‎Holbein‎

‎Holbein, Hans - Muller Christian, Stephan Kemperick ua u a‎

‎Hans Holbein der Jüngere. Die Jahre in Basel 1515-1532.‎

‎Basel Kunstmuseum Basel 2006. 4° 526 S. zahlr. Abb. Kart. Tadell. «Das Kunstmuseum Basel widmet Hans Holbein d. J. im Frühjahr 2006 eine grosse Ausstellung. Im Zentrum steht das Schaffen des Künstlers aus seiner Basler Zeit. Ende September 2006 bis Januar 2007 wird Tate Britain London die in England entstandenen Werke ausstellen. Erstmals zeigen die sich ergänzenden Ausstellungen in Basel und London das Gesamtwerk von Hans Holbein d. J.Hans Holbein gehört zu den bedeutendsten Künstlern des frühen 16. Jahrhunderts. Er steht gleichrangig neben Albrecht Dürer Hans Baldung Grien und Matthias Grünewald. Von Augsburg nach Basel gekommen schuf er hier bedeutende religiöse Altarbilder und Porträts. Bald schon zog es ihn nach Frankreich dann nach London wo er versuchte als Hofmaler Fuss zu fassen; 1535 wurde er Hofmaler Heinrichs VIII.Mit rund vierzig Gemälden über einhundert Zeichnungen und zahlreichen druckgraphischen Werken wird das einzigartige Oeuvre des Künstlers aus seiner Basler Schaffenszeit vor Augen geführt. Zu den hochkarätigen Leihgaben gehören die berühmte „Darmstädter Madonna“ die „Solothurner Madonna“ und der „Oberried-Altar“. Hinzu kommen Bildnisse aus dem ersten Englandaufenthalt wie das der Anne Lovell aus der National Gallery London und des Thomas Godsalve mit seinem Sohn John aus der Gemäldegalerie Dresden. Gezeigt werden sämtliche eigenhändige Zeichnungen aus eigenem Bestand ergänzt durch Leihgaben aus Augsburg Braunschweig Leipzig Lille London München Oxford Paris und Windsor Castle. Es besteht die einzigartige Möglichkeit die sonst verstreuten Werke in Basel nebeneinander zu sehen sie unmittelbar zu vergleichen und in ihren Besonderheiten neu wahrzunehmen.» 010 Basel, Kunstmuseum Basel, 2006 unknown‎

書籍販売業者の参照番号 : 100296

‎Holbein, Hans (1497-1543;) Edouard Lièvre (1828-1886), engraver Paul Mantz, (1820-1895) author‎

‎Hans Holbein . dessins et gravures sous la direction de Edouard Lièvre . First edition.‎

‎Paris: SocieÌteÌ Française d'EÌditions d'Art- L. Henry May ca. 1880. Large folio. 31 x 455 cm. Original cloth boards repaired . OCLC Number / Unique Identifier: 58894772 : 2 preliminary leaves 201 pages illustrations 27 plates.Heavy book. Paris: SocieÌteÌ Française d'EÌditions d'Art- L. Henry May, [ca. 1880] hardcover‎

書籍販売業者の参照番号 : 16-6255

‎Holbein, Hans und Christian Muller‎

‎Hans Holbein d. J. / der Jüngere : Zeichn. aus d. Kupferstichkabinett d. Öffentl. Kunstsammlung Basel ; diese Publ. erscheint aus Anlass d. Ausstellung "Zeichnungen Hans Holbeins d.J. aus d. Sammlung I.M. Königin Elizabeth II. in Windsor Castle und aus der Öffentlichen Kunstsammlung Basel" Kunstmuseum Basel 12. Juni - 4. September 1988. Katalog von Christian Müller Holbein Hans und Christian Müller‎

‎Basel : Kunstmuseum 1988. 1988. Hans Holbein d. J. / der Jüngere : Zeichn. aus d. Kupferstichkabinett d. Öffentl. Kunstsammlung Basel ; diese Publ. erscheint aus Anlass d. Ausstellung "Zeichnungen Hans Holbeins d.J. aus d. Sammlung I.M. Königin Elizabeth II. in Windsor Castle und aus der Öffentlichen Kunstsammlung Basel" Kunstmuseum Basel 12. Juni - 4. September 1988. Katalog von Christian Müller <br/><br/>Hans Holbein d. J. / der Jüngere : Zeichn. aus d. Kupferstichkabinett d. Öffentl. Kunstsammlung Basel ; diese Publ. erscheint aus Anlass d. Ausstellung "Zeichnungen Hans Holbeins d.J. aus d. Sammlung I.M. Königin Elizabeth II. in Windsor Castle und aus der Öffentlichen Kunstsammlung Basel" Kunstmuseum Basel 12. Juni - 4. September 1988. Katalog von Christian Müller Holbein Hans und Christian Müller Basel : Kunstmuseum unknown‎

書籍販売業者の参照番号 : BN258656 ISBN : 3720400565 9783720400565

‎Holbein, Hans 1497-1543‎

‎Hans Holbein: the Younger‎

‎hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover‎

書籍販売業者の参照番号 : 1014078717.G ISBN : 1014078717 9781014078711

‎Holbein, Hans‎

‎Hans Holbein's Todentanz in 53 getreu nach den Holzschnitten lithograpirten Blattern. Herausgegeben von I. Schlotthauer‎

‎München 1832. 53 lithographs on tissue tipped in. 1 vols. 8vo. Bound in full brown morocco a.e.g. Very good. Bookplate of Van Nest. 53 lithographs on tissue tipped in. 1 vols. 8vo. unknown‎

書籍販売業者の参照番号 : 233834

‎Holbein, Hans & Christian Muller‎

‎Hans Holbein the Younger The Years in Basel 1515-1532‎

‎Prestel Publishing. New. 2006. Hardcover. 3791335804 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in English. 528 pp. With 439 ills. 217 col. . 29 x 25 cm. -- with a bonus offer-- . Prestel Publishing hardcover‎

書籍販売業者の参照番号 : 72221 ISBN : 3791335804 9783791335803

‎HOLBEIN, Hans‎

‎Henry Howard Earl of Surrey.‎

‎London: John Chamberlaine 1812. Bartolozzi developed his style to imitate the subtleties of renaissance and baroque chalk drawings and became deservedly famous for his stipple engraving. The portraits in this collection show how effective this technique was in reproducing with such incredible fidelity Holbein's original designs. Engraved by BARTOLOZZI Francesco in IMITATIONS OF ORIGINAL DRAWINGS BY HANS HOLBEIN IN THE COLLECTION OF HIS MAJESTY FOR THE PORTRAITS OF ILLUSTRIOUS PERSONS OF THE COURT OF HENRY VIII. WITH BIOGRAPHICAL TRACTS. Stipple engraving. Printed colour. Size: 333 x 250 mm Fine condition. unknown‎

書籍販売業者の参照番号 : 73591

‎Holbein, Hans (introduction By Strong, Roy)‎

‎Holbein‎

‎Italy: Rizzoli. As New. 1980. Paperback. 0847803112 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - -- with a bonus offer-- . Rizzoli paperback‎

書籍販売業者の参照番号 : 26635 ISBN : 0847803112 9780847803118

‎Holbein, Hans‎

‎Holbein Portrait Drawings Dover Fine Art History of Art‎

‎Dover Publications 1985-10-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! Dover Publications paperback‎

書籍販売業者の参照番号 : Q-0486249379 ISBN : 0486249379 9780486249377

‎Holbein, Hans‎

‎Holbein's Dance Of Death And Bible Woodcuts: A Limited Edition Privately Printed For The Sylvan Press‎

‎New York New York U. S. A.: Sylvan Press 1947. Limited Edition . Hardcover. Very Good/No Jacket. 4to - over 9¾ - 12" tall. This Copy Is An Unnumbered Probably Used As A Review Copy. The Book Is Bound In Decorative Black Cloth Over Boards With Pale Yellow Lettering On The Spine. The Top Edges Are Dyed Red. The Book Has Minor Wear With A Small Area Of The Top Stain Lightened. <br/> <br/> Sylvan Press hardcover‎

書籍販売業者の参照番号 : 042128

‎Holbein, Hans‎

‎Holbein's Icones Historiarvm Veteris Testamenti 1869 Latin Edition‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

書籍販売業者の参照番号 : 1437101976.G ISBN : 1437101976 9781437101973

‎HOLBEIN, Hans‎

‎Icones Historiarum Veteris Testamenti. Advivum expressæ extremaque diligentia emendatiores factæ Gallicis in expositione homœoteleutis ac versuum ordinibus qui priùs turbati ac impares suo numero restitutis.‎

‎<p>Lugduni Apud Ioannem Frellonium1547. </p><p>Small 4to of 52 ll. sign. A-N with 98 woodcuts l. L2 remargined brown Jansenist morocco spine ribbed gilt edges gilt inner border. <em>Chambolle-Duru</em>. </p><p>198 x 135 mm. </p><p>First issue "<em>of this beautiful book</em>" Brunet supplément 647 exceedingly rare with such wide margins height 198 mm; it is taller than the superb copy of <em>James de Rothschild.</em></p><p>Harvard 281; Baudrier vol. 5 p. 209; Rothschild vol. 1 n°16 ; Duplessis op. cit. N°276 p. 60-62 ; Woltmann <em>Holbein</em> vol. 2 p. 172-173 e ; Bouchereaux Corrozet n°127 ; Didot <em>Essai</em> col.73.</p>Each one of the 94 Holbein's engravings occupies a page with Latin <br />text above and French quatrains by <em>Gilles Corrozet</em> below.<p>Didot<em></em> in his <em>Essai sur la gravure sur bois</em> analyzes what he calls a "<em>masterpiece</em>":</p><p><em>"</em><em>The compositions in this masterpiece are of the highest style and as in The Simulacra of Death the expressions of the figures are </em><em>righteous</em><em> and offer a blend of simplicity energy and naivety that characterize Holbein.</em><em>"</em> </p><p>"First edition of 1547. There were two editions of the <em>Icones</em> printed by Frellon in 1547. These are often cited as issues but the text was entirely reset. This edition described by Brunet III 252-253 and others as the earlier may be identified by the fifth line of the title ending in "emenda-" and the first line of the French text on leaf LIr ending in "uices". A distinguishing feature of this edition is the use of v for u at the beginning of words in the Latin text. Brunet initiated a certain amount of controversy by quoting from E. Tross a theory that the second edition of 1547 No. 282 was printed from clichés rather than from the original blocks. Both Hofer op. cit. No. 276 ; p. 166-167 and Davies Murray vol. I no. 244 reject the idea of clichage. On the basis of breaks in the woodblocks Davies reverses Brunet's order of the two editions but evidence is introduced in the Hofer article to indicate that the condition of the blocks is in this case insufficient to prove priority. Aside from the woodcuts the changes in the text support the order of editions given by Brunet. Comparison of the French text of 1539 with that of this 1547 edition shows that out of the ninety-four verses fifty-one have from one to four lines revised. Signatures D and L are the only ones in which the text is unchanged. The text of the other 1547 edition corresponds to this one but has in addition seven of the eight quatrains in signature L revised. "Harvard. <br /></p>Known for their beauty and fine execution these <em>Icones</em> <br />are considered as a significant milestone in the illustrated <br />book of the Renaissance.Superb copy bound in Jansenist morocco by Chambolle-Duru <br />like the copy of James de Rothschild.<br /><br /><p><strong>French</strong></p><p>Lugduni Apud Ioannem Frellonium1547. </p><p>Petit in-4 de 52 ff. non chiffrés sign. A-N avec 98 figures sur bois f. L2 réenmargé maroquin brun janséniste dos à nerfs tranches dorées roulette intérieure dorée. <em>Chambolle-Duru</em>.</p><p>198 x 135 mm.</p><p>Premier tirage "<em>de ce beau livre</em>" Brunet supplément 647 de la plus extrême rareté avec d'aussi grandes marges hauteur 198 mm ; il dépasse le superbe exemplaire <em>James de Rothschild.</em></p><p>Harvard 281 ; Baudrier vol. 5 p. 209 ; Rothschild vol. 1 n°16 ; Duplessis op. cit. N°276 p. 60-62 ; Woltmann <em>Holbein</em> vol. 2 p. 172-173 e ; Bouchereaux Corrozet n°127 ; Didot <em>Essai</em> col.73.</p><p>Chacune des 94 gravures d'Holbein occupe une page avec texte latin au-dessus et quatrains français de <em>Gilles Corrozet</em> au-dessous.</p><p>Didot<em></em> dans son <em>Essai sur la gravure sur bois</em> analyse longuement ce qu'il nomme " <em>chef-d'œuvre</em> " :</p><p>" <em>Les compositions de ce chef-d'œuvre sont du plus haut style et comme dans les Simulachres de la Mort les expressions des figures sont justes et offrent un mélange de simplicité d'énergie et de naïveté qui caractérisent Holbein</em> ".</p><p>"First edition of 1547. There were two editions of the <em>Icones</em> printed by Frellon in 1547. These are often cited as issues but the text was entirely reset. This edition described by Brunet III 252-253 and others as the earlier may be identified by the fifth line of the title ending in "emenda-" and the first line of the French text on leaf LIr ending in "uices". A distinguishing feature of this edition is the use of v for u at the beginning of words in the Latin text. Brunet initiated a certain amount of controversy by quoting from E. Tross a theory that the second edition of 1547 No. 282 was printed from clichés rather than from the original blocks. Both Hofer op. cit. No. 276 ; p. 166-167 and Davies Murray vol. I no. 244 reject the idea of clichage. On the basis of breaks in the woodblocks Davies reverses Brunet's order of the two editions but evidence is introduced in the Hofer article to indicate that the condition of the blocks is in this case insufficient to prove priority. Aside from the woodcuts the changes in the text support the order of editions given by Brunet. Comparison of the French text of 1539 with that of this 1547 edition shows that out of the ninety-four verses fifty-one have from one to four lines revised. Signatures D and L are the only ones in which the text is unchanged. The text of the other 1547 edition corresponds to this one but has in addition seven of the eight quatrains in signature L revised. "Harvard.</p><p>Reconnues pour leur beauté et leur finesse d'exécution ces <em>Icones </em>sont considérés comme un jalon marquant du livre illustré de la Renaissance. </p><p>Superbe exemplaire relié comme l'exemplaire James de Rothschild en maroquin janséniste de Chambolle-Duru.</p> hardcover‎

書籍販売業者の参照番号 : ABAA6

‎Holbein, Hans‎

‎Images from the Old Testament Masterpieces of the illustrated book French Edition‎

‎Imprint unknown 1976-09-27. Paperback. New. New. In shrink wrap. Looks like an interesting title! Imprint unknown paperback‎

書籍販売業者の参照番号 : Q-0846701472 ISBN : 0846701472 9780846701477

‎HOLBEIN, Hans‎

‎Imitations of Original Drawings by Hans Holbein‎

‎London: W. Bulmer and Co. Shakespeare Printing-Office 1792-1800. This magnificent work" - Holbein rendered by Bartolozzi First edition of this superlative folio about which the leading authorities are in full agreement: "in every way a splendid book" Abbey and "this magnificent work is surely the finest early example of English colour printing" Ray. This is a most handsome copy in contemporary red morocco. "During his second stay in England 1532-43 Hans Holbein made a series of drawings of sitters connected with the court of Henry VIII that ranks among his finest achievements. Most of these were discovered as a group pasted into an album in a bureau at Kensington Palace by Queen Caroline in 1728 and the majority are now in the Royal Collection Windsor" Oliver et al p. 168. The album had a chequered history passing through several royal and noble hands - Charles I swapped it for a single painting by Raphael - before finding its way into the celebrated collection of Thomas Howard 14th earl of Arundel who "amassed what stands as the first major British art collection" British Library. It then returned to royal ownership a reunion that was recorded in Alexander Browne's Ars Pictoria 1675: "this book has been long a Wanderer but is now most happily fallen into the King's Collection". It then lay undisturbed until Queen Caroline's discovery. Solicitous of artworks in the royal collections she had them removed from their binding individually framed and hung in her country residence of Richmond Lodge. A native of Florence Francesco Bartolozzi 1728-1815 had by the early 1760s established himself as one of the finest engravers in Italy. An invitation to London in 1764 led to his employment to make prints after drawings by Guercino which entered the Royal Collection. He became engraver to the king and was a founder member of the Royal Academy. His imprimatur on an engraving was in high demand and he established "a vogue for dotted prints or 'stipples' and this became his characteristic manner" ODNB. Extensive work for many of the leading London print-sellers followed for which he employed a large studio to cope with commissions. This led to accusations of shoddy workmanship about which Bartolozzi was very sensitive; and yet he continued to attract high-level commissions such as the present work the admirable presswork for which was by the best London printer of the day William Bulmer. It was published under the auspices of the antiquary John Chamberlaine Keeper of George III's drawings with biographical notices provided by Edmund Lodge. Dr Lucy Peltz Head of Collection Displays Tudor to Regency at the National Portrait Gallery notes a contemporary "patriotic fashion for collecting engraved portraits of illustrious figures" ODNB entry for Edmund Lodge. "Published in parts during the years 1792 to 1800. the book evidently had a very considerable success for the plates appear in several states" Abbey. The present copy includes hand-coloured plates on white paper pink paper and trimmed pink paper mounted to white sheets with a double-border in wash. The sitters include Anne Boleyn Edward VI Sir Thomas Eliot Catherine Howard Sir Thomas More Jane Seymour Henry Howard earl of Surrey and Sir Thomas Wyatt. Folio 543 x 400 mm. With 84 colour-printed stipple engravings on 83 sheets all but four by Francesco Bartolozzi after Holbein on white or pink paper some on pink paper mounted on card. Contemporary red straight-grain morocco gilt spine with seven pairs of raised bands gilt lettered direct in second compartment and at foot each compartment filled with decorative blind tooling sides with intersecting gilt frames enclosing blind panels comprising interlocking drawer-handle tools and anthemion rolls 12-point corner rosettes gilt chain-link edge roll gilt rope-twist turn-ins drab bluish green surface-paper endpapers gilt edges. Binding professionally refurbished a few old abrasions to binding front leaves creased one mounted plate with repaired closed tear some foxing to plates on white paper a few captions shaved rear free endpaper sympathetically renewed. A handsome copy. Abbey Life 205 the plates accord with Abbey's states 2 3 and although not examined by him possibly 5; Lowndes I p. 405; Ray The Illustrator and the Book in England from 1790 to 1914 1991 19. Lois Oliver et al "New evidence towards an attribution to Holbein of a drawing in the Victoria and Albert Museum" The Burlington Magazine Vol. 148 No. 1236 March 2006. hardcover‎

書籍販売業者の参照番号 : 160199

‎Holbein, Hans‎

‎Initial-Buchstaben mit dem Todtentanz‎

‎Nach Hans Lutzelburger´s Original- Holzschnitten im Dresdner Kabinett zum ersten Mal treu copirt von Heinrich Loedel mit erläuternden Denkversen und einer geschichtlichen Abhandlung über die Todtentänze von Dr. Adolf Ellissen. Verl. der Dieterichschen Buchhandl. Göttingen 1849. 131 S. brosch. ohne Umschlag/locker/einige Seiten unaufgeschnitten/wenige Bleistiftunterstreichungen. unknown‎

書籍販売業者の参照番号 : 1d654

‎HOLBEIN, Hans‎

‎John Russell first Earl of Bedford Lord Privy Seal.‎

‎London: John Chamberlaine 1812. Bartolozzi developed his style to imitate the subtleties of renaissance and baroque chalk drawings and became deservedly famous for his stipple engraving. The portraits in this collection show how effective this technique was in reproducing with such incredible fidelity Holbein's original designs. Engraved by BARTOLOZZI Francesco in IMITATIONS OF ORIGINAL DRAWINGS BY HANS HOLBEIN IN THE COLLECTION OF HIS MAJESTY FOR THE PORTRAITS OF ILLUSTRIOUS PERSONS OF THE COURT OF HENRY VIII. WITH BIOGRAPHICAL TRACTS. Stipple engraving. Printed colour. Size: 333 x 250 mm Fine condition. unknown‎

書籍販売業者の参照番号 : 73585

‎Holbein, Hans‎

‎L'Alphabet De La Mort De Hans Holbein: Entouré De Bordures Du Xvie Siècle Et Suivi D'Anciens Poëmes Français Sur Le Sujet Des Trois Mors Et Des Trois Vis French Edition‎

‎hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover‎

書籍販売業者の参照番号 : 1016205848.G ISBN : 1016205848 9781016205849

‎HOLBEIN, Hans‎

‎Les Simulachres & historiées faces de la mort autant élégammēt pourtraictes que artificiellement imaginées.‎

‎<p>Lyon Melchior & Gaspar Trechsel 1538.</p><p>Small 4to of 52 leaves signed A-M4.</p><p>Full brown morocco blind-stamped central fleuron decorated ribbed spine gilt inner border gilt edges. <em>Binding signed Trautz-Bauzonnet circa 1865.</em></p><p>177 x 123 mm.</p><p>" <em>Earliest known edition of this remarkable work with its most fascinating designs of exquisite finish </em>" Murray.</p><p>Brunet III 254 ; Brun <em>Le livre français illustré de la Renaissance</em> p. 222 ; Mortimer 284 ; Murray 247 ; Massmann S. 8 ; Minns 213 ; Holbein-Kat. Basel 1960 nr. 418 ; Woltmann92-149 ; Hollstein XIVa 202 99 ; 247 ; Brunschwig 428 ; Baudrier V 175 ; Rothschild I 15.</p><p><em>'Suite of 41 compositions beautifully engraved after Holbein's drawings. The monogram HL on l. 36 on the duchess's bed is by Hans Lützelbürger plate XX'.</em> Brun.</p><p>First edition of Holbein's Dance of Death whose iconographic influence continues to the present day. " <em>Holbein's contribution to the traditional Dance of Death was a sharpening of the humor and satire and a heightening of the drama so that the customary procession of figures becomes instead under his hand a series of fully realized scenes</em> " Mortimer.</p><p>Erste Druckausgabe von Holbeins Basler Totentanz. " Die Folge besteht aus 51 Bildern von denen 41 beim Tode Lützelburgers vor Johannistag 1526 vollendet waren und in der Ausgabe von 1538 erschienen. Melchior Trechsel hatte die Stöcke direkt bei Lützelburger bestellt und am Johannistag 1526 bezogen ; nach Aussage des Vorworts von 1538 getraute man sich nicht die restlichen Stöcke schneiden zu lassen " Holbein-Kat.</p><p>First printed edition of Holbein's Basel Dance of the Dead. 'The suite consists of 51 images 41 of which were completed at Lützelburger's death before Midsummer 1526 and which were published in the 1538 edition.</p><p><strong>Very rare first issue of this remarkable and famous suite of The Dance of the Dead imagined by Holbein and 'which' according to the bibliographers 'must be ranked among the most beautiful books ever published'. </strong></p><p><strong>This very precious dance of the dead comprises 41 prints engraved by Hanz Lützelburger based on drawings by Hans Holbein.</strong></p><p>The monogram <em>H</em> signs the engraving of the Duchess.</p><p><strong>In 1536 the brilliant artist was chosen as one of Henri VIII's painters.</strong></p><p><strong>In 1538 Holbein left for Belgium and then visited Lyon. This trip coincided with the first publication in that city by Gaspar and Melchior Trechsel of</strong> '<em>Simulacres et Historiées faces de la mort'</em>.</p><p>The 41 woodcuts that adorn the volume had been printed in Basel as early as 1530 but had never been brought together in a collection. Holbein's Basel collaborator Hans Lùtzelburger executed here the engravings from his master's drawings see his monogram 'HL' on f. 36. </p><p><strong>The first series of these chilling yet humorous images gives great importance to what was to become one of the most famous illustrated books of the Renaissance. </strong></p><p>Holbein's last known work was a drawing dated 1543 the year in which the great artist was struck down by a plague epidemic.</p><p><strong>The absolutely remarkable iconography bears witness to Holbein's genius in the originality expression and realism of the scenes evoking the different classes of society as well as in the extreme finesse of the drawing.</strong></p><p><em>'The wonderful pictures of his most facinating designs of exquisite finish'</em> were the source of inspiration for many later artists.</p><p>Each of the engravings is laid out under an extract of 3 Latin lines from the Bible and is accompanied by a quatrain in French.</p><p>All classes of society are represented in this masterly production with its fascinating realism.</p><p>The work was so successful that 12 editions were published between 1538 and 1562.</p><p>The quatrains and epistle in French are attributed to Jean de Vauzelles or Gilles Corrozet.</p><p>The widest copy height: 177 mm recorded on the market for several decades.</p><p>Provenance: the copy comes from the famous library of the entrepreneur philanthropist and bibliophile <em>Charles William Dyson Perrins</em> 1864-1958; <em>Sam Josefowitz Pully </em>- then by descent to the present owners. </p><p>FR</p><p>Lyon Melchior & Gaspar Trechsel 1538.</p><p>Petit in-4 de 52 feuillets signés A-M4.</p><p>Plein maroquin brun fleuron central à froid dos à nerfs orné filets or sur les coupes roulette intérieure tranches dorées. <em>Reliure signée de Trautz-Bauzonnet vers 1865.</em></p><p>177 x 123 mm.</p><p>" <em>Earliest known edition of this remarkable work with its most fascinating designs of exquisite finish </em>" Murray.</p><p>Brunet III 254 ; Brun <em>Le livre français illustré de la Renaissance</em> p. 222 ; Mortimer 284 ; Murray 247 ; Massmann S. 8 ; Minns 213 ; Holbein-Kat. Basel 1960 nr. 418 ; Woltmann92-149 ; Hollstein XIVa 202 99 ; 247 ; Brunschwig 428 ; Baudrier V 175 ; Rothschild I 15.</p><p>"<em>Suite de 41 compositions merveilleusement gravées d'après les dessins d'Holbein. Le monogramme HL qui se voit au f. 36 sur le lit de la duchesse est celui de Hans Lützelbürger planche XX</em> ". Brun.</p><p>First edition of Holbein's Dance of Death whose iconographic influence continues to the present day. " <em>Holbein's contribution to the traditional Dance of Death was a sharpening of the humor and satire and a heightening of the drama so that the customary procession of figures becomes instead under his hand a series of fully realized scenes</em> " Mortimer.</p><p>Erste Druckausgabe von Holbeins Basler Totentanz. " Die Folge besteht aus 51 Bildern von denen 41 beim Tode Lützelburgers vor Johannistag 1526 vollendet waren und in der Ausgabe von 1538 erschienen. Melchior Trechsel hatte die Stöcke direkt bei Lützelburger bestellt und am Johannistag 1526 bezogen ; nach Aussage des Vorworts von 1538 getraute man sich nicht die restlichen Stöcke schneiden zu lassen " Holbein-Kat.</p><p>Première édition imprimée de la danse macabre bâloise de Holbein. "La suite se compose de 51 images dont 41 étaient achevées à la mort de Lützelburger avant la Saint-Jean 1526 et qui ont été publiées dans l'édition de 1538….</p><p><strong>Premier tirage de grande rareté de cette remarquable et célèbre suite de la danse des morts imaginée par holbein et " qui doit " selon les bibliographes " être rangée parmi les plus beaux livres qui aient été publiés ". </strong></p><p><strong>Cette très précieuse danse des morts comprend 41 estampes gravées par hanz lützelburger sur les dessins de hans holbein.</strong></p><p>Le monogramme <em>H</em> signe la gravure de la Duchesse.</p><p><strong>en 1536 le génial artiste est choisi comme l'un des peintres de Henri VIII.</strong></p><p><strong>en 1538 Holbein part pour la Belgique puis visite Lyon. Ce voyage coïncida avec la première publication dans cette ville par Gaspar et Melchior Trechsel des</strong> " <em>Simulacres et Historiées faces de la mort</em> ".</p><p>Les 41 bois gravés qui ornent le volume avaient été tirés à Bâle dès 1530 mais n'avaient jamais été réunis en recueil. Le collaborateur bâlois de Holbein Hans Lùtzelburger exécute ici les gravures d'après les dessins de son maître voir son monogramme "HL" au f. 36. </p><p><strong>La première réunion en série de ces images à la fois glaçantes et teintées d'humour confère toute son importance à ce qui allait devenir l'un des livres illustrés les plus célèbres de la Renaissance. </strong></p><p>Le dernier ouvrage connu d'Holbein fut un dessin daté de 1543 année où le grand artiste fut terrassé par une épidémie de peste.</p><p><strong>L'iconographie absolument remarquable témoigne du génie d'Holbein dans l'originalité l'expression et le réalisme des scènes évoquant les différentes classes de la société ainsi que dans la finesse extrême du dessin.</strong></p><p>" <em>The wonderful pictures of its most facinating designs of exquisite finish</em> " furent la source où plusieurs artistes postérieurs puiseront leur inspiration.</p><p>Chacune des gravures est mise en page sous un extrait de 3 lignes latines de la Bible et est accompagnée d'un quatrain en français.</p><p>Toutes les classes de la société sont réunies dans cette mise en scène magistrale au réalisme fascinant.</p><p>L'ouvrage connut d'ailleurs un tel succès que 12 éditions se succédèrent de 1538 à 1562.</p><p>Les quatrains et épître en français sont attribués à Jean de Vauzelles ou Gilles Corrozet.</p><p>Le plus grand exemplaire hauteur : 177 mm répertorié sur le marché depuis plusieurs décennies.</p><p>Provenance : l'exemplaire provient de la célèbre bibliothèque de l'entrepreneur philanthrope et bibliophile <em>Charles William Dyson Perrins</em> 1864-1958 ; <em>Sam Josefowitz Pully</em> – puis par descendance aux propriétaires actuels. </p> hardcover‎

書籍販売業者の参照番号 : ABAA-75TH-VBF-11

‎Holbein, Hans (II)‎

‎Letter A and two children Museum Etching Museum Quality A3‎

‎Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 16th century 1522. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown‎

書籍販売業者の参照番号 : 2926192

‎Holbein, Hans (II)‎

‎Letter E with three sitting children Museum Etching Museum Quality A3‎

‎Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 16th century 1522. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown‎

書籍販売業者の参照番号 : 2926212

‎Holbein, Hans (II)‎

‎Letter H with four children whose child sits on the back of a crawling child Museum Etching Museum Quality A3‎

‎Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 16th century 1522. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown‎

書籍販売業者の参照番号 : 2926232

‎Holbein, Hans (II)‎

‎Letter R with two kids beating cat Museum Etching Museum Quality A3‎

‎Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 16th century 1522. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown‎

書籍販売業者の参照番号 : 2926274

‎HOLBEIN, Hans‎

‎Mons. de Pienne l'Aine.‎

‎London; IMITATIONS OF ORIGINAL DRAWINGS BY HANS HOLBEIN IN THE COLLECTION OF HIS MAJESTY FOR THE PORTRAITS OF ILLUSTRIOUS PERSONS OF THE COURT OF HENRY VIII. WITH BIOGRAPHICAL TRACTS. John Chamberlaine. c.1795. Bartolozzi developed his style to imitate the subtleties of renaissance and baroque chalk drawings and became deservedly famous for his stipple engraving. The portraits in this collection show how effective this technique was in reproducing with such incredible fidelity Holbein's original designs. Engraved by BARTOLOZZI Francesco. Size: 275 x 395 mm. Stipple engraving. Printed colour. Fine condition. unknown‎

書籍販売業者の参照番号 : 55797

‎Holbein, Hans d J (pinx) - Oeri (del)‎

‎O. T. Der Kuss des Judas. Lithographie.‎

‎71 x 37 cm beschnitten 70 x 32 cm Etwas stockfleckig schönes Exemplar. Lith. von Schmidt aus der Folge: Auswahl der Werke Hans Holbein des jüngeren. I. Theil. Passionsgeschichte in 8 Abtheilungen. Nagler 10 314 6-13. - Oeri Hans Jakob 1782 Kyburg - Zürich 1868 Sohn des Hans Georg Pfarrers und der Cleophea von Meiss. Ledig. 1800 Lehre beim Landschaftsmaler Johann Kaspar Kuster. Ab 1802 Teilnahme an den lokalen Ausstellungen in Zürich. 1803-07 mit David Sulzer in Paris Arbeit im Atelier von Jacques-Louis David. 1809 mit Jakob Christoph Miville Reise nach Moskau dort Lehrer und Porträtist. 1812 wegen Napoleons Russlandfeldzug Flucht aus Moskau nach Lübeck Verlust zahlreicher Studien. 1819 Rückkehr nach Zürich. Lithograf für den Basler Kunstverlag Birmann & Söhne sowie die Hofkunsthandlung von Johann Velten in Karlsruhe. Später Reisen nach Dresden Frankfurt a.M. und Kassel. O. schuf Porträts grossformatige Lithografien nach Hans Holbein dem Jüngeren Raffael oder Fra Bartolomeo zeichnete und aquarellierte hist. Szenen sowie "Kostüm-Studien aller Jahrhunderte christl. Zeitrechnung". Tapan Bhattacharya HLS 010 unknown‎

書籍販売業者の参照番号 : 82871

‎Holbein, Hans d J (pinx) - Oeri (del)‎

‎O. T. Grablegung Jesu. Lithographie.‎

‎69 x 33 cm am Bildrand beschnitten 67 x 32 cm Etwas stockfleckig schönes Exemplar. Lith. de A. Merian aus der Folge: Auswahl der Werke Hans Holbein des jüngeren. I. Theil. Passionsgeschichte in 8 Abtheilungen. Nagler 10 314 6-13. - Oeri Hans Jakob 1782 Kyburg - Zürich 1868 Sohn des Hans Georg Pfarrers und der Cleophea von Meiss. Ledig. 1800 Lehre beim Landschaftsmaler Johann Kaspar Kuster. Ab 1802 Teilnahme an den lokalen Ausstellungen in Zürich. 1803-07 mit David Sulzer in Paris Arbeit im Atelier von Jacques-Louis David. 1809 mit Jakob Christoph Miville Reise nach Moskau dort Lehrer und Porträtist. 1812 wegen Napoleons Russlandfeldzug Flucht aus Moskau nach Lübeck Verlust zahlreicher Studien. 1819 Rückkehr nach Zürich. Lithograf für den Basler Kunstverlag Birmann & Söhne sowie die Hofkunsthandlung von Johann Velten in Karlsruhe. Später Reisen nach Dresden Frankfurt a.M. und Kassel. O. schuf Porträts grossformatige Lithografien nach Hans Holbein dem Jüngeren Raffael oder Fra Bartolomeo zeichnete und aquarellierte hist. Szenen sowie "Kostüm-Studien aller Jahrhunderte christl. Zeitrechnung". Tapan Bhattacharya HLS 010 unknown‎

書籍販売業者の参照番号 : 82872