|
|
|
INDUSTRIELLE IKONER, DE: DESIGN DANMARK (The Industrial Icons: Design Denmark).
5857
In Pristine Condition. unknown
Référence libraire : Dybdahl, Lars, ed
|
|
|
IOVLEVA Lidia I. (commissaire de l'exposition)
Icônes russes : les saints.
Pierre Gianadda Fondation Pierre Gianadda, 2000, 191 p., broché, quelques rares frottements en bordure de couverture, bon état et intérieur très propre.
Référence libraire : 101622
|
|
|
IOVLEVA Lidia I.
Icône russes : les saints.
Fondation Pierre Gianadda 2000 Fondation Pierre Gianadda, 2000, 191 p., broché, environ 24x22cm, bon état.
Référence libraire : 113277
|
|
|
Irimie C. M. Focsa
Icônes sur verre de roumanie.
Meridiane 1969 In-4 relié. Très bon état d’occasion.
Référence libraire : 59839
|
|
|
Irimie Cornel, Focsa Marcela
Irimie Romanian Icons Painted on Glass
WW Norton & Co Importante déchirure, sans manque, au verso de la jaquette.
Référence libraire : 65195 ISBN : 393043096
|
|
|
IRIMIE, Cornel & FOCSA, Marcela:
Romanian icons painted on glass.
Bucarest, Meridiane, 1969, in-4to, 35 p., ill. + 149 colored ill. on plates, orig. cloth, with DJ (a bit used).
Référence libraire : 69010aaf
|
|
|
Istvan György - Ferenc Neményi
Roublev. peintre de fresques et d'icones
Corvina/Librairie Gibert Jeune 1974 In-4 reliure éd. sous jaquette 33,7 cm sur 24,2. 24 pp + 47 planches. Jaquette en état satisfaisant. Cartonnage légèrement passé, coins émoussés, intérieur frais. Bon état d’occasion.
Référence libraire : 112544
|
|
|
Jacques, Serge
Icons: Paris-Hollywood
A clean, unmarked book with a tight binding. 5 5/8"w x 7 7/8"h. 192 pages.
|
|
|
James H. Marrow
Passion Iconography in Northern European art of the late middle ages and early renaissance
Kortrijk 1979 Van Ghemmert publishing co Hardcover Good
Référence libraire : 026994
|
|
|
Kjellin, Helge
Ryska Ikoner I Svensk Och Norsk Ago
This is a very good hardcover copy in the original publisher's black decorated cloth boards. Text in Swedish. This copy belonged to an American medievalist and has his name in small handstamps and elegant calligraphic signature on the endpapers and inside front cover. Also a handmade brown paper dust jacket with titles in red and black. 52 tipped-in colour reproductions and 148 plain text illustrations.This is a descriptive catalogue of 52 Russian icons in Swedish and Norwegian public and private collections. Bibliography. Indices. 13" high X 10" wide, 332 pages. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
|
|
|
Koetzle Hans -Michael
Photo IconsPetite histoire de la photo Volume 1 & 2
Taschen, 2002 - Deux Volume au format 140 x 200mm, reliure élégante illustrée intégralement , l'une souple l'autre plus rigide, 191 pages pour chacun de ces volume, très importante iconographie présentant, pour chaque artiste, une présentation raisonnée de son travail. Deux beaux exemplaires non séparés.
Référence libraire : 13970
|
|
|
KONSTANTINOU A. JACHOU.
Leitourgikon. Periechou ta upo te tou diakouou tou Ierou kai tou Ieropsaltou eu ie agia kai iera Leitourgia psallomeua. Edited by H. Redias-Toubas. [With a CD].
Fine Greek, Modern (post 1453) Paperback. Roy. 8vo. (24 x 17 cm). In Greek. 91, [3] p., with CD. Leitourgikon. Periechou ta upo te tou diakouou tou Ierou kai tou Ieropsaltou eu ie agia kai iera Leitourgia psallomeua. Edited by H. Redias-Toubas. [With a CD]. Functional. I contained the sacred and holy Liturgy by the Divine and the Holy Ghost.
|
|
|
Konstantios, Dimitris
Post-Byzantium: The Greek Renaissance 15th-18th Century Treasures from the Byzantine & Christian Museum, Athens
Exhibition catalogue of the artifacts from the Byzantine and Christian Museum of Greece which presented " works of art from the collection that represent the survival of Byzantine artistic tradition after the Fall of Constantinople in 1453 as well as the cultural achievements of Hellenism during the centuries when it was living and creating under foreign domination It was displayed at the Onassis Cultural Center, New York November 7,2002-February 8 - 2003. Colour and b&w illustrations + 54 objects with full-page, colour plates and descriptions.220p.bibliography Book
|
|
|
KORNBLUTH, Jesse - Préfacé par Tina S. Fredericks
Warhol pre-op
1988 Editions Schimmel/Mosel - 1988 - In-4, cartonnage illustré - 36 pages et 118 planches en couleurs hors-texte
Référence libraire : 124698
|
|
|
Kratochvil, Laurie (Editor) & Wenner, Jann S (intro)
Rolling Stone : The Photographs
No marks or inscriptions. No creasing to covers or to spine. A lovely clean very tight copy with bright unmarked boards. 118pp.
|
|
|
Krols, Birgit (ed).
Masters of the game. Icons of sport.
Antwerp, Tectum, 2012 Hardcover with dustjacket, 288pp., illustr. throughout in col. and b/w., very good condition. Tekst in english, francais, Italiano, nederlands. ISBN 9789461580399.
Référence libraire : 44360
|
|
|
Kroll, Erick
Icons: John Willie's Best of Bizarre
A clean, unmarked book with a tight binding. 5 5/8"w x 7 7/8"h. 192 pages.
|
|
|
Kämpfer, Engelbert
Engelbert Kämpfers Geschichte und Beschreibung von Japan (4 Bände in Kassette komplett). Faksimile der Ausgabe Lemgo, 1777-1779.
Berlin/Heidelberg, Springer, 1980. Zwei Bände Faksimile / Atlasband / Kommentarband (Herausgegeben von der Deutschen Gesellschaft für Natur- und Völkerkunde Ostasiens, Tokyo) LXVIII, 310 / 478 / 59 Tafeln / 167 S. (24x20 cm) "marm." Halblederbände in Kassette mit Lederriemen (40x28 cm)
Référence libraire : 76811
|
|
|
köhlers illustrierter
Flotten-Kaalender 1944. "Seefahrt ist not"
1944 Wilhelm Köhler Verlag - 1944 - In-8 broché, couverture illustrée, frontispice - 220 pages - Nombreuses illustrations en N&B dans l etexte - Texte en allemand
Référence libraire : 126028
|
|
|
LAFONTAINE-DOSOGNE (Jacqueline)
Itinéraires archéologiques dans la région d'Antioche. Recherche sur le monastère et sur l'iconographie de S. Syméon Stylite le Jeune.
Bruxelles, Editions de Byzantion, 1967. In-8 broché, 222 pp., 51 planches de fig., cartes (dont 1 dépl.) et ill. photogr. en n/b., bibliographie.
Référence libraire : 606838
|
|
|
LARCHET Jean-Claude
L'Iconographe et les artistes
Cerf, 2008. In-8 broché de 166 pages illustrées. Bon état
|
|
|
Lazarev,
Novgorodian Icon-painting
Iskusstvo,Moscow 1981 Livre en anglais, russe. In-4 reliure éd. sous jaquette 32,2 cm sur 24,7. 199 pages. Jaquette en très bon état. Très bon état d’occasion.
Référence libraire : 112650
|
|
|
Lazarev, V. N.
Novgorodian Icon-Painting
Mm 270x340 Volume originale rilegato in tela, sopracoperta editoriale con alcuni piccoli strappi ai margini, 200 pagine profusamente illustrate a colori nel testo redatto in lingua russa ed inglese - russian-english texts. Buona copia. Spedizione in 24 ore dalla conferma dell'ordine.
|
|
|
Lazarev, Viktor
Old Russian Murals & Mosaics
No marks or inscriptions. A very clean very tight copy with bright unmarked boards, very minor rubbing around lower board edges, a trace of dustiness to top of page edges and no bumping to corners. Dust jacket not price clipped or marked or torn or creased with very minor traces of storage. 290pp. A detailed study of Russian mosaics and frescos from the 11th to the 16th century with 265 illustrations. A heavy book.
|
|
|
Lazarev, Viktor Nikitich
Andrei Rublev i ego Shkola
Andrei Rublev and Rublev's School. Text in Russian. 169 pages plus 194 plates in black and white. Appears to have a page missing before title page.
|
|
|
Lefébure Christophe
Croix et calvaires. Chefs-d’oeuvre de l’art populaire
Flammarion 2004 Petit in 4, cartonnage editeur sous jaquette ill., 159 p., photographies de l’auteur en couleurs. Etat neuf
Référence libraire : 17200 ISBN : 2080112856
|
|
|
les dossiers d’archéologie
les dossiers d’archéologie Art byzantinUrbanisme et architecture - Vases de la collection de Louis XIV - Céramique et orfèvrerie - Textiles, ivoires et monnaies - Mosaïques, fresques, icônes et manuscrits peints
N° 176 de Novembre 1992 - revue illustrée - in-4 Broché
Référence libraire : 62394
|
|
|
LEVYKI, A.K. Dr.
Sakrale Skatter fra Kreml-Museene i Moskva. Sacral Treasures from the Moscow Kremlin Museums.
Oslo, Nasjonalmuseet for Kunst, Arkitektur og Design, 2010 Paperback, original editor's jacket in colors, 27.5x21.4 cm., 218 pp. + 6, illustrations in colors, bilingual edition English/Norsk. Paperback, original redakt?rens jakke i farger, 27.5x21.4 cm., 218 pp. + 6, illustrasjoner i farger, tospraklig utgave engelsk/Norsk. . ISBN 9788281540521.
Référence libraire : 40846
|
|
|
LISCHKE André - DROBOT Jean-
Harmonie Divine, livre d'art + CD : Icônes et Musique de l'ancienne Russie - Editions Opus 111 Paris 1998
in-8° pleine reliure cartonnée Illustrée, 66 pages, très bon état, traduit par André Lischke et Jean Drobot, Maquette de Guillermo Nagore, en couverture, détail d'une icône de Pskov : Descente aux Enfers, musée russe de Saint Petersbourg, nombreuses illustrations couleur, ISBN : 709861070001
Référence libraire : 2955
|
|
|
LOMMELIN Adrian
Paulus De Vos
Incisione tratta dalla celebre Icones principum, virorum, doctorum, pictorum, chalcographorum, di Anton van Dyck, edita per la prima volta ad Anversa nel 1645. Opera celebre ed importante, vero monumento dell’arte incisoria fiamminga del sec. XVIII, contiene le biografie ed i ritratti degli uomini illustri che Van Dyck aveva conosciuto econ i quali aveva avuto importanti rapporti. L’artista ne eseguì le effigi in numerosi dipinti e disegni che poi decise di pubblicare, affidandone la trasposizione calcografica ai migliori incisori del suo tempo, come Bolswert, Pontius, Vorsterman, de Jode, Hollar, molti dei quali aveva avuto come condiscepoli nell’atelier di Rubens. Acquaforte con ritocchi al bulino, stampata su carta vergata coeva, con margini, in ottimo stato di conservazione. Etching and engraving, circa 1645, signed on plate at lower edge. A fine impression, printed on contemporary laid paper, with margins, very good condition. From Icones principum, virorum, doctorum, pictorum, chalcographorum by Anton van Dyck, printed for the first time in Antwerp, 1645. A famous and important work, a real monument of the Flemish engraving art of the XVIII century, containing the biographies and portraits of the famous artists Van Dyck had met and with whom he had worked. Following the success of his portrait paintings and in the tradition of Italian and Flemish portrait series, Van Dyck decided to organise a print publication containing portraits of the most prominent men during his lifetime, divided into three categories: princes, politicians and soldiers (16), statesmen and scholars (12), artists and art connoisseurs (52). The initial idea could have been that Van Dyck would etch the faces (a process possibly learnt from Vorsterman) while others would finish the plates in engraving. Designs were needed for the plates and several drawings and oil sketches (grisailles, sometimes in different versions) have survived. Van Dyck only etched 17 plates himself, while he commissioned others to complete the set, overseen by Lucas Vorsterman I (especially after Van Dyck settled in England in the Spring of 1632). Although this project was started by Van Dyck around 1630, he never saw it completed. The Antwerp publisher Maarten van den Enden may have been involved from the start as eighty early impressions bear Van den Enden's address. They are engraved by Paulus Pontius (30 plates), Lucas Vorsterman I (22), Pieter de Jode II (12), Schelte a Bolswert (7), Robert van Voerst (4), Willem Hondius (2), Willem Jacobsz Delff (1), Cornelis Galle (1), and Nicolaes Lauwers (1). It is known that Van den Enden was in debt to Gillis Hendricx around 1644, the Antwerp publisher who must have obtained Van den Enden's plates which he published in 1645 in the first edition of these plates (containing between 100 and 104 portrait plates). Hendricx continued to publish these plates until his death in 1677 when they were auctioned off by the St Luke guild (keeping the Iconography plates together). It is not clear who bought these plates but they re-appeared around 1720 when they were published by Hendrick and Cornelis Verdussen in Antwerp.
|
|
|
Louis Reau,Russie
Art Russe avant Pierre le grand art ancien : l'architecture russe avant Pierre le Grand : la peinture d'icones en Russie
L'art et les artistes,L'Art et les artistes ; n. 2 Numéro spécial de juin 1917 ,[s.n.],1 vol.broche, (48 p.) ; 29 cm
Référence libraire : 15717
|
|
|
MARTENS, M.( inl. ).
IKONEN IN DE BEGIJNHOFKERK TE SINT-TRUIDEN. EEN ONTMOETING TUSSEN OOSTERSE EN WESTERSE CHRISTENHEID.
Sint-Truiden, Provinciale Dienst voor het Kunstpatrimonium, 1981, 1981 Paperback , onder geillustreerde kartonomslag, 16x23cm., 138pp., uitvoerig bekommentarieerde illustratie in kleur en z/w.
Référence libraire : 15878
|
|
|
Marielle DIGARD
*Vente Drouot-Richelieu, 20 octobre 2002
64 p., nbr. ill. coul. Inv. 24910
|
|
|
Maslenitsyn S.I
Yaroslavian Icon-painting
Iskusstvo,Moscow 1974 Livre en anglais, russe. In-4 relié. 120 pages. Jaquette effrangée en état moyen. Bon état d’occasion.
Référence libraire : 122360
|
|
|
Matejcek Antonin - Pesina Jaroslav
La peinture gothique tchèque 1350-1450
1950 Prague Melantrich 1950 Un volume in°4 reliure cartonnée éditeur sous jaquette 91 pp de texte et 179 reproductions hors-texte en noir et en couleurs
Référence libraire : 295
|
|
|
MAUCHENHEIM, H. V. / THEUNISSEN, W. P. / JOKSCH, T. / BRENSKE, H. / FABRICUS, U.:
IKONEN. - KONVOLUT VON 7 BüCHERN: 1) Ikonen. Heilige Bilder der Ostkirche / 2) JOKSCH: Ikonen. 25 Farbabb. Lose uf Tafeln in Mappe / 3) Griechische Ikonen Sammlung Emilios Velimezis. / 4) Ikonen Einf. Klaus Wessel, 1976 / 5) Russische Ikonen. Sonderausgabe der Zeitschrift. Das Kunstwerk. (gr. in-8vo,). 6) Ikonen Museum Reckling Hausen. (in-8vo,). 7) Ikonen, Jesus Christus. (pt. in-8vo,). ZUS.
Pattloch, 1987, pt. in-8vo, Original-Leinenband. OU.
Référence libraire : 109220aaf
|
|
|
Max Rooses
Icones Veterum Aliquot, Ac Recentium Medicorum, Philosophorumque Elogiolis suis Editae, Opera I. Sambuci
Antwerpen 1901 De Nederlandsche Boekhandel Hardcover
Référence libraire : 028187
|
|
|
Michail Alpatov
Le icone russe. Problemi di storia e di interpretazione artistica
Einaudi 1976 in8. 1976. Cartonné jaquette.
Référence libraire : 100147621
|
|
|
MILIAEVA Lioudmila
L'icône ukrainienne, XIème-XVIIIème siècles, des sources Byzantines au Baroque.
PARKSTONE/AURORA. 1996. In-4. Relié. 239 pages, nombreuses illustrations en noir et en couleurs dans et hors texte.
Référence libraire : ART4243M
|
|
|
MILIAEVA Lioudmila
L'icône ukrainienne, XIème-XVIIIème siècles, des sources Byzantines au Baroque.
1996 Parkstone Aurora, Bournemouth/Saint-Petresbourg, 1996. grand in-4°,cartonnage éditeur avec sa jaquette éditeur; 240 pages, nombreuses illustrations
Référence libraire : 27243
|
|
|
MILIAEVA, Lioudmila
Les Icônes Ukrainiennes
Parkstone, Bournemouth/Aurora, Saint-Pétersbourg 1996 In-4, cartonnage illustré, sous jaquette illustrée, photographies pleines pages en couleurs et en noir, 239 pp. Etat neuf.
Référence libraire : 21224 ISBN : 1859952429
|
|
|
Moorsel, Paul van (Hrsg.)
Catalogue général du Musée Copte. The Icons. [Published by Paul van Moorsel]. (Supreme Council of Antiquities Leiden University, Departement of Early Christian Art).
(Leiden): Supreme Council of Antiquities Press (1991). 188 Seiten. Mit 185 schwarzweißen Abbildungen auf 48 Tafeln sowie 33 farbigen Abbildungen auf 8 Tafeln im Anhang. Gr. 8° (22,5-25 cm). Orig.-Broschur. [Softcover / Paperback].
Référence libraire : 154071
|
|
|
MULLER, PAUL JOHANNES.
IKONEN.
, Alphen aan den Rijn, Icob, 1977.**, Gebonden, linnen, vergulde titel op de voorplat en de rug, originele geillustreerde omslagwikkel in kleur, 28x34,5cm, z.p. ( +/- 123pp), rijkelijk geillustreerd met 58 buitentekstplaten in kleur.
Référence libraire : 11102
|
|
|
MURATOV (P. P.)
Les icônes russes.
Paris, Editions de La Pléiade - J. Schiffrin, 1927. In-4°, 255p. Broché, couverture illustrée rempliée.
Référence libraire : 36718
|
|
|
MURATOV P.P.
LES ICONES RUSSES
1927 J.SCHIFFRIN LA PLEIADE 1927 IN4 br.- 60 ht dont 4 en couleur-256p.num/.-leg.manque au bas du dos ,une charniere faible fendue sur plus de la moitié.
Référence libraire : 129
|
|
|
MURATOV (P. P.)
Les icones russes.
In-4, 255p. Edition originale numérotée. Tirage non précisé, cet exemplaire porte le numéro 805. Illustré de 56 planches en noir et de 4 planches en couleurs contrecollées. Tampon de possesseur en page de garde, sinon en parfait état. Bel ouvrage.
|
|
|
Myers,Bernard
Ravenna Mosaics
[Masterpieces in colour series] Exceptionally neat closeup images of fine mosaics from Ravenna- one on the front cover+11 plates tipped in [suitable for framing] with accompanying notes and introduction by Bernard Myers. 10p.+11 pates. NOTE : Large format [38x28x1 cm] Book
|
|
|
N/A.
BULGAARSE ICONEN EN MANUSCRIPTEN.
, Gent, Snoeck-Ducaju, 2002 Gebrocheerd, originele geillustreerde uitgeversomslag in kleur, 24x29,5cm, 116pp, rijkelijk geillustreerd in kleur en z/w, chronologisch overzicht, lexicon.
Référence libraire : 11098
|
|
|
NEEFS Jacob (Antwerp, 1610 – Antwerp, dopo il 1660)
Antonius De Tassis
Incisione tratta dalla celebre raccolta Icones principum, virorum, doctorum, pictorum, chalcographorum, di Anton van Dyck, edita per la prima volta ad Anversa verso il 1640. Opera celebre ed importante, vero monumento dell’arte incisoria fiamminga del sec. XVIII, contiene le biografie ed i ritratti degli uomini illustri che Van Dyck aveva conosciuto e con i quali aveva avuto importanti rapporti. L’artista ne eseguì le effigi in numerosi dipinti e disegni che poi decise di pubblicare, affidandone la trasposizione calcografica ai migliori incisori del suo tempo, come Bolswert, Pontius, Vorsterman, de Jode, Hollar, molti dei quali aveva avuto come condiscepoli nell’atelier di Rubens. "Sir Anthony Van Dyck stands out as the solitary great etcher of the school. Portrait etching had scarcely had an existence before his time, and in his work it suddenly appears at the highest point ever reached in the art" (Hind, p. 165). "The plan of this publication took shape after Van Dyck returned from Italy (1626) and before he went to England (1632). He made careful preparatory drawings in chalk and brush for the publication. He directed and revised the work of the engravers, the best of the Rubens circle; he collaborated with his etching needle in some of the plates and himself etched the most beautiful set, mainly portraits of artists. One of the most brilliant in human characterization is the portrait of Peter Brueghel the Younger, son of the great Peasant Brueghel. It is remarkable that the etching appeared in this sketchy form in the book, proving that the master regarded it as finished. All interest is focussed on the wonderful had. The first edition was published in Antwerp in 1635-1636. Yet it was not complete, and the title-page did not appear before the Gillis Hendricx edition of 1645, engraved by Jacob Neels" (Benesch, Artistic and Intellectual Trends, p. 32.) Hofer, Baroque Book Illustrations 132. Acquaforte con ritocchi al bulino, stampata su carta vergata coeva, filigrana del “giullare”, con margini, in ottimo stato di conservazione. Etching and engraving, circa 1645, signed on plate at lower edge. A fine impression, printed on contemporary laid paper, with margins, very good condition. From Icones principum, virorum, doctorum, pictorum, chalcographorum by Anton van Dyck, printed for the first time in Antwerp, 1645. A famous and important work, a real monument of the Flemish engraving art of the XVIII century, containing the biographies and portraits of the famous artists Van Dyck had met and with whom he had worked. Following the success of his portrait paintings and in the tradition of Italian and Flemish portrait series, Van Dyck decided to organise a print publication containing portraits of the most prominent men during his lifetime, divided into three categories: princes, politicians and soldiers (16), statesmen and scholars (12), artists and art connoisseurs (52). The initial idea could have been that Van Dyck would etch the faces (a process possibly learnt from Vorsterman) while others would finish the plates in engraving. Designs were needed for the plates and several drawings and oil sketches (grisailles, sometimes in different versions) have survived. Van Dyck only etched 17 plates himself, while he commissioned others to complete the set, overseen by Lucas Vorsterman I (especially after Van Dyck settled in England in the Spring of 1632). Although this project was started by Van Dyck around 1630, he never saw it completed. The Antwerp publisher Maarten van den Enden may have been involved from the start as eighty early impressions bear Van den Enden's address. They are engraved by Paulus Pontius (30 plates), Lucas Vorsterman I (22), Pieter de Jode II (12), Schelte a Bolswert (7), Robert van Voerst (4), Willem Hondius (2), Willem Jacobsz Delff (1), Cornelis Galle (1), and Nicolaes Lauwers (1). It is known that Van den Enden was in debt to Gillis Hendricx around 1644, the Antwerp publisher who must have obtained Van den Enden's plates which he published in 1645 in the first edition of these plates (containing between 100 and 104 portrait plates). Hendricx continued to publish these plates until his death in 1677 when they were auctioned off by the St Luke guild (keeping the Iconography plates together). It is not clear who bought these plates but they re-appeared around 1720 when they were published by Hendrick and Cornelis Verdussen in Antwerp.
|
|
|
Neret, Gilles
Icons. Erotica, 20th Century, Volume II
A clean, unmarked book with a tight binding. 5 5/8"w x 7 7/8"h. 192 pages.
|
|
|
Recevoir par e-mail
Télécharger en PDF
Flux RSS
Lien permanent
