|
Pierangelo Mengoli
Uso e lavorazione dei metalli nell'Antico Egitto, Torino, Kemet, 2018
Torino, 2018; br., pp. 100, ill. col.
|
|
|
Pierce, John H.
Home Solar Gardening - Solar Greenhouses for Your House, Backyard or Apartment
164 pages. Index. Bibliography. A step-by-step illustrated guide. Usual library markings. Average wear. Good working copy. Book
|
|
|
Pierluigi Rossi
Regno d'Italia 1935-1945. Orafi, gioiellieri, argentieri milanesi tra le due guerre. Vol. 1, Castellarano, Terra Marique, 2022
Castellarano, 2022; br., pp. 753, ill., cm 16x23. (Storie di italiani).
|
|
|
Pierluigi Rossi
Regno d'Italia 1935-1945. Orafi, gioiellieri, argentieri milanesi tra le due guerre. Vol. 2, Castellarano, Terra Marique, 2022
Castellarano, 2022; br., pp. 614, ill. b/n, cm 16x24. (Storie di italiani).
|
|
|
Pieroni, Piero
Sceriffi e banditi del vecchio west
Avventure nella Storia. L'ultimo periodo della Storia del West che fu anche il più selvaggio ed il più violento.
|
|
|
Pierre Colman.
orfevrerie civile ancienne du pays de Liege. Catalogue d'exposition
softcover, 327pp., 24x33.5cm, nombr. ills. en coul. et n/b., bon etat. ISBN 2871140626. Catalogue d'exposition. !!! 1 ex gesigneerd door Koning Albert v Belgie 1991
|
|
|
Pierre et Gilles (or Pierre Commoy and Gilles Blanchard)
L’ODYSSÉE IMAGINAIRE
Paris: Contrejour 1988. First Edition. Hardcover. Near fine/Near fine. The first monograph by the French artists and romantic partners renowned for creating a world where painting and photography meet. Their art is peopled by their friends and family anonymous and famous who appear in sophisticated life-size sets the artists build in their studio. They meticulously apply paint to the photographs once printed on canvas. Accomplished image creators Pierre and Gilles have built up an extraordinary contemporary iconography on the frontier between art history and popular culture. Quarto: 78 2 pp. with full-color artwork throughout. Original white cloth binding with gray-stamped titles. Very light bump to the spine heel; else near fine in a near fine dust jacket. Contrejour hardcover
書籍販売業者の参照番号
: 78591
|
|
|
Pierre Mariette II (1634-1716), after Perelle [Gabriel Perelle (1603-1677), Adam Perelle (1638-1695), or Nicholas Perelle (1631-
Antique print I Harbor scene with sea battle published ca. 1670 1 p.
Harbor scene with men building and repairing ships in the foreground and a sea battle on the background.Signed and numbered at bottom: Inventé et gravé par Perelle / 5 / P. Mariette excudit.NL Havengezicht met op de voorgrond mannen bouwende en reparerende schepen en op de achtergrond een zeeslag. Gemaakt door Pierre Mariette II 1634-1716 naar Perelle. Etching on paper with some margin; total: 119 x 209 mm; some smudges overall in good condition; traces of watermark. Le Blanc 139. unknown
書籍販売業者の参照番号
: PR121297
|
|
|
Pierre Mariette II (1634-1716), after Perelle [Gabriel Perelle (1603-1677), Adam Perelle (1638-1695), or Nicholas Perelle (1631-
Antique print I Harbor scene with the Sybil temple of Tivoli published ca. 1670 1 p.
Harbor scene with ships being repaired ashore; on the left background the temple of the Sybil in Tivoli.Signed and numbered at bottom: Inventé et gravé par Perelle / 3 / P. Mariette excudit.NL Havengezicht met schepen die aan de wal worden gerepareerd; op de linker achtergrond de tempel van de Sybille in Tivoli. Door Pierre Mariette II 1634-1716 after Perelle Etching on paper with some margin; total: 113 x 207 mm; some smudges overall in good condition; traces of watermark. unknown
書籍販売業者の参照番号
: PR121296
|
|
|
Pieter Biesboer
Delfts zilver, De top van de 16de en 17de edelsmeedkunst uit de Lage Landen.
gebonden / Hardcover, 624 pagina's, c. 150 illustraties in kleur, 21x26cm. ISBN 9789462622357. Delfts zilver uit de 16de en 17de eeuw behoort tot de top van de edelsmeedkunst uit de Lage Landen. Deze publicatie biedt een mooi overzicht van hetgeen er door Delftse zilversmeden vervaardigd is in de periode vanaf 1536 tot 1807, de periode van het Delftse goud- en zilversmedengilde. De lezer wordt meegevoerd naar de bloeiperiode van het Delftse zilver, de objecten, de vervaardigers en de opdrachtgevers. In de 16de en 17de eeuw bestaan de pronkstukken met name uit nautilusbekers, drinkschalen en speciale tafelstukken, terwijl in de 18de eeuw de nadruk meer ligt op kostbare toiletserviezen en spektakelstukken als koelvaten, kandelabers, terrines, kraantjeskannen en koffie- thee- en chocoladekannen. Dit boek maakt duidelijk waarom de zilversmeedkunst in de 17de eeuw hoger stond aangeschreven en kostbaarder was dan de schilderkunst en hoe zilver generaties met elkaar verbindt. Naast de circa 150 afbeeldingen en vele details van zilveren en vergulde zilveren voorwerpen, zijn alle merken en biografieën van de meester goud- en zilversmeden van het Delftse gilde opgenomen. Mede door de afbeeldingen van de merken is dit boek tot een onmisbaar naslagwerk geworden.
|
|
|
Pieter Hendricksz Schut, 1618 or 1619–after 1660
Battle of Scheveningen 31st July 1653 Museum Etching Museum Quality A3
Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 17th century 1653. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
書籍販売業者の参照番号
: 597310
|
|
|
Pieter Hendricksz Schut, 1618 or 1619–after 1660
Battle of Scheveningen 31st July 1653 Photo Matt Fibre A2
Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 17th century 1653. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
書籍販売業者の参照番号
: 597311
|
|
|
Pieter Hendricksz Schut, 1618 or 1619–after 1660
Battle of Scheveningen 31st July 1653 Photo Rag Bright White Premium Quality A2
Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 17th century 1653. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
書籍販売業者の参照番号
: 597312
|
|
|
Pieter Hendricksz Schut, 1618 or 1619–after 1660
Battle of Scheveningen 31st July 1653 Museum Etching Museum Quality A2
Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 17th century 1653. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
書籍販売業者の参照番号
: 597313
|
|
|
Pieter van der Borcht (c 15301608) [?] or Frans Hogenberg (15351590) [?]
Antique print engraving The Cathedral of Our Lady in Antwerp/Onze-lieve-vrouwekathedraal in Antwerpen published 1612.
Appeared in the 1612 edition and later of Guicciardini's ""Beschryvinghe of all the Netherlands; ."" this plate numbered as ""6"" on the bottom right represents the Cathedral of our Lady in Antwerp. Some citizens on the bottom right are conversing with a cripple sitting in front of the church.Titled above in a panel held by two angels ""TEMPLE D. VIRGINIS / MARIAE VERA DEINEATIO"". Therefore this is the second version of the plate Antwerpen-Kathedraal 3.2 in Guicciardini Illustratus p. 137 which appeared at first in the 1612 Blaeu Dutch edition until Janssonius' in 1648. Copper engraving on paper with margins; plate mark: 237 x 318 mm total: 258 x 346 mm; state II/2; two pages joined together in the middle. On verso transfer traces of fresh ink due to the piling of sheets after pressing. Watermark with foolscap on the right. unknown
書籍販売業者の参照番号
: 65892
|
|
|
Pieter van der Borcht (c 15301608) [?] or Frans Hogenberg (15351590) [?]
Antique print engraving The Hanzehuis in Antwerp the Eastern House/Het Hanzehuis in Antwerpen published 1612.
Appeared in the 1612 edition and later of Guicciardini's ""Beschryvinghe of all the Netherlands; ."" this plate numbered as ""8"" on the bottom right represents the Hanzehuis in Antwerp the headquarter of the Hanseatic League. In front of the building on the square figures walking riding horses and carriages. Two large ships at each side of the building.Inscribed above in two different cartouches: ""DOMUS HANSAE / TEUTONICAE"" and ""SACRI ROMANI / IMPERII"". Guicciardini Illustratus Antwerpen-Hanzehuis 2.2 p. 134. Copper engraving on paper with margins; plate mark: 238 x 320 mm total: 261 x 346 mm; state II/2; two pages joined together in the middle. Foolscap watermark. unknown
書籍販売業者の参照番号
: 65896
|
|
|
Pieter van der Borcht (c 15301608) [?] or Frans Hogenberg (15351590) [?]
Antique print engraving The Cathedral of Our Lady in Antwerp/Onze-lieve-vrouwekathedraal in Antwerpen published 1612.
Appeared in the 1612 edition and later of Guicciardini's ""Beschryvinghe of all the Netherlands; ."" this plate numbered as ""6"" on the bottom right represents the Cathedral of our Lady in Antwerp. Some citizens on the bottom right are conversing with a cripple sitting in front of the church.Titled above in a panel held by two angels ""TEMPLE D. VIRGINIS / MARIAE VERA DEINEATIO"". Therefore this is the second version of the plate Antwerpen-Kathedraal 3.2 in Guicciardini Illustratus p. 137 which appeared at first in the 1612 Blaeu Dutch edition until Janssonius' in 1648. Copper engraving on paper with margins; plate mark: 237 x 318 mm total: 264 x 332 mm; two pages joined together in the middle. Light stain on the right and left margins; folding on bottom right corner. On the bottom left a small worm hole. Countermark on the right. unknown
書籍販売業者の参照番号
: 65894
|
|
|
PIETERSE, Wilhelmina Christina.
Daniel Levi de Barrios [Miguel de Barrios,1635-1701] als geschiedschrijver van de Portugees - Israelietische Gemeente te Amsterdam in zijn "Triumpho del Govierno Popular" [1683]. Academisch Proefschrift ter verkkrijging van de graad van doctor in de letteren aan de Universiteit van Amsterdam.
Amsterdam, Scheltema & Holkema N.V., 1968. 4to. mayor; 211 pp., 2 hs. Texto en neerlandés, castellano y portugués. Cubiertas originales.
|
|
|
PIETRI, François (1882-1966).
L'Espagne du Siècle d'Or.
Paris, Librairie Arthème Fayard, 1959. 4to.; 340 pp. y un mapa plegado. Encuadernación original en tela estampada.
|
|
|
Pietro Ghilarducci
Il Bivio
Collana: La Scala, gennaio 1981. Rilegato con copertina rigida e sovraccoperta. Prima edizione. Spedizioni tracciabili con raccomandata entro 24 ore dall'ordine. First edition. Hardback cover with dust jacket in fine conditions, no price clipped, no inscriptions or markings inside. Worldwide delivery.
|
|
|
Pietsch, Ulrich
Johann Gregorius Höroldt 1696-1775 und die Meissener Porzellanmalerei.
Dresden, Staatliche Kunstsammlungen Dresden - Porzellansammlung im Zwinger, 1996. Zur dreihundertsten Wiederkehr seines Geburtstages. Ausstellungskatalog, verzeichnet 205 genau beschriebene Exponate. Mit sehr zahlreichen, meist farbigen Abbildungen. 4°. 247,1 S. Farb. ill. OKlappbroschur. Minimal gebraucht.
書籍販売業者の参照番号
: 19649
|
|
|
PIGAFETTA, Antonio (c. 1480-c. 1534).
Primer viaje alrededor del mundo. Traducción de José Toribio Medina. Edición, presentación, cartografía y notas de José Eugenio Borao Mateo.
Zaragoza, IFC, 2020. 4to.; LXXXII pp., 274 pp. Reproducciones de mapas. Cubiertas originales.
|
|
|
Pike, Robert L (Robert L Fish)
Mute Witness
Garden City: Doubleday Crime Club 1963. First edition. Hardcover. Very Good/Very good . Police novel which was made into the Steve McQueen film "Bullitt". Bump on bottom front board corner. Two tiny specks at top of front free endpaper. Dust jacket with $3.50 price has a little rubbing on the rear panel. Jacket is bright except for the publisher's name at bottom of spine which is somewhat faded. <br/><br/> Doubleday, Crime Club hardcover
書籍販売業者の参照番号
: 15874
|
|
|
Pikulski Andrzej
La Mitra. Studio Storico Artistico., Firenze, Edifir, 2005
Con una Premessa di Dora Liscia Bemporad e una Prefazione di Lamberto Crociani. Firenze, 2005; br., pp. 104, ill. b/n e col., cm 17x24. (Arte Orafa. Arte Tessile).
|
|
|
PINA, Luís de (1901-1972).
A Intercultura Anatómica Luso - Espanhola.
Porto, Edições Maranus, 1947. 4to. mayor; 141 pp., 1 h. Ejemplar intonso. Cubiertas originales.
|
|
|
PINILLOS IGLESIAS, María Nieves.
Hilando Oro. Vida de Luisa de Carvajal (y Mendoza).
Madrid, 2000. 4to.; 239 pp. Ilustraciones. Cubiertas originales.
|
|
|
Pinke, Gerhard
In der Goldschmiedewerkstatt. 1. Auflage
Kirchhain Pinke-Presse, 1995. 78 S. 8° Oktav Brosch.
書籍販売業者の参照番号
: 12810
|
|
|
PINNA, Tomasino.
La Inquisición en Cerdeña. El proceso de Julia Carta [1596 y 1597].
Zaragoza, IFC, 2019. 4to.; 419 pp. Cubiertas originales.
|
|
|
Pinsky, Drew with Todd Gold
Cracked: Putting Broken Lives Together Again: A Doctor's Story AUTHOR SIGNED FIRST EDITION
New York: Regan Books 2004T. hardcover. Good. . New York: Regan Books, hardcover
書籍販売業者の参照番号
: mon0003226853
|
|
|
PINTA LLORENTE, Miguel de la.
Actividades Diplomáticas del Padre José de Acosta. En torno a una política y a un sentimiento religioso.
Madrid, Escuela de Historia Moderna, 1952. 4to.; 246 pp., 4 hs. Cubiertas originales.
|
|
|
PINTO DE MORALES, Jorge.
Maravillas del Parnaso y Flor de los mejores romances graves, burlescos y satíricos que hasta hoy se han cantado en la Corte [1637]. Nota preliminar de José del Rio.
Madrid, Ediciones Atlas, 1943. 4to. menor 168 pp. Cubiertas originales.
|
|
|
Piotrowska, Professor or Dr Anna G
Music City and the Roma under Communism
Bloomsbury Academic USA 2022. Hardcover. New. 208 pages. 9.00x6.00x0.56 inches. Bloomsbury Academic USA hardcover
書籍販売業者の参照番号
: x-1501380818 ISBN : 1501380818 9781501380815
|
|
|
PIPER, Watty [pseudonym for Arnold Munk or editorial name of the Platt & Munk Company]
Children of Other Lands
New York: The Platt & Munk Co. Inc 1933. Cloth. Fine/very good. Lucilee W. and H.C. Holling C. HOLLING. 4to; 3 86; orange cloth over board with color illustrated onlay with title; 5 full page color illustrations including frontispiece; black and white drawings within text; green endpapers; unclipped color illustrated dust jacket lacking price back flap advertises 8 other publisher's books; light fading to endpapers; closed tears to top and bottom edges old tape to front flap fold light soiling to dj; fine in very good dj. First publishing date is 1929 much like Piper and the Holling's other book Little Folks of Other Lands which is somewhat a companion book of juvenile non-fiction introducing international customs to English speaking children. Charming bright full-page illustrations and black and white drawings on every page of text. The Platt & Munk Co., Inc unknown
書籍販売業者の参照番号
: 166
|
|
|
PIPINO G. -
Gold in Ligurian ophiolites (Italy) .
Cyprus, 1980, 4to estratto con copertina originale, pp. 765/774 con 3 cartine e 5 illustrazioni.
|
|
|
PIPINO GIUSEPPE (A CURA DI).
Museo storico dell'oro italiano. CATALOGO INVENTARIO DELLA BIBLIOTECA E DELL'ARCHIVIO.
OVADA PESCE 2004. (mm. 298 x 211). Catalogo di libri, riviste, tesi di laurea e opuscoli del museo storico dell'oro italiano di Silvano D'Orba. Cartonato editoriale. pp. 159.
|
|
|
PIPINO Giuseppe -
Manifestazioni aurifere epitermali in Toscana Meridionale.
Torino, 1988, 8vo estratto con copertina originale, pp. 119/126 con una cartina. - !! ATTENZIONE !!: Con il termine estratto (o stralcio) intendiamo riferirci ad un fascicolo contenente un articolo, completo in se, sia che esso sia stato stampato a parte utilizzando la stessa composizione sia che provenga direttamente da una rivista. Le pagine sono indicate come "da/a", ad esempio: 229/231 significa che il testo è composto da tre pagine. Quando la rivista di provenienza non viene indicata é perché ci è sconosciuta. - !! ATTENTION !!: : NOT A BOOK : “extract” or “excerpt” means simply a few pages, original nonetheless, printed in a magazine. Pages are indicated as in "from” “to", for example: 229/231 means the text comprises three pages (229, 230 and 231). If the magazine that contained the pages is not mentioned, it is because it is unknown to us.
|
|
|
PIPINO Giuseppe -
Oro, miniere, storia. Miscellanea di giacimentologia e storia mineraria italiana.
Ovada, Tip. Pesce, 2003, 4to brossura, pp. 510
|
|
|
PIPINO Giuseppe -
Sabbie aurifere (e monete romane) raccolte nel Tanaro presso Alba.
Milano, 1981, 8vo estratto con copertina originale, pp. 35/40 con una cartina e 6 illustrazioni. - !! ATTENZIONE !!: Con il termine estratto (o stralcio) intendiamo riferirci ad un fascicolo contenente un articolo, completo in se, sia che esso sia stato stampato a parte utilizzando la stessa composizione sia che provenga direttamente da una rivista. Le pagine sono indicate come "da/a", ad esempio: 229/231 significa che il testo è composto da tre pagine. Quando la rivista di provenienza non viene indicata é perché ci è sconosciuta. - !! ATTENTION !!: : NOT A BOOK : “extract” or “excerpt” means simply a few pages, original nonetheless, printed in a magazine. Pages are indicated as in "from” “to", for example: 229/231 means the text comprises three pages (229, 230 and 231). If the magazine that contained the pages is not mentioned, it is because it is unknown to us.
|
|
|
Pipino Giuseppe.
MUSEO STORICO DELL'ORO ITALIANO : CATALOGO-INVENTARIO DELLA BIBLIOTECA E DELL'ARCHIVIO.
(Codice GL/0562) In 4° (29,7x21 cm) 159 pp. Brossura editoriale, ottimo stato. ~~~ SPEDIZIONE IN ITALIA SEMPRE TRACCIATA
|
|
|
PIQUERAY Marcel et Gabriel.
Au-delà des gestes, et autres textes.
Bruxelles. Phantomas. Collection "Des Types en Or". 1980. Grand in-8° broché. 223 pages. E.O.
書籍販売業者の参照番号
: 3593
|
|
|
Piranesi, Giovanni Battista, main artist & engraver; Piranesi, Francesco, engraver; Vesterhout or Westerhout, Arnold van, engrav
IOANNIS // BAPTISTAE // PIRANESII // ANTIQVARIORVM // REGIAE SOCIETATIS // LONDINENSIS // SOCII // CAMPVS MARTIVS // ANTIQVAE // VRBIS // ROMAE. MDCCLXII // ROBERTO // ADAM // BRITANNO // ARCHITECTO // CELEBERRIMO // <br>Veneunt apud Auctorem in aedibus Comitis Thomati via Felici prope templum SS. Trinitatis in Monte Pincio. // Piranesi F. Ioannis Baptistae Piranesii Antiquariorum Regiae Societatis Londinensis socii Campus Martius antiquae vrbis = Il Campo Marzio dell'antica Roma : opera / di G.B. Piranesi.<br>
Romae: Veneunt apud Auctorem in ædibus Comitis Thomati via Felice prope templum SS. Trinitatis in Monte Pincio; c.1762. Fine thick laid 18th century Italian paper with wide margined paper watermarked engravings; spine and corners worn – A handsome and attractive example plates are clean and crisp. Binding: Contemporary half calf; double gilt fillets bordering marbled boards; spine with five 5 matching gilt fillets on raised bands embossed gilt lettered title on two and four; pasted and free endpapers marbled; all edges marbled. Notes: Text in Latin and Italian.<br>This work was dedicated by Piranesi to one of his highly esteemed co-workers during the 1750’s Robert Adam. Concerning this Rome 1762 edition Luigi Ficacci states: “Edition Rome 1762. Engraved title on the title page: The Campus Martius of Ancient Rome the Work of G. B. Piranesi Fellow of the Royal Society of Antiquaries London. The Latin title page bears the title the date of the edition and the dedication to Robert Adam. The address is: “Veneunt apud Auctorem in aedibus Comitis Thomati via Felice prope Templum SS. Trinitatis in Monte Pincioâ€.<br>The volume is composed of 2 title pages Latin and Italian whose sequence varies according to the copy 2 ornamented letters 4 vignettes 42 plates by Piranesi 5 of these plates are composed of several copperplates and 1 engraved by Vesterhout 68 pages of text in Italian and Latin preceded by 6 pages of dedication to Robert Adam and followed by 29 pages of indices. …<br>The genesis of the work goes back to the second half of the 1750s: its publication is announced as imminent in the first volume of Antichita Romane 1756. The large Plan of Campo Marzio and 6 copperplates “Ichnographia†or plan of the Campus Martius ill. 493 executed in collaboration with Robert Adam and dedicated to him is dated 1757 on the plate. The approbatio is dated 1761. The plate by Vesterhout plate XXXI … reproduces the technical solution adopted by Carlo and Francesco Fontana for restoration of the Column of Antonius Pius in 1705.â€<br><br>Plate XXXI depicting the excavation of the Antonine column in 1705 was signed by both its engraver Arnold Van Westerhout or Vesterhout and by its designer and artist Franciscus Fontana. <br>The second illustrated title or title in Italian reads: 'Il Campo Marzio Dell'Antica Roma'.<br><br><br> Size: Folio 542 x 406mm. Illustration: Copper engravings with illustrated title in Latin illustrated title in Italian two half-page head-piece vignettes opening dedication at a1v-2r; two engraved decorative copper initials opening the text at A1v and A2r; two large end-piece vignettes at R2v and R3r; moreover Tab. I-XLVIII with fifty-two 52 copper engraved plates; these include: a double-page plate numbered XXXII two triple or oversized folding plates numbered II and XXXI; a larger oversized engraving 1500x1500mm encompassing plates V-X forming the plan of the Campus Martius; a single page numbered XLVIII depicting three copper plates entitled “Elevazione de’ Teatri…†“Elevazione del Pantheon…†and “Elevazione dell’ Anfiteatroâ€; single pages two half-page copper plates each - numbered XII entitled “Hypsographia…†and “Sectio…†and XLVI entitled “A Reliquiae…†and “Orthographia…†respectively; the remaining copper plates full or single page sized. Provenance: Upper marginal corner of upper pasted endpaper with sticker reading “C.E.Rappaport // Libri Rari // Romaâ€- References: Luigi Ficacci pp. 394-431; Focillon 1964: 428-479; Hind 1978: 85; Millard iv 2000: 91; RIBA Early Pr. iii 1999: 2551; Wilton-Ely 1994: 559-612. Pages: Ll: Bl. 2 Illustrated title in Latin illustrated title in Italian a1-b2 with dedication A1-Q2 R1-3 with approbation and explanatory texts; a1-c2 with Index ; 1-2 1-3 with catalogues; illustrations: Tab.I-XLVIII; bl. 2. Category: Book Art Architecture & Design; Book Europe Italy; Book Plate Books General; Book Antiquities; Veneunt apud Auctorem in ædibus Comitis Thomati via Felice prope templum SS. Trinitatis in Monte Pincio; hardcover
書籍販売業者の参照番号
: B6600
|
|
|
Piranesi, Giovanni Battista, main artist & engraver; Piranesi, Francesco, engraver; Vesterhout or Westerhout, Arnold van, engrav
IOANNIS // BAPTISTAE // PIRANESII // ANTIQVARIORVM // REGIAE SOCIETATIS // LONDINENSIS // SOCII // CAMPVS MARTIVS // ANTIQVAE // VRBIS // ROMAE < MDCCLXII // ROBERTO // ADAM // BRITANNO // ARCHITECTO // CELEBERRIMO // Veneunt apud Auctorem in aedibus Comitis Thomati via Felici prope templum SS. Trinitatis in Monte Pincio. // Piranesi F.
Romae/Rome: Veneunt apud Auctorem in ædibus Comitis Thomati via Felice prope templum SS. Trinitatis in Monte Pincio; watermarks indicate: c.1770’s-1790’s. Plates and text crisp and clean near fine. Thick wide margined paper. Binding: Contemporary half calf with marbled boards; spine with five 5 blind raised bands flanked by gilt tooling; gilt lettered title on Morocco label on two; contemporary pasted and free endpapers; all edges speckled red. Notes: Text in Italian; captions in Latin.<br>This work was dedicated by Piranesi to one of his highly esteemed co-workers during the 1750’s Robert Adam. Concerning the Rome 1762 edition Luigi Ficacci states: “Edition Rome 1762. Engraved title on the title page: The Campus Martius of Ancient Rome the Work of G. B. Piranesi Fellow of the Royal Society of Antiquaries London. The Latin title page bears the title the date of the edition and the dedication to Robert Adam. The address is: “Veneunt apud Auctorem in aedibus Comitis Thomati via Felice prope Templum SS. Trinitatis in Monte Pincioâ€.<br>The genesis of the work goes back to the second half of the 1750s: its publication is announced as imminent in the first volume of Antichita Romane 1756. The large Plan of Campo Marzio and 6 copperplates “Ichnographia†or plan of the Campus Martius ill. 493 executed in collaboration with Robert Adam and dedicated to him is dated 1757 on the plate. The approbatio is dated 1761. The plate by Vesterhout plate XXXI … reproduces the technical solution adopted by Carlo and Francesco Fontana for restoration of the Column of Antonius Pius in 1705.â€<br> Size: Folio 542x406mm. Illustration: Etched copper engravings with illustrated title in Latin illustrated title in Italian ornamental head-piece and engraved decorative copper initial at A1r; the initial opens the text. Tab. I-XLVIII plus three full page engravings entitled “Sepulchrum Mariae Honorij Imp. Uxoris …†“Labrum aegyptiacum porphyreticum…†and Nonnulla monumenta sepulcralia quae recensentur…â€; these 51etchings include double-page plates numbered V-X forming the plan of the Campus Martius and one double page plate # XXXII; two triple or oversized folding plates numbered II and XXXI; a single page numbered XLVIII depicting three copper plates entitled “Elevazione de’ Teatri…†“Elevazione del Pantheon…†and “Elevazione dell’ Anfiteatroâ€; single pages two half-page copper plates each - numbered XII entitled “Hypsographia…†and “Sectio…†and XLVI entitled “A Reliquiae…†and “Orthographia…†respectively; the remaining copper plates are full page in size. Plate XXXI was engraved by Vesterhout after Fontana.<br>Thick wide margined paper; many watermarks pointing this Roman edition to the time frame of 1770’s -1790’s. Examples of watermarks: an unlisted on both free endpapers with an inner fleur de lis design within a circle; #19 1790’s at plate 43; #68 probably 1790’s at plate 35; #59 mid 1770’s -1790’s at plates 31 and 32; #64 1790’s also on plate 31; # 12 late 1780’s -1790’s at plate 30; #14 mid 1761 or #16 1790’s at plate 29; #59 mid 1770’s -1790’s and 64 1790’s at insert plate 21 entitled Scenographia Machinae qua Clemente XI. Pont. Max. An. D. MDCCV; #74 1790’s on unnumbered plate entitled “Sepulchrum Mariae Honorij Imp. Uxoris†generally featured as headpiece vignette of the Latin text.; #12 late 1780’s -1790’s on unnumbered plate entitled “Labrum aegyptiacum porphyreticum…†here as full plate otherwise a headpiece of the Latin text. <br>Plate XXXI depicting the excavation of the Antonine column in 1705 was signed by both its engraver Arnold Van Westerhout or Vesterhout and by its designer and artist Franciscus Fontana. The second illustrated title or title in Italian reads: 'Il Campo Marzio Dell'Antica Roma'.<br> References: Luigi Ficacci pp. 394-431; Focillon 1964: 428-479; Hind 1978: 85; Millard iv 2000: 91; RIBA Early Pr. iii 1999: 2551; Wilton-Ely 1994: plates 559-612. Pages: Ll: Bl. Illustrated title in Latin A1-H2 a1-c2 with catalogue and indices; illustrated title in Italian; Tab.I-XLVIII plus three full-leaf unnumbered plates bl. Category: Book Art Architecture & Design; Book Europe Italy; Book Antiquities; Book Plate Books General; Veneunt apud Auctorem in ædibus Comitis Thomati via Felice prope templum SS. Trinitatis in Monte Pincio; [ watermarks indicate: hardcover
書籍販売業者の参照番号
: B6607
|
|
|
PIRON, Alexis - Bouflers, Voltaire, G. Bernard
Oeuvres Badines - Précédé d'une notice sur Alexis Piron, Suivi de poésies badines de Bouflers, Voltaire, G. Bernard, etc
PARIS, Chez les Marchands de Nouveautés - 1831 - In-16 - Broché - Couverture d'attente, dos skotché - 216 pages - Très propre 62 poésies de Piron
|
|
|
Pirzio Biroli Stefanelli Lucia
La Collezione Paoletti. Vol. 2: Stampi in Vetro per Impronte di Intagli e Cammei, Roma, Gangemi Editore, 2013
Roma, 2013; br., pp. 510, ill. b/n, cm 21,5x30. (Arti Visive, Architettura e Urbanistica).
|
|
|
PIRZIO BIROLI STEFANELLI Lucia.
L'ORO DEI ROMANI : GIOIELLI DI ETA IMPERIALE. Con un contributo di Barbara Pettinau.
In-4 (cm. 29), tela editoriale, titolo oro al dorso, sovracoperta, custodia, pp. 294, con illustrazioni in bianco e nero e a colori, ISBN 88-7062-773-X. In ottimo stato (nice copy).
|
|
|
PISANI Vittorio -
Mentre alla banchina del porto di Cherbourg si scaricavano dei barili pieni d'oro in lingotti, proveniente da New York e destinato alla banca di Francia, per la rottura di una catena della gru dieci barili precipitarono e sei di essi caddero in mare, sprofondandosi con i dieci milioni d'oro contenuto.
Roma, 1932 marzo 6, copertina illustrata a colori in fascicolo originale completo di pp. 20 de "La Tribuna illustrata - Supplemento illustrato de La Tribuna"
|
|
|
PISANI Vittorio -
Nuova corsa all'oro in California, nel deserto di Mojade.
Roma, 1935, 26 maggio, copertina illustrata a colori in fascicolo completo di 16 pp. de 'La Tribuna Illustrata'.
|
|
|
Pisano, Giovanna
I Gioielle Fenici e Punci in Italia.
Roma, Libreria della Stato 1988. Mit 54 tlw. farb. Abbildungen. 89 S. 8vo. OBrosch.
書籍販売業者の参照番号
: 81254
|
|
|
Pisano, Stephen
Additions or Omissions in the Books of Samuel. The Significant Pluses and Minuses in the Massoretic, LXX and Qumran texts. [By Stephen Pisano]. (= Orbis Biblicus et Orientalis, Band 57).
Freiburg (CH): Universitätsverlag & Göttingen: Vandenhoeck & Ruprecht 1984. XIV, 295 Seiten. Als Typoskript gedruckt. Gr. 8° (22,5-25 cm). Orig.-Pappband. [Hardcover / fest gebunden].
書籍販売業者の参照番号
: 154149
|
|
|
Pispisa Marco
Le Reliquie dei Conti De Brandis. Sacrae Particulae Ex Opibus Sanctis, Udine, Forum, 2016
Udine, 2016; br., pp. 180, ill. b/n e col., cm 17x23,5.
|
|
検索結果のメールを受信する
PDFファイルの検索結果をダウンロード
RSSフィード
パーマネントリンク
