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Ulrich III., Herzog von Meklenburg, gest. 14. März 1603, und: Anna, dessen Gemahlin, gest. 10. Sept. 1626. Doppelporträt Herzog Ulrichs zu Güstrow (1527-1603) und seiner 2. Gemahlin Anna, Tochter Philipp I., Herzogs von Pommern. Altkolorierte Lithographie für Lisch, Meklenburg in Bildern.
Rostock, Verlag der J. G. Tiedemann'schen Hof-Steindruckerei, 1843. 7,7 x 11,3 cm, einschließlich der Bordüre mit floralen Motiven 11,5 x 14,7 cm. Im Passepartout. Papier leicht braunfleckig, die Ränder stärker. Porträts in kräftigem Altkolorit.
书商的参考编号 : 14872AB
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Unter dem Doppeladler. Album für Oesterreichs Patrioten.
Lpz., Dürr 1868. gr.-4°. 16 S. (Text) u. 10 Portraittaf. in Stahlstich. OHLn. Einbd. fleckig., Text u. Stahlstiche wasserrandig. [2 Warenabbildungen]
书商的参考编号 : 1997-22
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Urania. Taschenbuch auf das Jahr 1840. Neue Folge. 2. Jahrgang.
Leipzig, F. A. Brockhaus, 1840. 5, 422 S. mit Stahlstich-Porträt von Felix Mendelssohn-Bartholdy (gestochen von Ed. [Eduard] Eichens 1839 nach dem Gemälde von Th. [Theodor] Hildebrand. Jüngerer Pappband mit Buntpapierbezug, Farbkopfschnitt u. Rückenschild. Titelblatt gestempelt "Aus der Schulze'schen Buchhandlung in Oldenburg". Blätter gebräunt u. braunfleckig, Ränder teils abgegriffen u. fleckig. Einband teils etwas abgegriffen u. bestossen.
书商的参考编号 : 32283AB
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Urania. Taschenbuch auf das Jahr 1845. Neue Folge. Siebenter (7.) Jahrgang.
Leipzig, F. A. Brockhaus, 1845. 3, 423 S. mit Stahlstich-Porträt von Ludwig Schwanthaler. Original-Pappband. Schiefgelesen, Vordergelenk gebrochen; Vorderdeckel, Titelei u. Seiten 1-14 lose, später Heftung gelockert. Schnitt stark gebräunt u. abgegriffen. Einband stark fleckig, abgegriffen u. bestossen.
书商的参考编号 : 29570AB
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Ventre affamé n'a point d'oreilles. A hungry belly has no ears. Teilvergoldet gerahmt.
Metz, Fabrique d'Estampes de Gengel, ca. 1840. Kolorierte Lithographie. Bildgrösse: 20 x 27 cm. Blattgrösse: 37 x 46 cm.
书商的参考编号 : 219BG
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Ventre affamé n'a point d'oreilles. A hungry belly has no ears. Teilvergoldet gerahmt.
Metz, Fabrique d'Estampes de Gengel, ca. 1840. Kolorierte Lithographie. Bildgrösse: 20 x 27 cm. Blattgrösse: 37 x 46 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +
书商的参考编号 : 219BG
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Vergissmeinnicht. Ein Taschenbuch für 1825. Von H. Clauren (d. i. Carl Gottlieb Samuel Heun).
Leipzig, Friedrich August Leo, (1824). Klein-8° (ca. 13 x 9 cm). 2 Bll., 524, 1 S. mit gestochenem Titelblatt u. einem gest. Widmungsblatt (ohne Eintrag), 1 gest. Porträt (Elisabeth Kronprinzessin von Preussen, geb. Prinzes. von Baiern) u. 7 Stahlstichtafeln. Grüner Pappband mit Goldschnitt u. Schuber, der Rücken mit Papier überklebt. Blätter teils stark fleckig bzw. abgegriffen. Heftung gelockert, hinteres Gelenk gelöst, deshalb der Rücken mit Papierstreifen überklebt. Einband u. Schuber stark abgegriffen u. berieben, Ecken u. Kanten bestoßen.
书商的参考编号 : 22736AB
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Vergissmeinnicht. Ein Taschenbuch für 1826. Von H. Clauren (d. i. Carl Gottlieb Samuel Heun).
Leipzig, Friedrich August Leo, (1825). Klein-8° (ca. 13,5 x 9 cm). 1 Bl., 480 S. mit gestochenem Titelblatt u. einem gest. Widmungsblatt (ohne Eintrag), 1 gest. Porträt (Helena Großfürstin von Rußland, geb. Prinzessin von Württemberg) u. 5 (statt 7) gest. Tafeln. Geprägter Pappband mit dreiseitigem Goldschnitt. Wenige Blätter gebräunt, Heftung teils gelockert. Ohne Seite 287/88 (Zwischentitel) u. 2 Bildtafeln. Einband leicht abgegriffen u. berieben, Rücken gebrochen u. mit Fehlstelle am Kapital u. kleinerer am Fuß.
书商的参考编号 : 29564AB
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Weber, Carl Maria von.- Weber-Denkmal in Dresden. Ganzbild. Stahlstich von Schwartz/ Wagner, um 1860. 15 x 11 cm.
o.J. Hardcover
书商的参考编号 : 7771
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Wieland, Christoph Martin (1733-1813).- Wieland-Denkmal in Weimar. Stahlstich von Schenck/ Wagner, um 1860. 15,5 x 11,5 cm.
o.J. Hardcover
书商的参考编号 : 7764
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Wilhelm [Friedrich Ernst] regierender Graf zu Schaumburg-Lippe. Portug. u. Engl. Feldmarschall. Farbdruck einer Skizze von Johann Georg Ziesenis d. J. (1716-1776), Vorarbeit zum Ölgemälde?
Ohne Ort, o. J. 20 x 12,7 cm. Auf 32,5 x 17,7 cm grossem Blatt. Stark gebräunt, Rand mit Papierstreifen hinterlegt.
书商的参考编号 : 32712AB
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Wilhelm I. König von Preußen. 1797-1888. Brustbild in Uniform mit Pickelhaube. Stahlstich von W. Holl, um 1850. 14 x 12 cm.
o.J. Hardcover
书商的参考编号 : 7896
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Wilhelmus Quartus, Hertzog zu Sachsen, Jülich, Cleve und Berg, etc. Ganzkörperporträt des Herzogs in Rüstung mit sechs seiner Kinder, mit kleiner Legende mit deren Namen, darüber Medaillon mit allegorischer Kriegsdarstellung, daneben Wappen. Kupferstich aus einer Ausgabe der Kurfürstenbibel (Herzogsbild 8).
(Nürnberg, Endter, um 1700). 4° (33 x 21 cm auf 39 x 25 cm grossem Blatt). Unter Passepartout. Ränder beschnitten, leicht gebräunt. Rechte untere Ecke ergänzt.
书商的参考编号 : 27534AB
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Winkelmann, Johann Joachim.- Winkelmann-Denkmal in Stendal. Ganzbild. Stahlstich v. Denth/ Wagner, um 1860. 15,5 x 12 cm.
o.J. Hardcover
书商的参考编号 : 7765
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Woldemar
Comte de Lowendhal En feuille Très bon XVIIIè Feuille 27 x 21 cm
书商的参考编号 : 11527
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Zuave. Algerischer Söldner im Dienste Frankreichs. Lithographie von Brandt nach Schierz.
Format (Bildbereich): 27 x 19 cm. Blattgröße: 55 x 35 cm. *Ein Zuavischer Posten vor Algier in algerischer Tracht, mit Rückengeüäck und Gewehr, darunter der französische Ehrenkodex "Leben und Sterben für die Ehre ist allzeit mein tägliches Glück". - Zuaven nannten sich die Angehörigen historischer Infanterieeinheiten. Der Name geht auf den kabylischen Stamm der Zuauas im Distrikt Zuaua (Zuavia) in der algerischen Provinz Constantine zurück, der bereits zu Zeiten des Osmanischen Reiches Söldnertruppen stellte, die für ihre Tapferkeit berühmt waren. Zu Beginn der Eroberung Algeriens stellte Frankreich am 1830 ein Corps des Zouaves auf, das unter dem Befehl des Generals Bertrand Clausel stand. Der Begriff Zuave (Zouave) wurde bald allgemein für in Nordafrika rekrutierte Söldner gebraucht. Die Zuaven trugen auffällige, an türkisch-orientalische Trachten angelehnte Uniformen. - Ränder steils stärker gebräunt, sonst gut erhalten. Graphiken de
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Älterer Mann im Profil. Original-Scherenschnitt.
Ohne Ort, [ca. 1930]. Brustbild im Profil nach rechts. 12 x 5 cm. Montiert (Trägerblatt: 14,5 x 10cm).
书商的参考编号 : 90182
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# AUTEUR: collectif
# TITRE: le bibliophile français - gazette illustrée des amateurs de livres, d'estampes et de haute curiosité
# AUTEUR: collectif # ILLUSTRATEUR: Staal G.(portraits) # ÉDITEUR: Bachelin-Deflorenne, Paris # ANNÉE ÉDITION: 1868-1873 # ENVOI, BEAUX PAPIERS: Vergé des Vosges # COUVERTURE: souple jaune illustrée # DÉTAILS: 7 volumes in 8° jésus reliés 1/2 basane marron, frise à froid sur les plats, dos à nerfs, liserés dorés, têtes dorées, couvertures conservées. 176 hors texte. T1- 416pp. 6 portraits gravés, 25 illustrations de reliures artistiques dont une dépliante, et 1 en chromolithographie, hors texte. T2- 396pp. 5 portraits gravés, 12 illustrations de reliures, 7 gravées diverses dont une dépliante, hors texte. T3- 384pp. 6 portraits gravés, 18 illustrations de reliures, 2 en chromolithographies; hors texte. T4- 384pp. 6 portraits gravés, 11 illustrations de reliures, 1 dépliante, 3 en chromolithographie dépliantes; hors texte. T5- 356pp. 4 portraits gravés, 10 illustrations de reliures; hors texte. T6- 384pp. 10 portraits gravés, 23 illustrations de reliures dont 3 diverses, 4 dépliantes, 1 en chromolithographie; hors texte. T7- 380pp. 1 portrait gravé, 20 illustrations de reliures; hors texte. # PHOTOS visibles sur www.latourinfernal.com
书商的参考编号 : 3082
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( ANONYME ) - GRAVURES.
Portraits des Rois de France depuis Pharamond jusqu'à S. M. Louis XVIII, avec une notice historique sur chacun des rois.
Paris, A la Librairie d' Education de Pierre Blanchard, sans date ( vers 1820) ; in-8°, plein cartonnage vert tendre de l' éditeur; VIpp.( faux-titre, titre, avis de l' éditeur), 146pp. et 1 titre-frontispice et 68 portraits gravés hors texte.
书商的参考编号 : c6777
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(1628-1705):
Rajus Johannes.
O.J. (um 1700). Kupferstich (Brustbild mit Lorbeerkranz umrandet). Bildgrösse: 16,5 x 9,8 cm. Blattgrösse: 18,5 x 10 cm.
书商的参考编号 : 686AG
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(1628-1705):
Rajus Johannes
1713. Kupferstich (Brustbild mit ovaler Umrahmung) von G. Vertue nach W. Faithorne. Bildgrösse: 15,8 x 9,7 cm. Blattgrösse: 19,5 x 11 cm.
书商的参考编号 : 685AG
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(1628-1705)
Rajus Johannes
1713. Kupferstich (Brustbild mit ovaler Umrahmung) von G. Vertue nach W. Faithorne. Bildgrösse: 15,8 x 9,7 cm. Blattgrösse: 19,5 x 11 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +
书商的参考编号 : 685AG
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(1628-1705)
Rajus Johannes.
O.J. (um 1700). Kupferstich (Brustbild mit Lorbeerkranz umrandet). Bildgrösse: 16,5 x 9,8 cm. Blattgrösse: 18,5 x 10 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +
书商的参考编号 : 686AG
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(Berghaus, Peter / Knecktys, Kirsten / Schollmeier, Axel) (Red.)
Der Archäologe. Graphische Bildnisse aus dem Porträtarchiv Diepenbroick. (Hrsg. vom Westfälischen Landesmuseum für Kunst und Kulturgeschichte u.a.).
Münster, 1983. 364 S. Mit zahlr. tls. farb. Abb. 4to. OBrosch.
书商的参考编号 : 39044
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(BIOGRAPHIES) -
Recueil de 9 biographies historiques et littéraires publiées chez Dentu, Havard, Roret (dont collection des Contemporains) avec portraits, fac-similés autographes et quelques pièces originales signées ajoutées .
1818 Fort volume in-18°, demi-basane violine époque, dos lisse orné de filets et petites palettes dorées, titre doré, renfermant: CASTILLE Hippolyte. Le Vicomte de La Guéronnière. Dentu, 1859; 60pp.,portrait, 1 fac-similé, on a joint 1 lettre a. s. et 1 billet a. s. de La Guéronnière et 4 notes manuscrites du propriétaire de l' ouvrage (5 pages in-18°) / Monseigneur Dupanloup, Evêque d'Orléans par Pierre et Paul avec Portrait et autographe. Havard, 1860; 64pp. portrait et fac-similé d'autographe. On a joint 4 pages in-8° de notes manuscrites monogrammées “A.R.“ datées de 1860 et 1 lettre signée de l'Evêque d'Orléans sur papier bleu (1 p. in-8° du 23 avril 1857) / MIRECOURT Eugène de. Ravignan. Paris, l'auteur, 1858; 89pp.- (3)ff. Portrait, fac-similé d'autographe / MIRECOURT. Guizot. Roret, 1854; 92pp., portrait, fac-similé d'autographe (quelques rousseurs) / MIRECOURT. Thiers. Roret, 1854; 84pp.- ( 1)f., portrait, fac-similé d'autographe (rousseurs) / MIRECOURT. Jules Janin. Havard, 1856; 92pp., portrait et 1 planche repliée/ MIRECOURT. Gustave Planche. Paris, Havard, 1856; 96pp. (1)f. Portrait, fac-similé d'autographe/ MIRECOURT. Alfred de Musset. 95pp. Paris, Roret, 1854; 95pp., portrait, fac-similé d'autographe / MIRECOURT. Gérard de Nerval. Paris, Roret, 1854; 96pp.,portrait, fac-similé. On a joint une note manuscrite sur la mort de Nerval (retrouvé pendu rue de la Vieille - Lanterne).
书商的参考编号 : 11159
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(BINDINGS - COSWAY). (SHAKESPEARE, WILLIAM - PORTRAITS). BOADEN, JAMES
AN INQUIRY INTO THE AUTHENTICITY OF VARIOUS PICTURES AND PRINTS WHICH FROM THE DECEASE OF THE POET TO OUR OWN TIMES HAVE BEEN OFFERED TO THE PUBLIC AS PORTRAITS OF SHAKESPEARE
London: Robert Triphook 1824. FIRST EDITION. 233 x 143 mm. 9 1/8 x 5 3/4". 2 p.l. v 3 206 pp. 1 leaf ads. <br/> HANDSOME SCARLET MOROCCO BY RIVIERE & SON stamp-signed on front turn-in front cover WITH FIVE MINIATURE PORTRAITS OF SHAKESPEARE on ivory under glass ALMOST CERTAINLY BY MISS C. B. CURRIE surrounded by delicate gilt tooling rear cover and spine compartments framed by double gilt fillets raised bands gilt lettering to two compartments gilt-ruled turn-ins olive green silk endleaves top edge gilt other edges untrimmed. In a maroon fleece-lined slipcase. With five engraved plates reproducing portraits of Shakespeare. Jaggard pp. 586-87. Slight wear to silk endleaves at front hinge isolated small printing smudges or other trivial defects final leaf ads with short closed tear at head otherwise A VERY FINE COPY the text with no signs of use and the splendid binding in perfect condition.<br/> <br/> This analysis of portraits purporting to depict Shakespeare is the perfect vehicle for a Cosway binding used here to present the leading contenders on the front cover these likenesses also appear on engraved plates in the book. The portrait at the center of our cover is considered the most authoritative being that done by Martin Droeshout for the First Folio of 1623. The other portraits shown in the plates and in the miniatures are the Chandos Head the Stratford Bust the engraving by W. Marshall from the 1640 edition of the poems and the Jansen portrait of 1610. A Shakespeare scholar who raised the alarm about forgeries of Shakespeare manuscripts in the 1790s Boaden 1762-1839 sets forth here as indicated in the preface "a careful examination of the evidence" by which "the pretended portraits have been rejected and the genuine confirmed and established." The so-called "Cosway" binding with painted miniatures inlaid in handsome morocco--either inside or as here on the outside of the front cover--apparently originated with the London bookselling firm of Henry Sotheran about 1909. In that year G. C. Williamson's 1905 book entitled "Richard Cosway" which celebrated the career of this leading Georgian and Regency miniature painter was remaindered by Sotheran and presumably given this special decorative treatment in order to boost sales. The name "Cosway" then was used to describe any book so treated whatever its subject. The finest miniatures on Cosway bindings were executed by Caroline Billin Currie 1849-1940 who is known to have created such paintings for Sotheran's from 1910 until her death usually from designs by J. H. Stonehouse and typically for bindings executed as here by Riviere. Not present in this volume is an inserted leaf acknowledging Currie's work--something normally seen with Cosway bindings featuring her miniatures; but she has a distinctive deftness to her brush strokes and a recognizably refined execution that are clearly present here. The precision and detail of these portraits and the wonderfully expressive eyes are hallmarks of her work. Robert Triphook unknown
书商的参考编号 : ST18708
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(HISTORICAL PORTRAITS, COUNCIL OF CONSTANCE). LENFANT, JACQUES
HISTOIRE DU CONCILE DE CONSTANCE TIRÉE PRINCIPALEMENT D'AUTEURS QUI ONT ASSISTE AU CONCILE
Amsterdam: Pierre Humbert 1714. FIRST EDITION. 290 x 220 mm. 11 1/2 x 8 3/4". Two volumes. <br/> Excellent contemporary calf raised bands spine lavishly gilt in compartments with unusual architectural centerpiece intricate scrolling cornerpieces with lancet accents two red morocco labels marbled endpapers. Title pages with engraved vignette of the council dedication page with engraved royal arms of Frederick William of Prussia decorative engraved initials and 19 ENGRAVED PORTRAITS BY BERNARD PICART. A Large Paper Copy. Front pastedowns with private library shelf label of Bessinge. Title pages of both volumes with signature of Charles Richard Tronchin. Brunet III 976. ◆Volume II with half-inch split at head of front joint and small patch of lost patina from insect activity on front board joints and extremities of both volumes a little rubbed boards with light chafing or faint scratches isolated mild browning or other trivial imperfections but still AN EXTREMELY APPEALING SET--entirely clean and fresh internally with especially ample margins with sharp impressions of unusually bright plates and with bindings showing no significant signs of use and looking very attractive on the shelf.<br/> <br/> This is a handsomely illustrated history of the Council of Constance the 15th century ecumenical council that resolved the Western Schism elected a new pope for the unified Roman Catholic Church and condemned reformer Jan Hus as a heretic. It is enlivened with beautiful portraits of the participants by an artist Ray considers "the outstanding professional illustrator of the first third of the eighteenth century." Our author French Protestant divine Jacques Lenfant 1661-1728 drew heavily on writings by those present at the council for this account which is considered a fair recording of the proceedings. Lenfant likely felt some sympathy for Hus tried and burned at the stake for heresy and for his countryman Jerome of Prague who came to support Hus and ended up meeting the same fate. Picart has referenced their martyrdom in his portraits depicting Hus' execution in a vignette beneath his portrait and balancing the tondo portrait of Jerome on a pile of burning logs. Similarly the radical English theologian John Wycliffe posthumously convicted of heresy at the council is pictured over a stack of burning books his writing having been condemned to this fate. But in addition to the harsh reality of burning execution Picart employs gentler details: Parisian Jean Gerson the formidable Chancellor of Paris is in sober robes but the adorable fluffy puppy beneath his portrait softens his image considerably. The cardinal of Foix who had negotiated the end of the schism involving rival popes in Rome and Avignon is flanked by a cherub holding an olive branch looking askance at a slain dragon which has been relieved of his many heads. The new pope Martin V is shown with the insignia of the papacy and a dove clasping an olive branch in its beak. The portrait of Italian humanist Poggio Bracciolini is shown hanging in an open window that looks out on his city of Florence with a stack of books by Quintilian and other classical authors Poggio had rescued from obscurity on the windowsill. Throughout Picart's facial images are strikingly individuated--these are convincing portraits that project history from the book's pages. Picart 1673-1733 was born in Paris where he learned engraving from his father Etienne and from Sébastian Le Clerc and "early acquired a reputation both as an artist and engraver." He moved to the busy publishing city of Amsterdam sometime before 1712 and established himself as both printseller and illustrator/engraver. There he designed and engraved an impressive body of illustrations for Dutch printers at a time when in Ray's words "designs for the finest illustrated books were typically drawn by leading painters." Our previous owner Charles Richard Tronchin 1763-1835 was a Swiss politician of great wealth who donate very substantial sums to relieve the sick and destitute. Pierre Humbert unknown
书商的参考编号 : ST19517b
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(JARRY de MANCY, Adrien).
Iconographie instructive, (ou Collection de portraits des personnages les plus célèbres de l'histoire moderne, accompagnés et entourés d'une notice biographique, chronologique et bibliographique... Notices par MM. A. J. de Mancy et F. Boyer,... ).
Paris, Imprimé chez Paul Renouard,sans date ( 1827- 1828) ; in-4°, demi-veau rouge glacé à coins de l'époque, dos plat orné en long de larges fleurons à froid et fleurons dorés, titre et mention de tomaison "2" dorés ; 86 portraits et biographies.Reliure renfermant 75 feuillets de papier gris sur lesquels on a monté 75 feuillets de l' Iconographie instructive: portrait d'homme ou de femme célèbre avec texte explicatif sur 3 colonnes ( timbre à sec "Benard , Galerie Vivienne N° 49" sur chaque feuille).Faute de place, 11 portraits sont restés volants en fin d' ouvrage.Le titre n'a pas été relié dans ce volume; piqûres à quelques portraits.
书商的参考编号 : c5216
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(Jean de Tournes)
Epitome du tresor des antiquitéz
1553 Lyon (Jean de Tournes) pour Jaques de Strada et Thomas Guérin, 1553.In-4° de [24]-394-[30] pages, dans une superbe reliure d'époque , plein veau, plats avec double encadrements dorés , dos à 5 nerfs Première édition française, publiée simultanément avec l’édition latine. Traduction française de Jean Louveau et imprimée par Jean de Tournes (bien que son nom n’y figure pas) ; elle est ornée d’un grand bois sur le titre avec, au verso, les armoiries de Fugger à qui l’ouvrage est dédié et d’environ 400 PORTRAITS EN MEDAILLON sur fond noir.L’œuvre de Strada est doublement intéressante au point de vue de la numismatique et de la gravure ; elle a été gravée sur bois sous la direction de Bernard Salomon par les meilleurs tailleurs d’histoire. (Baudrier X, 366). Plusieurs feuillets piqués et cernes clairs en marge, ex. un peu dérelié, gardes manquantes. Condition moyenne. Ex-libris manuscrit sur le titre. (USTC 18010).
书商的参考编号 : 7332
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(PHOTOGRAPHY: PORTRAITS)
A Fine Album of Studio Portraits Including One by Louise Fleckenstein Assembled by California Artist Hattie Goldnamer.
V.p.: V.p. 1890-1920. The soft leather-covered album measures 15.5 x 11.5 inches and contains fifty extant pages containing a total of 164 original photographs of varying sizes. The album has had some of its pages removed and there are missing photos from extant pages. There are an additional 23 fine photos either unmounted or on partial pages that have been removed from the album but are present in this offering. Altogether there are 187 photographs in this grouping. Several of the photos are over 9 x 13 inches in size. The photographs whether still in the album or separated from it are in Fine condition. Harriette Hattie Elizabeth Hill Foster Goldnamer 1868-1940 assembled the album and wrote the white ink photo descriptions in a wonderful cursive hand. According to Hughes’ Artists in California Hattie married “… Daniel Foster and moved to Fresno CA in 1886. In 1904 she moved to San Francisco where she studied at the Mark Hopkins Art Institute and privately with Frederick Bauer. A widow by 1910 she had married Wm. Goldnamer. She then settled in Oakland where she remained until her demise on May 2 1940.†As an artist Hattie worked in charcoal and oil and specialized in still life and figure studies. This album is one of three family photographs she put together that we acquired together. Although the family names are the same in all three each stands alone and we are offering them individually. All but nine of the 164 photographs in the album are fine portraits of her family and friends and several of herself. Surnames identified in the album include Hill Foster McNeil Gardner Potter Bryer Gould Pierce Page Oust Le Blanc Ryan McKenzie Holden Oberwetter Russell Hutchens Eldred Dunbar King Brown Scholler Holaday Radley Hutchens and many others. From the identification inscriptions beneath the photos along with photographers’ imprints many of Hattie’s family and friends were from the Illinois-Nebraska area and California. There are a number of oval portraits of identified individuals both male and female dated 1900. The other nine images in the album are large photos of the Hill Dunbar and Oberwetter ranches in Nebraska and Wyoming circa 1895-1900.The photo with the “Louis Fleckenstein / Los Angeles†blind stamp is of Loraine Stebinger who signed the photo’s mount “Most sincerely Loraine Stebinger Dec. 25 1918.†Removed from the album the photograph of the musician shows her playing the piano and measures 7 x 10 inches on a 10 x 13.5 inch cream colored mount. Fleckenstein 1866-1943 was an internationally known pictorialist photographer before moving to Los Angeles in 1907 to open up a portrait studio. He and a colleague had already organized the Salon Club of America to give support to regional camera clubs interested in pictorial photography where the emphasis was on photography as an art form rather than a documentary tool – aesthetics over reality! In 1914 along with Edward Weston and others Fleckenstein helped found the Camera Pictorialists of Los Angeles. In 1924 he relocated to Long Beach where he continued his work in photography. His photos are now in most major museum collections of photography.Another unattributed photo of Stebinger has an ink presentation “To my dearly beloved Friend Harriet Goldnamer from Lorraine Stebingerâ€. That presentation photo was key to identifying Hattie Goldnamer as the compiler of all three albums acquired at the same time of which this is one. Of interest is the penciled note on the back that attributes it along with several other shots of Stebinger in the same dress to Fleckenstein. However that has not been verified. V.p. hardcover
书商的参考编号 : 76014
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(PORTRAITS - MONARCHS AND NOBLES). VAN DER WERFF, ADRIAEN, Artist
PORTRAITS DES ROYS ET REINES D'ANGLETERRE spine title presumably extracted from LARREY ISAAC DE. HISTOIRE D'ANGLETERRE D'ECOSSE ET D'IRLANDE
Rotterdam: Reinier Leers 1697- ca. 1713. 390 x 245 mm. 15 3/8 x 9 5/8". <br/> APPEALING CONTEMPORARY MARBLED CALF GILT covers with border roll of alternating diamonds and lilies raised bands spine compartments with thistle tulip and acorn centerpiece foliate cornerpieces burgundy morocco spine label marbled endpapers all edges gilt. WITH 66 SENSITIVELY DRAWN AND EXPERTLY ENGRAVED PORTRAITS of notable personages after Adriaen van der Werff created for Larrey's "Histoire." Brunet III 852; Graesse IV 110-11; Lowndes II 1313 all citing Larrey’s "Histoire". Leather with a few minor scratches a half dozen plates lightly browned isolated mild marginal foxing but A VERY FINE COPY--the plates especially clean and fresh with rich impressions of the engravings and in a lustrous unrestored contemporaneous binding.<br/> <br/> These brilliant portraits by Dutch Baroque painter Adriaen van der Werff 1659-1722 were unanimously deemed by Brunet Graesse and Lowndes to be the only valuable part of Larrey's otherwise disappointing history of England Scotland and Ireland; and our former owner seems to have agreed choosing to have them bound--quite beautifully--apart from the text. The engravings here are mostly of 16th and 17th century kings queens religious figures and statesmen of England but they also include some continental European monarchs such as Holy Roman Emperor Charles V Philip II of Spain and Frederick the Great of Prussia. The plates are not only beautifully engraved—by accomplished Dutch engravers Pieter van Gunst Cornelis Vermeulen and Gerard Valck—but are wonderfully convincing images with considerable personality. For once Queen Elizabeth I looks like a real woman as opposed to a tightly cinched flattened figure floating above a farthingale and dwarfed by mountainous ruffs. And Henry VII looks much less regal than he does haggard and rueful. According to the "Handbook of Painting" van der Werrf's portraits "were so highly admired by princes and men of fortune that he found it impossible to execute all the commissions given him." His fortune was made when John William Elector of the Palatinate commissioned his own portrait: so pleased was the elector with this work that he put the artist on a generous retainer presented him with a portrait executed in diamonds and awarded him a knighthood. Larrey's "Histoire d'Angleterre d'Ecosse et d'Irlande" was issued between 1697 and 1713 with a second edition in 1723. Brunet notes that the work was available with and without plates suggesting the suite of engravings was issued apart from the text; it is obvious our set has been together from the beginning in its present early 18th century binding. Reinier Leers unknown
书商的参考编号 : ST19416
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(Portraits, English)
The Gallery of Portraits; with Memoirs
London: Charles Knight Pall-Mall East 1833. 168 engraved portraits. 7 vols. 8vo. Half lavender pebbled morocco. Some rubbing else very good. 7. 168 engraved portraits. 7 vols. 8vo. Charles Knight, Pall-Mall East unknown
书商的参考编号 : 246869
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(ROCHEFORT):
Retour de la Nouvelle-Calédonie. De Nouméa en Europe. 200 illustrations contenant 700 sujets.
Paris, (Motteroz pour) Ancienne librairie Martinon, F. Jeanmaire successeur, s.d. (1880), in-4to, 4 ff. + 364 p., avec de nombreuses illustrations partiel. à pleine page + 24 p. (Note sur les Etats-Unis, et 2 tables), dédicace ms. ‘A Alph. Vuij’, reliure en demi-toile (bibl.), extrémités des coiffes très lég. abîmées, rousseurs sur les tranches.
书商的参考编号 : 39629aaf
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(SCHWEICKHARDT v. SICKINGEN, Franz Xaver)
Reihenfolge der österreichischen Regenten, von Carl dem Großen bis in die neuesten Zeiten. Histor. bearb. v. Verf. d. Werkes: Darstellung d. Erzherzogthums Oesterreich unter der Ens. Bd. 2-3 (von 4 Bden.). Bd. 2: 1. Abth., II. Bd., Lief. 1-5. Bd. 3: I. Ab
Wien, o. Vlg. 1836-1837. M. 5 u. 6 Taf. in Kpfr. Marmor. Pbde. d. Zt. berieben. Rücken etw. beschäd. Stockfl. (= Oesterreichisches Museum. Enthaltend die geschichtliche u. topographisch-pitoreske Darstellung aller k.k. österr. Staaten...) Holzm.-Boh. III, 5602. Eckl III,513. Die vorliegenden Bände umfassen den Zeitraum Albrecht I. bis Leopold I. Die Portraits zeigen Albrecht I, Friedrich III, Herzog Albrecht, Albrecht II, Freiedrich IV, Maximilian I, Ferdinand I, Rudolph II, Ferdinand II u. III, Leopold I. und sind gestochen von A. Ehrenreich, Josef Berkowetz, A. Bogner, F. Mikl, C. Mahlknecht nach Hasslwander, H. Schlesinger u. F. Weiß.
书商的参考编号 : AUST0780
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(Teske, Hans)
Der niederdeutsche Mensch. 1) Als Träger erbgesunder deutscher Rasse. 2) In seiner Beziehung zur Arbeit und in Verbindung mit der Landschaft. - 3) Die niederdeutsche Siedlung. - 4) Die niederdeutsche Kunst. Hrsg. von d. Landesbildstelle Hanse, Hamburg.
Hamburg, C. Boysen, ( 1935). 4 nn. Text-Bll. Mit 64 Taf. in Kupfertiefdruck. (= Bilder der Niederdeutschen Heimat, H. 2). 23 cm. OKart. m. mont. VDeck.-Illustr.
书商的参考编号 : 15795
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*
Catalogue des très beaux portraits des XVIème au XIXème siècles composant la collection de Monsieur H.B... (Henri Béraldi).
P., 1930. In 4° broché, couverture rempliée, 132 pp. et 64 planches.
书商的参考编号 : 374
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*
Catalogue des très beaux portraits des XVIIème, XVIIIème et XIXème siècles composant la collection de Monsieur H.B... (Henri Béraldi).
P., Petit, 1928. In 4° broché, couverture rempliée, 112 pp. et 56 planches, dos défraîchi.
书商的参考编号 : 375
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1834 - 1836- Affaire Fieschi ( attentat contre Louis-Philippe à Paris) - et Prévenus d'avril ( révolte des ouvriers à Lyon)
Planche avec les portraits des accusés lors de l'attentat de 1835 contre Louis-Philippe et 9 portraits des accusés et défenseurs d'avril 1835.
Affaire Fieschi - Feuille in-4°, sur papier fin, lithographie de Jolliet et Souchois à Bourges, sans date (c. 1836); avec 5 portraits par Charles D. montrant au centre Joseph Fieschi, entouré de Pierre-Théodore-Florentin Pépin, Pierre Morey, Tell Bescher, Victor Boireau. C'est à la suite de l'attentat contre Louis-Philippe, organisé par Giuseppe Fieschi, le 28 juillet 1835. Il fut condamné à mort avec ses complices, en février 1836. Très rare lithographie de Jolliet-Souchois à Bourges. Traces de plis.
书商的参考编号 : 12283
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1re Partie, Portraits
Bibliographie Iconographique du Lyonnais Vol. 1
paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
书商的参考编号 : 0243943210.G ???????? : 0243943210 9780243943210
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[ Cliché Pierre Petit ] Portrait de BOUFFE
Portrait de BOUFFE, comédien, né à Paris en 1800 -
1885 Paris - Galerie Contemporaine des Illustrations Françaises - (vers 1885) - Photographie tirée en photoglyptie de 23 x 18,5 cms environ, contrecollée sur carton fort -
书商的参考编号 : GF5766
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[ Cliché Pierre Petit ] Portrait de ERCKMANN-CHATRIAN
Portrait de Emile ERCKMANN (né à Phalsbourg en 1822) et Charles Louis Gratien Alexandre CHATRIAN (né à Soldatentahl en 1826), hommes de lettres -
1885 Paris - Galerie Contemporaine des Illustrations Françaises - (vers 1885) - Photographie tirée en photoglyptie de 23 x 18,5 cms environ, contrecollée sur carton fort -
书商的参考编号 : GF5767
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[ Cliché Adam-Salomon ] Portrait de Octave FEUILLET
Portrait de Octave FEUILLET, romancier français, né à Saint-Lo en 1812 -
1885 Paris - Galerie Contemporaine des Illustrations Françaises - (vers 1885) - Photographie tirée en photoglyptie de 23 x 18,5 cms environ, contrecollée sur carton fort -
书商的参考编号 : GF5769
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[ Cliché Nadar ] Portrait deLouis FIGUIER
Portrait de Louis FIGUIER, né à Montpellier en 1819 -
1885 Paris - Galerie Contemporaine des Illustrations Françaises - (vers 1885) - Photographie originale d'époque tirée en photoglyptie de 23 x 18,5 cms environ, contrecollée sur carton fort -
书商的参考编号 : GF5770
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[ Cliché Franck ] Portrait du Duc Albert de BROGLIE
Portrait du Duc Jacques Victor Albert de BROGLIE, homme politique, né en 1821 -
1885 Paris - Galerie Contemporaine des Illustrations Françaises - (vers 1885) - Photographie originale d'époque tirée en photoglyptie de 23 x 18,5 cms environ, contrecollée sur carton fort -
书商的参考编号 : GF5771
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[ Cliché Carjat ] Portrait de Arsène HOUSSAYE
Portrait de Arsène HOUSSAYE, écrivain, né à Bruyères (Aisne) en 1815 - Homme de Lettres
1885 Paris - Galerie Contemporaine des Illustrations Françaises - (vers 1885) - Photographie originale d'époque tirée en photoglyptie de 23 x 18,5 cms environ, contrecollée sur carton fort -
书商的参考编号 : GF5773
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[ Cliché Nadar ] Portrait de Isaac PEREIRE
Portrait de Isaac PEREIRE, financier -
1885 Paris - Galerie Contemporaine des Illustrations Françaises - (vers 1885) - Photographie tirée en photoglyptie de 23 x 18,5 cms environ, contrecollée sur carton fort -
书商的参考编号 : GF5774
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[ Cliché Adam-Salomon ] Portrait de Alphonse KARR
Portrait de Alphonse KARR, écrivain -
1885 Paris - Galerie Contemporaine des Illustrations Françaises - (vers 1885) - Photographie tirée en photoglyptie de 23 x 18,5 cms environ, contrecollée sur carton fort -
书商的参考编号 : GF5775
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[ Cliché Nadar ] Portrait de Théodore BARRIERE
Portrait de Théodore BARRIERE, auteur dramatique, né à Paris en 1823 et mort en 1877 -
1885 Paris - Galerie Contemporaine des Illustrations Françaises - (vers 1885) - Photographie originale d'époque tirée en photoglyptie de 23 x 18,5 cms environ, contrecollée sur carton fort -
书商的参考编号 : GF5776
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[ Cliché Pierre Petit ] Portrait de Emile LITTRE
Portrait de Emile LITTRE, né en 1801
1885 Paris - Galerie Contemporaine des Illustrations Françaises - (vers 1885) - Photographie tirée en photoglyptie de 23 x 18,5 cms environ, contrecollée sur carton fort -
书商的参考编号 : GF5777
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[ Cliché Carjat ] Portrait du Colonel DENFERT-ROCHEREAU
Portrait du Colonel DENFERT-ROCHEREAU, né en 1823 et mort en 1878 -
1885 Paris - Galerie Contemporaine des Illustrations Françaises - (vers 1885) - Photographie tirée en photoglyptie de 23 x 18,5 cms environ, contrecollée sur carton fort -
书商的参考编号 : GF5778
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