‎Gericault‎

‎Theodore Gericault‎

‎Ge�ricault: Dessins & estampes des collections de l'Ecole des beaux-arts : Ecole nationale supe�rieure des beaux-arts 25 novembre 1997-25 janvier . 26 mars 1998-24 mai 1998 French Edition‎

‎L'Ecole. Paperback. POOR. Noticeably used book. Heavy wear to cover. Pages contain marginal notes underlining and or highlighting. Possible ex library copy with all the markings/stickers of that library. Accessories such as CD codes toys and dust jackets may not be included. L'Ecole paperback‎

Bookseller reference : 3191805610 ISBN : 2840560526 9782840560524

‎Theodore Gericault‎

‎Theodore Gericault: The Great Masters of Art‎

‎Virtue & Co London 1851. First Edition. Disbound. Very Good. 4 pages with some illustrations. Note; this is an original article separated from the volume not an offprint or a reprint. Size: Quarto 33 x 24 cms. Quantity Available: 1. Category: The Art Journal; Inventory No: 310617. Virtue & Co unknown‎

Bookseller reference : 310617

‎Theodore Gericault‎

‎Theodore Gericault: The alien body : tradition in chaos French Edition‎

‎Morris and Helen Belkin Art Gallery University of British Columbia 1997. Paperback. Good. Morris and Helen Belkin Art Gallery, University of British Columbia paperback‎

Bookseller reference : SONG0888656009 ISBN : 0888656009 9780888656001

‎Thuillier, Jacques‎

‎Gericault Opera Completa L'Opera Completa di Géricault. Classici dell'Arte‎

‎Thuillier, Jacques: Gericault Opera Completa L'Opera Completa di Géricault. Milan: Rizzoli, Series: Classici dell'Arte. 164pp with 64 colour plates and c.300 monochrome illustrations in the text. Cloth. 31.5 x 24.5cms.‎

Bookseller reference : 054005

‎Théodore Géricault Philippe Grunchec‎

‎Géricault: Dessins et Aquarelles de Chevaux‎

‎Edita 1982 in 4 à l'italienne. 1982. Broché. 183 pages. envois en suivi pour la france et l'etranger Bon Etat intérieur très propre couverture pliée sur un angle et frottée sur ses bords‎

Bookseller reference : 170173

‎Trévise, duc de‎

‎GrosGéricaultDelacroix‎

‎Bernheim-Jeune, Editeurs d'Art, Paris, 1954. In-4, plaquette agrafée, non paginée [18 pp.]. Préface duduc de Trévise - Gros [30 n°]. - Géricault [39 n°]. - Delacroix [48 n°].‎

‎--- Plus d'informations sur le site archivesdunord.com‎

Bookseller reference : 8163

‎Warner, Malcolm; Allen, Brian; John House, Robin Spencer ; Samuel F. Clapp‎

‎The Image of London : Views by Travellers and Emigr?s 1550-1920‎

‎Exhibition catalogue for the show at the Barbican Art Gallery with the title of the same name. Book is in excellent condition in black cloth with gilt print at spine, large oblong format. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. Dust jacket shows the slightest signs of shelf wear only, no tears. 191 pages with large prints in color, some b&w throughout. From the preface: "Over the centuries London has been visited by many artists from abroad and this exhibition is an attempt to illustrate how each visitor has in turn found inspiration from the city. The exhibition interprets this 'image' of London, reveals how the city has changed through four hundred years, and explores the idea of the city in the mind of the visitors and their response to it. Wyngaerde was the earlist artist to attempt to represent the city with relative accuracy. He conceived London as a great Gothic city with many towers and spires. Thomas Wyek may have witnessed the Great Fire, and he certainly painted several views of it. After the Fire, London was rapidly rebuilt and expanded. The subsequent completion of the new cathedral and the City's increasing commercial success attracted many traveller-artists. With its bustling market, Covent Garden was a favourite subject of the 18th-century artists such as Van Aken and Angillis. By contrast the serene Thames views of Canaletto and Joli recall Venice, and their interpretation of London as a city of grace and enlightenment seem more in keeping with the neo-classical order that fashioned the second half of the 18th Century. In the 19th Century artists began to depict the darker side of London. Focusing upon scenes of labour, poverty and suffering in an oppressive industrial environment, G?ricault and Dor? portrayed the Babylonian image of London. Nevertheless, Victorian London was also shown as a city of success and wealth. The river scenes of Whistler, and the busy, yet fashionable Street scenes of Bianche, Tissot and De Nittis represent it as essentially a hive of activity, business and busy-ness. Wistler and Monet were also inspired by the atmosphere of London, the foggy and nocturnal views ...‎