‎Monet claude‎

‎(Claude MONET) - COLLECTIF‎

‎La revue de l'art pour tous société de propagande esthétique N°7 de la 2ème année‎

‎Paris: La revue de l'art pour tous 1904. Fine. La revue de l'art pour tous Paris Février 1904 11.50 x 18.50 cm agrafé First edition. Contributions by R.A. Fleury on Claude Monet Gustave Cahen on Théodore Géricault at the Louvre P.A. Garnier on the origins of engraving. Small tears at head and foot of spine light worming to boards covers marginally faded boards detached. La revue de l'art pour tous hardcover‎

Riferimento per il libraio : 23816

‎(Claude MONET) - LAUROS-GIRAUDON‎

‎Les Nymphéas, 25 photographies sous forme de films-contacts transparents en couleur‎

‎Bussière Arts Graphiques | vers 1984 ? | 17.70 x 12.70 cm | 25 films-contacts dans une boîte en carton‎

‎25 prises de vue en couleur des Nymphéas de Claude Monet, sous forme de films-contacts transparents, individuellement préservés dans une pochette plastique. Chaque photographie est légendée dans les marges au feutre blanc. L'ensemble est conservé dans la boîte originelle des supports transparents "Typon graphic arts film", portant une étiquette de la société Bussière Arts Graphiques, où figure l'inscription "Nymphéas de Monet / Jeu de Paume / Avant Restauration". Les films permettaient de réaliser des impressions offset de haute qualité, spécialité de l'entreprise Bussière, qui collabora notamment avec Gallimard pour ses prestigieuses publications d'art. Véritable "constats d'état"d'une insigne rareté des Nymphéas avant restauration, ces films-contact sont une addition documentaire et esthétique exceptionnelle à l'histoire moderne du chef-d'oeuvre de Claude Monet. - Photographies et détails sur www.Edition-Originale.com -‎

Riferimento per il libraio : 86263

‎(Collectif)‎

‎L'ILLUSTRATION‎

‎Revue n° 5096 du 9 novembre 1940, 24 pages, format 380 x 285 mm, illustrée‎

‎Au sommaire : l'entrevue historique du 24 octobre Pétain-Hitler ; le Saint Empire Romano-Germanique ; deux centenaires Rodin et Claude Monet‎

Riferimento per il libraio : LFA0085a

‎(MONET Claude) - GEFFROY (Gustave) - KAHN (Gustave) -‎

‎Claude Monet - L'art et les artistes N°11 (Novembre 1920) -‎

‎Paris : L'Art et les Artistes, revue d'art des Deux-Mondes, 1920 - grand format (20,5x30,5 cm) broché sous couverture imprimée de (42) pages - Numéo spécial consacré essentiellement à Claude Monet : 30 pages illustrées de 36 reproductions en noir - bon état -‎

‎Tous nos livres sont visibles sur notre site : https://www.livrepoesie.com/‎

Riferimento per il libraio : 35270

‎(MONET). COLLECTIF.‎

‎Monet et ses Amis. Le legs Michel Monet - La Donation Donop de Monchy.‎

‎grand in-8°, 126 pp., portrait, abondamment illustre en noir et en couleurs, in- et h.t., broche, couverture illustree. Bel exemplaire. [GD8-8]‎

‎(MONET, Claude)‎

‎Exhibition catalog: Exhibition of Masterpieces by Claude Money 1840-1926. Commemorating the Hundred and Thirtieth Anniversary of the House of Durand-Ruel 1803-1933. March 20 to April 15 1933‎

‎New York: Durand-Ruel Galleries 1933. Softcover. Very Good. First edition. Octavo. 7pp. Cord-tied stiff tan printed wrappers illustrated reproducing a frontispiece portrait of Claude Monet and with two plates reproducing paintings by Monet. The exhibition included fourteen paintings by Monet. Also prints a brief History of the House of Durand-Ruel 1803-1933. Owner's contemporary embossed stamp on front cover of art scholars "Sheldon & Caroline Keck" Sheldon Keck was a pioneer in the field of art conservation. He and his wife Caroline were consultant conservators for the Museum of Modern Art the Solomon R. Guggenheim Museum etc. Covers are lightly dust soiled else a very good copy with text fresh and clean. An uncommon exhibition catalogue. OCLC locates four copies MOMA Metropolitan Museum of Art Frick Art Reference Library and Sterling & Francis Clark Art Institute. Durand-Ruel Galleries unknown‎

Riferimento per il libraio : 517821

‎- Monet C. - Montégu L.‎

‎Partition de la chanson : Je crois en Dieu‎

‎Partitions sur l'Eglise et Religions 1870 approx.‎

‎Etat moyen Petit format‎

Riferimento per il libraio : 18464

‎[Beaux Arts]‎

‎BEAUX ARTS‎

‎N° 125 - Juillet-août 1994 : Revue de 130 pages, format 285 x 220 mm, illustrée, brochée‎

‎Au sommaire : Braque à l'Estaque ; Monet bâtisseur de cathédrales ; Beuys‎

Riferimento per il libraio : LFA00b0c

‎[Claude MONET] - [Auguste RODIN]‎

‎Claude Monet - Auguste Rodin. Exhibition catalog‎

‎Paris: Galerie G. Petit 1889. Fine. Galerie G. Petit Paris 1889 16 x 24.50 cm broché First edition of the exceptionally rare catalog of Claude Monet and Auguste Rodin's dual exhibition at the Georges Petit gallery in Paris. With introductory essays by Octave Mirbeau for Monet and Gustave Geffroy for Rodin. The catalog features 145 paintings by Monet and 36 sculptures by Rodin in chronological order including the famous Impression soleil levant Impression Sunrise as well as Le Penseur The Thinker still described as a part of the Gates of Hell for which it was originally created. Small restoration to head of spine title and dates penned on spine traces of stamp on front pastedown scattered foxing thoughout.  Rare copy of the exhibition catalog of Claude Monet and Auguste Rodin: the greatest of the Impressionists and the most famous sculptor of his time united by their love of nature and their tireless quest towards artistic ideal. ""Rodin and Monet were bound by a lifelong friendship and reciprocal admiration. While they were true contemporaries born within two days of one another in November 1840 it is hard to pinpoint when they actually met. They were almost certainly introduced by mutual friends like writers and critics Octave Mirbeau and Gustave Geoffroy or the art dealer Paul Durand-Ruel. On his return from Belle-Île in 1886 Monet is known to have started attending dinners held by the ""Bons Cosaques"" a group of artists and men of letters gathered together by Octave Mirbeau. Rodin also frequented these literary and artistic dinners that contributed to the intellectual effervescence of the period and challenged Academicism. By the time of the exhibition held at the Galerie Georges Petit in 1889 the four protagonists Rodin Monet Mirbeau and Geffroy definitely knew and already respected each other. On a visit to the Mirbeau family near Auray Brittany in 1887 Rodin saw the ocean for the first time and is said to have exclaimed: ""It's a Monet!"" To Mirbeau's way of thinking Rodin and Monet had embarked on the same artistic adventure and were destined to be equally successful. In November 1886 he wrote to Rodin about the paintings that Monet was going to exhibit at Petit's gallery the following year: ""He works hard and in my opinion he has done great things: it will be a new facet of his talent; a formidable awe-inspiring Monet of whom we were unaware. Our friend Monet is a heroic man of courage and if anyone deserves to succeed alongside you it's him. . the dual exhibition was a great success with the public and critics. According to Mirbeau Monet and Rodin embodied ""most gloriously and most definitively the two arts of painting and sculpture"" Rodin Museum. Galerie G. Petit unknown‎

Riferimento per il libraio : 88035

‎[L'Estampille L'Objet d'Art]‎

‎L'ESTAMPILLE - Hors-série Exposition‎

‎N° 217 : 54 pages, format 285 x 215 mm, illustrée, brochée, s.d., bon état‎

‎Numéro spécial : "Impressionnistes : la fastueuse collection de Sao Paulo visible en Suisse‎

Riferimento per il libraio : LFA-126712960

‎[MANET, DEGAS, MONET, RENOIR, PISSARO, SISLEY, CÉZANNE, GAUGUIN, SEURAT, VAN GOGH, TOULOUSE-LAUTREC] VENTURI Lionello.‎

‎DE MANET À LAUTREC.‎

‎Paris, Albin Michel, (mai) 1953. In-8, cartonné, 320 pages, jaquette, 217 illustrations.‎

‎Traduit de l'italien par Juliette Bertrand. Charnières fragiles. Légères décharges de ruban adhésif. [3730]‎

Riferimento per il libraio : 3730

‎[MONET (Claude)] - FELS (Florent).-‎

‎Claude Monet. Trente reproductions de peintures et dessins précédées d'une étude critique par Florent Fels, de notices biographiques et documentaires et d'un portrait inédit de l'artiste gravé sur bois par G. Aubert.‎

‎P., NRF, Gallimard, Editions de la Nouvelle Revue Française (Collection "Les Peintres Français Nouveaux" n°22), 1925, petit in 12 broché, 63 pages ; couverture illustrée ; couverture très légèrement fanée ; mention de Cinquième édition sur la couverture.‎

‎PHOTOS sur DEMANDE. ...................... Photos sur demande ...................‎

Riferimento per il libraio : 64145

‎[MONET (Claude)] - MAUCLAIR (Camille).-‎

‎Claude Monet et l'Impressionnisme. 24 planches hors-texte en héliogravure.‎

‎P., Jean-Renard, 1944, in 8° broché, 63pp. de texte ; couverture fanée.‎

‎PHOTOS sur DEMANDE. ...................... Photos sur demande ...................‎

Riferimento per il libraio : 27378

‎[Monet Claude] Noémie Golman:‎

‎Claude Monet. Son musée.‎

‎Musée Marmottan Monet / Hazan, 2010. Grand in-4 broché, couverture couleurs à rabats. En très belle condition. Illustré de nombreuses reproductions en couleurs.‎

‎"Ce catalogue et l’exposition qu’il accompagne sont consacrés à Monet et sa collection intime. Réunies aujourd’hui au musée Marmottan, en vertu d’un legs de Michel Monet, petit-fils de l’artiste, en 1964, la collection intime de Monet n’avait pas quitté Giverny depuis la mort de l’artiste. Réalisées entre 1862 et 1925, les oeuvres qui la composent, racontent une histoire personnelle et brossent un portrait inédit de l'artiste. Dessins de jeunesse, souvenirs de voyages, tableaux de son jardin, portraits d'enfants ou oeuvres d'amis, chaque image est une pièce du puzzle. Réunies, elles nous plongent dans l'intimité de Claude Monet tout en racontant un chapitre essentiel de l’histoire de l’art du XIXe siècle. En effet, ce qui apparaît ici, c’est le fonds de tableaux que Monet avait toujours tenu à conserver auprès de lui, essayant de préserver une partie de la production de chaque grande période de sa création jusqu’à la prolifération des nymphéas qui s’impose à partir de 1899. À quoi s’ajoute l’intérêt irremplaçable que constituent pour notre connaissance de la gestation de l’oeuvre ses carnets de dessins. L’attachement de l’artiste à chacune de ces oeuvres a donc trait aussi bien à l’intimité de la vie privée qu’au développement de son art. C’est dire l’importance que ce fonds revêt pour notre connaissance de Monet et ceci, depuis les premiers dessins de sa jeunesse au Havre jusqu’aux derniers nymphéas."‎

Riferimento per il libraio : 7729

‎[Monet, Claude] Geelhaar, Christian‎

‎Claude Monet: Nympheas.‎

‎1986. Zürich SV International 1986. 28cm x 23.5cm. 181 pages. Original Softcover Paperback. Very good condition with only minor signs of wear. German Edition / Deutsche Ausgabe. Includes for example: Claude Monets Nympheas in Basel 1949 und 1969 Leihgeber/ 'Le Spleen de Giverny' Massifs de Chrysanthemes/ Zufluchtsort einer ungestorte Meditation/ Le Bassin aux nympheas/ Paysages d'eau et de reflets/ Eine Wenig Banale Ausstellung/ Wasser Seerosen Planzen auf einer sehr grossen Flache/ Verjungende Aufschwunge un grausame Enttauschungen anmerkungen/ Srom ohne Ufer/ Anmerkungen zu Claude Monets Seerosen/ Jenseits des Impressionismus / Monet Sehen/ Der Neue Bildbau/ Unter dem Horizont/ Bilder einer stromenden Welt/ Bild und Betrachter/ Monets Welt in Giverny/ Das 'Monet revival' der funfziger Jahre Anmerkungen/ Claude Monet 14 November 1840 - 5 December 1926 was a founder of French impressionist painting and the most consistent and prolific practitioner of the movement's philosophy of expressing one's perceptions before nature especially as applied to plein-air landscape painting. The term Impressionism is derived from the title of his painting Impression Sunrise Impression soleil levant. Claude Monet was born on 14 November 1840 on the 5th floor of 45 rue Laffitte in the 9th arrondissement of Paris.3 He was the second son of Claude Adolphe Monet and Louise Justine Aubrée Monet both of them second-generation Parisians. On 20 May 1841 he was baptized in the local parish church Notre-Dame-de-Lorette as Oscar-Claude but his parents called him simply Oscar.34 In 1845 his family moved to Le Havre in Normandy. His father wanted him to go into the family grocery business but Monet wanted to become an artist. His mother was a singer. On 1 April 1851 Monet entered Le Havre secondary school of the arts. Locals knew him well for his charcoal caricatures which he would sell for ten to twenty francs. Monet also undertook his first drawing lessons from Jacques-François Ochard a former student of Jacques-Louis David. On the beaches of Normandy in about 1856/1857 he met fellow artist Eugène Boudin who became his mentor and taught him to use oil paints. Boudin taught Monet "en plein air" outdoor techniques for painting. Both received the influence of Johan Barthold Jongkind. On 28 January 1857 his mother died. At the age of sixteen he left school and went to live with his widowed childless aunt Marie-Jeanne Lecadre. When Monet traveled to Paris to visit the Louvre he witnessed painters copying from the old masters. Having brought his paints and other tools with him he would instead go and sit by a window and paint what he saw. Monet was in Paris for several years and met other young painters who would become friends and fellow impressionists; among them was Édouard Manet. In June 1861 Monet joined the First Regiment of African Light Cavalry in Algeria for a seven-year commitment but two years later after he had contracted typhoid fever his aunt intervened to get him out of the army if he agreed to complete an art course at an art school. It is possible that the Dutch painter Johan Barthold Jongkind whom Monet knew may have prompted his aunt on this matter. Disillusioned with the traditional art taught at art schools in 1862 Monet became a student of Charles Gleyre in Paris where he met Pierre-Auguste Renoir Frédéric Bazille and Alfred Sisley. Together they shared new approaches to art painting the effects of light en plein air with broken color and rapid brushstrokes in what later came to be known as Impressionism. Monet's Camille or The Woman in the Green Dress La femme à la robe verte painted in 1866 brought him recognition and was one of many works featuring his future wife Camille Doncieux; she was the model for the figures in Women in the Garden of the following year as well as for On the Bank of the Seine Bennecourt 1868 pictured here. Camille became pregnant and gave birth to their first child Jean in 1867. After the outbreak of the Franco-Prussian War 19 July 1870 Monet took refuge in England in September 1870 where he studied the works of John Constable and Joseph Mallord William Turner both of whose landscapes would serve to inspire Monet's innovations in the study of color. In the spring of 1871 Monet's works were refused authorisation for inclusion in the Royal Academy exhibition. In May 1871 he left London to live in Zaandam in the Netherlands where he made twenty-five paintings and the police suspected him of revolutionary activities. He also paid a first visit to nearby Amsterdam. In October or November 1871 he returned to France. Monet lived from December 1871 to 1878 at Argenteuil a village on the right bank of the Seine river near Paris and a popular Sunday-outing destination for Parisians where he painted some of his best known works. In 1874 he briefly returned to Holland. In 1872 he painted Impression Sunrise Impression soleil levant depicting a Le Havre port landscape. It hung in the first Impressionist exhibition in 1874 and is now displayed in the Musée Marmottan Monet in Paris. From the painting's title art critic Louis Leroy coined the term "Impressionism" which he intended as disparagement but which the Impressionists appropriated for themselves. Also in this exhibition was a painting titled Boulevard des Capucines a painting of the boulevard done from the photographer Nadar's apartment at no. 35. There were however two paintings by Monet of the boulevard: one is now in the Pushkin Museum in Moscow the other in the Nelson-Atkins Museum of Art in Kansas City. It has never become clear which painting appeared in the groundbreaking 1874 exhibition though more recently the Moscow picture has been favoured. Monet and Camille Doncieux had married just before the war 28 June 1870 and after their excursion to London and Zaandam they had moved to Argenteuil in December 1871. It was during this time that Monet painted various works of modern life. Camille became ill in 1876. They had a second son Michel on 17 March 1878 Jean was born in 1867. This second child weakened her already fading health. In that same year Monet moved to the village of Vétheuil. On 5 September 1879 Camille Monet died of tuberculosis at the age of thirty-two; Monet painted her on her death bed. Wikipedia paperback‎

Riferimento per il libraio : 669BB ISBN : 3720400379 9783720400374

‎[Monet, Claude] Seiberling, Grace; Illustrated by Illus in color, b/w [Illustrator]‎

‎Monet in London‎

‎High Museum of Art 1988. Hardcover. New. In shrink wrap. Looks like an interesting title! High Museum of Art hardcover‎

Riferimento per il libraio : Q-0939802503 ISBN : 0939802503 9780939802500

‎[MONET]‎

‎Hommage à Claude Monet (1840-1926).‎

‎Paris, Editions de la Réunion des Musées Nationaux, 1980. In-4° carré, 378p. Reliure pleine toile d'éditeur, sous jaquette illustrée.‎

‎Important catalogue de l'exposition qui s'est tenue à Paris, au Grand Palais du 8 février au 5 mai 1980. Près de 130 toiles exposées, toutes reproduites, avec pour chacune son historique. Bel exemplaire.‎

Riferimento per il libraio : 42652

‎[MONET] - GUILLAUD (Maurice)‎

‎Lumières de Claude Monet..‎

‎Nice, Guillaud Editions, 1992. In-4° carré, 169p. Reliure pleine toile d'éditeur, sous jaquette illustrée.‎

‎Bel ouvrage avec une mise en page originale. Une partie des oeuvres sont reproduites sur papier de riz. A l'état de neuf.‎

Riferimento per il libraio : 43195

‎[MONET] - MALINGUE (Maurice).-‎

‎Claude Monet.‎

‎Monaco, Les Documents d'Art, 1943, grand in 4°, cartonnage gris de l'éditeur, 160 pages.‎

‎Très nombreuses reeproductions en noir et en couleurs. PHOTOS sur DEMANDE. ...................... Photos sur demande ...................‎

Riferimento per il libraio : 66280

‎[MONET] - SEITZ (William) -‎

‎Monet.‎

‎, NEF, s.d. ; in-4, 45 pp., cartonnage de l'éditeur. sous boitier.‎

‎sous boitier.‎

Riferimento per il libraio : 200801816

‎[MONET] - WILDENSTEIN (Daniel)‎

‎Claude Monet. Biographie et catalogue raisonné. Tome I: 1840-1881. Peintures.‎

‎Lausanne et Paris, La Bibliothèque des Arts, 1974. Gr. in-4°, 461p. Reliure pleine toile d'éditeur sous jaquette illustrée.‎

‎Premier volume du catalogue raisonné (sur 5). Contient 705 tableaux, tous reproduits et 226 lettres de l'artiste écrites durant cette période. Exemplaire en parfaite condition.‎

Riferimento per il libraio : 39307

‎[Monet] Barskaia & Gueorguievskaia‎

‎Claude Monet: tableaux des musée d'URSS‎

‎Cercle d’art 1990 In-4 reliure éditeur sous jaquette, 132 pp. Illustrations noir & couleurs‎

‎Très bon état d’occasion‎

Riferimento per il libraio : 3691

‎[MONET] COGNIAT Raymond, François DAULTE et Claude RICHEBE.‎

‎Monet et ses amis.‎

‎Paris, Musée Marmottan, 1971. In-8 carré, broché.‎

‎[9654]‎

Riferimento per il libraio : 9654

‎[MONET] Joel Isaacson.‎

‎Claude Monet. Observation et réflexion.‎

‎Neuchâtel, Ides et Calendes, 1978. In-4, reliure toilé, illustrations, jaquette, étui.‎

‎[12013]‎

Riferimento per il libraio : 12013

‎[Monet] Philippe Piguet, Pierre Schneider (préface):‎

‎Monet et Venise.‎

‎Herscher, 1986. In-4, cartonnage bleu sous jaquette couleurs. En belle condition.‎

Riferimento per il libraio : 22212