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Radiguet Raymond.
Les Joues en Feu. Poèmes anciens et poèmes inédits 1917-1921.
Paris chez Bernard Grasset, in-12 : 12,5x19cm, tres belle reliure in-demi chagrin fauve dos à nerfs, portant le titre doré, couvertures brochées de l'éditeur conservées., vélin pur fil Lafuma.104 pages, précédées d'un portrait de l'Auteur par Pablo Picasso, d'un poème de Max Jacob et d'un avant propos de l'auteur. Bel exemplaire dans une reliure à la hauteur de l'ouvrage.
书商的参考编号 : 6578
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RADIGUET Raymond:
Les joues en feu. Poèmes anciens et poèmes inédits 1917-1921. Précédé d'un portrait de Pablo Picasso et d'un poème de Max Jacob et d'un avant-propos de l'auteur.
Paris, Grasset, 1925. In-12 broché de 104-[2] pages, couverture ivoire imprimée en deux tons.
书商的参考编号 : 22132
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RADIGUET Raymond. [PICASSO Pablo]. [JACOB Max].
LES JOUES EN FEU. " Poèmes anciens et poèmes inédits 1917-1921 ". Portrait de l'auteur par Pablo Picasso. Précédé d'un poème de Max Jacob.
Bernard Grasset, éditeur. 1925. In-8° broché. 104 pages. Edition définitive et en partie originale. 1/175 sur hollande, avec un tirage supplémentaire sur chine du portrait par Picasso. [20 chine / 50 japon / 175 hollande / 1.100 vélin].
书商的参考编号 : 10496
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RADIGUET, Raymond.
Les Joues en feu. Poèmes anciens et poèmes inédits. 1917 - 1921. Précédé d'un portrait de Pablo Picasso et d'un poème de Max Jacob et d'un avant-propos de l' auteur.
Paris, Grasset, 1925 ; petit in-8°, broché, couverture crème imprimée en brun et noir; 104pp., (1)f.(achevé d'imprimer)Quelques piqûres à la couverture , très petite tache rousse en marge externe de 2 feuillets. Portrait de Radiguet par Picasso en frontispice.
书商的参考编号 : c5990
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RADIGUET Raymond
Oeuvres complètes
Paris Club des Libraires de France - Les Libraires Assiciés Collection "Les Livres de toujours" 1959 brochés, couvertures rempliées, étui
书商的参考编号 : 010503
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Rafart i Planas, Claustre; Picasso, Pablo
Picasso: Territori i Arts i Tradicions Populars Catalanes
Solsona / Barcelona: Museu Diocesa i Comarcal de Solsona / Generalitat de Catalunya 2024. Hardcover. VG. Lightest touches of shelfwear. Octavo. Hardcover. Grey paper boards with black titles and b&w illustration. Texts in Catalan with Spanish translations. Catalog of an exhibition held at the Museu Diocesà i Comarcal de Solsona Solsona Spain March 14-July 15 2024./ Includes bibliographical references. Museu Diocesa i Comarcal de Solsona / Generalitat de Catalunya hardcover
书商的参考编号 : 214077 ???????? : 840961135x 9788409611355
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RAMUZ (Charles-Ferdinand). ZWEIG (Stefan). PEISSON (Edouard). WERTH (Léon). ROUPNEL (Gaston).SAINT-POL-ROUX. ROLLAND (Romain). POULAILLE (Henry). PICASSO. GUILLAUMIN (Emile). LITTRE (Florence).
Maintenant. Recueil international illustré de littérature et d’art. Cahier 1.
Paris: Grasset (directeur: Henry Poulaille), 1945. Un volume 23,5x18,5cm broché de 256 pages illustrées en noir dans et hors texte. Papier uniformément jauni sinon bon état. Excellente revue fondée et animée par Henry Poulaille, le chef de file de la littérature prolétarienne en France au XXème siècle.
书商的参考编号 : 48601
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Ramie Georges
CERAMICA DI PICASSO(1974)
In 8' gr. carre', t.ed. con sovrac., pp. 292, ill. in n. e col. n. t., sguardie ill; lacerazioni alla sovrac., altrimenti in buono stato, ordinari segni del tempo.Luogo di pubblicazione RomaEditore Editori RiunitiAnno pubblicazione 1974Materia/Argomento Arte, Ceramica, PicassoScaffale 44/8Autore Ramie, Georges
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Ramié, Georges
Ceramics of Picasso.
Barcelona, Ediciones Polígrafia, 1985. 128 S. mit 223 Farbabbildungen. 4°. Orig.-Pappband mit Orig.-Umschlag (Umschlag lichtrandig).
书商的参考编号 : 9370
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Ramon Reventos (Pablo Picasso, illustrator) (Lucie Weill, binder)
Deux Contes. Le Centaure Picador. Le crepuscule d'un Faune. Gravures de Pablo Picasso.
Paris-Barcelone Barcelona: Editions Albor 1947. Picasso. WITH FOUR ORIGINAL DRYPOINTS BY PICASSO IN A MASTER BINDING BY LUCIE WEILL. An outstanding livre d'artiste with four original full-page hors-texte drypoints by Pablo Picasso. Edition limited to 250 numbered copies all printed on fine Lana wove paper. Folio. ELEGANLY BOUND IN FULL BLACK MOROCCO BY LUCIE WEILL signed. Top edge gilt other edges uncut. Original wraps and backstrip preserved. Housed in custom-made slipcase also by Weill preserving the engraved front board of the original wooden chemise. FINE AND BRIGHT WITH NO DEFECTS. Goeppert 45. BEAUTIFUL AND IMPORTANT. <br/><br/> Editions Albor paperback
书商的参考编号 : 39474
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Ramon Reventos; Pablo Picasso
Dos contes. El centaure picador
Paris- Barcelona Editorial Albor 1947. First Edition. Hardcover. Very Good. Fine printing of Picasso Limited edition no. 104 of 250. Four dry point plates by Picasso with tissue guards. Title engraved in upper cover in red. 28 leaves. Folio 34 cm. Loose as issued. Housed in original wooden boards with cloth ties. Title-page half-titles l 10b initials etc. reproduced from Picasso's lettering. Mornand: Vingt artistes du livre 306. Cramer Picasso livres illustres 44; Bloch 468 471. Catalan. <br> Ramon Reventos was a Catalan writer and with his brother Conti long-time friend of Picasso who wrote one of the first articles published on Picasso's work. When Reventos passed away in 1923 his writings fell into obscurity. Many years later Picasso would write to Conti's son: "I loved your uncle so much that when it occurred to me to make him acknowledged here in Paris because this boy did not enjoy the success that he deserved it was during the war 1939-1945. I often went to the National Library on foot with all of the dangers that this entailed in order to copy these two stories and I copied them all by hand. Someday I will show you in my own handwriting" Reventos i Conti Picasso i els Reventos Barcelona 1972 p 20. <br> This is an oversized or heavy book which requires additional postage for international delivery outside the US. <br> Capvespre d'un faune. Paris- Barcelona, Editorial Albor hardcover
书商的参考编号 : 1909200005
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Ramírez, Juan Antonio
Guernica. La historia y el mito, en proceso. Mitos arte 2 [edición en español]
Sociedad Editorial Electa España, Madrid, 1999. 17 cm ; kart.
书商的参考编号 : 104405
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RAPHAEL, M
Aufbruch in die Gegenwart. Begegnungen mit der Kunst u. den Künstlern des 20. Jhdts. Hrsg. v. H.-H. Heinrichs.
Fkft., Ed. Qumran im Campus V., 1985. Mit zahlr. Abb. 158 S. OKt. - StaV., sonst gutes Ex.
书商的参考编号 : 213808BB
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Raphael, Max
Marx; Picasso. Die Renaissance d. Mythos in d. bürgerl. Ges. Hrsg. von Klaus Binder
Frankfurt am Main ; Paris : Qumran 1983. 159 S. ; 21 cm, mit Schutzumschlag, Umschlag mit Randblessuren kart., Softcover/Paperback, sonst Exemplar in gutem Erhaltungszustand
书商的参考编号 : 26990
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Raphael, Max
Raumgestaltungen : der. Beginn der modernen Kunst im Kubismus u. im Werk von Georges Braque. Hrsg. von Hans-Jürgen Heinrichs
Frankfurt/Main ; New York : Edition Qumran im Campus-Verl. 1986. 207 S. : 16 Abb. ; 21 cm, mit Schutzumschlag kart., Softcover/Paperback, Exemplar in gutem Erhaltungszustand
书商的参考编号 : 26991
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Raphael, Max
Von Monet zu Picasso. Grundzüge einer Ästhetik und Entwicklung der modernen Malerei.
München:, Delphin, 1919. Gr.-8°. 127 S., 30 sw-Abbildungen, broschiert 2., unveränderte Auflage. (Rücken repariert; Umschlag mit Randläsuren und kleinen Fehlstellen; leicht angestaubt; altersgemäss gut erhalten)
书商的参考编号 : 13090BB
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Rappaz, Jacques/ Picasso, Marco
Introduction à l'analyse numérique
PPUR Presses Polytechniques 2017. Paperback. New. 254 pages. French language. 9.37x6.30x0.79 inches. PPUR Presses Polytechniques paperback
书商的参考编号 : 2-288915193X ???????? : 288915193X 9782889151936
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RATHKE, Ewald u. Sylvia Rathke-Köhl
Picasso. 150 Handzeichnungen aus sieben Jahrzehnten. Kunstverein in Hamburg, 24.7.-5.9.1965. Katalog. Vorwort von Hans Platte u. Ewald Rathke. (Mit 152 z.T. farb. Abb. auf Tfln.) -
Ffm., Hbg.: Frankfurter Kunstverein u. Kunstverein in Hamburg 1965. 36 nn. Bll., 152 Tfln., 10 nn. Bll. Kl.8°. Illustr. Kt. (leicht angestaubt, Rücken gebräunt u. min. fleckig).
书商的参考编号 : 66648
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Raval, Marcel (Hg) - Pablo Picasso (Ill)
Les feuilles libres Nouvelle Série 5ième année No. 34 Nov.-Déc. 1923.
Paris Les feuilles libres 1923. Gr.8° S. 211 - 269 8 Taf. davon 2 montiert davon 1 lose Brosch. Etw. gebräunt eckknittrig u. tlw. randrissig innen allg. tadellos. Enth.: Raymond Radiguet: «Le prisonnier des mers»; Marcel Raval: «Raymond Radiguet» Jean Cocteau: «Pablo Picasso» Paul Eluard: «Ta foi» G. Ribemont-Dessaignes; «L’oeil couchant» Tristan Tzara: «Faites vos jeux» nur Teil 4; dazu Kritiken/Rezensionen. 7 Tafeln mit Werken von Pablo Picasso. - «Raymond Radiguet Marcel Raval Jean Cocteau Paul Eluard G. Ribemont-Dessaignes Tristan Tzara Pablo Picasso Philippe Soupault Jacques Porel Marcel Arland Marcel Sauvage René Crevel Pierre de Massot ont collaboré à ce No. 34». 010 Paris, Les feuilles libres, 1923 unknown
书商的参考编号 : 87797
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RAYNAL Maurice; KAHNWEILER Daniel Henry; REVERDY Pierre; BESSON George; TZARA Tristan; GAY Paul; PIGNON Edouerd; ROY Claude:
Le point, revue artistique et littéraire XLII. Picasso.
Mulhouse, Souillac, 1952. Grand in-8 broché de 56 pages, couverture rempliée verte imprimée rouge et blanc. Petits chocs en tête et en queue, bel état général.
书商的参考编号 : 7315
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Raymond RADIGUET - Pablo PICASSO
Les Joues en Feu
Grasset | Paris 1925 | 12 x 19 cm | broché
书商的参考编号 : 79936
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RAYNAL Maurice
PICASSO
Paris G. Crès 1922 in-8 demi-basane un volume, reliure demi-basane marron-clair grand in-octavo (half binding sheepskin in-8) (18 x 22,5 cm), dos à nerfs (spine with raised band), décoré or et à froid(gilt and blind-stamping decoration), titre et auteur frappés or (gilt title), pièces de titre et auteurs sur fond marron foncé avec filet "or" de part et d'autre, roulette "or" en place des nerfs avec un filet "or" de part et d'autre, entre-nerfs à fleuron "or" avec fleuron à froid encré de noir de part et d'autre, coiffe supérieure légèrement arasée, mors décorés à froid d'un filet à froid, papier peigné marron et crème aux plats, tête lisse dorée, gouttière et tranche de queue lisses, Première monographie de Pablo Picasso abondamment illustrée comprenant en fin de volume la reproduction à pleine page de 6 eaux-fortes, 31 dessins et de 62 peintures (hors-texte en noir). Avec table des illustrations, bibliographie, et oeuvres illustrées + Buste de Picasso par Pablo Gargallo en frontispice en noir, 117 pages de texte, 1922 Paris, G. Crès Editeur,
书商的参考编号 : 21017
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RAYNAL, Maurice
Picasso : oeuvres des musées de Léningrad et de Moscou 1900 - 1914
Paris, Maison de la Pensée française, impr. Union, à Paris 1954 In-8 21,5 x 15,5 cm. Broché, doos, couverture bleu-ardoise, titre en noir sur le premier plat, 6 pp. de texte, 22 reproductions d’oeuvres en noir & blanc à pleine page. Exemplaire en très bon état.
书商的参考编号 : 110168
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RAYNAL (Maurice).
PICASSO. Oeuvres des musées de Léningrad et de Moscou.
Paris, Maison de la Pensée Française, 1954, 1 broché, dos insolé. in-8 de 8 pages de texte et de 22 planches photos ;
书商的参考编号 : 16690
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RAY, MAN [MAN RAY]. PICASSO, PABLO
Photograph: Portrait of Picasso
<p>Paris: np 1932. Fine. MAN RAY CAPTURES PICASSO'S ESSENCE IN LEGENDARY PORTRAIT. AN ICONIC PHOTOGRAPH WITH IMPORTANT PROVENANCE: From the famous Sotheby's sale of 1995 of items from the "Estate of Juliet Man Ray The Man Ray Trust and the Family of Juliet Man Ray". The son of Russian-Jewish immigrants Emmanuel "Manny" Radnitzky 1890-1976 grew up in Brooklyn New York. He displayed creative abilities from a young age and studied to be a painter. He adopted "Man Ray" as his pseudonym and in 1915 formed the New York group of Dada artists with Marcel Duchamp. In the 1920s and 1930s Paris was the destination for the international avant-garde offering an exceptional number of galleries art dealers and wealthy patrons who promised artistic freedom. Man Ray sailed to the "City of Light" in 1921 joined Parisian Dada and Surrealist circles and became intimate associates with Pablo Picasso Max Ernst and other leading artists. He pursued fashion and portrait photography creating a pantheon of the city's cultural life. "As a photographer I was in demand" Ray explained to John Bainbridge a writer at The New Yorker. "I was like a doctor. Everybody needed me." Bolz To be photographed by Man Ray meant you had made it in the Parisian art world.<br /><br />Ray often said that Old Masters especially Hans Holbein the Younger Rembrandt and Vermeer inspired his portraits. "I. admired the respect with which they treated the proportions of human features" he wrote in an article published in Modern Photography magazine in November 1957. He also made considerable technological advancements in the field by creating "rayographs" photographic images composed of ordinary objects placed on photo sensitive paper exposed to light and developing solarization the process of tone reversal observed in cases of extreme overexposure. "I photograph the things that I do not wish to paint the things which already have an existence" Ray said. Schwarz 10 Ray sought to create a sense of drama and mystery believing that his photography could transcend the mechanical nature of a camera.<br /><br />When photographing his friends and colleagues Ray's emotional and psychological insights allowed him to expose the soul of each subject. One such subject and friend was Pablo Picasso. Man Ray and Picasso met in 1921 in Paris. They became friends through their connection to Surrealism spending holidays together and collaborating on creative pursuits. In his autobiography Man Ray described Picasso: "He gave me the impression of a man who was aware of all that was going on about him and in the world in general a man who reacted violently to all impacts but had only one outlet to express his feelings: painting." Man Ray 177 The intensity and awareness that Man Ray described is masterfully captured in his portraits of the painter.<br /><br />This photo we have on offer is from Man Ray's renowned series of Picasso portraits and coincided with the publication of the first volume of Picasso's catalogue raisonné reflecting the critical position Picasso's work occupied in the French artistic establishment. In this almost sculptural photograph from 1932 Man Ray unusually presented Picasso in an open trench coat over his jacket and tie. Picasso's dark hair is slicked down and his smooth face looks directly into the camera. Ray used light on the outlines of Picasso's face to create a contemplative image that showed him as a dark and shadowy figure juxtaposed against the light background. Picasso's riveting gaze also conveys a reflective and sober mood. This print has the Man Ray stamps M28 and M30 on the reverse and was lot 348 from the sale of the "Estate of Juliet Man Ray The Man Ray Trust and the Family of Juliet Man Ray" Sotheby's March 22 and 23 1995. <br /><br />Man Ray and Picasso remained close confidantes after this collaboration and during the summer of 1937 Man Ray filmed his friends including Pablo Picasso during a trip to the French Riviera. The result was On the French Riviera with Man Ray and Picasso a documentary film which portrayed the friendship of Picasso and Ray at the center of a close-knit community of artists.<br /><br />German occupation led Ray to leave Paris for the United States in 1940. He lived and worked in New York and Los Angeles returning to Paris in 1951 and resuming his friendship with Picasso and other artists. Ray died in Paris in 1976 yet his creativity and innovative techniques which demonstrate the distinctive cultural landscape of Paris during the interwar period had a substantial influence on contemporary art. Contributing to magazines like Vogue Vanity Fair and Harper's Bazaar he paved the way for Richard Avedon Annie Leibovitz and other artistic photographers. Ray achieved international recognition for his photography which he elevated to an art form. On May 14 2022 Man Ray's Le Violon d'Ingres 1924 sold for $12.4 million setting a new world record as the most expensive photograph ever sold at auction.<br /><br />He was a masterful portraitist renowned for capturing the essence of his subject's personality and mood. This collaboration between two of the most prolific creative and eclectic artists of the twentieth century had truly spectacular results.<br /><br />Provenance: Sotheby's London 22nd and 23rd March 1995 Lot 348: "Property of the Estate of Juliet Man Ray The Man Ray Trust and the Family of Juliet Man Ray."<br /><br />Image/Print Size: 9 x 11 3/4 in. Elegantly framed with wooden frame under UV-protecting museum glass to an overall size of 20 ½ x 24 ½ inches.<br /><br />Paris: 1932; printed later. Silver print. With Man Ray stamps on reverse: M28 and M30 - 'Man Ray 31 bis Rue Campagne Première Paris XIVe' and the copyright stamp ADAGP. Fine condition.<br /><br /><br />References:<br /><br />Diane M. Bolz. "Visual Moment: Man Ray in Paris." Moment Magazine. Winter Issue 2022.<br /><br />The Editors of Encyclopaedia Britannica. "Man Ray." Encyclopedia Britannica. 14 Nov. 2022.<br /><br />Arthur Lubow. Man Ray: The Artist and His Shadows. New Haven: Yale University Press 2021. <br /><br />Man Ray. Photographs by Man Ray: 1920 Paris 1934. Hartford: James Thrall Soby 1934. <br /><br />Man Ray. Self Portrait. London: Bloomsbury 1988.<br /><br />Man Ray and Jean-Hubert Martin. Man Ray Photographs. London: Thames and Hudson 1982.<br /><br />Arturo Schwarz. Man Ray: The Rigour of Imagination. London: Thames and Hudson 1977. <br /><br />Slate Photo. "Man Ray's Portraits." Slate Magazine. February 6 2013.<br /><br />Alden Whitman. "Man Ray is Dead in Paris at 86; Dadaist Painter and Photographer." The New York Times. November 19 1976.</p> np
书商的参考编号 : 2650
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RAY, MAN [MAN RAY]. PICASSO, PABLO
Photograph: Portrait of Picasso
Paris: np 1932. Fine. MAN RAY CAPTURES PICASSO'S ESSENCE IN LEGENDARY PORTRAIT. AN ICONIC PHOTOGRAPH WITH IMPORTANT PROVENANCE: From the famous Sotheby's sale of 1995 of items from the "Estate of Juliet Man Ray The Man Ray Trust and the Family of Juliet Man Ray". The son of Russian-Jewish immigrants Emmanuel "Manny" Radnitzky 1890-1976 grew up in Brooklyn New York. He displayed creative abilities from a young age and studied to be a painter. He adopted "Man Ray" as his pseudonym and in 1915 formed the New York group of Dada artists with Marcel Duchamp. In the 1920s and 1930s Paris was the destination for the international avant-garde offering an exceptional number of galleries art dealers and wealthy patrons who promised artistic freedom. Man Ray sailed to the "City of Light" in 1921 joined Parisian Dada and Surrealist circles and became intimate associates with Pablo Picasso Max Ernst and other leading artists. He pursued fashion and portrait photography creating a pantheon of the city's cultural life. "As a photographer I was in demand" Ray explained to John Bainbridge a writer at The New Yorker. "I was like a doctor. Everybody needed me." Bolz To be photographed by Man Ray meant you had made it in the Parisian art world.<br /> <br /> Ray often said that Old Masters especially Hans Holbein the Younger Rembrandt and Vermeer inspired his portraits. "I. admired the respect with which they treated the proportions of human features" he wrote in an article published in Modern Photography magazine in November 1957. He also made considerable technological advancements in the field by creating "rayographs" photographic images composed of ordinary objects placed on photo sensitive paper exposed to light and developing solarization the process of tone reversal observed in cases of extreme overexposure. "I photograph the things that I do not wish to paint the things which already have an existence" Ray said. Schwarz 10 Ray sought to create a sense of drama and mystery believing that his photography could transcend the mechanical nature of a camera.<br /> <br /> When photographing his friends and colleagues Ray's emotional and psychological insights allowed him to expose the soul of each subject. One such subject and friend was Pablo Picasso. Man Ray and Picasso met in 1921 in Paris. They became friends through their connection to Surrealism spending holidays together and collaborating on creative pursuits. In his autobiography Man Ray described Picasso: "He gave me the impression of a man who was aware of all that was going on about him and in the world in general a man who reacted violently to all impacts but had only one outlet to express his feelings: painting." Man Ray 177 The intensity and awareness that Man Ray described is masterfully captured in his portraits of the painter.<br /> <br /> This photo we have on offer is from Man Ray's renowned series of Picasso portraits and coincided with the publication of the first volume of Picasso's catalogue raisonné reflecting the critical position Picasso's work occupied in the French artistic establishment. In this monumental photograph from 1932 Man Ray unusually presented Picasso in an open trench coat over his jacket and tie. Choosing to shoot this portrait in profile he captured Picasso's pensive expression. Ray used a bold lighting effect and an unadorned background so as not to detract from the subject. Picasso is slightly out-of-focus creating a subtle softness. The print is also on thin tissue-like paper creating texture and depth. Man Ray was famous for experimenting with different types of paper for his prints. This 1932 Portrait of Picasso was selected for Man Ray's seminal 1934 album which included his most important photographs. This print has the Man Ray stamps M28 and M30 on the reverse and was lot 487 from the sale of the "Estate of Juliet Man Ray The Man Ray Trust and the Family of Juliet Man Ray" Sotheby's March 22 and 23 1995. <br /> <br /> Man Ray and Picasso remained close confidantes after this collaboration and during the summer of 1937 Man Ray filmed his friends including Pablo Picasso during a trip to the French Riviera. The result was On the French Riviera with Man Ray and Picasso a documentary film which portrayed the friendship of Picasso and Ray at the center of a close-knit community of artists.<br /> <br /> German occupation led Ray to leave Paris for the United States in 1940. He lived and worked in New York and Los Angeles returning to Paris in 1951 and resuming his friendship with Picasso and other artists. Ray died in Paris in 1976 yet his creativity and innovative techniques which demonstrate the distinctive cultural landscape of Paris during the interwar period had a substantial influence on contemporary art. Contributing to magazines like Vogue Vanity Fair and Harper's Bazaar he paved the way for Richard Avedon Annie Leibovitz and other artistic photographers. Ray achieved international recognition for his photography which he elevated to an art form. On May 14 2022 Man Ray's Le Violon d'Ingres 1924 sold for $12.4 million setting a new world record as the most expensive photograph ever sold at auction.<br /> <br /> He was a masterful portraitist renowned for capturing the essence of his subject's personality and mood. This collaboration between two of the most prolific creative and eclectic artists of the twentieth century had truly spectacular results.<br /> <br /> Provenance: Sotheby's London 22nd and 23rd March 1995 Lot 487: "Property of the Estate of Juliet Man Ray The Man Ray Trust and the Family of Juliet Man Ray."<br /> <br /> Image/Print Size: 6 3/4 x 9 3/8 in. Elegantly framed with wooden frame under UV-protecting museum glass to an overall size of 20 ½ x 24 ½ inches.<br /> <br /> Paris: 1932; printed later. Silver print on thin paper. With Man Ray stamps on reverse: M28 and M30 - 'Man Ray 31 bis Rue Campagne Première Paris XIVe' and with the copyright stamp ADAGP. Fine condition. <br /> <br /> <br /> References:<br /> <br /> Diane M. Bolz. "Visual Moment: Man Ray in Paris." Moment Magazine. Winter Issue 2022.<br /> <br /> The Editors of Encyclopaedia Britannica. "Man Ray." Encyclopedia Britannica. 14 Nov. 2022.<br /> <br /> Arthur Lubow. Man Ray: The Artist and His Shadows. New Haven: Yale University Press 2021. <br /> <br /> Man Ray. Photographs by Man Ray: 1920 Paris 1934. Hartford: James Thrall Soby 1934. <br /> <br /> Man Ray. Self Portrait. London: Bloomsbury 1988.<br /> <br /> Man Ray and Jean-Hubert Martin. Man Ray Photographs. London: Thames and Hudson 1982.<br /> <br /> Arturo Schwarz. Man Ray: The Rigour of Imagination. London: Thames and Hudson 1977. <br /> <br /> Slate Photo. "Man Ray's Portraits." Slate Magazine. February 6 2013.<br /> <br /> Alden Whitman. "Man Ray is Dead in Paris at 86; Dadaist Painter and Photographer." The New York Times. November 19 1976. np unknown
书商的参考编号 : 2651
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Raymond RADIGUET - Pablo PICASSO
Les Joues en Feu
Paris: Grasset 1925. Fine. Grasset Paris 1925 12 x 19 cm broché Edition with some parts in first edition one of 1100 numbered copies on pure thread paper. Work illustrated with a portrait of the author by Pablo Picasso. Spine with a very slight lack at foot. Grasset unknown
书商的参考编号 : 79936
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Raynal Maurice; Picasso
Picasso. Aus dem franzosischen Manuskript ubersetzt Mit 8 Kupferdrucken und 95 Abbildungstafeln nach Radierungen Hanzeichnungen Skulpturen und Gemalden
Munchen: Delphin-Verlag 1921. Hardcover. Very Good. Illustrated paper over boards. Some very light rubbing and chipping and spine tips and corners. <br/><br/> Delphin-Verlag hardcover books
书商的参考编号 : D1255
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RAYNAL M. (cur.)
Picasso.
pp. 140 con num. e belle. ill. a col. applicate. Ottima monografia scritta da un amico intimo del grande artista spagnolo.
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RAYNAL Maurice
Picasso
in 16° quadrotto, pp. 135, 1, p/tela editoriale color panna con tit. rossi, sovracop. ill. e custodia in cartoncino. Collana: Le Gout de Notre Temps diretta da A. Skira; ottima monografia con m. belle ill. a colori applicate. Strappetti riparati alla sovracop. 369/30
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RAYNAL Maurice -
Picasso. Etudes biographique et critique.
Genève, Skira, 1953, 16mo legatura editoriale tutta tela con sovraccopertina illustrata a colori, pp. 135 con numerosissime tavole a colori applicate alla pagina.
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Raynal, Maurice; Picasso
Picasso. Aus dem franzosischen Manuskript ubersetzt Mit 8 Kupferdrucken und 95 Abbildungstafeln nach Radierungen Hanzeichnungen Skulpturen und Gemalden
Munchen: Delphin-Verlag 1921. Hardcover. Very Good. Illustrated paper over boards. Some very light rubbing and chipping and spine tips and corners. <br/><br/> Delphin-Verlag hardcover
书商的参考编号 : D1255
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REGNIER (Gérard)
Picasso, une nouvelle dation.
Paris, Réunion des musées nationaux, 1990 1 volume 21,5 x 27cm Broché sous couverture au 1er plat illustré couleurs. 298p., 1feuillet; très nombreuses illustrations en noir et en couleurs, vignettes et pleines pages + pochette de 18 feuilles. Volume en très bon état; petite déchirure au dos du dossier.
书商的参考编号 : 17671
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RegardsLe Gérant : Jolivet
Regards Couverture : 14 avril. Anniversaire de la République espagnole. 1931-1946XVe anniversaire de la république espagnole, par Arturo Serrano Plaja - Il n'y a plus de Pyrénées (Edith Thomas) - Ceux qui travaillent à la renaissance de l'Espagne - Hommage aux artistes en exil - Le génie espagnol sur la terre française. Pablo Picasso, Fenosa... (Jean Cassou) - Brimé par Franco, le cinéma espagnol attend sa libération - Fictions et réalité dans l'Espagne d'aujourd'hui (John Kimche) - Ce que Franco nous enseigne (André Wurmser) - Les franquistes à Paris - ...4me de couverture : Maria Casarès
Numéro entièrement consacré à l'Espagne - 15e année - n° 36 - 12 avril 1946 - nouvelle série - revue illustrée - in-4 broché
书商的参考编号 : 61005
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REGNIER (Gérard)
Picasso, une nouvelle dation.
Catalogue de l'exposition présentée en 1990-1991 aux Galeries nationales du Grand Palais (Paris), organisée par la Réunion des musées nationaux: 47 peintures, 2 sculptures, 40 dessins, 24 carnets, 245 estampes, 19 céramiques, et papier collé de Georges Braque, avec notices, commentaires et illustrations en noir et en couleurs et notes bibliographiques; introduction de Gérard REGNIER, commissaire général; expositions et affectations. Exemplaire enrichi du dossier de presse, pochette de 18 feuilles, pour l'essentiel tirés à part d'une documentation issue de l'ouvrage: renseignements pratiques sur l'exposition, préface du catalogue, définition juridique d'une dation (absente de l'ouvrage), Jacqueline Picasso et présentation de cette nouvelle dation, sa répartition, présentations des peintures, sculptures, dessins, carnets, céramiques, estampes et du papier collé de Georges Braque, liste des oeuvres classée par lieu d'affectation, repères biographiques, listes des photos de presse et de 12 films sur Picasso (absentes de l'ouvrage). Français
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Reinhardt, Brigitte
Pablo Picasso : in der Verwandlung , Zeichnung und Druckgraphik aus der Sammlung Marina Picasso.
Ostfildern : Cantz, 1994. 1. Aufl. 125 S., mit vielen Abb. 4°, OPp, schöner Zust.
书商的参考编号 : 22152
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Reinhardt, Brigitte (Herausgeber)
Pablo Picasso : in der Verwandlung ; Zeichnung und Druckgraphik aus der Sammlung Marina Picasso.
Ostfildern : Cantz, [1994]. 125 Seitn. Mit zahlreichen farbigen Abbildungen. 28 cm Originalbroschur.
书商的参考编号 : 284481
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Reinhardt, Brigitte (Hrsg.) und Pablo (Ill.) Picasso
Pablo Picasso : in der Verwandlung ; Zeichnung und Druckgraphik aus der Sammlung Marina Picasso ; 9. Oktober bis 4. Dezember 1994, Ulmer Museum.
Ulm : Ulmer Museum, 1994. 125 S. : überw. Ill. 4°, Broschiert
书商的参考编号 : 74645
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Reitaro Fujii, Shuji Takashina, Ren Ito, Tadaya Takahashi (Picasso Grand Retrospective), Torao Miyagawa (Yoshio Mori visiting th
Bijutsu Techo No. 279 February 1967 Special Feature: Masters of Modern Art - Cezanne <Japanese Version>
Bijutsu shubbansha 1967. Soft Cover. Fine. The book is in fine condition. Bijutsu shubbansha paperback
书商的参考编号 : 2092902137306480
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René Char
Artine et autres poèmes
Tchou 1967 120 pages in8. 1967. broché. première édition. 120 pages. Artine et autres poèmes est un recueil de poèmes de René Char publié en 1967 par les éditions Tchou dans la collection 'Bibliothèque poésie'. L'ouvrage contient 123 pages et inclut un frontispice de Picasso
书商的参考编号 : 5914
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René Guy CADOU - Pablo PICASSO
Esthétique de Max Jacob
Seghers | Paris 1956 | 12 x 22.7 cm | Broché
书商的参考编号 : 89979
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René Groos et Gonzague Truc. Avec des dessins de C. Abin, Axelle, J. de Bosschère, J. Cocteau, R. Delaunay, A. de Noailles, Picasso, Prybil, Carlo Rim
Les lettres. Tableaux de XXème siècle (1900-1933)
Paris, Denoël et Steele, 1934, in-8, Demi-reliure à coins, 356 pages. Quelques épidermures à la reliure sinon bon exemplaire.
书商的参考编号 : 6285
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Rene Guy CADOU - Pablo PICASSO - (Max JACOB)
Esthétique de Max Jacob Aesthetics of Max Jacob
Paris: Seghers 1956. Fine. Seghers Paris 1956 12 x 22.7 cm Broché First edition one of 10 lettered copies on Holland paper the only deluxe copies.Illustrated on the cover with a portrait of Max Jacob by Pablo Picasso.A rare and handsome copy. Seghers unknown
书商的参考编号 : 89979
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Renoir, Pierre-Auguste; Pablo Picasso; Andre Romanet; Et Al
Deux Cents Aquarelles Et Dessins De Renoir a Picasso - Galerie Romanet Paris - Novembre 1963 - NUMBERED COPY
Paris France: Editions Romanet. As New. 1963. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - NUMBERED COPY. Text in French. 200 works catalogued; many illustrations most in color. Among the artists reprented Boudin Picabia Guillaumin Lebasque and others. -- with a bonus offer-- . Editions Romanet paperback
书商的参考编号 : 53851
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Resch, Franz
Französische Malerei von Delacroix bis Picasso
Wolfsburg, ; Volkswagenwerk, 1961. 116 Seiten , 27 cm, kartoniert
书商的参考编号 : 28203
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REVUES]
Arts et Métiers Graphiques : Le Livre d'art international.
Paris n° 26, 15 novembre 1931 1 vol. broché in-4, broché. Numéro double de 100 pp. et 36 planches hors-texte par Masereel, Elskamp, Alexeieff, Galanis, Lydis, Dufy, Vox, L.-A. Moreau, Pascin, Dunoyer de Segonzac, Degas, Picasso. Texte de Jean Bruller sur le livre d'art en France.
书商的参考编号 : 18175
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REVUES]
Arts et Métiers Graphiques : Le Livre d'art international.
Paris n° 26, 15 novembre 1931 1 vol. broché in-4, broché. Numéro double de 100 pp. et 36 planches hors-texte par Masereel, Elskamp, Alexeieff, Galanis, Lydis, Dufy, Vox, L.-A. Moreau, Pascin, Dunoyer de Segonzac, Degas, Picasso. Texte de Jean Bruller sur le livre d'art en France.
书商的参考编号 : 18175
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REVERDY, Pierre
COEUR DE CHÊNE. Illustré de gravures sur bois par Manolo.
Paris, Editions de la Galerie Simon, [D.H. Kahnweiler], 1921. Petit in-4 (235 x 165 mm mm), non paginé, broché sous couverture de papier ivoire imprimée sur le premier plat. Édition en partie originale, illustrée de 8 bois gravés par Manolo, dont quatre à pleine page. Tirage limité à 112 exemplaires, celui-ci un des 90 exemplaires sur Hollande (n°76) signés à l'encre par le poète et l'artiste. Le seul livre illustré par Manuel Martinez Hugué, dit Manolo. Manolo (1872-1945), sculpteur et peintre catalan né à Barcelone, vint à Paris dès 1892, puis de 1901 à 1910. Juan Gris, Braque et Picasso vinrent le rejoindre, pour d'assez longs séjours, lorsqu'il se fixa à Céret dans les Pyrénées. « Il était un des rares aînés de Picasso à le traiter comme un jeune homme » (Pierre Daix). À partir de 1910, grâce au soutien de D.-H. Kahnweiler, son marchand et l'éditeur de l'ouvrage présenté ici, il obtient du succès : il expose à l’Armory Show de 1913 à New York puis en Allemagne et à Paris. Par la suite, il présente régulièrement ses œuvres aux Etats-Unis, en Espagne et en France. En 1932, la France le célèbre en lui consacrant une importante exposition au Grand Palais. Comme pour les toreros ou les gitanes, la maternité constitue l’un des sujets récurrents de l’œuvre de Manolo : Mère et fils (1929), Maternité au baiser (1929), Maternité (1938), Maternité à la grappe de raisin (1940). Manolo utilise chaque occurrence du thème pour explorer une solution plastique nouvelle.
书商的参考编号 : 1775
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Revue trimestrielle d'art et de littérature
Documents sur Picasso 2/3
Revue trimestrielle d'art et de littérature 1978 In-4 broché 25 cm sur 20,7. 116 pages. Bon état d’occasion.
书商的参考编号 : 103822
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REVUES]
Feuilles (Les) libres. N° 34.
Paris Librairie Stock, novembre-décembre 1923, nov. - déc. 1923 1 vol. Broché in-8, broché, pp. 211 à 269, 7 dessins inédits de Picasso, fac-similé d'un poème de Rimbaud. Textes de R. Radiguet, J. Cocteau ("Picasso"), P. Eluard, G. Ribemont-Dessaignes, T. Tzara, P. Soupault, René Crevel, etc. Bien complet du hors-texte de Picasso.
书商的参考编号 : 124763
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