‎Goya francisco‎

‎Goya Y Lucientes Francisco Jose De‎

‎Goya the Disparates Or the Proverbios‎

‎<p>Text in Spanish English. Trade paperback US. Glued binding. Audience: General/trade.</p><p>Signed by previous owner</p> Dover Pubns paperback‎

Bookseller reference : biblio4339 ISBN : 0486223191 9780486223193

‎Goya y Lucientes Francisco Jose de Desparmet Fitz Gerald Xaviere‎

‎Goya The Gallery of Masterpieces Series‎

‎New York: Charles Scribner's Sons 1956. First American Edition. Hardcover. Good/Very Good -. 36 Color Illustrations / Plates. Folio - over 12" - 15" Tall. Short tear slight creases to jacket upper cover at lower edge; slight soiling browning and rubbing to jacket; majority of plates detached from interior but still present; slight internal browning to edges and endpapers. 44 6 pages plates. Short introduction and biographical text by the compiler of the Goya catalogue raisonne see Freitag #3779 in an uncredited English translation; notable particularly for the color reproductions. Includes bibliographical references. "Plates by Annibale Belli" page 5; printed in Italy. Charles Scribner's Sons hardcover‎

Bookseller reference : L015772

‎Goya y Lucientes Francisco Jose :‎

‎Goya. 1746 - 1828. Biography analytical study and catalogue of his paintings I und II.‎

‎1985. Paperback. Very Good-New. Rare book paperback‎

Bookseller reference : 653137 ISBN : 8434304449 9788434304444

‎Goya y Lucientes Francisco Jose de‎

‎Goya. Prophet der Moderne. Katalog zur Ausstellung in der Nationalgalerie Staatliche Museen zu Berlin und im Kunsthistorischen Museum Wien in Kooperation mit dem Museo Nacional del Prado Madrid.‎

‎K�ln DuMont 2005. . 4� 372 Seiten. mit zahlreichen meist farbigen Abbildungen. Farbig illustrierte englische Orig.Broschur. K�ln, DuMont, 2005. unknown‎

Bookseller reference : 18693

‎GOYA Y LUCIENTES Francisco‎

‎I disastri della guerra.‎

‎Lecco Galleria Bellinzona 2001 8vo quadrato brossura editoriale con copertina illustrata pp. 104 con 80 incisioni in nero nel testo. unknown‎

Bookseller reference : 2-78235

‎GOYA Y LUCIENTES Francisco de.‎

‎La Tauromaquia. Reproducciones de los originales de 1815 que se conservan en la Biblioteca Nacional de España con autorización de la misma.‎

‎Madrid Agustín Jimenez Impresor 1962. Folio; 8 hojas y 40 láminas. Edición numerada de mil ejemplares. Cubiertas originales. unknown‎

Bookseller reference : C81-221

‎Goya y Lucientes Francisco Jose de.‎

‎Late Caprichos of Goya Fragments from a Series Commentary and Notes by Eleanor Sayre.‎

‎Slim small folio. New York: Philip Hofer 1971. Slim small folio 46 pp. With a frontispiece and 32 illustrations. Original full brown morocco by Arno Werner the extra suite of plates in a cloth folder all contained in a quarter brown morocco clamshell box. The second suite of plates are archivally matted and framed. § Limited edition this being number VIII of XXV super de luxe copies with 2 additional suites of original prints from an edition limited to 150 copies. This super de luxe edition includes a double suite of the 6 original etchings 12 total six of which are loose in a blue cloth folding case and 6 of which are beautifully framed. The three double-sided copper plates from which the plates were printed passed from Goya's grandson Mariano to John Savile Lumley then to Colnaghi from whom Philip Hofer acquired them in the 1930s. He in turn gave them in 1970 to the Museum of Fine Arts Boston after the present edition of 150 sets had been printed by David Godine. No further prints will ever be pulled from these plates. They depict “Warlock†“Witch†two “Majas†and two “Smugglersâ€. Philip Hofer hardcover‎

Bookseller reference : 106722

‎GOYA Y LUCIENTES Francisco de.‎

‎Los Proverbios. Disparates. Reproducciones de la tirada de 1864 que se conserva en la Biblioteca Nacional de España. Edición dirigida por Antonio de Horna López.‎

‎Madrid Agustín Jimenez Impresor 1961. Folio; portada y 18 láminas. Edición numerada de 300 ejemplares. Carpeta original en cartulina con lazada de seda. unknown‎

Bookseller reference : C81-220

‎GOYA Y LUCIENTES Francisco de.‎

‎Mirar y leer los Caprichos de Goya. Exposición en el Palacio de Sástago Zaragoza 15 de Diciembre 1999 a 6 de Febrero de 2000. Textos de Juan Carrete Parrondo y Ricardo Centellas Salamero.‎

‎Zaragoza 1999. 4to. mayor; 69 pp. de texto y 80 láminas dobles. Encuadernación original. unknown‎

Bookseller reference : C81-224

‎Goya y Lucientes Francisco Jose de‎

‎Pinselzeichnungen.‎

‎1953 . 1. - 30. Tsd. Wiesbaden: Insel 1953. Kl.-8�. 32 S. 6 Bl. Text Pappband Besitzervermerk auf Vorsatz; gut erhalten =Insel-B�cherei ; Nr. 570 unknown‎

Bookseller reference : 19028BB

‎GOYA Y LUCIENTES Francisco‎

‎The Disparates or The Proverbios. With an New Introduction by Philip Hofer.‎

‎New York Dover Publications 1969 4to cm. 35 x 28 brossura con copertina illustrata a colori pagine non numerate con una tavola in antiporta e 22 tavole nel testo. Riproduzione anastatica de "Los Proverbios" di Don Francisco Goya pubblicato dalla Real Academia de Nobles Artes de San Fernando edita a Madrid nel 1864. Fioriture ai tagli. unknown‎

Bookseller reference : 2-96661

‎Goya y Lucientes Francisco; Eugenio Lucas‎

‎Un mendiant A Beggar‎

‎Paris: Revue de l'art ancien et moderne 1901. Sepia etching in sepia formerly attributed to Goya Eugenio Lucas now the most talented followers Goya. Published in the Revue de l'art ancien et moderne printed by Louis Fort. Image measures 9 x 12 cm. Paris: Revue de l'art ancien et moderne, 1901 unknown‎

Bookseller reference : 10-0275

‎GOYA Y LUCIENTES Francisco‎

‎Goya y Lucientes cinquante planches d'après ses oeuvres les plus célèbres‎

‎Paris: Goupil and Manzi Joyant 1910. Limited edition copy number 1 of 500 copies. Portfolio with one joint separated otherwise a fine set. Folio. Fifty photographic reproductions of Goya's works. Text printed in red and black. Text and plates loose as issued in five printed paper portfolios; half cloth portfolio. Introduction by Paul Lafond. <br/><br/> Goupil and Manzi, Joyant hardcover books‎

Bookseller reference : 401874

‎GOYA Y LUCIENTES Francisco 1746 1828‎

‎El de la rollona‎

‎Calcografía for the Real Academia 1878. Etching and aquatint. From the 4th edition of "Los Caprichos" - plate 4. Goya's pitiless caricature of a grown up "mama's boy."<br/> <br/>Los Caprichos was Goya's first collection of completely original etchings. They were and remain startlingly original in style and frequently shocking in their satirical assaults. They are strikingly modern and are his most popular prints today though they were received with little favor in 1799 when they first appeared for sale. But even within Goya's lifetime enthusiasm grew. El de la rollona is uncompromising in its mockery of the mama's boy who is dressed in baby clothes has his fingers in his mouth and a look of terror in his eyes though he's bearded and obviously strong. The nanny or mother grieves in the shadow behind him so disappointed in his failure to become a man. Goya's textual comment about this engraving is: "Negligence tolerance and spoiling make children capricious naughty vain greedy lazy and insufferable. They grow up and yet remain childish. Thus is nanny's little boy." The fourth edition of Caprichos from which this print comes was made about 1878 as witnessed by the beveled platemark and the "strong absorbent wove paper" and "dark umber ink".<br/> <br/>Harris v. 1 95-109; v.II p. 74; Delteil 41; Hind p.253 - 5. Calcografía for the Real Academia unknown books‎

Bookseller reference : 24584

‎GOYA Y LUCIENTES (Francisco) -‎

‎La tauromaquia, les 33 eaux-fortes du tirage original suivies de 11 planches inédites avec 15 epreuves d'état, 42 esquives préparatoires et 7 dessins et gravures divers‎

‎Paris, Club français du livre, 1963. In-4 oblong, cartonnage éditeur, 210p.Bon état.‎

Bookseller reference : 2327

‎GOYA y LUCIENTES (Fransisco)‎

‎La Tauromaquia‎

‎Club Français du Livre 1963, format à l'italienne (21 x 27,5 cm) relié toile mauve de l'éditeur, 212 p. (très bon état) Tirage limité sur bon papier, maquette de Jacques Daniel. Très belle édition club de ce recueil de planches du maître sur le monde de la tauromachie ; il comprend les 33 eaux-fortes du tirage original suivies de 11 planches inédites, 15 épreuves d'état, 42 esquisses préparatoires et 7 dessins divers, précédés d'une étude d'Enrique Lafuente Ferrari.‎

Bookseller reference : 39913

‎GOYA Y LUCIENTES Francisco‎

‎La tauromaquia. Les 33 eaux-fortes du tirage original suivies de 11 planches inédites, avec 15 épreuves d'état, 42 esquisses préparatoires et 7 dessins et gravures divers.‎

‎Couverture rigide. Reliure toile un peu passée. 20 x 27 cm à l'italienne. 212 pages.‎

‎Livre. Introduction, étude et presentation par Enrique Lafuente Ferrari. Le club français du livre, 1963.‎

Bookseller reference : 133898

‎GOYA Y LUCIENTES Francisco / LAFUENTE FERRARI Enrique (introduction, étude, présentation)‎

‎La tauromaquia : les 33 eaux-fortes du tirage original suivies de 11 planches inédites, avec 15 épreuves d'état, 42 esquisses préparatoires et 7 dessins et gravures divers.‎

‎Club Français du Livre 1963 Club Français du Livre, 1963, 209 p., cartonnage éditeur oblong, environ 21x27cm, exemplaire numéroté, une petite signature sur le bas de la dernière garde, bon état.‎

‎Merci de nous contacter à l'avance si vous souhaitez consulter une référence au sein de notre librairie.‎

Bookseller reference : 103127

‎GOYA Y Lucientes Francisco de (Fuente de Todos 1746 - Bordeaux 1828)‎

‎Al Conde Palatino‎

‎Opera tratta dai "Los Caprichos", per la prima volta pubblicati nel 1799. Prova della quarta edizione di dodici, stampata dalla calcografia di Madrid, circa 1870. Aquaforte, acquatinta brunita e puntasecca, in perfetto stato di conservazione. La serie chiamata Los Caprichos, è composta da ottanta incisioni, la cui prima edizione [l’unica a non essere pubblicata postuma] venne alla luce ne 1799. Curata in fase d’edizione dallo stesso artista, la serie fu commercializzata e dopo poco tempo ritirata dal mercato. Infatti, a causa dei numerosi soggetti che ironizzavano sulla società spagnola di fine secolo, il Goya subì una censura. L’interpretazione dei soggetti rappresentati su queste lastre, sempre enigmatiche, è spesso controversa. Etching with burnished aquatint and engraving, 1799. From the fourth edition of twelve of the so-called "Los Caprichos" series, edited by the Madrid Calcografia [circa 1870].A very good impression, with good contrast, printed on contemporary paper, customary margins, in very good conditions. The series called Los Caprichos, consists of eighty etchings. This first edition of 1799, the only one not to be published posthumously, is imprinted on soft laid pape. Cured in phase edition by the same artist, the series was marketed and before long withdrawn from the market. In fact, because of the many subjects that mocked the Spanish society of the century, Goya suffered censorship. The interpretation of the subjects represented on these plates, always enigmatic, is often controversial. Harris 68, Delteil 70‎

‎GOYA Y Lucientes Francisco de (Fuente de Todos 1746 - Bordeaux 1828)‎

‎Aquarda que te unten‎

‎Opera tratta dai "Los Caprichos", per la prima volta pubblicati nel 1799. Prova della quarta edizione di dodici, stampata dalla calcografia di Madrid, circa 1870. Aquaforte, acquatinta brunita e puntasecca, in perfetto stato di conservazione. La serie chiamata Los Caprichos, è composta da ottanta incisioni, la cui prima edizione [l’unica a non essere pubblicata postuma] venne alla luce ne 1799. Curata in fase d’edizione dallo stesso artista, la serie fu commercializzata e dopo poco tempo ritirata dal mercato. Infatti, a causa dei numerosi soggetti che ironizzavano sulla società spagnola di fine secolo, il Goya subì una censura. L’interpretazione dei soggetti rappresentati su queste lastre, sempre enigmatiche, è spesso controversa. Etching with burnished aquatint and engraving, 1799. From the fourth edition of twelve of the so-called "Los Caprichos" series, edited by the Madrid Calcografia [circa 1870].A very good impression, with good contrast, printed on contemporary paper, customary margins, in very good conditions. The series called Los Caprichos, consists of eighty etchings. This first edition of 1799, the only one not to be published posthumously, is imprinted on soft laid pape. Cured in phase edition by the same artist, the series was marketed and before long withdrawn from the market. In fact, because of the many subjects that mocked the Spanish society of the century, Goya suffered censorship. The interpretation of the subjects represented on these plates, always enigmatic, is often controversial. Harris 102, Delteil 104.‎

‎GOYA Y Lucientes Francisco de (Fuente de Todos 1746 - Bordeaux 1828)‎

‎Bellos Consejos‎

‎Acquaforte, acquatinta brunita e bulino, 1799. Dalla rara prima edizione di dodici della serie detta Los Caprichos, tavola 15. Magnifica prova, particolarmente nitida, impressa su carta vergata coeva, con usuali ampli margini, piccoli strappi di carta alle estremità dei margini, per il resto in perfetto stato di conservazione. La serie chiamata Los Caprichos, è composta da ottanta incisioni. Questa prima edizione del 1799, l’unica a non essere pubblicata postuma, è impressa su soffice carta vergata di gran qualità ed è stampata usando un delicato inchiostro seppia. Curata in fase d’edizione dallo stesso artista, la serie fu commercializzata e dopo poco tempo ritirata dal mercato. Infatti, a causa dei numerosi soggetti che ironizzavano sulla società spagnola di fine secolo, il Goya subì una censura. Per questo ne sono stimati solo circa 300 esemplari. L’interpretazione dei soggetti rappresentati su queste lastre, sempre enigmatiche, è spesso controversa - First edition -Etching, burnished aquatint and engraving, 1799. From the rare first edition (of twelve) of Los Caprichos, plate 15. A very fine impression, showing a good contrast, on contemporary paper, with usual wide margins, small tears at left white margin, otherwise in perfect condition. The series called Los Caprichos, consists of eighty etchings. This first edition of 1799, the only one not to be published posthumously, is imprinted on soft laid paper of great quality and is printed using a delicate sepia ink. Cured in phase edition by the same artist, the series was marketed and before long withdrawn from the market. In fact, because of the many subjects that mocked the Spanish society of the century, Goya suffered censorship. For this it is estimated only about 300 copies. The interpretation of the subjects represented on these plates, always enigmatic, is often controversial. The title can be translated into: Pretty teachings. Harris 50, Delteil 52.‎

‎GOYA Y Lucientes Francisco de (Fuente de Todos 1746 - Bordeaux 1828)‎

‎Despacha, que dispièrtan‎

‎Opera tratta dai "Los Caprichos", per la prima volta pubblicati nel 1799. Prova della quarta edizione di dodici, stampata dalla calcografia di Madrid, circa 1870. Aquaforte, acquatinta brunita e puntasecca, in perfetto stato di conservazione. La serie chiamata Los Caprichos, è composta da ottanta incisioni, la cui prima edizione [l’unica a non essere pubblicata postuma] venne alla luce ne 1799. Curata in fase d’edizione dallo stesso artista, la serie fu commercializzata e dopo poco tempo ritirata dal mercato. Infatti, a causa dei numerosi soggetti che ironizzavano sulla società spagnola di fine secolo, il Goya subì una censura. L’interpretazione dei soggetti rappresentati su queste lastre, sempre enigmatiche, è spesso controversa. Etching with burnished aquatint and engraving, 1799. From the fourth edition of twelve of the so-called "Los Caprichos" series, edited by the Madrid Calcografia [circa 1870].A very good impression, with good contrast, printed on contemporary paper, customary margins, in very good conditions. The series called Los Caprichos, consists of eighty etchings. This first edition of 1799, the only one not to be published posthumously, is imprinted on soft laid pape. Cured in phase edition by the same artist, the series was marketed and before long withdrawn from the market. In fact, because of the many subjects that mocked the Spanish society of the century, Goya suffered censorship. The interpretation of the subjects represented on these plates, always enigmatic, is often controversial. Harris 113, Delteil 115.‎

‎GOYA Y Lucientes Francisco de (Fuente de Todos 1746 - Bordeaux 1828)‎

‎El Vergognoso‎

‎Opera tratta dai Los Caprichos, per la prima volta pubblicati nel 1799.Prova della quarta edizione di dodici, stampata dalla calcografia di Madrid, circa 1870.Acquaforte, acquatinta brunita e puntasecca, in perfetto stato di conservazione.La serie chiamata Los Caprichos, è composta da ottanta incisioni, la cui prima edizione [l’unica a non essere pubblicata postuma] venne alla luce ne 1799. Curata in fase d’edizione dallo stesso artista, la serie fu commercializzata e dopo poco tempo ritirata dal mercato.Infatti, a causa dei numerosi soggetti che ironizzavano sulla società spagnola di fine secolo, il Goya subì una censura. L’interpretazione dei soggetti rappresentati su queste lastre, sempre enigmatiche, è spesso controversa. In questo soggetto Goya affronta il tema del mondo alla rovescia. Nella scena ci sono tre personaggi, il centro dell'attenzione è l'uomo che sta mangiando, e che cerca di evitare tutti gli sguardi, vergognandosi dei tratti osceni del suo viso. L'artista ha chiaramente indicato il suo pensiero disegnando la cintura di un paio di pantaloni sopra la testa del personaggio. I nasi assumono una presenza notevole sul viso, e nel linguaggio popolare "nasi" è un chiaro eufemismo sessuale. Il modo in cui il viso è costruito, in modo che sopracciglia, occhi e naso evochino l'apparato genitale maschile, rafforzerebbe lo stesso senso. Altri commenti insinuano che la figura, nel piano superiore, con i suoi grandi pugni serrati, stia commettendo sodomia con la figura che tiene il vaso da cui mangia l'uomo vergognoso. L'anno 1799 è uno dei momenti chiave nella vita e nel lavoro di Francisco de Goya. Oltre ad essere nominato primo pittore da camera di Goya, a godere di un crescente prestigio come ritrattista e ad inaugurare la cappella di San Antonio de la Florida, che aveva decorato, il 6 febbraio il Diario de Madrid pubblicò un annuncio in cui venivano messe in vendita le ottanta stampe che compongono la serie dei Caprichos. Etching with burnished aquatint and engraving, 1799.From the fourth edition of twelve of the so-called Los Caprichos series, edited by the Madrid Calcografia [circa 1870].A very good impression, with good contrast, printed on contemporary paper, usual wide margins, in very good conditions.The series called Los Caprichos, consists of eighty etchings. This first edition of 1799, the only one not to be published posthumously, is imprinted on soft laid pape.Cured in phase edition by the same artist, the series was marketed and before long withdrawn from the market. In fact, because of the many subjects that mocked the Spanish society of the century, Goya suffered censorship.The interpretation of the subjects represented on these plates, always enigmatic, is often controversial. In this print Goya approaches the theme of the world upside down. In the scene there are three characters, being the focus of attention the man who is eating, and tries to avoid all eyes, ashamed of the obscene features of his face. The artist has clearly indicated his thinking by drawing above the character's head the waistband of a pair of pants. The noses take on a notable presence on the face, and in popular language "noses" is a clear sexual euphemism. The way the face is constructed, so that eyebrows, eyes and nose evoke the male genital apparatus, would reinforce the same sense. Other comments insinuate that the figure, in the upper plane, with his large clenched fists, is committing sodomy with the figure holding the vessel from which the shameful man eats. The year 1799 is one of the key moments in the life and work of Francisco de Goya. In addition to being named first chamber painter, enjoying a growing prestige as a portrait painter and the inauguration of the chapel of San Antonio de la Florida, which he had decorated, on February 6 the announcement of the sale of the eighty prints that form the series of the Caprichos was published in the Diario de Madrid. Here, Goya focuses his social criticism on the bestiality of a deformed man whose head emerges from his breeches. Among the slight variations between the print and the preparatory drawing, the most striking is that, in the former, he wears his trousers, but in the latter, he does not. As a result, the latter came to be known as The satire of man’s lechery. Moreover, this is the only drawing in the series to mix red-ink wash with pen. Valentín Carderera’s handwritten commentaries on the Caprichos, which are in both the Biblioteca Nacional and the Museo del Prado, further clarify this subject. The first reads: Men with large noses also tend to have large arrows [here, “arrow” is a euphemism for penis] and fat gandumbas [testicles]. As they are often sodomites, this one is depicted with his breeches on his head, with his pudenda hanging out as he lies on top of a poor devil and pulls up his skirts. The second commentary completes the information: There are men whose face is the most indecent part of their body, and it would be good if those whose face is that disgraceful and ridiculous would stick it in their breeches. Example fomr the HENRI MARIE PETIET (Saint-Prix, Seine-et-Oise, 1894-1980) collection (Lugt 5031).  Harris 89; Delteil 91.‎

‎GOYA Y Lucientes Francisco de (Fuente de Todos 1746 - Bordeaux 1828)‎

‎Està Um..pues, Como digo..eh! Cuidado! Si nò…‎

‎Opera tratta dai "Los Caprichos", per la prima volta pubblicati nel 1799. Prova della quarta edizione di dodici, stampata dalla calcografia di Madrid, circa 1870. Aquaforte, acquatinta brunita e puntasecca, in perfetto stato di conservazione. La serie chiamata Los Caprichos, è composta da ottanta incisioni, la cui prima edizione [l’unica a non essere pubblicata postuma] venne alla luce ne 1799. Curata in fase d’edizione dallo stesso artista, la serie fu commercializzata e dopo poco tempo ritirata dal mercato. Infatti, a causa dei numerosi soggetti che ironizzavano sulla società spagnola di fine secolo, il Goya subì una censura. L’interpretazione dei soggetti rappresentati su queste lastre, sempre enigmatiche, è spesso controversa. Etching with burnished aquatint and engraving, 1799. From the fourth edition of twelve of the so-called "Los Caprichos" series, edited by the Madrid Calcografia [circa 1870].A very good impression, with good contrast, printed on contemporary paper, customary margins, in very good conditions. The series called Los Caprichos, consists of eighty etchings. This first edition of 1799, the only one not to be published posthumously, is imprinted on soft laid pape. Cured in phase edition by the same artist, the series was marketed and before long withdrawn from the market. In fact, because of the many subjects that mocked the Spanish society of the century, Goya suffered censorship. The interpretation of the subjects represented on these plates, always enigmatic, is often controversial. Harris 111‎

‎GOYA Y Lucientes Francisco de (Fuente de Todos 1746 - Bordeaux 1828)‎

‎No grites, tonta‎

‎Opera tratta dai "Los Caprichos", per la prima volta pubblicati nel 1799. Prova della quarta edizione di dodici, stampata dalla calcografia di Madrid, circa 1870. Aquaforte, acquatinta brunita e puntasecca, in perfetto stato di conservazione. La serie chiamata Los Caprichos, è composta da ottanta incisioni, la cui prima edizione [l’unica a non essere pubblicata postuma] venne alla luce ne 1799. Curata in fase d’edizione dallo stesso artista, la serie fu commercializzata e dopo poco tempo ritirata dal mercato. Infatti, a causa dei numerosi soggetti che ironizzavano sulla società spagnola di fine secolo, il Goya subì una censura. L’interpretazione dei soggetti rappresentati su queste lastre, sempre enigmatiche, è spesso controversa Etching with burnished aquatint and engraving, 1799. From the fourth edition of twelve of the so-called "Los Caprichos" series, edited by the Madrid Calcografia [circa 1870].A very good impression, with good contrast, printed on contemporary paper, customary margins, in very good conditions. The series called Los Caprichos, consists of eighty etchings. This first edition of 1799, the only one not to be published posthumously, is imprinted on soft laid pape. Cured in phase edition by the same artist, the series was marketed and before long withdrawn from the market. In fact, because of the many subjects that mocked the Spanish society of the century, Goya suffered censorship. The interpretation of the subjects represented on these plates, always enigmatic, is often controversial. Harris 109, Delteil 111.‎