‎Holbein‎

‎Die Malerfamilie Holbein in Basel‎

‎Die Malerfamilie Holbein in Basel. Exhibition: Basel, Kunstmuseum, 1960. 352pp plus 113 monochrome plates. Paperback. 24x16.5cms. Text in German. Text in German‎

‎Die Malerfamilie Holbein in Basel. Ausst. Kunstmuseum Basel. 2.-5. Ts.‎

‎Basel 1960. Gr.8°. 352 S. Mit 113 Abb. Original-Kartonband‎

Riferimento per il libraio : 2884-2

‎Hans Holbein d.J. Bildnisse 24 farbige Handzeichnungen - Mit einem Geleitwort von Wilhelm Waetzoldt‎

‎Leipzig (Insel-Verlag)[1938] (= Insel-Bücherei Nr.95, 1. - 27.Tsd.). 8°, illustrierter Originalkarton (Hardcover) , 38 S., davon 24 Farbtafeln 1‎

‎Kanten leicht beschabt, papierbedingt etwas gebräunt, insgesamt ordentliches Exemplar‎

Riferimento per il libraio : V31771

‎Hans Holbein d.Ã. und die Kunst der SpÀtgotik‎

‎Hans Holbein d.Ã. und die Kunst der SpÀtgotik. Augsburg: 1965. 207pp with 277pp monochrome illustrations. Wrappers. 24 x 17cms. Text in German.‎

‎Text in German‎

Riferimento per il libraio : 014400

‎HANS HOLBEIN DER AELTERE UND DIE KUNST DER SPÄTGOTIK. (Ausstellungskatalog). Augsburg, Rathaus,.‎

‎1965. Gr.-8vo. 207, (1) S., 277 Abb. auf Taf. OKart. (Bezugsfolie am Rücken beschäd.).‎

Riferimento per il libraio : 1507012

‎Hans Holbein le jeune‎

‎Cartonnage d’éditeur beige, imprimé. Paris Hachette 1914 1 volume in-8°.‎

Riferimento per il libraio : 3093

‎Holbein d. J. Bldnisse 24 farbige Handzeichnungen - Mit einem Geleitwort von Wilhelm Waetzoldt‎

‎Leipzig (Insel) o.J. (= Insel-Bücherei Nr.95, ). 8°, illustrierter Originalkarton (Hardcover) , 38S., 24 Abbildungen auf Tafeln‎

‎leicht beschabt, sonst gutes Exemplar‎

Riferimento per il libraio : V28124

‎La Bible. Quatre vingt quinze images de Hans Holbein avec les textes pour chacune. Traduicts du latin en françois (français) par les docteurs de Louvain.‎

‎De L'imprimerie de GLM, 1959, 1 volume de 15x22 cm environ, non paginé (120 pages environ), broché. Exemplaire numéroté (N° 1162), un de 1465 sur vélin teinté, numérotés de 11 à 1475. Bon état.‎

‎Merci de nous contacter à l'avance si vous souhaitez consulter une référence au sein de notre librairie.‎

Riferimento per il libraio : 85147

‎REALITES-N°242-MARS 1966‎

‎124 PAGES-21,7 CM X 28,6 CM-COUVERTURE DE NICOLAS FASSBIND (MARTEAU ET FAUCILLE)-RENDRE LA TERRE AU PAYSAN RUSSE?, 5P-LES ANGOISSANTES RESPONSABILITES DE L'AMERIQUE, PAR ANTHONY EDEN, 4P DONT PHOTO PLEINE PAGE-DECOUVERTES SUR LA CIVILISATION ARCTIQUE, PAR JEAN MALAURIE, 6P-HOLBEIN LE VIEUX ET SON TEMPS, 8P-LA FASCINATION D'UN VISAGE, ALICE SAPRITCH, 3P DONT PHOTO PLEINE PAGE COULEURS D'EDOUARD BOUBAT-ARMAND GATTI, 5P-GABO LE PRECURSEUR, PAR JEAN CLAY, 6P-LE PELOTON DE TETE DES GRANDES ECURIES, 6P‎

‎COUVERTURE SOUPLE ETAT COMME NEUF‎

Riferimento per il libraio : ABE-1551776385596

‎"ERASMUS, DESIDERIUS ROTERODAMUS. - PROFUSELY ILLUSTRATED BY HANS HOLBEIN.‎

‎Morias enkomion (Greek). Stultitiae laus. Des. Erasmi Rot. declamatio, cum commentariis Ger. Listrii & Figuris Jo. Holbenii. Ex codice Academiae Basiliensis. Accedunt, Dedicatio Illustrissimo Colberto. Praefatio Caroli Patini. Vita Erasmi. Catalogus o...‎

‎Basel, Genethianis, 1676. 8vo. Contemp. full vellum. 2 small nicks to vellum at fronthinge. Engraved title-page and printed title-page. (70),336,(12) pp. The printed titlepage with engraved vignette. 2 full-page engravings (portrait of Erasmus by Holbein and Erasmus' Memorial Stone). With 78 textengravings by Hans Holbein (engraved by Casper Merian), some of which are tipped in and folded, some printed in the text. Lacks the 2 portraits of Holbein the Elder and Holbein the Younger. Some leaves in the middle with faint browning in lower part. 2 of the tipped-in engravings with a bit of repair. Printed on good paper.‎

‎These are the most famous illustrations of The Praise of Folly.First edition of ""ThePraise of Folly"" with Hans Holbein's illustrations. The work is considered one of the most notable works of the Renaissance and played an important role in the beginnings of the Protestant Reformation. Its role stem from the foundation of critique which the essay laid against the practices of the Church and its political allies.Graesse II:495. - Brunet II:1037.‎

Riferimento per il libraio : 49945

‎# AUTEUR: Fortoul Hippolyte‎

‎# TITRE: La danse des morts dessinée par Hans Holbein, gravée sur pierre par Joseph Schlotthauser‎

‎# AUTEUR: Fortoul Hippolyte # ILLUSTRATEUR: Holbein Hans # ÉDITEUR: Labitte Jules - Paris # ANNÉE ÉDITION: 1842 # COUVERTURE: Souple - imprimée illustrée # DÉTAILS: In 16° broché 252pp + 53 planches ht + 1ff (errata). Longue étude de Fortoul, intitulée ”essai sur les poèmes et sur les images de la danse des morts” est suivie de la reproduction en fac-similé des titres et épitres des simulacres de la mort d'après la 1ere édition donnée à Lyon en 1538, et celle des titres, index, épigrammes et 53 figures de Hans Holbein le jeune, finement lithographiées par Joseph Schlotthauer, d'après les bois des icônes sortis de la 6eme édition imprimée à Bâle en 1554. Ces figures sont toutes hors-texte, sur Chine légèrement teintées. Plats très usagés, rousseurs sur les 3 dernières figures. Exemplaire à relier. # PHOTOS visibles sur www.latourinfernal.com‎

‎# ÉTAT: D'usage, rousseurs, petits manques aux plats‎

Riferimento per il libraio : 1744

‎( Philosophie ) - Didier Erasme appelé Erasme de Rotterdam - Hans Holbein.‎

‎Eloge de la folie d'Erasme traduit par De La Veaux. Dessins de Hans Holbein . ( Un des 500 exemplaires numérotés sur vergé ).‎

‎Paris, Delarue Libraire-Editeur 1877. Fort in-4 relié de 322 pages au format 23 x 4 x 15 cm. Superbe et élégante reliure moderne, demi chagrin marron à coins avec plats et pages de garde en papier marbré. Dos rond à 4 nerfs avec filets dorés et pièces de titre. Tête dorée. Signet. Couvertures avec petites vignettes illustrées, conservés. Intérieur frais. Texte d'Erasme sur la folie traduit par De La Veaux et accompagné de dessins de Hans Holbein , exécutés d'après les originaux du musée de Bâle. Un des 500 exemplaires numérotés sur vergé ( n° 397 ), seul tirage après 25 sur papier rose et 75 sur chine. Rarissime édition originale chez l'éditeur, en superbe état de fraicheur.‎

‎Chère cliente, Cher Client, bonjour, merci de votre visite, je suis en convalescence. Les commandes seront traitées avec un peu de retard. Amitiés, bibliophiliques.Vente exclusivement par correspondance. Le libraire ne reçoit, exceptionnellement que sur rendez-vous. Il est préférable de téléphoner avant tout déplacement.Forfait de port pour un livre 10 € sauf si épaisseur supérieure à 3 cm ou valeur supérieure ou égale à 100 €, dans ce cas expédition obligatoire au tarif Colissimo en vigueur. A partir de 2 livres envoi en colissimo obligatoire. Port à la charge de l'acheteur pour le reste du monde.Les Chèques ne sont plus acceptés.Pour destinations extra-planétaire s'adresser à la NASA.Membre du Syndicat Lusitanien Amateurs Morues‎

Riferimento per il libraio : 31022

‎(Holbein, Hans) Lodge, Edmund‎

‎Portraits of Illustrious Personages of the Court of Henry VIII.With Biographical and Historical Memoirs by Edmund Lodge. Published by John Chamberlaine F.S.A. Keeper of the King's Drawing and Medals‎

‎London: William Bulmer and Co. Shakespeare Printing-Office 1828. Second edition. With 84 hand-colored stipple engravings after drawings by Hans Holbein in the Royal collections with tissue guards. Printed on pink or white paper. Unpaginated. 1 vols. Folio 14 x 10 inches. Contemporary 3/4 red morocco panelled spine elaborately gilt with brown morocco lettering-piece a.e.g. original spine neatly laid down. Second edition. With 84 hand-colored stipple engravings after drawings by Hans Holbein in the Royal collections with tissue guards. Printed on pink or white paper. Unpaginated. 1 vols. Folio 14 x 10 inches. A handsome collection of portraits many printed on toned paper with letterpress commentaries on the subjects' lives. In addition to the 80 portraits called for in the printed "List of Plates" there should also be 4 plates which that list omits: the portrait of Holbein himself that of his wife and the portraits of Henry and Charles sons of Charles Brandon Duke of Suffolk. William Bulmer and Co., Shakespeare Printing-Office unknown‎

Riferimento per il libraio : 44152

‎[ Holbein, Hans ]‎

‎Icones Veteris Testamenti; Illustrations of the Old Testament Engraved on wood from designs by Hans Holbein.‎

‎London: William Pickering 1830 Contemporary straight-grained brown morocco over marbled boards. . Octavo. Woodcut printer's device on title and colophon. Illustrations engraved by John and Mary Byfield. Extremites a bit rubbed extremities of spine darkened. A very good copy. William Pickering, hardcover‎

Riferimento per il libraio : 14624

‎[ERASMUS]; GUEUDEVILLE, [Nicolas] (trans); Gerard Listre; Hans Holbein (illus)‎

‎L'Eloge de la Folie Composé en Forme de Déclamation‎

‎Amsterdam: Francois L'Honoré 1745. Nouvelle édition." 12mo 15.5cm. Disbound now in later cream paper wrappers titled in gilt on spine all edges stained red; xxiv34020pp; with 5 folding plates lacking the sixth numerous in-text woodcuts and an engraved portrait of Erasmus cut out and laid down on title page verso. Title page printed in two colors. Occasional minor chips to leaf edges closely trimmed and lacking one plate but otherwise pleasing: Good only. <br /> <br /> Erasmus's famous lampoon of religion tradition and superstition also known as Moriae Encomium or In Praise of Folly was published in 1511 and quickly became popular. An edition with illustrations by Hans Holbein the Younger was published in 1515-16; the illustrations in this edition are based on Holbein's work. This edition is a French translation by Nicolas Gueudeville 1652-1721 likely bearing a false imprint. 64270. Francois L'Honoré unknown‎

Riferimento per il libraio : 64270

‎[Henry VIII; Holbein, Hans, artist]; Chamberlaine John‎

‎IMITATIONS OF ORIGINAL DRAWINGS BY HANS HOLBEIN IN THE COLLECTION OF HIS MAJESTY For the Portraits of Illustrious Persons of the Court of Henry VIII With Biographical Tracts‎

‎London: Published by John Chamberlaine the Keeper of the King's Drawings and Medals. Printed by William Bulmer and Co. Shakespeare Printing Office 1812. 2 volumes. First Edition of the century First Issue the second edition overall. A RARE EXAMPLE WITH THE PLATES BOTH IN COLOURED AND UNCOLOURED STATE THUS WITH DOUBLE THE NUMBER OF PLATES NORMALLY ENCOUNTERED. With 84 hand-coloured plates and 84 plates uncoloured all separately printed on India paper and tipped onto full-page leaves each facing the other the plates with protective leaf separating the two each image with two variations mezzotint portraits of Holbein and his wife a total of 168 illustrations on full-page plates four plates dated from the first printing in 1792 the other 164 dated 1812 as with the publishing date. The plates are printed on a variety of papers slightly different from one another--grey buff white lavender and pink. Folio 34.5 x 2 beautifully bound in full red morocco gilt extra the spines with gilt tooled raised bands separating the compartments which are elaborately gilt decorated within triple gilt filleted frames gilt stippling to the borders of the frames lettered in gilt in one compartment the covers beautifully gilt decorated in all-over designs the borders with gilt stippled lines enclosing three gilt filleted borders surrounding an elaborate gilt inner border of floral tooling bordered again by a stippled and multi-filleted gilt frame the whole surrounding elaborate and large gilt tooled decorations at the inner corners and along the rules the edges gilt ruled the turnovers gilt rolled marbled endleaves all edges gilt very elaborate and beautifully preserved binding work. unpaginated. Fine copies beautifully preserved very light wear or age evidence to the bindings which remain strong the pages and plates all in good order some very occasional light foxing to the papers as is typical the colours remain vibrant and as printed the giltwork on the bindings is in very pleasing condition a very handsome set indeed. FIRST EDITION AND AN UNUSUALLY SPECIAL COPY BOUND IN FULL RED MOROCCO GILT EXTRA WITH THE PLATES PRINTED ON INDIA PAPER IN BOTH COLOURS AND BLACK AND WHITE A COPY WITH DOUBLE THE NUMBER OF PLATES USUALLY ENCOUNTERED. Hans Holbein the Younger; c. 1497 – between 7 October and 29 November 1543 was a German-Swiss painter and printmaker who worked in a Northern Renaissance style and is considered one of the greatest portraitists of the 16th century. He also produced religious art satire and Reformation propaganda and he made a significant contribution to the history of book design. He is called "the Younger" to distinguish him from his father Hans Holbein the Elder an accomplished painter of the Late Gothic school.<br> Holbein was born in Augsburg but worked mainly in Basel as a young artist. At first he painted murals and religious works and designed stained glass windows and illustrations for books from the printer Johann Froben. He also painted an occasional portrait making his international mark with portraits of humanist Desiderius Erasmus of Rotterdam.<br> Holbein travelled to England in 1526 in search of work with a recommendation from Erasmus. He was welcomed into the humanist circle of Thomas More where he quickly built a high reputation. He returned to Basel for four years then resumed his career in England in 1532 under the patronage of Anne Boleyn and Thomas Cromwell. By 1535 he was King's Painter to Henry VIII. In this role he produced portraits and festive decorations as well as designs for jewellery plate and other precious objects. His portraits of the royal family and nobles are a record of the court in the years when Henry was asserting his supremacy over the Church of England.<br> Holbein's art has sometimes been called realist since he drew and painted with a rare precision. His portraits were renowned in their time for their likeness and it is through his eyes that many famous figures of his day are pictured today such as Erasmus and More. He was never content with outward appearance however; he embedded layers of symbolism allusion and paradox in his art to the lasting fascination of scholars. In the view of art historian Ellis Waterhouse his portraiture "remains unsurpassed for sureness and economy of statement penetration into character and a combined richness and purity of style."<br> For Holbein "everything began with a drawing". A gifted draughtsman he was heir to a German tradition of line drawing and precise preparatory design. Holbein's chalk and ink portraits demonstrate his mastery of outline. He always made preparatory portraits of his sitters though many drawings survive for which no painted version is known suggesting that some were drawn for their own sake.<br> Ellis Waterhouse wrote that "modern" painting in England may be said to have begun with Holbein. That later artists were aware of his work is evident in their own sometimes explicitly. Hans Eworth for example painted two full-length copies in the 1560s of Holbein's Henry VIII derived from the Whitehall pattern and included a Holbein in the background of his Mary Neville Lady Dacre. The influence of Holbein's "monumentality and attention to texture" has been detected in Eworths' work. According to art historian Erna Auerbach: "Holbein's influence on the style of English portraiture was undoubtedly immense. Thanks to his genius a portrait type was created which both served the requirements of the sitter and raised portraiture in England to a European level. It became the prototype of the English Court portrait of the Renaissance period".<br> Holbein worked for Thomas Cromwell as he masterminded Henry VIII's reformation. Cromwell commissioned Holbein to produce reformist and royalist images including anti-clerical woodcuts and the title page to Myles Coverdale's English translation of the Bible. Henry VIII had embarked on a grandiose programme of artistic patronage. His efforts to glorify his new status as Supreme Head of the Church culminated in the building of Nonsuch Palace which started in 1538. By 1536 Holbein was employed as the King's Painter on an annual salary of 30 pounds—though he was never the highest-paid artist on the royal payroll. see C. Müller et al.<br> This striving for perfection is very evident in his portrait drawings where he searches with his brush for just the right line for the sitter's profile. The critical faculty in making this choice and his perception of its potency in communicating decisively the sitter's character is a true measure of Holbein's supreme greatness as a portrait painter. Nobody has ever surpassed the revealing profile and stance in his portraits: through their telling use Holbein still conveys across the centuries the character and likeness of his sitters with unrivalled mastery. see J. Rowlands Hans Holbein the Younger 1985 Published by John Chamberlaine, the Keeper of the King's Drawings and Medals. Printed by William Bulmer and Co., Shakespeare Pri hardcover‎

Riferimento per il libraio : 34168

‎[HOLBEIN - MÉCHEL].‎

‎Le Triomphe de la mort gravé d’après les dessins originaux de Holbein par Chrétien de Méchel graveur à Bale. S. l., 1780 [sic pour Paris, 1854].‎

‎[Paris, Imprimerie Simon Raçon et Comp.,]. Petit in-4°, maroquin aubergine, double filet et des plats richement décorés, fleuronnés, dos orné de compartiments fleuronnés, roulette et filets intérieurs, tranches dorées (Bardisser). 47 planches gravées sur cuivre par Chrétien de Méchel d'après Holbein, numérotées 1-47, et une planche non numérotée représentant la Faucheuse menaçant la Terre. Chacune d'entre elles, hormis la dernière figure, est accompagnée d'un texte imprimé en regard sur un papier vergé fin.‎

‎Ex-libiris d'Octave Grandjean d'Ateville (Lorraine) sous-inspecteur des forêts sous Napoléon III A noter que les deux coins supérieurs ont été victimes de chocs légers, et que la partie inférieure du mors supérieur est fendue sur 2 cm Très bel ouvrage peu commun.‎

Riferimento per il libraio : BB174

‎[Holbein, Hans; Loedel, Heinrich]. - Ellissen, Adolf (Hg.)‎

‎Hans Holbein?s Initial-Buchstaben mit dem Totentanz. Nach Hans Lutzelburger?s Original-Holzschnitten im Dresdner Kabinet zum ersten Mal treu copirt von Heinrich Loedel. Mit erläuternden Denkversen und einer geschichtlichen Abhandlung über die Todtentänze von Dr. Adolf Ellissen.‎

‎Göttingen, im Verlag der Dieterichschen Buchhandlung, 1849. Kl.-8°. Mit illustr. Holzschn.-Titel, einem Textholzstich u. 24 Holzstich-Initialen. 131 (1) S., Etw. späterer HLwd.-Bd. m. goldgepr. Rückentitel.‎

‎Erste Auflage. - ?S. 67-131: Geschichtliche Notizen über die Allegorie des Todes und über Todtentänze insbesondere. Es wird hier S. 79 die danse macabre mit Recht aus dem Arabischen abgeleitet? (Goedeke). - Rücken m. kl. Nummernschildchen. Exemplar aus der Hofbibliothek Donaueschingen mit entsprechenden Stempeln. Min. gebräunt bzw. stockfleckig. - Goedeke I, 323, II; nicht bei Oppermann.‎

Riferimento per il libraio : 63464

‎[Holbein, Hans]. - Schneeli, Gustav u. Paul Heitz (Hg.)‎

‎Initialen von Hans Holbein.‎

‎Straßburg, J. H. Ed. Heitz (Heitz & Mündel), 1900. 4°. Mit zahlr. Abbildungen auf 104 Tafeln. 14 S., 2 Bll., HLwd. d. Zt. m. goldgepr. Rückentitel u. eingeb. OUmschlag.‎

‎Erstausgabe. - Bildet sämtliche Initialen (über 1000) aus 55 Alphabeten ab. - Einband etw. berieben. Umschlag mit min. Randläsuren. Ränder leicht gebräunt.‎

Riferimento per il libraio : 33920

‎[Holbein]‎

‎IOHANN HOLBEIN‎

‎Un ouvrage de 60 pages, format 225 x 295 mm, illustré, relié cartonnage, publié en 1932, Braun & Cie Editeurs d'Art, bon état‎

‎Le livre de portraits à Windsor Castle : choix de 50 dessins en fac-similé‎

Riferimento per il libraio : LFA-126730093

‎[HOLBEIN] - PARKER (K. T.).-‎

‎Les dessins de Holbein de la collection royale au chateau de Windsor.‎

‎P., Phaidon, 1947, in 4° cartonnage rouge de l'éditeur, 62 pages et 85 planches hors-texte ; frontispice en couleurs.‎

‎...................... Photos sur demande ...................‎

Riferimento per il libraio : 47849

‎[HOLBEIN] ERASME‎

‎L'Eloge de la folie composé en forme de Déclamation, par Erasme, et traduit par M. Gueudeville, avec les notes de Gérard Listre, & les belles figures de Holbein. Le tout sur l'original de l'Université de Basle. Nouvelle édition, revue, augmentée, & mise dans un meilleur ordre‎

‎Neuchâtel, Samuel Fauche 1777 In-8, plein veau brun, dos à nerfs, filets et fleurons dorés, 14-234-12 pp. Illustré d'un double frontispice, 75 vignettes sur bois dans le texte et de 5 sur 6 planches dépliantes hors-texte d'après Holbein. Coiffe de tête arrachée, mors sup.fendillés, par ailleurs frais.‎

‎Les figures sont inspirées des dessins exécutés à la plume par Holbein, sur les marges d’un exemplaire de “L’Eloge de la folie” conservée au musée de Bâle. (Cohen 348). Bon état d’occasion‎

Riferimento per il libraio : 64281

‎Aa. Vv.‎

‎arabeschi. Tappeti Classici d'Oriente Dal XVI al XIX Secolo‎

‎Mm 220x290 Brossura editoriale di pagine 179, firma di precedente proprietario, ricco apparato iconografico. Catalogo della Mostra di Venezia, Palazzo Ducale 19 luglio 31 ottobre 1991. Opera in buone condizioni. Spedizione in 24 ore dalla conferma dell'ordine.‎

‎Alexander Hans Goette Holbein‎

‎Holbeins Totentanz und seine Vorbilder‎

‎new. unknown‎

Riferimento per il libraio : 35893635-n ISBN : 3111091767 9783111091761

‎Alexander Hans Goette Holbein‎

‎Holbeins Totentanz und seine Vorbilder‎

‎Hardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; N/A hardcover‎

Riferimento per il libraio : ria9783111091761_inp ISBN : 3111091767 9783111091761