols - Harvey Miller , 2018 Hardcover, 256 pages., 4 b/w ills, 61 col. ills, 220 x 280 mm, English, . ISBN 9781909400030.‎

‎Eye and Art in Ancient Greece examines the art of ancient Greece through reconstructions of how the Greeks saw and understood the products of their own visual culture. The material is approached using a newly developed methodology of archaeoaesthetics by which past modes of vision and perception are examined in conjunction with prevailing notions of pleasure and judgement with the purpose of identifying the visual and psychological contexts within which the aesthetics of a culture emerge. Through a wide-ranging examination of ideas found in early written sources, the book examines various key aspects of Greek visual culture, such as continuity and change, nudity, identity, lifelikeness, mimesis, personation and enactment, symmetria, dance, harmony, and the modal representation of emotions, with the aim of comprehending how and why choices were made in the conception and making of artifacts. Special attention is given to factors contributing to the formation of taste and the emergence and transmission over time of concepts of art and beauty and the means by which they were identified and judged. The approach facilitates encounters with the material in ways that give rise to new insights into how the ancient Greeks experienced their own visual culture and how Greek art may be understood by us today. Christopher L.C.E. Witcombe, a British citizen born in Oxford, studied painting at the Accademia di Belle Arti in Florence, Italy, before moving to the United States to undertake undergraduate and graduate studies in art history. He subsequently received a Ph.D. in art history from Bryn Mawr College and is currently the Eleanor Barton and Aileen ?Ninie? Laing ?57 Endowed Professor in Art History at Sweet Briar College. He has held visiting scholar positions at Oxford University in England and the American Academy in Rome. He lives in Virginia.‎

Ссылка продавца : 57166

‎Christopher Wright‎

‎French Painters of the Seventeenth Century‎

‎Boston, Little Brown & Company, 1988, 1988 Hardcover, 288 pages, English, 388 ills.in colour and b/w, 300 x 230 mm, book in fine state,. ISBN 9780821216118.‎

‎Traces the development of painting in France during the 1600s and profiles the careers of the major French painters of the period‎

Ссылка продавца : 56515

‎Christophe Grellard, Philippe Hoffmann, Laurent Lavaud (eds)‎

‎Gen ses antiques et m di vales de la foi‎

‎, Brepols - Institut d'Etudes Augustiniennes, 2020 Paperback, 452 pages, Size:165 x 250 mm, Language: French. ISBN 9782851213044.‎

‎Summary This book collects papers presented at two multi-disciplinary gatherings which sought to examine concepts belonging to the semantic field of religious belief. The collection sets out from the observation that the relevant terms are ambiguous and equivocal, and indeed that this ambiguity persists in the scholarly literature in the humanities. It is therefore important to historicise these terms adequately and to clarify their development and transformation over time. This involves a sustained engagement with key discourses - logic, history of religion, epistemology, political history - of significant intellectual heterogeneity. Platonism fundamentally informs classical and patristic Christian reflections as well as the thought of their medieval heirs. It carries with it a tension between 'opinion' and supra-rational certitude which is exploited by Christian thinkers up to and including scholastic theologians. These thinkers insist above all on the existential dimension of a certitude which seeks to establish a privileged link with the divine. It involves the attempt to harmonise the ritual and social aspects of religious practice with the individual urge towards transcendence, a quest which has been bequeathed to modernity and still largely defines the nature of contemporary Western social engagement with religion. Issu de deux colloques pluridisciplinaires qui se proposaient d' tudier les notions relevant du champ s mantique de la croyance religieuse, ce volume part du constat que ces termes sont le plus souvent quivoques, ce qui p se encore sur les recherches en sciences sociales. Il fallait rendre ces concepts leur historicit , et montrer comment la notion de foi se constitue progressivement au cours d'une histoire qui est faite d'allers et retours entre des champs intellectuels h t rog nes (de la logique la religion, et de l' pist mologie la politique). Le platonisme innerve largement les r flexions du christianisme grec et romain, puis m di val. Il porte une tension entre l'opinion et la certitude supra-rationnelle, qui est exploit e par les penseurs chr tiens, jusqu'aux th ologiens scolastiques, pour insister notamment sur la dimension existentielle d'une certitude qui institue un lien privil gi avec le divin. Il s'agit de concilier la dimension communautaire et rituelle de la pratique religieuse et la tension individuelle vers la transcendance, qui est transmise la modernit et d finit encore largement le rapport au religieux dans nos soci t s. TABLE OF CONTENTS C. Grellard, L. Lavaud : Introduction PREMIERE PARTIE : EMERGENCE ET TRANSFORMATION DE LA PISTIS, DE PLATON AU NEO-PLATONISME Monique Dixsaut : Quelle sorte d' tat de l' me est pour Platon la pistis ? Annick Jaulin : Usages aristot liciens de pistis Fran oise Frazier : Les emplois de pistis chez les m dioplatoiciens J r me Moreau : La pistis d'Abraham chez Philon : vertu presque parfaite de l'union intellectuelle Dieu Luc Brisson : La pistis chez Plotin et Porphyre : philosophie et religion Christian Jambet : La foi de l'intellect ou le contact de la pr sence selon les philosophes n oplatonisants en islam DEUXIEME PARTIE : L'ELABORATION CHRETIENNE DE LA PISTIS DE SAINT PAUL AUX PERES GRECS R gis Burnet : La foi chez saint Paul : un concept dynamique Jean-Daniel Dubois : Pistis dans le cadre de la sot riologie des gnostiques valentiniens Marie-Odile Boulnois : Commencer par croire . La primaut de la foi chez Cl ment d'Alexandrie, Orig ne et leurs successeurs Marco Zambon : Dall'ascolto alla visione : la fede come conoscenza elementare e come compimento in Origene Laurent Lavaud : L' v nementialit de la foi chez Gr goire de Nysse Anca Vasiliu : P richor se de la foi dans le De Fide de Jean Damasc ne. L'hypostase des choses esp r es. TROISIEME PARTIE : LA SUBVERSION CHRETIENNE DE LA FIDES ROMAINE. DE CICERON A SAINT AUGUSTIN. Carlos L vy : De l' loquence la philosophie : l' volution s mantique de fides Sophie van der Meeren-Ferrari : La polys mie de fides dans la d marche apolog tique de Lactance : des valeurs traditionnelles aux valeurs chr tiennes Isabelle Bochet : Les d finitions augustiniennes de la fides : au croisement des traditions philosophiques et de l'ex g se biblique QUATRIEME PARTIE : DE LA CROYANCE INSTITUEE A LA FOI PERSONNELLE. TRANSFORMATIONS MEDIEVALES Dominique Iogna-Prat : Socialiser la foi: esquisse d'un parcours eccl sial Jo l Biard : Produire la confiance, la fides dans la tradition topique m di vale Gilbert Dahan : Le concept de fides la lumi re des commentaires m di vaux de quelques versets de l'Ancien et du Nouveau Testament Camille de Belloy : La v rit premi re. Jalons pour une histoire de la foi de Guillaume d'Auxerre Thomas d'Aquin Olivier Boulnois : Les trois dimensions de la foi. Le concept de foi selon quelques th ologiens m di vaux (XIIe-XIVe si cles) Nicolas Faucher : Pr ter foi avec parcimonie. Le traitement scotiste de la foi acquise et de la foi infuse Pascale Bermon : "Il n'est pas au libre pouvoir de l'homme de croire quand il lui pla t": l'involontarisme doxastique de Robert Holkot Christophe Grellard : Que m'est-il permis d'ignorer ? La foi, l'ignorance et les limites acceptables de l'orthodoxie‎

Ссылка продавца : 65699

‎Chris Teulings‎

‎Gildepenningen: hun rol binnen de ambachtsgilden van de Noordelijke Nederlanden‎

‎, picture Publishing, 2019 hardcover, genaaid gebonden, full colour, 504 pagina's, formaat 210x297mm, nieuw. ISBN 9789492576217.‎

‎De meeste stadsbewoners in de zeventiende en achttiende eeuw waren lid van een ambachtsgilde of hadden er direct mee te maken. Kennis van en vooral begrip voor die ambachtsgilden is daarom belangrijk. Van de interne organisatie van die ambachtsgilden is gezien het informele karakter tot nu toe echter weinig bekend. De gilden gebruikten vaak penningen. Hun zogenaamde gildepenningen onthullen een en ander over die interne organisatie. De gangbare gedachte dat gildepenningen presentiepenningen zijn, is grotendeels juist, maar verdient nuancering. Welke andere functies hadden ze? Hoe werden ze gebruikt? Wat betekenden ze voor de interne organisatie van ambachtsgilden? Hoeveel zijn er eigenlijk nog en hoeveel waren er? Hoe zien ze eruit en waaraan herken je ze? Waar kwamen ze voor? In de dissertatie Gildepenningen: hun rol binnen ambachtsgilden van de Noordelijke Nederlanden geeft de auteur antwoord op deze en nog vele vragen. Gildepenningen bestrijken bovendien een klein en fascinerend gebied binnen de numismatiek. Ze staan vol symbolen van hun ambacht, soms ook met raadselachtige tekens. De namen of nummers die erop zijn aan te treffen, maken elke penning tot een uniek exemplaar, waarachter vaak een boeiende geschiedenis schuilt. Gildepenningen poogt een bijdrage te leveren aan het hedendaagse onderzoek naar ambachtsgilden. De hernieuwde aandacht binnen de historiografie van het gildeonderzoek heeft geleid tot een meer positieve beeldvorming rond ambachtsgilden. Deze studie waarvoor een omvangrijk gegevensbestand over het huidige corpus is samengebracht, biedt volop nieuw bronnenmateriaal en vormt een stevige basis voor verder onderzoek.‎

Ссылка продавца : 53102

‎Christophe van Gerrewey (‎

‎Henk Visch Exactly how I remembered it‎

‎, Posture Editions Nr 08, 2014 PB, 297 x 210 mm, 64 pages, Illustrated. EN-NL edition. ISBN 9789491262081.‎

‎?It is as if the images in this book close their eyes and immediately transform each other into a little impression we can take with us to the next page. And so, as we read the book, we take each individual image with us. Because the book is arranged in three parts, we feel we are getting closer and closer to the core, and to the truth; the more naked, the thinner and sharper the images become, the closer we come to the essence. Or is it the other way round? And once we are beyond the halfway point, we go through the same process all over again in the other direction. Perhaps every page of Exactly how I remembered it contains the same image, one that we change ? by looking, reading, turning the pages and remembering ? into another lie.? From: ?Images to take away? Christophe Van Gerrewey, in: Exactly how I remembered it‎

Ссылка продавца : 64023

‎Christiane Lange, Joshua Bolchover, John Lin‎

‎Homecoming, Contextualizing, Materializing and Practicing the Rural in China‎

‎, Gestalten, 2013 Softcover, 18.5 x 26 cm, 184 pages, full color, English, Fine copy. Including an index. ISBN 9783899555042.‎

‎Homecoming presents work by an emerging generation of Chinese architects that uses unique design and working approaches to resist generic mass construction and foreign iconic building. In particular, these architects are offering resistance against the rapid urbanization that has dominated the Chinese landscape. By responding to a local Chinese context, they have raised the avant-garde of China's architectural design practice in recent years.‎

Ссылка продавца : 45322

‎Christian Schoen ; Eva Heisler, Halld r Bj rn Run lfsson, translation : Shauna Laurel Jones‎

‎ICELANDIC ART TODAY‎

‎, Hatje Cantz, 2009 Hardcover, 336 pages, ENG. edition, 300 x 245 x 30 mm, in Very Good Condition, illustrated in color / b/w. ISBN 9783775722957.‎

‎Art in Iceland is as young as it is exciting. Considering the fact that Icelandic culture is strongly oriented toward language, the visual arts did not begin developing until the early twentieth century. This situation, which is remarkable for a Western country, may explain the unique nature of the contemporary art scene in Iceland. Even though international Conceptual Art continues to exercise a considerable influence and globalization is affecting this island in the North Atlantic, Icelandic art is nevertheless marked by a very specific creative energy and the pleasure of experimentation, and it has produced a large number of outstanding artists. Icelandic Art Today introduces fifty important protagonists of contemporary art , among them Finnbogi P tursson, Gabr ela Fridriksd ttir, Helgi Thorgils Fr dj nsson, Icelandic Love Corporation, Katr n Sigurdard ttir, Margr t H. Bl ndal, lafur lafsson + Libia Castro, Ragnar Kjartansson, R r , Steingr mur Eyfj rd.‎

Ссылка продавца : 63408

‎Christiane L. Joost-Gaugier‎

‎Islamic Elements in the Architecture of Puglia‎

‎, Brepols, 2019 Paperback, 220 pages, Size:220 x 280 mm, Illustrations:1 b/w, 234 col., Language: English. ISBN 9782503580319.‎

‎Summary Puglia is one of the most extraordinary parts of Italy. Inhabited for over 8,000 years, this region has experienced almost every type of civilization known to the European world. Little has been written in English about the surviving Neolithic and aboriginal Italic remains of Puglia, its rich architectural heritage of Greek, Roman, Early Christian, Byzantine, Angevin French, Romanesque, Gothic, Renaissance, Baroque, and even its modern monuments. This book focuses on the important Islamic contribution to the architecture of Puglia, a contribution that was centered in the once Muslim city of Lucera and subsequently came to be of significance for the building of Christian cathedrals and churches in this beautiful region, little known to the outside world.? Lucera exemplifies all the periods of architecture noted above, and is, in addition, unique because it was a protected Muslim island in a sea of Christianity during the High Middle Ages - at the very time Christians were conducting crusades against the infidel. Thus the individuality of the place stands alone, among the many ancient cities of Puglia, because it was once a Muslim world. This book shows how Lucera had always been an important center in ancient times and how it came to be an Islamic city. It spotlights the accomplishments of the Muslims, and the influence they left - despite the brutal extermination they endured in the early 14th century - on the architecture of Lucera and other cities in north and central Puglia, including such important centers as Troia, Trani, Bitonto, Canosa, Altamura, Gravina, Giovinazzo, Terlizzi, Pietramontecorvino, Bisceglie, Ruvo, Castel del Monte, Molfetta, Bovino, San Severo, and Foggia. Thus the seventeen towns and cities whose architecture is studied and illustrated in this volume serve to highlight the Islamic legacy in Puglia, a part of Italy which is known - and revered by those who know - for its archaeological, classical, and Romanesque relics. TABLE OF CONTENTS Chapter 1: Introduction: Puglia, the Background Chapter 2: The Setting: Lucera - The 'Shining Light' of Puglia Chapter 3: The Creation of a Muslim Colony Chapter 4: The Muslims in Lucera and a Brutal Goodbye Chapter 5: The First Building of the New (Christian) Lucera, its Cathedral Chapter 6: The Fourteenth Century Context: The Survival of Muslim Elements in Christian Lucera Chapter 7: The Legacy of Islam is Not Forgotten in Lucera to Modern Times Chapter 8: Muslim Elements in the Buildings of Surrounding Towns and Cities: Bitonto, Ruvo di Puglia, Terlizzi, Castel del Monte, Altamura, Gravina, and Giovinazzo Chapter 9: Muslim Elements in the Buildings of Surrounding Towns and Cities: Bisceglie, Trani, Molfetta, Canosa, Troia, Bovino, Pietramontecorvino, San Severo, and Foggia Chapter 10: Conclusions: The Significance of Lucera and the Muslim Legacy for Puglia‎

Ссылка продавца : 65897

‎CHRISTE Yves‎

‎Jugements Derniers‎

‎La Pierre-Qui-vire Zodiaque 1999 Grand In Quarto Jaquette illustée en couleurs . Collection " Les Formes de la Nuit " . Illustrations très nombreuses en couleurs hors-texte sur papier couché et noir et blanc , cartes et plans . Calligraphie soignée , paragraphes aérés , grandes marges . Qualité unique de ces ouvrages à offrir en cadeau . Beaux Arts . Architecture . Religion . Spiritualité . - 372 p . , 2 kg 700 gr.‎

‎Couverture rigide Comme neuf Jaquette neuve‎

Ссылка продавца : 020450

‎Christopher D. Roy, Benjamin Schwarz‎

‎Kilengi. Afrikanische Kunst aus der Sammlung Bareiss‎

‎Hannover, Kestner-Ges, 1997 Leinen, 426 Seiten, 32.5 x 25 cm. viele Abbildungen Deutscher text.‎

‎Ausstellung 30. August - 19. Oktober 1997. Im Almanach des Blauen Reiters ver ffentlichten Franz Marc und Wassily Kandinsky 1912 auch afrikanische Skulpturen aus Kamerun, neben zahlreichen Bildern unterschiedlicher Ethnien, Zeichnungen von Kindern, Laien sowie Volkskunst und Beispiele aus der europ ischen Kunst. Gesucht und entdeckt wurde in der afrikanischen Kunst das "Urspr ngliche", die gro e Kraft aller tief empfundenen Kunst. Der Blaue Reiter, der keine strenge programmatische Ausrichtung verfolgte, griff mit dem Blick auf Afrika einen Aspekt auf, den Picasso 1905 bei seiner ersten Begegnung mit afrikanischer Kunst thematisierte und den die " Fauves "-K nstler fast leitmotivisch verfolgten. Wie die K nstler der "Br cke" in Dresden, so gingen auch die M nchner "Blauen Reiter" in die V lkerkundemuseen, um f r ihre eigene Kunst dort Anregungen zu finden. Seit dieser ersten ffnung der Augen durch die Avantgardisten in der Zeit vor dem Ersten Weltkrieg ist das Interesse an afrikanischer Kunst lebendig geblieben. Zu berraschend und origin r sind die vielf ltigen Gestaltungsmittel im plastischen Bereich, um nur in der einen oder anderen Lesart aufgebraucht werden zu k nnen. Neben formalen Kriterien ist auch der Umgang mit den unterschiedlichen Materialien voll gro er berraschungen. In der Sammlung Bareiss sind zahlreiche Masken, Skulpturen, St be, Throne u. a. vorhanden, die nicht unter puristischen Gesichtspunkten "bereinigt" wurden, sondern noch Textile, Federn, Bastgeflecht etc. haben und so die Verbindung mit dem Kost m des T nzers aufzeigen. Die Skulpturen lassen so trotz der Statik musealer Pr sentation ihren "bewegten" Sinn erkennen. Unter dem Gesichtspunkt einer von Aktion und Performance belebten Kunst erhalten so diese afrikanischen Kunstwerke eine neue Qualit t. Zahlreiche Abbildungen in dem Text von Christopher D. Roy tragen hier zu einem besseren Verst ndnis bei. "Walter Bareiss Leidenschaft f r afrikanische Kunst ist langsam gewachsen. Als treibende Kraft seiner Sammelt tigkeit wirkte nicht wie bei vielen anderen die Bedeutung afrikanischer Kunst f r die abstrakte Moderne. Ihn faszinierte die enge Verflechtung der Kunstformen mit der Mythologie und Religion und ihre Rolle in der Tradierung von Wissen und der Bes nftigung von Naturkr ften. Der rote Faden, der sich durch seine Auswahl zieht, ist die pers nliche Begeisterung f r die sthetische Kraft der Objekte, Kilengi - Freude, die durch Sch nheit entsteht." (Peter Noever).‎

Ссылка продавца : 66457

‎Chris Dercon‎

‎Koen Theys Home-Made Victories‎

‎, MER. Paper Kunsthalle, 2013 Hardcover, 256 pages , ENG, 290 x 235 mm, in good order, illustrations in colour, *** With inscription and signed by the Artist ISBN 9789490693961.‎

‎S.M.A.K. presents the first major retrospective of the Belgian video artist Koen Theys ( 1963, Brussels). Theys was one of the founding fathers of the Belgian video art scene since the early eighties and stood at the cradle of the discourse around video art in Belgium and by extension throughout Europe. In his work Theys combines a thorough substantive and formal research on video art as a medium, with a very expressive - referring to a baroque aesthetic - imagery, often combined with references to the European and Belgian cultural and political history. The work of Theys was collected early by MOMA (New York) and Centre Pompidou (Paris). The book will survey his monumental video and photography-based works from the early 80s until now. Met HOME-MADE VICTORIES brengt S.M.A.K. de eerste grote overzichtstentoonstelling van Koen Theys ( 1963, Brussel), een pionier van de Belgische videokunst. De tentoonstelling is opgevat als een doorsnede van Theys' oeuvre van de vroege jaren '80 tot nu.‎

Ссылка продавца : 59003

‎CHRIST Yvan et Ionel SCHEIN‎

‎L'oeuvre et les rêves de Clauce-Nicolas LEDOUX (1736-1806). Richement illustré (reproductions de documents (cartes, gravures, dessins et 64 photographies en noir des vestiges de l'oeuvre) et documenté. Notes et légendes par Jacques OHAYON.‎

‎Ledoux et don temps ; Ledoux et notre temps.‎

‎Editions du Chêne 1971. Petit in-4 (25 x 24) relié, couverture ornée d'orig., 204 pages sur papier cartonné avec sommaire, planches, photos, notice biographique, bibliographie.‎

Ссылка продавца : AUB-951

‎CHRIST (Yvan), SCHEIN (I.).‎

‎L'oeuvre et les rêves de Claude-Nicolas Ledoux.‎

‎Paris Chêne 1971 1 vol. relié in-4 ,cartonnage illustré, 201 pp., nombreux dessins en noir. Très bon état.‎

Ссылка продавца : 99354

‎CHRIST Yvan - SCHEIN Ionel‎

‎L'oeuvre et les rêves de Ledoux‎

‎Chêne Paris, Chêne, 1971. In-8 carré relié plein cartonnage éditeur illustré de 201 pages, illustrations dans et hors-texte. Petit défaut sur le haut et bas du dos, sans manque, sinon bon état‎

‎Toutes les expéditions sont faites en suivi au-dessus de 25 euros. Expédition quotidienne pour les envois simples, suivis, recommandés ou Colissimo.‎

Ссылка продавца : 143728

‎Christopher Vane Percy‎

‎Lalique : A Collector's Guide‎

‎, Crescent Books 1989, 1989 Hardcover, 192 pages, ENG, 305 x 235 mm, book itself is in good condition, illustrations in colours and b/w. ISBN 045863690951.‎

‎Presents the creations of the most successful glassmaker of the 20th century, with details on the origin, value and techniques used in many of Lalique's finest bottles, ashtrays and clocks‎

Ссылка продавца : 59341

‎Christopher White ; Debbie Wayment‎

‎later Flemish pictures : In the collection of her Majesty the Queen‎

‎, Royal Collection Enterprises Limited, 2007 Hardcover, 421 pages, English, 310 x 255 x 40 mm, 240 colour illustrations, Condition as New. ISBN 9781902163635.‎

‎The Royal Collection contains one of the finest and most varied collections of Old Master paintings in the world. The 147 works catalogued in the present volume are by Flemish artists who were active principally in the seventeenth century; they include a large and outstandingly good group of genre paintings by David Teniers the Younger, and other paintings by such diverse artists as Jan Brueghel, Gonzalez Coques, Frans Francken, Frans Snyders, Karl Philips Spierincks and Jan Wildens. The most important group of works, however, are those by Rubens. The full range of the artist's practice is represented in the collection. There are works that are entirely by his hand, and others that were carried out either with known collaborators or with the help of his studio. The introduction to the catalogue gives a fully documented history of the growth of the collection from the early Stuarts to the reign of Queen Victoria. The close relations Charles I enjoyed with Rubens are discussed in detail, and there is a full account of the important acquisitions made by later members of the royal family, notably Frederick, Prince of Wales and George IV.‎

Ссылка продавца : 55008

‎Christophe Bertiau, Dirk Sacr (eds)‎

‎latin et la litt rature n o-latine au XIXe si cle. Pratiques et repr sentations‎

‎, Brepols, 2020 Paperback, v + 299 pages, Size:160 x 240 mm, Languages: French, English, Italian. ISBN 9789492771322.‎

‎Summary Le XIXe si cle est connu comme l' poque o l'essor des nationalismes et des langues nationales en Europe a d finitivement rel gu le latin aux marges du monde social. Or, si le latin conna t alors un ind niable d clin, il n'en demeure pas moins tout un temps une langue importante pour les nations modernes. Le pr sent volume tudie les manifestations d'une tradition linguistique pluris culaire qui ne s'est pas teinte l'aube de la modernit . Fruit d'une collaboration internationale, il rassemble des contributions portant sur diff rents pays d'Europe occidentale et centrale. Les auteurs retracent l'histoire du latin au XIXe si cle, s'interrogent aussi bien sur les raisons de son succ s que sur celles de son d clin et pr tent une attention particuli re aux aspects th matiques et stylistiques des textes. La litt rature n o-latine, qui n'est pas indiff rente au surgissement des romantismes europ ens, est pass e la loupe. L'ouvrage met galement en vidence l'inflexion que l'inspiration latine antique a pu donner une oeuvre po tique en langue moderne. TABLE OF CONTENTS Christophe Bertiau, "Le latin, une mati re ?bourgeoise?? Sur le d clin du latin dans l'enseignement l' poque contemporaine" The article refutes the received idea of Latin being a "bourgeois" school subject. It states on the contrary that the political and economic rise of the bourgeoisie accounts for the decline of Latin in secondary education during the last two centuries. Although Latin kept its dominant position in the curriculums throughout the nineteenth century, its supremacy was increasingly challenged by certain exponents of the bourgeoisie, who demanded school learning to be more markedly connected to the professional world. Jan Spoelder, "The decline of Latin as the academic language at Dutch universities and its consequences for education in Latin" In the eighteenth century, Latin lost its status as the universal scholarly language in countries like France, Germany and Britain. However, the Royal Decree of 1815 provided that Latin remained the exclusive academic language in the Kingdom of the Netherlands. More and more tension arose between maintaining classical educational ideals and the with to use the vernacular. Only when the Act on Higher Education was passed in 1876, this meant in practice the end of the mandatory use of Latin at Dutch universities. This new situation also ended the raison d' tre of the Latin school, the kind of education that had prepared for university entrance in the towns of the Dutch Republic and the later Kingdom. This type of school was reorganised to meet the altered requirements of the modern time under the name of Gymnasium. This school, with compulsory Greek and Latin, is still flourishing magnificently at the moment. Patrizia Paradisi, "Il latino nelle cerimonie ufficiali del Regno d'Italia, dall'Universit di Bologna al Campidoglio a Roma (Gandino, Albini e Pascoli)" Patrizia Paradisi stresses the significance Latin displayed for the official ceremonies of the Kingdom of Italy at the time of Giovanni Battista Gandino, Giuseppe Albini and Giovanni Pascoli. It thus appears how Latin was used to compose speeches, letters, an inscription for a medal, a hymn or a journal on the occasion of various ceremonies. Giacomo Dalla Piet , "L'evoluzione stilistica del latino all'interno della curia romana nel secolo XIX" Giacomo Dalla Piet sketches how the Latin style of encyclical letters developed during the nineteenth century. He interprets the adoption of a high style, which was to become increasingly Ciceronian, under the pontificate of Leo XIII as testament to the latter's universalist project and new way of conceiving papacy. ?ime Demo, "Stubborn persistence at the outskirts of the West: Latin in nineteenth-century Croatia" The article gives an insight into the status of Latin in nineteenth-century Croatia. Latin retained there until the mid-century a decided importance as a means of international communication, as a political instrument, as a medium of instruction or as a literary language. However, Croatian tended towards more and more superseding Latin in its uses. As a result, Latin was hardly ever used outside Church and education in the second half of the century. Neven Jovanovi?, "Two gentlemen-translators from nineteenth-century Dubrovnik" The author analyses the Latin translations of Antonio Sivrich and Blasius Ghetaldi, two poets from Dubrovnik. He compares how both translators worked and reflects upon the reasons why they rendered into Latin Italian sonnets and anacreontic poems (Sivrich) or Ivan Gunduli?'s Croatian epos Osman (Ghetaldi). Svorad Zavarsk , "?Et meus vere paradisus audit: mandra, poesis?: The poetry of Antonius Faber" Svorad Zavarsk presents the work of the neo-Latin poet from Bratislava Antonius Faber. He affirms that the main interest of A.?Faber's little classical poetry is its originality. This poetry can be seen as a compromise between traditional neo-Latin poetry and the romantic revival. It epitomises quite good the linguistic situation of Hungary at that time, where the national language was more and more often preferred to Latin. Florian Schaffenrath, "Antonio Mazzetti's neo-Latin epic poem on Emperor Ferdinand I (1838)" Florian Schaffenrath tackles a panegyric (gratulatio) addressed by Antonio Mazzetti to Emperor Ferdinand?I and examines its reception. He highlights the enthusiasm this poem motivated by current political affairs elicited, even though Latin verses no longer were in fashion. Antonino Zumbo, "Scrivere una novella romantica in versi latini: il Polymetron di Giovanni Andrea Vinacci" The article deals with the Polymetron, a romantic short story written in Latin verses by Andrea Vinacci. The story displays a Byronian inspiration and is located in the nineteenth-century Italian independence wars. Both these characteristics suggest that far from a mere formal dialogue with the Ancients has neo-Latin literature always attempted to stay in tune with its time. Romain Jalabert, "Des vers latins romantiques, en France" Romain Jalabert shows that a whole part of nineteenth-century French neo-Latin poetry was opened up to Romanticism. Original Latin poems inspired by Romanticism and Latin translations of poems in modern languages were no oddities. Schools played a leading role in this new tendency. Alphonse de Lamartine enjoyed great success as a source of inspiration for Latin poets. Dirk Sacr , "Colonel William Siddons Young (1832-1901) as a Latin poet" Dirk Sacr presents the life and work of the atypical British neo-Latin poet Colonel William Siddons Young (1832-1901). Young was an army officer in the Bengal civil service. Although some Latinists considered him as the greatest living Latin poet, his Latin verses display imperfections and he rapidly fell into oblivion after his death. But because of his atypical profile, he could serve the cause of Latin as a universal language. Through the figure of Young, this article provides us with an overview of the evolution of living Latin in the late nineteenth century. Marie-France David-de Palacio, "Un epigrammaton liber fin-de-sie cle: les ?latineries? de Jean Richepin" This contribution demonstrates on the basis of Jean Richepin's "Latineries" how a writer can breath new life into his own poetic language by imitating ancient authors. Whereas the style models on the epigrams of Roman Antiquity, and more specifically of Martial, the content exhibits a "Gallic" character.‎

Ссылка продавца : 65842