‎Matisse‎

‎[Verve 1er trimestre 1940] [Bonnard ; Derain ; Matisse]‎

‎Verve : revue artistique et littéraire. N° 8. Vol. 2. 1er trimestre 1940‎

‎Paris, éditions de la revue Verve 1940 In-folio 36,5 x 27 cm. Broché, couverture rempliée composée par Henri Matisse, 73 pp., textes de Valéry, Paul Claudel, Rouault, Jean Giraudoux, Reverdy, Adrienne Monnier, Malraux, lithographie originale de Pierre Bonnard, “Coucher de soleil en Méditerranée”, sur double page, Calendrier par André Derain, 11 dessins à pleine page, accompagné du calendrier de Charles d’Angoulême, 12 enluminures contrecollées, 12 reproductions en couleurs d’oeuvres de Henri Matisse, Georges Rouault, Georges Braque, Chardin, Joan Miro, 11 reproductions en noir & blanc d’oeuvres de Henri Matisse, André Derain, Picasso, Pierre Bonnard, table des matières. Petit manque en tête de dos, épidermure.‎

‎Bon état d’occasion‎

Bookseller reference : 131409

‎AA. VV.‎

‎Capolavori impressionisti e postimpressionisti dai musei sovietici‎

‎In-4°, pp. 131, una quarantina di pregevoli tavole (dipinti di Cézanne, Monet, Renoir, Gaugin, van Gogh, Matisse, Picasso) a piena pagina a colori nel testo, brossura editoriale con sovraccopertina figurata a colori. Testo in lingua italiana con traduzione in lingue francese e tedesca. Lieve usura ai bordi della sovraccopertina.‎

‎Aa. Vv.‎

‎Faïence cento anni del Museo internazionale delle ceramiche in Faenza‎

‎Mm 210x305 Volume nella sua brossura originale, 287 pagine con un ricco corredo di illustrazioni in nero e a colori. Opera nuova, mai letta, in perfette condizioni. Spedizione in 24 ore dalla conferma dell'ordine.‎

‎Aa. Vv.‎

‎I Cento capolavori dell'Ermitage. Impressionisti e avanguardie alle Scuderie Papali al Quirinale - Catalogo della Mostra di Roma, 22 Dicembre 1999 - 11 Giugno 2000‎

‎Mm 245x275 Volume rilegato in tela con titolo impresso al dorso, sopracoperta originale, 268 pagine profusamente illustrate a colori nel testo. Ottima copia. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.‎

‎Aa. Vv.‎

‎Les Cahiers Du Musee National D'art Moderne Fritto Misto (varia) 30 Hiver 1989‎

‎Mm 190x260 Brossura editoriale di pp. 119, con illustrazioni in bianco e nero, in lingua francese, in ottimo stato. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.‎

‎AA. VV.‎

‎Matisse‎

‎Mostra tenutasi presso Musei Capitolini, Roma, 20 settembre 1997 - 20 gennaio 1998. Brossura editoriale in cartoncino semirigido, dalla copertina leggermente macchiata. Buonissimo lo stato di conservazione, pagine perfettamente tenute, velate da tonalità avorio, come i tagli, ricche di riproduzioni di opere pittoriche a colori e disegni in nero, e fotografie in bianco e nero. Traduzioni di Claudia Beltramo Ceppi, Marina Di Filippo, Paola Tomaselli. Numero pagine 397. USATO‎

‎AA.VV.‎

‎MATISSE a NICE" TRAVAIL & JOIE "‎

‎IN 4°, pp.159, c.4. COPERTINA EDITORIALE ILLUSTRATA A COLORI CON TITOLO. VOLUME RICCAMENTE ILLUSTRATO in b/n/col. PUBBLICATO IN OCCASIONE DEI 50 ANNI DEL MUSEO MATISSE. PREFAZIONE DI JEAN - JACQUES AILLAGON. NICE 2013, UN ETE POUR MATISSE, 21 JUIN AU 23 SEPTEMBRE.PERFETTA CONSERVAZIONE. ALLEGATO FASCICOLO PUBBLICITARIO. TESTO IN FRANCESE. ID, 6094‎

‎Abadie, Daniel (dir.)‎

‎Survage - Les années héroïques‎

‎Editions Anthèse, Arcueil, 1993. In-4, reliure pleine toile éditeur sous jaquette illustrée en couleurs, 187 pp. Préface, par Philippe Chabert - Introduction : entretien avec Daniel Abadie, par Eric Gauthier -Œuvres exposées - Chronologie - Expositions personnelles - Expositions collectives.‎

‎Illustrations in texte et 105 planches en noir et en couleurs à pleine page. --- Plus d'informations sur le site archivesdunord.com‎

Bookseller reference : 4970

‎Accademia di Francia a Roma‎

‎Henri Matisse‎

‎Mostra tenutasi presso Villa Medici, Roma, novembre 1978 - gennaio 1979. Brossura editoriale in cartoncino flessibile lucido, dalla copertina illustrata in entrambi i piatti. Buonissimo lo stato di conservazione, pagine perfettamente tenute, velate da tonalità seppia, come i tagli, ricche di riproduzioni di opere pittoriche, in nero e a colori, con didascalie. Lingue presenti italiano e francese. Numero pagine 211. USATO‎

‎Albert, SKIRA, Claude ROGER-MARX Claude, Henri MATISSE‎

‎Anthologie du livre illustré par les peintres et sculpteurs de l'école de Paris, Skira,Genève, 1946. In-8 broché, très bon état‎

Bookseller reference : WWL-170

‎Albenga Giacomo‎

‎Capire la pittura moderna - DUE VOLUMI‎

‎[Pittura](cm. 19) brossura editoriale. 2 volumi -pp120+34 tavv. fotografiche in nero e a colori; -pp. 128+ 53 tavv. fotografiche in nero e a colori. Il volume primo affronta il naturalismo, fauvismo e Matisse, cubismo futurismo espressionismo. Il volume secondo affronta l'espressionismo astratto, di Klee e Kandisky; dadaismo e surrealismo, Geometrismo astratto, Arte tedesca fra le due guerre, Chagall e Picasso, La pittura italiana fra le due guerre, Arte contemporanea nel secondo dopoguerra. Usuali lievi segni del tempo, ma perfetto esemplare. [n42] Libro‎

‎ALCAFORADO, Marianna - MATISSE, Henri‎

‎LETTRES PORTUGAISES. Lithographies originales de Henri Matisse (1946)‎

‎Paris, Tériade, 1946. Vol in-4 (27,5 x 22 cm), en feuilles sous couverture illustrée d'une lithographie, chemise titré et étui de l'éditeur. - 105 LITHOGRAPHIES ORIGINALES PAR HENRI MATISSE, soit: 15 portraits à pleine page tirés en bistre, 55 ornements tirés en violets dont 5 à plein page, 35 lettrines lithographiées en violet. Tirage : 270 exemplaires tous sur vélin d'Arches signés par l'artiste. Celui-ci n° 93 signé à l'encre par Matisse. Impression Jourde et Allard pour le texte et Mourlot Frères pour les lithographies. - NOTE HISTORIQUE : Les "Lettres portugaises" on paru pour la première fois, anonymes, en 1669. Ces cinq admirables lettres d'amour évoquent le roman d'un officier français au service du Portugal. Ayant séduit une religieuse, soeur d'un de ses compagnons d'armes, et l'ayant délaissée, il ne répondait, de retour en France, qu'avec froideur aux lettres pleines d'ardeur, que la jeune femme lui adressait. La manière dont Marianna Alcaforado analyse les étapes de sa passion est saisissante et ce poème de la déception amoureuse ressortit davantage à l'art littéraire du dixseptième siècle français qu'à l'âge du couvent. On crut que le "héros" de l'aventure était un certain chevalier de Chamilly mais il apparu assez vite que l'auteur de cette "supercherie littéraire" était le comte Laverne de Guilleragues, ami de Racine et l'un des familier de Madame de Maintenon, qui devait finir ambassadeur à Constantinople. Quant à l'héroïne, une note contemporaine sur un exemplaire de la première édition du livre, découvert en 1810, la désignait comme Marianna Alcaforado, de Béjà, entre Estrémadure et Andalousie. - NOTE BIBLIOGRAPHIQUE : Matisse a été envouté par cette oeuvre dont près de cent éditions avaient été publiées depuis l'origine. Il a entièrement conçu l'ouvrage auquel il a travaillé pendant de longs mois. Il a dessiné un alphabet spécial et a orné le livre de lettrines, décors et motifs de grenades, pêches et fleurs d'amandiers, tirés en violet, et de quinze visages féminins à pleine page, une suite admirable où la pureté initiale du visage de la religieuse évolue au fil des passions très violentes qui la traversent, visages où se composent la féminité et l'amour, résumant peut-être ainsi les préoccupations les plus profondes de Matisse dessinateur… Matisse choisit pour modèle une jeune fille russe de 14 ans, Doucia Retinsky, fille d'un boutiquier de Nice. Indéniable réussite artistique et éditoriale, l'ouvrage connaît aussi un grand succès commercial puisque tous les exemplaires trouvent preneur avant la fin de l'année 1946. Rare exemplaire en condition d'origine. État de conservation parfait. Bibliographie : Duthuit Henri Matisse Les Livres illustrés n°15, p. 89 à 107. Photographies supplémentaires de l'ouvrage sur demande. - ENGLISH DESCRIPTION: Henri MATISSE - M. ALCAFORADO : LETTRES PORTUGAISES. Lithographies originales de Henri Matisse (1946). Paris, Tériade, 1946. Vol in-4 (27.5 x 22 cm), in loose sheets under illustrated cover with a lithograph, titled folder and publisher's slipcase. - 105 ORIGINAL LITHOGRAPHS BY HENRI MATISSE : 15 full-page portraits printed in bistre, 55 ornaments printed in purple including 5 full-page, 35 initials lithographed in purple. - Edition: 270 copies all on Arches paper signed by the artist. This one n° 93 signed in ink by Matisse (Impression Jourde et Allard for the text and Mourlot Frères for the lithographs). - HISTORICAL NOTE: The "Portuguese Letters" appeared for the first time, anonymously, in 1669. These five admirable love letters evoke the novel of a French officer in the service of Portugal. Having seduced a nun, sister of one of his comrades in arms, and having abandoned her, he replied, on his return to France, only coldly to the letters full of ardor that the young woman addressed to him. The way in which Marianna Alcaforado analyzes the stages of her passion is striking, and this poem of amorous disappointment has more to do with the literary art of seventeenth-century France than with the age of the convent. It was believed that the "hero" of the adventure was a certain Chevalier de Chamilly, but it quickly appeared that the author of this "literary deception" was Count Laverne de Guilleragues, a friend of Racine and one of Madame de Maintenon, who was to become ambassador to Constantinople. As for the heroine, a contemporary note on a copy of the first edition of the book, discovered in 1810, designated her as Marianna Alcaforado, from Béjà, between Extremadura and Andalusia. - BIBLIOGRAPHIC NOTE: Matisse was bewitched by this work, nearly a hundred editions of which had been published since its inception. He entirely designed the work on which he worked for many months. He designed a special alphabet and adorned the book with initials, decorations and motifs of pomegranates, peaches and almond blossoms, drawn in purple, and fifteen full-page female faces, an admirable continuation where the initial purity of the face of the nun evolves over the course of the very violent passions that cross her, faces where femininity and love are composed, perhaps thus summarizing the deepest concerns of designer Matisse... Matisse chose a 14-year-old Russian girl, Doucia Retinsky, the daughter of a shopkeeper in Nice, as his model. Undeniable artistic and editorial success, the book also enjoyed great commercial success since all the copies found takers before the end of 1946. - Scarce copy in original condition. Signed by Matisse. Perfect condition of preservation. Bibliography: Duthuit Henri Matisse Illustrated Books No. 15, p. 89 to 107. Additional photographs of the book on request.‎

‎Rare exemplaire en condition d'origine. État de conservation parfait. Bibliographie : Duthuit Henri Matisse Les Livres illustrés n°15, p. 89 à 107. Photographies supplémentaires de l'ouvrage sur demande.‎

Bookseller reference : 2257

‎ALFREDO DE PAZ‎

‎FOTOGRAFIA E SOCIETà DALLA SOCOLOGIA PER IMMAGINI AL REPORTAGE CONTEMPORANEO‎

‎LIGUORI 2001 596 PP. FONDO DI MAGAZZINO: LIEVI SEGNI DEL TEMPO, VOLUME INTONSO, MAI SFOGLIATO, PERFETTO. Il testo si caratterizza come un lavoro al contempo storicoe teorico. Storico: in quanto ripercorre alcune delle tappe edei temi fondamentali che hanno attraversato la storia della fotografia nel XX secolo (dalla fotografia sociale al reportage), mettendo in luce il valore delle singole pratiche fotografiche in rapporto agli eventi storici,sociali e politici, nonché alla sensibilità e al gusto del tempo. Teorico:in quanto si è posto l'obiettivo di tematizzare i grandi problemi che stanno a fondamento della fotografia come fatto di cultura in un'epoca come la nostra in cui l'immagine ha assunto un ruolo di grande rilievo nell'esistenza di ognuno di noi. La politica, la guerra, i fenomeni di moda, l'erotismo: cosa sarebbero questi significativi settori della storia e dell'esistenza senza l'immagine riproducibile, senza la fotografia, il cinema, la televisione? La planetarizzazione di tali ambiti, nel senso soprattutto delle conoscenze che abbiamo delle loro specificità o dei comportamenti da noi adottati nella pratica, dipende, in modo determinante, dal ruolo svolto dall'immagine, dalla sua capacità di mettere tutto alla portata di tutti, di far conoscere la maggior parte di cose al maggior numero possibile di individui.‎

‎Amic et al.‎

‎Cinquante ans de peinture françaiseDe Cézanne à Matissedans les collections particulières‎

‎Musée des Arts décoratifs, Paris, 1952. In-12, broché, 32 pp. - pl. Avant-propos - Catalogue [201 n°] - Planches.‎

‎Avec 32 planches en noir et blanc in fine. --- Plus d'informations sur le site archivesdunord.com‎

Bookseller reference : 6962

‎Andre Rouveyre Henri Matisse‎

‎Apollinaire‎

‎Paris: Raison D'Etre 1952. Original wraps. Near Fine. Henri Matisse. Sumptuous 1952 biography of the poet Apollinaire beautifully illustrated by Henri Matisse. #268 of only 380 copies issued which include 8 original Matisse lithos 2 as the front and rear card wrappers and the other 6 within the text. Bright well-preserved and VG with light foxing to the panels and light creasing at the first several leaves mildly affecting the title page and the first lithograph. Folio unbound signatures as issued. The Matisse lithographs once again printed by the great French firm Mourlot Freres. A lovely title issued by Raison D'Etre of Paris. <br/><br/> Raison D'Etre paperback books‎

Bookseller reference : 12467

‎Anne Baldassari John Elderfield Henri Matisse Pablo Picasso Elizabeth Cowling John Elderfield John Golding Isabell‎

‎Matisse Picasso‎

‎Museum of Modern Art July 2002. Hardcover. Used - Very Good. Henri Matisse and Pablo Picasso have long been seen as the twin giants of modern art as polar opposites but also as complementary figures. Between them they are the originators of many of the most significant innovations of 20th-century painting and sculpture but their relationship has rarely been explored in all of its closeness and complexity. In spite of their initial rivalry the two masters eventually acknowledged one another as equals becoming in their old age increasingly important to one another both artistically and personally. From the time of their initial encounters in 1906 in Gertrude and Leo Stein's Paris studio until 1917 they individually produced some of the greatest art of the 20th century and maintained an openly competitive relationship brimming with intense innovation. This period saw them create such works as Picasso's majestic 'Woman with a Fan' of 1908 and Matisse's great portrait of his wife of 1913. Matisse responds to Synthetic Cubism in his 'Piano Lesson' of 1916 and Picasso comes back in turn with a new more decorative Cubism in 'Three Musicians' of 1921. The 20s saw them grow apart as Matisse moved from Paris to Nice and Picasso became involved with the Surrealists but the 30s brought them together again through their sheer fame and devotion to reality-based art. Their story continues until Matisse's death in 1954 when Picasso paid his friend and colleague tribute in his series 'Women of Algiers' of which he said 'When Matisse died he left his odalisques to me as a legacy.' 'Matisse Picasso' presents the artists' oeuvres in groupings that reveal the affinities but also the extreme contrasts of their artistic visions. Published to accompany the landmark exhibition a joint effort of The Museum of Modern Art New York; the Tate Modern London; the Raunion des musaes nationaux/Musae Picasso and the Musae national d'art moderne/Centre Georges Pompidou Paris; 'Matisse Picasso' is the first major examination of the fascinating relationships between their art their careers and their lives. Thirty-four essays each by a member of the exhibition's curatorial team focus on a particular moment in the artists' evolving relationship. The authors present in-depth analyses of specific aspects of the unique artistic dialogue between Matisse and Picasso as reflected in selected juxtapositions of each artist's works. These texts are accompanied by an introductory history commentary on the public perception of important artistic relationships and an extensive chronology. Out of print. Wrapped in Brodart dust jacket protector. Small tear in back dj. Hardcover Museum of Modern Art hardcover‎

Bookseller reference : 105970 ISBN : 0870700081 9780870700088

‎Anon‎

‎Sotheby's Catalogue of Important Nineteenth and Twentieth Century Prints: Day of Sale Wednesday 13th May 1981‎

‎Comes with list of estimates. Crease to lower back cover corner.‎

‎APOLLINAIRE, Guillaume.‎

‎HENRI MATISSE 1907-1918.‎

‎Paris, L'Échoppe, 1993. in-16, 22 pp., broche, couv.- Tirage limité à 1000 exemplaires.‎

‎Tres bel exemplaire [TX-16]‎

Bookseller reference : 38113

‎APOLLINAIRE Guillaume - CERUSSE Jean ( Directeurs ) - MATISSE Henr‎

‎REVUE: "LES SOIREES DE PARIS". N°24 du 15 Mai 1914.‎

‎Au Siège Paris 1914 Numéro 24 du 15 Mai 1914 de cette revue in-8 ( 260 X 170 mm ) agrafée sous couverture imprimée. EDITION ORIGINALE. Contributions d'Alberto Savinio, Guillaume Apollinaire, Guy-Pierre Fauconnet, Roch Grey, Alfred Jarry, Henri Stretz, Maurice Raynal, etc. 7 reproductions d oeuvres de Henri MATISSE. Rousseurs passim, bel exemplaire.‎

Bookseller reference : 623276

‎Apollonaire Guillaume; Jean Cassou intr.; Giorgio De Chirico; Henri Rousseau; Picasso; Matisse; Villon; Duchamp; Braque; Leger;‎

‎La Peinture Sous le Signe D'Apollinaire. Numbered 401 of 1000. Giorgio De Chirico woodcut facing title page. First Edition‎

‎Verviers Belgium: Society Royale des Beaux-Arts 1950. 8vo. 39 pp. Soft covers with Dust Jacket Good with minor losses tears minor staining to DJ & end papers covers detached. Black and white plates. Text in French. From The Library of Herschel Chipp. Verviers, Belgium: Society Royale des Beaux-Arts, 1950 paperback‎

Bookseller reference : 63-5365

‎ARAGON Louis.‎

‎Aragon. Henri Matisse. Roman.‎

‎1971 Paris, Gallimard, 1971; 2 volumes in-4 de 359 et 371pp. Très abondamment illustré dans le texte et hors texte en noir et en couleurs (dont planches dépliantes). Pleine toile de l'éditeur imprimée en rouge, jaquettes illustrées en couleurs.‎

‎L' ouvrage est en partie composé de textes parus précédemment en volumes ou extraits de diverses publications entre 1941 et 1970, avec des notes parfois inédites d'Aragon. Jaquettes légèrement poussiéreuses, il manque l'étui les ouvrages sont en bon état.(GrG)‎

Bookseller reference : 12185

‎ARAGON Louis. MATISSE Henri‎

‎Henri Matisse, a novel. Translated by Jean Stewart.‎

‎London, Collins, 1971. 2 volumes in-4°, hardcovers, original publisher's slipcase. FIRST EDITION in English. Many reproductions of Matisse's works.‎

‎Pristine copy.‎

Bookseller reference : EXE-420

‎Aragon‎

‎Henri Matisse, roman‎

‎Gallimard 1971 2 volumes. In 4 reliés sous jaquette, 353- 365 pp. Jaquette lég. effrangées‎

‎Bon état d’occasion‎

Bookseller reference : 79506

‎Aragon, L., J. Bazaine, X. Girard et A. Marchand‎

‎Henri MATISSE.‎

‎Maeght Éditeur, Paris, 1993. In-8 broché (22 x 14,5 cm), couverte à rabats avec un dessin de Matisse, 125 pages. Textes de L. Aragon, J. Bazaine, X. Girard, A. Marchand. Nombreuses reproductions. Très bon état.‎

Bookseller reference : 32726

‎Aragon‎

‎Matisse (roman)‎

‎1971 Paris, Livre Club Diderot, Edition Gallimard 1971, 29 x 22,5 cm, frontispices, 353 + 365 pages, reliure d'éditeur sous jaquette. Avec emboitage. Très nombreuses illustrations dans le textes, nombreuses planches d'illustrations couleurs à la fin des ouvrages.‎

‎accrocs sur le haut du dos de la jaquette du tome I et tache sur bas de l'emboitage, sinon très bon état. Photos de tous nos ouvrages sur demande‎

Bookseller reference : 8687