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Taylor Jeremy
The Rule And Exercises Of Holy Dying With Rare Historical Fore-Edge Painting Of Early Painted View Of Washington Dc From Arlington Heights Showing Washington Monument Under Construction
London: W. Pickering 1850. 5th or later Edition . Red Morocco. Near Fine. Fore-Edge Painting. 262 Pp. Full Pebbled Red Morocco All Compartments Gilt Five Bands Covers Elaborately Gilt With Nine Borders In Gilt Inner Blindstamped Rule With Corner Embellishment Elaborately Gilt Edges And Elaborately Gilt Turns All Edges Of Page Block Gilt Yellow Endpapers With Bound In Black Silk Marker. Title Page In Red And Black. 6 5/8" Tall. Remarkably Well Preserved Slight Rubbing No Names Or Marks. This Example With A Well-Preserved Foredge Painting Of Washington D. C. From Arlington Heights With Potomac River And Several Ships In Foreground Painting Apparently Done Apparently Circa 1850-1853 As The Washington Monument Is Depicted As About 1/3 Completed. <br/> <br/> W. Pickering unknown
書籍販売業者の参照番号
: 028254
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TAYLOR, J. R. - FULLER, P. - BEAUMONT, M. R.
A.D. ART & DESIGN vol. 3, nº 1/2. 20th Century British Art - London 1987 - Muy ilustrado
London, Academy Editions, 1987. Numerosas ilustraciones en color y b/n. 80p. 4º mayor. Rústica editorial con ilustración de David Hockney. Buen ejemplar. Libro en inglés. Book in english.
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TCHERINA Ludmila
Europe à Coeur
Editions Opas, Paris 1992, 24,5x31cm, reliure de l'éditeur.
書籍販売業者の参照番号
: 77182
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TCHERINA Ludmila
Europe à Coeur
- Editions Opas, Paris 1992, 24,5x31cm, reliure de l'éditeur. - Edition originale illustrée de reproductions de sculptures de Ludmila Tcherina. Reliure en plein cartonnage noir, dos lisse, premier plat illustré, coins et coiffes légèrement émoussés. Envoi autographe daté et signé de Ludmila Tcherina : "Au proffesseur (sic) Jean Malaurie c'était le soir du grand jour "panthéonien" où le feu même gela ! Comme vous voyez... je ne vous oublie pas." [ENGLISH DESCRIPTION ON DEMAND]
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TCHERINA Ludmila.
Europe à coeur. Ludmila Tchérina. Sculptures, peintures et dessins. 1960 - 1992.
1992 Fondation européenne des Sciences , des Arts et de la Culture, 1992 ; in-4°, plein cartonnage noir de l'éditeur, sculpture et titre en blanc au 1er plat et dos; 56pp.; illustré de reproductions d'oeuvres en noir et en couleurs.
書籍販売業者の参照番号
: 7785
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TEEUWISSE A.J.P.F.
Techniek van het beeldhouwen en plastisch vormgeven (natuursteen, hout, klei en was, rubbers en kunstharsen, gips en beton, brons-metaal)
Rotterdam, Lemniscaat 1974 112pp.rijkelijk geïllustreerd met figuren en foto's, 27cm., gecart., stofwikkel, goede staat, S88811
書籍販売業者の参照番号
: S88811
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TEEUWISSE A.J.P.F.
Techniek van het beeldhouwen en plastisch vormgeven (natuursteen, hout, klei en was, rubbers en kunstharsen, gips en beton, brons-metaal)
112pp.rijkelijk geïllustreerd met figuren en foto's, 27cm., gecart., stofwikkel, goede staat, S88811
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TEI - SAN
NOTES SUR L ' ART JAPONAIS . Tome 1 : La peinteure et la gravure , Tome 2 : La sculpture et la ciselure.
P , Mercure de France , 1905 - 1906 , 2 vols in 8 brochés , 331 - 331 pp dont 38 pages tableaux doubles dépliantes formant : Annexe à l' histoire de la sculpture et la ciselure japonaise . Papier jauni , très bon état général.
書籍販売業者の参照番号
: M15955
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TEI-SAN:
Notes sur l’Art japonais. La Sculpture et la Ciselure.
Paris, Société du Mercure de France, 1906, in-8vo, 331 p., richem. ill. avec des arbres généalogique sur les double-pages Annexe: 282 - 320, Reliure en demi-cuir rouge (privé), plats marbres, brochure originale (conservée). Bel exemplaire bien relié.
書籍販売業者の参照番号
: 82990aaf
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TEJA BACH, Friedrich.
Brancusi. Photo reflexion.
Paris, Editions du Regard - Didier Imbert Fine Arts 1991, 285x225mm, 151pages, reliure d'éditeur sous jaquette. Bel exemplaire.
書籍販売業者の参照番号
: 81148
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Tejera, Enrique, Dr.
El "spirochaeta morsus muris" microbio del "sodoku" en las rata de Caracas ; Las fiebres del Macuto y los insects del genero "phlebotomus"
Stapled small Octavo pamphlet; 15 pages. Rare. OCLC listsa no copies. Medicine, Epidemics, Rat-bite fever; Fevers, disease
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TELEMAQUE Hervé - NOËL Bernard - THIECK Catherine
TELEMAQUE. "Maisons rurales".
Galerie Adrien Maeght Paris 1981 In-8 carré ( 230 X 230 mm ), broché sous couverture illustrée en couleurs. Illustrations en couleurs et en noir dans et hors-texte. Très bel exemplaire.
書籍販売業者の参照番号
: 594741
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Telljohann, Peter
Diskrete Zerstreuung. Herausgegeben von Heiner Hachmeister und Ferdinand Ullrich. Städtische Galerie Ravensburg [und weitere Stationen].
Münster., Hachmeister Verlag., 1992. 28 x 22 cm. 94 S. OPappband., 40373A Erste Auflage. Einbandkanten mit minimalen Bereibungen, sonst sehr gutes Exemplar.
書籍販売業者の参照番号
: 40373AB
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TEMOIGNAGES POUR LA SCULPTURE ABSTRAITE.
Arp, Bloc, Descombin, Gilioli, Hepworth, Jacobsen,
Lardera, Schnabel, Schöffer, Lippold, De Rivera, David Smith. Paris. Editions A.A.et Denise René.. 1956. In-4 (24x20). 47 pages. Broché.
書籍販売業者の参照番号
: 22683
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TEMPEREAU Jacques
Jacques Tempereau. Sculptures-dessins.
Cartonnage de l'éditeur. 95 pages. 22x32cm.
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Tentoonstelling - catalogus.
BRITSE SCULPTUUR,BRITISCH SCULPTURE ( 1960 1988).
, Antwerpen, museum van hedendaagse kunst, 1989., Paperback, 22 x 24 cm, 272 pp, geillustreerd. ISBN 9789072828019.
書籍販売業者の参照番号
: 5579
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Tentoonstelling - catalogus.
BRITSE SCULPTUUR,BRITISCH SCULPTURE ( 1960 1988).
Paperback, 22 x 24 cm, 272 pp, geillustreerd. ISBN 9789072828019. Deze tentoonstelling is duidelijk kunsthistorisch van opzet en is opgebouwd rond pionierswerken van zesendertig kunstenaars die represantief zijn voor de ontwikkelingen die het aanzicht van de Britse sculpturale scene bepalen. Tekst in het Nederlands en Engels.
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Tentoonstelling - catalogus.
DE BEELDHOUWKUNST IN DE EEUW VAN RUBENS IN DE ZUIDELIJKE NEDERLANDEN EN HET PRINSBISDOM LUIK.
softcover, in-8?°, 387pp., uitgebreide z/w illustratie. Museum voor Oude Kunst, Brussel, 15 juli - 2 oktober 1977. Boek is in goede staat.
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TENTOONSTELLINGSCATALOGUS;
FERNAND KHNOPFF 1858 - 1921,
, Belgium, Ministere de la Communaute francaise de Belgique, s.d., softcover omslagillustratie : ' Des Caresses ', 272 pp., oblong formaat, 24x22,5cm., rijkelijke illustraties in - en hors texto.
書籍販売業者の参照番号
: 483
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TENTOONSTELLINGSCATALOGUS; epostition;
FERNAND KHNOPFF 1858 - 1921,
, Belgium, Ministere de la Communaute francaise de Belgique, s.d., Broche, softcover, 272 pages, oblong formaat, 24x22,5cm., rijkelijke illustraties in - en hors texto.** Texte en Francais
書籍販売業者の参照番号
: 25408
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TERRASSE Henri
L'art hispano-mauresque des origines au XIIIème siècle
Les éditions G. van Oest, Paris 1932, 19,5x28,5cm, broché.
書籍販売業者の参照番号
: 29360
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TERRASSE Henri
L'art hispano-mauresque des origines au XIIIème siècle
- Les éditions G. van Oest, Paris 1932, 19,5x28,5cm, broché. - Edition originale. Envoi autographe signé d'un précédent propriétaire à un ami en guise de présent. Ouvrage illustré de 80 planches photographiques hors-texte. Dos et plats légèrement et marginalement insolés sans gravité, sinon agréable exemplaire. [ENGLISH DESCRIPTION ON DEMAND]
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Terrasson Jeannine
Les Hannong et leurs manufactures Strasbourg Frankenthal.
La bibliothèque des arts. non daté. In-4. Relié toilé. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 140 pages - jaquette en bon état - nombreuses illustrations en couleurs contre collées dans et hors texte - nombreuses illustrations en noir et blanc dans et hors texte - sous emboitage cartonné souple brut conservé.. Avec Jaquette. Sous Emboitage. . Classification Dewey : 730-Arts plastiques. Sculpture
書籍販売業者の参照番号
: R320166221
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TERRET (Victor)
La Sculpture bourguignonne au XIIe et XIIe siècles.. Ses origines et ses sources d’inspiration. Autun. Deuxième série bourguignonne. Par Victor Terret, ancien professeur du Petit Séminaire d’Autun, Vice-Président de la Société éduenne.
Autun, Chez l’Auteur 1925 2 tomes, in-folio, broché sous couverture rempliée, VIII + 129 pp.+ LXI planches - 78 pp. + LXXXVII planches. Dos légèrement fatigués, rousseurs éparses. Bon exemplaire.
書籍販売業者の参照番号
: 49169
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TERRET (Victor).-
Cluny, centre et foyer artistique de la sculpture bourguignonne au XIIe siècle. Extrait du "Congrès du Millénaire de Cluny".
Macon, Protat, 1912, plaquette in 8° brochée, 28 pages ; couverture un peu fanée.
書籍販売業者の参照番号
: 37044
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TERRET Victor
La sculpture bourguignonne au XII° et XIII° siècles, ses origines et ses sources d'inspiration. Cluny.
Autin, chez l’auteur 1914 In-folio, broché, couverture rempliée, non coupé, 187 pp & LXV planches. Dos lég. passé. Très bon exemplaire.
書籍販売業者の参照番号
: 47604
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TESHIGAHARA Sofu.
Ikebana and sculpture. 1968 . N° 2.
1968 Tokyo, Sogetsu publising office, 1968; ensemble de 12 reproductions en couleurs sur papier couché d'oeuvres de Teshigahara, chacune montée sur papier fort de couleur avec légende imprimée en noir en japonais et en anglais, l'ensemble enveloppé de papier japon blanc formant enveloppe avec étiquette imprimée en noir sur bronze , le tout placé dans une enveloppe avec le nom de l'éditeur. Chaque planche mesure 36,5 X 26,5 cm.:
書籍販売業者の参照番号
: 11591
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TESHIMA, HIROSHI.
Hiroshi Teshima. Skulpturen.
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Testelin Henri Acade?mie royale de peinture et de sculpture France
Sentimens des plus habiles peintres du tems sur la pratique de la peinture et sculpture : recueillis & mis en tables de preceptes avec six discours academiques extraits des conferences tenues en l'Academie Royale desdits arts . par Henry Testelin peintre du roi professeur & secretaire en ladite Academie 1680 Leather Bound
2019. Leather Bound. New. Leather Binding on Spine and Corners with Golden Leaf Printing on round Spine. Reprinted in 2019 with the help of original edition published long back 1680. This book is printed in black & white sewing binding for longer life Printed on high quality Paper re-sized as per Current standards professionally processed without changing its contents. As these are old books we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots. If it is multi volume set then it is only single volume if you wish to order a specific or all the volumes you may contact us. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. Hope you will like it and give your comments and suggestions. Lang: - fre Pages 102. EXTRA 10 DAYS APART FROM THE NORMAL SHIPPING PERIOD WILL BE REQUIRED FOR LEATHER BOUND BOOKS. FOLIO EDITION IS ALSO AVAILABLE. hardcover
書籍販売業者の参照番号
: LB1111005104340
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Testelin Henri Acade?mie royale de peinture et de sculpture France
Sentimens des plus habiles peintres du tems sur la pratique de la peinture et sculpture : recueillis & mis en tables de preceptes avec six discours academiques extraits des conferences tenues en l'Academie Royale desdits arts . par Henry Testelin peintre du roi professeur & secretaire en ladite Academie 1680
2020. Paperback. New. Lang: - fre Pages 102. Reprinted in 2020 with the help of original edition published long back 1680. This book is Printed in black & white sewing binding for longer life with Matt laminated multi-Colour Soft Cover HARDCOVER EDITION IS ALSO AVAILABLE Printed on high quality Paper re-sized as per Current standards professionally processed without changing its contents. As these are old books we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots. If it is multi volume set then it is only single volume if you wish to order a specific or all the volumes you may contact us. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. Any type of Customisation is possible with extra charges. Hope you will like it and give your comments and suggestions. paperback
書籍販売業者の参照番号
: PB1111005104340
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Testelin Henri Acade?mie royale de peinture et de sculpture France
Sentimens des plus habiles peintres du tems sur la pratique de la peinture et sculpture : recueillis & mis en tables de preceptes avec six discours academiques extraits des conferences tenues en l'Academie Royale desdits arts . par Henry Testelin peintre du roi professeur & secretaire en ladite Academie 1680 Hardcover
2020. Hardcover. New. Lang: - fre Pages 102. Reprinted in 2020 with the help of original edition published long back 1680. This book is Printed in black & white Hardcover sewing binding for longer life with Matt laminated multi-Colour Dust Cover Printed on high quality Paper re-sized as per Current standards professionally processed without changing its contents. As these are old books we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots. If it is multi volume set then it is only single volume if you wish to order a specific or all the volumes you may contact us. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. Any type of Customisation is possible with extra charges. Hope you will like it and give your comments and suggestions. hardcover
書籍販売業者の参照番号
: 1111005104340
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TESTORI, Giovanni / PERRONE, Stefania Stefani:
Artisti del legno. La scultura in Valesia dal XV al XVIII secolo. ‘Artisti valesiani’.
Valesia Editrice, 1985, in-4to, 331 p., richement ill. couleurs et n./b., reliure en toile originale avec jaquette ill.
書籍販売業者の参照番号
: 133454aaf
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Tettoni, Luca Invernizzi; Edric Ong
Sarawak Style
Book is in excellent condition with very light wear to covers only. Binding is solid and square, text/interior is clean and free of marking of any kind. Dust jacket shows the slightest signs of shelf wear only, no tears. Oblong format with orange cloth covers, white titles. 224 pages, heavily illustrated with 350 photos investigating a myriad collection of aspects of Sarawak style. Sections include Peolple, heritage and culture, The art of Sarawak, The architectural dimension : traditions, foreign influences and modern contemporary style, Sarawak portraits in bleack and white, Architectural notebook. A huge number of photos full color, sometimes two page layouts of art, jewlery, cloth, clothing, sculpture, basketry, knives, costume, ceremony, religion, dance, beadwork, tattooing, etc. Large section on architectural detail, including elevations, sections and floorplans of a Bidayuh longhouse and headhouse, an Iban longhourse, an Orang Ulu longhouse, a Melanau Rumah Tinggi , a Malay house, a Chinese farmhouse,
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Text : Florent Bex (Director MuHKA) & Jan Fonce. David Nash
David Nash: a survey. SIGNED !!
softcover , originele uitgeversomslag, 27,5x21cm, 78pp, geillustreerd z/w. 27.5 x 21 cm, 78 p., language : Dutch, English, publisher : Materials: Ink, paper ISBN 907282802X. Tentoonstelling: Museum van Hedendaagse Kunst Antwerpen. 1996. Collection: Collection M HKA, Antwerp Editor : Jan Fonce (Curator MuHKA) & Vivian van Saaze.
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Text by FERNAND ROUILLON.
La peinture en Turquie. Le choix des collectionneurs. 13 Mai 1983 Exposition organisee a l'ambassade de France.
Very Good English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). 88 p. Color ills. Rare. La peinture en Turquie. Le choix des collectionneurs. 13 Mai 1983 Exposition organisee a l'ambassade de France.
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Text by GÜLSELI INAL.
Ahmet Günestekin. Antique moderne.= Antik modern. Translated by Ayperi Okur.
New English Ahmet Günestekin. Antik modern = Antique Moderne., text by: Gülseli Inal; translator: Ayperi Okur, Ist., 2007. Paperback. Pbo. 4to. (29 x 23 cm). 212 p. Color ills. In Turkish and English. 1250 copies were printed. "Ahmet Günestekin (born December 22, 1966 in Batman, Turkey) is a Turkish painter. He was born in the workers' camp at Garzan oil field in Batman, where his father was employed. He was the second youngest child of a seven children family. His passion for painting has been with him ever since his childhood. He was awarded his first prize in third grade when he was nine years old. His acquaintanceship with oil colors occurred at the same time, and in addition to this, his interest in literature appeared at this young age. Since that time, the artist has kept on working permanently. When he reached his high school years, he staged his first personal exhibition in the gallery at his school. Shortly after his graduation, he went on to study in the Faculty of Fine Arts at Mimar Sinan University in Istanbul. After a while he dropped out of this programme, but later went on to complete his graduate studies at the Anadolu University's Department of Management. For a period, he went into business, but soon returned to painting. In 1997, Günestekin established his first studio in Beyoglu and from there staged numerous personal and cooperative exhibitions. In the wake of his exhibition ¿Colors After Darkness¿, which he opened in 2003 iat Atatürk Cultural Center (AKM), he gradually began to release his name into the world of art. Through a great number of personal exhibitions, Günestekin¿s works of art now take their place in prestigious domestic and foreign collections. Ahmet Günestekin, whose signature of his great achievements is his distinctive language, has also attained great success in the design field. His art: Antique Modern While it exists as a definite and specific feature in modern art expression, form in post-modern times is observed and experienced as fragmented and imperceptible through a detached yet consecutive visual experience. Modern means: integrity, continuity, order, nature, form and, most importantly, simplicity. Post modern, on the other hand, is about pieces, disarray, detachedness, context, complexity and, most importantly, essence and ethnic culture. While modernism offers a unifying closed-circuit form mechanism, what is dominant in the art expression of the post-modern era is anti-form and a fragmented structure. (We designate the post-modern era as gaining clarity by 1990). The principles in a modern work of art can be listed as goal, distance, sovereignty, depiction of existence, metaphor, depth, interpretation, the designated, main code, narration, paranoia, the origin, metaphysics, and transcendence. What comes to the fore in the post-modern era, conversely, are characteristics like game, anarchy, process, puzzle, anti-thesis, nonexistence, disintegration, personal language (idiolect), irony, ambiguity, and immanence. From this perspective, Ahmet Günestekin's art expression bridges both the modern and post-modern approaches; whilst it harbors the modern characteristics and displays some features of the modern, and displays some features of the modern in terms of the space he reflects, it also offers a refuge for antique characteristics in terms of its themes. In actuality, Ahmet Günestekin, as an artist fascinated by the antique worlds, stands contrary to Modernism. However, the integrity and unity he reflects on the canvass are the principles of the modern work of art and they greet us as the most important principles that the artist gives the utmost importance to in composing his work. On the other hand, Ahmet Günestekin, who displays a completely post-modern attitude, also crosshatches the archetypes of the antique worlds, and transforms the ruptures of time - anachronisms - by greeting time perception, thereby transforming."
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Text by GÜLTEN IMAMOGLU.
Riza Kuruüzümcü. TurkuazLAmor/SenLEben/Katastrofi.= TurkuazLAmor/YouANDme/Catasthrophy. 15 Kasim - 14 Aralik 2013, Doruk Sanat Galerisi. [Exhibition catalogue].
As New English Paperback. Pbo. Mint. Oblong large 8vo. (22 x 22 cm). In Turkish. 20, [1] p. Color and b/w ills. 1000 copies were printed. Assoc. Prof. Riza Kuruüzümcü was born in Kusadasi in 1968. He graduated from the Faculty of Engineering (1985-1990) and from the Vocational School (1990-1991) at Bogaziçi University. He then studied at the Painting Department in the Faculty of Fine Arts at Mimar Sinan University in 1991-1995, and completed his master's degree (1998) and doctoral degree, proficiency in art (2000), in painting at the same university. Since 2000, Kuruüzümcü has worked as an Associate Professor at the Painting Department of Yildiz Technical University. In addition to it, he has served as the director at the Istanbul State Painting and Sculpture Museum, Research and Application Center since 2012. Kuruüzümcü has held many solo exhibitions and has participated in numerous group exhibitions in Turkey and abroad. He currently lives and works in Istanbul.
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Text by Jan Hoet. Interview by Léa Chauvel-Lévy.
JOHAN CRETEN monumental stoneware figures.
Hardcover, HB, 270 x 210 mm, 264 pages, 200 illustrations,English edition. ISBN 9788862083089. A leading figure in the revival of modern ceramics, Johan Creten (born 1963) uses glazed stoneware, particularly in large-scale sculptural works. The publication unveils a large part of the artist's career and technical explorations from precious porcelain flower pieces to mysterious monumental stoneware figures.
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Text by KAYA ÖZSEZGIN.
Naci Kalmukoglu. Suluboya ve desenler.
Fine English Naci Kalmukoglu. Suluboya ve desenler, text by: Kaya Ozsezgin, Artist, Ist., without print date. Hardcover. Original bdg. Fine. 4to. (34 x 24.5 cm). [52] p. Color ills.
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Text by LEVENT ÇALIKOGLU.
Sakir Gökçebag.4-30 Mayis 1999 Kas Galeri. [Exhibition catalogue]. Translator into English: Ali Suat Ürgüplü.
Fine English Paperback. Pbo. 4to. (28 x 23 cm). In English and Turkish. [24] p. Color ills. Sakir Gökçebag.4-30 Mayis 1999 Kas Galeri. [Exhibition catalogue]. Translator into English: Ali Suat Ürgüplü.
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Text by LEVENT ÇALIKOGLU.
Seçkin Pirim. Parting of reflection.= Terk-i akis. 7-30 March 2002, C.A.M. Arty Gallery [Exhibition catalogue].
Very Good English Paperback. Pbo. Oblng large 8vo. In English and Turkish. Color ills. [25] p. 500 copies were printed. Seçkin Pirim who actually was born in 1977 in Ankara, says "I came into the world in Kuzguncuk" where he matured in artist studios. After graduating from Fine Arts High School Painting Department, he enroled at M.S.Ü.G.S.F Sculpture Department. Having completed his undergraduate degree, he did his master's degree, and then opened his own studio. Sculptor and design artist Seçkin Pirim hitherto had 50 group exhibitions, and 11 solo exhibitions, 9 of which were held in Turkey and 2 abroad throughout his career. The works of Pirim, who has received many awards in sculpture and design, are in many private collections and museums both at home and abroad.
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Text by MAHMUT NÜVIT.
Suret-siz: (Adem Genç, Balkan Naci Islimyeli, Bedri Baykam).= You the Visage, Visageless. Tunca sanat 15 Aralik 2010 - 30 Ocak 2011 [Exhibition catalogue]. Translator: Fred Stark.
New English Paperback. Pbo. 4to. (28 x 24 cm). In English and Turkish. 127 p. Color ills. 1000 copies were printed. Suret-siz: (Adem Genç, Balkan Naci Islimyeli, Bedri Baykam). You the Visage, Visageless. Tunca sanat 15 Aralik 2010 - 30 Ocak 2011 [Exhibition catalogue]. Translator: Fred Stark.
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Text by MAHMUT NÜVIT.
Yüzeyde veya derinlikte. 17 Mayis - 17 Haziran 2010, Tunca Sanat Galerisi. [Exhibition catalogue]. Translator: Fred Stark
As New English Paperback. Pbo. Large Roy. 8vo. (24 x 18.5 cm). Color ills. 127 p. In Turkish. 1000 copies were printed. Mint. Yüzeyde veya derinlikte. 17 Mayis - 17 Haziran 2010, Tunca Sanat Galerisi. [Exhibition catalogue]. Translator: Fred Stark.
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Text by MARCUS GRAF.
Fevzi Karakoç Retrospective, (1968-2006).= Fevzi Karakoç Retrospektif, (1968-2006). 15 Nisan - 13 Nisan 2007. [Exhibition catalogue].
Fine English Paperback. Pbo. 4to. (30 x 21 cm). In Turkish. 66 p. Color ills. In Turkish and English. Fevzi Karakoç Retrospective, (1968-2006).= Fevzi Karakoç Retrospektif, (1968-2006). 15 Nisan - 13 Nisan 2007. [Exhibition catalogue].
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Text by NILGÜN YÜKSEL.
Art in Akmerkez 9. The Exhibition of Bedri Rahmi Eyüboglu.= Sanat Akmerkez'de 9. Bedri Rahmi Eyüboglu. Bir Bedri Rahmi. Ve Amerika. 19 Subat - 24 Mart 2013, Tunca Sanat Galerisi. [Exhibition catalogue]. Translation: Linda Stark.
New English Paperback. Pbo. Oblong large Roy. 8vo. 103, [1] p. In English and Turkish. Fully color ills. 600 copies were printed. Art in Akmerkez 9. The Exhibition of Bedri Rahmi Eyüboglu.= Sanat Akmerkez'de 9. Bedri Rahmi Eyüboglu. Bir Bedri Rahmi. Ve Amerika. 19 Subat - 24 Mart 2013, Tunca Sanat Galerisi. [Exhibition catalogue]. Translation: Linda Stark.
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Text by RUSEN ESREF YILMAZ.
Ahmet Özel. The inner views.= Iç manzaralar. 5-31 Mayis 2006 Kare Sanat Galerisi, Nisantasi. [Exhibition catalogue].
As New English Paperback. Pbo. 1000 copies were printed. Mint. 4to. (30 x 23.5 cm). Turkish and English texts. [34] p. Color ills. Ahmet Özel. The inner views.= Iç manzaralar. 5-31 Mayis 2006 Kare Sanat Galerisi, Nisantasi. [Exhibition catalogue].
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Text by SANEL SAN SEVINÇ.
In search for the new.= Yeniyi aramak. January 18 - March 13, 2013. [Exhibition catalogue].
New English Paperback. Pbo. Mint. 4to. (29 x 22 cm). In English and Turkish. 56, [1] p. Color ills. In search for the new.= Yeniyi aramak. January 18 - March 13, 2013. [Exhibition catalogue].
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Text by SERCAN KAYA.
Vasif Pehlivanoglu. With the borealis.= Poyrazla gelen. Beyoglu Akademililer Sanat Merkezi. [Exhibition catalogue].
As New English Paperback. Pbo. Mint. Oblong large 8vo. (22 x 24 cm). In English and Turkish. 28, [1] p. Color and b/w ills. 1000 copies were printed. Vasif Pehlivanoglu. With the borealis.= Poyrazla gelen. Beyoglu Akademililer Sanat Merkezi. [Exhibition catalogue].
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Text by STEFANI IASTO.; Curatori: ANGELO ANDRIUOLO, GIORGIO BERTOZZI, FERDAN YUSUFI.
Movimento Sintesi in Istanbul Sergisi. 15 Aralik 2009 - 15 Ocak 2010. [Exhibition catalogue].
New English Paperback. 4to. (30 x 21 cm). In Italian and Turkish. 50 p. Color ills. Movimento Sintesi in Istanbul Sergisi. 15 Aralik 2009 - 15 Ocak 2010. [Exhibition catalogue].
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Text by STEFANI IASTO.; Curatori: ANGELO ANDRIUOLO, GIORGIO BERTOZZI, FERDAN YUSUFI.
Movimento Sintesi in Istanbul Sergisi. 15 Aralik 2009 - 15 Ocak 2010. [Exhibition catalogue].
Fine English Paperback. Pbo. Mint. 4to. (30 x 21 cm). In Italian and Turkish. 50 p. Color ills. Movimento Sintesi in Istanbul Sergisi. 15 Aralik 2009 - 15 Ocak 2010. [Exhibition catalogue].
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