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‎PICASSO, Pablo.‎

‎Picasso. Worte une Gedanken von Pablo Picasso. Vorwort von Alfred H. Barr, Jr. Bildkommentare von Roland Penrose. Mit 83 Farbtafeln und 56 Schwarz-Weiss-Abbildungen.‎

‎Basel, Editions Beyeler 1967 / 1968, 305x245mm, 207Seiten, Verlegereinband mit Umschlag. Sehr schönes Exemplar.‎

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書籍販売業者の参照番号 : 83566

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‎PICASSO, Giorgio. - PIANA, Giannino. - MOTTA, Giuseppe.‎

‎A pane e acqua. Peccati e penitenze nel Medioevo. Collezione Medioevo, Facciamo parlare i protagonisti, Collana di documenti, testi e saggi.‎

‎Novara, Europia 1986, 230x150mm, 198pagine, in brossura. Copertine con alette. Ottimo stato.‎

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書籍販売業者の参照番号 : 90041

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‎(PICASSO)‎

‎L’oeuvre gravé de Picasso (des débuts à 1955). Introduction et choix de Bernhard Geiser, traduction de Gustave Roud, documentation de Hans Bolliger.‎

‎Lausanne, Editions Clairefontaine 1955, 285x220mm, 168pages, Cartonné sous couverture illustrée rempliée de l’éditeur. Très bel exemplaire.‎

‎127 photos en héliogravure, Pour un paiement via PayPal, veuillez nous en faire la demande et nous vous enverrons une facture PayPal‎

書籍販売業者の参照番号 : 90654

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‎PICASSO. - LEYMARIE, Jean.‎

‎Picasso. Métamorphoses et unité. Avec témoignages de poètes et amis de l’artiste.‎

‎Genève, Editions d’Art Albert Skira 1971, 350x280mm, X - 306pages, reliure d'éditeur sous jaquette. Quelques petites déchirures sur les bords de la jaquette. Bel exemplaire.‎

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書籍販売業者の参照番号 : 93205

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‎Picasso, Pablo.‎

‎La chute d’Icare de Pablo Picasso. Collection Les Sentiers de la Créations.‎

‎Genève, Skira 1971, 230x165mm, 118pages, reliure d'éditeur. Reliure en cuir sous emboîtage, cuir légèrement éraflé au dos, autrement bon état.Exemplaire de luxe numéroté 356/1125.‎

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書籍販売業者の参照番号 : 111778

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‎Picasso, Pablo.‎

‎40 Dessins de Picasso en marge du Buffon.‎

‎Paris, Jonquières 1957, 380x285mm, 40pages, broché. Jaquette rodhoïde. Exemplaire numéroté sur papier vélin du Marais 1987/2000. Bel exemplaire.‎

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書籍販売業者の参照番号 : 112475

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‎DAIX, Pierre. - PICASSO.‎

‎Picasso. L'africain.‎

‎Genève, Musée Barbier-Mueller 1998, 275x210mm, 71pages, broché. Couverture à rabats. Très bel exemplaire.‎

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書籍販売業者の参照番号 : 113764

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‎PICASSO.‎

‎Artistes espagnols du XXe siècle, 44 dessins de Picasso.‎

‎Genève, Galerie Jan Krugier 1989, 255x205mm, broché. En feuilles sous chemise cartonnée. Bel exemplaire.‎

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書籍販売業者の参照番号 : 114045

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‎Picasso, Pablo.‎

‎Pablo Picasso Toros y Toreros. Texte de Luis Miguel Dominguin et une étude de Georges Boudaille.‎

‎Paris, Editions Cercle d’Art 1980, 390x280mm, reliure d'éditeur. jaquette rodhoïde avec par endroits des déchirures, autrement l’ouvrage en lui-même est en parfait état.‎

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書籍販売業者の参照番号 : 114180

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‎PICASSO.‎

‎Picasso. Dessins d'un demi-siècle.‎

‎Paris, Berggruen & Cie. 1956, 220x115mm, broché. La couverture est une lithographie originale en quatre couleurs de Picasso, spécialement composée par l’artiste pour cette plaquette. Bel exemplaire.‎

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書籍販売業者の参照番号 : 114447

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‎Collectif - Floc'h, Eberoni, Loulou Picasso, Chaland, Jano, Cathy Millet, Rosse, Caro, Fromental:‎

‎Banque de France.‎

‎Conception et réalisation Floc'h et Fromental 1986 Irrésistible petit in-12 broché, couverture illustrée en couleurs, premier plat orné d'un billet de banque à l'effigie de BB.‎

‎Avec la participation de Floc'h, Eberoni, Loulou Picasso, Chaland, Jano, Cathy Millet, Rosse, Caro et Fromental, qui ont chacun dessiné le verso et le recto de leur billet banque personnel, à l'effigie d'une personne célèbre de leur choix. Comme neuf.‎

書籍販売業者の参照番号 : 153

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‎Picasso Kiki:‎

‎Art mically - Sérigraphie signée et numérotée.‎

‎1982. Sérigraphie au format 63 x 90 cm, signée. Tirage limité à 100 exemplaires, le nôtre portant le numéro 112.‎

書籍販売業者の参照番号 : 2212

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‎Picasso Kiki:‎

‎Arts ménagers, tirage rouge - Sérigraphie signée et numérotée.‎

‎1982. Sérigraphie au format 76 x 56 cm, signée. Tirage limité à 125 exemplaires, le nôtre portant le numéro 49.‎

書籍販売業者の参照番号 : 2213

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‎Picasso Kiki:‎

‎Arts ménagers, tirage vert - Sérigraphie signée et numérotée.‎

‎1982. Sérigraphie au format 76 x 56 cm, signée. Tirage limité à 125 exemplaires, le nôtre portant le numéro 10.‎

書籍販売業者の参照番号 : 2214

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‎Picasso Kiki:‎

‎Arts ménagers, tirage violet - Sérigraphie signée et numérotée.‎

‎1982. Sérigraphie au format 76 x 56 cm, signée. Tirage limité à 125 exemplaires, le nôtre portant le numéro 25.‎

書籍販売業者の参照番号 : 2215

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‎Picasso Pablo:‎

‎La Habitación Azul.‎

‎Port Saïd ediciones / Centro de Arte Reina Sofia. Affiche d'exposition au format 68 x 50, en belle condition.‎

書籍販売業者の参照番号 : 3423

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‎Collectif - Goodwin, Heath, Evans, Williamson, Torres, Crandall, Toth, Truchaud, Wood, Severin, Morrow, Philippe Druillet, Paucard, Chaland, Cornillon, Caro, Ceppi, Crespoin, Goimard, Kiki Picasso et al.:‎

‎Métal hurlant 42. Hors série, spécial guerre.‎

‎Les Humanoïdes Associés, Métal Hurlant, 1979. In-4 broché, second plat illustré par Kiki Picasso. En belle condition.‎

‎Numéro hors-série de cette revue majeure de la presse pour adulte, tout d'abord consacrée à la science fiction et qui révéla bon nombre de grands noms de la bande dessinée.‎

書籍販売業者の参照番号 : 6033

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‎Picasso Pablo, Leiris Michel (préface):‎

‎Picasso - Ecrits.‎

‎Paris, Gallimard / Réunion des musées nationaux, 1989. Fort volume in-folio, pleine toile noire ornée d’un fac-similé autographe, jaquette, étui noir muet. Splendide et ici en belle condition. Illustré de reproductions en noir et en couleurs, nombreux fac-similé autographes.‎

‎Textes établis, présentés et annotés par Marie-Laure Bernadac et Christine Piot. Textes en espagnol traduits par Albert Bensoussan.‎

書籍販売業者の参照番号 : 6424

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‎Picasso Pablo:‎

‎Propos sur l’art.‎

‎Gallimard, collection Art et artistes, 1998. In-8 broché, couverture photographique. Quelques reproductions in-texte en noir.‎

‎Edition de Marie-Laure Bernadac et Androula Michael.‎

書籍販売業者の参照番号 : 6515

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‎Picasso Marina:‎

‎Grand-père.‎

‎Denoël, 2001. In-8 broché, couverture ornée d’un portrait du « Grand-père » Pablo Picasso. Illustré d’un cahier de photographies hors-texte en noir.‎

‎"Mon père me tient par la main. Sans un mot, il s'avance vers le portail qui défend la maison de mon grand-père. Mon frère, Pablito, nous suit à quelques pas. J'ai six ans, Pablito pas tout à fait huit. Mon père sonne. J'ai peur comme à chaque fois. Le gardien de La Californie apparaît : " Monsieur Paul, vous aviez rendez-vous ? - Oui ", bredouille mon père. Il a lâché ma main pour que je ne sente pas à quel point la sienne est devenue moite. " Je vais voir si le maître peut vous recevoir. " Le portail se referme. Il pleut, mais nous devons attendre le bon plaisir du maître. Comme samedi dernier. Et le jeudi d'avant. Pablito est venu se coller à moi. Nous nous sentons coupables. De nouveau la grille s'ouvre et le gardien laisse tomber la sentence : " Le maître ne peut pas vous recevoir aujourd'hui. Madame m'a demandé de vous dire qu'il travaillait... " Grand-père, c'est l'histoire de Picasso, le plus grand génie du siècle vu à travers les yeux d'une enfant, Marina, sa petite-fille. En 1973, à la mort du peintre, elle a vingt-deux ans. Pendant trente ans elle se tait. Il lui aura fallu toutes ces années pour mettre des mots sur sa souffrance, pour caresser avec une émotion infinie et pleine de pudeur cette cicatrice. De la manière la plus intime, la plus terrible, Marina Picasso écrit jusqu'au-delà de la douleur, là où se trouve aujourd'hui sa liberté : ses enfants et ceux du bout du monde."‎

書籍販売業者の参照番号 : 9147

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‎Picasso Pablo:‎

‎El Beso - Plat en verre.‎

‎Paris, Editions MBE Basia Embiricos / Succession Picasso, 2001. Plat en verre au format 22 x 19,5, sous carton imprimé. Ce dernier comporte quelques frottements, le plat est en très bon état. Bien complet du petit feuillet volant bilingue français-anglais.‎

書籍販売業者の参照番号 : 9736

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‎[Picasso] Florian Rodari:‎

‎Un dimanche avec Picasso.‎

‎Genève, Skira, collection Skira jeunesse, 1991. In-4, cartonnage couleurs. Illustré à toutes pages de photographies et de reproductions de l'artiste. Tout beau tout neuf.‎

書籍販売業者の参照番号 : 11708

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La Bergerie
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‎Collectif - Crumb, Kiki Picasso, Voss, Clerc, Tramber, Dodo, Ben Radis, Eisner, Sire, Vuillemin, Jano, Hé, Max, Armand, Bernalin, Arno, Hutchinson, Muzo, Margerin, Ouin, Rosier, Béja, Dionnet, Manoeuvre, Zanfrognino, Morisi, Ferrandez, Rodolphe, Jugé, Narès, Gillon:‎

‎Métal Hurlant 83 bis - Spécial Rock.‎

‎Les Humanoïdes Associés, Métal Hurlant, 1983. In-4 broché, couverture ornée d'un portrait des Beatles par Jacquette. Bien complet du disque vinyle souple.‎

書籍販売業者の参照番号 : 12083

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La Bergerie
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‎[Picasso Pablo] Bernhard Geiser, Gustave Roud (trad.), Hans Bolliger (doc.):‎

‎L'oeuvre gravé de Picasso.‎

‎Lausanne, la Guilde du livre, sans date. In-4, cartonnage illustré. Infime frottements aux mors, état frisant néanmoins le neuf.‎

‎Réédition (il y en eut plusieurs) mais, à notre avis qui vaut ce qu'il vaut, la reliure la plus élégante de toutes les éditions successives.‎

書籍販売業者の参照番号 : 14473

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‎Eluard Paul, Cocteau Jean, Picasso Pablo (couv.), Clergue Lucien (phot.):‎

‎Corps mémorable.‎

‎Paris, Pierre Seghers, 1957. Grand in-8, cartonnage muet sous jaquette illustrée par Picasso (légèrement défraîchie en bords), rhodoïd (ce dernier jauni avec déchirures et petit manques). Illustré de photographies en noir de Lucien Clergue.‎

書籍販売業者の参照番号 : 14692

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‎[Picasso, Braque] William Rubin:‎

‎Picasso and Braque. Pioneering Cubism.‎

‎New York, The Museum of Modern Art, 1989. Fort volume in-4 (460 pages) broché, couverture couleurs, un peu défraîchie (traces de plis et petits frottements). Illustré de nombreuses reproductions en noir et en couleurs.‎

書籍販売業者の参照番号 : 14824

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‎[Picasso, Le Pérugin, Philippe de Champaigne, Guido Reni, Rubens, Carle Vanloo]:‎

‎Découvrir, aimer, partager les chefs-d'oeuvre des musées de France. 1995.‎

‎Alain de Gourcuff - BNP, 1995. 6 volumes grands in-8 broché, couverture colorée. Accompagnés d'un feuillet de présentation, le tout sous chemise cartonnée à rabats et attaches, vignette de titre au premier plat. En très belle condition.‎

‎Présente la restauration d'oeuvres majeures. Les toiles dont il est question ici sont: Rideau de scène pour le Théâtre du peuple, dit Rideau de scène pour le quatorze Juillet / La dépouille du Minotaure en costume d'Arlequin (Picasso) - Le mariage de la Vierge (Le Pérugin) - La Présentatioin de la Vierge au Temple (Philippe de Champaigne) - Le Christ réssuscité apparaissant à sa Mère (Reni) - L'extase de Saint-François / Saint-François recevant l'Enfant Jésus des mains de la Vierge / Saint Bonaventure (Rubens) - La chasse de l'ours / La chasse de l'autruche (Vanloo).‎

書籍販売業者の参照番号 : 15419

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La Bergerie
Le Locle Switzerland Suiza Suíça Suisse
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‎[Picasso, Douglas Duncan] Collectif:‎

‎Picasso à l'oeuvre dans l'objectif de David Douglas Duncan.‎

‎Gallimard / Musée d'Art et d'Histoire de Genève, 2012. In-4, cartonnage illustré avec titre à froid, rhodoïd imprimé complétant le visuel de la couverture. Un très bel ouvrage, ici en belle condition. On joint deux feuillets du Musée d'Art et d'Histoire de Genève présentant l'exposition.‎

‎Publié dans le cadre de l'exposition présentée au musée d'Art et d'Histoire de Genève en février 2013 dont le commissariat général fut assuré par Laurence Madeline, conservatrice en chef, responsable du pole Beaux-arts des musées d'Art et d'Histoire de Genève. Il s'agit d'une nouvelle version de l'exposition qui passa en 2011 par le Museo Picasso de Malaga et en 2012 par le Musée Picasso de Munster, puis par Roubaix à la Piscine. Avec une préface de Jean-Yves Marin, directeur, et un avant-propos de Claude Ruiz-Picasso.‎

書籍販売業者の参照番号 : 18968

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‎Turonnet Maïté, Picasso Paloma (préf.):‎

‎Parlons parfum.‎

‎Vevey, Editions Mondo, 1993. In-4, cartonnage couleurs. En belle condition.‎

‎Au sommaire: Grand herbier du monde et petit bestiaire (fleurs, boutons, pétales, bois, écorces, mousses, feuilles, herbes, tiges, fruits, baies, zestes, graines, pépins, racines, baumes, gommes, glandes, humeurs et sécrétions,...) - Des dieux et des hommes - Tous les parfums de l'Arabie - Sombres saisons de l'an mil - Côté cour - L'art et la manière - Les temps modernes - Le parfum pratique.‎

書籍販売業者の参照番号 : 19189

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La Bergerie
Le Locle Switzerland Suiza Suíça Suisse
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‎[Picasso Pablo] Bernhard Geiser, Gustave Roud (traduction):‎

‎L'oeuvre gravé de Picasso.‎

‎Lausanne, La Guilde du livre, [1955]. In-4, cartonnage décoré. 123 reproductions. Petits frottements en coins, les coins supérieurs légèrement tassés.‎

‎Réédition (il y en eut plusieurs) mais, à notre avis qui vaut ce qu'il vaut, la reliure la plus élégante de toutes les éditions successives.‎

書籍販売業者の参照番号 : 22836

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La Bergerie
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‎[Picasso Pablo] Raymond Cogniat:‎

‎Picasso - Figures.‎

‎Lausanne, International Art Book, collection Rythmes et couleurs n°2, 1959. In-8, pleine toile titre, jaquette couleurs. En belle condition. 30 reproductions couleurs, soit 2 sur la jaquette, les autres contrecollées dans le corps du livre.‎

書籍販売業者の参照番号 : 22847

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‎"[BALLETS RUSSES] - DE BRUNOFFF, DIAGHILEV, APOLLINAIRE, COCTEU, BAKST, PICASSO etc.‎

‎Collection des plus beaux numéros de Comoedia illustré et des programmes consacrés au Ballets & Galas Russes depuis le début a Paris 1909-21. - [THE GREATEST REVOLUTION IN THE HISTORY OF THEATRE AND BALLET]‎

‎Paris, (1909-21). Folio. Silk over bevelled boards. Front board with a splendid large inset colour illustration (from ""The Firebird"" by Natalia Gontcharova). Binding sunned and with professionally restored spine. Corners a bit bumped. A bit of creasing to extremities of some leaves, as the size varies somewhat. A few loose leaves. Profusely illustrated in colour (some pochoir) and in black/white throughout. A very nice copy of this magnificent book. 4 pp., being title-page and note from the editors +1909: 2 pp. introduction + 1909 Saison Russe - Opera et Ballet: 10 pp., including a cover illustration by Bakst +1910: 3 pp. introduction + cover illustration of Comoedia Illustré no. 18 (June 15, 1910) with portrait of Catherine Gheltzer + Comoedia Illustré special issue - supplement to no. 18: 14 pp., including two cover illustrations by Bakst +1911: 2 pp. introduction + Programme Officiel des Ballets Russes. Théâtre du Châtelet. June 1911: the extra goldembellished transparent paper covers + 34 pp., including cover illustration by Bakst (Nijonsky in La Péri) and another eight illustrations by Bakst (costume designs for Narcisse and Dieu Bleu and stage design for Narcisse) + 10 pp. from the sixth season of the Ballets Russes at Chatelet, with costumes by Jean Cocteau + 10 pp. on ""Petrouchka"" and ""Schérezade"" + ""Le Carnaval"" + 1 leaf of text introducing ""Le Martyre de Saint Sébastien"": 12 pp. from Comoedia Illutré devoted to this, including a cover illustration by Bakst (showing Ida Rubinstein as St. Sebastien) +1912: 2 pp. introduction + Comoedia Illustré 7th season: 16 pp. devoted mainly to ""Dieu Bleu"" and ""Daphnis et Chloé"", including cover illustration by Bakst and a further five illustrations by Bakst (costume designs, decor and scene) + 5 pp. from Comoedia Illustré on ""Le Dieu Bleu"" + 1 p. being the illustrated cover for the June 1912 special issue of Comoedia Illusté, showing Karsavina and Bolm in Thamar (costumes by Bakst) + 8 pp. on ""Thamar"", ""Petrouchka"", and ""Scherezade"", including the 4 pp. spread on ""Scherezade"" that is laid in loose and which contains illustrations of Bakst's nine costumes + two covers mounted back-to-back from the special issue of the seventh season of the Ballets Russes, showing Bakst's illustration of Nijinsky in ""L'Après-Midi d'un Faune"" + 8 pp. on ""L'Apres Midi di Faune"" + 10 pp. from Comoedia Illustré on ""Le Carnaval"", ""Daphnis et Chloé"" + 2 pp. (""title-page"" for Ida Rubinstein in ""Hélène de Sparte"" and Salomé) + special issue on ""Hélène de Sparte"": 16 pp., including cover illustration by Bakst (of Ida Rubinsein as Helen) and a further five costume and scenic designs by Bakst + 6 pp. from Comoedia Illustré on Helen of Sparta + 4 pp. from Comoedia Illustré on Oscar Wilde's ""Salomé"" + 20 pp. including illustrations by Bakst for ""Boris Godounoff"", text on and illustrations for ""Jeux"", ""Sacre du Printemps"", ""Kowanchina"", and ""Daphnis et Chloé"" +1913: 2 pp. introduction + Eigth Season of Ballets Russes: 6 pp., including cover illustration of Schollar, Nijinsky, and Karsavina in ""Jeux"" by Valentine Gross + 1 p. (""title-page"" for Ida Rubinstein in ""La Pisanelle ou la Mort Parfumée"" with costumes by Bakst + Comoedia Illustré No. 18, June 1913: 17 pp., including cover illustration of Ida Rubinstein in ""La Pisanelle, in couture by Worth, decor by Bakst, etc. +1914: 2 pp. introduction + 28 pp. on the Ballets Russes 1914-season, including a full-page illustration of Kousnetzoff in costume by Bakst, , costume designs for ""La Légende de Joseph"" by Bakst, and a two-page costume-spread for ""Rossignol"" by Benois + 2 pp. on ""Le Rossignol"" by Maurice Ravel"" + 4 pp. from Ballets Russes on ""Le Coq d'Or"" + 2 pp. on ""Les Ballets Russes de Serge de Diaghilew"" by Calvocoressi + 1915: 1 p. introduction +1917: 1 p. introduction + the special issue of ""programme des Ballets Russes"", 1917: 26 pp., constituting THE MAY 1917 ""THÉATRE DU CHATELET"" SEPARATE PUBLICATION MAINLY DEVOTED TO JEAN COCTEAU'S GROUNDBREAKING BALLET ""PARADE"", INCLUDING APOLLINAIRE'S FAMOUS FOREWORD (COINING ""SURREALISM"") AND THE TWO FAMOUS COLOUR-ILLUSTRATIONS BY PICASSO +1919-20: 2 pp. introduction + 4 pp. of ""Les Ballets Russes a l'Opéra"", Jan-Feb. 1920 + Cover from the Comoedia Illustré special issue with costume designs for ""Tricorne"" by Picasso + the complete programme for the Ballets Russes 1919-1920: 32 pp., including drawings by Picasso, set and costume designs by Derain, and costume designs by Bakst + 1920: 2 pp. introduction + complete special issue for the ""Ballets Russes à l'Opéra"", May-June 1920: 10 pp., including cover design of costumes for ""L'Austice feminine"" and designs by Sert +1921: 2 pp. introduction + 20 pp. from Commoedia Illustré , including drawings of Strawinsky and Picasso and a 2-page spread of costume and scenic designs for ""Le Bouffon"" by Larionow. This is a stunning 380-page limited edition, compiled by the programme publishers of the Ballets Russes themselves, Maurice and Jacques de Brunoff.‎

‎Very rare limited original edition of this splendid production by the Brunoff-brothers, which constitutes a collection of the most important, most influential, and most beatiful parts of the original Ballets Russes-publications, together with explanatory forewords By V. Svetloff, written and printed for this collection. ALL THE PROGRAMMES ARE THE ORIGINAL PRINTINGS, collected and bound here in this special compilation, which presents a selection of extracts from the magazines, together with the souvenir programmes (that were published as supplements), arranged in chronological order. This work vividly documents the famous ballet company that premiered such groundbreking productions as Igor Stravinsky's Firebird, Petrushka, Rite of Spring, Parade, etc.Among the most important of all the publications present, is the magnificent May 1917 ""Théatre du Chatelet"" separate publication (mainly devoted to the ballet ""Parade""), which constitutes one of the most important publications in the history of modern art. It is here, in his presentation-article to ""Parade"" that Apollinaire coins the term ""surrealism"" and thus lays the foundation for the seminal cultural movement that Bréton came to lead. Furthermore, the ballet ""Parade"" represents a historical collaboration between several of the leading artistic minds of the early twentieth century: Erik Satie, Jean Cocteau, Pablo Picasso, Léonide Massine, and Serge Diaghilev, and is especially famous, not only for its contents and its music, but also for its magnificent costumes designed by Picasso, the drawings of which are presented in the present publication for the first time - most famously the front cover for the ""Parade""-programme, which depicts the ""Costume de Chinois du ballet ""Parade""/ aquarelle de Picasso"", an etching with original, stunning pochoir-colouring (hand-painted by Picasso himself!).This one programme epitomizes the importance and infuence of the magnificent ""Comoedia Illustré"", of which all the most important contributions are collected here, in this one stunning volume. This amazing ballet monthly was published in Paris between 1908 and 1921. The special issues are generally speaking the most important ones, as they were often devoted to the annual Paris season of Serge Diaghilev's Balletes Russes and Ida Rubinstein's Galas Russes and document the amazing endeavours of these. These groundbreaking special issues (the May 1917 being merely an example), are geerally lavishly illustrated, usually in full colour, often heightened in gold, with costume and set designs and enriched with portraits of the leading singers and dancers in the ballets. The vast amount of colour illustrations throughout this collection includes contributions to the magnificent history of the Ballets Russes by such distinguished artists as Pablo Picasso and Léon Bakst. As the groundbreaking 1917 ballet ""Parade"" - the first of the modern ballets - originally presented for the first time in the present publication, marks Picasso's entry into the public and bourgeois institutions of ballet and theatre and presents Cubism on the stage for the first time, so Bakst's splendid costume and set designs depicted over numerous issues here for the first time presents the application of art nouveau design concepts to the stage. The present compilation of original publications presents an outright revolution in the history of art, theatre, and ballet on many levels.The introductory leaves to each year are almost all written by Svetloff (= Valerian Ivchenko), who was a famous Russian critic and the first biographer of Anna Pavlova.‎

書籍販売業者の参照番号 : 53655

Livre Rare Book

Herman H. J. Lynge & Son
Copenhagen Denmark Dinamarca Dinamarca Danemark
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€ 15,444.50 購入

‎[DÉCOUVERTES GALLIMARD, INDIENS] - BAUDEZ (Claude), PICASSO (Sydney) -‎

‎Les cités perdues des Mayas.‎

‎Paris, Gallimard - découvertes archéologie, 2000; in-12, 176 pp., br.‎

‎.‎

書籍販売業者の参照番号 : 202206041

‎"APOLLINAIRE, GUILLAUME - PICASSO (ILLUSTR.) - JEAN COCTEAU - LÉON BAKST - SERGE DIAGHILEV.‎

‎BALLETS RUSSES. PROGRAMME. PARIS 1917. Les Ballets Russes a Paris. Représentations Exceptionelles avec le gracieux Concours des Artistes de M. Serge de Diaghilew. - Programme des Ballets Russes. Les Ballets Russes à Paris. Saison - Mai 1917. [Guillau... - [HAND-PAINTED BY PICASSO - COINING ""SURREALISM""]‎

‎Paris, Mai 1917. Folio. Original illustrated extra wrappers (with a picture by Picasso on the front and the décor for ""Baba Iaga"" on the back)"" original illustrated wrappers for ""Théatre du Chatelet"" (drawing by André Marty on front, and advertisements on back) in grey and red"" original illustrated coloured wrappers for ""Programme des Ballets Russes"" (front wrapper illustrated by Picasso with the Chinaman-costume from ""Parade""). A bit of soiling to the extra-wrappers and small professional restorations to upper front cover and top of spine (this barely noticeable) as well as to blank margin of back wrapper. Apart from that, an excellent and very well perserved copy with only slight browning to some leaves. Apart from the described wrappers and extra-wrappers, there are, in all, 24 leaves with -mostly photographic- illustrations (four of them with original hand-colouring on top) and 6 leaves of text.With the original errata-leaf laid in loose, stating also that the illustrations ""Femmes de bonne humeaur"" and ""Parade"" have been hand-painted by Carlos Socrate, after the designs of Bakst and Picasso, and that the front wrapper for ""Parade"" (the Chinaman) has been handpainted by Picasso himself.‎

‎Scarce original printing of this seminal avantgarde-publication, the May 1917 ""Théatre du Chatelet""- publication that presents Diaghilev's ""Ballets Russes"" in Paris - here containing the entire separate publication mainly devoted to Jean Cocteau's groundbreaking ballet ""Parade"" - being one of the most important publications in the history of modern art. It is here, in his presentation-article to ""Parade"" that Apollinaire coins the term ""surrealism"" and thus lays the foundation for the seminal cultural movement that Bréton came to lead. Furthermore, the ballet ""Parade"" represents a historical collaboration between several of the leading artistic minds of the early twentieth century: Erik Satie, Jean Cocteau, Pablo Picasso, Léonide Massine, and Serge Diaghilev, and is famous, not only for its contents and its music, but also for its magnificent costumes designed by Picasso, the drawings of which are presented in the present publication for the first time - most famously the front cover for the ""Parade""-programme, which depicts the ""Costume de Chinois du ballet ""PARADE""/ Aquarelle de Picasso"", an etching with original, stunning pochoir-colouring (hand-painted by Picasso himself!).It is the 1917 ballet ""Parade"" - the first of the modern ballets - originally presented for the first time in the present publication, that marks Picasso's entry into the public and bourgeois institutions of ballet and theatre and presents Cubism on the stage for the first time. The present publication constitutes an outright revolution in the history of art, theatre, and ballet.Several variants of this spectacular publication exist, but the one we have here is as original and complete as it comes, containing the entire contents of the different variants. We not only have the extremely scarce and fragile dust-wrapper and the equally scarce illustrated coloured double-wrappers (front: ""Peinture de Picasso"""" back: Décor de Larionow pour le ballet ""BABA IAGA""""), but also the entire 1917 ""Théatre du Chatelet""-programme (in original illustrated wrappers) with the entire separate ""parade""-issue -also entitled ""Programme des Ballets Russes""- (also in original illustrated wrappers), with more than 20 leaves of photographic illustrations containing pictures of the actors and actresses, also in their spectacular avant-garde-costumes, Bakst's portrait of Leonide Massine, Picasso's portrait of Stavinski, Bakst's portrait of Picasso, Picasso and Massine in the ruins of Pompei, Picasso's drawings of a scene from ""Parade"" and of Massine, as well as several (mostly humorous) advertisements. But more importantly, we have, apart from the above-mentioned famous Chinaman by Picasso, in original pochoir-colouring, the other famous etching by Picasso ""Costume d'acrobate du ballet ""Parade""/ Aquarelle de Picasso"", also in original pochoir-colouring (bright blue), the seminal presentation-article by Apollinaire, which coins the term ""surrealism"" (see bottom of description for full translation of this groundbreaking preface), the two ""Les Femmes de Bonne Humeur""-figures by Bakst, Constanza and Battista, printed and heightened in gold (pochoir), the printed costume by Larionow, ""Les contes russes"", which is with original bright red and blue pochoir-colouring, and the ""Le Mendiant""-costume by Bakst for ""Parade"", and, of course, the texts by Bakst (on choreography and décor), Georges-Michel (Ballets Russes after the War), as well as the texts for the various ballets (listing the actors and their rôles as well as a resume of the plot). "" ""Tact in audacity consists in knowing how far we may go too far."" Jean Cocteau, poet, writer, and arts advocate, made this statement in his 1918 manifesto, The Cock and Harlequin. Cocteau, in collaboration with Erik Satie and Pablo Picasso, discovered ""how far"" to ""go too far"" in the circus-like ballet Parade-one of the most revolutionary works of the twentieth century. Parade incorporates elements of popular entertainment and uses extra-musical sounds, such as the typewriter, lottery wheel, and pistol, combining them with the art of ballet. Cocteau wrote the scenario for the one-act ballet and contracted the other artists. Satie wrote the score to the ballet, first in a piano four-hands version and then in full orchestration, while Picasso designed the curtain, set, and costumes. Later, Léonide Massine, a dancer with the Ballet Russes, was brought in as the choreographer. Serge Diaghilev's Ballet Russes premiered the ballet Parade on May 18, 1917. The program notes for the ballet were written by the poet Apollinaire. They became a manifesto of l'esprit nouveau or ""the new spirit"" which was taking hold in Paris during the early twentieth-century. Apollinaire described the ballet Parade as ""surrealistic,"" and in doing so created a term which would develop into an important artistic school."" (Tracy A. Doyle, Erik Satie's ballet PARADE, p. 1).When the French poet and army officer Guillaume Apollinaire wrote the program notes For ""Parade"", he created the manifesto of the ""l'esprit nouveau"" - ""the new spirit"". Cocteau had called the ballet ""realistic"", but Apollinaire took it an important step further and described it as ""surrealistic"", thus coining a term that would soon develop into an important artistic movement. With Picasso, Apollinaire had established the aesthetic principals of Cubism and was considered a leader in the European avant-garde. ENGLISH TRANSLATION OF APOLLINAIRE'S PROGRAMME NOTES TO ""PARADE"": ""Definitions of Parade are blossoming everywhere, like the lilac bushes of this tardy spring...It is a scenic poem transposed by the innovative musician Erik Satie into astonishingly expressive music, so clear and simple that it seems to reflect the marvelously lucid spirit of France. The cubist painter Picasso and the most daring of today's choreographers, Léonide Massine, have here consummately achieved, for the first time, that alliance between painting and dance, between the plastic and mimetic arts, that is a herald of the more comprehensive art to come. There is nothing paradoxical about this. The Ancients, in whose lives music played such an important role, were totally unaware of harmony, which constitutes the very basis of modern music. This new alliance - I say new, because until now scenery and costumes were linked only by factitious bonds - has given rise, in Parade, to a kind of surrealism, which I consider to be the point of departure for a whole series of Manifestations of the New Spirit that is making itself felt today and that will certainly appeal to our best minds. We may expect it to bring about profound changes in our arts and manners through universal joyfulness, for it is only natural, after all, that they keep pace with scientific and industrial progress. Having broken with the choreographic tradition cherished by those who used to be known, in Russia, under the strange name 'balletomanes', Massine has been careful not to yield to the temptation of pantomime. He has produced something totally new-a marvelously appealing kind of dance, so true, so lyrical, so human, and so joyful that it would even be capable (if it were worth the trouble) of illuminating the terrible black sun of Dürer's Melancholy. Jean Cocteau has called this a realistic ballet. Picasso's cubist costumes and scenery bear witness to the realism of his art. This realism - or this cubism, if you will - is the influence that has most stirred the arts over the past ten years. The costumes and scenery in Parade show clearly that its chief aim has been to draw the greatest possible amount of aesthetic emotion from objects. Attempts have often been made to return painting to its barest elements. In most of the Dutch painters, in Chardin, in the impressionists, one finds hardly anything but painting. Picasso goes further than any of them. This is clearly evident in Parade, a work in which one's initial astonishment is soon replaced by admiration. Here the aim is, above all, to express reality. However, the motif is not reproduced but represented-more precisely, it is not represented but rather suggested by means of an analytic synthesis that embraces all the visible elements of an object and, if possible, something else as well: an integral schematization that aims to reconcile contradictions by deliberately renouncing any attempt to render the immediate appearance of an object. Massine has Adapted himself astonishingly well to the discipline of Picasso's art. He has identified himself with it, and his art has become enriched with delightful inventions, such as the realistic steps of the horse in Parade, Formed by two dancers, one of whom does the steps of the forelegs and the other those of the hind legs. The fantastic constructions representing the gigantic and surprising features of The Managers, far from presenting an obstacle to Massine's imagination, have, one might say, served to give it a liberating impetus. All in all, Parade will change the ideas of a great many spectators. They will be surprised, that is certain" but in a most agreeable way, and charmed as well Parade will reveal to them all the gracefulness of the Modern movements, a gracefulness they never suspected. A magnificent vaudeville Chinaman will make their imaginations soar" the American Girl cranking up her imaginary car will express the magic of their daily lives, whose wordless rites are celebrated with exquisite and astonishing agility by the acrobatin blue and white tights.""‎

書籍販売業者の参照番号 : 60103

Livre Rare Book

Herman H. J. Lynge & Son
Copenhagen Denmark Dinamarca Dinamarca Danemark
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€ 10,072.50 購入

‎PICASSO, PABLO (+) BOECK, W (Introduction).‎

‎Pablo Picasso - Linocuts. - [PICASSO'S FAMOUS LINOCUTS]‎

‎London, Thames and Hudson, 1963. Folio-oblong (340 x 400 mm). In the original clothbinding with black printed Picasso-drawings on front board. Housed in the original slipcase. Slipcase with some wear and stains, otherwise very nice and clean. (14) pp. + 45 linocuts by Picasso.‎

‎The uncommon and exquisitely printed “Linocuts” by Picasso, which marked the beginning a new period for him as an artist. The prints were made by carving away part of the surface of a sheet of linoleum then inking and printing the remaining surface. Picasso began creating linoleum cuts to give color a more prominent role in his graphic work having previously considered it a secondary medium. His linoleum cuts emerged from a desire to adapt previous artistic concepts to a new medium and he quickly achieved original results that were not secondary to his pervious works. Inspired by memories of bullfighting from his youth in Arles and Nimes Picasso focused on this theme in his linoleum cuts produced in the fall of 1959. Despite not having seen bullfights in Spain for many years, he felt their influence after the town of Vallauris allowed bullfighting under revised rules in 1954. “Just how and when Picasso became attracted by the linoleum technique is not known. Perhaps it was like the instance of the year 1957, when he capriciously finished his “L’ Arlésienne* with pigeon feathers picked up from the floor of his home “La Californie.” It must be assumed, aware as we are of Picasso’s working methods, that his interest in linoleum technique was derived from some insignificant yet real incident, as well as from a response to a deep artistic need. The smooth and supple drawings in India ink and lithograph pencil for the “Tauromaquia”, which set the tone for the subsequent linoleum cuts, reveal a difference, something remarkably new and fresh. The ink drawings, particularly, point the way to heavy and unmodeled designs which are more crisp and more succinct (their similarity with a silhouette-like effect is certainly significant). When he began the series of linoleum cuts, the artist was already prepared with a wide range of procedures that would adjust his subjects to the flat, extended areas that are inherent in this medium. Although Picasso had made only a few woodcuts in the past, he immediately adopted a resolute and robust approach to the new technique and interpreted in the widest possible way the rules of carving such an easily yielding material. Formal principles that embody lines and surfaces, as well as pictorial and decorative elements, are freely applied to create prints that are sometimes produced from a combination of several individual color blocks or, more often, from a single linoleum block that was cut and recut. Others, browns, and blacks, reminiscent of Greek vase painting, became the dominating color scheme, permitting a limited range of color variations. As usual, Picasso intuitively developed techniques which exhausted the medium.” (From the introduction to the present work)‎

書籍販売業者の参照番号 : 61834

Livre Rare Book

Herman H. J. Lynge & Son
Copenhagen Denmark Dinamarca Dinamarca Danemark
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€ 4,029.00 購入

‎[PICASSO]‎

‎Picasso guston miro de kooning in vollkommener freiheit ….‎

‎, Painting for themselves : lates works, 1996; in-4, 199 pp., br.‎

‎.‎

書籍販売業者の参照番号 : 201413330

‎[ART] - GLOZER (Laszlo), PICASSO -‎

‎PICASSO - les chefs-d'oeuvre de la période bleue.‎

‎Munich, Schirmer/mosel - bibliothèque visuel , 1988; in-12, 22-104 pp., br. En très bon état - 38 tableau avec un texte de Laszlo Glozer -bibliothèque visuel n° 5.‎

‎En très bon état - 38 tableau avec un texte de Laszlo Glozer -bibliothèque visuel n° 5.‎

書籍販売業者の参照番号 : 201405690

‎[BIOGRAPHIE] - PICASSO (Marina) -‎

‎GRAND-PERE.‎

‎Paris, Denoel, 2001; in-8, 222 pp., br. Broché en très bon état.‎

‎Broché en très bon état.‎

書籍販売業者の参照番号 : 201403585

‎[BIOGRAPHIE] - PICASSO (Marina) -‎

‎GRAND-PERE.‎

‎Paris, Denoel, 2001; in-8, 222 pp., broché, couverture illustr.‎

‎.‎

書籍販売業者の参照番号 : 201005050

‎BRETON André.‎

‎L'An suave. 9 poèmes et une prose de 1914.‎

‎Montpellier, Bibliothèque artistique et littéraire, 1980. 140 X 225 mm. broché, couverture rempliée ornée, non paginé. E.O. ornée d'un frontispice de Picasso, tirée à 222 ex. 1/170 sur vergé teinté. Exemplaire non coupé.‎

書籍販売業者の参照番号 : 19907

‎[BIOGRAPHIE] - PICASSO (Marina) -‎

‎Grand-Père.‎

‎Paris, Denoël, 2001; in-8, 223 pp., broché, couverture illustr.‎

‎.‎

書籍販売業者の参照番号 : 200500380

‎Eluard, Paul; Picasso, Pablo‎

‎Pour la paix : le visage de la paix‎

‎Hazan (10/2024)‎

‎LIVRE A L’ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9782754116756‎

書籍販売業者の参照番号 : SVALIVCN-9782754116756

Livre Rare Book

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€ 132.71 購入

‎Picasso, Pablo‎

‎Picasso, portraits d'Arlésiennes 1912-1958‎

‎Actes Sud (7/2005)‎

‎LIVRE A L’ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9782742755844‎

書籍販売業者の参照番号 : SVALIVCN-9782742755844

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‎Picasso, Pablo‎

‎Ecrits : 1935-1959‎

‎Gallimard (11/2021)‎

‎LIVRE A L’ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9782072876523‎

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‎SERRES/PICASSO‎

‎ET PICASSO PEINT GUERNICA‎

‎RUE DU MONDE EDITIONS‎

‎LIVRE A L’ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9782915569957‎

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‎Widmaier Picasso, Diana; Charlier, Philippe‎

‎Picasso sorcier : objets inanimés, avez-vous donc une âme ?‎

‎Gallimard (4/2022)‎

‎LIVRE A L’ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9782072982507‎

書籍販売業者の参照番号 : SVALIVCN-9782072982507

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‎Baudez, Claude; Picasso, Sydney‎

‎Les Cités perdues des Mayas‎

‎Gallimard (10/2008)‎

‎LIVRE A L’ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9782070348749‎

書籍販売業者の参照番号 : SVALIVCN-9782070348749

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‎PICASSO‎

‎Picasso. 45 gravures sur linoléum 1958-1960‎

‎Galerie Louise Leiris (1 janvier 1968)‎

‎Livre à l'état de neuf, très frais sans annotations ni défauts dissmulés.‎

書籍販売業者の参照番号 : lc_92920

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‎Picasso (Pablo) - Picon (Gaston)‎

‎LA CHUTE D'ICARE DE PABLO PICASSO‎

‎Albert Skira Collection "Les sentiers de la création (1 janvier 1971)‎

‎In-8 cartonné sous étui, numéroté, comme neuf.‎

書籍販売業者の参照番号 : lc_90792

Livre Rare Book

Bookit!
Genève Switzerland Suiza Suíça Suisse
[この書籍販売業者の本を検索: Bookit!]

€ 45.00 購入

‎Pablo Picasso‎

‎Picasso 90 Dessins et Oeuvres en Couleurs‎

‎Galerie Beyeler Basel, 1971‎

‎Livre à l'état de neuf, très frais sans annotations ni défauts dissmulés.‎

書籍販売業者の参照番号 : lc_87348

Livre Rare Book

Bookit!
Genève Switzerland Suiza Suíça Suisse
[この書籍販売業者の本を検索: Bookit!]

€ 33.00 購入

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