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Didier Bodart, a cura di
Pietro Paolo Rubens
Mostre tenutesi presso Palazzo della Ragione, Padova, 25 marzo - 31 maggio 1990 , Palazzo delle Esposizioni, Roma, giugno - agosto 1990, Società per le Belle Arti ed Esposizione Permanente, Milano, settembre - ottobre 1990. Brossura editoriale in cartoncino flessibile lucido, dalla copertina illustrata, con bandelle. Buonissimo lo stato di conservazione, pagine perfettamente tenute e candide, ricche di riproduzioni di opere pittoriche, a colori e in bianco e nero, nel testo. Scritti di D. Bodart, G. M. Pilo, C. Limentani Virdis, L. Koenig. Numero pagine 319. USATO
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REA H.
Rubens. Bell's Miniature Series of Painters.
(Rubens) REA H. Rubens. Bell's Miniature Series of Painters. London, Bell & Son, 1907. In-16°, graziosa leg. t. t., pp. 80 con 8 tavv. f.t.
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ALBERTO LAMBERTI
PROMESSO!
Promesse di personaggi pubblici non mantenute. Libro in ottimo stato
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Genaille Robert
Pittura nel Belgio (la)
in 4 (29x22) Cartonato in tela con legatura in tela; sovracoperta illustrata; tavole applicate a colori; pp.219; Ottimo
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Freedberg, David
The Life of Christ after the Passion. Corpus Rubenianum Ludwig Burchard. Part VII.
Freedberg, David: The Life of Christ after the Passion. New York: Harvey Miller, 1984. Series: Corpus Rubenianum Ludwig Burchard. Part VII. 400pp with 174 monochrome illustrations. Cloth. 26.5x19cms. Text in English
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Martin, John Rupert
The Ceiling Paintings for the Jesuit Church in Antwerp. Corpus Rubenianum Ludwig Burchard. Part I
Martin, John Rupert: The Ceiling Paintings for the Jesuit Church in Antwerp. Brussels: Arcade, 1968. Series: Corpus Rubenianum Ludwig Burchard. Part I. xiv, 241pp plus 126pp of monochrome plates. Cloth. 26.5x19cms. Part of the large series 'Corpus Rubenianum', this volumes analyses and attempts to reconstruct throught the spirited grisaille sketches and final oil sketches, the 39 ceiling paintings painted by Rubens in 1620-1621 for the newly-built Jesuit Church in Antwerp and destroyed by fire in 1718. Part of the large series 'Corpus Rubenianum', this volumes analyses and attempts to reconstruct throught the spirited grisaille sketches and final oil sketches, the 39 ceiling paintings painted by Rubens in 1620-1621 for the newly-built Jesuit Church in Antwerp and destroyed by fire in 1718.
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Belkin, Kristin Lohse
The Costume Book. Corpus Rubenianum Ludwig Burchard. Part XXIV
Belkin, Kristin Lohse: The Costume Book. London and Philadelphia: Harvey Miller, 1978. Series: Corpus Rubenianum Ludwig Burchard. Part XXIV. vii, 208pp plus 121pp of monochrome plates. Cloth. 26.5x19cms. Part of the large series 'Corpus Rubenianum', this catalogue raisonné publishes the entire 'Costume Book', Rubens' sketch-book in the British Museum. It contains drawings of figures in the late 14th and 15th century Flemish and Burgundian court fashion, in early 16th century German costume and in the late 16th century Turkish, Persian and Arabic dress. Part of the large series 'Corpus Rubenianum', this catalogue raisonné publishes the entire 'Costume Book', Rubens' sketch-book in the British Museum. It contains drawings of figures in the late 14th and 15th century Flemish and Burgundian court fashion, in early 16th century German costume and in the late 16th century Turkish, Persian and Arabic dress.
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Haverkamp-Begemann, Egbert
The Achilles Series. Corpus Rubenianum Ludwig Burchard. Part X
Haverkamp-Begemann, Egbert: The Achilles Series. Brussels: Arcade, 1975. Series: Corpus Rubenianum Ludwig Burchard. Part X. 158pp plus 93 monochrome plates. Cloth. 26.5x19cms. Series of tapestries commissioned by Rubens's second father-in-law, Daniel Fourment. Series of tapestries commissioned by Rubens's second father-in-law, Daniel Fourment. Text in English
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Held, Julius S
Rubens. Selected Drawings. 2 vols
Held, Julius S: Rubens. Selected Drawings. 2 vols. London: Phaidon, 1959. I: Text; II: The plates. Together 186pp with 6 tipped-in colour plates and 240 monochrome illustrations. Cloth, 31x23cms. Critical catalogue of 172 works, with bibliography, indices. Critical catalogue of 172 works, with bibliography, indices. Text in English
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Bodart, Didier et al
Rubens e la pittura fiamminga del Seicento nelle collezioni pubbliche Fiorentine / Rubens et la peinture flamande du XVIIème siècle dans les collection publiques Florentine
Bodart, Didier et al: Rubens e la pittura fiamminga del Seicento nelle collezioni pubbliche Fiorentine / Rubens et la peinture flamande du XVIIème siècle dans les collection publiques Florentine. Exhibition: Florence, Palazzo Pitti, 1977. 368pp with 16 colour plates and numerous monochrome illustrations. Wrappers. 23x21.5cms. Exhibition of 17th century Flemish paintings from the public collections in Florence organised to celebrate the 400th anniversary of the birth of Rubens. Text in Italian & French. Exhibition of 17th century Flemish paintings from the public collections in Florence organised to celebrate the 400th anniversary of the birth of Rubens. Text in Italian & French
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Poorter, Nora de
The Eucharist Series. 2 vols. Corpus Rubenianum Ludwig Burchard. Part 2
Poorter, Nora de: The Eucharist Series. 2 vols. Brussels: Harvey Miller, 1978. Series: Corpus Rubenianum Ludwig Burchard. Part 2. I: 408pp. II: 510pp plus 230 monochrome illustrations. Cloth. 26.5x19cms. Part of the large series 'Corpus Rubenianum', this catalogue raisonné covers all the sketches and paintings that Rubens did for the preparation of the magificent set of Brussels tapestries representing The Triumph of the Eurcharist (preserved in the Convent of the Descalzas Reales in Madrid). It also gives all available informations about each tapestries. Part of the large series 'Corpus Rubenianum', this catalogue raisonné covers all the sketches and paintings that Rubens did for the preparation of the magificent set of Brussels tapestries representing The Triumph of the Eurcharist (preserved in the Convent of the Descalzas Reales in Madrid). It also gives all available informations about each tapestries. Text in English
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Judson, J.Richard.
The Passion of Christ. Corpus Rubenianum Ludwig Burchard. Part VI
Judson, J.Richard.: The Passion of Christ. London: Harvey Miller, 2000. Series: Corpus Rubenianum Ludwig Burchard. Part VI. 472pp with 224 monochrome illustrations. Cloth. 26.7x18cms. This catalogue raisonné is part of the large series 'Corpus Rubenianum'. At the beginning of the 17th century there was a great demand for scenes of Christ's Passion in the Southern Netherlands. Rubens had undertaken numerous religious paintings whilst in Italy and had gained a reputation in this field, resulting in a large body of commissions, mainly between c.1610 and 1621/2, all of which are documented in this volume. With indices of collections, subjects, other works and names and places. This catalogue raisonné is part of the large series 'Corpus Rubenianum'. At the beginning of the 17th century there was a great demand for scenes of Christ's Passion in the Southern Netherlands. Rubens had undertaken numerous religious paintings whilst in Italy and had gained a reputation in this field, resulting in a large body of commissions, mainly between c.1610 and 1621/2, all of which are documented in this volume. With indices of collections, subjects, other works and names and places. Text in English
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Bodart, Didier
Pietro Paolo Rubens. 1577-1640
Bodart, Didier: Pietro Paolo Rubens. 1577-1640. Exhibition: Padua, Palazzo Ragione, 1990. 319pp with 61 colour, 22 duotone and 165 monochrome illustrations. Cloth. 31x24.5cms. Sumptuously and fully illustrated catalogue of 133 items, with an accent on Rubens' Italian period. With chapter on X-ray analysis of six of his 'Italian' paintings and six done in Antwerp. With biography and extensive bibliography. Ex-library with stamps. Text in Italian. Sumptuously and fully illustrated catalogue of 133 items, with an accent on Rubens' Italian period. With chapter on X-ray analysis of six of his 'Italian' paintings and six done in Antwerp. With biography and extensive bibliography. Ex-library with stamps. Text in Italian
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Sutton, Peter C
The Age of Rubens
Sutton, Peter C: The Age of Rubens. Exhibition: Boston, Museum of Fine Arts, 1993. 500pp with 140 colour and 250 monochrome illustrations. Cloth. 32.4x24.1cms. Scholarly new examination of the works of Rubens,focusing on his studio, colleagues and period. With contributions by experts in the field, discussing patronage,the role of Flemish Baroque painting in the Counter Reformation in the Netherlands, and the influence of the classical and humanist traditions on the art of Rubens and his circle. With bibliography, biographies. Scholarly new examination of the works of Rubens,focusing on his studio, colleagues and period. With contributions by experts in the field, discussing patronage,the role of Flemish Baroque painting in the Counter Reformation in the Netherlands, and the influence of the classical and humanist traditions on the art of Rubens and his circle. With bibliography, biographies. Text in English
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Meulen, Marjon van der
Copies after the Antique. 3 vols. Corpus Rubenianum Ludwig Burchard. Part XXIII (i, ii & iii)
Meulen, Marjon van der: Copies after the Antique. 3 vols. London: Harvey Miller, 1994. Series: Corpus Rubenianum Ludwig Burchard. Part XXIII (i, ii & iii). Volume I: Introduction. Volume II: Catalogue. Volume III: Plates with 575 illustrations. Cloth. 26.5x19cms. First publication to catalogue in detail Rubens' drawings after the Antique, produced largely at the beginning of his career. First publication to catalogue in detail Rubens' drawings after the Antique, produced largely at the beginning of his career. Text in English
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Devisscher, Hans
The Life of Christ before the Passion. The Youth of Christ. Part V. Corpus Rubenianum Ludwig Burchard. Part V
Devisscher, Hans: The Life of Christ before the Passion. The Youth of Christ. Part V. Turnhout: 2014. Series: Corpus Rubenianum Ludwig Burchard. Part V. 400 pages, with 95 colour and 109 black and white illustrations. Hardback. 26.5 x 18cms. The newest volume in the 'Corpus Rubenianum Ludwig Burchard', this book examines the paintings Rubens dedicated to the theme of the youth of Christ, including his many marvellous depictions of the Adoration of both the Shepherds and the Magi. Preparatory stages of the paintings, drawings and engravings are fully discussed. The newest volume in the 'Corpus Rubenianum Ludwig Burchard', this book examines the paintings Rubens dedicated to the theme of the youth of Christ, including his many marvellous depictions of the Adoration of both the Shepherds and the Magi. Preparatory stages of the paintings, drawings and engravings are fully discussed.
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Simson, Otto von
Peter Paul Rubens (1577-1640). Humanist, Maler und Diplomat. Berliner Schriften zur Kunst 8
Simson, Otto von: Peter Paul Rubens (1577-1640). Humanist, Maler und Diplomat. Munich: Philipp von Zabern, 1996. Series: Berliner Schriften zur Kunst 8. 556pp with 24 colour plates and 202 monochrome illustrations. Cloth. 24x17.5cms. Drawing on the author's lifelong study of the artist, this analytical work offers an insight into the ancient mythology, allegories and religious history in Rubens' painting, considering the moral and aesthetic dimensions of his work. 20 essays cover topics such as Mars and Venus, classical themes, church commissions and his work in Italy, Spain and Antwerp. Bibliography and index. Text in German. Drawing on the author's lifelong study of the artist, this analytical work offers an insight into the ancient mythology, allegories and religious history in Rubens' painting, considering the moral and aesthetic dimensions of his work. 20 essays cover topics such as Mars and Venus, classical themes, church commissions and his work in Italy, Spain and Antwerp. Bibliography and index. Text in German
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Rubens and his Workshop. The flight of Lot and his family from Sodom
Rubens and his Workshop. The flight of Lot and his family from Sodom. Exhibition: Tokyo, National Museum of Western Art, 1994. 140 pages, fully illustrated in colour and black & white. Paperback. 28 x 23cms. A record of the research performed on the occasion of the study exhibition 'The flight of Lot and his family from Sodom', including comparisons with related works and technical analysis of the ground, pigments and painting techniques. A record of the research performed on the occasion of the study exhibition 'The flight of Lot and his family from Sodom', including comparisons with related works and technical analysis of the ground, pigments and painting techniques.
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Vergara, Alejandro et al.
Rubens. La Adoración de los Magos
Vergara, Alejandro et al.: Rubens. La Adoración de los Magos. Exhibition: Madrid, Museo Nacional del Prado, 2004. 239pp illustrated throughout in colour. Wrappers. 28x24cms. Ruben´s Adoration of the Magi is one of the artist's most important works and one of the master pieces in the collection of the Museo del Prado. This catalogue brings together a series of essays on the history of this painting and it features various works associated with the Adoration by other artists. English edition available in April at £50.00. Text in Spanish. Ruben´s Adoration of the Magi is one of the artist's most important works and one of the master pieces in the collection of the Museo del Prado. This catalogue brings together a series of essays on the history of this painting and it features various works associated with the Adoration by other artists. English edition available in April at £50.00. Text in Spanish
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Fredlund, Björn
Arkitektur i Rubens maleri : form och funktion
Fredlund, Björn: Arkitektur i Rubens maleri : form och funktion. Göteborgs universitet, 193pp, 46 monochrome illustrations. Wrappers. Presented as the author's dissertation Gothenbourg University 1974. Text in Swedish with English summary. Presented as the author's dissertation Gothenbourg University 1974. Text in Swedish with English summary
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Belkin, Kristin
Copies and Adaptations from Renaissance and Later Artists. German and Netherlandish Artists. 2 vols. Corpus Rubenianum Ludwig Burchard. Part XXVI. Vol. 1 (in 2 vols).
Belkin, Kristin: Copies and Adaptations from Renaissance and Later Artists. German and Netherlandish Artists. 2 vols. Turnhout: 2009. Series: Corpus Rubenianum Ludwig Burchard. Part XXVI. Vol. 1 (in 2 vols). 475pp with 21 colour and 378 monochrome illustrations. Cloth, 26.5x18cms. In his youth and in the years following his return from Antwerp Rubens copied German illustrated books and reworked drawings of the German old masters. Netherlandish drawings were also retouched by Rubens and this studying of his artistic heritage did much to influence his later works. In his youth and in the years following his return from Antwerp Rubens copied German illustrated books and reworked drawings of the German old masters. Netherlandish drawings were also retouched by Rubens and this studying of his artistic heritage did much to influence his later works. Text in English
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Wood, J
Copies and Adaptations from Renaissance and later Artists: Italian Masters. Titian and North Italian Art. 2 vols. Corpus Rubenianum Ludwig Burchard.
Wood, J: Copies and Adaptations from Renaissance and later Artists: Italian Masters. Titian and North Italian Art. 2 vols. 2010. Series: Corpus Rubenianum Ludwig Burchard.
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Wood, Jeremy
Copies and Adaptations from Renaissance and later Artists: Italian Masters. Artists Working in Central Italy and France. 2 vols. Corpus Rubenianum Ludwig Burchard.
Wood, Jeremy: Copies and Adaptations from Renaissance and later Artists: Italian Masters. Artists Working in Central Italy and France. 2 vols. 2011. Series: Corpus Rubenianum Ludwig Burchard. 704pp.,. 26.5 x 18.5cms.
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Woollett, Anne (ed.)
Rubens and Brueghel: A Working Friendship
Woollett, Anne (ed.): Rubens and Brueghel: A Working Friendship. Exhibition: Los Angeles, Getty Museum, 2006. 274 pp., with 75 colour and 115 monochrome illustrations. Wrappers, 29 x 24cms. First publication to examine in depth the partnership between Peter Paul Rubens (1577-1640) and Jan Brueghel the Elder (1568-1625) in the creation of genuinely collaborative yet high quality paintings, the result of a close friendship. Includes discussions on both men's collaborations with other artists such as Frans Snyders and Hendrick van Balen. First publication to examine in depth the partnership between Peter Paul Rubens (1577-1640) and Jan Brueghel the Elder (1568-1625) in the creation of genuinely collaborative yet high quality paintings, the result of a close friendship. Includes discussions on both men's collaborations with other artists such as Frans Snyders and Hendrick van Balen. Text in English
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Hout, Nico van
Sensation et sensualité. Rubens et son héritage
Hout, Nico van: Sensation et sensualité. Rubens et son héritage. 2014. 354 pages. Hardback. 28.9 x 24.6cms. Text in French. Text in French
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Rupert Martin, John
Rubens Before 1620
Rupert Martin, John: Rubens Before 1620. Princeton University Press, 1972. 186 pages; black & white illustrations. Hardback. 21 x 26cms. Text in English
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Mulders, C. Van
Works in Collaboration: Jan Brueghel I & II. Corpus Rubenianum Ludwig Burchard. XXVII (1)
Mulders, C. Van: Works in Collaboration: Jan Brueghel I & II. London / Turnhout: 2016. Series: Corpus Rubenianum Ludwig Burchard. XXVII (1). 360 pages, 81 colour and 107 black and white illustrations. Hardback. 26.5 x 18cms.
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Bulckens, Koen
The Life of Christ Before the Passion: The Ministry of Christ. volume 5, part 2. Corpus Rubenianum Ludwig Burchard. 5.2
Bulckens, Koen: The Life of Christ Before the Passion: The Ministry of Christ. volume 5, part 2. Turnhout: 2017. Series: Corpus Rubenianum Ludwig Burchard. 5.2. 360 pages; 149 black & white and 46 colour illustrations. Hardback. 26.5 x 18cms. The present volume of the Corpus Rubenianum catalogues Rubens's exploration and representation of the theme of the public life of Christ. The works discussed span the entirety of Rubens's career and attest to the complexity of the iconographic division in which the depictions of Jesus Christ's public life were thought and created. The present volume of the Corpus Rubenianum catalogues Rubens's exploration and representation of the theme of the public life of Christ. The works discussed span the entirety of Rubens's career and attest to the complexity of the iconographic division in which the depictions of Jesus Christ's public life were thought and created.
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Porzio, Giuseppe, et al
Rubens, Van Dyck, Ribera. La collezione di un principe.
Porzio, Giuseppe, et al: Rubens, Van Dyck, Ribera. La collezione di un principe. Exhibition: Naples, Palazzo Zevallos Stigliano, 2018. 224 pages, 80 illustrations. Paperback. 24x28cms. Account of the influence of Flemish merchants on the Italian market for Flemish art, discussing the popularisation of Rubens and Van Dyck. Focused on the collecting activity of the Vandeneyden dynasty of merchants and bankers in seventeenth century Naples. Text in Italian. Account of the influence of Flemish merchants on the Italian market for Flemish art, discussing the popularisation of Rubens and Van Dyck. Focused on the collecting activity of the Vandeneyden dynasty of merchants and bankers in seventeenth century Naples. Text in Italian
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Brown, Christopher:
Rubens's Landscapes Making and Meaning
Brown, Christopher:: Rubens's Landscapes Making and Meaning. Exhibition: London, National Gallery, 1996. 128pp with 60 colour plates and 60 monochrome illustrations. Paperback. 28x21cms. Study of this little-explored aspects of Rubens's work, focusing on the 'Château de Steen', now in the collections of the National Gallery, London. With bibliography, list of works in the exhibition, index. Study of this little-explored aspects of Rubens's work, focusing on the 'Château de Steen', now in the collections of the National Gallery, London. With bibliography, list of works in the exhibition, index. Text in English
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Logan, Anne-Marie and Michiel C. Plomp
Peter Paul Rubens. The Drawings.
Logan, Anne-Marie and Michiel C. Plomp: Peter Paul Rubens. The Drawings. Exhibition: New York, Metropolitan Museum, 2005. 332pp with 145 colour plates and 151 monochrome illustrations. Hardback. 27x21cms. Over 100 of the finest and most representative of Rubens's drawings from private and public collections around the world are shown. Essays provide overview of Rubens's career as a draughtsman and of the dispersal of his drawings after his death. With discussion of the various functions of his drawings as preparatory studies for paintings, sculpture, architecture prints, and book illustrations. Includes his early anatomical studies and copies after antique sculpture, and drawings by other artists that Rubens retouched, restored or reworked. Over 100 of the finest and most representative of Rubens's drawings from private and public collections around the world are shown. Essays provide overview of Rubens's career as a draughtsman and of the dispersal of his drawings after his death. With discussion of the various functions of his drawings as preparatory studies for paintings, sculpture, architecture prints, and book illustrations. Includes his early anatomical studies and copies after antique sculpture, and drawings by other artists that Rubens retouched, restored or reworked. Text in English
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Logan, Anne-Marie, and Kristin Lohse Belkin
The Drawings of Peter Paul Rubens, A Critical Catalogue. Volume One (1590 - 1608). 2 volumes
Logan, Anne-Marie, and Kristin Lohse Belkin: The Drawings of Peter Paul Rubens, A Critical Catalogue. Volume One (1590 - 1608). 2 volumes. 2021. 536 pages, fully illustrated in colour. Hardback. 28 x 22cms. First of three projected volumes divided chronologically, as opposed to the thematic arrangement of the Corpus Rubenianum Ludwig Burchard. Volume I consists of drawings from the artist's childhood in Antwerp, circa 1590, through to the end of his sojourn in Italy, in October 1608. For the first time, Rubens's copies and their models are fully integrated into the rest of his graphic oeuvre, thus showing copies and original compositions created at the same time side by side. The volume contains 204 entries, including several sheets with drawings on recto and verso. Each entry consists of a detailed physical description of the drawing, provenance, exhibition history, full bibliography and a critical, interpretive discussion. Prefaced by an essay on the history of Rubens scholarship from 1892 to 2019. First of three projected volumes divided chronologically, as opposed to the thematic arrangement of the Corpus Rubenianum Ludwig Burchard. Volume I consists of drawings from the artist's childhood in Antwerp, circa 1590, through to the end of his sojourn in Italy, in October 1608. For the first time, Rubens’s copies and their models are fully integrated into the rest of his graphic oeuvre, thus showing copies and original compositions created at the same time side by side. The volume contains 204 entries, including several sheets with drawings on recto and verso. Each entry consists of a detailed physical description of the drawing, provenance, exhibition history, full bibliography and a critical, interpretive discussion. Prefaced by an essay on the history of Rubens scholarship from 1892 to 2019. Text in English
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Hyman, Aaron M.
Rubens in Repeat. The Logic of the Copy in Colonial Latin America
Hyman, Aaron M.: Rubens in Repeat. The Logic of the Copy in Colonial Latin America. Los Angeles: 2021. 320 pages, 150 colour, 12 black & white illustrations. Hardback. 26 x 18cms. Examining the reception in Latin America of works by Peter Paul Rubens, showing how colonial artists responded through prints, paintings and sculptures that emulate and adapt his style. With a focus on artists active in Cuzco, Mexico City and the viceroyalties of New Spain and Peru in the seventeenth and eighteenth centuries, such as Juan Rodriguez Juarez, Cristobal de Villalpando, Francisco Serrano, Lazaro Pardo de Lagos, Marcos de Rivera, Diego Quispe Tito, Melchor Perez Holguin and Baltasar de Echave Rioja. Examining the reception in Latin America of works by Peter Paul Rubens, showing how colonial artists responded through prints, paintings and sculptures that emulate and adapt his style. With a focus on artists active in Cuzco, Mexico City and the viceroyalties of New Spain and Peru in the seventeenth and eighteenth centuries, such as Juan Rodriguez Juarez, Cristobal de Villalpando, Francisco Serrano, Lazaro Pardo de Lagos, Marcos de Rivera, Diego Quispe Tito, Melchor Perez Holguin and Baltasar de Echave Rioja. Text in English
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Jaffe, Michael
Rubens e l'Italia
Jaffe, Michael: Rubens e l'Italia. Fratelli Palombi, 1984. 132 pages of text and 346 plates in black & white. Hardback. 29 x 23cms. Study on Rubens and the influence of his diplomatic travels to Italy on his work. Text in Italian. Study on Rubens and the influence of his diplomatic travels to Italy on his work. Text in Italian
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Büttner, Nils, and Sandra-Kristin Diefenthaler
Peter Paul Rubens: Becoming Famous
Büttner, Nils, and Sandra-Kristin Diefenthaler: Peter Paul Rubens: Becoming Famous. Exhibition: Stuttgart, Staatsgalerie, 2021. 344 pages, fully illustrated in colour. Hardback. 31 x 25cms. Departing from the portrait of Geronima Spinola with her granddaughter, the exhibition explores the way Rubens expanded his network of patrons during his Italian period. With a catalogue of 119 works, including 13 pieces that have been newly examined, discussing the results of the technical analysis in the context of Rubens' practice. Text in German. Departing from the portrait of Geronima Spinola with her granddaughter, the exhibition explores the way Rubens expanded his network of patrons during his Italian period. With a catalogue of 119 works, including 13 pieces that have been newly examined, discussing the results of the technical analysis in the context of Rubens' practice. Text in German
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Perez Sanchez, Alfonso E.
Catalogo de los Dibujos
Perez Sanchez, Alfonso E.: Catalogo de los Dibujos. Madrid: Real Academia de Bellas Artes de San Fernando, 1967. 208 pages of text 24 pages of black and white illustrations. Paperback. 19.5 x 13cms. Text in Spanish. Text in Spanish
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Pansera, Stefano Rabolli ; Campbell, Mark (eds.)
Beyond Entropy: When Energy Becomes Form
Book is in excellent condition with very very light shelf wear as the only flaw. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. No jacket, as issued. 172 pages with about 30 contributors, including Rubens Azevedo; Marco Baravalle; Shumon Basar; Baukuh; Dario Benedetti; Massimo Bartolini; Stefano Boeri; Bonnie Champlin; Nina Canell; Javier Castanon; Luca Celardo; Amanda Chatten; Dave Clemens; Peter Coles; Christian Von During; Shin Egashira et al.
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Coffey, Susan C.
Peter Paul Rubens
Green paper cover with pasted -down illustration on front. 9"w x 11 7/8"h. 32 pages.
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Ishikawa, Chiyo; Seattle Art Museum
The Samuel H. Kress Collection at the Seattle Art Museum
Large format exhibition catalog in excellent condition with Very light scuffing to covers only, otherwise as new. Binding is solid and square, covers have sharp corners, exterior shows no other blemishes, text/interior is clean and free of marking of any kind. 77 pages with a great many large and full page full color prints thoughout.
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Anon.
An Exhibition of Old Master Drawings from Chatsworth
Issued as a supplement to the full catalogue of the exhibition. With 40 black and white plates.
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Gosudarstvennyy Ermitazh
Gosudarstvennyy Ermitazh
State Hermitage Museum: Painting. 50 reproductions of paintings by the most well known Western European artists of the 15th-19th centuries. Dust jacket worn to extremities
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Anon
Old Master Paintings and Drawings
Exhibition catalogue. 90 pages. Well illustrated, mostly in colour. 90 pages. Surface of back cover scratched and rubbed, less so front cover. Cover corners with small creases, wear to extremities.
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Giorgio Pillon
De Chirico e il fascino di Rubens
Volume con comparazione delle opere dei due artisti. Condizioni discrete.
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AA. VV.
AA. VV. Rubens e Genova. Palazzo Ducale - Genova. 1977
AA. VV. AA. VV. Rubens e Genova. Palazzo Ducale - Genova. 1977. Genova, Palazzo Ducale - Genova 1977 italiano, in ottavo pp. 308 14165 AA. VV. Rubens e Genova. Palazzo Ducale - Genova. 1977. In-8. Brossura. pp. 308. Con tavole b/n e a colori. Catalogo della mostra "Rubens e Genova" tenutasi dal 18 dicembre 1977 al 12 febbraio 1978 presso Palazzo Ducale (Genova). A cura di Biavati G., Botto I.M., Doria G., Frabetti G., Poleggi E., Tagliaferro L. Il volume si presenta in condizioni molto buone.
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AGNELLO Giuseppe e altri
Le SCULTURE NORMANNE di SANTA LUCIA di MENDOLA nel Museo di Siracusa. In: Bollettino d'Arte, anno 7, n. 12, giugno 1928. Inoltre: Protasio CRIVELLI, Roma e RUBENS, Il BALLATOIO della CUPOLA di Santa Maria del Fiore. MANTOVA.
Il saggio sui NORMANNI occupa 10 pagine con 15 FOTO di sculture. Il fascicolo in-4° (cm. 29,6x22,7), bel cartoncino rugoso flessibile editoriale, è completo delle sue 56 pagine e contiene inoltre: 1) Aldo De Rinaldis, "Opere di Protasio CRIVELLI [pittore attivo in campania, 1497-1506]. 9 pagine con 7 grandi riproduzioni. 2) Giuseppe Gabrieli. Ricordi romani di P. P, RUBENS. 14 pp. con 10 ILLUSTRAZIONI, tra cui alcumi facs. di manoscritti. 3) Luigia Maria Tosi. Il BALLATOIO della CUPOLA di Santa Maria del Fiore. 4 pp. con 3 tavolea piena pagina. 4) Clinio Cottafavi. CAMERINI di CORTE NUOVA. 8 pagine con 10 ILLUSTRAZIONI tra cui 1 pianta (Camerinio o Gabinetto degli Uccelli, di Ganimede, dei Cesari, Loggetta dei Cani nel Palazzo Ducale di MANTOVA.
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VON SIMSON Otto (testo di).
Rubens. Il ciclo di Maria De'Medici.
In-4°, legatura in cartonato figurato, pp. 72, con illustrazioni in nero e a colori.
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Le STORIE di MARIA de' MEDICI di RUBENS al LUSSEMBURGO.
Testo di J. Thuillier, con una appendie di J. Foucart.
In folio, t.tl. edit., sovracop. fig. col., pp. 156(4) stampate su carta forte con barbe, con 105 fig.. appl. e L tavv. col., anche ripieg. f.t. Bibliografia. Cofanetto edit. Prima edizione.
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BAZIN Germain -
Rubens.
Paris, Braun, s. d. (1939) 16mo brossura originale con copertina illustrata, pp. 60 completamente illustrato da tavole in nero.
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PALLAVISINI Alfredo -
Rubens.
Milano, Mondadori, 1980, 4to legatura editoriale cartonato telato con sovraccopertina illustrata a colori, pp. 125 con una tavola a colori in antiporta e numerosissime illustrazioni e tavole in nero e a colori nel testo (I geni della pittura) .
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(PAPETTI Stefano) -
Rubens da Fermo all'Europa. Capolavori dell'artista fiammingo a Fermo.
Siena, Protagon, 2005, 8vo (cm 28 x 24) brossura con copertina illustrata a colori, pp. 47 con numerose illustrazioni nel testo.
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