‎Or‎

‎MORETO, Agustín (1618-1669).‎

‎Comedias escogidas de Don Agustín Moreto y Cabaña. Coleccionadas e ilustradas por Luis Fernández-Guerra y Orbe.‎

‎Madrid, Rivadeneyra, 1856 (Biblioteca de Autores Españoles). 4to. mayor; LV pp., 654 pp. Encuadernación de época en media piel.‎

‎Morgan, A W‎

‎Fifty Years in Siletz Timber‎

‎Portland: A. W. Morgan 1959. First Edition Limited Edition. Near fine. Tall 8vo. 82pp. black & white portraits. Partial Contents: Pioneer homesteading in the Siletz River Basin. Hardships for Homesteaders. Squatters and More Trouble. Timber Cruising on Rugged Euchre Mountain. Buying and Selling Siletz Timber. Reminiscing in a letter to Grant King. Forest Fires and Fire Patrols. Etc. -- Portraits of A. W. Morgan J. W. Dunn William E. Boeing Jr. Louis Werner Fred W. Leadbetter & Alton I. Collins. -- Foreword by J. W. Dunn. -- Signed presentation inscription by the author on the first free end-paper to E. A. Linden. -- Spine a little cocked. No other notable defects. A. W. Morgan unknown‎

Riferimento per il libraio : 9817

‎Morgan, John 1958 or; Debrett's Peerage Limited‎

‎Debrett's new guide to etiquette & modern manners : the indispensable handbook‎

‎London.: Headline. 1999. Paperback. Good. 24cm. xi371p. Encuadernación en tapa blanda de editorial ilustrada. Idioma Inglés. First publ. 1996. Bibliography: p361-362. John Morgan.New guide to etiquette and modern manners. New guide to etiquette and modern manners. . Originally published: 1996. Includes bibliographical references and index . ISBN: 074721557X; 074727715X pbk Etiquette - Great Britain. Manners and customs. Etiquette Headline. paperback‎

Riferimento per il libraio : 1114581

‎Morganstern, Frank P.‎

‎The Bible - Fact, Fiction or Faith‎

‎196 pages. Written to promote independent thinking in those people who will read the bible with an open mind. Eye-catching glossy colour covers. Book‎

‎MORLEY, S. Griswold y TYLER, Richard W.‎

‎Los nombres de personajes en las comedias de Lope de Vega. Estudio de Onomatología.‎

‎Valencia, Editorial Castalia, 1961. Dos volúmenes en 4to.; VII pp., 722 pp. en paginación continuada, 2 hs. Encuadernación original en tela. Sobrecubiertas.‎

‎MORONOBU or SUKENOBU SCHOOL.‎

‎AMANJAKU DEN: A PERVERSE EROTIC JAPANESE LEGEND. A Bizarre and Unque Erotic Jap‎

‎Edo c.1700-50 n.p. Brown & silver covered boards very clean 7 double-page b.w. erotic woodblock illustrations mounted on mica flecked paper 18 x 25 cm. accordion folded illustration size: 31 x 12 cm. FIRST & ONLY UNRECORDED COPY! . . . . A VERY RARE UNRECORDED EARLY BOOK . . . A BIZARRE & UNIQUE EROTIC BOOK . . . UNSIGNED BUT CLEARLY THE WORK OF A MASTER ARTIST . BY SUKENOBU OR HIS :SCHOOL: . A unique and hitherto unfound odd and most unusual erotic book of the early-mid-18th century. One of the most bizarre erotic books ever done in Japan. . The graphically explicit work portrays men and women with genitals on their foreheads engaged in heterosexual and homosexual intercourse. There is no other book with such unusual and strange illustrations. . . THE TITLE: THE LEGEND OF AMANJAKU or AMAN NO JAKU: Chinese Title: TIAN XIE GUI YUN . THE MEANING OF AMANJAKU: Japanese Buddhist literature is abundant with variations on the theme of "Aman-No-Jaku" aka. "Amanjaku" "Manojaku" commonly understood to be a "Heavenly Evil Spirit." . This spirit or demon-like creature in Japanese folklore is usually depicted as being a male during the day and female at night. The demon is usually depicted as a kind of small Oni devil and is thought to be able to provoke a person's darkest desires and instigate him into perpetrating wicked deeds. . Amanjaku is also depicted in Chinese and Japanese mythology the AMANOJAKU is a changeling a water spirit that infiltrates the human world to play cruel tricks on people by reading their minds and twisting their requests or desires to be used against them. . The "AMANOJAKU" is also known the "Lord of the River" and in Japan serves Bishamonten one of the four Deva kings of Buddhism as a minor demon. See Wikipedia below. . In Japanese the term "Amanojaku" also refers to a person who is deliberately contradictory someone who argues for the sake of arguing or can be used in common Japanese conversation to refer to someone who is a "Perverted Demon." . THE ILLUSTRATIONS: THE BUDDHIST THEME:. This work is unusual in that the genitals of common people are located on their foreheads. A symbolist meaning can be in Buddhist concept that sex and sexual hedonism is openly on the minds of 'lay' people. The Buddha and his disciples on the other hand do not have sex organs on their foreheads meaning their organs are covered and in a different usual location. This can symbolize 'self control' over such biological energies. Devout Buddhist disregard sex as a pleasurable pastime and devote themselves to monastic focus. By contrast "lay" people are distracted with hedonistic pleasure a path away from rather than towards the Dharma or teachings of Buddhism. . In a sense this work illustrates the overwhelming force of evil or the "Amanojaku" and how it distracts people from the "Righteous Path" towards the Dharma and the ultimate goal of attaining Nirvana. It can be posited that this work is designed to give understanding to "lay" people by way of visual example of what forces direct their energies away from the Buddhist teachings in an effort to redirect them towards the "Righteous Path" and life style. . EXCEPTIONALLY RARE UNIQUE WORK: . The work is exceptionally RARE unusual and erotic there are no other example showing genitals on the foreheads of any other Japanese book cited anywhere in the bibliographic literature or record. . This work is certainly RARE in subject content and quantity. Though it was woodblock printed and unsigned which was usual for Japanese erotic works which were banned by the Shogun we have not found anything similar or recorded anywhere in the bibliography. Being woodblock printed one assumes there are other copies in existence. The average printing from woodblocks were somewhere between 100-200 copies. However in this instance no others exist. We have the strong feeling the book could have been the production of a famous Japanese illustrator and perhaps financed by a Buddhist temple again there are no known facts about this rarity. . THE EROTIC ILLUSTRATIONS: . Number 1: This work begins showing the Buddha flanked by two of his disciple monks. The title is written in four Japanese Kanji in Kambun & Chinese characters. The Buddha and his two disciples listen to two elderly Buddhist believers: one is a male he has and erect penis on his forehead. The other is a woman she has a vagina on her forehead. Neither the Buddha nor his two disciples monks show genitals on their foreheads. The couple have come to consult with the Buddha about their grievances. . Number 2: Shows a man and a woman in a Tatami matted room both wear lovely 18th century decorated Kimono. They embrace each other and are engaged in making love from their foreheads which show an erect penis and testicles inserted into the woman's forehead where her vagina is located. Adjacent to the young couple is an older woman who has become aroused by the adjacent couple's making love. The old woman uses a dildo tied to a post which she hugs while inserting the dildo into the vagina on her forehead. . Number 3: Shows a couple laying on a blanket their Kimono pulled down and opened and used as a top cover. They engage in love-making and kiss. The man has an erect penis on his forehead the woman a vagina on hers. There is some used Chirishi toilet paper just above her head on the floor used to wipe the love fluids. There is a folded package of yet unused Chirishi in readiness. Chishiri shown in Japanese Shunga erotic prints prints & paintings is an 'erotic symbol' indicative of sexual excitement with lots of love fluids flowing. Ergo the need for paper to clean up the results of erotic love-making. . Number 4 shows an adult man with an erect penis on his forehead penetrating the anus of a younger man who's smaller but erect penis is seen on his forehead as he faces his lover. The younger man has no pubic hair yet indicating his youth. . Adjacent to these two men is a woman in the next room. The door is open she is a secret voyeur of the two men. Her vagina is also on her forehead. A Shogi board and two bowls for stones is located in the front left of the illustration. Gay activities in Japanese society were accepted as a norm and were not especially unusual. However to find graphic examples in Japanese erotic books are exceptionally rare and seldom found. . Number 5: Depicts a fully clothed man on his knees he bends over a sleeping woman. He has a very large erect penis and begins to penetrate a woman with her vagina on her forehead. She is fully clothed and sleeping on a wooden "pillow" which supports her elaborate hair coiffeur. . Number 6: Depicts a lively scene of two men and a woman. One man with a very large and erect penis pulls the woman's arm toward him while she fends him off with a straight arm to his head. A second excited man also with a large and erect penis on his forehead masturbates and ejaculates in ecstasy. The woman has a vagina on her forehead. The scene is likely an intended rape of a young girl. She looks away in an effort not to allow him to pull her close enough to insert his penis into her exposed vagina. . Number 7: Illustrating a lonely old man in bed. He has an erect penis on his forehead and holds a kind of pot with a large opening. He faces down and inserts his penis into the pot for gratification. . THE TEXT: The text in Shunga erotic Japanese books & prints is often an erotic dialogue describing the erotic action. Often these words are onomatopoetic mimicking the sounds of people in orgasm or making comments about making love or the pleasure and good feelings. The size and hardness of the penis or the flavor and the juices of the vagina and its supple feelings of euphoria when engaged in love-making. All wear 18thcentury period Kimono. . MODE AND FASHION OF THE MID-18TH CENTURY: The room furnishing and Kimono of the participants in this work all wear 18th century period Kimono with period decorations. The style of Kimono and room screens reflect this period. . BINDING AND MOUNTING: Binding: The book has probably been rebound sometime after the 1750's with a more recent thin brown decorated paper with a silver chrysanthemum and a Mon family crest with gold and black on both front and rear covers. Each cover has a distinctly different kind of illustration but of the same theme. The corners and edges are a bit worn some loss to the paper as usual for a work from this period. . Mounting: At an earlier time each page was expertly mounted on a stiff Washi hand-made Japanese paper into an accordion folded book. Each illustration is bordered with a rare and stunning crushed oyster-shell powder mixed with rice-glue and overlaid on the border paper. The stunning effect is a rare shimmering pearl-like color and hue with a remarkable effect. This rare and largely unknown effect has been used for print backgrounds by some of the later masters. . This was no ordinary mounting and appropriate for an exceptionally and most unusual RARE book ! . Contents: By and large the contents are clean solid with a two old worm holes for the first 6 of 7 pages. These are small and towards the edge and does not detract from the overall quality of the illustration. On page 7 there are a few center margin old minor worm holes. All of these have been restored when the prints were laid down on the thick Washi paper creating book format. The work is otherwise solid and firm. There are a few 'rubs' on the old Washi paper which was made from very soft Kozo fibers common to any item of this period on this on handmade papers of the period. . CONDITION OF THE WOODBLOCK PRINTS: . These are very early black and white woodcut prints. Each print has an excellent and vivid impression key blocks are black and superbly printed with strong images. The paper is old and has the patina of paper from that age the usual minor mild surface rubbing or thumbing in the lower corners which is common. . We tend to be overly critical of any flaws found on our books and believe it is better to overly describe rather than avoid such discussion any imperfections. Suffice to say by and large this is an excellent item in very nice condition something that any collector or museum would be proud to own. Please review photos posted to our website. . R A R I T Y OF SUBJECT: The placement of the genitals on the forehead gives one a lot of room to theorize on the meaning of such artistic expression. In our 50 years of experience in dealing Japanese woodblock printed books and painted original art this is the first and only example with such imaginative and symbolist expression. With the beginning of the work showing the Buddha and his two disciples lacking any genitals on their foreheads one can simply assume that in a Buddhist way they have given up carnal desire as represented by common people who's foreheads display genitals perhaps meaning that sex is on their minds or they simply view others as sexual objects eager to make love and engage in carnal thoughts and activities. Obviously seeing an erect penis on some man whiles others see what he thinks and feels is an insight to his innermost thoughts and desires. In all cases in this book the men all show an erect penis. The women are a bit more difficult to fathom. Their vaginas are simply visible on their foreheads and no fluids are visible or other evidence of their carnal desire or sexually excited stated. All of the men have public hair adjacent to their sex organs while all women are lacking any pubic hair completely. This is an erotic symbolism giving full view to women's genitals. . "BANNED" or "PROHIBITED" BOOKS: Shun Pon Haru Bon: In the case of this item it is very likely that it was printed in a much smaller discreet quantity than the 200 copies possible off the blocks. Due to the "banned" nature of such books there is no date publisher nor place cited. One is simply left to determine the date and artist by stylistic analysis. It is well-known that during the Tokugawa period 1603-1868 erotic prints and books were "BANNED" or "PROHIBITED" by decree of the Shogun. One of the influencing factors was that during this period some Shoguns were changing their views and being influenced by Christians who entered Japan during this period. The Shogun did not want foreigners and Jesuit missionaries to think that Japan was a crass and base nation. Naturally foreigners soon learned that prostitution was rampant and so this strange logic from the Shogun never had much affect on the Christians and surely not on the Japanese. . The Shogun enforced severe punishments for persons involved in drawing printing carving blocks and publishing erotic books and prints. With out the "Kiwame" or censor's approval seal all such items were "Banned" outright by the Shogun decree. . While these "Prohibited" books and prints were widely circulated in an "underground" society there are ample examples of famous artists taking on commissions to produce erotic books and prints fun or profit. The record and bibliography is loaded with these examples. "Banning" such erotic works simply meant that the number printed were limited to smaller numbers and distribution was done under the table discretely circulating such books privately among collectors. During these times it was not necessary for artists to sign their such artistic creations by-and-large the population had a very good idea who the artist was by being familiar with their style and other works it was simply a "public secret" who the artist was. Often the artist poked fun at the Shogun with political jokes and assumed names to confound any chance of being discovered by the authorities. . Over the centuries this knowledge decreased and is now the domain of the art historian or scholar to identify and determine the actual artist. Stylistic analysis remains the standard method for unsigned works. . THE ARTIST/SCHOOLS: While there are no signatures or seals indicating the artist's name or even his alternate Go studio name we believe this work is part of the "Primitives and First Century of Ukiyo-e School 1660-1765" period. See Lane below. The women's coiffeur is very similar to those found in this period as well as the drawing style technique and genre. It is this cataloger's opinion that this work was likely the creation of one of the Moronobu School masters. Perhaps done by Sukenobu Yoshikiyo Morishige Sugimura Moronobu Kiyonobu Masanobu or others from this period. We believe this work was likely done from around 1710-1750. It was also likely that it was done by one of the artists listed below. . LIKELY ARTIST ATTRIBUTION: . MORONOBU SUKENOBU SCHOOL: Nishikawa Sukenobu 1671 -August 20 1750 often called simply "Sukenobu" was a Japanese printmaker from Kyoto. He was unusual for a Ukiyo-e in being based in the imperial capital of Kyoto. He did prints of actors but gained note for his works concerning women. His Hyakunin Joro Shinasadame: Appreciating 100 Women in two volumes published in 1723 depicted women of all classes from the empress to prostitutes and received favorable results His Hyakunin Joro Shinasadame: Appreciating 100 women in two volumes published in 1723 depicted women of all classes from the empress to prostitutes and received favorable results Leading members of this school were: Nishikawa Sukenobu the founder; Nishikawa Suketada; Kawashima Nobukiyo; Nishikawa Terunobu; and Takagi Sadatake. . NISHIKAWA MORONOBU SCHOOL: Nishikawa Moronobu 1618-July 25 1694 was a Japanese painter and printmaker known for his advancement of the Ukiyo-e woodcut style starting in the 1670s. Leading members of the MORONOBU school were: Nishikawa Moronobu the founder; Hishikawa Morofusa; Hishikawa Moroyoshi; Hishikawa Moronaga; Hishikawa Moroshige; Hishikawa Morohira; and Tamazaki Ryujo. . BIBLIOGRAPHY: . This title is NOT listed in any of the below resources: SHIBUI Kiyoshi. UKIYO-E NAISHI. BIBLIOGRAPHY OF JAPANESE EROTIC ILLUSTRATED WOODBLOCK PRINTED BOOKS. H. KERLEN. CATALOGUE OF PRE-MEIJI JAPANESE BOOKS & MAPS IN PUBLIC COLLECTIONS IN THE NETHERLANDS. Richard Lane: IMAGES FROM THE FLOATING WORLD THE JAPANESE PRINT; pages 28 40-60 show examples of the Ukiyo-e primitives 1660-1765 especially the Moronobu school pp.60-88 et al. . NOT LISTED IN: . KSM SHIBUI Kiyoshi: UKIYO-E NAISI. BIBLIOGRAPHY OF JAPANESE EROTIC ILLUSTRATED WOODBLOCK PRINTED BOOKS. Modern Reading: UKIYO-E NAISHI KERLEN H.: CATALOGUE OF PRE-MEIJI JAPANESE BOOKS & MAPS IN PUBLIC COLLECTIONS IN THE NETHERLANDS. Not in any other usual bibliographies on Japanese E-hon woodblock printed books. . See: WIKIPEDIA: http://en.wikipedia.org/wiki/Amanjaku . hardcover books‎

Riferimento per il libraio : 86003001

‎Morrill, Peggy‎

‎William Spratling and the Mexican Silver Renaissance‎

‎New York: Harry N. Abrams 2002. First edition. Hardcover. fine/fine. Folio cloth <br/><br/>Illustrated. Harry N. Abrams hardcover‎

Riferimento per il libraio : 002553 ISBN : 0810932482 9780810932487

‎Morris, Henry Curtis.‎

‎DESERT GOLD AND TOTAL PROSPECTING.‎

‎60 p. Illustrated with photographs, many taken by the author. Thin Small 4to. 260 mm. Original full cloth binding. Original dust jacket, price clipped. Extremities very slightly chipped. First Edition. Hardbound. Very good. **PRICE JUST REDUCED! W10‎

‎MORTE ACÍN, Ana.‎

‎Misticismo y conspiración. Sor María de Ágreda en el reinado de Felipe IV.‎

‎Zaragoza, 2010. 4to. menor; 535 pp., con 4 láminas en negro entre el texto. Cubiertas originales.‎

‎Morton Beebe, Herb Caen, Tom Cole, Barnaby Conrad, Herbery Gold, Kevin Starr‎

‎SAN FRANCISCO‎

‎New York: Harry N. Abrams 1985. First Edition; First Printing. Hardcover. Very Good in a Near Fine dust jacket. Foxing on top text block edge.; From the personal collection of notable photojournalist Ted Spiegel known for his work with National Geographic and his portrait of John F. Kennedy.; 205 pages. Harry N. Abrams hardcover‎

Riferimento per il libraio : 322177 ISBN : 0810916088 9780810916081

‎MORÁN DE LA ESTRELLA, Francisco.‎

‎Cartapacio de Francisco Morán de la Estrella. Prólogo de Juan Bautista de Avalle-Arce. Edición de Ralph A. DiFranco, José J. Labrador Herraiz y C. Ángel Zorita‎

‎Madrid, Patrimonio Nacional, 1989. 4to. mayor; XXXV pp., 566 pp., 1 h. y 3 láminas. Encuadernación original en tela. Sobrecubiertas.‎

‎MOSS GP. and AD. Roe‎

‎Highland Gold and Sliversmiths‎

‎, Edinburgh, NMS Publishing, 1999, 8vo. pp. vii, 214. profusely illus. in b/w including, some maps. pictorial boards. Very good condition. ISBN 9781901663259.‎

Riferimento per il libraio : 48876

‎Mosello Rosario.‎

‎OROLOGI SOLARI NELL'ARCO ALPINO. Le meridiane della Val d'Ossola.‎

‎(Codice LO/8547) In 8° (27x21 cm) 263 pp. Prima e unica edizione. Illustato con foto, cartine, disegni, tabelle. Angolino bianco dell'ultima pag. tagliato. Brossura editoriale ad alette, ottimo stato. Allegata vera foto: antico orologio solare su edificio con tetto a lose. ~~~ SPEDIZIONE IN ITALIA SEMPRE TRACCIATA‎

‎Moshe Gold and Philip Sicker‎

‎Joyce Studies Annual 2016‎

‎Fordham University Press. Paperback. Fair. THERE ARE NO TARIFFS OR CUSTOMS DUTIES ON BOOKS. An indispensable resource for scholars and students of James Joyce Joyce Studies Annual gathers essays by foremost scholars and emerging voices in the field. Very slight bumping to spine. Fordham University Press paperback‎

Riferimento per il libraio : 424553 ISBN : 082327229X 9780823272297

‎MOSQUERA DE FIGUEROA, Cristóbal (1547-1610).‎

‎Poesías inéditas. Edición y prólogo de Guillermo Diaz - Plaja. [Obras, I (único volúmen publicado)].‎

‎Madrid, Real Academia Española, 1955. 4to.; 293 pp., 1 h. Ejemplar intonso. Cubiertas originales.‎

‎Moss, A Kathy‎

‎Cowboy in the Making‎

‎Canyon City Oregon: Book Design and Typography by Hammett Graphic Design 1998. First Edition. of Cowboy in the Making. Limited Edition of 100 copies. This is No. 52 - Signed by the author inside the front cover. Original wraps. Fine. 8vo. pp. 45. Drawings by Michelle Field. Author's business card tipped to the copyright page. Condition. "Kathy's poetry makes people laugh cry think or just remember. Her love of life the outdoors and the philosophy of the cowboy make her writing come from the heart. Her vignettes capture on paper the unpredictable and heartwarming aspects of country living. -- Michelle Field's marvelous drawings complement the poems with tenderness and wit. Michelle has a deep appreciation for ranch live and accurate portrayal is of prime importance to her".-backcvr. Book Design and Typography by Hammett Graphic Design unknown‎

Riferimento per il libraio : 10438

‎MOTIS DOLADER, Miguel Ángel y COMBESCURE THIRY, Monique (Eds.).‎

‎El Libro Verde de Aragón. Introducción y transcripción de Monique Combescure Thiry. Estudio preliminar de Miguel Ángel Motis Dolader.‎

‎Zaragoza, 2003. Folio; LXXVI pp., 291 pp., 2 hs. Encuadernación original.‎

‎MOURLEVAT Jean-Claude‎

‎Le combat d'hiver‎

‎Gallimard Editions 2006 336 pages 15 7x23 9x2 9cm. 2006. Broché. 336 pages.‎

‎Etat correct‎

Riferimento per il libraio : 500098197

‎MOUSSET, Albert.‎

‎Felipe II. Conferencia leída en el Ateneo de Madrid el día 28 de Marzo de 1917.‎

‎Madrid, Librería General deVictoriano Suárez, 1917. 4to. menor; 43 pp., 1 h. Cubiertas originales.‎

‎Mr F [Sometimes attributed to either Jean-Antoine Romagnesi or M Fuzelier or Fuselier]‎

‎Le Retour de Tendresse ou La Feinte Veritable. Comedie‎

‎Paris: Chez Briasson 1728. Softcover. Near Fine. First edition. Text in French. 52pp. Bound in old but probably later unprinted wrappers. An ink blot on the inside of the front wrap slight foxing to the pages a near fine copy. An Italian-style comedy play. Very scarce. OCLC locates no copies of this edition and only three copies of a 1729 printing. Chez Briasson unknown‎

Riferimento per il libraio : 78892

‎Muehlemann Joanna.‎

‎Artus in Gold - Der Erec-Zyklus auf dem Krakauer Kronenkranz. Studien zur internationalen Architektur-und Kunstgeschichte 104.‎

‎Ril. in cart. con sovr., cm 33 X 25, pp 367, molt.tavv a colori. - ISBN: 9783865688385‎

‎Mueller, Barbara; Van Der Hoogt, M.; Good, L.; Knisely, T.; Pritchard, E.; Tedder, L.; Et al‎

‎Handwoven (Hand Woven) Magazine, November (Nov.) / December (Dec.) 2004 - Get Warped / Hot Scarf Ideas‎

‎96 pages. Features: Another excuse to think about buying yarn!; We're all warped - differently!; Round coasters to break away from the grid; Warping from to back for a striped rag rug; warping front to back; Turned M's and O's scarf inspired by Handwoven; Special warping tips; 4-shaft twill gamps in color-wheel colors; Back to front with two crosses; Aurora rug in Finnish Raanu; Back to front through lease sticks; Warping with a paddle using yarns from your stash for a scarf; Sectional beaming in ten easy steps for upholstery or pillow fabric; A shawl in fabric forecast's island sunset palette; and more. Moderate wear. Unmarked. A sound copy. Magazine‎

‎MUIRHEAD, Lockhart [1766 or 67-1829]‎

‎Journals Of Travels In Parts Of The Late Austrian Low Countries France The Pays De Vaud And Tuscany In 1787 And 1789‎

‎London: Printed By A.Strahan For T.N. Longman And G. Rees 1803. 1803. 8vo. pp. xii 428. with half-title. contemporary marbled sheep front cover detached foxing & light dampmarks to a few outer leaves. First Edition. The author was librarian to the University of Glasgow. He here recounts his visits to Brussels Lausanne Lyons Avignon Bareges Toulouse Nismes Marseilles :Leghorn and Pisa. Pine-Coffin 7891. F. London: Printed By A.Strahan For T.N. Longman And G. Rees, 1803. unknown‎

Riferimento per il libraio : TIRurMUI58

‎MUJICA, Bárbara K.‎

‎Calderon's Don Lope de Almeida: a kafkian character.‎

‎Madrid, Playor, 1971. 4to.; 34 pp. Cubiertas originales.‎

‎Muller, Hannelore‎

‎European Silver: The Thyssen-Bornemisza Collection‎

‎New York: Vendome Press 1986. 1st. Hardcover. New/New. 11.9x9.9x1.2in. 95 objects are described and illustrated in black and white. <br>311pp 4.95lb 11.9x9.9x1.2in Vendome Press hardcover‎

Riferimento per il libraio : 16257 ISBN : 0865650705 9780865650701