‎Mode‎

‎Fashion Template Sketchbooks‎

‎Fashion Sketchbook Figure Drawing Poses for Designers: Large 85x11 with Bases and Lingerie Vintage Fashion Illustration Cover‎

‎2018-08-20. New. Ships with Tracking Number! INTERNATIONAL WORLDWIDE Shipping available. May be re-issue. Buy with confidence excellent customer service! unknown‎

書籍販売業者の参照番号 : 1725897687n ISBN : 1725897687 9781725897687

‎FASHION Thompson Lawrance; Bettie Wysor et al.‎

‎Harper's Bazaar. Incorporating Junior Bazaar. 1970 - 07.‎

‎New York.: Hearst. 07- 1970. Complete issue of the magazine for July 1970 profusely illustrated in color and black and white 120pp 12 3/4 x 9 3/4 inches. Covers lightly rubbed corner folds to a few pages otherwise very good condition. Numerous fashion articles and advertisements. "Cosmetic Surgery" by Bettie Wysor "Robert Frost - The Years of Triumph 1915-1938" by Lawrance Thompson "An Interview with Madame Pompidou". . Hearst. unknown‎

書籍販売業者の参照番号 : 41813

‎FASHION.‎

‎Annis Fur Post Season 1922-1923.‎

‎Detroit: Newton Annis 1922. Folio. Wire-stitched in the original illustrated card wraps. 48-page brochure with over 100 half-tone illustrations from photographs. A little rubbed one leaf torn without loss archival tissue repair one gathering slightly loose but overall very good. Uncommon trade catalogue for fashion fur - coats capes scarves hats and muffs for the Jazz Age. The types of fur include chinchilla ermine monkey mink fur seal leopard white fox beaver marmot civet and caracul. Annis Fur Post was founded in 1887 by Isaac Newton Annis 1858-1939 who had started collecting furs around his home in southern Michigan as a young man. In 1880 he was employed by Frederick Buhl and Company a Detroit fur pioneer in the manufacturing department and remarkably by August 1887 on a capital of less than $1000 Annis started in business for himself with four employees. By the 1920s he had over 120 employees and was a major supplier to the American fashion trade. The business continued successfully until the 1980s when changing tastes forced scaling back and eventual closure. This beautifully produced catalogue is highly evocative the oh-so luxurious and stylish 20s. Detroit: Newton Annis, paperback‎

書籍販売業者の参照番号 : 80551

‎fashion.‎

‎Costumes of the Minority Peoples of China.‎

‎Unknown:: Unknown 1981. Hardcover. Very Good. 243 pp. Folio. Boards in dj in slipcase. Shelfwear to slipcase. Light shelfwear to dj. Edgewear to book light yellowing to page edges. With English language booklet laid in. Unknown, hardcover‎

書籍販売業者の参照番号 : 132960

‎fashion.‎

‎Japanese No Drama Costmes and Priest Robes.‎

‎Providence RI:: Art Museum Rhode Island School of Design 1937. Paperback. Very Good. 16 pp plates. 8vo. String-bound booklet. With Japanese paper wraps bound with knotted silk string. Bumping to edges and spine ends few small stains to rear cover. Interior clean. Published in conjunction with the opening exhibition of the Lucy T. Aldrich collection April 6 to May 10 1937. Art Museum, Rhode Island School of Design, paperback‎

書籍販売業者の参照番号 : 134510

‎FASHION.‎

‎Parfums Lucien Lelong.‎

‎Paris: Lucien Lelong 13 rue Alphonse de Neuville 1949. Octavo. Original plain boards in cream wrapper front panel with company device embossed within debossed cartouche. 10 chromolithographic plates after illustrations by Cassandre and similarly printed plates from photographs of the perfume bottles themselves by Réné Messager. Wrappers a little rubbed and irregularly toned spine slightly chipped at ends repair to short split at head of front joint contemporary gift inscription to front free endpaper else very good. First edition rare with no other copies traced of this spectacular promotional brochure for Lelong's fragrances. Largely forgotten today apart from amongst the couture cognoscenti Lelong 1889–1958 was enormously influential. After the First World War Lelong took charge of his parents' small fashion house which was noted for its espousal of the modern look—the chic autobiographical heroine of Colette's 1908 novella Les Vrilles de la vigne is dressed by Lelong—and continued their tradition of innovation advancing the concept of the "kinétique" clothes "constructed in such a way that their true shape would emerge in movement not at rest". Not a designer himself he employed a number of young designers who were later to strike out on their own. Christian Dior Pierre Balmain and Hubert de Givenchy all spent time developing collections for Lelong. His contribution to the success of the house was in his vision and his marketing brilliance: he redesigned his parents' salon decorating entirely in black so that it was said to resemble a black-lined jewellery box he offered discounts to society women who agreed to be photographed in his dresses and was early into the branded perfume market. The first fragrances offered by Lelong were enigmatically named A B C J and N intending to evoke a sense of mystery and romance. The artfully designed bottles were largely the work of Lelong himself. Over 30 years he created a total of 27 different fragrances. This superbly produced catalogue features ten suitably mysterious and evocative plates by Cassandre né Adolphe Jean-Marie Mouron the Ukrainian-born French painter illustrator poster designer and typographer probably best-known for his imposing poster for the great CGT liner Normandie. Paris: Lucien Lelong, 13, rue Alphonse de Neuville, hardcover‎

書籍販売業者の参照番号 : 95082

‎FASHION.‎

‎The Domestic Magazine. Volumes IV-VI.‎

‎London Ward Lock & Tyler 1868-9. . 3 volumes in two large 8vo. folding hand-coloured costume plates chromolithographed plates of accessories and similar including folding contemporary black half morocco marbled sides. London, Ward, Lock & Tyler, 1868-9. unknown‎

書籍販売業者の参照番号 : 95990

‎fashion.‎

‎The New Monthly Belle Assembl�e; Vol XXVII; July-Dec 1847.‎

‎London:: Belle Assemblee 1847. Hardcover. Good. 384 pp. 8vo. Half leather over marbled boards. Rubbing to boards lt bumping to corners w/ slight board exposure. Spine and joints sunned slight scratching to leather. Gilt stamping to spine 5 raised bands. Bookplate to fpd. Foxing to some pages mostly title pages and plates. Illustrated with 11 b/w plates and 6 double color plates. Small section of pages detached but present. Some slight splitting to hinges. Belle Assemblee, hardcover‎

書籍販売業者の参照番号 : 129565

‎fashion.‎

‎The New Monthly Belle Assembl�e; Vol XXVI; Jan-June 1847.‎

‎London:: Belle Assemblee 1847. Hardcover. Very Good. 382 pp. 8vo. Half leather over marbled boards. Shelfwear and scuffing to boards rubbing to leather sunning to spine. Board exposure to cover edges and upper corners. Slight scratching to leather. Bookplate to fpd. Foxing/brown spotting to many pages. Illustrated with 11 b/w plates and 6 double color plates. Gilt stamps and 5 raised bands to spine. Belle Assemblee, hardcover‎

書籍販売業者の参照番号 : 129558

‎fashion.‎

‎The New Monthly Belle Assembl�e; Vol XXIII; July-Dec. 1845.‎

‎London:: Belle Assemblee 1845. Hardcover. Very Good. 383 pp. 8vo large. Half leather over marbled boards. Boards rubbed board exposure to edges. Bumping to corners sunning to spine some scratching/peeling to leather. Bookplate to fpd. Foxing to some of interior including plates. 12 b/w plates including frontispiece 6 double color plates. Full title: The New Monthly Belle Assembl�e; Vol XXIII July-Dec. 1845". Belle Assemblee, hardcover‎

書籍販売業者の参照番号 : 129541

‎FASHION.‎

‎Tissus "olympic" indechirables.‎

‎Peter's House Paris. n.d. circa 1924. . Folio. 4 full-page colour plates of men's fashion 1 sheet with 4 original fabric samples loose as issued in original wrappers. Four winter season examples of men's fashion. Peter's House, Paris. [n.d. circa 1924]. unknown‎

書籍販売業者の参照番号 : 86093

‎FASHION. Chicago Woolen Mills Co.‎

‎Saleman's Fabric Sample Case.‎

‎Chicago: Chicago Woolen Mills Co. 1929. Wooden sample case 320 x 442 x 180 mm black leather-textured cloth-covered wooden case with hinged lid cut on the slant leather handle black japanned clip-clasps lower corners with leather protectors metal brackets reinforcing jonts at rear of lid and front of case; interior divided with one long section holding a catalogue and the order book and six small "pigeonholes" each with three fabric sample cards; interior of lid with mounted paper banner strip - "Quality: In Fabric - In Workmanship - In Style". Folio catalogue "What Well Dressed Men Will Wear: Autumn/Winter 1929-1930" wire-stitched in manila card wraps with green cloth reinforcing strip at the spine stylish two-colour printed - orange and bottle green - cover design 14 coloured plates and 2 monochrome; quarto order book wire-stitched in light card wraps printed in blue with black cloth reinforcing strip at the spine unused carbon paper still in place detailed measurement sheets; 18 sets of cloth samples mounted on textured card each with an ivorene label - "Gauranteed All Wool - Tailored to Order" - over 120 swatches each with a paper label with detailed descriptions of composition and pattern; two price lists one a double-sided singlesheet printed in black and blue the other a 4-page listed wire-stitched in light card wraps "Dealers' Confidential Wholesale Price List"; 3 unused return envelopes printed in red. Case a little rubbed soiled and with mild damping cockling the cloth on one corner of the lid but overall the case and contents are very good. Chicago: Chicago Woolen Mills Co., hardcover‎

書籍販売業者の参照番号 : 83107

‎FASHION. HAERTIG Evelyn.‎

‎Antique combs & purses.‎

‎Carmel CA: Gallery Graphics Press 1983. 4to. 304 pp. 100s of colour photos black & white photos text illustrations. Blue patterned boards gilt lettering on spine minor shelfwear w/ d.j. NF/NF copy. First edition of this lavishly illustrated history and guide to purses and combs from prehistoric times to the 1920s including materials patterns and oddities as well as details of the chatelaine miniature purse mesh gold silver reticulte miser almonier and carpet bag. Gallery Graphics Press, hardcover‎

書籍販売業者の参照番号 : 48617 ISBN : 0943294002 9780943294001

‎FASHION. KOEWING Frank Ed. & President.‎

‎Fashions and fabrics; The model hostess; An American woman in Algiers; For the fair rider bicycles; The emancipated woman as portrayed in the fiction of the day. . . The Standard Delineator of Fashions Fancy Work and Millinery. . . Vol. II No. 2. . . .‎

‎New York: Standard Fashion Company June 1895. 4to. 96 pp. 1 large folding colour chromolithograph frontisp. sized 21.5 x 10.75 in. 1 colour chromolithograph plate over 150 woodcut text illustrations & engravings. Gold-coloured printed softcovers brick-red lettering minor dustsoiling light wear to creases of folding frontisp. still VG copy. First edition of this scarce and beautifully printed fashion magazine which was published under this title only from 1894 through 1896 when it was forced to change the name to The Standard Designer after losing a lawsuit brought by the Butterick Publishing Co. against Frank Koewing d. 1933 their former western sales manager for Butterick. Founded in 1887 the Standard Fashion Co. would eventually become a serious rival to the Butterick Pattern Co. appropriating the “Delineator†for his magazine poaching employees and eventually building the company to issuing over 100000 cut patterns a week. While often facing bankruptcy and litigious to a fault the company was acquired as a subsidiary in 1900 by Butterick and the combined companies would thrive through the ensuing decades. Each of the Standard Delineator magazine issues featured a large chromolithograph frontispiece of the latest fashions as well as a smaller one of millinery designs. Worldcat locates primarily microfilm copies however individual issues are held by Notre Dame and Davidson College; See; A Man of the Hour Frank Koewing The Bookseller and Newsman Vol. 13 1896 pp. 4-5; Carol Ann Dickson Patterns for Garments: A History of the Paper Garment Pattern Industry in America 1979. Standard Fashion Company, paperback‎

書籍販売業者の参照番号 : 54146

‎Fashion. LEIGH David‎

‎Archive of Drawings Watercolors and Pastels of Women's Fashion‎

‎np New York ca. 1955. Very good. 18 large completed plus 6 smaller loose portraits executed in pen & ink with watercolor or guache on paper. Large works all approx. 19" x 12"; smaller 12.5" x 9". With a large 17" x 12" spiral-bound artist's notebook containing eight additional color studies plus one sketch. Also includes 18 other loose preliminary works various sizes and media - including one brief series of Shakespearean costume design. Most SIGNED by the artist. Generally very good or better overall. <br/><br/>Lovely selection of original fashion art depicting various women's runway dresses all ca. 1955. We have been unable to discover much about the artist Mr. Leigh. But he was clearly an accomplished designer colorist and draftsman. We do know he was based in New York City and assume given the professional skill with which these works were executed that he likely worked in the industry either for a designer or a fashion magazine. The portraits themselves are quintessentially post-war in their style and taste clearly indebted to VOGUE and their artists. A beautiful primary collection of 1950s high fashion. unknown books‎

書籍販売業者の参照番号 : 14112

‎Fashion. NEIDLINGER ST. S. T.‎

‎THE 18TH AMOS PARRISH FASHION SELLING CLINIC: Spring and Summer 1937‎

‎New York: Amos Parrish and Company 1937. First Edition. Wraps. Very good. 9" x 12" approx. brad-bound in wraps. 154 leaves printed in black and green primarily recto only. Many with additional fold-outs. 108 fabric samples glue-mounted throughout. Some creasing chipping and mild soil to wraps. Interior generally fresh and bright. Some adhesive residue or other wear to samples with two perished. Very good overall. <br/><br/>A handbook for the Amos Parrish Fashion Selling Clinic a seminar for department store executives and other retailers. Amos Parrish retail sales and advertising manager founded his consulting firm providing statistical retail merchandising analysis and holding clinics like the one represented here from the 1920s to 1955. Amos Parrish and Company Inc. also published pamphlets charts books and other fashion forecasting materials. An extremely well-crafted handbook it includes the two-day seminar schedule and profusely illustrated sections outlining the seasonal trends in apparel accessories and undergarments with sections on selling suits coats millinery sportswear etc. These are accompanied by statistical information on the various styles defined. A note paper-clipped to the first page by the book's creator S. T. Neidlinger indicates that this was used as a sample of his work. A handsome and minutely detailed item with fascinating insights into fashion trends and retail operations of the era. OCLC locates only one similar item for the final 1955 event. Amos Parrish and Company paperback‎

書籍販売業者の参照番号 : 17397

‎FASHION. STEVENS Charles O. & Max Sommers.‎

‎Photographs of Jazz Era Window Displays for Meier & Frank's Department Store Portland OR.‎

‎Portland OR: Charles O. Stevens & Max Sommers Feature Service c.1925. 4 large window-display photographs image 247 x 178 mm; print 350 x 279 mm of of flapper era women's spring and summer fashions in the windows of Meier & Frank in downtown Portland Oregon wet-stamps of Stevens and Sommers verso of two of the prints Some spotting two hole-punched at left margin one also with a small chip at the upper fore-edge not affecting image one creased at the corner solely in the margin remain very good. Four real black and white photo images on semi-gloss stock of the windows of Meier & Frank at night. Founded in 1857 at the time of these images Meier & Frank humorously referred to locally as Murphy & Finnigan's was the largest retail outlet west of the Mississippi one of the largest in the country. These four salesman's sample photos from the 20s offer an invaluable historical reference for the marketing of women's fashions at the height of the Jazz Age. Two of the photos include distinctive art deco themes with Ikebana-inspired flower arrangements amongst geometric display elements. The styles include typically 20s drop-waisted dresses in one and cocktail or party dresses with full skirts in chiffon in the other. Another creates a fantastic formalised setting incorporating a large French Madame Pompadour-style fan in the background with heavy brocade swags interspersed with large Asparagus Ferns in jardinières; while the other identified as "Spring" on a small placard - includes an Italianate garden terrace setting with amphorae and rose-twined balusters. Portland, OR: Charles O. Stevens, & Max Sommers Feature Service, unknown‎

書籍販売業者の参照番号 : 84121

‎FASHION. WAUGH Norah.‎

‎The cut of men’s clothes 1600-1900.‎

‎New York: Theatre Arts Books c. 1964. 4to. 160 pp. Colour frontisp. over 100 text illustrations cutting diagrams colour plates illustrations. Brick red cloth black & gilt lettering on spine slight shelfwear w/ d.j. minor edgewear creasing couple minor closed tears NF/G copy. First edition 3rd printing of this incomparable resource tracing the evolution of the style of men’s dress through patterns scaled down from actual documents and garments. The author provides an invaluable guide by including detailed cutting diagrams and tailors’ patterns combined with a list of artists engravers and illustrators. Theatre Arts Books, hardcover‎

書籍販売業者の参照番号 : 49632

‎Fashion/ Fabric / Trade Catalogue‎

‎SOCIETE PARITYS Et Les TISSUS LEBOTYS. Collection Hiver 1957 - 1958‎

‎Paris: Societe Paritys / Lebotys 1957. Post binder with 3 brass posts decorative screw tops. Publisher's color pictorial glazed boards blue spine and joints. Board edges rubbed and worn; short split to rear outer joint; inner joints tender paper splitting though cloth reinforcement beneath is intact. Page block foxed occasional foxing/spotting throughout; light offsetting from fabric samples to some pages. Fabric sample generally clean and bright with occasional creasing/fraying. Overall Gd. 97 pp. 16 color fashion drawings; ~ 740 pasted or tipped-in fabric samples. 16-1/8" x 12-1/8" <br/><br/>A mid-century salesman's sample catalogue from the winter collection of Parisian firm Société Paritys a haberdashery and fabric supplier established in 1946 and still in operation today. The fabric samples have been supplied by Lebotys a couture design firm in its own right and highly regarded for the quality of its textiles. As we find record of Lebotys having issued catalogues of its own collections in both the 1930s and 1960s we speculate that the two firms collaborated for a limited time possibly due to continuing post-war shortages and the need to adapt to the rapidly changing clothing market of the 1950s. The late 1950s saw a revolution in French fashion — and by extension Western fashion in general — due in no small part to the influence of material factors underlying the purely aesthetic side of the industry: availability of fabric continuing technological advances in synthetics and the surging post-war economies of America and Europe. The reluctant expansion of haute couture into the ready-to-wear market during the latter half of the century and the increasing reliance on synthetic fabrics to meet the demand would ultimately spell a major shift in the industry one that would impact fashion trends for decades to come. Some fashion houses like Dior whose “New Look” revitalized fashion at the beginning of the decade successfully managed to adapt by issuing couture ready-to-wear lines. Some however even long-established houses survived the war only to be undone by the prosperity that followed. The collaboration here of Société Paritys and Lebotys as well as the fabrics offered and styles displayed leads us to infer that the two firms were likely targeting the growing ready-to-wear market. The fabrics include a variety of silks cottons wools mohair etc. as well as nylon fibranne rayon Rhodia tergal crylor acetate and other “Matieres Synthètiques” often in blends and advertising their washable and/or antiwrinkling qualities. The styles in the illustrations still heavily influenced by the “New Look” emphasize wasp-waisted dresses hourglass silhouettes etc. No copies located on OCLC nor the major French institutions as searched on KVK. Societe Paritys / Lebotys hardcover books‎

書籍販売業者の参照番号 : 42918

‎Fashion/Fabric Trade Catalogue‎

‎SOCIETE PARITYS Et Les TISSUS LEBOTYS. Collection Été 1959‎

‎Paris: Societe Paritys / Lebotys 1959. Post binder with 3 brass posts. Publisher's pictorial glazed boards white cloth joints. Light extremity wear to boards; short split to rear joint. Page block lightly foxed occasional foxing/spotting to margins throughout. Few white nylon fabric samples discolored by paste beneath. Fabric samples otherwise clean and bright with only minor occasional creasing/fraying. Overall VG. 108 pp. 16 color fashion drawings; ~800 pasted and tipped-in fabric samples. 16-1/4" x 12" <br/><br/>A mid-century salesman's sample catalogue from the summer collection of Parisian firm Société Paritys a haberdashery and fabric supplier established in 1946 and still in operation today. The fabric samples have been supplied by Lebotys a couture design firm in its own right and highly regarded for the quality of its textiles. As we find record of Lebotys having issued catalogues of its own collections in both the 1930s and 1960s we speculate that the two firms collaborated for a limited time possibly due to continuing post-war shortages and the need to adapt to the rapidly changing clothing market of the 1950s. The late 1950s saw a revolution in French fashion — and by extension Western fashion in general — due in no small part to the influence of material factors underlying the purely aesthetic side of the industry: availability of fabric continuing technological advances in synthetics and the surging post-war economies of America and Europe. The reluctant expansion of haute couture into the ready-to-wear market during the latter half of the century and the increasing reliance on synthetic fabrics to meet the demand would ultimately spell a major shift in the industry one that would impact fashion trends for decades to come. Some fashion houses like Dior whose “New Look” revitalized fashion at the beginning of the decade successfully managed to adapt by issuing couture ready-to-wear lines. Some however even long-established houses survived the war only to be undone by the prosperity that followed. The collaboration here of Société Paritys and Lebotys as well as the fabrics offered and styles displayed leads us to infer that the two firms were likely targeting the growing ready-to-wear market. The fabrics include a variety of silks cottons wools mohair muslin cashmere and others as well as nylon fibranne rayon Rhodia tergal crylor acetate Albène and other “Matieres Synthètiques” often in blends and advertising their washable and/or antiwrinkling qualities. The styles in the illustrations although still influenced by the “New Look” also show the influence of Dior's successor the young Yves St. Laurent who debuted his "trapeze line" in 1958. No copies located on OCLC nor the major French institutions as searched on KVK. Societe Paritys / Lebotys hardcover‎

書籍販売業者の参照番号 : 42920

‎Fashion/Fabric Trade Catalogue‎

‎SOCIETE PARITYS Et Les TISSUS LEBOTYS. Collection Hiver 1958 - 59‎

‎Paris: Societe Paritys / Lebotys 1958. Post binder with 3 brass posts. Publisher's pictorial glazed boards red cloth joints. Light extremity wear to boards; bumping to upper corner of front board; short split to front and rear joints. Page block lightly foxed foxing/spotting scattered throughout. Few white nylon fabric samples discolored by paste beneath. Fabric samples otherwise clean and bright with only minor occasional creasing/fraying. Overall VG. 80 pp. 12 color fashion drawings; ~590 pasted and tipped-in fabric samples 16-1/8" x 12-1/8" <br/><br/>A mid-century salesman's sample catalogue from the winter collection of Parisian firm Société Paritys a haberdashery and fabric supplier established in 1946 and still in operation today. The fabric samples have been supplied by Lebotys a couture design firm in its own right and highly regarded for the quality of its textiles. As we find record of Lebotys having issued catalogues of its own collections in both the 1930s and 1960s we speculate that the two firms collaborated for a limited time possibly due to continuing post-war shortages and the need to adapt to the rapidly changing clothing market of the 1950s. The late 1950s saw a revolution in French fashion — and by extension Western fashion in general — due in no small part to the influence of material factors underlying the purely aesthetic side of the industry: availability of fabric continuing technological advances in synthetics and the surging post-war economies of America and Europe. The reluctant expansion of haute couture into the ready-to-wear market during the latter half of the century and the increasing reliance on synthetic fabrics to meet the demand would ultimately spell a major shift in the industry one that would impact fashion trends for decades to come. Some fashion houses like Dior whose “New Look” revitalized fashion at the beginning of the decade successfully managed to adapt by issuing couture ready-to-wear lines. Some however even long-established houses survived the war only to be undone by the prosperity that followed. The collaboration here of Société Paritys and Lebotys as well as the fabrics offered and styles displayed leads us to infer that the two firms were likely targeting the growing ready-to-wear market. The fabrics include a variety of silks cottons wools mohair etc. as well as nylon fibranne rayon Rhodia tergal crylor lurex viscose imitation fur and other “Matieres Synthètiques” often in blends and advertising their washable and/or antiwrinkling qualities. The styles in the illustrations still heavily influenced by the “New Look” emphasize wasp-waisted dresses hourglass silhouettes etc. No copies located on OCLC nor the major French institutions as searched on KVK. Societe Paritys / Lebotys hardcover books‎

書籍販売業者の参照番号 : 42919

‎Fashion/Fabric Trade Catalogue‎

‎SOCIETE PARITYS Et Les TISSUS LEBOTYS. Collection Été 1957‎

‎Paris: Societe Paritys 1957. 1st printing thus. Publisher's color pictorial glazed boards post binder; 3 brass posts decorative screw tops. Red cloth joints. Some general extremity wear to binder with slightly bumped corners. Occasional dust soiling. Minor foxing. Overall VG with cloth samples generally VG to Nr Fine with the occasional crease to the odd sample or two. 104 pp printed in red on stiff-stock paper. 16 color fashion drawings; 897 of 898 tipped-in fabric samples. Folio. 16-1/4" x 12-1/8" <br/><br/>A mid-century salesman's sample catalogue from the summer collection of Parisian firm Société Paritys a haberdashery and fabric supplier established in 1946 and still in operation today. The fabric samples have been supplied by Lebotys a couture design firm in its own right and highly regarded for the quality of its textiles. As we find record of Lebotys having issued catalogues of its own collections in both the 1930s and 1960s we speculate that the two firms collaborated for a limited time possibly due to continuing post-war shortages and the need to adapt to the rapidly changing clothing market of the 1950s. The late 1950s saw a revolution in French fashion — and by extension Western fashion in general — due in no small part to the influence of material factors underlying the purely aesthetic side of the industry: availability of fabric continuing technological advances in synthetics and the surging post-war economies of America and Europe. The reluctant expansion of haute couture into the ready-to-wear market during the latter half of the century and the increasing reliance on synthetic fabrics to meet the demand would ultimately spell a major shift in the industry one that would impact fashion trends for decades to come. Some fashion houses like Dior whose “New Look” revitalized fashion at the beginning of the decade successfully managed to adapt by issuing couture ready-to-wear lines. Some however even long-established houses survived the war only to be undone by the prosperity that followed. The collaboration here of Société Paritys and Lebotys as well as the fabrics offered and styles displayed leads us to infer that the two firms were likely targeting the growing ready-to-wear market. The fabrics include a variety of silks cottons wools mohair etc. as well as nylon fibranne rayon Rhodia tergal crylor acetate and other “Matieres Synthètiques” often in blends and advertising their washable and/or antiwrinkling qualities. The styles in the illustrations still heavily influenced by the “New Look” emphasize wasp-waisted dresses hourglass silhouettes etc. Of particular note are the designs and fabrics for wedding dresses. No copies located on OCLC nor the major French institutions as searched on KVK. Societe Paritys hardcover books‎

書籍販売業者の参照番号 : 41355

‎Fashion: Fetish. de JONG J. Designer‎

‎ANATOMICAL SHAPED MASKS COMPLETE WITH ZIPPER Mail Order Catalogue‎

‎Rotterdam: Self-Published 1993. First Edition. 8vo. stapled color pictorial wraps; 8.25" x 6". Very good or better wit touches of wear. Old small blacked-out label to front wrapper. Else sound and clean. Order form and price list loosely laid-in. With eleven 6" x 4" original color Fuki photographs mounted within. 24pp.including covers. <br/><br/>Rare catalogue of custom latex fetish masks with typed descriptions of ten different masks each generally available in three or four variations and illustrated by at least one original Fuji photograph. "In the first place I Like to congratulate you on the choice of this catalogue in which you will find a wealth of splendid pictures of our collections sic all." We've never seen anything quite like this in a trade catalogue: an essentially bespoke catalogue for bespoke kink fashion. Rare and unusual. [Self-Published] paperback books‎

書籍販売業者の参照番号 : 22810

‎Fashion: Jewelry‎

‎WHOLESALE JEWELRY CATALOG: Number 12 1956-1957 Cover Title - Illustrated Product Catalog‎

‎Washington DC: Advance Watch and Jewelers Supply Company 1956. First Edition. Wraps. Very good. 4to. Printed card wraps. Side stapled. Outer wraps moderately worn. Overall clean sound. <br/><br/>An illustrated product catalog from the Advance Watch and Jewelry Supply Company wholesale suppliers of men's and women's jewelry and watches. Lines offered include Anson men's jewelry Eternalight diamonds Richilieu simulated pearls Chic belts Gemex watchbands and the Bradley line of watches including the Roy Rogers Dale Evans Superman Robin Hood and Davy Crockett models. With detailed product descriptions and pricing throughout. An uncommon surviving record of 1950's jewelry retail and fashion. With original blank order forms to rear. Advance Watch and Jewelers Supply Company paperback books‎

書籍販売業者の参照番号 : 15537

‎Fashion: Wool: California‎

‎TREND SKETCH PORTFOLIO OF "Wool Work" AND "Naked Wool" DESIGNS BY MEMBERS OF THE LOS ANGELES FASHION GUILD - Spring 1968 Cover Title‎

‎Los Angeles: The Wool Bureau 1969. First Edition. Very good. Side-stapled yello stiff printed 4to. wraps. Offset duplciated. Mild wear soil a couple of unobtrusive stains. Very good overall. 28pp. plus covers. <br/><br/>Program for a Los Angeles fashion show sponsered by the Wool Bureau and featuring reproduced sketches from many California design luminaries: Georgia Bullock Lloyd Helen Bass Wayne Fuller Helga Oppenheimer Phyllis Sues and William Travilla. OCLC does not locate. The Wool Bureau paperback‎

書籍販売業者の参照番号 : 23329