‎Goya francisco‎

‎LAROUSSE MENSUEL-N°171-MAI 1921-EUGENE BURNAND‎

‎28 PAGES-24 CM X 31,5 CM-ABBESSE DE GUERANDE (L'), PAR CHARLES LE GOFFIC-BIJOUX ET BIBELOTS DES POILUS AU FRONT, 2P, 7 PHOTOS, 3 FIGURES-BURNAND (CHARLES LOUIS EUGENE), 1 PAGE ET DEMIE, PHOTO DU PEINTRE, 2 REPRODUCTIONS NOIR ET BLANC (LA FUITE DE CHARLES LE TEMERAIRE APRES LA BATAILLE DE MORAT, LES DISCIPLES PIERRE ET JEAN COURANT AU SEPULCRE LE MATIN DE LA RESURRECTION)-FOCH, 3P-GOYA, 2P, 3 ILL-GRAND LIBAN (ETAT DU), 3P, 3 PHOTOS, CARTE-MOLIERE, 1P, PORTRAIT-PLANTES MARINES (UTILISATION INDUSTRIELLE DES), 3 PAGES, 2 PHOTOS, 5 FIGURES‎

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Riferimento per il libraio : ABE-1571742079645

‎LE PELERIN-N°4587-25 OCTOBRE 1970‎

‎92 PAGES FORMAT 20,5 CM X 28,5 CM-EN COUVERTURE: FERNANDEL, PHOTO COULEURS EN BUSTE "UN SOURIRE 40 ANS DE CINEMA ET DE CHANSONS"-LE TERRORISME QUEBECOIS.UN MAUVAIS COUP POUR LES INDEPENDANTISTES, 1P PAR HERVE SCHAEFER, CARTE LEGENDEE "UN ILOT DE "PARLANT FRANCAIS" DANS UN OCEAN D'ANGLOPHONES.", 2 PHOTOS, FLQ-ON CONNAIT UN HOMME A SON RIRE.FERNANDEL RECOIT A PARIS SES DISQUES D'OR, 2P PAR ALBERT BOITEL, 4 PHOTOS COULEURS-LE JOURNAL D'UNE ANTIQUAIRE YVONNE CHAUFFIN RENCONTRE: YVONNE DE BREMOND D'ARS, 3P, 2 PHOTOS-PEUT-ON ETRE CHRETIEN EN 1970?, 2P PAR PAUL GUTH, PHOTO-EXPOSITION GOYA A L'ORANGERIE A PARIS, 2P PAR RENE BOUGOUIN ROB, 3 ILL-LE GRAND PAS DE LA PROPRETE, 2P, 3 ILLUSTRATIONS COULEURS PAR LUCILE BUTEL-CINEMA: "SORTIE DE SECOURS", PHOTO REGINE-PAT'APOUF, PAR GERVY‎

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Riferimento per il libraio : ABE-15760207399

‎LE MONDE-N°10580-DIMANCHE 4 ET LUNDI 5 FEVRIER 1979‎

‎24 PAGES-LA REVOLUTION EN IRAN-VOUS AVEZ DIT FOU?, PAR GABRIEL MATZNEFF SIXIEME DE PAGE-LE PDG DU CASINO DE BANDOL EST ECROUE POUR ESCROQUERIE-VU DE BRETAGNE DES MOTS ET DES TERRES, PAR XAVIER GRALL-ENTRETIEN AVEC LEONARDO SCIASCIA, 1 PAGE, PHOTO-ENCART 1 PAGE "LE TEMPS DES VACANCES", PHOTO CHANTAL GOYA-MORT DE SID VICIOUS-COMPLET‎

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Riferimento per il libraio : ABE-1580079219664

‎LE MONDE-N°7998-JEUDI 1 OCTOBRE 1970-POLIAKOFF‎

‎32 PAGES-LA SUCCESSION DU PRESIDENT NASSER-A L'ORANGERIE DES TUILERIES GOYA RIEN QU'A L'HUILE, PAR MICHEL CONIL LACOSTE, 2 TIERS DE PAGE, ILL-AU MUSEE D'ART MODERNE POLIAKOFF ARCHITECTE DE LA COULEUR, PAR JACQUES MICHEL, QUART DE PAGE-PAGES DE UNE EN PARTIE DETACHEES-COMPLET‎

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Riferimento per il libraio : ABE-1583673067601

‎LE MONDE ILLUSTRE-N°4049-27 JUILLET 1935‎

‎28 PAGES 28,5 CM X 38 CM-EN COUVERTURE "M.LEBRUN INAUGURE LES NOUVEAUX JARDINS DU PARC DE SCEAUX"-MARTHE HANAU EST MORTE, 1P PAR GEORGES SORIA, 2 PHOTOS-JAPONAISES D'AUJOURD'HUI, 2P, 7 PHOTOS-TROUBLES EN IRLANDE, 1P, 2 PHOTOS, BELFAST-AUCUN "SENTIER DE GUERRE" ENTRE INDIENS ET VISAGES PALES, 1P, 3 PHOTOS-LE CINEMA PAR MICHEL LOUIS: "LES EPOUX CELIBATAIRES" D'ARTHUR ROBISON ET JEAN BOYER, MONA GOYA, PIZELLA, GABAROCHE, 1P-LE THEATRE PAR HENRY DE FORGE: "ICARE" A L'OPERA, PHOTO SERGE LIFAR‎

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‎LE MONDE ILLUSTRE-N°4423-9 AOUT 1947‎

‎36 PAGES-IN 3-EN UNE: LE JAMBOREE MONDIAL DE LA PAIX-DIX SIECLES DE PECHE MARITIME, 5 PAGES-LA LIBERATION DE LA SYRIE UNE GRANDE OCCASION MANQUEE, PAR JACQUES SOUSTELLE-LA CORNICHE DU VERDON, 1P, PHOTO-ALLONS-NOUS PERDRE LES INDES FRANCAISES LE GOUVERNEMENT FRANCAIS DEVANT L'INDE NATIONALE, PAR JEAN SOMMIERE, 4 PAGES-LES INFRA-ROUGES AU SERVICE DE LA PEINTURE, 2P PAR ANDRE CAMP, 4 PHOTOS, GOYA-"SCOUTS, REPANDEZ LA FRATERNITE DANS LE MONDE", 3P PAR LOUIS ROGER-LE PLUS GRAND TELESCOPE DU MONDE, 2P, 4 PHOTOS-IL N'Y A PLUS D'EMPEREUR DES INDES, 1P, PHOTO-LA MEDAILLE D'OR AU MARCHAND D'HABITS DE "BAPTISTE", PANTOMINE DE PREVERT, 1P, 2 PHOTOS-LES LIVRES, PAR ROGER LANNES: L'ETOILE VESPER, DE COLETTE, DESSIN PAR VELLANI MARCHI-CINEMA: "LE DRAGON RECALCITRANT" OU LES SECRETS DE WALT DISNEY, 1P, 3 PHOTOS-(EM423)‎

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Riferimento per il libraio : ABE-1682183306609

‎LE FIGARO LITTERAIRE-N°592-24 AOUT 1957‎

‎8 PAGES FORMAT 40X60-LE GRAND MARCHANDAGE DES JUIFS DE BUDAPEST AVEC LES NAZIS/SOUVENIRS DE JOEL BRAND ET D'ALEX WEISSBERG/PHOTO EICHMANN/SUITE P5-ENFIN LE LOUVRE REPREND PIED AU PAVILLON DE FLORE/PAR PIERRE MAZARS/2 PHOTOS-CUVIER A T IL INSPIRE BAUDELAIRE?/PAR ALEXANDRE ARNOUX/SUITE P3-NUAGES SUR "MON" ILE/PAR GEORGES RAVON/PHOTO CHAPLIN-EN EVOQUANT AVEC HUBERT GIGNOUX L'AVENIR DE NOS CENTRES DRAMATIQUES/PAR JACQUES LEMARCHAND/PHOTO-L'AVENTURE SINGULIERE D'UN TABLEAU DE GOYA-CE QUE LES ECRIVAINS FONT DE LEURS VACANCES/MARCEL JOUHANDEAU A PARIS/PAUL VIALAR EN SICILE/PAUL GUTH EN ESPAGNE/CLAUDE AVELINE EN TOSCANE/HENRI PERRUCHOT DANS LE MORVAN/HENRY CASTILLOU AU TOUQUET‎

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Riferimento per il libraio : ABE-9431474772

‎LE AFFINITA' ELETTIVE. Paul Valéry SCRITTI SU LEONARDO - José Ortega y Gasset CARTE SU VELASQUEZ E GOYA - Rainer Maria Rilke LETTERE SU CEZANNE.‎

‎In-8 (cm. 24.50), 3 volumi, brossure editoriali illustrate, cofanetto editoriale, pp. 98, (2); 171, (1); 95, (1); con 8 tavole a colori nel testo (Lettere a Cezanne). In ottimo stato (nice copy).‎

‎LES NOUVELLES LITTERAIRES-N°1476-15 DECEMBRE 1955‎

‎8 PAGES FORMAT 42 CM X 60 CM-L'AFFAIRE MINOU DROUET,ON COMMET DONC UN CRIME DE CHANTER CE QU'ON A DANS SON COEUR?,PAR PASTEUR VALLERY RADOT,PHOTO,SUITE P4-LES PEINTRES DANS LE TRAIN,"LA GARE" PAR BERNARD BUFFET,SUITE EN P5 "LE CHEMIN DE FER ET L'ART"-LES DIX ROMANCIERS DES DIX DERNIERES ANNEES-EN UNE: UNE NOUVELLE DE FELICIEN MARCEAU PRIX INTERALLIE 1955 "UN MOT DE TROP",PHOTO-LE LIVRE DE LA SEMAINE PAR RENE LALOU "L'ENFANT DU LENDEMAIN" PAR GERMAINE BEAUMONT,PHOTO-VISITE A L'ANNONCIADE,PHOTO LOUIS SUE DEVANT LE "NU" DE MAILLOL,PAR GISELE D'ASSAILLY-DESSIN PLEINE LARGEUR DE BEN "LEUR VITRINE DE NOEL",ANDRE DHOTEL,ROGER IKOR,FELICIEN MARCEAU,GEORGES GOVY-DISQUE,L'ENFANT QUI JOUAIT.,PAR GERMAINE BEAUMONT-THEATRE: "JEANNE D'ARC",PHOTO-THEATRE: "PORT-ROYAL" DE MONTHERLANT,PHOTO GERMAINE KERJEAN-CINEMA: "L'AMANT DE LADY CHATTERLEY"‎

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Riferimento per il libraio : ABE-8616304255

‎MARIE FRANCE-N°36-FEVRIER 1959‎

‎116 PAGES-JEAN DESSAILLY ET SIMONE VALERE EN COUVERTURE-GOYA ET LA DUCHESSE D'ALBE/AVA GARDNER/10P-LA MODE VOYAGE AU TEMPS DES 7 CV-VOUS N'AVEZ PLUS LE DROIT DE VIEILLIR-AU BALCON DE MARIE FRANCE-MARILYN A PEUR/7P‎

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Riferimento per il libraio : ABE-1941644402

‎PARIS MATCH-N°1991-24 JUILLET 1987-ISABELLE ADJANI‎

‎EN COUVERTURE "ADJANI SON DERNIER COUP DE FOUDRE", EN BUSTE AVEC CHAPEAU-JAMES CLAVELL, PAR ALEXANDRE JARDIN, JEAN D'ORMESSON, JEAN-EDERN HALLIER, ANDRE BERCOFF, 3P-CHANTAL GOYA, 4P-JOHN DEREK, 2P-MYLENE FARMER, 2P-RUDOLF NOUREEV, 2P-MES GENS, PAR PHILIPPE BOUVARD: CHARLOTTE RAMPLING, 1P, PHOTO PLEINE PAGE (FRANCOISE PROUVOST)-LE COUP DE FOUDRE D'ADJANI, CAMILLE CLAUDEL, 8P-NEWTON ET LES MAILLOTS DE L'ETE, 4P-CARTE BLANCHE A ALAIN DECAUX‎

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Riferimento per il libraio : ABE-1548261418889

‎PARIS MATCH-N°2213-24 OCTOBRE 1991-VANESSA PARADIS‎

‎EN COUVERTURE "VANESSA PARADIS "19 ANS ET JE RECOMMENCE A ZERO"-JEAN FERNIOT UNE VIE DANS LES COULISSES DU POUVOIR, 3P-HUSTER S'EST POSE AU THEATRE ANTOINE, 1P, 2 PHOTOS-UN MATAF QUI BALANCE ROLAND LESAFFRE, LE VOYOU FETICHE DE MARCEL CARNE, SORT SES MEMOIRES TRES SALEES, DEMI-PAGE, 2 PHOTOS-ALBERT UDERZO POUR THOMAS, ASTERIX S'APPELLE "DESSIN PAPE", 4P PHOTO ALBERT UDERZO, SON EPOUSE, SA FILLE ET SON PETIT-FILS, ALBUMS "LA ROSE ET LE GLAIVE", FIGURINE OBELIX, 3 PHOTOS AVEC SON PETIT FILS-JACQUELINE BISSET, 2P, 2 PHOTOS, LA BAULE-CHANTAL GOYA, 2P, 3 PHOTOS-MARIE-LAURE AUGRY, 1P, PHOTO PLEINE PAGE (PATRICK ROBERT)-LA FRANCE GRONDE, 12P-SOUDAIN L'ENFER, RALLYE DES PHARAONS, CHRISTIAN TARIN, 4P-VANESSA PARADIS "JE PARS POUR L'AMERIQUE, MAIS", 7P, "COCO", 2 PHOTO CHANEL-CES MYSTERES QUI PASSIONNENT LES FRANCAIS, SUZANNE DE CANSON, JOELLE PESNEL, LES FRERES CHAUMET, OMAR RADDAD, GHISLAINE MARCHAL, 8 PAGES-ANNONCE POUR 2 CONCERTS DE TIN MACHINE, DAVID BOWIE-(BA1)‎

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Riferimento per il libraio : ABE-1548350431983

‎REALITES-N°135-AVRIL 1957‎

‎24,5 CM X 31,5 CM-LE BULLETIN DE SANTE DU P.C. FRANCAIS, 6 PAGES-L'ISLAM TRIOMPHANT?, PAR GEORGES ROTVAND, 8 PAGES-DIEN BIEN PHU VU PAR LE GENERAL NAVARRE, 6 PAGES-LES ARGONAUTES, ARMATEURS GRECS, ONASSIS, NIARCHOS, 6 PAGES-"JE SUIS RESTE SUR MON BLED!", MASSACRES DE MEKNES, MAROC, 8 PAGES-L'IMPERATIF N°1: COMMENT DEVELOPPER NOS RESSOURCES EN ENERGIE, 4 PAGES-LES DEUX FACES DE GOYA EN UNE SEULE OEUVRE, 8 PAGES-LES ECOLES QUI MENENT LA FRANCE, 4 PAGES PAR ANDRE SIEGFRIED-LA PROMOTION X29 CE QU'ILS SONT DEVENUS, 2 PAGES, 8 PHOTOS-VACANCES D'ETE: MER OU MONTAGNE?, 7 PAGES-(EM21)‎

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Riferimento per il libraio : ABE-1651262632488

‎SPECTATEUR-N°135-6 JANVIER 1948‎

‎8 PAGES FORMAT 40X60-EN UNE PHOTO JOAN FONTAINE-L'ANNEE DE MOLIERE, PAR THIERRY MAULNIER-FESTIVAL RAVEL A L'OPERA,SUITE P7-LES PIEGES DU DISTINGUO,PAR ANDRE ROUBAUD-TROIS P'TITS TOURS.ET PUIS NE S'EN VONT PLUS,PHOTO MARIONNETTE DE GASTON BATY,SUITE P3,2 PHOTOS-LE PUBLIC PARISIEN FACE A L'EXISTENTIALISME,SARTRE-PHOTO CLAUDE DALTYS,FERNAND SARDOU ET MONA GOYA DANS "HIER ET AUJOURD'HUI" A BOBINO-PELERINAGE RAVELIEN,PAR CLAUDE BAIGNERES-PHOTO RITA HAYWORTH-UN NOUVEAU METTEUR EN SCENE ELIA KAZAN-AU MUSEE D'ART MODERNE CONSTANT PERMEKE,PAR MAXIMILIEN GAUTHIER,2 PHOTOS-"LA PETITE HUTTE" ET LE "VOYAGE A TROIS" UNE LETTRE DE JEAN DE LETRAZ-ROMANS ET ESSAIS,PAR ROBERT KANTERS,CRITIQUE POUR "BANLIEUE SUD EST" DE RENE FALLET‎

‎COUVERTURE SOUPLE ETAT BON‎

Riferimento per il libraio : ABE-10078192433

‎"GOYA, FRANCISCO.‎

‎Los desastres de la guerra. Colección de ochenta láminas inventadas y grabadas al agua-fuerte. Publicala la Real Academia de Bellas Artes de San Fernando. - [""THE MOST SEARING WORKS OF ART EVER TO DEAL WITH CONFLICT""]‎

‎Madrid, 1906. Folio oblong. Bound in a splendid recent full longgrained burgundy morocco binding in pastiche style, with four raised bands to beautifully gilt spine. Boards with gilt ornamental borders and gilt centre-piece. Gilt line to edges of boards and inner gilt dentelles. Marbled end-papers. All leaves re-hinged. Occasional light brownspotting, but overall very nice. Title-page (the version with the second line (beginning ""Colección de Ochenta...) in lower case), 2 pp. of text (dated 1863) + 80 engraved plates (on fine, laid paper measuring 23,4x32 cm.). Plates 17 and 77 have been misbound (the numbers 1 and 7 look almost the same - Harris II:201: ""In some sets this plate has been bound out of order where the number hs been read as 77"""" II:288: ""In some sets this plate has been bound out of order where the number has been read as 17).‎

‎A beautiful copy of the splendid fourth edition of Goya's magnificent ""Disasters of War"" - one of the most significant anti-war works of art ever produced - consisting in all 80 plates that were issued. ""The Disasters of War"" constitutes Goya’s political masterpiece, directly inspired by and documenting the horrors he witnessed during the Peninsular War of 1808-14 between Spain and France under Napoleon Bonaparte, the terrible famine in Madrid in 1811-12, and the disappointment at the restoration of the Bourbon monarchy. As such, it is one of the earliest and most important examples of war documentation and remains to this day one of the boldest anti-war statements ever made. This, however, is also the reason why these groundbreaking etchings were not published during Goya’s life-time. It was both too dangerous and too gruesome. As Alastair Sooke puts it, ""[e]ven today it is difficult to look at the Disasters, because Goya catalogues the brutality and fatal consequences of war in such a stark, confrontational and unflinching manner."" (See his article for BBC Culture, 2014). In this seminal series of etchings, Goya not only uses art to comment on politics and the atrocities connected with war, he also pioneers a number of artistic tools. Breaking from painterly traditions, he deviates from the heroics of most previous war art to show us how war can bring out the worst in humanity. He abandons colour in order to show us a more direct truth conveyed by the use of shadow and shade. Also, the fact that he presents the 80 works of art as a collection, together with the harsh, realistic nature of the etchings themselves, connect the images more closely to the art of photography that we are now so familiar with, causing the work as a whole to be viewed as one of the earliest examples of actual first-hand war reportage. The work has been extremely influential, perhaps most famously inspiring Pablo Picasso and Ernest Hemingway (For Whom the Bells Toll). ""There are many contenders for the most powerful example of war art from the past two centuries: Picasso’s Guernica (1937), painted in response to the bombing of a Basque village during the Spanish Civil War, would be an obvious choice. For me, though, nothing quite matches the originality and truth-telling ferocity of the Disasters of War, a series of 80 aquatint etchings, complete with caustic captions, by the Spanish artist Francisco de Goya (1746-1828)."" (Sooke). The execution of the engravings has been dated to a period between 1810 and 1820, but no contemporary edition was made of this spectacular series. ""Possibly by the time they were finished, the war and famine scenes were not of great appeal, and Goya was probably unwilling to risk another financial failure such as he had experienced with the ""Caprichos"". It was a time of stern repression and the publication of the satirican and violently anti-clerical subjects of some of the ""caprichos enfánticos"" would certainly have been dangerous. These facts would account for a postponement of publication. Also, Goya himself tells us that he fell seriously ill in the winter of 1819... and on his recovery he was planning to leave Spain and settle permanently in France. That Goya did not attempt to make an edition of ""Desastres"" in Madrid before leaving for France is borne out by the investigations of Catharina Boelcke-Astor, who showed that the copperplates were stored away in safes by Goya's son Javier, where they remained until the latter's death in 1854. Eventually, in November 1862, they were acquired by the Academia de San Fernando from D. Jaimé Machén for 28,000 reales..."" (Harris I:141). In 1863, the first edition of Goya's seminal work was issued, under the famous title ""Los desastres de la guerra"". In all, 500 copies were issued. A second edition followed in 1892, and a third in 1903. Both of these editions were issued in merely 100 copies. In 1906, the fourth edition appeared, in a number of 275 copies. ""This edition is excellently printed on very suitable papers"" (Harris II: 175) and is considered much superior to the third. A further three editions appeared, in 1923, 1930, and 1937 respectively. ""When Goya had engraved all the plates of the ""Desastres"" he gave his friend, Céan Bermúdez, an album containing a proof set of eighty-five plates, including the eighty plates eventually published as ""Los Desastres de la Guerra"", two plates numbered 81 and 82, which were prepared for the series but not published with it, and the three little engravings of ""prisoners"", which were never intended by Goya for inclusion in a published edition of the series."" (Harris I:140). The first plate prepares the spectator for the contents of the series and can be seen as a sort of frontispiece, plates 2-47 deal mainly with the horrors of the war, plates 48-64 record the terrible famine in Madrid, and the final plates 65-80 constitute the ""Caprichos enfánticos"". "" ""The impact of the scenes is incredible,"" says the independent art historian Juliet Wilson-Bareau, one of the world’s leading Goya experts. ""Each one is a powerful, original work of art in its own right, yet linked to the others with a common theme, including the way their titles - terse comments, questions, or cries of outrage - connect them, and read on from one to another. The grouping of the series into three ‘chapters’ gives the whole a sense of rhythm and purpose."" Goya must have hoped that he would live to see the publication of his Disasters, but the despotic rule of Ferdinand VII made this impossible. ""Under his repressive and reactionary regime,"" Wilson-Bareau explains, ""there was no way that Goya could have published his set of prints that so clearly denounced all violence and all abuse of power."" Still, following their posthumous publication, the Disasters proved enormously influential, inspiring artists including the German Otto Dix as well as Dalí and Picasso - and, more recently, the British brothers Jake and Dinos Chapman, who bought a complete edition of the prints and ‘defaced’ them by adding grotesque, cartoonish faces. Even the war photographer Don McCullin acknowledges a debt: ""When I took pictures in war, I couldn’t help thinking of Goya,"" he has said. The genius of the Disasters is that they transcend particularities of the Peninsular War and its aftermath to feel universal - and modern. Perhaps this is because, as the British writer Aldous Huxley put it in 1947, ""All [Goya] shows us is war’s disasters and squalors, without any of the glory or even picturesqueness."" So should we consider the series as the greatest war art ever created? Wilson-Bareau certainly thinks so. ""For me, yes,"" she tells me. ""I have lived with these prints, which many people consider too shocking, absolutely unbearable, and I find in them - besides the heartbreak and outrage at the unspeakable violence and damage - a great well of compassion for all victims of the suffering and abuses they depict, which goes to the very heart of our humanity."" (From Alastair Sooke's BBC-article). Harris II: 175.‎

Riferimento per il libraio : 60282

‎(Collectif)‎

‎GRANDS PEINTRES : GOYA‎

‎Une plaquette de 16 pages, format 230 x 295 mm, illustrée, brochée couverture couleurs, s.d., bon état‎

‎Avec un portfolio de 4 planches d'oeuvres de Goya‎

Riferimento per il libraio : LFA-126744378

‎(Goya) Vindel, Pedro‎

‎LOS CAPRICHOS LA TAUROMAQUIA LOS DESASTRES DE LA GUERRA LOS PROVERBIOS DE DON FRANCISCO GOYA. Descripción de las diversas tiradas hechas hasta nuestros días con los precios que alcanzan en la actualidad.‎

‎Madrid: Librería de Pedro Videl 1928. 1ª ed. Holandesa tela editorial. 22.5x32. 31 láminas 2h. Librería de Pedro Videl hardcover‎

Riferimento per il libraio : 40.404

‎(GOYA). SCHWANDER, Martin.‎

‎Goya. Edited by. for the Fondation Beyeler. With Texts by Andreas Beyer Helmut C. Jacobs Ioana Jimborean et al‎

‎Fondation Beyeler in association with Hatje Kantz Verlag 2021. 4to. 397 3 pp. Publisher's colour illustrated cloth. Numerous illustrations many in colour. An excellent copy. Fondation Beyeler [in association with] Hatje Kantz Verlag unknown‎

Riferimento per il libraio : 51905

‎(MOSTRA).‎

‎Goya in spanischen Privatsammlungen. Collection Thyssen-Bornemisza. (Katalog).‎

‎Lugano, Villa Favorita, 1986, in-8, br., pp. 177. Con illustrazioni in b.n. e 47 tavole a colori.‎

‎[ART] - GOYA (Francisco de) -‎

‎Master or etching - FRANCISCO DE GOYA.‎

‎London, The stutio limited, 1927 ; in-4 , 10-15 pp., cartonnage de l'éditeur. NUMBER FIFTEEN - introduction by Malcolm C. Salaman-OBLONG.‎

‎NUMBER FIFTEEN - introduction by Malcolm C. Salaman-OBLONG.‎

Riferimento per il libraio : 200618673

‎[CATALOGUE EXPOSITION] - [GOYA].-‎

‎Goya, Orangerie des Tuileries, Paris, 25 septembre-7 décembre 1970.‎

‎P., Musées Nationaux, 1970, in 8° carré ; couverture en couleurs ; jaquette rodhoïd.‎

‎58 numéros décrits (+ 3 en appendice volant). Nombreuses illustrations, certaines en couleurs. PHOTOS SUR DEMANDE. ...................... Photos sur demande ...................‎

Riferimento per il libraio : 55772

‎[GOYA]‎

‎Exposition. Les Eaux-fortes de Goya. Octobre 1960 - Janvier 1961.‎

‎Paris, Galerie Gaveau, s.d. (1960). 1 vol. in-8° agrafé au dos, couv. ill. 50 pp., (1) p., illustrations dans le texte.[Cat05]‎

‎Exposition des eaux-fortes de Goya de la collection d'Andrès Laszlo.‎

Riferimento per il libraio : 16148

‎[GOYA] - GASSIER (Pierre)‎

‎Goya, témoin de son temps.‎

‎Fribourg, Office du Livre, 1983. In-4° carré, 323p. Reliure pleine toile d'éditeur, sous jaquette illustrée.‎

‎Avec 207 illustrations, dont 40 en couleurs. Inscription en page de garde, sinon à l'état de neuf.‎

Riferimento per il libraio : 31626

‎[Goya] - Collectif.‎

‎Goya.‎

‎Hachette, 1964, gr. in-8°, 302 pp, 8 planches en couleurs (illustrations contrecollées) et 85 planches en noir, 70 gravures dans le texte, imprimé sur papier vergé, reliure simili-cuir noir décoré de l'éditeur, rhodoïd, étui carton (lég. abîmé), bon état (Coll. Génies et Réalités)‎

‎Par Jacques Chastenet (La vie de Francisco Goya y Lucientes, peintre), Michel del Castillo (Peintre de lui-même), Jean Lucas-Dubreton (Peintre du peuple), Jorge Semprún (Peintre de la femme), Jean Babelon (Peintre du Roi), Enrique Lafuente-Ferrari (L'évolution de son génie), Claude Roy (Ses cauchemars), Maurice Rheims (L'histoire de sa cote), Claude Roger-Marx (Ensuite commence la peinture moderne). — "Dans la collection « Génies et Réalités », un Goya soigneusement relié et illustré auquel ont collaboré M. Jacques Chastenet, de l'Académie française, qui a retracé avec brio la vie du peintre, et MM. J. Lucas-Dubreton, Jean Babelon et quelques autres ; ils étudient avec soin sa facture, l'évolution de son génie et ses rapports avec la cour d'Espagne." (André Gavoty, Revue des Deux Mondes, 1964) Désormais les frais d'envoi sont de 6 € seulement pour les livres jusqu'à 1 kg (colissimo suivi), pour la France métropolitaine.‎

Riferimento per il libraio : 89020

‎[GOYA] - DIETERICH (Anton).-‎

‎Goya, dessins.‎

‎P., Chêne, 1975, in 8° broché, 47pp. et 96 planches hors-texte.‎

‎PHOTOS sur DEMANDE. ...................... Photos sur demande ...................‎

Riferimento per il libraio : 12590