‎Mode‎

‎[DYL (Yan Bernard)]. REGNIER (Henri de).‎

‎Le miracle du fil.‎

‎[DYL (Yan Bernard)]. REGNIER (Henri de). Le miracle du fil. Paris, Simon Kra, 1927. In-folio en feuilles sous couverture éditeur illustrée et chemise demi-toile éditeur à rabats noués par un ruban. Édition originale de ce recueil de 16 sonnets d'Henri de Régnier imprimé sur les presses de Coulouma, illustré de 16 planches hors-texte en couleurs rehaussées d'or et d'argent de Yan Bernard Dyl reproduites par Daniel Jacomet. Tirage limité à 350 exemplaires numérotés, celui-ci n°106, un des 334 sur papier Canson Montgolfier. Yan Bernard Dyl est un des plus grands illustrateurs du mouvement Art Déco. D'abord publiciste et caricaturiste, il crée ensuite son agence de publicité après avoir été lourdement blessé durant la première guerre mondiale. Il travaille notamment pour Roger & Gallet et Lenthéric et plusieurs de ses créations sont publiées dans l'annuaire du luxe Pan, dirigé par Paul Poiret. Il reçut alors plusieurs commandes pour des ouvrages de bibliophilie dont celui-ci est un parfait exemple. Les illustrations de Dyl permettent d'apprécier le lien entre les motifs et formes Art Déco et la mode de l'époque, par la déclinaison des motifs traditionnels de dentelles. On y retrouve notamment les motifs régionaux de Cluny, Gênes, Bruges, Alençon, Chantilly mais également la dentelle de la Renaissance Espagnole, les Ténérife et les Paraguay. Très bel exemplaire dans sa chemise d'origine en excellente condition. (infimes salissures à la chemise, décharges des gravures comme toujours sinon très bel exemplaire)‎

書籍販売業者の参照番号 : UDG-227

‎[DÉCORATION] - MARSH (Christina) -‎

‎Angelots au point de croix.‎

‎Paris, Pierre Zech éditeur, 1999 ; in-4, 39 pp., br. Neuf.‎

‎Neuf.‎

書籍販売業者の参照番号 : 201225064

‎[DÉCORATION] - PLOQUIN (Genviève) -‎

‎Bouteilles de sable coloré.‎

‎Paris, Fleurus, 1985 ; in-12, 93 pp., br. Bon état.‎

‎Bon état.‎

書籍販売業者の参照番号 : 201225055

‎[DÉCORATION] - GROUPÉ -‎

‎Customise ta chambre, your own zone.‎

‎Paris, Belem édition, 2006 ; in-8, 101 pp., br. Très bon état.‎

‎Très bon état.‎

書籍販売業者の参照番号 : 201225051

‎[DÉCORATION] - OATES (Letty) -‎

‎Décoration des tissus.‎

‎Paris, Éditions de l'olympe, 1996 ; in-4, 69 pp., cartonnage de l'éditeur. Bon état.‎

‎Bon état.‎

書籍販売業者の参照番号 : 201225267

‎[DÉCO] - DEGOULANGE (Yolande) -‎

‎Fleurs en éléments naturels.‎

‎Paris, Editions fleurus, 1977 ; in-8, 95 pp., br.‎

‎.‎

書籍販売業者の参照番号 : 201316033

‎[DÉCORATION] - LUCHNER (A.) -‎

‎La décoration avec des cristaux de couleur.‎

‎Paris, Sélection/ J. Jacobs/ collection savoir-faire, 1968 ; in-8, 67 pp., br. couverture illustrée. Avec la collaboration de O. Schott et K. Zechlin.‎

‎Avec la collaboration de O. Schott et K. Zechlin.‎

書籍販売業者の参照番号 : 201214641

‎[DÉCORATION] - PÉCHEUR-GILAD (Jane) -‎

‎Le bois peint.‎

‎Paris, Fleurus idées, 1978 ; in-8, 165 pp., br. couverture illustrée.‎

‎.‎

書籍販売業者の参照番号 : 201214644

‎[DÉCORATION] - MAUX (Florence le) -‎

‎Objets à faire soi-même, le lin, accessoires, déco, vêtements.‎

‎Paris, Minerva, 2007 ; in-8, 76 pp., cartonnage de l'éditeur. Neuf.‎

‎Neuf.‎

書籍販売業者の参照番号 : 201225109

‎[DÉCORATION] - RUSÉ (Nadine) -‎

‎Personnaliser son courrier.‎

‎Paris, Massin éditeurs, 2000 ; in-4, 13,72 pp., br. Neuf.‎

‎Neuf.‎

書籍販売業者の参照番号 : 201225063

‎[DÉCORATION] - STROESE (Susanne) -‎

‎Savoir faire des guirlandes.‎

‎Paris, J. Jacobs/ collection savoir-faire, 1971 ; in-8, 47 pp., br. couverture illustrée.‎

‎.‎

書籍販売業者の参照番号 : 201214638

‎[Eighteenth-century poem titled 'How to pack a Lady's Portmanteau'; Georgian fashion; Hanoverian dress; clothes; clothing]:‎

‎Anonymous eighteenth-century Manuscript Poem titled 'How to pack a Lady's Portmanteau' with verse postscript 'How to do a Gentlemans Ditto'.‎

‎Without place or date late eighteenth century. 1p. 12mo. On one side of a piece of 18 x 10 cm paper laid down on leaf removed from commonplace book with a clue to provenance on the reverse provided by the part of a family tree of James Carmichael laid down there including 'Carmichael of Balmedy' 'Tho. Graeme of Balyowan' and 'Mr Ja. Smyth of Aitherny'. Fair on aged paper. A delightful poem apparently unpublished and a valuable piece of social history containing a couple of manuscript emendations. A total of fourteen lines of verse with the first ten relating to the lady's portmanteau beginning: 'With Linen and stocking and shoes first begin / Then your night-cloaths and petticoat neatly put in / Next your Dresses compleat for each part of the Day / With your handkerchiefs Caps all in Gala array / Then your Ribbons fans flowers & Gloves long & Short / With your combs & your brushes of every sort'. The four-line poem on the gentleman's portmanteau begins 'Coats Waiscoates sic and breeches short stocking & shoes / With Hankerchiefs sic Nightcap & Gown'. Without place or date [late eighteenth century?]. unknown‎

書籍販売業者の参照番号 : 11683

‎[ESPAGNE]‎

‎Le Monastère Royal de l’Escurial, vu par derrière.‎

‎P., Daumont (fin XVIIIème).‎

‎****‎

書籍販売業者の参照番号 : 8839

‎[FASHION & TEXTILES -- SILK].‎

‎National Silk Dyeing Company Spring 1911. Sample catalogue skein silk dyeing of every description for every class of textile manufacturer. . . .‎

‎Paterson NJ Allentown PA Williamsport PA Dundee Lake NJ: National Silk Dyeing Company 1911. 8vo. 4 leaves of thick card stock bound in accordion-style format which fold out into 9 x 25.5 in panorama with 178 tipped-in colour skein silk samples in rainbow of colours a few discontinued colours removed along with their inventory numbers. Black cloth gilt lettering on front cover metal snap closure minor shelfwear some rubbing still G reference copy. First edition thus of this excellent sample catalogue filled with dyed silk thread samples including such Edwardian colour names as Desdoux Aloes Salambo Eclipse Champignon Glycine Pistache Oseille Cuite Myrthe and Matelot. The National Silk Dyeing Company began life as the Auger & Simon Silk Dyeing Works which was moved to Paterson in 1884 and grew quickly during the Victorian era but in 1908 Charles Auger chose to merge operations with five other Paterson NJ dye works forming the National Silk Dyeing Company. They would enter bankruptcy during the Great Depression. Worldcat locates 1 copy of 1913 Dyeing catalogue Brooklyn Museum. National Silk Dyeing Company, hardcover‎

書籍販売業者の参照番号 : 52192

‎[FASHION -- SEWING & EDUCATION]. CONOVER, Isabel DeNyse‎

‎A complete course in dressmaking in twelve lessons: Introduction; Aprons and house dresses; Underwear; Blouses; Skirts; Dresses; Coats; Pattern and pattern making; Infants’ clothes; Children’s clothes; Boys’ clothes; Men’s clothes and index. . . Lessons I-XII.‎

‎New York: Edward J. Clode 1922. 12 vols. 12mo. 1184 pp all vols. separately paginated. With 100’s of text illustrations diagrams patterns. Brown cloth-backed cream-coloured softcovers illustrated in brown & brown lettering very slight shelfwear slight soiling to fore-edges still a NF set preserved in the original open case. First edition 2nd printing of this informative and well-illustrated set issued by Woman’s Home Companion intended as a Jazz Age “how-to†instructional sewing and tailoring course to properly instruct young aspiring fashion designers seamstresses and at home housewives how to craft the current Flapper-era fashions. These well-organized volumes include sections on selecting the proper clothes and colours simple stitches making their garments attractive trimmings to add a little extra to underwear; different types of blouses lingerie blouses kimono blouses “Smart†clothes drop waist dresses and the key of pattern making. This course helped to propel the idea of “Flapper Design Fashion†and reflected many of her own innovative artistic and graciously elegant designs. Conover Stadtmiller 1891-1968 was a Los Angeles fashion designer associate fashion editor of Woman’s Home Companion and after marrying noted Kennicott Copper Co. mining engineer Karl Stadtmiller 1893-1934 retired from her career until after her husband’s sudden death. Worldcat locates 4 sets FIT-NY Indiana U MFA Boston Toronto Public. Edward J. Clode, paperback‎

書籍販売業者の参照番号 : 62342

‎[FASHION -- NETHERLANDS]. JAGER, A[ndries de].‎

‎Album de costumes des pay-bas. Netherlands folk costume fashion photo album.‎

‎Amsterdam: A. Jager ca. 1880. 12mo. 3.5 x 5.25 in. 12 hand-coloured albumen carte de visite images sized 2.25 x 3.5 in. mounted on thick 3 x 5 in. cards text in lower fore-edge of board bound in leporello accordion-style format linen hinges renewed. Original publisher’s decorated red cloth over beveled boards elaborate gilt decorated front cover and lettering minor rubbing edgewear minor bumping to corners still VG exemplar w/ most images retaining strong contrast and colour bookseller’s label of Joh. G. Stemler Cz. Algemeene Goekhandel Amsterdam on rear pastedown. Early printing of this charming photographic souvenir with hand-coloured albumen CDV photos illustrating the styles of folk costumes in different regions of the Netherlands. The villages and regions include Marken North Holland a fisherwoman carrying basket on her head from Scheveningen a fishing port a middle class orphan girl from Amsterdam a young girl wearing elaborate hat from Krommenie North Holland northeast of Haarlem. Jager 1825-1905 published many different series of these souvenir fashion photos as well as images of scenes in and around Amsterdam often as stereoviews some working with Dutch photographer Pieter Oosterhis. See: Maartje van den Heuvel The Rise of Dutch Landscape Photography. How a Vision of Painting Entered Photography Depth of Field Vol. 6 No. 1 July 2015. A. Jager, hardcover‎

書籍販売業者の参照番号 : 54558

‎[FASHION -- ORIGINAL DESIGN ARCHIVE] [ROSS MIZELLE, Marian Adrienne(Designer); GERNES, Sara Desaix McManigal Evans (Pres of Gern‎

‎An eye-catching archive of 150 original fashion designs by young Marian Ross created primarily for the Gay Gibson label at Gernes Garment Co. through the 1960’s with some of her late 1950’s designs for women’s wear reflecting the very influential fashion trends of Dior Givenchy Cardin Courreges and Simonetta. Many reflect into the 1960’s Dior’s “New Look†with emphasis on hourglass figure small waist billowing skirts and elegant cocktail dresses along with those of slimmer fashions and clean lines of Coco Chanel with a focus on translating these for young women juniors and young teens marketed throughout the Midwest under the Gay Gibson label.‎

‎New York NY Kansas City MO & Carmel Santa Barbara & San Francisco CA: Marian Ross Mizelle Madrigal 1955-1974. Four Vols. and original Store Sign for Carmel CA boutique. Folio. 2 - 12 x 15.25 in. & 2 - 13 x 19 in. 48; 48; 48; 48 pp unpaginated. all w/ mylar sleeves archival black paper insert backings with 151 original designs in gouache watercolour chalk and pen & ink 38 in pen & ink or pencil sized from 7 x 11 in. up to 10 x 15 in. and nearly all signed by Marian Ross three feature original fabric sample swatches affixed to them including one w/ pencil MS “Winner†and mimeographed description affixed to verso several of them are translucent pochoir stapled to backing paper many are on thick stiff studio board while others on assorted textured paper stock. In addition there are three newspaper and magazine clippings 1966 & 2013 a photostat copy of early Ross Mizelle “Mod†fashion designs and original black & white silver gelatin photo of young Marian Ross modeling a wedding dress. All are preserved in flexible vinyl portfolios printed labels on spines some minor scuffing & shelfwear to portfolios occasional very minor closed tears or edgewear to the designs a few w/ minor holes from removed staples still an exemplary archive of designs together with the original Madrigal signboard sized 16 x 27 in. from their Carmel CA store. This sensational archive of original fashion designs for Kansas City MO based department store suppliers by Marian Ross Mizelle before her move to California in the 1970’s to establish the Madrigal boutique with her husband Elliot A. Mizelle 1916-2007. These vividly reveal the Mid-20th-Century fashion trends following World War II. Many of the designs in this collection reflect the transition from the late 1950’s elegance and emphasis on Dior’s “New Look†highlighting femininity and opulent use of fabrics towards the more youthful designs emerging out of Swinging London which were a slimming down beginning to raise hemlines with short skirts bolero tops and increasing influence of Pierre Cardin Andre Courreges and Givenchy. The Mid-20th-Century saw a tremendous upsurge in marketing slimmer lines tighter fitting bodices and fashions emerging from such cultural events as Audry Hepburn in her iconic 1961 “Breakfast at Tiffany’s†film which heavily influenced a generation of young women.Young Marian Ross b. 1936 after completing her Fashion Academy certificate in 1955 free-lanced and worked in the New York fashion industry before landing with the influential and hot-selling Gay Gibson label with Gernes Garment Co. in 1961. The Gernes Garment Co. had been originally founded in 1928 by Sara Desaix Gernes 1896-1978 and her husband Alexander Gernes 1882-1947 to market her groundbreaking fashion designs targeting everyday fashion for young women juniors and teens. Her designs proved very popular as she initiated and fashioned sizing and dresses and clothing for teenagers through young college-age women and her designs proved very successful and were marketed through Chicago’s Marshall Field’s department store. By 1961 the Gernes Garment Co. moved their design and pattern making department to New York to capture young fashion designers such as Marian Ross as well as be closer to the influential couturier houses in New York & Paris. The Gay Gibson label was marketed in Mademoiselle Seventeen Glamour and Vogue magazines with Twiggy often modeling Gay Gibson dresses in the 1960’s. Marian’s designs were inventive playful and emphasizing movement as well as comfort. Many of the fashion patterns depict her models in flats ballet flats or even shoeless while dressed in elegant evening or formal dress. Also depicted are designs such as billowing harem pants modified and sleek upscale poodle skirts and Tartan patterned capes pockets dresses and accessories. Others encompass swimwear ski wear as well as the emphasized and often enforced domesticity of the late 1950’s to 1960’s with stylish plaid house-dresses in the kitchen and bar as well as frequent use of lace. The Gay Gibson label maintained a showroom at 1407 Broadway on the 39th Floor in New York ad held over 24 showings from 1961-1969 including Junior Dresses Summer Collections Spring Junior Collections as well as Holiday and Resort collections. By the early 1970’s the label was having financial difficulties and the popularity began to drop with the company run by Desaix Gernes her mother and husband Paul before folding a few years after Sara Desaix Gernes’ death. Marian and Elliot Mizelle established Madrigal Inc. name chosen because of the seductive chic of Manhattan’s Le Madrigal restaurant and grew into a legendary luxury boutique at one point operating store fronts in Santa Barbara downtown San Francisco and Carmel CA. In her 2015 interview for “Women in Business†with the Carmel Pine Cone Marian stated she “wanted to be an actress but it didn’t work out that way. I used to sketch a lot so I studied design instead. Everything I touched while was designing worked. I got a lot of jobs and was featured on a lot of Seventeen magazine covers.†This cataloguer could find not similar extant archive of original designs for the 1960’s period of the Gay Gibson label or for Marian Ross Mizelle; See: Interview with Desaix Gernes Garment Industry Oral History Collection The Kansas City Public Library Jan. 14 2005 SC229 Series 2 2024; Gay Gibson Vintage Fashion Guild 2025; Donnelly Garment Company vs. International Ladies Garment Workers Union et al Photographs Clothing Demonstration The Pendergast Years Kansas City in the Jazz Age & Great Depression 2025. Marian Ross Mizelle, Madrigal, hardcover‎

書籍販売業者の参照番号 : 62463

‎[FASHION -- EDWARDIAN]. DICKSON, [George L] & DICKSON, [William H].‎

‎Catalogue for 1906 interspersed with some statistics and other interesting reading matter. Dickson Bros. Co.: general outfitters for men and boys. . . .‎

‎Tacoma WA: Dickson Bros. Co. 1120-1122 Pacific Ave. The Quick Print 1906. 8vo. 42 2 pp. With woodcut-engraved illustrations throughout. Pictorial light green softcovers front cover art rendering of the Dickson Bros. front facade before expansion and young college men wearing suits in Cornell dorm room minor toning to fore-edges minor curling to textblock 1 very small tear still a VG copy. First edition of this exceedingly scarce Washington department store catalogue for the Dickson Bros. Co. which expanded quickly at 1120-1144 Pacific Ave. in Tacoma WA during the first 30 years of the 20th Century. The company flourished by emphasizing ready-to-wear lines of clothing rather than tailored clothing selling Adler Bros. and Stein-Bloch suits and clothing based out of Rochester NY Stetson Hats and more. They also sold heavy denim work clothes such as Keystone railroad overalls and jackets trunks traveling bags boots shoes and more. George Dickson 1851-1935 was an active outdoorsman mountaineer and merchant in Tacoma. No copies located in Worldcat; See: George L. Dikcson’s Narrative Tacomian Jan. 7 1893. Dickson Bros. Co., 1120-1122 Pacific Ave., The Quick Print, paperback‎

書籍販売業者の参照番号 : 56017

‎[FASHION -- MEN'S SILK TIES]. [WOMEN]. BELL, Faye (Designer).‎

‎Cohama cravats: presenting the Cohama Cravat plan -- based on the idea of a consumer-advertised and labeled tie to retail at one dollar. . . .‎

‎New York: Cohama Cravats United Merchants & Manufacturers 1412 Broadway 1940. Atlas folio. 13 x 18 in. 34 pp unpaginated. printed on thick tan paper stock with 21 different tipped-in advertising promotional samples including camera-ready newspaper ads sample window & counter display cards and folded promotional brochures for mailing each to be imprinted with the retailer’s name order book tucked into rear pocket mounted on last leaf. Tan boards plastic-comb binding to spine minor bumping to couple corners some dustsoiling minor chipping to foot of spine still a VG bright exemplar. First edition of this exceedingly scarce sales and advertising catalogue designed to present the 1940 plan by the company for their $ 1.00 men’s cravat ties. Featured are the proposed newspaper ad lines for the six different Cohama Cravats in the Spring & Summer including the Briar Bahama Camelot Rangoon Gamester and Seminole. American tie manufacturing emerged as a significant force at the end of the Jazz Age and through the 1930’s as their popularity grew world wide for their heavy use of colours vivid patterns and breaking away from the more sedate colour palate of the British tie industry. Contributing to the explosion of tie manufacturing in the 1930s and 1940s were the need by many men during the Great Depression and then the War years to change their fashion look by adding a decorative tie rather than buying a new suit or set of clothes. The Duke of Windsor heavily influenced ties styles and wearers by not only developing the Windsor knot but also wearing them with many different types of clothing. Cohama was a trademark of United Merchants which was a textile firm originally founded in 1912 as the Cohn-Hall-Marx Co. merging with United Merchants in 1928 and later clothing chains across the East and South through World War II. No copies located in Worldcat; See: Gibbings The tie trends and traditions 1990. Cohama Cravats, United Merchants & Manufacturers, 1412 Broadway, hardcover‎

書籍販売業者の参照番号 : 61451

‎[FASHION -- WATERCOLOUR DESIGNS/WOMEN]. PAINE, Nancy‎

‎College wardrobe; Art. . . two fashion portfolios of 11 and 9 original fashion design watercolour paintings all created by young middle schooler Nancy Paine for her art classes in Seattle in the early 1950’s.‎

‎Seattle WA: Nancy Paine ca. 1953-54. Twenty-one original fashion design watercolour paintings all oblong folio 9 sized 15 x 12 in.; 12 sized 18 x 15 in. 1 is painted title only many of them signed by Nancy down in lower corner 1 graded and reviewed by teacher several with neat cursive annotations some curling minor edgewear to corners some toning still VG set with the 2nd set retaining the original portfolio cover sheet. These original watercolour fashion designs reflect the 1950’s emphasis on full circle skirts swing skirts pencil skirts tea length dresses and fitted tight waist blouses reflecting the influence of Christian Dior towards increased femininity in the post-World War II era. For the College Coed portfolio our young artist has included designs for Capri pants lingerie fitted wool dresses flowing “poodle†skirts bathing suits tennis outfit ice skating clothing riding outfits and evening wear. The second portfolio incorporates diamond pattern one-piece bathing suits terrycloth robes different evening weather and nighttime negligee. Although young Miss Paine would not go onto becoming a commercial artist she did work as office manager for many years for the Simpson Lumber Company. Nancy Paine, hardcover‎

書籍販売業者の参照番号 : 58213

‎[FASHION -- NEW YORK].‎

‎Compliments of L. Marshall one-price clothier hatter and furnisher. Large chromolithograph promotional advertising card with fashionably dressed Victorian children ice skating on a pond.‎

‎Auburn NY: L. Marshall ca. 1885. Tall 8vo. One colour chromolithograph card 6.75 x 11.75 in. very slight toning to fore-edges very slight bumping to couple corners still a VG bright copy. First edition thus of this advertising card for L. Marshall who were a very successful and popular Victorian clothing and furnishing store in Auburn New York. They were particularly well known for their beautiful colour advertising cards sent out as promotions and were at their height of popularity at the end of the 19th century. L. Marshall, hardcover‎

書籍販売業者の参照番号 : 46789

‎[FASHION -- PEARLS]. [MIKIMOTO CULTURED PEARLS].‎

‎Cultured pearl salesman sample counter display with shells samples tracing the growth of the pearl oyster and the development of the pearls themselves.‎

‎Tokyo Japan: Mikimoto ca. 1950. Oblong folio. 14.5 x 11.5 x 1.4 in. Original wooden shadow box sample display case holding 10 opened & cleaned pearl oyster shells on white padded fibers and 5 varying grades of cultured pearls showing progression of growth minor scuffing to corners of polished wood frame backed w/ birch plywood box a VG exemplar. Commercial cultured pearls were first developed by Kokichi Mikimoto who succeeded in creating semi-spherical cultured pearls in 1893 by developing the exacting method of inserting grains into pearl oysters and harvesting two years. later. The company exhibited at many International World’s Fairs in the succeeding years and following World War I gained a foothold in Europe during the Art Deco jewelry phase. Virulently opposed by European jewelers who attacked cultured pearls as imitations rather than real pearls Mikimoto would win the lawsuit at the “Paris Trial†and quickly established the custom of distributing trade literature explaining the pearl process as well as visual sample cases. Although the 1930’s saw the emergence of very good glass imitation pearls cultured pearls continued to be valued and in post-World War II America reached their heyday with elegance and femininity favored with designs inspired by Grace Kelly and later Jackie Kennedy of single strands of pearls and pearl studs. These sample boxes continued to remind customers that the pearls were actually cultivated and harvested from oysters. See: Mikimoto Brand Story Our Founder Kokichi Mikimoto 2024; Amber Michelle A History of Cultured Pearls IAJA 2022. Mikimoto?, unknown‎

書籍販売業者の参照番号 : 61482

‎[FASHION -- SIGNED]. GREER, Howard‎

‎Designing male.‎

‎New York: G.P. Putnam’s Sons 1951. 8vo. 8 310 pp. Photo frontisp. numerous photo plates. Gray publisher’s cloth scuffing at front hinge w/ d.j. photo of author on back cover by Robert Avedon minor chipping edgewear old tape repairs still VG-/VG- copy signed by author on ffep. from the library of Maebelle Doolittle Traylor 1881-1961 former Pasadena socialite longtime widow of stock trader Neal Traylor and daughter of Pasadena pioneer developer Samuel Hosmer Doolittle 1850-1942 w/ clipping laid-in. First edition signed of this memoir by the famed Hollywood fashion designer who had begun his career before World War I with Lucile and would later design for the Lasky Players Silent movies. Later after setting up his own Fashion House he designed clothes for Greta Garbo Shirley Temple Theda Bara Gloria Vanderbilt Mary Pickford Ginger Rogers Irene Dunne Ingrid Bergman and Katharine Hepburn emphasizing eye-catching elements and fitted torso evening garments. G.P. Putnam’s Sons, hardcover‎

書籍販売業者の参照番号 : 61036

‎[FASHION -- TEXTILES]. [SCHUMANN, Maria (Artist & Designer); WINKLER, August].‎

‎Fall fashion design factory sample catalogue with designs by . . . Drawn and handcoloured by Maria Schumann.‎

‎Aussig Usti Nad Labem Czechoslovakia & Vienna: C. Wolfrum ca. 1939. Folio. 50 leaves. 1 leaf with type-written explanation of all the fashions illustrated in the catalogue. 44 hand-coloured pochoir fashion designs on translucent paper each with item number printed below 5 leaves with printed designs showing the backs of all the fashions some pencil shading and details added. Original textured beige softcovers embossed WMI Wolfrum Manufacturing on front cover metal spiral bound as issued some dustsoiling & wear to fore-edges of covers very slight bumping to couple corners still a VG copy w/ beautifully illustrated fashion designs. First edition of this exceedingly scarce original trade catalogue issued by the C. Wolfrum textile firm in Czechoslovakia for its Vienna Austria market around the time of the forced annexation of the Sudetenland by Nazi Germany in 1939. The firm was famed for its woolen & silk textiles for women’s fashions and their catalogues were very desired. This catalogue includes fashions for silk rayon & wool women’s dress suits leisure suits formal evening dresses & winter coats all evoking the fashion trends of the period. The designs in the catalogue reflect the rising influence of militaristic styles and fascism with square-edged shoulder pads the plate hats as well as the emphasis on tight waists and long skirts. There are a couple designs with distinctive chocolate brown for leisure wear reflecting the heavy Nazi-influenced fashion design of the period. In addition the slim lines were enhanced by cutting clothes across the fabric avoiding bunches of gathers at the waist for full skirts allowing material to flow. In addition the evening wear dresses emphasized low or no backs and hair was to be grown long and worn swept up. This catalogue also includes a few evening formal dress designs clearly inspired by the dresses worn by Vivien Leigh in the 1939 Gone With the Wind Movie with the puffed sleeves polk-a-dot patterns and fabrics. No copies in Worldcat. C. Wolfrum, paperback‎

書籍販売業者の参照番号 : 63709

‎[FASHION - WOMEN]. [KOEWING, Frank (Ed & President).]‎

‎Fashions and fabrics; The model hostess; An American woman in Algiers; For the fair rider bicycles; The emancipated woman as portrayed in the fiction of the day. . . The Standard Delineator of Fashions Fancy Work and Millinery. . . Vol. II No. 2. . . .‎

‎New York: Standard Fashion Company June 1895. 4to. 96 pp. 1 large folding colour chromolithograph frontisp. sized 21.5 x 10.75 in. 1 colour chromolithograph plate over 150 woodcut text illustrations & engravings. Gold-coloured printed softcovers brick-red lettering minor dustsoiling light wear to creases of folding frontisp. still VG copy. First edition of this scarce and beautifully printed fashion magazine which was published under this title only from 1894 through 1896 when it was forced to change the name to The Standard Designer after losing a lawsuit brought by the Butterick Publishing Co. against Frank Koewing d. 1933 their former western sales manager for Butterick. Founded in 1887 the Standard Fashion Co. would eventually become a serious rival to the Butterick Pattern Co. appropriating the “Delineator†for his magazine poaching employees and eventually building the company to issuing over 100000 cut patterns a week. While often facing bankruptcy and litigious to a fault the company was acquired as a subsidiary in 1900 by Butterick and the combined companies would thrive through the ensuing decades. Each of the Standard Delineator magazine issues featured a large chromolithograph frontispiece of the latest fashions as well as a smaller one of millinery designs. Worldcat locates primarily microfilm copies however individual issues are held by Notre Dame and Davidson College; See; A Man of the Hour Frank Koewing The Bookseller and Newsman Vol. 13 1896 pp. 4-5; Carol Ann Dickson Patterns for Garments: A History of the Paper Garment Pattern Industry in America 1979. Standard Fashion Company, paperback‎

書籍販売業者の参照番号 : 54146