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DIONYSIOS [DIONYSIUS OF FOURNA]
Malerhandbuch des Malermönches Dionysios vom Berge Athos
211pp., 21cm., softcover, good condition, [contains the German translation], S107634
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DIONYSIOS [DIONYSIUS OF FOURNA]
Malerhandbuch des Malermönches Dionysios vom Berge Athos
München, Slavisches Institut 1983 211pp., 21cm., softcover, good condition, [contains the German translation], S107634
Referentie van de boekhandelaar : S107634
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DIRKS (Dom Ildefons).
Les Saintes Icones. 2e edition extremement refondue, augmentee et illustree.
in-4° 87 pp., 10 gravures in-texte et carte de la Russie Chretienne, broche, couv. illustree. Bon etat general. [P-41] [F] Essai de synthese pour les faire comprendre et aimer.
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DIRKS Ildefonse O.S.B.
Les saintes Icones. Essai de synthèse pour les faire comprendre et aimer
86pp. avec illustrations dans et hors texte (dont 2 en couleurs), signé avec dédicace (autographe) par l'auteur à Mgr. Huybers Evèque de Haarlem, 2e édition entièrement refondue augmentée et illustrée, 29cm., brochure originale illustrée, pour la plupart non coupé, bon état, R96656
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DIRKS Ildefonse O.S.B.
Les saintes Icones. Essai de synthèse pour les faire comprendre et aimer
Prieuré d'Amay-sur-Meuse, 1939 86pp. avec illustrations dans et hors texte (dont 2 en couleurs), signé avec dédicace (autographe) par l'auteur à Mgr. Huybers Evèque de Haarlem, 2e édition entièrement refondue augmentée et illustrée, 29cm., brochure originale illustrée, pour la plupart non coupé, bon état, R96656
Referentie van de boekhandelaar : R96656
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Dmitry Likhachov, Vera Laurina & Vasily Pushkar...
Novgorod Icons 12th-17th century
1983 Aurora Art Publishers, Leningrad, 1983in4,pleine toile sous jaquette illustrée, 346pp.illistrées, bel exemplaire, langue anglaise
Referentie van de boekhandelaar : 15502
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DONADEO MARIA
ICONES DU CHRIST ET DES SAINTS
Paris, Médiaspaul 1985. In-12 broché de 140 pages illustrées. Etiquette de bibliothèque de congrégation en dos sinon bon état
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DONADEO Maria
Icônes de la Mère de Dieu
Médiaspaul 1984, In-12 broché, 143 pages + illustrations. Très bon état
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DONADEO Maria
Icônes de la Mère de Dieu
Médiaspaul 1984, In-12 Médiaspaul 1984, In-12 broché, 143 pages + illustrations. Très bon état
Referentie van de boekhandelaar : 146279
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DONADEO MARIA
LES ICONES
Paris, Médiaspaul 1982. In-12 broché de 126 pages illustrées. Etiquette de bibliothèque de congrégation en dos sinon bon état
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DONADEO MARIA
LES ICONES
Médiaspaul Paris, Médiaspaul 1982. In-12 broché de 126 pages illustrées. Etiquette de bibliothèque de congrégation en dos sinon bon état
Referentie van de boekhandelaar : 29766
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Dr Philippe MADRE
L'ICONE de MARIE, PORTE du CIEL
Un ouvrage de 73 pages, format 115 x 175 mm, broché couverture couleurs, publié en 1987, Editions du Lion de Juda, bon état
Referentie van de boekhandelaar : LFA-126719797
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DUBORGEL (Bruno).-
L'Icône. Art et pensée de l'invisible.
St Etienne, CIEREC, 1991, in 8° broché, 158 pages ; illustrations ; couvetrure illustrée en couleurs.
Referentie van de boekhandelaar : 21210
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DYCK Anton van (Anversa 1599 – Londra 1642)
Judocus de Momper Pictor
Incisione tratta dalla celebre raccolta Icones principum, virorum, doctorum, pictorum, chalcographorum, di Anton van Dyck, edita per la prima volta ad Anversa verso il 1640. Opera celebre ed importante, vero monumento dell’arte incisoria fiamminga del sec. XVIII, contiene le biografie ed i ritratti degli uomini illustri che Van Dyck aveva conosciuto e con i quali aveva avuto importanti rapporti. L’artista ne eseguì le effigi in numerosi dipinti e disegni che poi decise di pubblicare, affidandone la trasposizione calcografica ai migliori incisori del suo tempo, come Bolswert, Pontius, Vorsterman, de Jode, Hollar, molti dei quali aveva avuto come condiscepoli nell’atelier di Rubens. "Sir Anthony Van Dyck stands out as the solitary great etcher of the school. Portrait etching had scarcely had an existence before his time, and in his work it suddenly appears at the highest point ever reached in the art" (Hind, p. 165). "The plan of this publication took shape after Van Dyck returned from Italy (1626) and before he went to England (1632). He made careful preparatory drawings in chalk and brush for the publication. He directed and revised the work of the engravers, the best of the Rubens circle; he collaborated with his etching needle in some of the plates and himself etched the most beautiful set, mainly portraits of artists. One of the most brilliant in human characterization is the portrait of Peter Brueghel the Younger, son of the great Peasant Brueghel. It is remarkable that the etching appeared in this sketchy form in the book, proving that the master regarded it as finished. All interest is focussed on the wonderful had. The first edition was published in Antwerp in 1635-1636. Yet it was not complete, and the title-page did not appear before the Gillis Hendricx edition of 1645, engraved by Jacob Neels" (Benesch, Artistic and Intellectual Trends, p. 32.) Hofer, Baroque Book Illustrations 132. Acquaforte con ritocchi al bulino, stampata su carta vergata coeva, filigrana del “giullare”, con margini, in ottimo stato di conservazione. Etching, circa 1630-40, lettered below the portrait, in two lines of Latin: "Judocus de Momper Pictor / montium Antverpiæ". Signed in lower margin left: "Ant. van Dyck fecit aqua forti".Portrait of Joos de Momper, half-length in front of a rocky overhang, turned to the right but looking towards the viewer; with short hair, moustache and beard, wearing a collar, buttoned doublet and cloak, his gloved right hand gesturing behind him at the level of his chest.A fine impression, printed on contemporary laid paper, with margins, very good condition.From the 'Icones principum, virorum, doctorum, pictorum, chalcographorum' by Anton van Dyck, printed for the first time in Antwerp, 1645.Following the success of his portrait paintings and in the tradition of Italian and Flemish portrait series, Van Dyck decided to organise a print publication containing portraits of the most prominent men during his lifetime, divided into three categories: princes, politicians and soldiers (16), statesmen and scholars (12), artists and art connoisseurs (52). The initial idea could have been that Van Dyck would etch the faces (a process possibly learnt from Vorsterman) while others would finish the plates in engraving. Designs were needed for the plates and several drawings and oil sketches (grisailles, sometimes in different versions) have survived. Van Dyck only etched 17 plates himself, while he commissioned others to complete the set, overseen by Lucas Vorsterman I (especially after Van Dyck settled in England in the Spring of 1632).Although this project was started by Van Dyck around 1630, he never saw it completed. The Antwerp publisher Maarten van den Enden may have been involved from the start as eighty early impressions bear Van den Enden's address. They are engraved by Paulus Pontius (30 plates), Lucas Vorsterman I (22), Pieter de Jode II (12), Schelte a Bolswert (7), Robert van Voerst (4), Willem Hondius (2), Willem Jacobsz Delff (1), Cornelis Galle (1), and Nicolaes Lauwers (1). It is known that Van den Enden was in debt to Gillis Hendricx around 1644, the Antwerp publisher who must have obtained Van den Enden's plates which he published in 1645 in the first edition of these plates (containing between 100 and 104 portrait plates). Hendricx continued to publish these plates until his death in 1677 when they were auctioned off by the St Luke guild (keeping the Iconography plates together). It is not clear who bought these plates but they re-appeared around 1720 when they were published by Hendrick and Cornelis Verdussen in Antwerp. The New Hollstein (Dutch & Flemish) 6.III (Van Dyck); Mauquoy-Hendrickx 1991 7.III.
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ELISSEEFF (Vadim)
L'Art russe des Scythes à nos jours - Trésors des musées soviétiques.
Catalogue de l'expositon présentée en 1967-1968 au Grand Palais (Paris), rédigé par Vadim ELISSEEFF: 618 n°s en classement chronologique, des origines à l'art soviétique; introduction de Mikha l Vladimirovitch ALPATOV et Dmitrii Vladimirovitch SARABIANOV; tableau chronologique; carte. Publié par l'Association française d'action artistique (Paris). Exemplaire enrichi du catalogue de la vente Drouot de mai 2003 "Icônes russes des XVIè au XIXè siècle - Orfèvrerie russe XIXè siècle" (124 n°s avec notices et vignettes en couleurs). Français
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ELISSEEFF (Vadim)
L'Art russe des Scythes à nos jours - Trésors des musées soviétiques.
[Paris], Grand Palais, 1967 1 volume 18,2 x 23,5cm Broché sous couverture au 1er plat illustré couleurs. Non paginé (1,5cm d'épaisseur); carte, nombreuses illustrations en noir, vignettes et pleines pages, 16 planches couleurs (+ plaquette agrafée de 24 pages, vignettes couleurs). Ouvrage en bon état; couverture légèrement défraîchie (plaquette annotée à l'encre).
Referentie van de boekhandelaar : 3043
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ERACLE (Jean)
Thanka de l'Himalaya. Images de la sagesse.
Torino, Priuli & Verlucca, editori, 1993. In-folio br., couv. ill. en coul., très nb. ill. photogr. miniatures en n/b. in-t. et en coul. à pleine pp. h.-t., nb. fig. en n/b. in-t., appendices, bibliographie.
Referentie van de boekhandelaar : 607284
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EVANS, Helen C.
Trésors du Monastère Sainte-Catherine, Mont Sinaï, Egypte. Fondation Pierre Gianadda, Martigny, Suisse. Commissaire de l’exposition: Helen C. Evans. 5 octobre au 12 décembre 2004.
Martigny, Fondation Gianadda 2004, 240x220mm, 199pages, broché. Bel exemplaire.
Referentie van de boekhandelaar : 22369
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Fulep, Ferenc
Museums in Budapest: Hungarian National Museum, Museum of Fine Arts, Hungarian National Gallery, Museum of Applied Arts, Ethnographical Museum and Budapest Historical Museum.
Black cloth boards with embossed title in gilt lettering on cover and spine. Straight, solid spine, tight binding. Text/interior is clean, neat and free of marking to text. Previous owner's name inside. Dust jacket shows light general wear/scuffing, a little edge wear, no tears. 72 pages of text followed by 148 pages of full page, full color plates of the best the six institutions have to offer, with paintings, swords, vases, sculpture, tapestries, helmets, crowns, chests, jewelry, furniture, interiors, etc. etc. Paintings by Laszlo madnyanszky, mihaly Munkacsy, Pal Szinyei Merse, Karoly Ferenczy, Lajos Gulacsy, Jozsef Rippl-Ronai, Lajos Tihanyi, Jozsef Nemes Lamperth, Jozsef Egry, Gyula Derkovits, Bela Kondor, Barend van Orley, Durer, Giorgione, Giovanni Antonio Boltraffio, Michele Pannonio, Bellini et al. Previous owner's name on title page.
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GERKE, Friedrich
L'art dans le monde : La fin de l'art antique et les débuts de l'art chrétien
1973 Ed. Albin Michel, Collection "L'art dans le monde" - 1973 - Grand In-8, cartonnage vert rougedans coffret cartonné illustré en couleurs de l'éditeur - 280 ages. - Reproductions photographiques en couleurs et N&B dans l'ouvrage
Referentie van de boekhandelaar : 125402
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Gilles Neret
Homo Art - (Ediz. italiana, spagnola e portoghese)
In 8 (20x14,5) brossura plasticata illustrata; 192 pp, normali segni del tempo su angoli della copertina con piccole ammaccature, illustrazioni a colori, Ediz. italiana, spagnola e portoghese, collana Icons, buono. Ed. 2004
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Guerdan, Rene
Byzantium Its Triumph and Tragedy
Translated by D. L. B. Hartley. Index. 15 plates; 62 illustrations in the text. Previous owner's bookplate on front pastedown.
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HAUTERIVE andré
Le Merveilleux Pouvoir Des Icones
Tournus Alain Labussière 2008 In8 63 pages - broché - bon etat
Referentie van de boekhandelaar : 37Fq
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HAUTERIVE andré
Le Merveilleux Pouvoir Des Icones
Tournus Alain Labussière 2008 In8 63 pages - broché - bon etat
Referentie van de boekhandelaar : 37Fq
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Heidi von Schaewen
Eccentric Style
Taschen 2002 collection Icons. 2002. Cet ouvrage de la série Icons de Taschen photographié par Deidi von Schaewen et édité par Angelika Taschen présente une collection de photographies en couleur d'environnements visionnaires et de créations excentriques à travers le monde. Il explore des lieux et des œuvres nés de l'obsession et de l'imagination allant de l'Europe à l'Asie et l'Afrique avec un accent sur le caractère insolite et merveilleux de ces espaces
Referentie van de boekhandelaar : 500384723
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Heimann, Jim (editor)
Icons: Future Perfect, Vintage Futuristic Graphics
A clean, unmarked book with a tight binding. 5 5/8"w x 7 7/8"h. 192 pages. Slight edge wear to cover.
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Heimann, Jim (editor)
Icons: Mexicana, Vintage Mexican Graphics
A clean, unmarked book with a tight binding. 5 5/8"w x 7 7/8"h. 192 pages.
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Heinz SKROBUCHA
Le MESSAGE des ICONES
Un ouvrage de 137 pages, format 170 x 185 mm, illustré, relié toile, publié en 1966, Editions Saint-Paul Fribourg, bon état
Referentie van de boekhandelaar : LFA01c7f
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Heller, Steven; Karen Pomeroy
Design Literacy: Understanding Graphic Design
A clean, unmarked book with a tight binding. 6 5/8"w x 9 3/4"h. 278 pages.
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Henry CORTA
LITURGIE DU SILENCE
Un ouvrage de 94 pages, format 240 x 165 mm, illustré, broché couverture couleurs, publié en 1992, Editions Saint-Paul, bon état
Referentie van de boekhandelaar : LFA-126732639
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HOLLAR Wenzel (Praga 1607 – Londra 1677)
Lucas e Cornelius de Wael
Incisione tratta dalla celebre Icones principum, virorum, doctorum, pictorum, chalcographorum, di Anton van Dyck, edita per la prima volta ad Anversa nel 1645. Opera celebre ed importante, vero monumento dell’arte incisoria fiamminga del sec. XVIII, contiene le biografie ed i ritratti degli uomini illustri che Van Dyck aveva conosciuto e con i quali aveva avuto importanti rapporti. L’artista ne eseguì le effigi in numerosi dipinti e disegni che poi decise di pubblicare, affidandone la trasposizione calcografica ai migliori incisori del suo tempo, come Bolswert, Pontius, Vorsterman, de Jode, Hollar, molti dei quali aveva avuto come condiscepoli nell’atelier di Rubens. Acquaforte con ritocchi al bulino, stampata su carta vergata coeva, con margini, in ottimo stato di conservazione. Etching and engraving, circa 1645, signed on plate at lower edge. A fine impression, printed on contemporary laid paper, with margins, very good condition. From Icones principum, virorum, doctorum, pictorum, chalcographorum by Anton van Dyck, printed for the first time in Antwerp, 1645. A famous and important work, a real monument of the Flemish engraving art of the XVIII century, containing the biographies and portraits of the famous artists Van Dyck had met and with whom he had worked. Following the success of his portrait paintings and in the tradition of Italian and Flemish portrait series, Van Dyck decided to organise a print publication containing portraits of the most prominent men during his lifetime, divided into three categories: princes, politicians and soldiers (16), statesmen and scholars (12), artists and art connoisseurs (52). The initial idea could have been that Van Dyck would etch the faces (a process possibly learnt from Vorsterman) while others would finish the plates in engraving. Designs were needed for the plates and several drawings and oil sketches (grisailles, sometimes in different versions) have survived. Van Dyck only etched 17 plates himself, while he commissioned others to complete the set, overseen by Lucas Vorsterman I (especially after Van Dyck settled in England in the Spring of 1632). Although this project was started by Van Dyck around 1630, he never saw it completed. The Antwerp publisher Maarten van den Enden may have been involved from the start as eighty early impressions bear Van den Enden's address. They are engraved by Paulus Pontius (30 plates), Lucas Vorsterman I (22), Pieter de Jode II (12), Schelte a Bolswert (7), Robert van Voerst (4), Willem Hondius (2), Willem Jacobsz Delff (1), Cornelis Galle (1), and Nicolaes Lauwers (1). It is known that Van den Enden was in debt to Gillis Hendricx around 1644, the Antwerp publisher who must have obtained Van den Enden's plates which he published in 1645 in the first edition of these plates (containing between 100 and 104 portrait plates). Hendricx continued to publish these plates until his death in 1677 when they were auctioned off by the St Luke guild (keeping the Iconography plates together). It is not clear who bought these plates but they re-appeared around 1720 when they were published by Hendrick and Cornelis Verdussen in Antwerp.
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Holmes, Caroline (Hrsg.)
Icons of Garden Design.
München - London - New York, Prestel, 2001. 31 cm. 176 S. Mit 300 exzellenten Farbabbildungen. Original Pappband (Hardcover), Fadenheftung. Kopfschnitt minimal braunfleckig, sonst neuwertiges Exemplar.
Referentie van de boekhandelaar : 3927AB
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HOLY APOSTLES CONVENT, DORMITION SKETE ICONS
The Life of the Virgin Mary the Theotokos
Holy Apostles Convent Pubns December 1997. Hardcover. New. Holy Apostles Convent Pubns hardcover
Referentie van de boekhandelaar : 213623 ISBN : 0944359035 9780944359037
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HOLY APOSTLES CONVENT, , DORMITION SKETE ICONS
The Lives of the Holy Apostles: Saints Peter Paul Andrew James . from the Menology of St. Dimitri of Rostov in Russian and the Great Synaxaristes of the Orthodox Church in greek
Holy Apostles Convent Pubns December 1997. Hardcover. New. Holy Apostles Convent Pubns hardcover
Referentie van de boekhandelaar : 214260 ISBN : 0944359000 9780944359006
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HONDIUS Jodocus (Amsterdam 1563 - 1612)
Franciscus Franck
Incisione tratta dalla celebre raccolta Icones principum, virorum, doctorum, pictorum, chalcographorum, di Anton van Dyck, edita per la prima volta ad Anversa verso il 1640. Opera celebre ed importante, vero monumento dell’arte incisoria fiamminga del sec. XVIII, contiene le biografie ed i ritratti degli uomini illustri che Van Dyck aveva conosciuto e con i quali aveva avuto importanti rapporti. L’artista ne eseguì le effigi in numerosi dipinti e disegni che poi decise di pubblicare, affidandone la trasposizione calcografica ai migliori incisori del suo tempo, come Bolswert, Pontius, Vorsterman, de Jode, Hollar, molti dei quali aveva avuto come condiscepoli nell’atelier di Rubens. "Sir Anthony Van Dyck stands out as the solitary great etcher of the school. Portrait etching had scarcely had an existence before his time, and in his work it suddenly appears at the highest point ever reached in the art" (Hind, p. 165). "The plan of this publication took shape after Van Dyck returned from Italy (1626) and before he went to England (1632). He made careful preparatory drawings in chalk and brush for the publication. He directed and revised the work of the engravers, the best of the Rubens circle; he collaborated with his etching needle in some of the plates and himself etched the most beautiful set, mainly portraits of artists. One of the most brilliant in human characterization is the portrait of Peter Brueghel the Younger, son of the great Peasant Brueghel. It is remarkable that the etching appeared in this sketchy form in the book, proving that the master regarded it as finished. All interest is focussed on the wonderful had. The first edition was published in Antwerp in 1635-1636. Yet it was not complete, and the title-page did not appear before the Gillis Hendricx edition of 1645, engraved by Jacob Neels" (Benesch, Artistic and Intellectual Trends, p. 32.) Hofer, Baroque Book Illustrations 132. Acquaforte con ritocchi al bulino, stampata su carta vergata coeva, filigrana del “giullare”, con margini, in ottimo stato di conservazione. Etching and engraving, circa 1645, signed on plate at lower edge. A fine impression, printed on contemporary laid paper, with margins, very good condition. From Icones principum, virorum, doctorum, pictorum, chalcographorum by Anton van Dyck, printed for the first time in Antwerp, 1645. A famous and important work, a real monument of the Flemish engraving art of the XVIII century, containing the biographies and portraits of the famous artists Van Dyck had met and with whom he had worked. Following the success of his portrait paintings and in the tradition of Italian and Flemish portrait series, Van Dyck decided to organise a print publication containing portraits of the most prominent men during his lifetime, divided into three categories: princes, politicians and soldiers (16), statesmen and scholars (12), artists and art connoisseurs (52). The initial idea could have been that Van Dyck would etch the faces (a process possibly learnt from Vorsterman) while others would finish the plates in engraving. Designs were needed for the plates and several drawings and oil sketches (grisailles, sometimes in different versions) have survived. Van Dyck only etched 17 plates himself, while he commissioned others to complete the set, overseen by Lucas Vorsterman I (especially after Van Dyck settled in England in the Spring of 1632). Although this project was started by Van Dyck around 1630, he never saw it completed. The Antwerp publisher Maarten van den Enden may have been involved from the start as eighty early impressions bear Van den Enden's address. They are engraved by Paulus Pontius (30 plates), Lucas Vorsterman I (22), Pieter de Jode II (12), Schelte a Bolswert (7), Robert van Voerst (4), Willem Hondius (2), Willem Jacobsz Delff (1), Cornelis Galle (1), and Nicolaes Lauwers (1). It is known that Van den Enden was in debt to Gillis Hendricx around 1644, the Antwerp publisher who must have obtained Van den Enden's plates which he published in 1645 in the first edition of these plates (containing between 100 and 104 portrait plates). Hendricx continued to publish these plates until his death in 1677 when they were auctioned off by the St Luke guild (keeping the Iconography plates together). It is not clear who bought these plates but they re-appeared around 1720 when they were published by Hendrick and Cornelis Verdussen in Antwerp.
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Hothe, Einar Kleppe
Norwegian Icons: Important Norwegian Design from the Era 1940-1975
This is a fine softcover copy, with no wear. Completely clean. Text in English and Norwegian. This catalog was prepared to accompany the exhibition in New York in 2014 at the Open House Gallery in Soho. Comprehensive survey of mid-century (20th) Norwegian design. Illustrated in color and black & white, lots of works by lesser known designers. There is a small (4" X 7") illustrated gallery invitation card for Open House at 201 Mulberry Street, New York on May 23, 2014, laid in. 10" high X 8" wide, 345 pages. Heavy book, foreign shipping will cost extra. (Shipping to Europe, as of summer 2020, will be $62.) This book will be securely packed and shipped with tracking.
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ICONES
Icones. Fenêtres sur l'éternité
Artbook International 1986, In-4 cartonnage éditeur. 18 pages de texte + 48 planches couleurs légendées. Très bon état.
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ICONES
Icones. Fenêtres sur l'éternité
Artbook International 1986, In Artbook International 1986, In-4 cartonnage éditeur. 18 pages de texte + 48 planches couleurs légendées. Très bon état.
Referentie van de boekhandelaar : 107056
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ICONES] WEITZMANN (Kurt), ALIBEGASVILI (Gaiané), VOLSKAYA (Aeli), BABIC (Gordana), CHATZIDAKIS (Manolis), ALPATOV (Mikhaïl), VOINESCU (Teodora)
Les Icones.
Fernand Nathan, 1982. Hardcover In 4 . Reliure toilée de l'éditeur, sous jaquette illustrée. 417 pages imprimées sur triple colonnage. Très nombreuses illustrations photographiques en noir et en couleurs, in et hors texte. Cet ouvrage, oeuvres de spécialistes, a l"originalité de regrouper et d'étudier les icones selon leur provenance et non, comme c"est souvent le cas, d"aprés les collections dans lesquelles elles sont aujourd"hui conservées. Les auteurs retracent très clairement l"histoire de la tradition byzantine de l"icone et de sa diffusion dans l'Orient chrêtien.
Referentie van de boekhandelaar : 14964
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ICONS
IDIAN STULE
TASCHEN. NON DATE. In-8. Broché. Bon état, Couv. fraîche, Dos satisfaisant, Intérieur frais. 191pages. Nombreuses illutrations et photographies couleur hors texte.. . . . Classification Dewey : 910.4-Voyages
Referentie van de boekhandelaar : RO20147932
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Icons Media Publishing
Pathway to Peace: A Christian Journal with Bible Verses and Quotes
new. unknown
Referentie van de boekhandelaar : 48326760-n ISBN : 1068761873 9781068761874
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ICONS OF DESIGN THE 20TH CENTURY
4968
Not in perfect condition. unknown
Referentie van de boekhandelaar : Albus, Volker, Reyer Kras
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Icons of Europe
Chopin's Dream: Jenny Lind Gala Concert
Paperback / softback. New. paperback
Referentie van de boekhandelaar : A9782960038538 ISBN : 2960038533 9782960038538
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Icons of Europe
Chopin's Dream: Jenny Lind Gala Concert
Paperback / softback. New. paperback
Referentie van de boekhandelaar : B9782960038538 ISBN : 2960038533 9782960038538
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Icons of Europe
Chopin's Dream: Jenny Lind Gala Concert
paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Referentie van de boekhandelaar : 2960038533.G ISBN : 2960038533 9782960038538
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Icons, Dormition Skete
The Orthodox New Testament The Holy Gospels
hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Referentie van de boekhandelaar : 0944359175.G ISBN : 0944359175 9780944359174
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ICÔNES BYZANTINES par J. MULLER.
Icônes byzantines. Introduction, choix et textes de présentation des icônes par Paul Johannes Müller. 59 planches en couleurs et en pleine page sur vignettes contre collées.
Ed. Siloé 1978. Bel exemplaire relié, reliure pleine toile avec titres dorés, jaquette conservée, in-4, n. p. (plus de 120 pages).
Referentie van de boekhandelaar : AUB-8385
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ICÔNES par Christopher WALTER. CHF 60.00 Le monde des icônes par Christopher WALTER (198 planches en 4 couleurs). F AUB -1 -1
Le monde des icônes. Richement documenté (198 planches en 4 couleurs). Texte français de Thierry WAGRET.
Ed. Nagel 1982. Bel exemplaire relié, jaquette conservée, in-4, 227 pages avec notes.
Referentie van de boekhandelaar : AUB-8384
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ICÔNES par K. WEITZMANN, M. CHATZIDAKIS, S. RADOJCIC.
Le grand livre des icônes. Sinaï, la peinture d'icônes du Vie au XIIe siècle ; les icônes de Grèce ; les icônes de Yougoslavie du XIIe à la fin du XVIIe siècle (Représentations en pleine page sur vignettes contre collées en couleurs et héliogravures).
Paris, éd. Kogan 1983. Grand in-4 (32 x 28) relié, reliure pleine toile avec jaquette, dos avec titres dorés d'orig., 240 pages sur papier cartonné avec présentation, planches, légendes, notices, glossaire, notes hagiographiques, biographies des auteurs.
Referentie van de boekhandelaar : AUB-8386
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Il'in, Mikhail Andreevich
Iskusstvo Moskovskoi Rusi Epokhi Feofana Greka i Andreia Rubleva: Problemy, Gipotezy, Issledovaniia
This is a very good hardcover copy with a very good dust jacket with just light wear. Completely clean inside and out. Text completely in Russian. Russian Moscovite icon painting from the 14th and 15th centuries featuring Theophanes the Greek and Andrei Rublev. 98 plates including 26 full-page color plates. 11" high X 8" wide, 173 pages. This book will be securely packed and shipped with tracking.
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