Berkeley: Vista Community College. Very Good. 2001. First Edition. Softcover. Very Good red paperback about 8�x8 inches with minor wear and some cover fading. 144 pages unmarked. ; Ashlf; 144 pages . Vista Community College paperback
Channing Way Press. Near Fine. 1990. Stapled wraps. Near Fine stapled wraps with just a bit of age discoloration. Small ink date on front cover. dp50 0409 . ; K Poe; 8vo 8" - 9" tall; Unpaginated pages . Channing Way Press paperback
Berkeley: Channing Way Press. Very Good. 1991. First Edition. Sewn wraps. Signed by the author on the fly. Channing Way Press c1991. Pink sewn pictorial wraps. Very Good cover fading. Unpaginated unmarked. POETRY; G0810 K Poe; 8vo 8" - 9" tall; Unpaginated pages . Channing Way Press paperback
Berkeley: Bay Area Poets Coalition. Near Fine. 1980. Stapled wraps. Bay Area Poets Coalition Berkeley stapled wraps about 7x8�" Near Fine 18 pages POETRY; H1003 M POE; 18 pages . Bay Area Poets Coalition paperback
Paris: Imprimerie Union. 1943. First edition. Paperback. Good. 4to. Original paper covers. Préface de Kandinsky. 1/300 ex. num. signé par l'artiste seul tirage L'exemplaire comporte une belle lithographie originale en couleurs de César Domela justifiée et signée 99/100 datée 1943. Covers rubbed with nick to upper cover shaken. The lithograph with extensive marginal staining and off-setting from the grey covers. <br /><br /> Imprimerie Union. paperback
U.S.A.: Centre national d'art et de culture Georges-Pompi 1992. Soft Cover. Very Good/No Jacket. Centre national d'art et de culture Georges-Pompi unknown
Bookseller reference : 2035011 ISBN : 285850718X 9782858507184
New York: Wittenborn Art Books 1970. Reprint. paperback. very good. Kandinsky. Frontispiece portrait and other b/w illustrations. 92 pages. Short slim square 4to pictorial wrappers. New York: Wittenborn Art Books 1976. Reprint. Spine sunned else a near fine copy. The Documents of Modern Art Series volume 5. Wittenborn Art Books unknown
Cologne: DuMont 1960. hardcover. 16 matted color plates; several additional text illustrations. Square 4to cloth-backed color pictorial glossy boards Koln: DuMont 1960. Two extra mats inside back cover. DuMont unknown
Teufen: Niggli 1955. hardcover. very good/very good. Herausgegeben und kommentiert von Max Bill. Illustrated with numerous in-text b/w figures. 249pp of text in German. 8vo red cloth d.w. Teufen: Arthur Niggli und Willy Verkauf 1955. A near fine copy in a very good dust wrapper. Small ownership label of art historian Meyer Schapiro. Niggli unknown
IDB Productions 2018-01-01. MP3 CD. New. PART 1: ABOUT GENERAL AESTHETIC</br></br></br></br> I. INTRODUCTION</br></br></br></br> Every work of art is the child of its age and in many cases the mother of our emotions. It follows that each period of culture produces an art of its own which can never be repeated. Efforts to revive the art-principles of the past will at best produce an art that is still-born. It is impossible for us to live and feel as did the ancient Greeks. In the same way those who strive to follow the Greek methods in sculpture achieve only a similarity of form the work remaining soulless for all time. Such imitation is mere aping. Externally the monkey completely resembles a human being; he will sit holding a book in front of his nose and turn over the pages with a thoughtful aspect but his actions have for him no real meaning.</br></br> There is however in art another kind of external similarity which is founded on a fundamental truth. When there is a similarity of inner tendency in the whole moral and spiritual atmosphere a similarity of ideals at first closely pursued but later lost to sight a similarity in the inner feeling of any one period to that of another the logical result will be a revival of the external forms which served to express those inner feelings in an earlier age. An example of this today is our sympathy our spiritual relationship with the Primitives. Like ourselves these artists sought to express in their work only internal truths renouncing in consequence all consideration of external form.</br></br> This all-important spark of inner life today is at present only a spark. Our minds which are even now only just awakening after years of materialism are infected with the despair of unbelief of lack of purpose and ideal. The nightmare of materialism which has turned the life of the universe into an evil useless game is not yet past; it holds the awakening soul still in its grip. IDB Productions unknown
Bookseller reference : PS-P6NA-HI7M ISBN : 1776745132 9781776745135
Solomon R. Guggenheim Foundation December 1982. Trade Paperback. Used - Like New. Very nice clean tight copy free of any marks. Trade Paperback Solomon R. Guggenheim Foundation paperback
Bookseller reference : 168373 ISBN : 0892070307 9780892070305
Solomon R. Guggenheim Foundation December 1982. Trade Paperback. Used - Very Good. Slight scratching/scuffing on cover. Interior pages in very nice condition. Book has minor shelf wear along egdes. Sold as is Trade Paperback Solomon R. Guggenheim Foundation paperback
Bookseller reference : 117096 ISBN : 0892070307 9780892070305
NY: Hudson Hills Pr 1979. Book is bound in tan buckram printed in black with a huge illustration imprinted on front panel. In matching dust jacket show one 1" scrape to front panel. Overall a tight clean copy of this 172 pp. book on the works of the artist. . First Edition. Hard Cover. Near Fine/Very Good . Folio - over 11" X 14". Hudson Hills Pr Hardcover
Bookseller reference : 5005061 ISBN : 0933920008 9780933920002
New York George Wittenborn 1955 c1947. Soft Cover. 95 p. illus. port. 25 cm. Series: Documents of modern art. "Prose poems 1912-1937": p. 79-91. A version of the Sadleir translation with considerable re-translation by Francis Golffing Michael Harrison and Ferdinand Ostertag. Bibliography: p. 6. This copy includes an offprint of "Kandinsky's Theory of Painting" by Vincent Tomas from The British Journal of Aesthetics Vol. 9 no. 1 January 1969 pp. 19-38. From the library of Prof. Vincent Tomas of the Brown University Department of Philosophy. Stock# 43937. Good offprint g softcover. New York, George Wittenborn, [1955, c1947] paperback
M�xico D.F: Itaca 2004. 21 cm. . 95 pages bibliographical references pages 94-95 color pict. fldg. wrps CONTENTS: Introducci�n -- Kandinsky la pintura abstracta y la transgresi�n de los l�mites -- Bacon La odisea de los mutantes y el espacio de la agon�a Itaca unknown
Bookseller reference : 109587 ISBN : 9687943521 9789687943527
Harry N. Abrams Inc. New York. Used - Very Good. 1958. Cloth. Folio. 428 pp. 920 illustrations 41 in color. Mild shelf wear and moderate soiling to dust jacket otherwise protected by acetate cover. Binding is solid. Text is clean bright and unmarked. Altogether a copy in Very Good condition. Subject: Art & Graphic Design. Harry N. Abrams, Inc., New York hardcover
Bookseller reference : Q08763 ISBN : 1135608687 9781135608682
Marlborough Fine Art. Used - Very Good. 1966. Octavo. 74 pp. Profusely illustrated. Some shelf wear stamps and inscriptions to wraps. Altogether a copy in Very Good condition. Subject: Art & Graphic Design. Marlborough Fine Art paperback
1968-01-01. Leather Bound. Very Good. Large format Easton Press leather bound with all the typical treatments tight and unmarked looks unread but has very light shelf wear to boards. oversized and overweight. Please email for photos. hardcover
Hatje Cantz. Used - Like New. 2013. Hardcover. Dust jacket is Fine. Quarto 208pp profusely illustrated. In publisher's shrinkwrap. Fine. Hatje Cantz hardcover
Bookseller reference : C45665 ISBN : 3775737340 9783775737340
Galerie Maeght. Used - Very Good. 1951. Stiff paper wraps dj. square 8vo. 178 pp. illus.Translucent printed dustrwrapper over ilus. wrapper; both in very good condition. Internally near fine. Subject: Art. Galerie Maeght paperback
Museum of Modern Art November 2002. Hardcover. Used - Very Good. Vasily Kandinsky was among the international vanguard artists who experimented with abstraction in the early years of the 20th century. His most powerful and ambitious works were ten monumental canvases he titled 'Compositions': he painted the first seven in intense succession between 1909 and 1913 and the final three in 1923 1936 and 1939. Each of these brilliant paintings and their studies explores the sensuous colorism that amateur and specialist alike find so appealing in his art. In the first study devoted to Kandinsky's 'Compositions' as a series the author unfolds the rich and powerful context of these eloquent images and reveals how their formal principles and iconographical imagery were of almost religious significance to Kandinsky. This book for the first time reproduces all ten of the 'Compositions' along with their studies in oil watercolor ink and pencil. Three of the paintings which were destroyed during World War II are repesented through extant photographs. Open copy. Interior pages in very nice condition. Book has minor shelf wear. Museum of Modern Art hardcover
Bookseller reference : 127187 ISBN : 0870704052 9780870704055
NY: Harry N. Abrams. F. 1958. 1st American Edition. Hardcover. First American edition bound in yellow cloth with black lettering and decoration to both boards. 920 illustrations 41 in color. 8 1/2" x 12 " 428 pages. A Fine copy in a VG dust jacket. The dust jacket has a 1/2" chip and tear to the upper left corner of the front panel. Mild d ust soiling to its spine and panels. Mild toning to the page margins. Shipping weight is approximately seven pounds. Additional shipping c harges will apply to international orders. . Harry N. Abrams hardcover
Bern: Benteli 1964. paperback. fine. Beitrag zur Analyse der Malerischen Elemente. Mit einer Einfuhrung von Max Bill. Illustrated in b/w with 103 in-text figures and 25 plates. 211pp. Thin 8vo original printed wrappers and glassine overwrap. Bern-Bumpliz: Benteli-Verlag 1964. 5th printing. A fine copy with the small ownership signature of art historian Meyer Schapiro. Benteli unknown
New York: Solomon R. Guggenheim Museum 1972. first edition. softcover. Very good. Kandinsky Vasily. Square quarto yellow card covers with black and blue titles. Unpaginated illustrated with both black and white and color illustrations. Light cover wear. With materials from the Walker Art Center exhibition laid in. 102416A <br/><br/> Solomon R. Guggenheim Museum paperback
New York : Hudson Hills c1979. 1979. Very Good. 1st American edition ; 172 p. : ill. some col. ; 33 cm. ; ISBN: 0933920008; 9780933920002 LCCN: 79-12966 ; OCLC: 5101749 ; LC: ND699.K3; N6999.K33; ; 48 color plates numerous black & white illustrations and photographs ; pictorial cloth ; dust jacket a triffle soiled but bright and shiny ; decorative eps ; spine creased at page 64 ; VG/VG New York : Hudson Hills, c1979. hardcover
Paris France: Nouvelles Editions. F. 1977. 1st Ed. French. HC. Translated from the German by Isabell de Botton. This is a revision of the 2nd German edition. Simulated yellow-brown leath . er binding. Issued without dj. Text in French. Some of the color plates are tipped-in. French . Nouvelles Editions hardcover
NY: Abrams. Dj. Dj rubbing and closed tear top spine. F/VG . n.d. 1st Ed. U.S. HC. Tipped in plates. 941 illustrations with 41 in color. Includes catalogue of Kandinsky's works . Prabhavananda and Christopher Isherwood. Total time 59:32. . Abrams hardcover
New York: Solomon R. Guggenheim 1972. First edition. Paperback. Very Good. Wide paperbound quarto. Unpaginated. A very good copy in wide bound printed wrappers. With both color and b/w illustrations. <br/><br/> Solomon R. Guggenheim paperback
No Place: Hawkeye Press 1980. First edition. Paperback. Near Fine. Small press poetry magazine. Drawings by Donna Duguay. A near fine copy in stapled illustrated wraps. <br/><br/> Hawkeye Press paperback
Marlborough-Gerson Gallery. Very Good. 1966. First Edition; First Printing. Soft Cover. 50 reproductions including full page color plates. With an essay by Will Grohmann. Published on the occasion of the exhibition at the Marlborough-Gerson Gallery New York April-May 1966. ; Tight clean and crisp. A gently read book in excellent condition. No inscriptions. No remainder mark. Not ex-library. ; 8.82 X 8.11 X 0.31 inches; 48 pages . Marlborough-Gerson Gallery paperback
New York: Harry N. Abrams 1958. First edition. Large hardcover additional shipping charges may apply. Fine in near fine dust jacket. Hint of wear to the jacket at head of spine. A tight clean and unmarked copy. 428pp. Illustrated in colour and black and white including 41 tipp ed in colour plates. New York: Harry N. Abrams, [1958]. hardcover
Pasadena CA: Norton Simon Museum. As New. 1994. First Edition; First Printing. Soft Cover. 0915776103 . As New. ; 28 full page color plates. Introduction by Sara Campbell Abdo. ; Tight clean and crisp. The book appears unread and looks New. No inscriptions. No remainder mark. Not ex-library. As New. ; 8.43 X 5.85 X 0.73 inches; 32 pages . Norton Simon Museum paperback
Bookseller reference : 28220 ISBN : 0915776103 9780915776108
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