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[CATALOGUES d'EXPOSITION].-
Société d'aquarellistes français. 1888. Dixième exposition. Catalogue.
P., Launette, 1888, in 4° broché ; nombreuses reproductions.
书商的参考编号 : 56133
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[CATALOGUE EXPOSITION].-
Société d'aquarellistes français. 1885. Septième exposition. Catalogue.
P., Jouaust, 1885, in 4° broché ; nombreuses reproductions ; petites taches sur le titre et le premier feuillet.
书商的参考编号 : 56134
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[catalogue d'exposition vente aux enchères publiques - ]
Tableaux modernes: Versailles Palais des Congrès dimanche 8 mars 1970 - Importants tableaux modernes: Boudin, Chagall, Ciceri, Daubigny, Derain, D'Espagnat, Dumont, Dunoyer de Segonzac - Gen Paul - Lebasque , Maclet, Madeline- Renoir, Trouillebert - Vlaminck - Vogler - bronzes par Rodin et Zadkine - par le ministère de Me Paul Martin.
Une brochure in-4 non paginée (64 pages) - plusieurs reproductions en noir à pleine page -
书商的参考编号 : GF31064
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[CARPACCIO] ROUDAUT (Jean)
Tout l'oeuvre peint de Carpaccio.
Paris, Flammarion (coll. "Les classiques de l'art"), (1981). In-4°, 120p. Reliure cartonnée d'éditeur, sous jaquette illustrée.
书商的参考编号 : 34676
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[Carpaccio] PEROCCO, Guido ; ROUDAUT, Jean
Tout l’oeuvre peint de Carpaccio
Flammarion. Collection “Les classiques de l’art”/Rizzoli Editore, Milano 1981 In-4, pleine toile marron, sous jaquette illustrée, photographies pleines pages en couleurs, vignettes photographiques en n. & b., 120 pp. Etat correct d’occasion.
书商的参考编号 : 23424 ???????? : 2080112163
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[CARPACCIO] - LUDWIG (Gustave) & MOLMENTI (Pompeo)
Vittore Carpaccio. La vie et loeuvre du peintre.
Paris, Hachette et Cie, 1910. In-4°, XII-319p. Reliure plein maroquin noir d'éditeur, plats décorés à froids avec titre doré, dos à nerfs, tranches dorées.
书商的参考编号 : 35207
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[CAILLARD] - ALAZARD (Jean)
Christian Caillard.
In-8, 20p. Illustré de 49 reproductions en noir et en couleurs hors texte.
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[CALIFORNIA -- SAN FRANCISCO CHINATOWN PAINTING]. [HOBBY, Carl Frederick (Artist).]
A charming original painting depicting a young Chinese-American woman and child purchasing an orange in front of a produce store with Chinese signage beyond. No. 21. Chinatown group. . . .
San Francisco CA: Carl Frederick Hobby 1211 Jackson Street ca. 1945. One large oil painting on canvas sized 13 x 18 in. preserved as original stretched canvas within the frame as presented to the artist’s niece and with the original green & gilt frame now professionally cleaned and w/ artist’s business card mounted on verso of frame along with numbering & size. Signed in lower corner this painting was presented by the artist following the War to his niece and held in the family until 2025. This original oil painting depicts a young Chinese-American mother and child buying an orange with fruit crates stacked beside in front of the mirror and pedestrian walking by as well as the advertising signage in the doorway in Chinese painted by Hobby. The sign reads 油糖èœèˆ– You tang chai pu — oil and sugar vegetable shop and produce in the crates below the window in the foreground appear to be cabbages oranges and possibly mangoes. Hobby wrote in his 1936 illustrated book “Chinatown San Francisco†that there were a variety of vegetable and produce “Chinese Food Shops†situated from Washington to Jackson Street selling blue-green melons mustard greens water chestnuts and more.Hobby 1886-1964 was the son of an Iowa City IA ophthalmologist and moved with the family as a teenager to San Diego CA about 1900 where he began working at 14 as a sketch artist and later published a book in San Diego in 1919 with his artwork. He studied art at the Cumming School of Art in Des Moines the Art Students League in New York and became portrait and landscape painter in San Diego until 1923. After a divorce from Plooma Crowther he settled in San Francisco in Chinatown where he became an instructor at the Art Center while also painting and sketching the densely populated area publishing “The Street of Dragon Lanterns Chinatown of San Francisco†in 1936 while contracting with the Madison & Burke Agency through World War II. Exhibits of his paintings and pen & ink sketches were displayed at the Oakland Art Gallery in 1928 and the Society for Sanity in Art in 1945. See: Maud McB. Maywood Palm City The Chula Vista Star July 9 1937 p. 6; Sketches of San Diego 1919. Carl Frederick Hobby, 1211 Jackson Street, unknown
书商的参考编号 : 63891
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[CALIFORNIA -- SAN FRANCISCO CHINATOWN PAINTING]. [HOBBY, Carl Frederick (Artist).]
A nicely executed original painting depicting a street scene and Chinatown shop awnings in San Francisco with young Chinese-American woman walking with child another person walking with basket held above their head and another small child in background.
San Francisco CA: Carl Frederick Hobby 1353 Post Street 1929. One small oil painting on canvas sized 8.5 x 11 in. preserved as original stretched canvas within the frame as presented to the artist’s sister Ruth Annis Hobby Gibbs 1878-1940 Scouticut Neck Fairhaven Massachusetts with the original wooden frame now professionally cleaned and w/ artist’s signature in lower right corner of painting this painting was presented with a gift inscription in Chinese å二月廿五號一ä¹äºŒä¹ December 25 1929 and given with others by the artist over a 10 year period in the 1920’s-1930’s to his sister and held in the family until 2025. This original oil painting portrays a Chinese-American woman and child strolling past shop windows in Chinatown w/ awnings and fire-escapes looming above while another person carrying large basket walks away and another small child looks on. After settling in San Francisco’s Chinatown less than 6 years before the artist had launched his lifetime work to depict through oil paints and pen & ink the quintessential life to be discovered in Chinatown. Eventually he would issue a book just 7 years later in 1936 of Chinatown sights and attractions filled with his pen & ink illustrations. Hobby 1886-1964 was the son of an Iowa City IA ophthalmologist and moved with the family as a teenager to San Diego CA about 1900 about the time his sister Ruth Annis Hobby voyaged to marry her fiance during the Philippine Insurrection in 1899 in Manila. He studied art at the Cumming School of Art in Des Moines the Art Students League in New York and became portrait and landscape painter in San Diego until 1923. After a divorce from Plooma Crowther he settled in San Francisco in Chinatown where he became an instructor at the Art Center while also painting and sketching the densely populated area publishing “The Street of Dragon Lanterns Chinatown of San Francisco†in 1936 while contracting with the Madison & Burke Agency through World War II. Exhibits of his paintings and pen & ink sketches were displayed at the Oakland Art Gallery in 1928 and the Society for Sanity in Art in 1945. See: Maud McB. Maywood Palm City The Chula Vista Star July 9 1937 p. 6. Carl Frederick Hobby, 1353 Post Street, unknown
书商的参考编号 : 63892
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[CALIFORNIA -- SAN FRANCISCO CHINATOWN PAINTING]. [HOBBY, Carl Frederick (Artist).]
A wonderful original painting depicting a young Chinese-American child wearing traditional hat and cloak and drinking orange soda through straws from a bottle. No. 28. Chinatown group. . . .
San Francisco CA: Carl Frederick Hobby 1211 Jackson Street ca. 1945. One large oil painting on canvas sized 11 x 14 in. preserved as original stretched canvas within the frame as presented to the artist’s niece and with the original green & gilt frame sized 14.5 x 17.5 in. now professionally cleaned and w/ artist’s pencil numbering on verso of frame and apparently executed about the same time as his “Produce Stand†painting. Signed in lower corner this painting was presented by the artist following the War to his niece and held in the family until 2025. This original oil painting depicts a young Chinese-American child drinking from a bottle of orange soda in traditional Chinese hat and high-collared cloak with rain falling around the subject as well as brick wall and cityscape faintly in the background. Chinese-American children were frequent subjects along with their families for the artist as he often featured them with parents marketing or in their everyday lives on the teeming streets of San Francisco. This close large portrait represents an unusual format for the artist as he tended to paint and draw group scenes.Hobby 1886-1964 was the son of an Iowa City IA ophthalmologist and moved with the family as a teenager to San Diego CA about 1900 where he began working at 14 as a sketch artist and later published a book in San Diego in 1919 with his artwork. He studied art at the Cumming School of Art in Des Moines the Art Students League in New York and became portrait and landscape painter in San Diego until 1923. After a divorce from Plooma Crowther he settled in San Francisco in Chinatown where he became an instructor at the Art Center while also painting and sketching the densely populated area publishing “The Street of Dragon Lanterns Chinatown of San Francisco†in 1936 while contracting with the Madison & Burke Agency through World War II. Exhibits of his paintings and pen & ink sketches were displayed at the Oakland Art Gallery in 1928 and the Society for Sanity in Art in 1945. See: Maud McB. Maywood Palm City The Chula Vista Star July 9 1937 p. 6; Sketches of San Diego 1919. Carl Frederick Hobby, 1211 Jackson Street, unknown
书商的参考编号 : 64014
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[CALIFORNIA -- SAN FRANCISCO CHINATOWN PAINTING]. [HOBBY, Carl Frederick (Artist).]
An outstanding original painting depicting a young Chinese-American family with four children walking by Yee Sang Tong’s Chinese apothecary shop which when painted in the 1920’s was located at 864 Washington Street in San Francisco’s Chinatown.
San Francisco CA: Carl Frederick Hobby 838 Grant Ave. ca. 1928-1930. One large oil painting on canvas sized 15.25 x 20 in. preserved as original stretched canvas within the frame as presented to the artist’s sister Ruth Annis Hobby Gibbs 1878-1940 and with the original green-stained frame now professionally cleaned faintly touched up in a couple indiscernible spots and backed w/ archival paper. Although unsigned this painting was presented with others by the artist over a 10 year period in the 1920’s-1930’s to his sister and held in the family until 2025. This original oil painting captures a street scene of young Chinese-American family strolling past Yee Sang Tong’s Chinese apothecary vividly displaying the historic building’s exterior a peek at the street around-the-corner and the advertising signage fronting the building in Chinese painted by Hobby. These signs include è£•ç”Ÿå ‚ Yee Sang Tong; åƒèŒ¸çŽ‹ç‰Œ Can song wangpai - premium ginseng and deer antler velvet products; and å„é …ä¸¸æ•£è—¥é…’ Ge xiang wan san yaojiu can ring wangpai - pills powders and medicinal tinctures of all kinds. Chinese-American apothecaries and pharmacies continued to be well-respected into the 20th-Century as Chinese-Americans were generally barred access from San Francisco’s hospitals and clinics and were often unfairly blamed for many of the diseases that occasionally swept the city. They often prescribed and distributed such traditional drugs as quinine digitalis and ephedrine. Hobby 1886-1964 was the son of an Iowa City IA ophthalmologist and moved with the family as a teenager to San Diego CA about 1900 about the time his sister Ruth Annis Hobby voyaged to marry her fiance during the Philippine Insurrection in 1899 in Manila. He studied art at the Cumming School of Art in Des Moines the Art Students League in New York and became portrait and landscape painter in San Diego until 1923. After a divorce from Plooma Crowther he settled in San Francisco in Chinatown where he became an instructor at the Art Center while also painting and sketching the densely populated area publishing “The Street of Dragon Lanterns Chinatown San Francisco†in 1936 while contracting with the Madison & Burke Agency through World War II. Exhibits of his paintings and pen & ink sketches were displayed at the Oakland Art Gallery in 1928 and the Society for Sanity in Art in 1945. See: Maud McB. Maywood Palm City The Chula Vista Star July 9 1937 p. 6; Elizabeth Fair Zijing Fan Hannibal Taubes Wendy Wan-ting Wang & Yifan Zheng Merchants and Revolutionaries: Chinese-Language Letters Held in the Chico History Museum Butte county Historical Society Diggin’s Vol. 67 No. 4 Winter 2023-2024. Carl Frederick Hobby, 838 Grant Ave., unknown
书商的参考编号 : 63890
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[CAMUS]. SCHAEFFER, P.-J. (introd.).
Gustave Camus. Catalogue.
in-4, non paginé, illustrations n/b et coul., broché, couv. illustrée. Tres bel exemplaire DEDICACE par l'artiste. [P-48] On joint : coupures d epresse et invitations.
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[CANALETTO] - ROSENBERG (Pierre) & PUPPI (Lionello)
Tout l'oeuvre peint de Canaletto.
In-4, 128p. Avec 64 planches en couleurs et de nombreuses reproductions en noir.
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[CARPACCIO] - LUDWIG (Gustave) & MOLMENTI (Pompeo)
Vittore Carpaccio. La vie et loeuvre du peintre.
In-4, XII-319p. Ouvrage illustré de 26 planches en photographie présentées sous serpentes imprimées et de 229 gravures en noir tirées hors texte. En excellente condition.
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[CARPACCIO] ROUDAUT (Jean)
Tout l'oeuvre peint de Carpaccio.
In-4, 120p. Avec 64 planches en couleurs et de nombreuses reproductions en noir. En parfaite condition.
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[CARRIERE] - DUBRAY (Jean-Paul)
Eugène Carrière. Essai critique.
Gr. In-8, 95p. Illustré de nombreuses planches hors texte en noir. Petit accroc en tete.
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[CARZOU] - FELS (Florent)
Carzou.
In-8, 48p. + 120 pl. Illustré de 120 reproductions en noir et en couleurs hors texte.
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[CARZOU] - LAMBERTIN (Pierre)
Carzou.
In-8, 137p. Avec quelques reproductions en noir hors texte. Bel exemplaire.
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[CENTRE GEORGES POMPIDOU] LAUGIER, Claude ; RICHET, Michèle
Léger. Oeuvres de Fernand Léger (1881-1955)
Centre Georges Pompidou 1981 In-4, broché, sous jaquette illustrée, illustrations en couleurs, 160 pp. Bon état.
书商的参考编号 : 19448 ???????? : 285850086
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[CEZANNE PAUL] KRUMRINE Mary Louise & al.
Paul Cézanne : Les baigneuses
Paris, Albin Michel/ Bâle, Musée des Beaux-Arts, 1990, 25,5 x 29,5, 322 pages sous percaline éditeur & jaquette illustrée. Iconographie noir & blanc et en couleurs. Ouvrage publié à l'occasion de l'exposition présentée à Bâle du 10 septembre au 10 décembre 1989.
书商的参考编号 : PEINTUREEEE90000726
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[CEZANNE]
Cézanne. Les dernières années (1895-1906).
In-4 carré, 254p. Catalogue de l'exposition qui s'est tenue à Paris, au Grand Palais du 20 avril au 23 juillet 1978. Rassemblait une centaine de toile exposées, toutes reproduites.
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[CEZANNE] - FAURE (Elie)
P. Cézanne.
In-4, 67p. + 59pl. Illustré de 59 planches en noir hors texte. Couverture jaunie.
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[CEZANNE] - PICON (Gaetan) & ORIENTI (Sandra)
Tout l'oeuvre peint de Cézanne.
In-4, 128p. Contient 64 planches en couleurs et d'innombrables reproductions en noir. A l'état de neuf.
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[CHAISSAC Gaston - CoBrA] DECRON Benoît & al.
Chaissac & CoBrA, - Sous le signe du serpent
Paris, Gallimard / Rodez, Musée Soulages, 2021, 22,5 x 30, 207 pages sous cartonnage éditeur illustré. Iconographie noir & blanc et couleurs. Ouvrage qui accompagne l'exposition présentée au Musée Soulages du 16 novembre 2021 au 8 mai 2022. "Bien qu'ils ne se soient jamais rencontrés, les artistes du groupe CoBrA (actif entre 1948 et 1951) et le peintre Gaston Chaissac (1910-1964) partagent une même vision créatrice. Rejetant le savoir et l'apprentissage, ils privilégient un art basé sur l'imagination et la spontanéité. Si les premiers témoignent de la vitalité de la scène nordique, dont ils sont originaires - le nom de CoBrA reprenant les premières lettres des villes de résidence des membres du groupe (Copenhague, Bruxelles, Amsterdam) -, c'est pourtant dans la capitale française que nombre d'entre eux s'établiront et se feront connaître. Leurs audaces formelles et chromatiques, à travers les références aux arts premiers ou aux dessins d'enfants, trouvent un écho dans l'oeuvre du marginal autodidacte qu'est Gaston Chaissac. Ce dernier, admiré par Jean Dubuffet, fut encouragé à dessiner par le peintre Otto Freundlich et développa une oeuvre très originale, multipliant les expériences picturales aux graphismes affirmés sur des matériaux récupérés, ainsi qu'un important corpus épistolaire et poétique. Chez ces artistes - réunis pour la première fois -, l'intensité des couleurs associée à une énergie linéaire instinctive donnent lieu à une expressivité presque magique, où la forme serpentine se complaît souvent."
书商的参考编号 : PEINTUREEEE04040624
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[CHAISSAC Gaston] GACHNANG Johannes & BRUTSCH Françoise
Chaissac
Suisse, Neuchâtel, Ides et Calendes, 1988, 25,5 x 30,5, 229 pages sous percaline éditeur et jaquette illustrée. Iconographie noir & blanc et couleurs. Complet de son tiré à part qui contient la version allemande du texte.
书商的参考编号 : PEINTURE91990924
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[CHAGALL Marc]
Chagall et la Bible
Paris, Musée d'art et d'histoire du Judaïsme/Skira Flammarion, 2011, 24,5 x 8,56, 200 pages sous cartonnage éditeur illustré. Iconographie couleurs. Ouvrage publié à l'occasion de l'exposition présentée au Musée du 2 mars au 5 juin 2011.
书商的参考编号 : ART6464640425
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[CHARCHOUNE] - BRISSET (Pierre)
Charchoune, le solitaire.
Paris, Galerie J.-L. Roque, 1970. Pt. in-4°, non paginé. Broché, couverture rempliée.
书商的参考编号 : 30242
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[CHARCHOUNE (Serge)].-
Charchoune.
P., Galerie Fanny Guillon-Lafaille, 1988, in 8° broché, 68 pages ; illustrations.
书商的参考编号 : 66061
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[CHERI SAMBA] COLLECTIF
Chéri Samba
Paris, In Fine éditions d'art, 2023, 31 x 30, 143 pages sous cartonnage éditeur illustré. Iconographie couleurs. Ouvrage publié à l'occasion de l'exposition "Chéri Samba dans la collection Jean Pigozzi" présentée au Musée Maillol du 17 octobre 2023 au 7 avril 2024. "Peintre congolais, formé chez un peintre d'enseignes, Chéri Samba crée un oeuvre peint dans une palette chromatique riche, vive, contrastée et le plus souvent pailletée comme pour en dédramatiser le sujet. Ayant remarqué que les spectateurs passent devant les tableaux en ne regardant que d'un clin d'oeil, Chéri Samba met également des textes, ou commentaires, au sein de ses toiles. L'écriture attire ainsi l'attention et permet de mieux admirer et pénétrer l'oeuvre. L'artiste qualifie ce style de "griffe sambaïenne" . Pour lui l'art n'a pas de frontière. Les thèmes qu'il aborde sont universels : il met en scène les faits d'actualité, les moeurs, la sexualité, la maladie, les inégalités sociales, la corruption, etc. La peinture de Chéri Samba, emplie d'un humour corrosif, apparaît comme une critique féroce de la vie sociale et politique. Combinant différents styles, ses audacieuses prises de positions picturales se caractérisent par une grande maîtrise du métier, par leur technique et leurs innovations. Chéri Samba traite de la vie de tous les jours, des problèmes, plaisirs et paradoxes que l'on rencontre dans les cultures en mutation rapide, mais il montre aussi l'impact des événements internationaux sur les sociétés africaines."
书商的参考编号 : PEINTUREE9999999990324
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[CHAGALL Marc] COLLECTIF
De couleur et d'encre. Marc Chagall et les revues d'art
Paris, Réunion des Musées Nationaux, 2020, 24 x 31,5, 164 pages cousues sous couverture souple illustrée. Iconographie noir & blanc et couleurs. Ouvrage publié à l'occasion de l'exposition présentée au Musée national Marc Chagall à Nice du 10 octobre 2020 au 11 janvier 2021.
书商的参考编号 : ART454545450660525
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[CHINE].-
La vie du Christ vue par des artistes chinois.
P., Guide, 1951, in 8° broché, 55pp. ; 24 reproductions hors-texte.
书商的参考编号 : 31357
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[CHERON Louis] MARANDET François
Louis Chéron (1655-1725) - L'ambition du dessin parfait
Caen, Musée des Beaux-Arts, 2022, 22 x 28, 288 pages cousues sous couverture rempliée illustrée. Iconographie noir & blanc et en couleurs. Ouvrage publié à l'occasion de l'exposition présentée à Caen du 4 décembre 2022 au 6 mars 2023. "Le musée des Beaux-Arts de Caen propose la première rétrospective consacrée à Louis Chéron. Né dans une famille de peintres et orfèvres, Louis Chéron est lauréat du "Grand Prix" de l'Académie royale en 1676, ce qui lui permet de se rendre à Rome. De retour à Paris, il peint deux "Mays" pour la cathédrale de Notre-Dame. La révocation de l'Edit de Nantes compromet la poursuite de sa carrière en France. Fervent protestant, il part en Angleterre en 1693. Grâce à la protection du duc de Montagu, ancien ambassadeur à la cour de France, il obtient de grandes commandes décoratives. La concurrence avec Louis Laguerre, autre peintre d'histoire français actif à Londres, et l'émergence de John Thornhill, le conduisent à réaliser d'autres types de travaux. En 1720, Louis Chéron crée sa propre école d'art à Londres, dont l'originalité est l'introduction de femmes nues comme modèles. Un peintre aussi célèbre que William Hogarth y suivra des cours."
书商的参考编号 : PEINTURE333331124
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[CHARRETON Victor (Bourgoin 1864 - Clermont-Ferrand 1936)].-
Un Magicien de la Couleur. Catalogue d'Exposition.-
Paris. Association des Amis de Victor Charreton. 1970. In-4 (215 x 218mm) pleine toile verte, illustrée d'une photo couleurs collée d'une reproduction d'un tableau du peintre, titre en rouge estampé, jaquette blanche illustrée conservée, 144 pages dont 57 reproductions couleurs hors texte. On joint une lettre de remerciement de Marcel Charreton au dos d'une reproduction, un bulletin de souscription pour le catalogue raisonné de Roger Chatin et une lettre du Dr Chatin concernant l'exposition. Petits défauts à la jaquette qui manque souvent sinon bel exemplaire. (2).
书商的参考编号 : ORD-12722
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[CHARRETON]. CHATIN (Robert et Bertrand).
Victor Charreton II, catalogue raisonné.
[La Sauvetat], Robert Chatin - Paris Art inprogress Editions, 2007 ; fort vol. in-4. 733pp. Cartonnage illustré de l'éditeur, jaquette couleurs. Parfait état.
书商的参考编号 : 12169
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[CHARRETON]. CHATIN (Robert et Bertrand).
Victor Charreton. Vie et oeuvre - Victor Charreton, catalogue raisonné. [2 volumes].
[La Sauvetat], Robert Chatin, Imprimerie Vatel à Brioude, 1995 - Paris, Art inprogress Editions, 2007 ; 2 forts vol. in-4. 597 pp.-1 f. / 733pp. Cartonnages illustrés de l'éditeur, avec une jaquette couleurs por le second volume. Exemplaires neufs.
书商的参考编号 : 13210
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[CHAGALL]
CHAGALL. L'EPAISSEUR DE REVES
P., Gallimard, 2012. In-4 cartonné, 260 pages abondamment illustré.
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[CHAGALL] - CAIN (James) / MOURLOT (Fernand) / SORLIER (Charles)
Chagall lithographe III (1962-1968).
In-4, 179p. Troisième volume du catalogue raisonné de l'oeuvre lithographique de Chagall, couvrant la période 1962-1968. Avec 2 lithographies originales en couleurs (dont la jaquette) de l'artiste. Recense 186 lithographies de Chagall, toutes reproduites. Impression de Draeger. Exemplaire en parfaite condition.
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[CHAGALL] - MOURLOT (Fernand)
Chagall lithographe II.
In-4, 209P. Second volume du catalogue raisonné de l'oeuvre lithographique de Chagall, couvrant la période 1957-1962. Avec 11 lithographies originales de l'artiste. Recense 284 lithographies de Chagall, toutes reproduites. Impression de Draeger. Exemplaire sans jaquette (la 12e lithographie).
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[CHAISSAC]. ALLEMAND-COSNEAU (édité sous la responsabilité de).
Gaston Chaissac 1910-1964.
grand in-8°, 369 pp., nombreuses illustrations en noir et en couleurs, cartonnage illustre de l"editeur. Bel exemplaire (plats legerement frottes). [P-41] Catalogue d'une exposition itinerante: Nantes juin-septembre 1998; Montepllier octobre 1998-janvier 1999; Charleroi janvier-mars 1999.
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[CHARCHOUNE] - BRISSET (Pierre)
Charchoune, le solitaire.
Pt. In-4, non paginé. Plaquette publiée à l'occasion de l'exposition Serge Charchoune à la Galerie Roque. Avec un portrait photographique de l'artiste en frontispice et 12 reproductions en couleurs contrecollées. Bien complet du feuillet d'errata volant.
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[CHARDIN] - ROSENBERG (Pierre)
Chardin 1699-1779.
In-4 carré, 427p. Catalogue de l'exposition qui s'est tenue au Grand Palais entre janvier et avril 1979. Rassemble 142 oeuvres maitresses de l'artiste avec pour chacune d'elles, une reproduction en noir, une description, sa provenance, les diverses expositions ou elle a été présentée, une bibliographie et une analyse. Avec quelques reproductions en couleurs au début de l'ouvrage. Une référence. A l'état de neuf.
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[CHARDIN] - ROSENBERG (Pierre)
Chardin.
In-8 carré, 126p. Illustré de nombreuses reproductions en couleurs contrecollées. Index des noms cités et bibliographie en fin de volume.
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[CHASSERIAU] - MARCEL ( Henry)
Chassériau.
In-8, 114 p. Avec 48 planches hors-texte accompagnées de 48 notices et précédées d'une introduction biographique et critique de l'auteur.
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[Chinese Painting]; Hackney Louise Wallace and Yau Chang-Foo
A STUDY OF CHINESE PAINTINGS IN THE COLLECTION OF ADA SMALL MOORE with SUPPLEMENT - A STUDY OF CHINESE PAINTINGS
London: Oxford University Press 1940. First Edition. Illustrated with 56 collotype plates 48 concerning paintings and represented by 36 full-page monochrome plates 3 full-page color plates 7 manifold monochrome plates and 2 manifold color plates. The remaining plates are composed of 5 full-page plates of calligraphy and 3 full-page plates of seals. The multi-folding plates provide the opportunity to view an entire painted scroll or long painting. Title-page printed in red and black. 72 paintings from pre-T'ang times into the Ch'ing dynasty are discussed. Each painting is described and the translation of its seals and inscriptions provided. Large Folio 15.25" x 11.5" publisher's original green polished buckram cloth the spine lettered in gilt the upper cover with gilt decoration of a Chinese seal. xvi 279 plates pp. A fine copy especially clean and bright the binding very strong and showing virtually no wear though with the mark of a cup which at some time was placed on the upper cover. The Supplement is in fine condition as well. FIRST EDITION SCARCE. The Moore collection contains extraordinary illustrations from some of them most important painters and calligraphers in the long history of Chinese art. The subject matter of the book is traversed by the authors of the volume with scholarship and taste their text being accompanied by the fine illustrations most of them in monochrome and some in colour. The authors are full and illuminating in their descriptions their biographical and bibliographical contributions along with their treatment of the inscriptions and seals. The reason for bringing the inscriptions and seals into the foreground is because "calligraphy has long been considered a major art by the Chinese who frequently valued the inscription on a painting as highly or even more highly than the painting itself. A number of the scrolls depicted have inscriptions which certify their authenticity and are also the calligraphy of famous scholars. These contain many valuable comments on the technique of painting and statements of historical and biographical importance. The seals on the scrolls are not only works of art in themselves but are important as a record of the painting or as an expression of appreciation of it."<br> The painters represented come from various dynasties in their noblest estate painters eloquent of the great virtues of the school--a peculiar magic in the interpretation of nature felicity in composition and linear aspect. The plates provide well the Chinese ideas of beauty and style. R. Cortissoz Oxford University Press hardcover
书商的参考编号 : 34751
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[CHINESE PAINTING]
A STUNNING CHINESE PERIOD COLOR-PAINTING SHOWING WOMEN AT LEISURE AND PAINTING
Canton 1820-30's. A framed and glazed hand-painted color ainting frame:53.3 x 43.5 cm. matted painting: ca. 42.5 x 32.5 cm. very clean superb examplefaux bamboo wood frame cryptomeria wood mat. A METICULOUS PAINTING IN FULL COLOR . . . A STUNNING PAINTING SHOWING CHINESE CONCUBINES . . . DRESSED IN ELABORATE SILK COSTUMES . . . WITH INTERIOR VIEWS OF THEIR APARTMENTS . . . PAINTED IN THE TYPICAL MING PERIOD STYLE THE PAINTING EPOCH: . This is a superb example of later Qing dynasty painting. The work was most likely done during either the reigns of Emperor Jiaqing 1796-1820 or Emperor Daoguang 1820-1850. . The delicacy of the lines willow-like Chinese women and the background captures the essence of Chinese painting of this period. Though the scene most likely depicts and earlier period the work was done in the early to mid-19th century. . The hand-coloring is exquisite reflecting high-skill with superb composition. Clearly these artistic skills are by a famous painter of the period. Sadly this work is not signed. It is most likely one of a series of twelve scenes telling a classic story of concubine life in the Imperial palace Beijing. . THE SCENE: The central scene shows the inner apartment of beautiful Chinese women in elaborate & elegant costumes. Because of their refined surroundings furniture decorations screen ceramics lighting and the presence of hand-maids these most likely Imperial Concubines. . Three women sit at a large table. The central woman is painting a large tree. Her companion to the right points a delicate finger at the painting. The woman to the left is seated on a ceramic stool and engages in conversation with the artist. . There two hand-maids at the left who look at each other one holds a tray with two tea cups. . In the background is a very tall and wide folding screen illustrating tenderly painted bamboo sprigs with a superb border at the top and bottom edges. . The room has a beautiful stone table with a lovely flower in full blossom to the background. . The furniture is the typical "Ming" period style There is a lovely table in the right front foreground with three flower vases. . The floor tile are drawn in "Western" perspective showing the lines diminish in size showing the depth of the room. . In the left background is a round door leading to another room. In this room is an elaborately furnished table with comb brush and mirror. Before the mirror is a young & beautiful Chinese women arranging her coiffure. The room is decorated with flower vases ceramic stool wooden table a table cloth and a screened window. . From the activities of the artist its clear that some of the Imperial Concubines were gifted and talented painters. . CONDITION: The Painting: This work is painted in fine laid paper. The painting is in excellent condition there are no marks or defects of any consequence. There is a small lift of the paper in the upper left approximately x cm.xxxxxxxxxxx else the work is immaculate. . The Frame: The wood frame is in excellent condition the cryptomeria wood mat is excellent with a beveled edge in red as issued. . A NOTE ABOUT THE PHOTOS POSTED TO OUR WEBSITE: We post several photos of this painting as the camera light and colors vary in the photos. There are some unavoidable reflections from the lighting above. All discoloration marks and bright spots are reflections on the glass only they are NOT on the actual painting. . REFERENCES: . BERTHOLET Ferry M.: CONCUBINES AND COURTESANS WOMEN IN CHINESE EROTIC ART YIMEN Rev.: DREAMS OF SPRING: EROTIC ART IN CHINA. The Bertholet Collection. VAN GULIK R.H.: SEXUAL LIFE IN ANCIENT CHINA: A Preliminary Survey of Chinese Sex and Society from ca. 1500 B.C. Till 1644 A.D. . --. EROTIC COLOUR PRINTS OF THE MING PERIOD: With An Essay on Chinese Sex Life From the Han to The Ch'ing Dyansty B.C. 206 Chinese Title Ahead of Title PI-HSI TIU KIAO. FRANZBLAU Abraham N.:EROTIC ART OF CHINA: A Unique Collection of Chinese Prints And Items Devoted to The Art of Love. HUMANA Charles. et al.: CHINESE SEX SECRETS: A Look Behind the Screen. . --. THE CHINESE WAY OF LOVE. . --. THE YIN-YANG: The Chinese Way of Love. DE SMEDT Marc.: CHINESE EROTISM. FANG Ru Ruan. et al.: SEX IN CHINA: Studies in Sexology in Chinese Culture. See our listing: CHINESE EROTIC PAINTED SCROLL. A SUITE OF TWELVE UNIQUE EROTIC PAINTED CHINESE SCENES: From the Ch'ing Ping Mei or Erotic Adventures of Hsi-men. JASCHOK Maria.: CONCUBINES AND BONDSERVANTS: A SOCIAL HISTORY STANDAERT Nicolas.: The Intercultural Weaving of Historical Texts: Chinese and European Stories about Emperor Ku and His Concubines. Qing Dynasty Emperor Reign Names & Dates: dynasty . . unknown
书商的参考编号 : 37010501
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[Chinese Painting]
Group of people in landscape including children and domestic animals.
China ca. 1880. Large painting on glass 85.0 x 54.0 cm in contemporary Chinese wooden frame 91.7 x 60.7 cm. = A Chinese reverse painting on glass. This method of painting has a long history in China. These kind of paintings reached Europe in the 18th century and immediately became quite popular. Many were deliberately made for export. Due to their fragility few examples have survived until this day and they are therefore much sought-after fetching high prices at auction. A painting of this unusually large size is not very common. This is an example from the late Qing-dynasty. It likely depicts a ceremony as the children's toys each carry a red ribbon and light. The toys are all animals a dog deer hog and falcon. A very decorative and amazing painting in a very good state with bright and vivid colouring. The frame is very good and in its original state. unknown
书商的参考编号 : 68992
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[CHINESE SCHOOL PAINTING]
Interior tea drinking scene.
China 1820. 47 x 61 cm. picture; 61 x 74.5 cm. frame. Oil painting on canvas in a black lacquered Chinese export frame. An elegant interior scene from a Chinese Mandarins home in the early nineteenth century: a Manchu Mandarin and his consort taking tea in a domestic setting. He wears non-official semi-formal winter attire including rank badge sitting beside ahis beautiful Chinese lady surrounded by fine furniture and fittings. The whole scene reflects his good taste and social standing.Whilst tea had been the driving force of the China Trade since the early eighteenth century giving rise to export paintings illustrating its cultivation and production process the style and subject of the early export paintings was firmly rooted in traditional Chinese art and culture as in this delightful painting.l Cf. Choi Kee Il Tea and design in Chinese export painting in: The Magazine Antiques vol. 154 no. 4 October 1998. unknown
书商的参考编号 : ABC_45805
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[CHIRICO]. BUSINE, Laurent - VANHAECKE, Frank et Alii.
Giorgio de Chirico : les dix dernières années, 1968-1978.
Hardcover grand in-8°, 255 pages, nombreuses illustrations couleurs et N&B, cartonnage illustré.— Edition originale. Etiquette collée au 1er plat sinon bel exemplaire [GD8-1] Catalog of an exhibition held at Palais des beaux-arts de Charleroi, Feb. 4-May 13, 2001 - Includes bibliographical references.
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[CIRY (Michel)] - [DECARIS (Albert)].
75ème Salon de l'Ecole Française du 10 au 26 juin 1988. Invité d'honneur Michel CIRY. Hommage à Décaris. Musée du Luxembourg.
Plaquette du Salon de l'Ecole Française, 1988 ; 29,5 X 22cm - 14 ff. n. ch. couverture couleur. Illustrations en noir et en couleur. Bon état.
书商的参考编号 : 1348
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[CIRY (Michel)] - MAZARS (Pierre).-
Michel Ciry. Avec une biographie, une bibliographie et une documentation complète sur le peintre et son oeuvre.
Genève, Pierre Cailler, 1966, petit in 8° carré broché, 32 pages de texte suivies de 70 illustrations dont 12 en couleurs ; couverture illustrée.
书商的参考编号 : 64270
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