‎Sculpture‎

‎Artisti: Amino Leo, Zelenak Edward, Nevelson Louise, McGowin Ed‎

‎A Plastic Presence [2 voll]‎

‎This was a landmark show of 49 American artists working with plastic materials. This show travelled to the San Francisco Museum of Art, and the Jewish Museum in New York. Ex-library item. — F.to: 26x20,5; pagg. 108+20; COL e BN; rileg. brossura. Editore: Milwaukee Art Center, Milwaukee, 1969.‎

‎Artisti: Arcangeli Maurizio, Art Orienté objet, Beecroft Vanessa, Bernardi Francesco, Cattelan Maurizio, Collishaw Mat, Donegan Cheryl, Gonzalez-Foerster D., Green Renée, Hepworth Stephen, Lane Abigail, Marisaldi Eva, Moro Liliana, Orozco Gabriel, Parreno‎

‎Soggetto Soggetto. Una nuova relazione nell’arte di oggi‎

‎Testi: Pasini Francesca, Russo Antonella et al. F.to: 23x31; pagg. 140; 111 COL e 41 B/N; rileg. brossura. Editore: Charta, Milano, 1994.‎

‎Artisti: Bell Larry, Bill Max, Boccioni Umberto, Brancusi Constantin, Calder Alexander, Caro Anthony, Castellani Enrico, Duchamp Marcel, Haacke Hans, Judd Donald, Klein Yves, Medalla David, Moore Henry, Smith Tony‎

‎Beyond Modern Sculpture. The effects of science and technology on the sculpture of this century‎

‎A pioneering critical study of the origins of modern sculptural form--the works that blink, move, create sound, and otherwise make new demands on space. Some 134 black-and-white photographs illustrate the ample text. Burnham, a sculptor with both art and engineering training, is a fellow at MIT's Center for Advanced Visual Research. He sees technological innovation as the ""controlling force"" in contemporary sculpture. — Testi: Burnham Jack. F.to: 20x24; pagg. 402; BN; rileg. rigida con sovracoperta. Editore: Georg Braziller, New York, 1967.‎

‎Artisti: Cadieux Geneviève, Collyer Robin, Genzken Isa, Graham Rodney, Miller Bernie, Nordman Maria‎

‎Crossroads‎

‎Testi: Yarlow Loretta, Storr Richard et al. F.to: 15x24; pagg. 88; COL e BN; rileg. brossura. Editore: Art Gallery of York University, Toronto, 1992.‎

‎Artisti: Demming Dagmar, Denda Elke, Eichhorn Maria, Fritsch Katharina, Genzken Isa, Gröting Asta, Horn Rebecca, Karrenberg Katharina, Sander Karin, Siem Wiebke, Stadtbäumer Pia, Trockel Rosemarie, Weiss-Leder Ute, Yufen Qin‎

‎Il logos del corpo vivente‎

‎Testi: Block René, Haerdter Michael et al. F.to: 24x33,5; pagg. 176; COL; rileg. brossura. Editore: Castello di Rivoli, Rivoli, 1995.‎

‎Artisti: Endo Toshikatsu, Muraoka Saburo‎

‎Giappone. la biennale di Venezia 1990.‎

‎Testi: Tatehata Akira. F.to: 23,5x32; pagg. 56; BN; rileg. brossura con scatola. Editore: The Japan Fondation, , 1990.‎

‎Artisti: Huebler Douglas, Samaras Lucas, Rivers Larry, Indiana Robert, di Suvero Mark, Dine Jim‎

‎Whitney Museum of American Art. Annual Exhibition 1966‎

‎F.to: 21X21; pagg. 94; BN; rileg. brossura. Editore: Whitney Museum , New York, 1967.‎

‎Artisti: Lutz Andres, Guggisberg Anders‎

‎Lutz & Guggisberg. Giardini di domani‎

‎Ideato e concepito da Lutz & Guggisberg in occasione del progetto il giardino presso la Collezione Maramotti, il libro include tutte le opere in mostra e altre non esposte, insieme a una ricca panoramica sull’allestimento. Le opere, fotografie con interventi pittorici e agglomerati di oggetti di recupero, rimandano alla visione post apocalittica di un paesaggio, a un momento in cui, dopo la catastrofe, la Natura si riappropria del suo spazio. Con rigorosa ironia Lutz & Guggisberg generano una dimensione altra, forse utopica, che è propria di ogni processo artistico. Nel testo sulla mostra l’antropologo e geografo Matteo Meschiari, partendo dal mito di Atlantide, riflette su distruzione e creazione e sul potere salvifico dell’immaginazione. Conceived by Lutz & Guggisberg on the occasion of the project il giardino at the Collezione Maramotti, the book includes all the artworks on display and some others not on show, together with a rich overview of the installation. The works, photographs incorporating elements of painting and assemblages of found objects, refer to a post-apocalyptic vision of a landscape, to a moment in which, after a disaster, Nature takes back its space. With rigorous irony Lutz & Guggisberg open up the alternate – perhaps utopian – dimension that is characteristic of any artistic process. In the exhibition text anthropologist and geographer Matteo Meschiari, starting from Atlantis legend, reflect on distruction and creation and on the redeeming power of imagination. — Testi: Meschiari Matteo. COL; rileg. rigida telata. Editore: A&Mbookstore Edizioni, Milano, 2018.‎

‎Artisti: Melotti Fausto, Clerici Fabrizio, Cara Ugo, Morandi Giorgio, Strada Nino Ernesto, De Pisis Filippo, Casorati Felice, Leonardi Leoncillo , Turcato Giulio, Afro, Basaldella Mirko, Bordoni Enrico, Broggini Luigi, Campigli Massimo, Cascella Pietro,‎

‎Handicraft as a fine art in Italy‎

‎"Carlo Ludovico Ragghianti, CADMA’s chairman, described the exhibition’s aim as ‘to perfect the quality of the Italian handicrafts by means of collaboration between artists and craftsmen’. Ragghianti described this ‘experiment’ as ‘part of a wider plan of action devoted to the revival and development of Italian handicrafts and [...] to the harmonising of Italian handicraft production with foreign and especially American, requirements’. Exhibits included ceramics, furniture, silverware and textiles designed by artists including Renato Guttuso, Fontana, Melotti, Giorgio Morandi and an abstract sculpture by the architect Sottsass. The catalogue, designed by the artist and designer Bruno Munari, reveals the unevenness of this collaboration – or at least its representation. Although no paintings were included in the exhibition, the cut-out corrugated cardboard cover depicts the creative work of the artist rather than artisan: a painter at his easel rather than a potter at his wheel. This is continued inside: the names and profiles for the thirty six artists and one architect are included but no details of the makers themselves are given – these are Sabatino’s anonymous ‘ghosts of the profession’ mentioned in the introduction. "Handicrafts as a Fine Art in Italy" was arguably one of the first exhibitions to present craft as art in post-war America. It precedes the larger MoMA exhibition XX Century Italian Art from 1949, which included terracotta and ceramic works by Arturo Martini and Fontana and which Lisa Hockemeyer has argued ‘demonstrates the curators’ acceptance of ceramic as a sculptural medium’. Both exhibitions in fact predate the widespread acceptance of the use of clay for artistic expression in the American context – as seen in the New York art world’s resistance to the Abstract Expressionist ceramics of Peter Voulkos and his Californian cohorts. It illustrates the difference of the concept of craft and art in the Italian context: for Hockemeyer, these artists’ use of clay was a result of the breakdown of hierarchies between the fine and decorative arts that occurred in the 1930s. It also speaks of the embryonic status of the field of design, in which there was an openness to who the modernisers of Italy’s crafts would be - artists or architects." A cura di Bruno Munari, una introduzione di Carlo Ludovico Ragghianti e le presenze di Afro, Mirko, Enrico Bordoni, Broggini, Campigli, Pietro Cascella, Casorati, Cherchi, Clerici, Consagra, De Pisis, Fabbri, Fontana, Fornasetti, Renato Gregorini, Guerrini, Guttuso, Levi, Paola Levi Montalcini, Marino, Melotti, Giovanni Michelucci, Morandi, Adriana Pincherle, Anita Pittoni, Pizzinato, Emanuele Rambaldi, Santomaso, Sassu, Carlo Sbisà, Maria Signorelli, Ettore Sottsas jr., Enrico Steiner, Nino Ernesto Strada, Turcato, Gianni Vagnetti. La mostra è presentata dalla CADMO, creata a Firenze dall’italo-americano Mar Ascoli, come organizzazione italiana della Fondazione americana "Handicraft Development Inc." con sede nella Casa dell’Artigianato Italiano dovuta all’architetto triestino Gustavo Pulitzer Finali. Stampato a Milano da Piero Bortolotti — Testi: Munari Bruno, Ragghianti Carlo Lodovico. pagg. 80; BN; rileg. cartone corrugato. Editore: Handicraft Development, New York, 1948.‎

‎Artisti: Rauschenberg Robert, Morris Robert, Stella Frank, Warhol Andy, Andre Carl, Bell Larry, Caro Anthony, Chamberlain John, Dine Jim, Flavin Dan, Indiana Robert, Judd Donald, LeWitt Sol, Martin Agnes, Noland Kenneth, Oldenburg Claes, Segal George‎

‎Definitive Statement . American art 1964-66‎

‎Testi: Plante Michael, Ebong Ima et al. F.to: 21,5x21,5; pagg. 180; BN; rileg. brossura. Editore: Brown University, Providence, 1986.‎

‎Arts of Asia‎

‎Arts of Asia ; September - October 1985 ; Volume 15 , Number 5 Far Eastern Lacquer in Los Anglese [cover subtitle]‎

‎Large quarto in glossy white, color photo illus wraps Includes the following well-illustrated articles: Hawaiian Dance Revival [hula]; Coiffure in Orissan Sculpture Part II: Brahmanical Female Figures and Buddhist Images ; Manansala: Master by the Lake ; Royal Regalia of Thailand; Sculpture of India ; CloisonnÈ of Kuo Ming-Chiao. || Arts -- Asia -- Periodicals. Arts -- Asie -- PÈriodiques. Japan, China. Southeast Asia‎

‎Arturo Schwarz‎

‎Marcel duchamp la mariée mise a nu‎

‎Fall 1974 in 4. 1974. reliure d'éditeur.‎

‎Très bon état‎

Bookseller reference : 2147492997

‎Arène, Paul - de Banville, Théodore - D'Aurevilly, Barbey - Bayard, Émile - Blanc, Charles - Brun, Charles - Castagnary - Clarétie, Jules - Clément, Charles - Coppée, F. - Couderc, Roger - Curnonski, Maurice - Davray, H.D. - Dorante - Galli, H. Gautier, Théophile - Javel, Firmin - Klingsor, Tristan - Lafage, Léon - Legrand, Marc - Marx, Roger - Mazel, H. - Moréas, Jean - Raynaud, E. - Rey, Paul - Saunier, Charles - Wolf, Albert...‎

‎Alexandre Falguière Sculpteur et Peintre. La Plume : Numéro exceptionnel consacré à Falguière‎

‎Paris, Société Anonyme La Plume 1898 117 reproductions en noir et blanc de l’oeuvre de Falguière et un frontispice en couleur aquarelle de Eugène Grasset, In-8 25 cm sur 19 reliure demi-percaline rouge, dos orné d’un chardon doré. Tête dorée. Couvertures d’origine conservées. 104 pages. Pièce de titre décolorée avec petit manques. Coupes et coins de la reliures frottées. Bon état d’occasion.‎

‎Bon état d’occasion‎

Bookseller reference : 98404

‎ASHTON Dore‎

‎Pol Bury‎

‎Maeght Editeur, 1970, in-4 rel. toile jaune (30 x 28,5), 161 p., reproduction de 107 œuvres en noir et en coul., un portrait de Pol Bury en front., jaquette un peu frottée aux angles avec petit manque , bon état.‎

‎"Venu du surréalisme et plus précisément du mouvement surréaliste belge, si vivant et original, où très jeune (la peinture d'un Magritte, la poésie d'un Achille Chavée l'ont profondément marqué), Pol Bury a gardé de ses premières expériences le sens de l'humour, le goût de l'étrangeté et du fantastique qui donnent un climat singulier à son oeuvre de sculpteur. Il s'appuiera sur la poésie pour aborder les problèmes plastiques qui se posent à sa génération : l'abandon de l'image, l'étude des formes abstraites, l'exploration de l'espace et du temps, enfin et surtout, la mise en oeuvre du mouvement. De la convergence de ces deux courants, naîtra la plus insolite, la plus fortement suggestive de l'art cinétique contemporain, une oeuvre tout entière dominée par la découverte capitale de la lenteur dans le mouvement. Lenteur démoniaque, mouvement discontinu, sans commencement ni fin qui exercent leurs imperceptibles ravages et leur fascination dans des structures d'une impeccable rigueur. Le pénétrant essai de Dore Aschton (complété par les écrits de Pol Bury pour la première fois réunis) met en lumière la richesse et la complexité de l'oeuvre et sa nouveauté radicale". Voir le sommaire sur photos jointes.‎

Bookseller reference : QWA-8882

‎Asian Art Museum of San Francisco; Berger, Patricia‎

‎Ancestral dwellings ; furnishing the Han tomb Asian Art Museum of San Francisco, March 7-July 12, 1987‎

‎Octavo in white color-illus stapled wrappers; 24 p. : illus. ; 23 cm Sepulchral monuments -- China -- Exhibitions. Funeral rites and ceremonies -- China -- Exhibitions; Exhibition catalog‎

‎Ass. des Conservateurs de haute Normandie‎

‎Britannica 30 ans de sculpture‎

‎La différence 1988 In-4 broché, 271 pp;‎

‎Bon état d’occasion‎

Bookseller reference : 26837

‎Assetto Franco painting & sculpture; Fossati Paolo preface‎

‎Franco Assetto: Anthology. Preface by Paolo Fossati.‎

‎A FINE FIRST IN PICTORIAL BOARDS. FIRST. Hardcover. Fine. Book. Hardcover‎

Bookseller reference : ML 12/4-72

‎Association de la Jeune Sculpture‎

‎XXIIe Salon de la Jeune Sculpture. 5 June-5 Juillet 1970 Orangerie du Luxembourg‎

‎Paris: Association de la Jeune Sculpture 1970. Price HAS BEEN REDUCED by 10% until Monday June 29 sale item approx. 150 pp. Paperback covers rubbed else very good Paris: Association de la Jeune Sculpture paperback‎

Bookseller reference : ZB1045820

‎Association of Finnish Sculptors‎

‎HEART: Helsinki Environmental Art Projects‎

‎56 pages, illustrated, also includes CD in sleeve at rear of book. eng‎

‎Assorted‎

‎An Historical Guide to the Sculptures of the Parthenon‎

‎London: British Museum Press 1965. 47 pp. 27 fig. Cover has some wear along edges and on corners also has minor fraying at top and base of spine. Reprint. Soft Cover. Good. 8vo - over 7�" - 9�" tall. British Museum Press Paperback‎

Bookseller reference : 010008096

‎Astrid von Asten, Rapha l Bouvier, Catherine Chevillot, Lilien Feledy, Tessa Paneth-Pollak, Jana Teuscher‎

‎Rodin / Arp : Exhibition Catalogue‎

‎, Fondation Beyeler / Hatje Cantz Verlag 2002, 2021 Hardcover ,200 pages, ENG, 315 x 280 x 20 mm, NEW, over 120 illustrations in colour / b/w. ISBN 9783775748759.‎

‎For the first time in a museum exhibition?and hence, in this catalogue?the groundbreaking work of a great innovator of late-nineteenth-century sculpture encounters the influential work from a protagonist of twentieth-century abstract sculpture: Auguste Rodin meets Hans (Jean) Arp. Both artists are characterized by their unique artistic innovations and the joy of experimentation; both strongly influenced their eras and have lost nothing of their topicality to this day. As sculptural milestones, the creations of Rodin and Arp illustrate in a vivid and exemplary way fundamental aspects in the development of modern sculpture. Rodin?s pioneering ideas and new artistic horizons for sculpture were taken up by Arp and fascinatingly developed, reinterpreted, or contrasted. Indeed, both oeuvres exhibit numerous artistic affinities and points of reference, which become a particularly revealing visual experience in this clever juxtaposition. AUGUSTE RODIN (1840?1917) led sculpture to new forms of expression, ultimately approaching Impressionism stylistically with his dynamic surface, while also under the influence of Symbolism, in terms of content. Sculptures such as The Thinker, The Kiss or The Burghers of Calais are among the icons of modernism. HANS (JEAN) ARP (1886?1966), founder of the Dada movement in Zurich, is known for his biomorphic sculptures in plaster, stone, and bronze. He sought the expression of ?organic abstraction.? His oeuvre also includes paintings, drawings, and poems.‎

Bookseller reference : 62385

‎ASTUGUEVIEILLE (Christian).‎

‎Christian Astuguevieille. Sculptures.‎

‎Galerie Clara Scremini 1999 1 vol. broché in-8, broché, couverture bleue, 55 pp. Catalogue d'exposition avec de nombreuses illustrations en couleurs. Exemplaire enrichi d'une signature de l'artiste et d'un gris-gris. En excellente condition.‎

Bookseller reference : 95991

‎Ater, Renee ; Morrison, Keith‎

‎Keith Morrison‎

‎Large green quarto ; x, 118 p. : illus (some color) ; 29 cm Morrison, Keith, 1942- -- Criticism and interpretation -- African American -- Art‎

‎ATSUSHI HOSOI.‎

‎Atsushi Hosoi. SamazanaME102. Jul. 1 - Aug. 3, 1999. IBM-Kawasaki City Gallery. [Exhibition catalogue].‎

‎As New Japanese Paperback. Mint. Large roy. 8vo. (25 x 17 cm). In Japanese with bilingual title in English and Japanese. [14] p., color and b/w ills. Atsushi Hosoi. SamazanaME102. Jul. 1 - Aug. 3, 1999. IBM-Kawasaki City Gallery. [Exhibition catalogue].‎

‎ATTARDI UGO ] MASSIMO RIPOSATI‎

‎Ugo Attardi. Sculptures peintures dessins‎

‎Edizioni Carte Segrete 1983. In-8 carré broché, couverture illustrée. Reproduction hors texte en noir et en couleurs.‎