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SMITH John Raphael after William Redmore BIGG
A Lady and her Children relieving a Cottager
London: Published by J. Birchall 1784. Mezzotint. In excellent condition with the exception that the lower margin is trimmed along the plate mark. A beautiful mezzotint after the sentimental genre painting by William Redmore Bigg.<br/> <br/>William Redmore Bigg 1755-1828 was a popular London genre painter who is best known for his family tableaux depicting acts of charity. Of these this scene in which an aristocratic lady attended by her daughters young black servant and dog visit a poor "cottager" is one of the best. The original painting 1781 is in the Philadelphia Museum of Art. John Raphael Smith 1752-1812 engraved the mezzotint for John Boydell the leading London printseller which tells the story admirably. It is a sentiment expressed without irony though we now consider the black servant boy in livery and turban politically insensitive. He too looks on the poor woman and her sleeping child with pity. Nor are the silk dressesextragant hats lap dog and silk parasol that the Lord's family sport intended for criticism: this is an idealised version of recommended behavior. The littlest girl overcome by this encounter with poverty cries as she hands over the money and we understand that this is part of her moral education. The composition is appealing and successful. The Lady whose fine country house can be seen in the distance forms the apex of the pyramidal group just as her generous act is the apex of a good and stable society. At this time virtually all "welfare" was local and critical to the large portion of the English population lived in want. Nevertheless it was only beginning to be thought that the wealthy had any obligation to the poor and it was generally accepted that acts like these were and ought to be wholly voluntary. This is an ideal example of the print clearly an early impression in which silks and satins gleam curls and ribbons swirl. Published by J. Birchall unknown books
书商的参考编号 : 6627
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SMITH John Raphael after George MORLAND
No. 9 Breaking the Ice
London: Published by John Raphael Smith 1801. Mezzotint with roulette coloured by hand. Image size: 17 1/4 x 21 1/2 inches. A touching scene after Morland: 'a master of genre and animal painting an artist worthy to be placed in the same rank as the best of those Dutch masters whom he studied as a boy' DNB<br/> <br/>This print is a wonderful example of the manner in which Morland perfectly conveys the hardships and beauties of country life his depiction of a poor country family battling the hardships of winter shows the bitter side of the pastoral life with grace and sympathy. George Morland was one of the most successful genre painters of his time creating during his industrious career some of England's most cherished paintings. At an early age Morland displayed his artistic genius he learned to paint at three and exhibited his first work at the Royal Academy at the mere age of ten. Morland was a prodigious painter producing more than 4000 paintings during the entirety of his career and sometimes painting two or three works in a day. His beautiful idealistic scenes were a favorite source of inspiration for contemporary engravers and as many as 250 separate engravings were done of his paintings during his lifetime. One such engraver was John Raphael Smith who throughout his career translated many of Morland's paintings to print. Smith was a highly influential figure in the late eighteenth-century British art world he quickly became an impresario of the print-publishing trade producing nearly 400 prints during his lifetime 130 of which were of his own design. This beautiful print refelects both the talents of the engraver and the genius of the artist in its sentiment and execution it demonstrates the best of English genre. Published by John Raphael Smith unknown books
书商的参考编号 : 6589
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SMITH John Raphael after Rev. Matthew William PETERS
The Fortune Teller
London: Published by J. R. Smith No. 83 Oxford Street 1786. Coloured mezzotint. In good condition with the exception of some faint soiling in upper margin. Bottom margin outside platemark is coated with white paint. Water stains on verso of sheet not noticeable on front of sheet. Image size: 14 3/4 x 17 inches. Plate size: 17 7/8 x 19 5/8 inches. Sheet size: 19 5/8 x 20 inches. A wonderful mezzotint after Rev. Matthew William Peters by one of the finest eighteenth century engravers.<br/> <br/>This charming print is engraved after a painting by Rev. Matthew William Peters and is a fascinating example of this period in British printmaking. Matthew Peters was trained in London under the portraitist Thomas Hudson. He quickly became a prominent member of the Society of Artists exhibiting portraits in oil and pastel and attracting a number of prominent aristocratic patrons including the Duke of Manchester the Marquess of Granby and Lord Grosvenor for whom he painted some of his most controversial pictures. Urged by his patrons Peters painted a series of quasi-erotic character studies of courtesans which at that time were quite unusual in Britain. These controversial pictures were eagerly reproduced by industrious printmaker/publishers such as Smith and caused a flurry of curious customers to hurry to London print-shops. Following his ordination in 1781 Peters quickly denounced his early erotic pictures as immoral. Upon being appointed Honorary Chaplain to the Royal Academy Peters expressed a profound regret "that he ever devoted his talents to such subjects". With this in mind this picture becomes extremely interesting. In this work Peters continues to observe and appreciate charming subjects in fancy costumes but eliminates the erotic overtones present in his earlier works. Instead he has chosen to depict an age-old moral subject fortune-telling an institution in western art since the Renaissance. This print which is expertly engraved by one of the finest eighteenth century printmakers is a fascinating view into a turbulent period in Peters' life when he struggled to produce images that would appeal to his viewers while remaining true to his moral beliefs.<br/> <br/>D'Oench Copper into Gold: Prints by John Raphael Smith 1751-1812 p. 224 No. 274; Smith Catalogue No. 135 & 136; Ackermann 1802 p. 9 described as companion prints; Chaloner Smith British Mezzotinto Portraits Ward 97 Smith 186; Frankau An 18th Century Artist and Engraver: John Raphael Smith 146. Published by J. R. Smith, No. 83 Oxford Street unknown books
书商的参考编号 : 8168
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SMITH John Raphael after Sir Joshua REYNOLDS 1723 1792
The Schindlerin
London: Published by John Boydell Cheapside 1777. Mezzotint. State iii/iii with the engraved inscription in thick and thin cursive letters. In good condition apart from some overall light surface soiling and foxing. Occasional rubbed creases throughout image. Laid down onto cream wove backing paper. Image size: 13 1/16 x 10 15/16 inches. This charming portrait of the fashionable Catherine Schindlerin expertly illustrates Smith's superior technique and artistic ingenuity.<br/> <br/>Catherine Schinderlin was a German singer and actress who began her career in London in 1775 the year Reynolds did this portrait for the Duke and Duchess of Dorset. It shows the actress in the role of the "Coquette" from an as yet unidentified play or opera. A highly influential figure in the late eighteenth-century British art world John Raphael Smith was the most robust and prolific printmaker of his time. During his prodigious career Smith produced nearly 400 prints 130 of which were of his own design. The remainder were reproduced paintings by such noted British artists as Joshua Reynolds George Romney and Joseph Wright of Derby. Smith was an incredibly astute businessman and soon became an impresario of the print-publishing trade. At the 1783 exhibition of the Society of Artists Smith exhibited his print of the Prince of Wales. This clever bit of marketing precipitated his appointment as the Prince of Wales' mezzotint engraver immediately making him even more desirable to an art market hungry for quality prints. D'Oench<br/> <br/>D'Oench Copper into Gold Prints by John Raphael Smith 88; Frankau An Eighteenth Century Artist and Engraver John Raphael Smith 306 iii/iii; Chaloner Smith British Mezzotinto Portraits 147 iii/iii; Russell English Mezzotint Portraits and their States 147; O'Donoghue Catalogue of Engraved British Portraits.in the British Museum 1; Lennox-Boyd & Stogdon state iii/iii. Published by John Boydell, Cheapside unknown books
书商的参考编号 : 7514
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Raphael Frederic
Of Gods and Men
London: Folio Society 1992. 1st. Hardcover. Fine. Raphael Sarah. Bound in publisher's original quarter buckram with paper sides designed by Sarah Raphael all housed in a blue paper-covered slipcase. Title-page lettering by John Andrew. Paintings by Sarah Raphael. <br/><br/> Folio Society hardcover books
书商的参考编号 : 9017632
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RAPHAEL. Raffaello Sanzio d'Urbino 1483 1520
Decorative pilaster with fruit flowers and tendrils
Rome 1772. Copper engraving by Ottaviani after drawings by Savorelli and Camporesi printed in light brown coloured ink with contemporary hand-colouring. Good condition. Trimmed to just within plate mark along lower margin expert repairs to left margin not affecting image area. A highly decorative print from the famous "Loggie di Rafaele nel Vaticano" series with contemporary colouring of the highest quality from the golden age of the hand-coloured print.<br/> <br/>A very fine image from the first part of a work titled "Loggie di Rafaele nel Vaticano" depicting the decorative work executed by Raphael and his assistants between 1518-1519 in the Vatican. This remarkable print one of the first to be published of the decoration of the Logge on the main storey of the Vatican apartments was probably planned as early as 1760 but was not executed until between 1772 and 1776. The project as a whole was carried out by the painter Gaetano Savorelli the draughtsman Ludovico Teseo the architect Pietro Camporesi and the engravers Giovanni Ottaviani and Giovanni Volpato. The plate is remarkable not only as the first important visual record of Raphael's work but also for the quality of the hand-colouring - the work on this image is in our opinion some of the greatest to be produced in Europe during the whole of the eighteenth century: the golden age of the hand-coloured print. The whole series was of importance not just for the size and magnificent colouring of the prints but also because of the influence they had on contemporary taste. The decision was made to "borrow" elements from Raphael's Vatican tapestries and insert them where the original frescoes were in too poor a state to be legible. The finished plates therefore represented an amalgam of design elements presented with a crisp freshness of colour that held enormous appeal and stimulated the taste for the "grotesque" in the neo-classical period.<br/> <br/>Cf. Brunet IV 1110; cf. Berlin Kat. 4068; cf. Lambert Pattern and Design V. & A.: 1983 p. 26; "Raphael Invenit: Stampe da Rafaello" 1985 Ottaviano 4; Raphael: Reproduktions-graphik aus vier Jahrhunderten Coburg: 1984 p. 104. unknown books
书商的参考编号 : 17002
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Singer Isaac Bashevis; paintings and drawings by Raphael Soyer
A Young Man in Search of Love
Garden City NY: Doubleday 1978. 1st. Hardcover. Fine condition / Near fine condition dust jacket. The spine of the dust jacket is sunned and the extremities have minor wear. <br/><br/> Doubleday hardcover books
书商的参考编号 : 9015015 ???????? : 0385123574 9780385123570
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Sanchez Luis Rafael
Macho Camachos Beat
New York: Pantheon 1980. 1st. Hardcover. Book fine Dust jacket fine. Translated from the Spanish by Gregory Rabassa. <br/><br/> Pantheon hardcover books
书商的参考编号 : 9012726 ???????? : 0394509765 9780394509761
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Sealey Raphael
A History of the Greek City States ca. 700 - 338 B.C.
Berkeley: University of California Press 1976. 1st. Hardcover. Book fine Dust jacket fine. <br/><br/> University of California Press hardcover books
书商的参考编号 : 9009704
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RAPHAEL. Raffaello Sanzio d'Urbino 1483 1520
Moses Descends from Mount Sinai Descendit de Monte Sinai tenens Tabulas in manibus: Videbantq: Filii Israel cornutam faciem ejus
Rome 1774. Copper engraving on two joined sheets by Ottaviani after drawings by Savorelli and Camporesi printed in light brown coloured ink with contemporary hand-colouring. Neat marginal restoration. A stunning plate from "Logge di Rafaele nel Vaticano": with contemporary colouring of the highest quality from the golden age of the hand-coloured print. The main panel shows Moses coming down from Mount Sinai holding the tablets bearing the ten words of the Covenant his face "horned from the conversation of the Lord". Aaron and the children of Israel seeing the face of Moses "horned" are afraid to come near.<br/> <br/>A very fine image from the second part of a work titled "Loggie di Rafaele nel Vaticano" depicting the decorative work executed by Raphael and his assistants between 1518-1519 in the Vatican. They were drawn by Gaetano Savorelli a Roman painter and draughtsman best known for his Raphael drawings and Pietro Camporesi a Roman architect who worked for Pope Clemens XIII and Pius VI on rooms for the Vatican Museum. The first to illustrate the famous frescoes these beautiful plates were probably planned as early as 1760 but were not executed until 1772 to 1776. The plate is remarkable not only as the first important visual record of Raphael's work but also for the quality of the hand-colouring - the work on this image is in our opinion some of the greatest to be produced in Europe during the whole of the eighteenth century: the golden age of the hand-coloured print. They were remarkable not just for their size and magnificent colouring but also because of the influence they had on contemporary taste. The decision was made to "borrow" elements from Raphael's Vatican tapestries and insert them where the original frescoes were in too poor a state to be legible. The finished plates therefore represented an amalgam of design elements presented with a crisp freshness of colour that held enormous appeal and did much to stimulate the taste for the "grotesque" in the Neo-classical period. A year after the death of his principal patron Julius II Raphael succeeded Donato Bramante in 1514 as the official Vatican architect. Having previously adorned the "Stanze" or chambers of Julius on the second floor of the papal apartments in the Vatican palace he was commissioned by Leo X in 1517 to decorate the adjacent Logge. He designed an elaborate cycle of ornamental frescoes for the room's ceiling vaults doors and auxiliary pillars which were executed by his assistants Giulio Romano and Giovanni da Udine. Twelve of the quadrilateral ceiling vaults were adorned with murals of familiar Old Testament scenes and one with a scene from the New Testament while the more decorative frescoes painted on the pilasters by Udine were covered with imaginative compositions of 'grotesque' motifs like foliage fruit and chimerical beasts.<br/> <br/>Cf. Brunet IV 1110 & 1111; cf. Berlin "Kat". 4068 & 4066; "Raphael Invenit: Stampe da Rafaello" 1985 Ottaviano 22; cf. "Raphael: Reproduktions-graphik aus vier Jahrhunderten" Coburg 1984 104 & no. 245. unknown books
书商的参考编号 : 20168
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RAPHAEL. Raffaello Sanzio d'Urbino 1483 1520
The Lord appears to Issac Apparvit Isaac Dominus et ait: ne descendas in Aegyptum sed quiesce in terra quam dixero tibi
Rome 1774. Copper engraving on two joined sheets by Ottaviani after drawings by Savorelli and Camporesi printed in light brown coloured ink with contemporary hand-colouring. Neat marginal restoration. A stunning plate from "Logge di Rafaele nel Vaticano": with contemporary colouring of the highest quality from the golden age of the hand-coloured print. In the main panel the Lord appears to Isaac and tells him not to go down into Egypt but to stay in Gerara.<br/> <br/>A very fine image from the second part of a work titled "Loggie di Rafaele nel Vaticano" depicting the decorative work executed by Raphael and his assistants between 1518-1519 in the Vatican. They were drawn by Gaetano Savorelli a Roman painter and draughtsman best known for his Raphael drawings and Pietro Camporesi a Roman architect who worked for Pope Clemens XIII and Pius VI on rooms for the Vatican Museum. The first to illustrate the famous frescoes these beautiful plates were probably planned as early as 1760 but were not executed until 1772 to 1776. The plate is remarkable not only as the first important visual record of Raphael's work but also for the quality of the hand-colouring - the work on this image is in our opinion some of the greatest to be produced in Europe during the whole of the eighteenth century: the golden age of the hand-coloured print. They were remarkable not just for their size and magnificent colouring but also because of the influence they had on contemporary taste. The decision was made to "borrow" elements from Raphael's Vatican tapestries and insert them where the original frescoes were in too poor a state to be legible. The finished plates therefore represented an amalgam of design elements presented with a crisp freshness of colour that held enormous appeal and did much to stimulate the taste for the "grotesque" in the Neo-classical period. A year after the death of his principal patron Julius II Raphael succeeded Donato Bramante in 1514 as the official Vatican architect. Having previously adorned the "Stanze" or chambers of Julius on the second floor of the papal apartments in the Vatican palace he was commissioned by Leo X in 1517 to decorate the adjacent Logge. He designed an elaborate cycle of ornamental frescoes for the room's ceiling vaults doors and auxiliary pillars which were executed by his assistants Giulio Romano and Giovanni da Udine. Twelve of the quadrilateral ceiling vaults were adorned with murals of familiar Old Testament scenes and one with a scene from the New Testament while the more decorative frescoes painted on the pilasters by Udine were covered with imaginative compositions of 'grotesque' motifs like foliage fruit and chimerical beasts.<br/> <br/>Cf. Brunet IV 1110 & 1111; cf. Berlin "Kat". 4068 & 4066; "Raphael Invenit: Stampe da Rafaello" 1985 Ottaviano 22; cf. "Raphael: Reproduktions-graphik aus vier Jahrhunderten" Coburg 1984 104 & no. 245. unknown books
书商的参考编号 : 20165
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RAPHAEL. Raffaello Sanzio d'Urbino 1483 1520
Decorative pilaster with fruit flowers and tendrils
Rome 1772. Copper engraving by Ottaviani after drawings by Savorelli and Camporesi printed in light brown coloured ink with contemporary hand-colouring. Trimmed to platemark left margin. Good condition. A highly decorative print from the famous "Loggie di Rafaele nel Vaticano" series with contemporary colouring of the highest quality from the golden age of the hand-coloured print.<br/> <br/>A very fine image from the first part of a work titled "Loggie di Rafaele nel Vaticano" depicting the decorative work executed by Raphael and his assistants between 1518-1519 in the Vatican. This remarkable print one of the first to be published of the decoration of the Logge on the main storey of the Vatican apartments was probably planned as early as 1760 but was not executed until between 1772 and 1776. The project as a whole was carried out by the painter Gaetano Savorelli the draughtsman Ludovico Teseo the architect Pietro Camporesi and the engravers Giovanni Ottaviani and Giovanni Volpato. The plate is remarkable not only as the first important visual record of Raphael's work but also for the quality of the hand-colouring - the work on this image is in our opinion some of the greatest to be produced in Europe during the whole of the eighteenth century: the golden age of the hand-coloured print. The whole series was of importance not just for the size and magnificent colouring of the prints but also because of the influence they had on contemporary taste. The decision was made to "borrow" elements from Raphael's Vatican tapestries and insert them where the original frescoes were in too poor a state to be legible. The finished plates therefore represented an amalgam of design elements presented with a crisp freshness of colour that held enormous appeal and stimulated the taste for the "grotesque" in the neo-classical period.<br/> <br/>Cf. Brunet IV 1110; cf. Berlin Kat. 4068; cf. Lambert Pattern and Design V. & A.: 1983 p. 26; "Raphael Invenit: Stampe da Rafaello" 1985 Ottaviano 11; Raphael: Reproduktions-graphik aus vier Jahrhunderten Coburg: 1984 p. 104. unknown books
书商的参考编号 : 21936
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RAPHAEL. Raffaello Sanzio d'Urbino 1483 1520
Angels appear to Abraham Apparuerunt ei tres viri et cucurrit Abraham de ostio Tabernaculi sui et adoravit in Terram
Rome 1774. Copper engraving by Ottaviani after drawings by Savorelli and Camporesi printed in light brown coloured ink with contemporary hand-colouring. Neat marginal restoration. A stunning plate from "Logge di Rafaele nel Vaticano": with contemporary colouring of the highest quality from the golden age of the hand-coloured print. The scene in the main panel shows the three angels that appeared to Abraham and told him that he and his wife Sarah will have a son.<br/> <br/>A very fine image from the second part of a work titled "Loggie di Rafaele nel Vaticano" depicting the decorative work executed by Raphael and his assistants between 1518-1519 in the Vatican. They were drawn by Gaetano Savorelli a Roman painter and draughtsman best known for his Raphael drawings and Pietro Camporesi a Roman architect who worked for Pope Clemens XIII and Pius VI on rooms for the Vatican Museum. The first to illustrate the famous frescoes these beautiful plates were probably planned as early as 1760 but were not executed until 1772 to 1776. The plate is remarkable not only as the first important visual record of Raphael's work but also for the quality of the hand-colouring - the work on this image is in our opinion some of the greatest to be produced in Europe during the whole of the eighteenth century: the golden age of the hand-coloured print. They were remarkable not just for their size and magnificent colouring but also because of the influence they had on contemporary taste. The decision was made to "borrow" elements from Raphael's Vatican tapestries and insert them where the original frescoes were in too poor a state to be legible. The finished plates therefore represented an amalgam of design elements presented with a crisp freshness of colour that held enormous appeal and did much to stimulate the taste for the "grotesque" in the Neo-classical period. A year after the death of his principal patron Julius II Raphael succeeded Donato Bramante in 1514 as the official Vatican architect. Having previously adorned the "Stanze" or chambers of Julius on the second floor of the papal apartments in the Vatican palace he was commissioned by Leo X in 1517 to decorate the adjacent Logge. He designed an elaborate cycle of ornamental frescoes for the room's ceiling vaults doors and auxiliary pillars which were executed by his assistants Giulio Romano and Giovanni da Udine. Twelve of the quadrilateral ceiling vaults were adorned with murals of familiar Old Testament scenes and one with a scene from the New Testament while the more decorative frescoes painted on the pilasters by Udine were covered with imaginative compositions of 'grotesque' motifs like foliage fruit and chimerical beasts.<br/> <br/>Cf. Brunet IV 1110 & 1111; cf. Berlin "Kat". 4068 & 4066; "Raphael Invenit: Stampe da Rafaello" 1985 Ottaviano 22; cf. "Raphael: Reproduktions-graphik aus vier Jahrhunderten" Coburg 1984 104 & no. 245. unknown books
书商的参考编号 : 20164
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RAPHAEL. Raffaello Sanzio d'Urbino 1483 1520
Last Supper Discumbentibus et edentibus Discipulis dixit Jesus unus ex Vobis me proditurus est
Rome 1774. Copper engraving on two joined sheets by Ottaviani after drawings by Savorelli and Camporesi printed in light brown coloured ink with contemporary hand-colouring. Neat marginal restoration. A stunning plate from "Logge di Rafaele nel Vaticano": with contemporary colouring of the highest quality from the golden age of the hand-coloured print. The main panel shows the moment during the Last Supper when Jesus announces that one of the twelve disciples will betray him.<br/> <br/>A very fine image from the second part of a work titled "Loggie di Rafaele nel Vaticano" depicting the decorative work executed by Raphael and his assistants between 1518-1519 in the Vatican. They were drawn by Gaetano Savorelli a Roman painter and draughtsman best known for his Raphael drawings and Pietro Camporesi a Roman architect who worked for Pope Clemens XIII and Pius VI on rooms for the Vatican Museum. The first to illustrate the famous frescoes these beautiful plates were probably planned as early as 1760 but were not executed until 1772 to 1776. The plate is remarkable not only as the first important visual record of Raphael's work but also for the quality of the hand-colouring - the work on this image is in our opinion some of the greatest to be produced in Europe during the whole of the eighteenth century: the golden age of the hand-coloured print. They were remarkable not just for their size and magnificent colouring but also because of the influence they had on contemporary taste. The decision was made to "borrow" elements from Raphael's Vatican tapestries and insert them where the original frescoes were in too poor a state to be legible. The finished plates therefore represented an amalgam of design elements presented with a crisp freshness of colour that held enormous appeal and did much to stimulate the taste for the "grotesque" in the Neo-classical period. A year after the death of his principal patron Julius II Raphael succeeded Donato Bramante in 1514 as the official Vatican architect. Having previously adorned the "Stanze" or chambers of Julius on the second floor of the papal apartments in the Vatican palace he was commissioned by Leo X in 1517 to decorate the adjacent Logge. He designed an elaborate cycle of ornamental frescoes for the room's ceiling vaults doors and auxiliary pillars which were executed by his assistants Giulio Romano and Giovanni da Udine. Twelve of the quadrilateral ceiling vaults were adorned with murals of familiar Old Testament scenes and one with a scene from the New Testament while the more decorative frescoes painted on the pilasters by Udine were covered with imaginative compositions of 'grotesque' motifs like foliage fruit and chimerical beasts.<br/> <br/>Cf. Brunet IV 1110 & 1111; cf. Berlin "Kat". 4068 & 4066; "Raphael Invenit: Stampe da Rafaello" 1985 Ottaviano 22; cf. "Raphael: Reproduktions-graphik aus vier Jahrhunderten" Coburg 1984 104 & no. 245. unknown books
书商的参考编号 : 20170
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RAPHAEL. Raffaello Sanzio d'Urbino 1483 1520
Jacob's Ladder Vidit Jacob in somnis scalam stantem super terram et cacumen illius tangens Coelum: Angelos ascendentes et descendentes: et Dnum innixum scalæ
Rome 1770. Copper engraving on two joined sheets by Ottaviani after drawings by Savorelli and Camporesi printed in light brown coloured ink with contemporary hand-colouring. Neat marginal restoration. A stunning plate from "Logge di Rafaele nel Vaticano": with contemporary colouring of the highest quality from the golden age of the hand-coloured print. The main panel shows Jacob at Luza having a vision of the angels ascending and descending by a ladder which reached from earth to heaven.<br/> <br/>A very fine image from the second part of a work titled "Loggie di Rafaele nel Vaticano" depicting the decorative work executed by Raphael and his assistants between 1518-1519 in the Vatican. They were drawn by Gaetano Savorelli a Roman painter and draughtsman best known for his Raphael drawings and Pietro Camporesi a Roman architect who worked for Pope Clemens XIII and Pius VI on rooms for the Vatican Museum. The first to illustrate the famous frescoes these beautiful plates were probably planned as early as 1760 but were not executed until 1772 to 1776. The plate is remarkable not only as the first important visual record of Raphael's work but also for the quality of the hand-colouring - the work on this image is in our opinion some of the greatest to be produced in Europe during the whole of the eighteenth century: the golden age of the hand-coloured print. They were remarkable not just for their size and magnificent colouring but also because of the influence they had on contemporary taste. The decision was made to "borrow" elements from Raphael's Vatican tapestries and insert them where the original frescoes were in too poor a state to be legible. The finished plates therefore represented an amalgam of design elements presented with a crisp freshness of colour that held enormous appeal and did much to stimulate the taste for the "grotesque" in the Neo-classical period. A year after the death of his principal patron Julius II Raphael succeeded Donato Bramante in 1514 as the official Vatican architect. Having previously adorned the "Stanze" or chambers of Julius on the second floor of the papal apartments in the Vatican palace he was commissioned by Leo X in 1517 to decorate the adjacent Logge. He designed an elaborate cycle of ornamental frescoes for the room's ceiling vaults doors and auxiliary pillars which were executed by his assistants Giulio Romano and Giovanni da Udine. Twelve of the quadrilateral ceiling vaults were adorned with murals of familiar Old Testament scenes and one with a scene from the New Testament while the more decorative frescoes painted on the pilasters by Udine were covered with imaginative compositions of 'grotesque' motifs like foliage fruit and chimerical beasts.<br/> <br/>Cf. Brunet IV 1110 & 1111; cf. Berlin "Kat". 4068 & 4066; "Raphael Invenit: Stampe da Rafaello" 1985 Ottaviano 22; cf. "Raphael: Reproduktions-graphik aus vier Jahrhunderten" Coburg 1984 104 & no. 245. unknown books
书商的参考编号 : 20166
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RAPHAEL. Raffaello Sanzio d'Urbino 1483 1520
King David in Triumph Subacta Syria tulit David arma aurea et detula ea in Jerusalem
Rome 1774. Copper engraving on two joined sheets by Ottaviani after drawings by Savorelli and Camporesi printed in light brown coloured ink with contemporary hand-colouring. Neat marginal restoration. A stunning plate from "Logge di Rafaele nel Vaticano": with contemporary colouring of the highest quality from the golden age of the hand-coloured print. The main panel shows King David having subdued Syria returning to Jersusalem with armour made of gold.<br/> <br/>A very fine image from the second part of a work titled "Loggie di Rafaele nel Vaticano" depicting the decorative work executed by Raphael and his assistants between 1518-1519 in the Vatican. They were drawn by Gaetano Savorelli a Roman painter and draughtsman best known for his Raphael drawings and Pietro Camporesi a Roman architect who worked for Pope Clemens XIII and Pius VI on rooms for the Vatican Museum. The first to illustrate the famous frescoes these beautiful plates were probably planned as early as 1760 but were not executed until 1772 to 1776. The plate is remarkable not only as the first important visual record of Raphael's work but also for the quality of the hand-colouring - the work on this image is in our opinion some of the greatest to be produced in Europe during the whole of the eighteenth century: the golden age of the hand-coloured print. They were remarkable not just for their size and magnificent colouring but also because of the influence they had on contemporary taste. The decision was made to "borrow" elements from Raphael's Vatican tapestries and insert them where the original frescoes were in too poor a state to be legible. The finished plates therefore represented an amalgam of design elements presented with a crisp freshness of colour that held enormous appeal and did much to stimulate the taste for the "grotesque" in the Neo-classical period. A year after the death of his principal patron Julius II Raphael succeeded Donato Bramante in 1514 as the official Vatican architect. Having previously adorned the "Stanze" or chambers of Julius on the second floor of the papal apartments in the Vatican palace he was commissioned by Leo X in 1517 to decorate the adjacent Logge. He designed an elaborate cycle of ornamental frescoes for the room's ceiling vaults doors and auxiliary pillars which were executed by his assistants Giulio Romano and Giovanni da Udine. Twelve of the quadrilateral ceiling vaults were adorned with murals of familiar Old Testament scenes and one with a scene from the New Testament while the more decorative frescoes painted on the pilasters by Udine were covered with imaginative compositions of 'grotesque' motifs like foliage fruit and chimerical beasts.<br/> <br/>Cf. Brunet IV 1110 & 1111; cf. Berlin "Kat". 4068 & 4066; "Raphael Invenit: Stampe da Rafaello" 1985 Ottaviano 22; cf. "Raphael: Reproduktions-graphik aus vier Jahrhunderten" Coburg 1984 104 & no. 245. unknown books
书商的参考编号 : 20169
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RAPHAEL. Raffaello Sanzio d'Urbino 1483 1520
Joseph and His Brothers Vidi consurgere manipulum meum et stare vestrosq: manipulos adorare meum . Et vidi quasi solem et lunam et stallas undecim adorare me
Rome 1774. Copper engraving on two joined sheets by Ottaviani after drawings by Savorelli and Camporesi printed in light brown coloured ink with contemporary hand-colouring. Neat marginal restoration. A stunning plate from "Logge di Rafaele nel Vaticano": with contemporary colouring of the highest quality from the golden age of the hand-coloured print. The main panel shows Joseph telling his brothers of his prophetic dreams "Hear my dream which I dreamed. I thought we were binding sheaves in the field: and my sheaf arose as it were and stood and your sheaves standing about bowed down before my sheaf . I saw in . another dream as it were the sun and the moon and eleven stars worshipping me."<br/> <br/>A very fine image from the second part of a work titled "Loggie di Rafaele nel Vaticano" depicting the decorative work executed by Raphael and his assistants between 1518-1519 in the Vatican. They were drawn by Gaetano Savorelli a Roman painter and draughtsman best known for his Raphael drawings and Pietro Camporesi a Roman architect who worked for Pope Clemens XIII and Pius VI on rooms for the Vatican Museum. The first to illustrate the famous frescoes these beautiful plates were probably planned as early as 1760 but were not executed until 1772 to 1776. The plate is remarkable not only as the first important visual record of Raphael's work but also for the quality of the hand-colouring - the work on this image is in our opinion some of the greatest to be produced in Europe during the whole of the eighteenth century: the golden age of the hand-coloured print. They were remarkable not just for their size and magnificent colouring but also because of the influence they had on contemporary taste. The decision was made to "borrow" elements from Raphael's Vatican tapestries and insert them where the original frescoes were in too poor a state to be legible. The finished plates therefore represented an amalgam of design elements presented with a crisp freshness of colour that held enormous appeal and did much to stimulate the taste for the "grotesque" in the Neo-classical period. A year after the death of his principal patron Julius II Raphael succeeded Donato Bramante in 1514 as the official Vatican architect. Having previously adorned the "Stanze" or chambers of Julius on the second floor of the papal apartments in the Vatican palace he was commissioned by Leo X in 1517 to decorate the adjacent Logge. He designed an elaborate cycle of ornamental frescoes for the room's ceiling vaults doors and auxiliary pillars which were executed by his assistants Giulio Romano and Giovanni da Udine. Twelve of the quadrilateral ceiling vaults were adorned with murals of familiar Old Testament scenes and one with a scene from the New Testament while the more decorative frescoes painted on the pilasters by Udine were covered with imaginative compositions of 'grotesque' motifs like foliage fruit and chimerical beasts.<br/> <br/>Cf. Brunet IV 1110 & 1111; cf. Berlin "Kat". 4068 & 4066; "Raphael Invenit: Stampe da Rafaello" 1985 Ottaviano 22; cf. "Raphael: Reproduktions-graphik aus vier Jahrhunderten" Coburg 1984 104 & no. 245. unknown books
书商的参考编号 : 20167
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Sealey Raphael.
A History Of The Greek City States Ca. 700-338 B.c.
Berkeley: University of California Press 1976. Hardcover. Fine/fine. Hard Cover. First edition. Fine condition in fine dust jacket. <br/><br/> Berkeley,: University of California Press, 1976 hardcover books
书商的参考编号 : 50554
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RAPHAEL. Raffaello Sanzio d'Urbino 1483 1520
Loggie di Rafaele nel Vaticano
Rome 1777. Copper engraving by Volpato after a drawing by Camporesi later professional hand-colouring. Good condition. Expert strengthening to verso of right outer blank margin some old light creasing to 3 inches of the sheet. This beautiful perspective view of Raphael's Loggia served as the frontispiece to the celebrated text "Loggie di Rafaele nel Vaticano".<br/> <br/>This arresting print is a general perspective view of Raphael's design for the Loggia at the Vatican with a large profile portrait of Raphael in a medallion over the entrance to the corridor. The plate served as the frontispiece to the first part of the "Logge di Rafaele nel Vaticano" which depicted the decorative work executed by Raphael and his assistants between 1518-1519 in the Vatican. This remarkable print one of the first to be published of the decoration of the Logge on the main storey of the Vatican apartments was probably planned as early as 1760 but was not executed until between 1772 and 1776. The project as a whole was carried out by the painter Gaetano Savorelli the draughtsman Ludovico Teseo the architect Pietro Camporesi and the engravers Giovanni Ottaviani and Giovanni Volpato. The whole series was of importance not just for the size and magnificent colouring of the prints but also because of the influence they had on contemporary taste. The decision was made to "borrow" elements from Raphael's Vatican tapestries and insert them where the original frescoes were in too poor a state to be legible. The finished plates therefore represented an amalgam of design elements presented with a crisp freshness of colour that held enormous appeal and stimulated the taste for the "grotesque" in the neo-classical period.<br/> <br/>Cf. Brunet IV 1110; cf. Berlin Kat. 4068; Lambert Pattern and Design V. & A.: 1983 p. 26; "Raphael Invenit: Stampe da Rafaello" 1985 Volpato 1; Raphael: Reproduktions-graphik aus vier Jahrhunderten Coburg: 1984 p. 104; G. Marini editor Giovanni Volpato 1735-1803 1988 no. 198. unknown books
书商的参考编号 : 15684
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RAPHAEL. Raffaello Sanzio d'Urbino 1483 1520
Decorative pilaster with fruit flowers and tendrils
Rome 1772. Copper engraving by Ottaviani after drawings by Ludovico Teseo printed in black with stunning later professional hand-colouring. Very good condition. A highly decorative print from the famous "Loggie di Rafaele nel Vaticano" series with later professional hand-colouring.<br/> <br/>A very fine image from the first part of a work titled "Loggie di Rafaele nel Vaticano" depicting the decorative work and executed by Raphael and his assistants between 1518-1519 in the Vatican. This remarkable print one of the first to be published of the decoration of the Logge on the main storey of the Vatican apartments was probably planned as early as 1760 but was not executed until between 1772 and 1776. The project as a whole was carried out by the painter Gaetano Savorelli the draughtsman Ludovico Teseo the architect Pietro Camporesi and the engravers Giovanni Ottaviani and Giovanni Volpato. The whole series was remarkable not just for the size and magnificent colouring of the prints but also because of the influence they had on contemporary taste. The decision was made to "borrow" elements from Raphael's Vatican tapestries and insert them where the original frescoes were in too poor a state to be legible. The finished plates therefore represented an amalgam of design elements presented with a crisp freshness of colour that held enormous appeal and stimulated the taste for the "grotesque" in the neo-classical period.<br/> <br/>Cf. Brunet IV 1110; cf. Berlin Kat. 4068; cf. Lambert Pattern and Design V. & A.: 1983 p. 26; "Raphael Invenit: Stampe da Rafaello" 1985 Ottaviano 2; Raphael: Reproduktions-graphik aus vier Jahrhunderten Coburg: 1984 p. 104. unknown books
书商的参考编号 : 14588
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RAPHAEL. Raffaello Sanzio d'Urbino 1483 1520
Doorway to Vatican Loggia
Rome 1772. Copper engraving by Ottaviani after drawings by Savorelli and Camporesi printed in light brown coloured ink with contemporary hand-colouring. Good condition. Three repaired tears to the left blank margin. Sight size: 31 1/8 x 18 1/4 inches. A highly decorative print from the famous "Loggie di Rafaele nel Vaticano" series with contemporary colouring of the highest quality from the golden age of the hand-coloured print.<br/> <br/>A very fine image from the first part of a work titled "Loggie di Rafaele nel Vaticano" depicting the decorative work executed by Raphael and his assistants between 1518-1519 in the Vatican. This remarkable print one of the first to be published of the decoration of the Logge on the main storey of the Vatican apartments was probably planned as early as 1760 but was not executed until between 1772 and 1776. The project as a whole was carried out by the painter Gaetano Savorelli the draughtsman Ludovico Teseo the architect Pietro Camporesi and the engravers Giovanni Ottaviani and Giovanni Volpato. The plate is remarkable not only as the first important visual record of Raphael's work but also for the quality of the hand-colouring - the work on this image is in our opinion some of the greatest to be produced in Europe during the whole of the eighteenth century: the golden age of the hand-coloured print. The whole series was of importance not just for the size and magnificent colouring of the prints but also because of the influence they had on contemporary taste. The decision was made to "borrow" elements from Raphael's Vatican tapestries and insert them where the original frescoes were in too poor a state to be legible. The finished plates therefore represented an amalgam of design elements presented with a crisp freshness of colour that held enormous appeal and stimulated the taste for the "grotesque" in the neo-classical period.<br/> <br/>Cf. Brunet IV 1110; cf. Berlin Kat. 4068; cf. Lambert Pattern and Design V. & A.: 1983 p. 26; "Raphael Invenit: Stampe da Rafaello" 1985 Ottaviano 17; Raphael: Reproduktions-graphik aus vier Jahrhunderten Coburg: 1984 p. 104. unknown books
书商的参考编号 : 17013
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RAPHAEL. Raffaello Sanzio d'Urbino 1483 1520
Decorative pilaster with fruit flowers and tendrils
Rome 1772. Copper engraving by Ottaviani after drawings by Savorelli and Camporesi printed in light brown coloured ink with contemporary hand-colouring. Good condition. Sight size: 43 x 17 inches. A highly decorative print from the famous "Loggie di Rafaele nel Vaticano" series with contemporary colouring of the highest quality from the golden age of the hand-coloured print.<br/> <br/>A very fine image from the first part of a work titled "Loggie di Rafaele nel Vaticano" depicting the decorative work executed by Raphael and his assistants between 1518-1519 in the Vatican. This remarkable print one of the first to be published of the decoration of the Logge on the main storey of the Vatican apartments was probably planned as early as 1760 but was not executed until between 1772 and 1776. The project as a whole was carried out by the painter Gaetano Savorelli the draughtsman Ludovico Teseo the architect Pietro Camporesi and the engravers Giovanni Ottaviani and Giovanni Volpato. The plate is remarkable not only as the first important visual record of Raphael's work but also for the quality of the hand-colouring - the work on this image is in our opinion some of the greatest to be produced in Europe during the whole of the eighteenth century: the golden age of the hand-coloured print. The whole series was of importance not just for the size and magnificent colouring of the prints but also because of the influence they had on contemporary taste. The decision was made to "borrow" elements from Raphael's Vatican tapestries and insert them where the original frescoes were in too poor a state to be legible. The finished plates therefore represented an amalgam of design elements presented with a crisp freshness of colour that held enormous appeal and stimulated the taste for the "grotesque" in the neo-classical period.<br/> <br/>Cf. Brunet IV 1110; cf. Berlin Kat. 4068; cf. Lambert Pattern and Design V. & A.: 1983 p. 26; "Raphael Invenit: Stampe da Rafaello" 1985 Ottaviano 11; Raphael: Reproduktions-graphik aus vier Jahrhunderten Coburg: 1984 p. 104. unknown books
书商的参考编号 : 17012
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RAPHAEL. Raffaello Sanzio d'Urbino 1483 1520
Decorative pilaster with fruit flowers and tendrils
Rome 1772. Copper engraving by Ottaviani after drawings by Savorelli and Camporesi printed in light brown coloured ink with contemporary hand-colouring. Good condition. Trimmed to just within plate mark along lower margin expert repair to upper left corner just affecting image area small repairs to right blank margin. A highly decorative print from the famous "Loggie di Rafaele nel Vaticano" series with contemporary colouring of the highest quality from the golden age of the hand-coloured print.<br/> <br/>A very fine image from the first part of a work titled "Loggie di Rafaele nel Vaticano" depicting the decorative work executed by Raphael and his assistants between 1518-1519 in the Vatican. This remarkable print one of the first to be published of the decoration of the Logge on the main storey of the Vatican apartments was probably planned as early as 1760 but was not executed until between 1772 and 1776. The project as a whole was carried out by the painter Gaetano Savorelli the draughtsman Ludovico Teseo the architect Pietro Camporesi and the engravers Giovanni Ottaviani and Giovanni Volpato. The plate is remarkable not only as the first important visual record of Raphael's work but also for the quality of the hand-colouring - the work on this image is in our opinion some of the greatest to be produced in Europe during the whole of the eighteenth century: the golden age of the hand-coloured print. The whole series was of importance not just for the size and magnificent colouring of the prints but also because of the influence they had on contemporary taste. The decision was made to "borrow" elements from Raphael's Vatican tapestries and insert them where the original frescoes were in too poor a state to be legible. The finished plates therefore represented an amalgam of design elements presented with a crisp freshness of colour that held enormous appeal and stimulated the taste for the "grotesque" in the neo-classical period.<br/> <br/>Cf. Brunet IV 1110; cf. Berlin Kat. 4068; cf. Lambert Pattern and Design V. & A.: 1983 p. 26; "Raphael Invenit: Stampe da Rafaello" 1985 Ottaviano 5; Raphael: Reproduktions-graphik aus vier Jahrhunderten Coburg: 1984 p. 104. unknown books
书商的参考编号 : 17009
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RAPHAEL. Raffaello Sanzio d'Urbino 1483 1520
Decorative pilaster with fruit flowers and tendrils
Rome 1772. Copper engraving by Ottaviani after drawings by Savorelli and Camporesi printed in light brown coloured ink with contemporary hand-colouring. Good condition. Sight size: 43 x 17 1/4 inches. A highly decorative print from the famous "Loggie di Rafaele nel Vaticano" series with contemporary colouring of the highest quality from the golden age of the hand-coloured print.<br/> <br/>A very fine image from the first part of a work titled "Loggie di Rafaele nel Vaticano" depicting the decorative work executed by Raphael and his assistants between 1518-1519 in the Vatican. This remarkable print one of the first to be published of the decoration of the Logge on the main storey of the Vatican apartments was probably planned as early as 1760 but was not executed until between 1772 and 1776. The project as a whole was carried out by the painter Gaetano Savorelli the draughtsman Ludovico Teseo the architect Pietro Camporesi and the engravers Giovanni Ottaviani and Giovanni Volpato. The plate is remarkable not only as the first important visual record of Raphael's work but also for the quality of the hand-colouring - the work on this image is in our opinion some of the greatest to be produced in Europe during the whole of the eighteenth century: the golden age of the hand-coloured print. The whole series was of importance not just for the size and magnificent colouring of the prints but also because of the influence they had on contemporary taste. The decision was made to "borrow" elements from Raphael's Vatican tapestries and insert them where the original frescoes were in too poor a state to be legible. The finished plates therefore represented an amalgam of design elements presented with a crisp freshness of colour that held enormous appeal and stimulated the taste for the "grotesque" in the neo-classical period.<br/> <br/>Cf. Brunet IV 1110; cf. Berlin Kat. 4068; cf. Lambert Pattern and Design V. & A.: 1983 p. 26; "Raphael Invenit: Stampe da Rafaello" 1985 Ottaviano 13;Raphael: Reproduktions-graphik aus vier Jahrhunderten Coburg: 1984 p. 104. unknown books
书商的参考编号 : 17014
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Singer Isaac Bashevis. Illustrated by Raphael Soyer
The Gentleman From Cracow & The Mirror.
Limited Editions Club. Hardcover. Fine. With an introduction by Harry T. Moore. Illustrations taken from water-colors by Raphael Soyer. This edition designed by Bruce Campbell and printed at the Hampshire Typothetae. One of 2000 copies signed by both the author and the artist. Bound in quarter grey buckram with "Elephant Hide" paper over boards. Monthly LEC letter laid in. Fine in a fine slipcase. <br/><br/> Limited Editions Club hardcover books
书商的参考编号 : 9457
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BISCHOFFSHEIM Raphael 1823 1906 LIARD Louis.
"Raphael Bischoffsheim." In: Annales de L'Observaoire de Nice. . . Tome XI.
Paris:: Gauthier-Villars 1908. 1908. 295 x 230 mm. vii pp. Large port. of Bischoffsheim. Pages disbound. Very good. The engraved portrait of Bischoffsheim has been extracted and is in excellent condition. Bischoffsheim gave the observatory at Nice to the University of Paris. Gauthier-Villars, 1908. unknown books
书商的参考编号 : Z1798
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Grases Pedro and Caldera Rafael
Discurso de incorporacion como individuo de numero de Don Pedro Grases. Contestacion del academico Don Rafael Caldera
Caracas: Academia Venezolana Correspondiente de la real Española 1980. First edition. Stapled paper wrappers. A very good clean copy small crease to one corner leaves lightly browning. 61 pp. Illus. with 8 plates. 8vo. Acto celebrado el 24 de marzo de 1980 en el Paraninfo del Palacio de las Academias Nacionales. Academia Venezolana Correspondiente de la real Española unknown books
书商的参考编号 : 35781
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FRIEDLANDER Raphael.
Eilftes Bucherverzeichniss. . . Mathematik Astronomie Physik Chemie.
Berlin:: Eduard Krause n.d. ca. 1850. 1850. Small 4to. 46-72 pp. Self-wraps. Very good. Friedlander's 11th bookselling catalogue. Eduard Krause, n.d. [ca. 1850]. paperback books
书商的参考编号 : Z1255
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FRIEDLANDER Raphael.
305. Bucher-Verzeichniss von R. Friedlander & Sohn. Astronomie. Geodasie.
Berlin:: Calstrasse 1880. 1880. 8vo. 42 pp. Pages extracted from a bound volume and re-stapled. Fair. Books on astronomy instruments and geodesy. Calstrasse, 1880. unknown books
书商的参考编号 : Z1257
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FRIEDLANDER Raphael.
Sechs und Zwanzigstes Bucherverzeichniss. . . Mathematik und Astronomie.
Berlin:: Trowibsch und Sohn n.d. 1850. 1850. 8vo. 26 pp. Self wraps. Very good. Friedlander's 26th bookselling catalogue. Trowibsch und Sohn, n.d. [1850]. paperback books
书商的参考编号 : Z1256
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Plutarch; Dryden John translator; Raphael Elaine illustrator; Bolognese Don illustrator
THE LIVES OF THE NOBLE GRECIANS AND ROMANS FOUR VOLUMES
Franklin Center PA: The Franklin Library 1979. Collector's Edition. Hardcover. Octavo four volumes; VG; full bindings of genuine black leather; spines with gilt lettering and design; mild shelf wear; all edges gilt; silk moire end papers; satin ribbon bookmarks; pages clean; shelved Easton Press. 1336928. Shelved Dupont Bookstore. The Franklin Library hardcover books
书商的参考编号 : 1336928
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Campo Rafael
THE OTHER MAN WAS ME
Houston: Arte Publico Press 1994. 1st edition uncorrected proof original plain yellow printed paperwraps. Review slip from publisher laid in. The author's first book this title won the National Poetry Series 1993 Open Competition in manuscript form. A graduate of Harvard Medical School at the time of publication the author was living and practicing medicine in San Francisco. Uncommon in the uncorrected proof format. Fine condition. Arte Publico Press unknown books
书商的参考编号 : 5321
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NADAL Rafael Martinez
Frederico Garcia Lorca and the Public: A Study of an Unfinished Play and of Love and Death in Lorca's Work
New York: Schoken 1974. hardcover. near fine/very good. Some illustrations. 247 pages. 8vo burgundy cloth d.w. dust-soiled. New York: Schoken 1974. Small ownership stamp on front endpaper else near fine in very good dust wrapper.<br/><br/> Schoken unknown books
书商的参考编号 : 160516
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Sealey Raphael
A History of the Greek City States 700-338 B.C.
Berkeley: University of California Press 1976. Hardcover. Very good. xiv 189pp index. Pages edges lightly foxed else a very good hardback in a slightly tanned jacket. <br/><br/> University of California Press hardcover books
书商的参考编号 : 39663
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Marie and Ray Raphael
Hamilton: Founding Father
NY: Fall River Press 2017. Hardcover. Very good. ix 278pp. Very good hardback bound in publisher's boards and issued without a jacket. <br/><br/> Fall River Press hardcover books
书商的参考编号 : 40105 ???????? : 1435165373 9781435165373
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Ortiz Rafael.
Broadside begins: Una exposicion. Estinguida i disuelta la comunidad de misioneros franciscanos de esta ciudad por lei de 23 de abril proximo pasado sobre policia nacional en materia de cultos .
Cali: No publisher/printer 1863. 8vo 20.3 cm; 8". 1 p. <br><br>Because the Franciscans would not swear to submit to the demands of the law cited in the title above the Franciscans are leaving Cali and the republic. Ortiz the Guardian of the now-exiled Franciscans asks the citizens not to pray for the Order but to pay for the themselves and their children living under a vane perfidious and deceitful government. Dated in the text "26 de mayo de 1863."<br>Â Â Â Â Searches of WorldCat NUC and COPAC fail to find any copy reported at all but we know of a copy awaiting cataloguing in a U.S. library. As issued. Very good. No publisher/printer unknown books
书商的参考编号 : 38740
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Valdivieso Rafael Valentin.
Manifestación dirijida por el ilustrisimo y reverendisimo señor don Rafael Valentín Valdivieso arzobispo de Santiago de Chile por el clero y por los mas distinguidos ciudadanos de aquella capital al . don Manuel José de Mosquera arzobispo de Santafé de Bogotá.
Paris: Imprenta Española de Dubuisson 1853. 8vo 23 cm; 9". 15 1 4 pp. <br><br>The Colombia government forced Archbishop Manuel José Mosquera 180053 into exile in 1852 because of his vehement opposition to a series of he felt to be legislative encroachments on his authority over benefices and "internal" church administrative matters. This is his publication while in exile in Paris of a letter of support from the clergy of Chile with his letter to them.<br>Â Â Â Â Searches of NUC WorldCat and COPAC locate four U.S. Cornell Fordham Stanford UTexas and one British BL libraries reporting ownership but we know of another U.S. library that owns a unreported copy. Original printed wrapper; sewn. Soiling to front wrapper. Very good. Imprenta Española de Dubuisson, unknown books
书商的参考编号 : 38706
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Singer Isaac Bashevis; Raphael Soyer illus.; Harry T. Moore intro.
The gentleman from Cracow / The mirror.
New York: Limited Editions Club 1979. 8vo 26.6 cm 10.5". xi 1 59 5 pp.; 11 col. plts. 23 plts. <br><br>The quintessence of Singer's genius": two supernatural tales by the Nobel Prize winner with an introduction by Harry T. Moore. => The stories are illustrated with 11 plates after watercolors by Raphael Soyer and followed by 23 plates after Soyer's pencil sketches.<br>Â Â Â Â The volume was designed by Bruce Campbell and set in Centaur and Arrighi types with the text printed by Hampshire Typothetae under Harold McGrath's supervision and the watercolors by the Princeton Polychrome Press; the binding was done by the Tapley-Rutter Company. This is numbered copy 1063 of 2000 printed and it is => signed at the colophon by author and artist. The monthly newsletter and prospectus are laid in. <br>Â Â Â Â <br>Â Â Â Â Bibliography of the Fine Books Published by the Limited Editions Club 514. Publisher's grey-green marbled papercovered boards with grey natural-finish buckram shelfback spine with title stamped in silver in original gray papercovered slipcase; slipcase faded lightly on one side. => A fresh and attractive copy. Limited Editions Club hardcover books
书商的参考编号 : 38939
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Steinberg Rafael
Postscript From Hiroshima
NY: Random House 1966. Hardcover. Very Good. First Edition.119pp. Very good hardback in a very good dustjacket. <br/><br/> Random House hardcover books
书商的参考编号 : 29258
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Carrera Rafael.
Broadside begins: El Presidente de la Republica capitan Jeneral del Ejercito a la division de operaciones. Companeros: He venido con el objecto de participar de vuestros trabajos y con la mira de dictar inmediatamente todas aquellas disposiciones que demandan el escarmiento del enemigo y la seguridad de nuestro territorio.
Chiquimula 1853 2 August. Small 4to 21 cm; 8.25". 1 p. <br><br>On the troubles with Honduras. Very good condition. unknown books
书商的参考编号 : 36965
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Carrera Rafael.
drop-title El Presidente de la Republica de Guatemala a los pueblos del estado de Honduras. Hondurenos. Los acontecimientos que se estando verificando en el territorio de ese Estado llaman vivamente la atencion de los demas pueblos de la America Central.
Guatemala: No publisher/printer 1855 3 August. Folio 32 cm; 12.5". 3 pp. <br><br>On Gen. Cabanas his invasion forces and his territorial designs on Guatemala and Honduras. Soiled leaves no longer integral; margins torn with loss holes in text with small loss of text. A poor copy. No publisher/printer unknown books
书商的参考编号 : 36966
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Carrera Rafael.
Broadside begins: El Presidente y Capitan General de Guatemala a la columna espedicionaria. Soldados con la mas viva satisfaccion os veo regresar a vuestros hogares .
Guatemala: No publisher/printer 1857 1 July. Small 4to 27.5 cm; 10.75". 1 p. <br><br>The president of Guatemala welcomes home the soldiers of the expeditionary force after their battles against William Walker. Very good condition. No publisher/printer unknown books
书商的参考编号 : 36944
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Carrera Rafael.
Broadside begins: El Presidente . a los habitantes de la republica. Guatemaltecos: La providencia ha querido recompensar los sacrificios de los valientes defensores de la independencia.
Guatemala: No publisher/printer 1857 14 May. Small 4to 33 cm; 13" 1 p. <br><br>The president of Guatemala announces that on 1 May the forces of William Walker who were held up in Rivas surrendered and so it will not be necessary to send any more forces south. Very good condition. No publisher/printer unknown books
书商的参考编号 : 36945
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Labra Rafael M.
Las colonias de Inglaterra en América. Discurso pronunciado en el Ateneo científico-literario de Madrid en el curso de política y sistemas coloniales.
Madrid: Imp. de J. Noguera a cargo de M. Martínez 1874. 8vo 9". 121 pp. <br><br>A study of the English colonial system as practiced in the area that became the U.S. the study from a Spanish scholarly perspective. NUC and WorldCat locate only three copies in the U.S. Discarded as part of the New York Public Librarys "Pamphlet Volume Preservation Project": now stapled and in a library pamphlet binder with cloth spine. Library acquisition number stamp in a lower margin. Imp. de J. Noguera a cargo de M. Martínez hardcover books
书商的参考编号 : 34193
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Rafael Mizrahi
A Journey Through the Chocolate Easter Land
New York: Vantage Press 1977. Hardcover. Fine/Near Fine. Olivia Cole Hauptfleisch. WARMLY INSCRIBED BY THE AUTHOR RAFAEL MIZRAHI on the front free endpaper. A very sharp copy to boot of the 1977 stated 1st edition. Clean and Fine in a bright price-intact Near Fine dustjacket. Octavo nicely illustrated thruout by Olivia Cole Hauptfleisch. <br/><br/> Vantage Press hardcover books
书商的参考编号 : 11797
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Bolivar Coronado Rafael comp. & ed.
Parnaso costarricense. Selección esmerada de los mejores poetas de Costa Rica.
Barcelona: Maucci 1921. 12mo. Port. 207 pp. <br><br>Includes a dictionary of Costa Rican regionalism "Vocablos costarricenses" on pp. 187-199. Later 20th-century brown cloth. Little skewed in binding. Maucci hardcover books
书商的参考编号 : 29743
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Aguilar y Santillan Rafael.
Bibliografía geológica y minera de la república mexicana.
Mexico: Oficina Tip. de la Secretaria de Fomento 1898. Small folio. x 158 1 p. <br><br>Still standard geologic and mineralogic bibliography of Mexico. Includes sources from the 16th through the late 19th centuries.<br>Â Â Â Â Provenance: From the "Bibliographical Library of William P. Wreden" the noteworthy bookseller of Palo Alto California. 19th-century quarter black morocco with gilt lettering and ornamentation on spine. Very good copy. Oficina Tip. de la Secretaria de Fomento unknown books
书商的参考编号 : 21463
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Carlos Pellicer and Rafael Carrillo Azpeitia
Mural Painting of the Mexican Revolution
Fondo Editorial De La Plastica Mexicana 1992. Decorative Cloth. Collectible; Fine/Fine. A crisp clean copy of the 1992 3rd edition limited to 3000 copies. Solid and Near Fine in a bright Near Fine dustjacket. Massive elephant folio 316 pgs. striking color reproductions thruout. <br/><br/> Fondo Editorial De La Plastica Mexicana hardcover books
书商的参考编号 : 8626
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Raphael and J. Arthur Brandon
The Open Timber Roofs of the Middle Ages
London: David Bogue 1849. 1st. Decorative Cloth. Collectible; Very Good. 1849 1st edition of this very attractive study of the open timber roof of the Middle Ages. "Illustrated by Perspective and Working Drawings of Some of the Best Varieties of Church Roofs; with Descriptive Letter-Press". VG in its decorative blindstamped panels. Bright gilt-design and lettering to the front panel and spine as well. Light fraying along the spine crown otherwise very clean. Beautiful steel-engravings thruout and with their original tissue-guards. Tall quarto striking hand-colored frontispiece. Careful meticulous former owner margin notes in pencil to the text and tasteful bookplate Charles Grant Ellis at the front pastedown. <br/><br/> David Bogue hardcover books
书商的参考编号 : 7267
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Ramirez de Arellano Rafael.
Cuentos y tradiciones.
Sevilla: Impr. y encuadernación de E. Bergali 1895. 12mo. 236 pp. <br><br>An anthology of folklore and legends of Spain. Sole edition.<br>Â Â Â Â WorldCat and NUC Pre-1956 locate only two copies in the United States. <br>Â Â Â Â <br>Â Â Â Â Palau 246958 giving title as "Cuentos y traducciones"!!. Contemporary quarter light brown leather with black spine label. Some age-toning of pages. Impr. y encuadernación de E. Bergali hardcover books
书商的参考编号 : 28730
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