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Albert Blankert; Rembrandt; Van Beke; Vermeer; Et Al
Selected Writings on Dutch Painting - Rembrandt Van Beke Vermeer and Others
Waanders Publishers. New. 9040089329 . FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in English. 352 pages; 65 colour photographs; 290 b&w photographs -- with a bonus offer-- . Waanders Publishers unknown
Riferimento per il libraio : 55387 ISBN : 9040089329 9789040089329
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Aldovini L. (cur.)
Rembrandt. Incidere la luce. I capolavori della grafica. Catalogo della mostra (Pavia, 17 marzo-1 luglio 2012). Ediz. illustrata
ill., br. Rembrandt realizzò circa 300 dipinti e oltre 290 incisioni, una produzione cospicua che senz'altro beneficiò della florida congiuntura socio-economica in cui l'artista era venuto a trovarsi, quella dell'evoluzione politica e religiosa che aveva investito i Paesi Bassi del Nord, dopo la separazione dal Sud (essenzialmente cattolico) nel 1584. Maggior libertà, aumento di ricchezza, moltiplicazione della committenza privata borghese, di contro a una diminuzione di quella sacra, ebbero come conseguenze dirette la nascita della figura del mercante d'arte e la vendita all'asta delle opere artistiche. Rembrandt si adattò perfettamente a questa rinnovata situazione, portando all'estremo l'individualità e la dignità dell'artista ed entrando senza riserve nel 'mercato dell'arte'. Valorizzò la libertà creativa dal punto di vista dell'inventio, ma anche della tecnica: di contro allo stile 'finito' della pittura di moda all'epoca, preferì un modus operandi che lo vedeva tornare di continuo sulle sue opere, sia pittoriche che incise. Primaria fonte d'ispirazione furono per lui i capolavori incisi dei suoi predecessori, tra gli altri Luca di Leyda, Pieter Brueghel, Albrecht Dürer, Andrea Mantegna, dei quali aveva moltissime stampe. Rispetto ai suoi contemporanei e agli artisti che lo precedettero, egli raggiunse peraltro una grande perizia tecnica nell'uso dell'acquaforte: univa segni di diversa profondità e spessore attraverso morsure multiple - a un uso strategico della puntasecca...
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Aldovini, Laura (a Cura di)
Rembrandt. Incidere La Luce. I Capolavori Della Grafica
Mm 245x285 Catalogo della mostra tenuta a Pavia, Scuderie del Castello Visconteo, 17 marzo - 1 luglio 2012 e a Trieste, Scuderie del Castello di Miramare, 7 luglio - 7 ottobre 2012 . Brossura originale, 95 pagine profusamente illustrate a colori e in nero nel testo. Libro in condizioni di nuovo. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
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Alfred Stange
Rembrandt mit 48 teils mehrfarbigen Bildern
Wiesbaden, Berlin: Vollmer Verlag, keine Angabe. 47 Seiten , 21 cm Pappeinband
Riferimento per il libraio : 20767
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Allievi Wanna (a cura di)
Max Marra. Omaggio a Rembrandt
In-4 (Cm 32 x 24), 'pp. 87, brossura editoriale illustrata, illustrazioni bianco nero nel testo. COME NUOVO
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Aloysius BERTRAND
GASPARD de la NUIT
Un ouvrage de 184 pages, format 145 x 195 mm, illustré, broché couverture couleurs, publié en 1946, A l'Enseigne du Pot Cassé, tirage limité (n° 242), bon état
Riferimento per il libraio : LFA-126725115
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Aloysius Bertrand
Gaspard de la nuit - Fantaisies à la manière de Rembrandt et de Callot
POITEVIN PARIS 1925 collection COLLECTION VERTS ET BLEUS. in12. 1925. Broché. Gaspard de la nuit est un recueil de poèmes en prose d'Aloysius Bertrand considéré comme le créateur de cette forme poétique. L'œuvre explore les frontières entre rêve et réalité imprégnée de romantisme noir avec des visions angoissantes de cimetières de pendus et de mort. Le prologue met en scène la rencontre du narrateur avec Gaspard un double diabolique du poète
Riferimento per il libraio : 100154712
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Alpers Svetlana
L'Atelier de Rembrandt . La liberté la peinture et l'argent.
Gallimard Essais In-8, broché sous jaquette illustré, 124 planches en vignettes en noir et en couleurs, ensemble dense, 377 pages, minuscule accroc sur le bas de la jaquette.
Riferimento per il libraio : 10736 ISBN : 2070722392
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Alpers Svetlana
L'officina di Rembrandt. L'atelier e il mercato
ill., br. Due epoche ben distinte hanno attraversato l'interpretazione storico-critica di Rembrandt. Alla prima, che aveva costruito il mito di un Rembrandt genio isolato, solitario, incompreso dai contemporanei e che tuttavia, con i suoi dipinti avrebbe rivoluzionato l'arte contemporanea, si andò sostituendo con il tempo la visione degli esperti, che riattribuirono molti dei capolavori che si credevano eseguiti da Rembrandt: quei quadri, alcuni dei quali tra i più famosi, non sarebbero stati che il frutto del lavoro di allievi. Si distinse allora la pittura di Rembrandt e quella della sua scuola, l'opera unica del Maestro e la moltiplicazione, ad opera del suo atelier, di opere eseguite alla maniera di Rembrandt. Il libro di Svetlana Alpers consente di ricostruire la situazione paradossale di un artista che affermò il carattere unico e singolare della propria arte grazie alla riproduzione, per mano altrui, dei propri temi e del proprio stile. Tutto ha luogo nell'atelier di Rembrandt, mondo in cui regna sovrano l'artista, piegando i desideri dei clienti alla propria volontà di creare valori artistici per lui irrinunciabili. Rembrandt rifiuta di adeguarsi ai gusti e ai canoni rappresentativi dei mecenati. La sua opera pittorica costituisce l'affermazione originale dell'autonomia dell'artista, della sua libertà che fonda e nutre la produzione per il mercato, dato che proprio lo scambio o la vendita al pubblico stabiliscono ormai il valore di un'opera.
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Alpers Svetlana
L'officina di Rembrandt. L'atelier e il mercato.
pp. 153, cm 22x16, brossura, collana Saggi, 730
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Alpers, Svetlana
Arte del Descrivere. Scienza e Pittura nel Seicento Olandese
Mm 145x220 Collana "Saggi" - Presentazione di Enrico Castelnuovo. Volume rilegato in tela nera, sovraccoperta originale, XVIII-416 pagine, numerose le illustrazioni in nero e a colori.. Esemplare in condizioni pari al nuovo. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
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Alpers, Svetlana
De firma Rembrandt: schilder tussen handel en kunst
2001 Uitgeverij Prometheus Soft cover Fine
Riferimento per il libraio : 016404
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Alpers, Svetlana
L'atelier de Rembrandt - La liberté, la peinture et l'argent
Editions Gallimard, nrf essais, Paris, 1991. In-8, broché sous jaquette illustrée en couleur, 377 pp. Sur la présente édition - Introduction : I. La touche du maître. - II. Le modèle théâtral. - III. Un maître dans son atelier. - IV. "La liberté, la peinture et l'argent" - Remerciements - Notes - Liste des illustrations ...
Riferimento per il libraio : 2558
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Alpers, Svetlana
Les vexations de l'art. Velazquez et les autres
Gallimard Couverture souple Paris 2008
Riferimento per il libraio : 36882
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Alten, Wilken von
Rembrandt - Zeichnungen. [Von Wilken v. Alten]. (= Die Kunstbücher des Volkes, Band 45).
Berlin: Rembrandt-Verlag 1947. 159 Seiten. Mit 120 Abbildungen. 4° (25-35 cm). Orig.-Halbleinenband. [Hardcover / fest gebunden].
Riferimento per il libraio : 154367
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Amand-Durand, Charles (after Rembrandt van Rijn)
Sleeping Herdsman
Paris 1644. Etching and engraving on high quality buff wove paper 4 7/8 x 4 1/2 inches 124 x 114 mm; sheet 12 5/8 x 12 1/2 inches 321 x 318 mm the full sheet. In very good condition with the artist's moniker in the image in the lower right. No. 154 from a 19th century collection of etchings by Durand after Rembrandt. <br /> <br /> Bartsch 109. unknown
Riferimento per il libraio : 2160
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Anderson, Laura; Rembrandt Van Rijn; Et Al
Rembrandt - Timeless Treasures
Galleries. New. 2008. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 22 works catalogued and beautifully illustrated. -- with a bonus offer-- . Galleries paperback
Riferimento per il libraio : 91598
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André-Charles Coppier
LES EAUX-FORTES AUTHENTIQUES DE REMBRANDT. Album des reproductions d'eaux-fortes.
Non daté / complet de ses 128 planches. Editions Firmin-Didot.
Riferimento per il libraio : ART971M
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André-Charles Coppier
LES EAUX-FORTES AUTHENTIQUES DE REMBRANDT. Album des reproductions d'Eaux-Fortes.
Non daté / 128 reproductions. Editions Firmin-Didot et Cie.
Riferimento per il libraio : ART2118M
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Annemarie Vels Heijn
Rembrandt
Annemarie Vels Heijn Rembrandt. Hannover, Knorr and Hirth 1981, Un commento di Annemarie Vels Heijn su Rembrandt, con illustrazioni a colori. In lingua francese. Libro in condizioni molto buone, rilegatura rigida e sovraccoperta (leggermente usurata). Misure: 18x18x1.5 Buono (Good) . <br> in sedicesimo <br> <br> <br> 3782135008
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Anon
Catalogus Van De Kunstveiling 253. Sale Catalogue 253
'The collection of Old Master Drawings of the late Bernard Houthakker, sold by order of the executors on Monday 17th and Tuesday 18th November 1975' This book is extra heavy and may involve extra postage to non-UK destinations.
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Anon.
An Exhibition of Old Master Drawings from Chatsworth
Issued as a supplement to the full catalogue of the exhibition. With 40 black and white plates.
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Anonyme
Bestiaire hollandais
Institut Néerlandais, Paris, 1960. In-8, broché, 55 pp. Introduction - Catalogue [333 n°] : Tableaux, aquarelles, dessins et gravures. - Livres.
Riferimento per il libraio : 1089
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Anonyme
Catalogue de l'Exposition rétrospective organisée par la ville de Beauvais - Concours régional de 1869
Typographie Rousseau-Leroy, Arras, 1869. In-8, reliure cartonnée à la bradel, dos lisse avec titre, xvi-132 pp. Programme. - Introduction - Catalogue : Age de pierre. - Age de bronze. - Verres. - Epoque gallo-romaine. - Objets divers. - Bijoux et armes. - Objets du culte. - Emaux peints. - Histoire de l'écriture. - Chartes. - Manuscrits. ...
Riferimento per il libraio : 7460
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Anonymous (Rembrandt School, possibly Willem DROST).
Diogenes searching for an honest man with a lamp.
Dutch mid-17th century drawing possibly by Rembrandt pupil Willem Drost. Depicted is Diogenes in robes with his lantern in his left hand and a staff in his right and a group of four figures. Diogenes the Cynic 4th cent. BC renounced material possessions and lived in poverty. He would go out with a lighted lantern in broad daylight to look for an honest man instead he would only find that everyone around him was morally corrupted. He would scare passersby with his lantern causing them to lose their mask and reveal their true intentions.In the present drawing the group of four is clearly scared by the lantern of Diogenes who seems to be towering over them. In fact the artist has placed Diogenes on a higher plane than the passersby an invention that effectively enhances the morality of the scene. This is not found in other contemporary depictions of the same story by artists like Rubens Sandrart Castiglione and Jordaens.The artistdisplays a masterful understanding and application of chiaroscuro. Not only does he use it for the composition he also applies it to benefit the narrative. Light is literally and figuratively at the center of the scene. The artist from the "Rembrandt school" who made most use of stark chiaroscuro in his drawings was Willem Drost 1633-1659. He became a student of Rembrandt around 1650 which corresponds with the dating of the watermark. The style of drawing is also close to drawings attributed to Drost. The facial type of Diogenes in particular the pointy nose corresponds with that found in each of Drost's drawings in the Rijksmuseum. Also the hatchingsmatch those in other works by Drost who made much use of individual lines instead of a continuous zig-zagging stroke and penstrokes of varying thickness to create depth in his compositions Bonny van Sighem 2000.<i>Condition: Number 3 in pencil at the bottom previous attribution to Ferdinand Bol written in pencil on the back. Several small brown spots and a couple minor defects including one on the face of the central figure in the group top edge slightly frayed and creaded. Old repair with tape on the back at the top.Literature: B. van Sighem 'attributed to Willem Drost David Prevents Abishai from Killing Saul Amsterdam c. 1650 - c. 1655' in J. Turner ed. Drawings by Rembrandt and his School in the Rijksmuseum online coll. cat. Amsterdam 2000 Bonny van Sighem 2000; for the watermark cf. Churchill fig. 305; Heawood 305 & 307.</i>
Riferimento per il libraio : 2105
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Appleton, J (Engraver). After Rembrandt
Landscape with Tobit and the Angel.
London: Jones & Co. circa 1840. Steel engraving. 8 x 10 1/2 in. sheet. Very Good some toning in sheet margins. London: Jones & Co., [circa 1840]. unknown
Riferimento per il libraio : 71-2496
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Appleton, J (Engraver). After Rembrandt
Landscape with Tobit and the Angel.
London: Jones & Co. circa 1836. Steel engraving. 8 x 10 1/2 in. sheet. Very Good some toning and foxing in sheet margins. London: Jones & Co., [circa 1836]. unknown
Riferimento per il libraio : 71-2475
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ARONBERG LAVIN Marilyn, LAVIN Irving
LITURGIA D'AMORE. Immagini dal Cantico dei cantici nell'arte di Cimabue, Michelangelo e Rembrandt.
In-4 (cm. 31.50), cartonato editoriale, sovracoperta editoriale illustrata, pp. 310, (2), con illustrazioni in bianco e nero ed a colori nel testo. Minimo strappetto, senza mancanze, alla sovracoperta. Peraltro, volume in ottimo stato (nice copy).
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Arpino, Giovanni - Lecaldano, Paolo
Rembrandt L'opera Pittorica Completa Di
Mm 240x315 Classici dell'Arte Rizzoli. Volume cartonato di pp. 144 con con 64 tavole a colori e numerose illustrazioni in bianco e nero. Apparati critici e filologici a cura di paolo Lecaldano. Opera in buone condizioni. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE. WORLDWIDE DELIVERY.
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Arthur K Wheelock; Rembrandt Van Rijn
Rembrandts Late Religieuze Portretten
Waanders Publishers. New. 9040090688 . FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in Dutch. 152 pages; 55 colour photographs; 25 b&w photographs -- with a bonus offer-- . Waanders Publishers unknown
Riferimento per il libraio : 55377 ISBN : 9040090688 9789040090684
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Arthur M [Rembrandt Hermanszoon Van Rijn] Hind
A Catalogue of Rembrandt's Etchings: Chronologically Arranged and Completel y Illustrated
Da Capo Press 1967. Hardcover. Very Good. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More Spend Less.Dust jacket in good condition. Minor shelf and handling wear overall a clean solid copy with minimal signs of use. Secure packaging for safe delivery.Dust jacket quality is not guaranteed. Da Capo Press hardcover
Riferimento per il libraio : 1763210231
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Arthur Mayger Hind (Rembrandt)
A catalogue of Rembrandt's etchings. Chronologically arranged and completely illustrated by Arthur M. Hind catalogue raisonné
New York: Da Capo Press 1967. Rembrandt. Two volumes in one complete. A quality hardback reprint of the second and best edition 1923 of Hind's catalogue raisonné with added plates reproducing the six etchings Hind found inappropriate. IX 143 pp hundreds of plates. 4to. Publisher's cloth. A very good copy with some penciled annotations by a previous owner. <br/><br/> Da Capo Press hardcover
Riferimento per il libraio : 39600
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AUERBACH Frank and Rembrandt ] Pilar Ordovas (edits)
Raw Truth - Auerbach - Rembrandt Ordovas Gallery London 4 October - 1 December 2013 / Rijksmuseum 12 December - 16 March 2014
Ordovas Gallery London 2013. 1st Edition. HARDCOVER. Large square 4to in thick boards 78pp on thick art paper colour plates etc __CONDITION : NEW unread copy. . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS Ordovas Gallery, London hardcover
Riferimento per il libraio : P18HS1330 ISBN : 0957028768 9780957028760
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Ausstellungskatalog Rembrandt
Rembrandt. 1606 - 1956. Zeichnungen. Rotterdam. Rembrandt Tentoonstelling. Schilderijen ter herdenking van de geboorte van R. op 15 Juli 1606. Rijksmuseum Amsterdam. Rembrandt Tentoonstelling ... Museum Boymans.
Tekeningen, 1956. 188 S. mit 72 Abb. Leinen, ohne Schutzumschlag
Riferimento per il libraio : 113124
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Autorengruppe
Rembrandt, oder nichts? 2 Bände: Die Gemälde + Die Zeichnungen
Ostfildern-Ruit: Hatje Cantz Veröag, 2000. 87 , 184 Seiten , 31 cm, Pappeinband
Riferimento per il libraio : 7468
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AVERMAETE (Roger).
Rembrandt et son temps.
Paris Payot, coll. "Bibliothèque historique" 1952 1 vol. broché in-8 (226 x 145 mm), broché, couverture illustrée, 220 pp. Dos finement ridé avec une petite tache en pied, sans gravité. Infime trace de scotch à la page de garde. Sinon bon état général.
Riferimento per il libraio : 60031
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AVERMAETE (Roger).
Rembrandt et son temps.
Paris Payot, coll. "Bibliothèque historique" 1952 1 vol. broché in-8 (226 x 145 mm), broché, couverture illustrée, 220 pp. Dos finement ridé avec une petite tache en pied, sans gravité. Infime trace de scotch à la page de garde. Sinon bon état général.
Riferimento per il libraio : 60031
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AVERMAETE Roger
"Rembrandt et son temps; Bibliothèque historique."
Paris, Payot, 1952 14 x 23, 220 pp., broché, très bon état
Riferimento per il libraio : 6350
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AVERMAETE, ROGER.
REMBRANDT ET SON TEMPS.
, Paris, Payot, 1952., Broche, couverture d' editeur illustre n/b, 14,5x23cm, 220pp.
Riferimento per il libraio : 7283
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B.B.K.
De lo divino a lo humano: rembrandt en la biblioteca nacional
Bilbao Bizkaia Kutxa 1999 In-4 relié 28,8 cm sur 25. 218 pages. Très bon état d’occasion.
Riferimento per il libraio : 56356
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Baer, Ronni; Hals, Franz; Ruisdael, Jacob van; van der Ast, Balthasar; van der Heyden, Jan; Rembrandt, Re
Poetry of Everyday Life The: Dutch Painting in Boston
MFA Publications 2002-06-15. Hardcover. New. In shrink wrap. Looks like an interesting title! MFA Publications hardcover
Riferimento per il libraio : Q-0878466312 ISBN : 0878466312 9780878466313
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Bailey, Anthony; Rembrandt Harmenszoon Van Rijn
Responses to Rembrandt
Timken Pub 1994-03-01. Hardcover. New. In shrink wrap. Looks like an interesting title! Timken Pub hardcover
Riferimento per il libraio : Q-0943221188 ISBN : 0943221188 9780943221182
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Bakker, Boudewijn und Christiaan [Hrsg.] Vogelaar
Rembrandts Landschaften [anlässlich der Ausstellung "Rembrandts Landschaften", Staatliche Museen Kassel, Gemäldegalerie Alte Meister, 23. Juni bis 17. September 2006 ; Stedelijk Museum De Lakenhal, Leiden, 6. Oktober 2006 bis 7. Januar 2007]. Kataloge der Staatlichen Museen Kassel Band 35.
München, Hirmer, 2006. 277 S. überw. Ill. 30 x 26 cm, Pappband ohne Schutzumschlag
Riferimento per il libraio : 15940
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Banzato, Davide; Rembrandt Van Rijn; Et Al
L'ERMITAGE a PADOVA : UM OMAGGIO a REMBRANDT / the Hermitage in Padua : an Homage to Rembrandt
Skira Editore. New. 2011. Paperback. 8857212637 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in Italian. 96 pp. ; 73 illus. 66 in color. -- with a bonus offer-- . Skira Editore paperback
Riferimento per il libraio : 99110 ISBN : 8857212637 9788857212630
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Basan, Pierre Francois (after Rembrandt van Rijn)
Jan Six
Paris: Henri Louis Basan 1810. Etching on thin laid paper laid down to mid-weight Japon paper 9 5/8 x 7 9/16 inches 244 x 190 mm narrow to thread margins. Lettered below the image in the lower right margin with Rembrandt's facsimile signature and date: "Rembrandt f. 1647." On the verso of the mount is an area of adhesive residue at the lower right corner and paper tape tabs at the top and bottom right corner from a former mount also on the verso of the mount. Inscription in orange pencil in the lower left corner on the verso of the mount. In very good condition with excellent inking. With the 6 and 4 in the date appearing in reverse as described in New Hollstein. <br /> <br /> New Hollstein 238a. A portrait of Jan Six; whole-length standing in a dark interior reading a paper at a window at right. A copy in the same direction after Rembrandt's etching of the same title from an edition of the Recueil published by Henri Louis Basan around 1810. <br /> <br /> An impression of this work may be viewed in the permanent collection of the British Museum museum number 19410327.11.103. Henri Louis Basan unknown
Riferimento per il libraio : 681
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Basan, Pierre-Francois (1723-1797), author; Etienne-Francois, duc de Choiseul (1719-1785), collector; Rembrandt ; Breughel; Ten
Recueil d'estampes gravées d'après les tableaux du cabinet de Monseigneur le Duc de Choiseul. First edition with manuscript annotations of prices at the 1772 sale.
Paris: chez l'auteur - Pierre-François Basan 1771. 4to 20 x 27.5cm. Blonde calf decorated ribbed spine contemporary binding. Scuffs and rubbing leather losses split joint at top.Engraved title dedication 12 pages of text portrait of the Duke of Choiseul and 127 of 128 finely engraved plates numbered 1-123 excluding unnumbered plate 4 normally located between plates 38 and 39 including figures 44 and 45 engraved on a single plate plate 47 numbered twice 5 bis plates -68 69 76 78 and 101- plate 74 on a double page figures 93 and 94 on a single plate. Plates 38 and 39 have shorter margins. Small loss to plate 33 without affecting the engraving. Fresh pages. Bookplate with the coat of arms of De Clos de Balme. .The Duke of Choiseul's cabinet contained mainly paintings by Flemish and Dutch masters such as Rembrandt including a self-portrait Breughel Teniers Ruysdael Rubens N. Berghem and Van Dyck. It also contained a few canvases by Titian Le Nain Robert and Greuze. .Pierre-François Basan 1723-1797 was one of the leading figures in the 18th-century world of printmaking. He was an engraver publisher expert and iconographer. He also brought Rembrandt to France publishing one of the first engraved collections of his works printed on his original copperplates and Teniers engraving many of his paintings with Le Bas. After a brillant career in the army Etienne-François duc de Choiseul 1719-1785 married the daughter of Crozat. Thanks to the protection he received from Madame de Pompadour Louis XV's mistress Choiseul was made ambassador to the Holy See and before long he was appointed minister of foreign affairs and later to the ministry of war and navy. After the death of his benefactor Madame de Pompadour in 1772 Choiseul was disgraced and exiled. Choiseul was a great collector and asked Basan one of the most eminent experts of the time to organize a catalogue of his collection. Although dated 1771 on the title page the catalogue was finished a year later. Choiseul was unfortunately disgraced the same year and a sale was organized by the expert Boileau on 6-10 April 1772; the remaining part of the collection was sold after Choiseul's death on 18 December 1786. This unique copy has the prices realized at the famous 1772 sale: La collection vendue est celle d'étienne-François duc de Choiseul 1719-1785 ambassadeur à Rome de 1754 à 1757 puis à Vienne de 1757 à 1758 ; créé duc de Choiseul en 1758 il devient premier ministre de fait mais tombe en disgrâce à partir de 1770.Born in 1719 Étienne François de Choiseul-Beaupré Stainville first had a military career rising to the rank of lieutenant general of the king's armies. He was ambassador to the Holy See between 1754 and 1757 and then to Vienna in 1758. That same year he received the title of Duke of Choiseul-Amboise and was appointed Secretary of State for Foreign Affairs and then in 1761 for the Navy and for War.The Duke of Choiseul pursued a policy of revenge against England; to do this he relied on the alliance with Austria and the Bourbons of Spain Parma and Naples through the Pacte de Famille signed in 1761. He also negotiated the marriage of the Duke of Berry future Louis XVI with the archduchess of Austria Marie-Antoinette.Under his government the borders of France widened with the inclusion of Lorraine in 1766 and the acquisition of Corsica in 1768.A friend of the Encyclopaedists and Madame de Pompadour he was interested in the art and philosophy of his time; his Voltairean spirit distanced him from Rousseau whose Social Contract 1762 he rejected.At the beginning of 1770 Choiseul acted more and more without the king's consent often even against his will. Madame Du Barry to whom he had spoken undiplomatically played a role in his eviction from the court at the end of 1770. His exile to his estate of Chanteloup near Amboise was a triumph: everyone flocked to the Duke of Choiseul. He died in 1785 leaving behind him a disastrous personal financial situation.;Pierre-François Basan publisher French 1723 - 1797;The Artists in the Recueil:Pierre-Charles Baquoy artist French 1759 - 1829;Louis Binet artist French 1744 - c. 1800;Robert Daudet artist French 1737 - 1824;Remi-Henri-Joseph Delvaux artist French 1748 or 1750 - 1823;Balthasar Anton Dunker artist German 1746 - 1807;;;Louis Germain artist French 1733 - 1791 or after;Carl Guttenberg artist German 1743 - 1790;Louis-Michel Halbou artist French 1730 - probably 1809;Francois-Robert Ingouf artist French 1747 - 1812;Nicolas Delaunay artist French 1739 - 1792;Jacques Philippe LeBas artist French 1707 - 1783;Pierre Charles Levesque artist French 1736 - 1812;Jean Baptiste Liénard artist French 1750 - after 1807;Charles Louis Lingée artist French 1748 - 1819;Joseph-C. Maillet artist French 1751 - 1811;Pierre Maleuvre artist French 1740 - 1803;Pietro Antonio Martini artist Italian French school 1738/1739 - 1797;Louis-Joseph Masquelier artist French 1741 - 1811;Jean Massard artist French 1740 - 1822;Philippe Louis Parizeau artist French 1740 - 1801;Charles Emmanuel Patas artist French 1744 - 1802;Nicolas Ponce artist French 1746 - 1831;Noël Pruneau artist French born 1751;Antoine Louis Romanet artist French 1742 - 1810 or after;Jean Francois Rousseau artist French born c. 1740;Gabriel de Saint-Aubin artist French 1724 - 1780;Vény artist French active 18th century;Carl Wilhelm Weisbrod artist German 1743 - 1806;B. A. Wieilh artist French active 1770s;Pierre-Philippe Choffard artist French 1730 - 1809;Charles Emmanuel Patas artist French 1744 - 1802;Carl Wilhelm Weisbrod artist German 1743 - 1806;Remi-Henri-Joseph Delvaux artist French 1748 or 1750 - 1823;Jeanne Deny artist French born 1749;Philippe Louis Parizeau artist French 1740 - 1801;Salvator Rosa artist after Neapolitan 1615 - 1673;Paulus Potter artist after Dutch 1625 - 1654;Philips Wouwerman artist after Dutch 1619 - 1668;Joseph-Marie Vien artist after French 1716 - 1809;Bartolomé Esteban Murillo artist after Spanish 1617 - 1682;Jean-Baptiste Greuze artist after French 1725 - 1805;Claude-Joseph Vernet artist after French 1714 - 1789;Bartholomeus Breenbergh artist after Dutch 1598 - 1657;Jan Brueghel the Elder artist after Flemish 1568 - 1625;Peeter Neeffs the Elder artist after Flemish 1578/1590 - 1656/1661;Sir Peter Paul Rubens artist after Flemish 1577 - 1640;Claude Lorrain artist after French 1604/1605 - 1682;Gerrit Dou artist after Dutch 1613 - 1675Nicolaes Pietersz Berchem artist after Dutch 1620 - 1683Hubert Robert artist after French 1733 - 1808Louis Le Nain artist after French c. 1600/1603 - 1648David Teniers the Younger artist after Flemish 1610 - 1690Willem van de Velde the Younger artist after Dutch 1633 - 1707Sir Anthony van Dyck artist after Flemish 1599 - 1641Titian artist after Venetian 1488/1490 - 1576Adriaen van de Velde artist after Dutch 1636 - 1672Karel Dujardin artist after Dutch 1626 - 1678Jan van der Heyden artist after Dutch 1637 - 1712Rembrandt van Rijn artist after Dutch 1606 - 1669Gabriel Metsu artist after Dutch 1629 - 1667Frans van Mieris artist after Dutch 1635 - 1681Jan Miel artist after Flemish c. 1599 - 1663Adriaen van Ostade artist after Dutch 1610 - 1685Paulus Potter artist after Dutch 1625 - 1654Jacob van Ruisdael artist after Dutch c. 1628/1629 - 1682Jan Steen artist after Dutch 1625/1626 - 1679;Adriaen van der Werff artist after Dutch 1659 - 1722;Gerard ter Borch the Younger artist after Dutch 1617 - 1681; .References: OCLC Number / Unique Identifier 7033644; Cohen 115; Bibliothèque nationale de France : Identifier : ark:/12148/bpt6k6429350f.Expertise by Cabinet Poulain5 rue de Saintonge75003 Paris Paris: chez l'auteur - Pierre-François Basan, 1771. hardcover
Riferimento per il libraio : 51-6426
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BASSAN François; collection POULLAIN:
Collection de cent-vingt estampes, gravées d'après les tableaux & dessins qui composaient le cabinet de M. Poullain, receveur général des domaines du Roi, décédé en 1780 […].
A Paris, chez Basan et Poignant, 1781. In-folio de [6]-22 pages et 116 feuillets, plein maroquin à grain long bleu nuit, dos à nerfs ornés de filets dorés, triple filets dorés sur les plats, simplet sur les coupes, chasses ornées d'une grecque dorées. Etui moderne.
Riferimento per il libraio : 16541
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Bauch, Kurt
Rembrandt. Gemälde.
Berlin: De Gruyter, 1966 [1965]. XVI S., 595 Abbildungen auf Tafeln (s/w), 53 S. Text, 2 S. Inhaltsverzeichnis; 4°; gebunden, Orig.-Leinen mit Goldprägung;
Riferimento per il libraio : 103864
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BAUDIQUEY Paul
Un Évangile Selon Rembrandt
Mame 1989 In4 carré 96 pages - cartonnage editeur illustré - bon etat
Riferimento per il libraio : 72Ev
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BAUDIQUEY Paul
Un Évangile Selon Rembrandt
Mame 1989 In4 carré 96 pages - cartonnage editeur illustré - bon etat
Riferimento per il libraio : 72Ev
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