‎Or‎

‎(Winkelmann, Heinrich (Hg.))‎

‎Altjapanischer Goldbergbau‎

‎Wethmar/Lünen, Gewerkschaft Eisenhütte Westfalia, 1964. 57 S., mit SW-Ill. u. XX teils weit ausfaltbare handkolorierte Leporello-Tafeln; nahezu frisches Expl. Pappband 26,3 cm Erste Auflage dieser Ausgabe Tadellos‎

Riferimento per il libraio : 033313

‎-‎

‎Dongo ! L'ultimo atto di un dramma.‎

‎Milano, Nuove Edizioni a, 1951, 8vo spillato, pp. 34 compl. ill. da foto in nero.‎

‎-‎

‎Le miniere d’oro di Cata-Branca nel Brasile.‎

‎Milano, Sonzogno, 1867, articolo e una xilografia, stralcio dal n° 133 de L'Emporio Pittoresco. - !! ATTENZIONE !!: Con il termine estratto (o stralcio) intendiamo riferirci ad un fascicolo contenente un articolo, completo in se, sia che esso sia stato stampato a parte utilizzando la stessa composizione sia che provenga direttamente da una rivista. Le pagine sono indicate come "da/a", ad esempio: 229/231 significa che il testo è composto da tre pagine. Quando la rivista di provenienza non viene indicata é perché ci è sconosciuta. - !! ATTENTION !!: : NOT A BOOK : “extract” or “excerpt” means simply a few pages, original nonetheless, printed in a magazine. Pages are indicated as in "from” “to", for example: 229/231 means the text comprises three pages (229, 230 and 231). If the magazine that contained the pages is not mentioned, it is because it is unknown to us.‎

‎- Cazes Mario - Gold Didier‎

‎Partition de la chanson : Napoletana‎

‎Partitions sur l'Italie je chante pour Montmartre Edition 1925‎

‎Bon état Petit format‎

Riferimento per il libraio : 21221

‎- Fragerolle Georges - Gold Didier‎

‎Partition de la chanson : Tsin-Tsa-No Recueil de 3 titres de chansons ; " Tsin-Tsan-No " exclusivement réservé à la la Société Fse des Anciens Etablissements " CINZANO " les 2 autres sont " Des fossettes ... Des p'tits coins ! " ( paroles de Didier Gold et musique de Max D'Yresne ) - " Je regardais Irma "‎

‎France Music-hall 1926‎

‎Bon état Petit format‎

Riferimento per il libraio : 113858

‎- Gillet Ernest - Gold Didier‎

‎Partition de la chanson : Pauvre Pierrot Tranche fragilisée‎

‎Partitions sur le Pierrot, Colombine et Arlequin Eschig Max 1925‎

‎Très bon état Grand format Piano‎

Riferimento per il libraio : 27763

‎- Gold Ernest - Boone Pat‎

‎Partition de la chanson : Exodus Exodus‎

‎Chappell 1961‎

‎Bon état Format Américain Piano‎

Riferimento per il libraio : 70721

‎- Henderson Ray - Gold Didier,Cis Jean‎

‎Partition de la chanson : Il est à vous For old times' sake‎

‎Salabert 1929‎

‎Très bon état Grand format Piano‎

Riferimento per il libraio : 29520

‎0‎

‎La regia camera de' conti ad ognuno sia manifesto che sovra la supplica presentataci per parte di Domenico Bernardinelli... accio' ci piacesse... osservarsi le Regie Patenti de' 4 dicembre 1772...‎

‎In 4, pp. 4. Stemma xilogr. Curioso documento relativo al privilegio esclusivo, concesso per la durata di quindici anni a Domenico Bernardinelli, Benedetto Segoso e a Francesco Gobbi, di servirsi della macchina da loro inventata 'per purgare le terre, e spazzature, che dalla Regia Zecca e dagli Orefici sogliono essere abbandonate'. Una volta recuperati i materiali di scarto provenienti dalla zecca e dalle oreficerie, i tre concessionari avrebbero dovuto portarli alla zecca da cui avrebbero ricevuto il controvalore in denaro.‎

‎1 sticker on the back of the box discolored, the book is gold, the edges are dirty, the text is above average‎

‎Newly Revised Supplementary National History Encyclopedia Volume 17 Konjaku Monogatari Collection Honcho‎

‎Yoshikawakobunkan 1933. Soft Cover. Fine. Number of books: 1 Yoshikawakobunkan paperback‎

Riferimento per il libraio : 2082702114601781

‎1647 first EdJuvenal's sixteen satyrs, or, A survey of the manners and actions of mankind‎

‎with arguments marginall notes and annotations clearing the obscure places out of the history lawes Hardcover Juvenal‎

‎Hardcover. Good. hardcover‎

Riferimento per il libraio : 1114XGJ7FJD

‎18th Century Mathematics Puzzles The Ladies' Diary or Woman's Almanack‎

‎1777-1797 The Ladies' Diary: Or Woman's Almanack.Containing New Improvements in Arts and Sciences and Many Entertaining Particulars: Designed for the Use and Diversion of the Fair-Sex.‎

‎London England: Printed for the Company of Stationers 1777. Twenty-two issues of this yearly British almanac bound in one volume; consecutive and inclusive from the 1777 issue to 1797. These are printed in red & black have the tax stamps on the margins of the title pages and are of 32 pages' length with exceptions or notes as below: 1782: On page 31 the section "VI Rebus by Mr. R. Richardson of Frosterly" has been solved with the manuscript letters & names of clues neatly written at the margins. 1786: pgs 1-2 15-32; However another issue is bound after this incomplete issue that is entire in 48 pages. These almanacs are noted on the title pages as printed for the Company of Stationers; and this "extra" issue is noted on the title page as "Printed for T. Carnan in St. Paul's Church Yard; who after an expensive Suit in Law and Equity by the unanimous Opinion of the Judges of the Court of Common Please dispossessed the Stationers' Company of their pretended exclusive Privilege of Printing Almanacks which they had usurped for two Centuries; a convincing Proof that no unjust Monopoly will ever stand the Test of an English Court of Justice." 1788: pgs 1-2 15-32 only. 1793 Misbound pages out of order and complete 32 pages. 1795: A name of "Old Batholomew" has been added in ms. at the 4th Sept. in the monthly almanac pages section. 1797 pgs 1-16 only. "The existence of the Ladies' Diary or the Woman's Almanack an 18th century English magazine devoted largely to problems and puzzles in mathematics indicates that stereotypes about the inability of women to understand and enjoy mathematics were less strongly believed in the 18th century than they are today.The Ladies' Diary became one of the widely read 18th century magazines devoted to the popularization of science and mathematics; these were addressed mainly to readers with no specialized training in the subjectsThe Ladies' Diary differed from these others primarily in the language used in some of the problems--language which reminds the reader that the problems were addressed to women" from the excellent overview of the magazine its influence & impact by Teri Perl San Francisco State Univ. Historia Mathematica 6 1979 article on the 'Diary' Indecipherable by us previous owner name on back endpaper.Approx. 4" x 6 3/8" size; bound in marbled-paper covered boards leather corners edges tinted yellow; spine covering gone; wear to the edges tips of the binding; bottom cord of top board let go; the block still solidly sewn some edges trimmed close; contents generally clean and in good condition. . First Edition. Hard Cover. Good. Printed for the Company of Stationers hardcover books‎

Riferimento per il libraio : 26884

‎19th Century American or Japanese Photographer‎

‎Yokohama Harbor ca. 1890.‎

‎Yokohama Japan: ca 1870. B&W Photograph 4.25 x 3.25 inches. Good with small tears crease at corner. Inked note on recto indicates location Yokohama. Harbor view includes a steamboat and a metal-hulled ship which began production in the 1870s. [Yokohama, Japan: ca 1870]. unknown‎

Riferimento per il libraio : 63-2587

‎20th Century German or Dutch Publisher‎

‎Deutsche Buchausstellung / Uitstalling van Duitse Boeke / German Book Exhibition‎

‎Amsterdam: 20th Century German or Dutch Publisher circa 1970s-1990s. 61x43 cm. Color poster. Very Good. Text in German Dutch and English. [Amsterdam?: 20th Century German or Dutch Publisher, [circa 1970s-1990s] unknown‎

Riferimento per il libraio : 73-3490

‎20th Century American or English Publisher‎

‎There is nothing so much alive and yet so quiet. Ideas in Motion‎

‎Washington London: 20th Century American or English Publisher circa 1900s. 59x39 cm. Black and white poster. Very Good. In plastic. [Washington?, London?: 20th Century American or English Publisher, circa 1900s] unknown‎

Riferimento per il libraio : 73-3468

‎3, or the London Charivari; Caricature]:‎

‎Linley Sambourne; Punch Illustration entitled 'THE ROLL OF FAME. 1800-1900.' with key.‎

‎Dated in facsimile October 1899. Sambourne 1844-1910 contributed illustrations to Punch for more than forty years. On good laid paper dimensions roughly 22 inches by 17 1/2. With facsimile signature and date. Folded twice. Slightly discoloured and a little creased but suitable for framing. Depicts Mr Punch with his dog Toby sitting atop a pile of the 'evolutions of the century' including a bicycle and typewriter and waving to 116 of the century's worthies including Bismark General Tom Thumb and the jockey Fred Archer but without Karl Marx. The key approximately 17 inches by 11 has some wear along central crease but is also good. See Image. Dated in facsimile October 1899. unknown‎

Riferimento per il libraio : 4555

‎39 [Polish-Jewish Cookbook or Sterotyped Travelogue? OCLC Locates Only 3 Copies in North America] Pomiane, Edouard de‎

‎KOSHER: CUISINE JUIVE GHETTOS MODERNES‎

‎Paris: Albin Michel 1929. 1st edition. Original color-printed paper wrappers with later lamination 12mo 241 pages. 19cm. In French. Title translates as: "Kosher: Jewish Cuisine Modern Ghettos." Book was later re-issued under the less controversial title "The Jews of Poland; Recollections and Recipes."<br> <br> Rebecca Miller discussed the book at length in the Jewish Forward in 2013:<br> <br> "De Pomiane 1875-1964 a physician was also one of the most famous chefs and cookery writers of his day. Born Eduard Pozerski he was born into the Polish aristocracy brought up poor but refined. Both his parents were Polish patriots who fought against Russian domination of their homeland; his mother fled to France with the young Eduard when his father was deported to Siberia for insurrection against the Russians. Coming of age within the close-knit community of Polish exiles in Paris he was sympathetic to liberal causes and was a proponent of the Dreyfus cause.<br> His ethnographic book about Polish Jewish culture and cooking written in 1928 was originally entitled 'Cuisine Juive; Ghetto Modernes' 'Jewish Cooking; Modern Ghettos'. It is perhaps the weirdest book I have ever read. A tantalizingly vague recipe for Carpe a la Juive 'Take a large live carp. Kill it.' follows a horrifying description of a pogrom relayed to de Pomiane by a museum guide who had survived the massacre by hiding under a heap of hay in which his sister suffocated overnight: 'A corpse belly ripped open lay with its guts wrapped around its neck.A child wandered aimlessly haggard mute crazed its body beaten to a pulp.'<br> In de Pomiane's writing appreciative paragraphs about the accomplishment of certain refined Jews rub shoulders with unwittingly racist pseudo-science. 'I observed as a biologist.wrote as a scientist' claims de Pomiane as he cheerfully divides all male Jews into three types:<br> 'The dark-haired Jew with a long beard and a delicate aquiline nose. His lips are often thin his ears lie flat against his head. His eyes are deep almost mystical. He is less excitable than the others. It could be said that he belongs to an ethnic aristocracy. He has an Egyptian profile.'<br> 'This type is also dark-haired and much more common. His beard is black shorter his eyes are bulging and bloodshot his nose is squat his lips are thick and very red.This is the excitable Jewish type. When he laughs he sniggers. The face overall has a cruel and bestial appearance. Certainly this type of Jew would frighten a child in France even if that child were himself Jewish.'<br> 'A third and rarer type is completely red-headed. The beard is shorter and divided in two. He has the same negroid facial characteristics as the preceding type. The lips look even thicker and frame the teeth with two red borders of equal size. Although they are red the peyes look brown from being rolled twisted and curled between fingers that are constantly being licked.'<br> Having provided us with this helpful diagram of Jewish types he takes us on a tour of Jewish Poland beginning with Kazimierz the Jewish Ghetto in Crakow since the Middle Ages:<br> The whole place seems fairly and in some places extremely poverty-stricken. The more so since the population is dirty and strange. In Kazimierz everyone dresses in black everyone rushes about in a hurry they all bustle about irritably pushing shouting arguing. One would think the whole city was in the grip of some nervous disease.<br> De Pomiane believes that these poor nervous Jews give us a sense of what the tribes of Israel must have been like 'these people who when settled among us became the educated and refined individuals with whom we are familiar.' So De Pomiane argues the less 'Jew-y' the Jews are the more European the more refined they are-and hence it seems equal to non-Jews. <br> Unfortunately in only a few years there was no refinement that could save a Jew in Poland or indeed France: being Jewish was considered a racial fact not a cultural subtlety. But de Pomiane's distinctions are fascinating because they are being spouted by a man who was actually sympathetic to Jewish culture.<br> De Pomiane's observations are strikingly detailed. Describing the typical kaftan he states 'they wear a long black cloth gown which descends to their feet. It is not waisted like an overcoat but is slightly fuller. Two rows of buttons secure it over the chest. This kaftan is quite high-necked.'<br> And then he describes a head-covering that can be found in contemporary Williamsburg: 'Older Jews wear black hats of brushed felt. These head-coverings are worn very far forward a little over the eyes because on the crown of the head under the hat they wear a little black scull-cap.'<br> He speaks of prostitution: 'Just as in the Orient one sees in the streets of Cracow and Warsaw Jews attempting to draw in the passerby to admire a supposed daughter or niece.'<br> And the book is not short of anecdotes: a friend of de Pomiane's was tempted by an old man who spoke of a girl 'as beautiful and fresh as a mountain stream.' Tantalized he followed the old man into an ancient house and through a rather dark and very smelly courtyard. 'The Jew opened a door; my friend entered a room which was quite clean and saw a young girl in profile.' She was a perfect beauty. Then she turned to face him and he saw that one of her eyes had been gouged out. When he left in a panic the old man cried 'It wasn't for an eye that you followed me here!'<br> De Pomiane takes us to a stylish health resort called Zakopane. There de Pomiane finds a lot of rich Jews. 'What is so surprising' he asks. 'They alone.engage in trade. They alone are rich and they alone can afford to vacation in Zakopane.'<br> Spending time with these wealthy assimilated Jews Pomiane is amazed at their patriotism. A doctor he met 'defended both Zakopane and the whole of Poland.he was a proud Polish nationalist. There are men like these among Jewish intellectuals who have achieved a certain status in life. having left the kaftan and the ghetto behind.they have almost forgotten Yiddish replacing it with very good German. They call themselves Polish.'<br> De Pomiane the ethnographer paints a fascinating portrait of a class divide amongst the assimilated versus the unassimilated Jews:<br> Try and imagine a Jew in his worn shiny discolored kaftan with his beard and side-locks on his temples. Imagine him strolling down the Avenue Henri-Martin in Paris which is inhabited almost exclusively by wealthy French Jews. Would he be welcomed as a compatriot by those elegant ladies getting out of their automobiles whose children speak English to their nannies Definitely not. These 'Israelites' a term favored at the time by assimilated Jews as more politically correct than 'Jew' avoid the Polish Jew whom they have dubbed 'Polak'.<br> The book encapsulates contradictions and subtleties within the Polish Jewish population between the wars but also within the writer himself a Polish Francophile exile who loved food and had an abiding interest in Jewish cuisine. Beef Bouillon with Sauerkraut Chicken Soup with Almonds Goose Soup with Barley Carp a la Juive-these recipes and many more are all lovingly preserved for the curious gourmand in this most curious of books."<br> <br> OCLC: 1323307672. OCLC locates only 3 copies of the first edition in North America NYPL USC UUtah though some copies listed as "internet resource" may in fact be original hard copies. Lamination is transparent and has preserved the original paper binding quite well. Good Condition Thus. cook-4-4-'#ecc. Paris: Albin Michel unknown‎

Riferimento per il libraio : 43450 ISBN : 1323307672 9781323307670

‎43 B C -17 or 18 a D Ovid‎

‎The Fasti Tristia Pontic Epistles Ibis and Halieuticon of Ovid. Literally Translated Into English Prose With Copious Notes‎

‎Hardback. New. hardcover‎

Riferimento per il libraio : B9781016742276 ISBN : 1016742274 9781016742276

‎43 BC-17 or 18 AD Ovid B C A D‎

‎Ovid's Metamorphoses in Fifteen Books; Volume 1‎

‎like new. unknown‎

Riferimento per il libraio : 46543586 ISBN : 1021183660 9781021183668

‎60, Burrell Arthur B 1859 or‎

‎A Book of Heroic Verse‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

Riferimento per il libraio : 1313859478.G ISBN : 1313859478 9781313859479

‎< special article > the nationalism is whether it is an enemy or a friend or not, it is Yukio Mishima, JURO Toma, Yasunobu Taked‎

‎Film art 272 April 1954 issue Yukio Mishima Japanese Book‎

‎Cinema art Corporation 1980. Soft Cover. Fine. KOS01207640 Cinema art Corporation paperback‎

Riferimento per il libraio : KOS01207640

‎[ Jacson, or Jackson, Maria Elizabetha]‎

‎The Florist's Manual; or Hints for the Construction of a Gay Flower Garden.‎

‎<p>London: Henry Colburn 1827 Third edition enlarged of this gardening guidebook that was among the first of its kind written for women by a woman. The second and third editions are significantly expanded from the first edition 1816 which is about half as many pages and contains only two plates. Publisher's rose-colored boards. . Twelvemo. . With six hand-colored aquatint plates including large folding frontispiece 11 x 7 ". Expertly rebacked with printed paper spine label. Wear to corners. A very good unusually bright and wide copy. Maria Elizabetha Jacson 1755 – 1829 was a botanical writer and the daughter of a clergyman who owned land in Derbyshire and Cheshire. Her family had connections to Enlightenment culture in the midlands through Erasmus Darwin and her cousin Sir Brooke Boothby. She also knew Maria Edgeworth who described Jacson as a "gay garden lady" and was undoubtedly an influence on Jacson's work. Jackson took an interest in botany from a young age but did not publish her first book the children's educational volume Botanical Dialogues 1797 until she was in her forties. She later published Botanical Lectures 1804 and Sketches of the Physiology of Vegetable Life 1811 for an adult audience the former book being an introduction to the translation of Linnaeus's System of Vegetables 1783 by Erasmus Darwin. The Florist's Manual was her most popular and influential work.</p> Henry Colburn, hardcover‎

Riferimento per il libraio : 17725

‎[18th Century Italian Printer or Engraver]‎

‎Roman Catholic Coat of Arms with Motto reading "Sigil Caroli Carr Episcopi Laonensis 1716."‎

‎Rome: 1716. Engraving 5.3 x 6 cm. Very Good. From the Collection of Hon. Gerald Henry Brabazon Ponsonby 1829 - 1908 Private Secretary to the Lord-Lieutenant of Ireland; son of the 4th Earl of Bessborough. [Rome: 1716]. unknown‎

Riferimento per il libraio : 63-7104

‎[19th Century French or Belgian Printer]‎

‎Alphabet Sheet.‎

‎Paris France: ca. 1860. 19.5" x 13" image size Good with tears. Original uncut sheet of binding paper one side black & printed with gold letters [Paris, France: ca. 1860]. unknown‎

Riferimento per il libraio : 68-2531

‎[19th or 20th Century French Artist?]‎

‎Schumann‎

‎Paris: 19th Century French Publisher circa 1800s. 32x25 cm. Black and white lithograph. Very Good [Paris: 19th Century French Publisher, circa 1800s?] unknown‎

Riferimento per il libraio : 73-2361