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GOMEZ DE LA SERNA R
DALI'
STRAPPI IN SVC. ILL. a col e b/n
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GOMEZ DE LA SERNA, R
Dali.
Eltville, Rheingauer Verl.-Ges., (1981). 4°. Mit zahlr. (davon 80 farb.,tls. ganzs.) Abb. 238 S. OPbd. m. ill. OU. - Exlibris a. S. 7, sonst gutes Ex.
Referentie van de boekhandelaar : 213495BB
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Gott, Ted; Salvador Dali
Salvador Dali - Liquid Desire
NGV; ACC Distribution. New. 2009. Paperback. 0724103074 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 328 pages; 249 illustrations. -- with a bonus offer-- . NGV; ACC (Distribution) paperback
Referentie van de boekhandelaar : 835153 ISBN : 0724103074 9780724103072
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GUILLEMIN Jean-Louis.
Dali : désirs inassouvis, du purisme au surréalisme, 1925-1935.
Le Passage Le Passage, 2002, 246 p., cartonnage éditeur, bords des plats un peu frottés par endroits, bon état.
Referentie van de boekhandelaar : 100889
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Guy Lévis-Mano [Revue]
Cahiers G.L.M 7 - Le rêve
Paris Guy Lévis Mano 1938 In-8 Broché Edition originale
Referentie van de boekhandelaar : 005815
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Guy, Constant Dali
Relations ville-campagne autour d'Adiaké et sa région: Une ville secondaire désolidarisée de son espace rural
Éditions universitaires européennes 2016. Paperback. New. 456 pages. French language. 8.66x5.91x1.03 inches. Éditions universitaires européennes paperback
Referentie van de boekhandelaar : 1-3841776280 ISBN : 3841776280 9783841776280
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GYENES (Juan).
Dalí - Miró - Picasso.
Madrid Eudema 1990 1 vol. relié in-4, cartonnage éditeur entoilé gris avec titre gravé en noir, jaquette illustrée, 234 pp., nombreuses illustrations en couleurs et noir et blanc. Premier tirage de cet album de photos autour des trois maîtres de la peinture espagnole du XXe siècle, avec les textes en espagnol et anglais. Bon exemplaire comprenant un envoi autographe signé du photographe hongrois à la comédienne Geneviève Page.
Referentie van de boekhandelaar : 119898
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GYENES (Juan).
Dalí - Miró - Picasso.
Madrid Eudema 1990 1 vol. relié in-4, cartonnage éditeur entoilé gris avec titre gravé en noir, jaquette illustrée, 234 pp., nombreuses illustrations en couleurs et noir et blanc. Premier tirage de cet album de photos autour des trois maîtres de la peinture espagnole du XXe siècle, avec les textes en espagnol et anglais. Bon exemplaire comprenant un envoi autographe signé du photographe hongrois à la comédienne Geneviève Page.
Referentie van de boekhandelaar : 119898
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GÉRARD Max / DALI Salvador
DALI... DALI... DALI...
Barcelona Editorial Blume 1985 in 4 (30,5x22,5) 1 volume reliure cartonnée, sous jaquette dorée illustrée d'un médaillon en couleur sur le plat supérieur, non paginé, avec de nombreuses reproductions en noir et blanc ou couleurs,. Salvador Dali I Domènech, dit Dali, 1904-1989. Edición en catalán. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
Referentie van de boekhandelaar : 50105
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Gérard, Max
Dali, Dali, Dali
Köln: DuMont Verlag, 1987. 31 cm ; Pp.
Referentie van de boekhandelaar : 86034
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Gérard, Max
Dali. Biographischer Essay
Berlin, Propyläen Verlag, [1969]. Mit 220 (teils farbigen und ausklappbaren) Abbildungen, Quer-Quart, Original-Pappband mit Leinen-Struktur, farbigen Deckelillustrationen und Schutzumschlag, Unpaginiert
Referentie van de boekhandelaar : 1269
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Gérard, Max
Dali...Dali...Dali...
Köln, DuMont, (1976). 4°. Farb. illustr. OKart. (gering berieben). 66 nn. Bll. mit 98 teils farb. und doppelblattgr. Abb.
Referentie van de boekhandelaar : 38148
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GÉRARD, Max
Dalí. Biographischer Essay von Max Gérard. A.d. Französ. von Edwin Ortmann u. Juliane Alfredson. (Mit 243 großenteils farb. Abb.) -
Ffm., Bln.: Propyläen Vlg. (c 1969). 128 z.T. gefalt. nn. Bll. 4°. Illustr. Ln. mit reliefgeprägt. u. farbig bedrucktem Goldumschl. (Umschlag etw. berieben).
Referentie van de boekhandelaar : 67864
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Gérard, Max und Salvador Dali
Dali, Dali, Dali. Max Gérard. [Aus d. Franz. übertr. von Edwin Ortmann ...] 2. Aufl.
Köln : DuMont 1987. [136] S. : 30 farb. Taf., 69 einfarb. Abb.; 31 cm, mit Schutzumschlag, kleiner Riss im SU Pp., gebundene Ausgabe, Hardcover/Pappeinband, Exemplar in gutem Erhaltungszustand
Referentie van de boekhandelaar : 51406
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GÓMEZ DE LA SERRA Ramòn
DALÌ
pp.238 con numerose illustrazioni in b/n e a colori nel testo e fuori testo. III edizione .Questo libro è un atto d'omaggio a un pittore e ad uno scrittore, due grandi personalità spagnole del '900. Quando Ramòn Gòmez de la Serra si accinse a scrivere un saggio su Salvador Dalì, questi promise d'illustrarlo con disegni originali per accompagnare il testo. La morte dello scrittore impedì che il progetto venisse subito realizzato; ma quando tra le carte postume fu trovato pressocchè compiuto lo studio sul pittore, Dalì tenne fede alla sua promessa. Dimensione vol. cm 32x26,2.
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H. F. Rey
Dali à Toulouse. (Huiles - dessins - sculptures). La collection Perrot-Moore.
Réfectoire des Jacobins. Novembre 1983 - Janvier 1984. Format : 30/22. Pages : 190. Couverture souple défraîchie, intérieur bon état
Referentie van de boekhandelaar : UEI-1183
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Habarta, Gerhard; Moore Captain, John Peter
Catalogue of the unique collection of more than one thousand guaranteed genuine and original engravings woodcuts lithographs of the Museu Perrot-Moore, Cadaques. demostrating the extraordinary talent and imagination of the Catalan surrealist peintre-graveur Salvador Domenech Filipe Jacinto Dalí ...
Cadaques/Wien, Museu Perrot-Moore/Habarta, 1988. 1. ed. 4° [circa 500] S. überw. Ill. (z.T. farb.). Buchblock gebrochen, Schnitt leicht fleckig. Kapitale minimal best. 1
Referentie van de boekhandelaar : 61339AB
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Habarta, Gerhard; Moore Captain, John Peter
Catalogue of the unique collection of more than one thousand guaranteed genuine and original engravings woodcuts lithographs of the Museu Perrot-Moore, Cadaques. demostrating the extraordinary talent and imagination of the Catalan surrealist peintre-graveur Salvador Domenech Filipe Jacinto Dalí ...
Cadaques/Wien, Museu Perrot-Moore/Habarta, 1988. 1. ed. 4° nn, überw. Ill. (z.T. farb.). OPappband. Einband gering berieben und bestossen, leichte Textbräunung. 1
Referentie van de boekhandelaar : 37029BB
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Haim Finkelstein
Autografato! Salvador Dalì's Art and Writing, 1927-1942 : The Metamorphosis of Narcissus
Haim Finkelstein Autografato! Salvador Dalì's Art and Writing, 1927-1942 : The Metamorphosis of Narcissus. Cambridge, Cambridge University Press 1996 english, 334 Dedica e autografo dell'autore! 1996, testo in inglese. Opera con copertina morbida in brossura. Numerose illustrazioni in b/n nt. N 49
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Halsman Philippe & Salvador Dali
Halsman/Dali
New York: Howard Greenberg Gallery 2004. First edition. Stiff Wraps. Orig. illustrated stiff wrappers. Fine. Unpaginated. 25 x 20.5 cm. Signed and inscribed by Morine Halsman. 16 photographic plates. Unpaginated text by Mary Panzer -- Exhibition catalogue February 5 - March 13 2004. Halsman met Dali in New York in 1941; photographs of Dali and their collaborative effort from 1942 through 1965. Howard Greenberg Gallery unknown books
Referentie van de boekhandelaar : 21032
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Halsman Philippe; Dali Salvador
Dali's Mustache
Paris: Arthaud 1982. Hardcover. Very Good. Publisher's pictorial cloth. pp. 128. Photographs throughout. The 1982 reissue of this clever book. Inscribed by Halsman's wife Ivonne to whom the book was dedicated <br/><br/> Arthaud hardcover books
Referentie van de boekhandelaar : WB16623
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Halsman, Philippe (1906-1979); Salvador Dali
Dali's Mustache. A Photographic Interview. By Salvador Dali & Philippe Halsman. First edition.
Paris: Flammarion 1994. 12mo. 13 x 18cm. Boards in d-j. Fine.The relationship between Dali and Halsman:. The collaboration between Dalà and Halsman began in 1941. They met while working on Labyrinth a project performed by the Ballets Russes at New York’s Metropolitan Opera House in 1941 for which Halsman photographed the costumes designed by DalÃ. They continued to work closely together on joint commissions mainly related to ballet but also generated their own projects such as Dali’s Midsummer Night’s Mare Dali Atomicus Dali Sculpture with Light and In Voluptate Mors in which models are arranged in the shape of a skull. In 1960 Halsman documented the making of DalÃ’s film Chaos and Creation.Philippe Halsman explains the concept of the jointly produced book Dali’s Mustache as follows: “In 1954 the growth of Dali’s mustache miraculously increased. When the painter returned to New York I was amazed: the points of his mustache were higher than his eyebrows. I saw my duty and started to photograph the play and interplay of his mustache. I needed DalÃ’s consent and I approached the great surrealist cautiously: ‘Books have been written about you and about other painters. But there is no book about a part of their personality as for instance Rembrandt’s nose or Picasso’s foot. What a tribute to your genius DalÃ! A book to appear – dedicated not to the whole but only to a small part of you!â€.Text below by Mary PanzerCurator of PhotographsNational Portrait Gallery Smithsonian Institution.Philippe Halsman 1906-1979 was born in Riga Latvia. He studied engineering in Dresden before moving to Paris where he set up his photographic studio in 1932. Halsman's bold spontaneous style won him many admirers. His portraits of actors and authors appeared on book jackets and in magazines; he worked with fashion especially hat designs and filled commissions for private clients. By 1936 Halsman was known as one of the best portrait photographers in France.From the 1940s through the 1970s Philippe Halsman's sparkling portraits of celebrities intellectuals and politicians appeared on the covers and pages of the big picture magazines including Look Esquire the Saturday Evening Post Paris Match and especially Life. His work also appeared in advertisements and publicity for clients like Elizabeth Arden cosmetics NBC Simon & Schuster and Ford. Photographers amateur as well as professional admired Halsman's stunning images. In 1958 a poll conducted by Popular Photography named Halsman one of the "World's Ten Greatest Photographers" along with Irving Penn Richard Avedon Ansel Adams Henri Cartier-Bresson Alfred Eisenstaedt Ernst Haas Yousuf Karsh Gjon Mili and Eugene Smith. Altogether Halsman's images form a vivid picture of prosperous American society in the middle years of the twentieth century. "Philippe Halsman: A Retrospective" is the first historical survey of his work.Halsman's career came to a dramatic halt in the summer of 1940 when Hitler's troops invaded Paris. Albert EinsteinHis wife daughter sister and brother-in-law who all held French passports immigrated to America but as a Latvian citizen Philippe Halsman could not obtain a visa. For several long months he waited in Marseilles along with many others who were forced to escape fascist Europe. Finally through the intervention of Albert Einstein who had met Halsman's sister in the 1920s Halsman obtained permission to enter the United States and he arrived in New York in November 1940 with little more than his camera.Halsman's big break came when he met Connie Ford a striking young model who agreed to pose in exchange for prints for her portfolio.Constance Ford When publicists at Elizabeth Arden saw Halsman's photograph of Ford against an American flag they used the image to launch a national campaign for "Victory Red" lipstick. A year later in the fall of 1942 Life asked Halsman to shoot a story on new hat design. To Halsman's delight his portrait of the model smiling through a feathery brim landed on the cover. One hundred more covers followed before the magazine ceased weekly publication in 1972.When Halsman began working for Life the magazine was only six years old and photojournalism was still a new field. Before the existence of Life and its competitors Americans learned about the world from newspapers radio and newsreels. But the new picture magazines published pages filled with bright dramatic photographs bringing Americans vivid information that no other media could match. Frank SinatraIn the spirit of a variety show or a world's fair magazines combined stories about international politics everyday life news events celebrities exotic scenery and humor to prove that "so much of the world so judiciously selected had never been seen before in one place." Today to understand the significance of those great magazines we need only look at the many forms of mass media that have come to replace them. Now we find photographs on television and billboards; in special publications devoted to news people fashion or sports; in newspapers; in museums and galleries; and on the Internet. And ironically the more places there are to see photographs the harder it is to attract viewers. But in 1942 when Philippe Halsman's portrait simply appeared on the cover of Life and immediately reached a large united audience.Surrealism:.In Paris Halsman studied the work of other artists and photographers especially the surrealists from whom he learned to make images that surprised his viewers. By including homely and ultimately disturbing details he gave his subjects memorable tension. Through subtle lighting sharp focus and close cropping he turned formal fashion shots into serious investigations of character. When Halsman posed NBC comedians against bare white paper eliminating all defining context their isolation made them look both frail and funny.Salvidor Dali Most important of all from the surrealists' exploration of the erotic unconscious Halsman learned how to combine glamour sex and wholesome energy in one portrait. This unusual ability made him Life's favorite photographer for sensual stars like Marilyn Monroe and Brigitte Bardot. Halsman's sympathy for surrealism also led to his long productive friendship with Salvador Dali. Halsman met Dali on assignment in 1941 and over the next three decades they became partners on many projects including a series of playful tableaux that had all the disturbing irrationality of dreams or a painting by Dali. Their most notable production was "Dali Atomicus" in which the artist his canvas furniture cats and water all appear suspended in air.Psychological Portraiture:.Over the course of his career Halsman enjoyed comparing his work to that of a good psychologist who regards his subjects with special insight. With his courtly manners and European accent Halsman also fit the popular stereotype at a time when Americans regarded psychology with fascinated skepticism. In fact Halsman was proud of his ability to reveal the character of his sitters. As he explained "It can't be done by pushing the person into position or arranging his head at a certain angle. It must be accomplished by provoking the victim amusing him with jokes lulling him with silence or asking impertinent questions which his best friend would be afraid to voice.".Marilyn MonroeIn the spring of 1952 Halsman put his signature technique to work when Life sent him to Hollywood to photograph Marilyn Monroe. Halsman asked Monroe to stand in a corner and placed his camera directly in front of her. Later he recalled that she looked "as if she had been pushed into the corner cornered with no way to escape." Then Halsman his assistant and Life's reporter staged a "fiery" competition for Monroe's attention. "Surrounded by three admiring men she smiled flirted giggled and wriggled with delight. During the hour I kept her cornered she enjoyed herself royally and I . . . took between 40 and 50 pictures.".In this widely familiar portrait Monroe wears a white evening gown and stands with her back against two walls one dark the other light her eyes half closed and her dark lipsticked mouth partly open. Yet Halsman deftly avoided any explicit representation of the true subject of the picture. Using the euphemistic language of the time Halsman's assistant admired the photographer's ability to make "suggestive" pictures of beautiful women which still showed "good taste" emphasizing "expression" rather than "physical assets." And then the assistant added "Halsman is very adept at provoking the expression he wants.".Jumpology:.In 1950 NBC asked Halsman to photograph many of its popular comedians. Milton Berle Ed Wynn Sid Caesar Groucho Marx Bob Hope Red Skelton and many others came to Halsman's studio where they performed while he captured their antics on film. A single session could generate two or three hundred pictures. When Halsman compared these comic images to more traditional portraits he found that comedians often jumped and always stayed in character. Desperation and good humor finally drove him to ask others to jump for his camera when the Ford Motor Company commissioned him to make an official family photograph in honor of the company's fiftieth anniversary. WindsorsHalsman spent a long tiring session with nine edgy adults and eleven restless children. Afterward Halsman's irrepressible humor inspired him to ask matriarch Mrs. Edsel Ford "May I take a picture of you jumping'" The astonished Mrs. Ford replied "You want me to jump with my high heels" Next her daughter-in-law Mrs. Henry Ford II requested a turn. The "jump" pictures had surprising charm and over the next six years Halsman asked many clients to jump for him. Van Cliburn Edward R. Murrow and Herbert Hoover declined Halsman's invitation but most people realized they had nothing to lose. Some gained considerably like the suddenly buoyant and likable Vice President Richard Nixon who jumped for Halsman in the White House. Halsman claimed the jumps revealed character that was otherwise hidden. "When you ask a person to jump his attention is mostly directed toward the act of jumping and the mask falls so that the real person appears.".Halsman also pursued this project to discover something about himself. "I assure you that often before approaching the person my heart would beat and I would have to fight down all my inhibitions in order to address this request to my subject. At every time when the subject agreed to jump it was for me like a kind of victory." How did Halsman persuade so many to abandon their composure for his camera Somehow he managed to convince each one that the risk was all his own.Like many who escaped Hitler's Europe Philippe Halsman rarely discussed the past. He rightly insisted that his most important work took place in America and in many ways his adopted country became his subject. One typical review noted his patriotic flair praising Halsman's "unsanctimonious and immensely intense portrayal of American bounce." From a historian's perspective it seems clear that Halsman invented a glowing image of the nation as he saw it using light persuasion nerve imagination psychology and experience. This place and these faces are his creation.Halsman's perpetual quest for hidden truth also recalls his personal history as an artist and a refugee. Halsman knew that the effort to establish one's identity had significance far beyond the needs of the celebrity marketplace. "This fascination with the human face has never left me. . . . Every face I see seems to hide and sometimes fleetingly to reveal the mystery of another human being. . . . Capturing this revelation became the goal and passion of my life.". Paris: Flammarion, 1994. hardcover
Referentie van de boekhandelaar : 51-6816
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Halsman, Philippe; Dali, Salvador; Halsman, Philippe [Photographer]
Dali's mustache: A photographie interview French Edition
FLAMMARION 1993-12-07. Hardcover. New. New. In shrink wrap. Looks like an interesting title! FLAMMARION hardcover
Referentie van de boekhandelaar : Q-2080124331 ISBN : 2080124331 9782080124333
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Halsman, Philippe; Dali, Salvador
Dali's Mustache
Paris: Arthaud 1982. Hardcover. Very Good. Publisher's pictorial cloth. pp. 128. Photographs throughout. The 1982 reissue of this clever book. Inscribed by Halsman's wife Ivonne to whom the book was dedicated <br/><br/> Arthaud hardcover
Referentie van de boekhandelaar : WB16623
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HALSMAN, Philippe, Salvador Dali and Mary Panzer
Halsman / Dali
New York: Howard Greenberg Gallery 2004. First edition. Softcover. Exhibition catalog for a show that ran February 6 through March 13 2004. Two portfolios bound dos a dos. Text by Mary Panzer. Includes with the covers over 30 black and white images. A very near fine copy in wrappers. An attractive catalog. Howard Greenberg Gallery unknown
Referentie van de boekhandelaar : 180822
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Halsman, Philipe; Dali, Salvador; Panzer, Mary (text).
Halsman / Dali. First edition.
New York NY: Howard Greenberg Gallery 2004. . 4to. 24 pp & 16 pp. Stiff printed wraps in 2-way binding. Very good. Includes verso fold-out portfolio catalog of 16 full page black and white plates. Catalog created on occasion of exhibit “Halsman / Dali†at the Howard Greenberg Gallery in New York from February 6 through March 13 2004. First edition. New York, NY: Howard Greenberg Gallery, 2004. paperback
Referentie van de boekhandelaar : 18-2052
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Halsman, Philippe & Salvador Dali
Halsman/Dali
New York: Howard Greenberg Gallery 2004. First edition. Stiff Wraps. Orig. illustrated stiff wrappers. Fine. Unpaginated. 25 x 20.5 cm. Signed and inscribed by Morine Halsman. 16 photographic plates. Unpaginated text by Mary Panzer -- Exhibition catalogue February 5 - March 13 2004. Halsman met Dali in New York in 1941; photographs of Dali and their collaborative effort from 1942 through 1965. Howard Greenberg Gallery unknown
Referentie van de boekhandelaar : 21032
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HAROLD Jean:
[Photomontage figurant Dali face à une de ses toiles "trafiquée" où l'on voit le buste d'un homme et d'une femme nus].
Photomontage original de Jean Harold (12,7x17,7 cm. ) portant son timbre au verso, ainsi qu'une dédicace où il explique que l'on "reconnaît facilement le corps de notre ami Charles Duclos! Pour la femme c'est à vous de jouer. "Original photomontage of Jean Harold (12.7x17.7 cm.) Bearing his stamp on the back, as well as a dedication where he explains that we "reconnaît facilement le corps de notre ami Charles Duclos! Pour la femme c'est à vous de jouer.".
Referentie van de boekhandelaar : 5635
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Harris, Nathaniel
The Life and Works of Dali
80p. , illus. Hardcover Very good condition good
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Harris, Nathaniel
The Life and Works of Dali
No marks or inscriptions. A lovely clean very tight copy with bright unmarked boards and no bumping to corners. Dust jacket not price clipped or marked or torn or creased. 79pp. An invaluable guide to the infamous Spanish surrealist artist. Very well illustrated with fifty paintings.
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HASEGAWA Chieko
Les Grands Maîtres De L'art Moderne , Rencontres
Paris Chêne 2013 GRAND In-8 247 pp, photos in-texte
Referentie van de boekhandelaar : 29308
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Hendrix Grady Dali Sarah
My best friend's exorcism
Editions Milan 2018 416 pages 15x2x23cm. 2018. Broché. 416 pages.
Referentie van de boekhandelaar : 500024729
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Hendrix Grady Dali Sarah
My best friend's exorcism
Editions Milan 2018 416 pages 15x2x23cm. 2018. Broché. 416 pages.
Referentie van de boekhandelaar : 500030743
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Hendrix Grady Dali Sarah
My best friend's exorcism
Editions Milan 2018 416 pages 15x2x23cm. 2018. Broché. 416 pages.
Referentie van de boekhandelaar : 500047502
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Hendrix Grady Dali Sarah
My best friend's exorcism
Editions Milan 2018 416 pages 15x2x23cm. 2018. Broché. 416 pages.
Referentie van de boekhandelaar : 500076711
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Hendrix Grady Dali Sarah
My best friend's exorcism
Editions Milan 2018 416 pages 15x2x23cm. 2018. Broché. 416 pages.
Referentie van de boekhandelaar : 500076985
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Hendrix Grady Dali Sarah
My best friend's exorcism
Editions Milan 2018 416 pages 15x2x23cm. 2018. Broché. 416 pages.
Referentie van de boekhandelaar : 500077094
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Hendrix Grady Dali Sarah
My best friend's exorcism
Editions Milan 2018 416 pages 15x2x23cm. 2018. Broché. 416 pages.
Referentie van de boekhandelaar : 500093446
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Henry Puget, Jean-Claude Du Barry
Dali - L'oeil de la folie
Broché, 169 pages, paru en 1989 chez J. Boully, très bon état général, couverture légèrement usée + les 3 premières pages sont quasi décollées.
Referentie van de boekhandelaar : ART5734M
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HESIODE -BRAQUE, Georges
THÉOGONIE. Eaux-fortes de Georges Braque (Maeght 1955).
Paris, Maeght, 1955. Un volume in-folio en feuilles, couverture illustrée d'une gravure en couleurs à l'aquatinte et carborundum, vernie par l'artiste lui-même, étui-chemise éditeur décoré de collages de papiers de couleur. - 20 EAUX-FORTES ORIGINALES DE GEORGES BRAQUE : 16 gravures hors-texte exécutées en 1932 pour Ambroise Vollard, et 4 gravures réalisées en 1953 : la couverture en 5 couleurs vernie au pinceau par l'artiste, le frontispice en 2 couleurs, la tête de chapitre et le cul-de-lampe. - Tirage à 150 exemplaires numérotés sur Auvergne et signés par l'artiste. Celui-ci le n° 23 signé par Braque. Tirage unique - Conservé en parfait état. - Note historique : En 1931, Braque illustre la Théogonie du poète grec Hésiode (VIIe siècle av. J.-C) pour le marchand, éditeur et passionné de gravure, Ambroise Vollard. Le récit, consacré à la naissance de l’univers et à l’origine des dieux, est considéré comme l’un des grands textes de la mythologie grecque. Entre 1932 et 1935, l’artiste exécute une série de seize eaux-fortes qui seront publiées par Maeght en 1955 : ligne noire imprimée sur fond blanc pour les gravures et, en négatif, ligne blanche découpée sur fond noir pour les plâtres peints et gravés que Braque crée en parallèle. Comme les figures mythologiques et les natures mortes de l’époque, ces œuvres possèdent un style curvilinéaire et propice à la métamorphose. (The Artist and the Book 38). --- ENGLISH DESCRIPTION: GEORGES BRAQUE (1882-1963). THEOGONIA - the complete set of twenty (20) etchings, title paper, text in Greek by Hesiod, justification, and index of plates on Auvergne paper, watermark Montval, 1932-1955, one of the 150 (n. 23), signed in pencil on the the justification, published by Maeght Editeur, Paris, 1955, in mint good condition, loose (as issued), with paper wrappers, within black paper-covered boards and slipcase, with collage design on front and back, title, artist's and author's name on spine. Overall: 18 x 13 7/8 in. (457 x 352 mm.) Condition : near mint, a beautiful copy with the editor decorated slipcase in near mint condition too.
Referentie van de boekhandelaar : 1911
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HODGE, Jessica
Salvador Dalí. (Mit 99 meist farb., z.T. doppels. Abb.) -
New York: Barnes & Noble (c 1994). 127 Ss. 4°. Illustr. Pp. mit Umschl. (Umschlag an der Oberkante min. angerändert).
Referentie van de boekhandelaar : 67859 ISBN : 1566191807
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Horia Damian. Texte de Radu Varian, Salvador Dali, Giulio Carlo Argan, Pierre Restany, Wolfgang Becker
Horia Damian : galaxy : Neue Galerie Sammlung Ludwig, Stadt Aachen, 20.7.-8.9. 1974. Projekt für ein monument in Houston - Texas
Germany, Neue Galerie, Sammlung Ludwig, in-4, en feuilles, Complet de l'affiche de l'exposition dépliante et des planches illustrées. Envoi de Radu Varian. Texte en allemand, français, anglais, italien.
Referentie van de boekhandelaar : 78306
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HUGNET, Georges - DALI, Salvador
ONAN
Éditions surréalistes, Paris, 1934. Petit in-4 (284 x 228 mm), broché, couverture décorée imprimée rempliée, chemise demi maroquin titrée au dos et étui. Édition originale. Tirage à 77 exemplaires (3 Chine + 7 Monvtal + 40 Arches + 25 HC). UN DES 40 EXEMPLAIRES NUMÉROTÉS SUR VERGÉ D'ARCHES COMPORTANT UNE EAU-FORTE ORIGINALE NUMÉROTÉE ET SIGNÉE DE SALVADOR DALI. L'exemplaire porte un magnifique envoi signé de Georges Hugnet au photographe surréaliste belge Léo Dohmen : "…Et des membres virils surgissaient dans tous les lieux où Onan répandait à terre sa semence, en vérité je vous le dis… des deux mains Georges Hugnet". Le maître surréaliste ne pouvait donner qu'une explication "dalinienne" sur la conception de sa gravure, "Espasmo-graphisme obtenu les yeux fermés avec la main gauche pendant que, avec la main droite je me masturbe jusqu'au sang, jusqu'à l'os, jusqu'aux délices du calice" !
Referentie van de boekhandelaar : 1495
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Hulten Pontus ( Commissaire general)
Salvador Dalì-Retrospective 1920-1980 , Centre Pompidou,Musée National d'Art Moderne
Catalogo della Mostra del 18 Décembre 1979-21 Avril 1980. 342 tavole a colori e in b/n. Testi in Francese. Cm.30X21. Brossura editoriale,titoli al piatto e al dorso.Ottima copia.Pp.416
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illustrated by Salvador Dali
Jerusalem Bible Large Format with Deluxe Cover 1970
Doubleday 1970. hardcover. Good. 0x0x0. 32 full page color Dali illustrations. Some pock marks on the front of the red leather binding. The gilt edges are quite oxidized and scratched. Stored in a well worn box. Doubleday hardcover
Referentie van de boekhandelaar : 13578F
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Imhof, Michael (Hg.)
Salvador Dalí : Leben und Werk.
Petersberg : Michael Imhof Verlag, 2024. 269 Seiten : Illustrationen ; 31 cm, 1800 g Festeinband.
Referentie van de boekhandelaar : 1251339
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International Silk Association; Salvador Dali [cover]; Andy Warhol [illus]
American Fabrics Magazine Silk Commemorative Issue
New York: American Fabrics Magazine 1957. Very Good. New York: American Fabrics 1957. First Edition. Folio 37cm; 102pp. Publisher’s stiff staple-bound wraps. Images and illustrations throughout. Wraps bumped at spine ends and corners; toning foxing and creasing throughout condition. Binding sound. Textblock endsheets and interior pages lightly foxed. Overall Very Good. <br /> <br /> Special commemorative edition of this periodical created for the sixth annual Silk Congress. Contents include illustrations advertisements fabric samples and explorations of the history and use of silk throughout the world. Cover design by Salvador Dali. Although not attributed a young Andy Warhol likely provided at least two of the illustrations p75. American Fabrics Magazine unknown
Referentie van de boekhandelaar : 36579
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Isabelle Dervaux ; Marshall N. Price
SURREALISM USA
Ostfildern-Ruit, Hatje Cantz, 2004 Bound, black cardboard, gold impression, illustrated dustjacket, 240 x 305mm., 192pp., profound colour illustration. ISBN 9783775715249.
Referentie van de boekhandelaar : 19251
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Isidore Ducasse dit Comte de Lautréamont - Edmond Jaloux - Salvador Dali.
Oeuvres complètes : Les Chants de Maldoror - Poésies - Lettres .
Editions José Corti / Collection " Rien de Commun " 1940. Fort in-12 broché de 328 pages au format 18,5 x 11,5 cm. Couverture verte avec titre imprimé. Dos carré insolé. Plats et intérieur frais, malgré d'infimes frottis aux coins, des mors insolé et un papier jaunissant. Ex-libris de libraire en page de garde. Exemplaire non coupé. Superbe frontispice de Salvador Dali réalisé en 1937 et intitulé : Portrait imaginaire de Lautréamont à 19 ans, obtenu par la méthode " Paranoïaque Critique ". Longue étude par Edmond Jaloux suivie de : Les Chants de Maldoror - Poésies - Lettres. Edition en partie originale. Superbe état.
Referentie van de boekhandelaar : 24903
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Jacques Laurent, Salvador Dali, James Lord, Maurice Martin du Gard, Jacques Audiberti, Raymond Guérin, Marcel Aymé.
La Parisienne. Revue littéraire mensuelle : n°17, mai 1954.
Paris, directeur Jacques Laurent. Un volume (14,3x22,6 cm) sous couverture illustrée d'un dessin de Cocteau en médaillon, (120) pages. Couverture légèrement défraichie sinon bon état. Textes de Jacques Laurent, Salvador Dali, james Lord, Maurice Martin du Gard, Jacques Audiberti, Raymond Guérin, Marcel Aymé, etc.
Referentie van de boekhandelaar : 43623
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