‎Goya francisco‎

‎Goya Francisco‎

‎Los Caprichos‎

‎Mineola NY U.S.A.: Dover Publications Incorporated 1969. 1st Thus Reproduces in its entirety with illustrations the original size--one of six known proof sets. Frontispiece self-portrait of Goya. 80 pages plus several unique proofs on same subject. Spanish text with English translations. Larger softcover purple-illustrated front wrapper light wear to front edges very slight surface wear to front tips creased at back bottom near tip. Near Very Good. First Thus. Soft Cover. Very Good. Dover Publications, Incorporated Paperback‎

Bookseller reference : 14641 ISBN : 0486223841 9780486223841

‎HAYA Maria GOYA Mario Garcia Joya‎

‎La diane havanaise ou La rumba s'appelle Chano‎

‎Havana: Editions Jos� Marti 1985. Bound in gray wraps stamped in black and white. 104 pp. with pictures of people playing music and dancing. Text is in French. . First Edition. Soft Cover. Very Good /No Jacket. Illus. by Photo-Illustrated. Oblong 4to. Editions Jos� Marti Paperback‎

Bookseller reference : 5000097

‎Losada Goya Jose Manuel‎

‎Bibliography of the Myth of Don Juan in Literary History‎

‎1997 hardcover published without jacket/ex-library with usual markings/clean & unmarked text. Edwin Mellen Press hardcover‎

Bookseller reference : biblio2887 ISBN : 0773484507 9780773484504

‎Goya F‎

‎LA Tauromaquia and the Bulls of Bordeaux‎

‎Mineola New York U.S.A.: Dover Pubns 1969. This Dover Edition first published in 1969 reproduces in entirety the first edition 1816 of the 33 basic plates of La Tauromaquia and the first edition of the 7 supplementary plates originally published by E. Loizelet Paris in 1876. All these plates are reproduced original size except for the title plate to the 1876 supplement not by Goya which has been reduced by 20 per cent. In addition this volume includes reproductions of early impressions of the basic 3 lithographs of the Bulls Of Bordeaux reduced by 32 per cent and a unique reproduction proof of a fifth related lithograph. Clean. First Edition. Trade Paperback. Very Good/No Jacket - Wraps. Folio - over 12" - 15" tall. Dover Pubns paperback‎

Bookseller reference : 005569 ISBN : 0486223426 9780486223421

‎Antonia Vallentin Illustrated by Goya‎

‎This I Saw: The Life and Times of Goya‎

‎New York: Random House 1949. 371 pp/illus. Translated from the French by Katherine Woods. Includes 20 full page sepia toned annotated illustrations among them: The Marchioness o f Pontejos Goya's Wife Josefa Queen Maria Luisa Duchess of Alba self-portrait Here Commes the Bogy Man Goya's son Tantalo Witches sabbath Queen of the Circus etc. In depth background inform a tion about many of Goya's paintings his life. Binding is brown cloth on boards with front blindstamping of Goya. Light chipping/wear to dj. 1st Printing. Cloth. Very Good/Very Good-. 8vo - over 7�" - 9�" tall. Random House hardcover‎

Bookseller reference : 003354

‎Goya Francisco‎

‎Disasters of War‎

‎New York: Dover Pubns 1967. Oversized Unabridged republication of the first 1863 edition with three additional prints reprinted from proofs in the collection of the Museum of Fine Arts Boston 83 plates reproduced in facsimile size. Glossy Soft Cover. As New. Dover Pubns‎

Bookseller reference : 77573 ISBN : 0486218724 9780486218724

‎Francisco Jos E De Goya Y Lucientes‎

‎Goya Francisco Jos�e De Goya Y Lucientes‎

‎New York: Harry N Abrams 1965. Fine in near fine dust jacket. First Edition. Hard Bound. Fine/Near Fine. Harry N Abrams Hardcover‎

Bookseller reference : b19136 ISBN : 0810901498 9780810901490

‎Goya;‎

‎SAN ANTONIO DE LA FLORIDA; Fescos De Goya‎

‎Madrid: Editorial Patrimonio Nacional 1962. 9 full color plates printed on heavy stock wihich simulates art canvas; each plate tipped photo-album style to heavy black stock which folds out 3 plates on each fold-out. Enclosed in a pictorial gilt lettered simulated linen portfolio with two button snaps for closing. Laid in is a 14 pp. tri-lingual Spanis English French 12 mo. booklet in brown paper wraps. The shrine of St. Anthony Madrid St. Antonio de la Florida to the Spanish was completed in 1798. The king put Francisco d Goya in charge of the decoration. Goya began painting the frescos on the first of August 1798 and completed them near the end of December that same year . Paperbound. Very Good. 8 Vo. Editorial Patrimonio Nacional, Paperback‎

Bookseller reference : AH 2110

‎Goya‎

‎La Tauromaquia and the Bulls of Bordeaux‎

‎New York: Dover Pubs 1969. Paperback. Very Good. Very good softcover Dover Pubs paperback‎

Bookseller reference : 568

‎Goya Francisco commentary by Harry B. Wehle‎

‎Fifty Drawings by Francisco Goya: Papers . No. 7‎

‎NY: Met. Museum of Art 1941. Front cover sunned except where protected by another book. 10X12". 500 copies of 1st edition printed in June 1938. 1000 copies of this second edition printed in February 1941. Later Printing. Trade Paperback. Very Good. Illus. by 50 B&W plates. Art. Catalogs: Art. Met. Museum of Art paperback‎

Bookseller reference : 7077

‎Goya‎

‎Goya Revista De Arte Numeros 37 38‎

‎1960. Large art magazine. Text in Spanish. Some cover wear. Soft Cover. Good. paperback‎

Bookseller reference : 0804064

‎Gassier, P & J Wilson‎

‎Goya. His Life and Work‎

‎Gassier, P & J Wilson: Goya. His Life and Work. Evergreen, 1971. 400 pages. Hardback. 33.5x28cms. 48 colour plates and 2100 black and white illustrations.‎

‎48 colour plates and 2100 black and white illustrations. Text in English‎

Bookseller reference : 123393

‎Gassier, P. and J. Wilson‎

‎The Life and Complete Work of Francisco Goya‎

‎Gassier, P. and J. Wilson: The Life and Complete Work of Francisco Goya. New York: Harrison House, 1981. 400pp with 48 colour plates and 2000 monochrome illustrations. Hardback. 33x29cms. First complete catalogue of Goya's paintings, drawings and engravings. Divided in 5 chronological sections, each preceded by a table of events and followed by a catalogue raisonnà of the period.‎

‎First complete catalogue of Goya's paintings, drawings and engravings. Divided in 5 chronological sections, each preceded by a table of events and followed by a catalogue raisonnà of the period. Text in English‎

Bookseller reference : 033300 ISBN : 517353903

‎Angelis, Rita de‎

‎L'Opera Pittorica Completa di Goya. Classici dell'Arte‎

‎Angelis, Rita de: L'Opera Pittorica Completa di Goya. Milan: Rizzoli, Series: Classici dell'Arte. 144pp with 64 colour plates and c.700 monochrome illustrations. Cloth. 31.5x24cms.‎

Bookseller reference : 053986

‎Wilson-Bareau, Juliet‎

‎Goya. Drawings from His Private Albums‎

‎Wilson-Bareau, Juliet: Goya. Drawings from His Private Albums. Exhibition: London, Hayward Gallery, 2001. 192pp with c.150 colour illustrations. Paperback. 28.4x23cms. This exhibition reassembles sketches from eight albums of Goya's, which have been dispersed throughout international collections. The sketches portray images of fantasy, war, childhood and religion.‎

‎This exhibition reassembles sketches from eight albums of Goya's, which have been dispersed throughout international collections. The sketches portray images of fantasy, war, childhood and religion. Text in English‎

Bookseller reference : 072925 ISBN : 1853322164

‎Jean-Pier Delaume-Myard Chantal Goya‎

‎Étoile d'un Mour‎

‎Dorval Editions 2007 95 pages 21x14x1cm. 2007. Broché. 95 pages.‎

‎French édition -- Envoi rapide et soigné dans une enveloppe à bulle depuis France‎

Bookseller reference : 22748

‎Chantal Goya‎

‎Des poussières d'étoiles dans les yeux‎

‎Flammarion 2009 2009.‎

‎Bon état‎

Bookseller reference : 500076233

‎Goya‎

‎Caprices. Disparates.‎

‎Le Club Français de Livre, 1960, in-8 carré, cart. éd. , 102 planches h. -t.,dos jauni‎

‎Remise de 20% pour toutes commandes égales ou supérieures à 100 €‎

Bookseller reference : 8136

‎Francisco de Goya. Elie FAURE.‎

‎Les désastres de la guerre - 85 Eaux-Fortes reproduites au format original. Introduction par Elie Faure.‎

‎1937 Editions du Phaidon - Vienne 1937. Grand album à l'italienne. Toile verte. 99 pages. sous jaquette illustrée.Couv. un peu passée. Bel exemplaire‎

‎Percaline verte de l'éditeur, titre doré au dos et vignette de titre de toile noire sur le plat supérieur,sous jaquette illustrée. Fac-similé du recueil des 85 gravures des Désastres de la Guerre ; texte de présentation par Elie FAURE. Goya réalisa ces gravures de 1810 à 1820, mais elles ne furent publiées en album qu'en 1863 par l'Académie des Beaux-arts de San Fernando. Elles illustrent les désastrent humains causés par l'occupation française. Remise de 20% pour toutes commandes égales ou supérieures à 100 €‎

Bookseller reference : 24205

‎Malraux, André / Goya‎

‎Dessins De Goya Au Musée Du Prado‎

‎Albert Skira 23 x 29 Paris 1947 Volume in-4, couverture rempliée, Texte d'André Malraux (XXXVIII p.), suivies de 195 reproductions des dessins de Goya et de 10 pages non numérotées de catalogue. Edition originale. Couverture, dos et intérieur en parfait état. (B20) PHOTOS NUMERIQUES DISPONIBLES PAR EMAIL SUR SIMPLE DEMANDE-DIGITAL PHOTOGRAPS MAY BE AVAILABLE ON REQUEST‎

Bookseller reference : 5094

‎[GOYA] - GUINARD (Paul) & DE ANGELIS (Rita)‎

‎Tout l'oeuvre peint de Goya.‎

‎Paris, Flammarion (coll. "Les classiques de l'art"), 1976. In-4°, 144p. Reliure pleine toile d'éditeur, sous jaquette illustrée.‎

‎Contient 64 planches en couleurs et de nombreuses reproductions en noir. Exemplaire en parfaite condition‎

Bookseller reference : 38311

‎[GOYA] - GASSIER (Pierre)‎

‎Goya dans les collections suisses.‎

‎Martigny, Fondation Pierre Gianadda, 1982. Gr. in-8° carré, 139p. Broché, couverture illustrée.‎

‎Intéressant catalogue d'exposition renfermant une abondante iconographie en noir et en couleurs. A l'état de neuf.‎

Bookseller reference : 42491

‎"GOYA, FRANCISCO.‎

‎Los desastres de la guerra. Colección de ochenta láminas inventadas y grabadas al agua-fuerte. Publicala la Real Academia de Bellas Artes de San Fernando. - [""THE MOST SEARING WORKS OF ART EVER TO DEAL WITH CONFLICT""]‎

‎Madrid, 1906. Folio oblong. Bound in a splendid recent full longgrained burgundy morocco binding in pastiche style, with four raised bands to beautifully gilt spine. Boards with gilt ornamental borders and gilt centre-piece. Gilt line to edges of boards and inner gilt dentelles. Marbled end-papers. All leaves re-hinged. Occasional light brownspotting, but overall very nice. Title-page (the version with the second line (beginning ""Colección de Ochenta...) in lower case), 2 pp. of text (dated 1863) + 80 engraved plates (on fine, laid paper measuring 23,4x32 cm.). Plates 17 and 77 have been misbound (the numbers 1 and 7 look almost the same - Harris II:201: ""In some sets this plate has been bound out of order where the number hs been read as 77"""" II:288: ""In some sets this plate has been bound out of order where the number has been read as 17).‎

‎A beautiful copy of the splendid fourth edition of Goya's magnificent ""Disasters of War"" - one of the most significant anti-war works of art ever produced - consisting in all 80 plates that were issued. ""The Disasters of War"" constitutes Goya’s political masterpiece, directly inspired by and documenting the horrors he witnessed during the Peninsular War of 1808-14 between Spain and France under Napoleon Bonaparte, the terrible famine in Madrid in 1811-12, and the disappointment at the restoration of the Bourbon monarchy. As such, it is one of the earliest and most important examples of war documentation and remains to this day one of the boldest anti-war statements ever made. This, however, is also the reason why these groundbreaking etchings were not published during Goya’s life-time. It was both too dangerous and too gruesome. As Alastair Sooke puts it, ""[e]ven today it is difficult to look at the Disasters, because Goya catalogues the brutality and fatal consequences of war in such a stark, confrontational and unflinching manner."" (See his article for BBC Culture, 2014). In this seminal series of etchings, Goya not only uses art to comment on politics and the atrocities connected with war, he also pioneers a number of artistic tools. Breaking from painterly traditions, he deviates from the heroics of most previous war art to show us how war can bring out the worst in humanity. He abandons colour in order to show us a more direct truth conveyed by the use of shadow and shade. Also, the fact that he presents the 80 works of art as a collection, together with the harsh, realistic nature of the etchings themselves, connect the images more closely to the art of photography that we are now so familiar with, causing the work as a whole to be viewed as one of the earliest examples of actual first-hand war reportage. The work has been extremely influential, perhaps most famously inspiring Pablo Picasso and Ernest Hemingway (For Whom the Bells Toll). ""There are many contenders for the most powerful example of war art from the past two centuries: Picasso’s Guernica (1937), painted in response to the bombing of a Basque village during the Spanish Civil War, would be an obvious choice. For me, though, nothing quite matches the originality and truth-telling ferocity of the Disasters of War, a series of 80 aquatint etchings, complete with caustic captions, by the Spanish artist Francisco de Goya (1746-1828)."" (Sooke). The execution of the engravings has been dated to a period between 1810 and 1820, but no contemporary edition was made of this spectacular series. ""Possibly by the time they were finished, the war and famine scenes were not of great appeal, and Goya was probably unwilling to risk another financial failure such as he had experienced with the ""Caprichos"". It was a time of stern repression and the publication of the satirican and violently anti-clerical subjects of some of the ""caprichos enfánticos"" would certainly have been dangerous. These facts would account for a postponement of publication. Also, Goya himself tells us that he fell seriously ill in the winter of 1819... and on his recovery he was planning to leave Spain and settle permanently in France. That Goya did not attempt to make an edition of ""Desastres"" in Madrid before leaving for France is borne out by the investigations of Catharina Boelcke-Astor, who showed that the copperplates were stored away in safes by Goya's son Javier, where they remained until the latter's death in 1854. Eventually, in November 1862, they were acquired by the Academia de San Fernando from D. Jaimé Machén for 28,000 reales..."" (Harris I:141). In 1863, the first edition of Goya's seminal work was issued, under the famous title ""Los desastres de la guerra"". In all, 500 copies were issued. A second edition followed in 1892, and a third in 1903. Both of these editions were issued in merely 100 copies. In 1906, the fourth edition appeared, in a number of 275 copies. ""This edition is excellently printed on very suitable papers"" (Harris II: 175) and is considered much superior to the third. A further three editions appeared, in 1923, 1930, and 1937 respectively. ""When Goya had engraved all the plates of the ""Desastres"" he gave his friend, Céan Bermúdez, an album containing a proof set of eighty-five plates, including the eighty plates eventually published as ""Los Desastres de la Guerra"", two plates numbered 81 and 82, which were prepared for the series but not published with it, and the three little engravings of ""prisoners"", which were never intended by Goya for inclusion in a published edition of the series."" (Harris I:140). The first plate prepares the spectator for the contents of the series and can be seen as a sort of frontispiece, plates 2-47 deal mainly with the horrors of the war, plates 48-64 record the terrible famine in Madrid, and the final plates 65-80 constitute the ""Caprichos enfánticos"". "" ""The impact of the scenes is incredible,"" says the independent art historian Juliet Wilson-Bareau, one of the world’s leading Goya experts. ""Each one is a powerful, original work of art in its own right, yet linked to the others with a common theme, including the way their titles - terse comments, questions, or cries of outrage - connect them, and read on from one to another. The grouping of the series into three ‘chapters’ gives the whole a sense of rhythm and purpose."" Goya must have hoped that he would live to see the publication of his Disasters, but the despotic rule of Ferdinand VII made this impossible. ""Under his repressive and reactionary regime,"" Wilson-Bareau explains, ""there was no way that Goya could have published his set of prints that so clearly denounced all violence and all abuse of power."" Still, following their posthumous publication, the Disasters proved enormously influential, inspiring artists including the German Otto Dix as well as Dalí and Picasso - and, more recently, the British brothers Jake and Dinos Chapman, who bought a complete edition of the prints and ‘defaced’ them by adding grotesque, cartoonish faces. Even the war photographer Don McCullin acknowledges a debt: ""When I took pictures in war, I couldn’t help thinking of Goya,"" he has said. The genius of the Disasters is that they transcend particularities of the Peninsular War and its aftermath to feel universal - and modern. Perhaps this is because, as the British writer Aldous Huxley put it in 1947, ""All [Goya] shows us is war’s disasters and squalors, without any of the glory or even picturesqueness."" So should we consider the series as the greatest war art ever created? Wilson-Bareau certainly thinks so. ""For me, yes,"" she tells me. ""I have lived with these prints, which many people consider too shocking, absolutely unbearable, and I find in them - besides the heartbreak and outrage at the unspeakable violence and damage - a great well of compassion for all victims of the suffering and abuses they depict, which goes to the very heart of our humanity."" (From Alastair Sooke's BBC-article). Harris II: 175.‎

Bookseller reference : 60282

‎Goya, Michel‎

‎L'embrasement : comprendre les enjeux de la guerre Israël-Hamas‎

‎Laffont (3/2024)‎

‎LIVRE A L’ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9782221275443‎

Bookseller reference : SVALIVCN-9782221275443

‎SUARES André, (Goya)‎

‎Pour un portrait de Goya.‎

‎Broché, 23X14 cm, 91 pages, texte établi par Yves-Alain Favre, éditions Rougerie. De petites marques d'usage sans gravité, bon état.‎

Bookseller reference : 27941