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Daumier, Honore (1808-1879)
IL DÉFEND L'ORPHELIN ET LAS VEUVE À MOINS POURTANT QU'IL N'ATTAQUE LA VEUVE ET L'ORPHELIN he defends the orphan and the widow at least when he is not attacking them
<p>1845. Hand colored lithograph on white wove paper from the most desirable series Daumier ever published. Delteil 1358ii. 10 ¾ x 7 ¾. Plate 22 from "Les Gens de Justice". Framed.</p>
Riferimento per il libraio : 1159
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Daumier, Honore (Marseille, 1808 - Valmondois, 1879)
Ingrate patrie tu nauras pas mon oeuvre! Ungrateful country you shall not have my work!
1841. Lithograph. Ingrate patrie tu nauras pas mon oeuvre! Ungrateful country you shall not have my work! D.719. From Emotions Parisienne . 253 x 210mm 5333 x 277.
Riferimento per il libraio : 2511
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Daumier, Honore (After).
Je crois que mon cinquieme acte fera beacoup d’effet.
Paris: Chez Aubert circa 1838. Lithograph on wove paper. 22.2 x 28 cm. sheet. Very Good minor damp staining and toning in the margins. Text on verso in French. [Paris: Chez Aubert, circa 1838]. unknown
Riferimento per il libraio : 71-4999
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Daumier, Honore (1808–1879)
Je crois vous avoir prouvé que mon client a été trompé par sa femme. Les Gens de Justice
Paris: 1864. Limited edition reproduction. 38 x 31 cm. sheet size. One of 500 numbered copies on rag paper. A lawyer suggests that enough evidence has been given to demonstrate that his client was cheated on and deceived by his wife; meanwhile the client sadly listens to the proceedings. Drawing for Delteil 3278.LES MOMENTS DIFFICILES DE LA VIE a series of 7 prints numbered from 1 to 6 nr. 6 was used twice. The series appeared between March 12 and July 61864 in the CHARIVARI. In plate 2 and 6 the series title is “LES MOMENS DIFFICILES DE LA VIE†the “T†is missing. Daumier must have been quite familiar with the old judicial system in France. Normally three judges were required in a hearing accompanied by the D.A. "Procureur Impérial". The jury was usually seated along a side wall while the prisoner's bench was placed opposite to the judges. In important cases the prisoner was flanked by two policemen. The defending advocate usually was seated in front of the prisoner facing the judges. The hearings were open to the public and represented a welcome entertainment to Parisians free of charge. The judges as well as the Procureur Impérial were appointed by the Ministry of Justice and were not always free from political influence and conviction. The prosecutor held the rank of a magistrate but wore slightly different robes than the judges. Paris: 1864 unknown
Riferimento per il libraio : 51-3254
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Daumier, Honore
Je vous présente mon fils Théodule à peine sorti du collège il a fait déjà une foule de victimes. toutes les demoiselles désirent l'épouser! - Le mauvais sujet!. il tient de son père!. Orig.-Lithographie - - aus aus «Le Charivari» chez Pannier Imp Ch. Trinocq.
1852. 40 x 33 cm unter Passepartout gerahmt u. kantenversilbert. 27 x 20 cm Min. stockfleckig tadell. - Honoré Daumier 26. Februar 1808 in Marseille; † 10. Februar 1879 in Valmondois Val-d’Oise französischer Maler Bildhauer Grafiker und Karikaturist. Er ist ein wichtiger Vertreter des Realismus. Bedeutend sind seine politischen und sozialkritischen Karikaturen. 010 1852 unknown
Riferimento per il libraio : 69448
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Daumier, Honore
Judges and Lawyers.
20th cent. facsimiles. Limited edition prints on rag paper. 15 x 12 inches. 20th cent. facsimiles. unknown
Riferimento per il libraio : 50-0033
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Daumier, Honore
L'Oeuvre Lithographique: Honore Daumier 2 Volumes
Paris: Arthur Hubschmid 1978. 1st French. Hardcover. Very Good/None. 2 volumes. French text. 1287 pages total b&w cartoons. Cream cloth covers. Small smudge on Volumes 1 previous owner's signature on front fly leaf of Volume 2. Else very clean tight copies. Record # 851071 Arthur Hubschmid hardcover
Riferimento per il libraio : 851071
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Daumier, Honore (1808-1879).
La Distribution des Prix.
Paris: Le Charivari 1843. Lithograph. 34.5 x 24.5 cm sheet. Very Good matte staining in the margins text on the reverse. Paris: Le Charivari, 1843. unknown
Riferimento per il libraio : 71-8708
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Daumier, Honore
La Femme à barbe = Bearded Lady.
1867. Original lithograph. As printed in the Le Charivari. Delteil 3555. 1867. unknown
Riferimento per il libraio : 01-0419
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DAUMIER, Honore (1807-79)
La France se preparant a passer ses candidats sous la toise
Paris: Le Charivari 1869. Lithograph. Small 4to image size 8¼" X 10". Very good. Light even age toning. This is the May 3 1869 second state of Plate 73 in this illustrated newspaper's "Actualites" series and a strong clean impression. It depicts a statuesque crowned woman representing France and resembling our Statue of Liberty standing at right atop a scale with a measuring pole. Her right hand rests across her bosom and her left hand clutches the adjustable height bar near the top of the measuring pole. Behind her and at left stand a crowd of Frenchmen in suits and ties all staring apprehensively at her. The caption reads in translation "France preparing to get her candidates to pass muster under the measure of standards." Immediately below the plate at lower left is printed "A. de Vresse r.Rivoli 55" while at lower right is printed "Lith. Destouches r. Paradis Pre 28" and the stone number "16" appears in the base of the scale. A quite nice copy printed on wove paper. The rare first state was printed on newsprint stock and bore no caption and the rare third state bore a different caption than the second state. This print is displayed in a single cream matte and a ½" black wooden frame overall dimensions 13" X 16". Very good. Slight bit of dampstaining at upper left and lower right of matte not affecting print. Verso of frame bears the label of noted New York art gallery E. Weythe Art Books Prints. Daumier produced a vast number of social caricatures roughly 4000 in number many done for this famed publication. From the collection of former Illinois Senator ADLAI E. STEVENSON III b. 1930 son of the Illinois governor of the same name 1900-65 and great-grandson of the U.S. vice president of the same name 1835-1914. DR 3708. Le Charivari unknown
Riferimento per il libraio : 32445
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DAUMIER, Honore; GAVARNI, Paul; CUJAS
La Galerie Physionomique & Au Boit Aux Lettres & Les Coulisses & Cours de Droit
Paris: Chez Aubert 1837. Characteristic Expressions Love Letters and Law Students<br /> Twenty-Five Fine Hand Colored Lithographs by Daumier Gavarni and Cujas<br /> <br /> DAUMIER Honoré. La Galerie Physionomique The Physiognomic Gallery 5 plates 0f 25 1837; GAVARNI Paul. Au Boit Aux Lettres At the mailbox 11 plates of 34 1838; GAVARNI Paul. Les Coulisses Behind the scenes 1 plate of 31 1857; CUJAS. Cours de Droit Law courses 8 plates of 12 1838.<br /> <br /> Folio 13 1/2 x 10 1/8 inches; 343 x 257 mm. <br /> <br /> A fascinating collection of twenty-five hand colored lithograph plates by Daumier Gavarni & Cujas all heightened with gum arabic.<br /> <br /> Contemporary quarter dark green calf over green marbled boards. Smooth spine decoratively tooled in gilt plain endpapers. Extremities rubbed.<br /> <br /> 1. DAUMIER. La Galerie Physionomique No. 14. La loge grillée - The box grated DR 339<br /> 2. CUJAS. Cours de Droit No. 1. La Chaumière et ton coeur - The Cottage and your heart<br /> 3. CUJAS. Cours de Droit No. 2. Jus Romanum <br /> 4. CUJAS. Cours de Droit No. 4 Homme étonnant!!! Quel chique.<br /> 5. CUJAS. Cours de Droit No. 6. L'Etudiant a besoin de quelques distractions - The Student <br /> 6. CUJAS. Cours de Droit No. 8. Reflexion philosophique en morale de Mlle Fifine<br /> 7. CUJAS. Cours de Droit No. 9. Allons Gustine joue tout droit tu ne manqueras pas de touche.<br /> 8. CUJAS. Cours de Droit No. 10. Je ne me trompe pas d'etait bien mon B.! <br /> 9. GAVARNI. Les Coulisses No. 6. Le soldat romain Quinze sous par jour. A&H 454<br /> 10. CUJAS. Cours de Droit No. 12. Tiens! Ernest!. qu'es tu donc devenu<br /> 11. GAVARNI. La Boite Aux Lettres Sans No. Je prends la plume d'une main tremblante. A&H p. 88<br /> 12. GAVARNI. La Boite Aux Lettres No. 2. Vous avez le secret de ma vie. A&H 1685<br /> 13. GAVARNI. La Boite Aux Lettres No. 3. La lettre qu'on lit. A&H 1686<br /> 14. GAVARNI. La Boite Aux Lettres No. 4. J'ai ta lettre cherie a mon Ernest je la presse. A&H 348<br /> 15. GAVARNI. La Boite Aux Lettres Sans No. Je soussigné Roi des Batinolles. A&H p. 89<br /> 16. GAVARNI. La Boite Aux Lettres Sans No. Chère ange mon amour vous envoie sur l'aile. A&H p. 89<br /> 17. DAUMIER. La Galerie Physionomique No. 5. Le bon morceau - A Tidbit DR 330<br /> 18. GAVARNI. La Boite Aux Lettres No. 8. Sans No. Viens me prendre ce soir je suis sortie. A&H p. 89<br /> 19. GAVARNI. La Boite Aux Lettres No. 9. Sans No. Ma sière epouse je vous. A&H p. 89<br /> 20. DAUMIER. La Galerie Physionomique No. 18. Rien!.rien!. Je ne trouve rien - Nothing! nothing at all. DR 343<br /> 21. GAVARNI. La Boite Aux Lettres No. 11. Congé en partie double. A&H 1693<br /> 22. DAUMIER. La Galerie Physionomique No. 8. La bonne prise - A good pinch of snuff DR 333<br /> 23. GAVARNI. La Boite Aux Lettres No. 13. Monsieur malgré que je sois sans experience je n'ai. A&H 1695<br /> 24. GAVARNI. La Boite Aux Lettres No. 14. Ah! prenez pitié de l'etat cruel où me laisse mon attachement. A&H 349<br /> 25. DAUMIER. La Galerie Physionomique No. 20. Contentement de soi-meme - The man who is satisfied with himself<br /> DR 345<br /> <br /> Daumier Register DR-330 DR-333 DR-339 DR-343 DR-345; Armelhault & Bocher 348 454 1685 1686 1693 1695 & pp. 88 & 89. Paris: Chez Aubert, 1837 unknown
Riferimento per il libraio : 05538
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Daumier, Honore (1808-1879).
La guerre entre les Russes et les Turcs amenant une suspension d’hostilites contre les lievres francais from ‘Croquis de Chasse’.
Paris: Le Charivari 1853. Lithograph on newsprint. Text in French on verso. 26 x 37 cm sheet. Very Good light foxing in the margins some tears along sheet edges. Paris: Le Charivari, 1853. unknown
Riferimento per il libraio : 71-9234
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DAUMIER, Honore and PHILIPON, Charles
La pait du Lion
Paris: Chez Aubert 1836. hardcover. Lithograph with original hand coloring. 10 x 13 1/4 inches. Plate 22. Some scuffs foxing and toning on margins but luminous coloring.<br/> <br/> The lion's share.from the rare album of 100 caricatures called Caricaturana Les Cent Robert-Macaire.This collaboration with Philipon takes aim at French society through satire behind the vehicle of invented swindler Robert Macaire.<br/> <br/> Chez Aubert unknown
Riferimento per il libraio : 296439
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DAUMIER, Honore
La Peche & Proverbes et Maximes
Paris: Chez Aubert 1840. Fishing and Proverbs as seen by Honoré Daumier<br /> <br /> DAUMIER Honoré. La Peche & Proverbes et Maximes. Paris: Chez Aubert 1840-41.<br /> <br /> Folio 13 1/8 x 10 1/8 inches; 333 x 258 mm. La Peche. Seven lithograph plates complete. Proverbes et Maximes. Twelve lithograph plates complete. Together nineteen fine lithograph plates.<br /> <br /> Modern quarter brown cloth over marbled boards spine lettered in gilt. Minimal marginal foxing to a couple of the plates. A fine example containing two of Daumier's rarest suites.<br /> <br /> La Peche Fishing is a series of seven lithographs which appeared between June 28 1840 and January 24 1841 in La Caricature.<br /> <br /> Proverbes et Maximes Proverbs and maxims is a series of twelve lithographs which appeared in Le Charivari between June 21 and October 20 1840. Daumier illustrates some well known proverbs in an original and literal way sometimes even too literally.<br /> <br /> The Plates:<br /> <br /> La Pêche<br /> 1. Un Pêcheur endurci. DR 815 28th June 1840.<br /> A hardened fisherman.<br /> <br /> 2. C'est presque toujours à la halle que les pêcheurs parisiens vont attraper leur poisson. DR 816 19th July 1840.<br /> It's usually at the market that Parisian fishermen go to catch their fish.<br /> <br /> 3. LE PÊCHEUR ACHARNÉ ou il ne faut pas disputer les gouts. DR 817 2nd August 1840.<br /> THE DESPERATE FISHERMAN or "There is no accounting for tastes".<br /> <br /> 4. Le Barbillon entraîne la ligne notre homme se penche le pied lui glisse et voilà le pêcheur qu'on repêche. DR 818 16th August 1840.<br /> The fish pulls the line. our man bends down his foot slips and there goes our fisherman. ready to be fished out.<br /> <br /> 5. Malheur au Pêcheur à la ligne qui se trouve sur celle d'un bateau à vapeur! DR 819 23rd August 1840.<br /> Woe to the angler who finds himself in the wave of a steamer!<br /> <br /> 6. LE DANGER DES PASSIONS ou Souvent l'on se trouve entrainé plus loin qu'on ne voudrait. DR 820 <br /> 6th September 1840.<br /> THE DANGER OF PASSIONS or Often we find ourselves drawn further than we would like.<br /> <br /> 7. EN VOILÀ UN DE PLAISIR! OU La Passion de la Pêche poussée jusqu'au dernier degré. Réaumur! DR 821 <br /> 24th January 1841.<br /> HERE IS ONE FOR PLEASURE! OR The passion for fishing carried to the last degree. of Réaumur.<br /> <br /> Proverbes et Maximes<br /> 1. Ventre affamé n'a pas d'oreilles. DR 803 21st June 1840.<br /> An empty stomach is deaf to music.<br /> <br /> 2. On n'est jamais bien servi que par soi-même. DR 804 28th June 1840.<br /> Every man is the architect of his own fortune. Served well is only he who is doing it himself<br /> <br /> 3. La patience est la vertu des ânes. DR 805 2nd July 1840.<br /> Patience is the virtue of asses.<br /> <br /> 4. Comme on fait son lit on se couche. DR 806 10th July 1840.<br /> As you make your bed so you must lie on it.<br /> <br /> 5. Bien venu qui apporte. DR 807 12th July 1840.<br /> Welcome is who brings something.<br /> <br /> 6. Un homme sans asile est comme un oiseau sans nid. DR 808 17th July 1840.<br /> A man without refuge is like a bird without a nest.<br /> <br /> 7. Les petits présens entretiennent l'amitié. DR 809 24th July 1840.<br /> Little presents maintain friendship.<br /> <br /> 8. A bon chat bon rat. DR 810 4th August 1840.<br /> Tit for tat. For a good cat a good rat<br /> <br /> 9. qui aime Bertrand aime son chien. DR 811 22nd July 1840.<br /> Whoever loves Bertrand loves his dog.<br /> <br /> 10. Il ne faut pas mettre le doigt entre le bois et l'écorce. DR 812 26th July 1840.<br /> Don't poke your nose into other people's business. You should not put your finger between the wood and the bark.<br /> <br /> 11. On reprend son bien où on le trouve. DR 813 6th August 1840.<br /> One recovers one's property where one finds it.<br /> <br /> 12. En voilà un de jobard! moi je suis de l'avis du proverbe: "Ce qui est bon à garder". DR 814 20th October 1840.<br /> Here is one mug!. I believe in the proverbe: What I have I won't release any more.<br /> <br /> Daumier register: 815-821; 803-814. Paris: Chez Aubert, 1840 unknown
Riferimento per il libraio : 06026
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Daumier, Honore
La Saint Médard politique.
1868. Original lithograph. As printed in the Le Charivari. Delteil 3647. 1868. unknown
Riferimento per il libraio : 01-0409
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Daumier, Honore
Law and Justice Twenty-Four Lithographs
New York: Pantheon Books Inc. Hardcover. Very Good-. Folio - over 12 - 15" tall. Daumier Honore. Booklet: The Ram Press manufactured in the U.S.A. for Pantheon Books Inc. 8 pages. Book: Blue boards. Dust jacket in 4 pieces with edge wear. 24 very good or better lithographs. Stain on folder light wear to covers. No date. <br/> <br/> Pantheon Books Inc. hardcover
Riferimento per il libraio : 026100
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Daumier, Honore
Lawyer makes a plea at a court hearing Museum Etching Museum Quality A3
Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1838. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
Riferimento per il libraio : 1778628
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Daumier, Honore
Lawyer points colleague to a woman in the crowd Museum Etching Museum Quality A3
Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1841. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
Riferimento per il libraio : 1778678
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Daumier, Honore; Cain, Julien
Lawyers and Justice
Vilo 1989-11-01. Hardcover. New. In shrink wrap. Looks like an interesting title! Vilo hardcover
Riferimento per il libraio : Q-0914427245 ISBN : 0914427245 9780914427247
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Daumier, Honore (1808-1879)
LE BAIN DE FAMILLE THE FAMILY BATH
1837. Hand-colored lithograph printed on white wove paper Sur Blanc. Delteil 346 only state. 11 3/8 x 9 1/8. Plate 21 from "Galerie Physionomique". Light foxing otherwise fine. Extremely Rare when hand colored.
Riferimento per il libraio : 1154
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DAUMIER, HONORE (1808-1879)
LE BOURGEOIS AU SALON
Sur Blanc. Lithograph with contemporary hand-coloring. 1842. As published in La Caricature. D. 986 ii/iii. Image: 8¼ x 7 . Margins: 9 x 14 . Aubert
Riferimento per il libraio : 177
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Daumier, Honore
Le Charivari Les Beaux Jours de la vie ca. 1845 - 1850 No. 68 : Un habit à la mod . Photo Rag Bright White Premium Quality A2
Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1845. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
Riferimento per il libraio : 2126375
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Daumier, Honore
Le Charivari Les Beaux Jours de la vie ca. 1845 - 1850 No. 68 : Un habit à la mod . Museum Etching Museum Quality A2
Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1845. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
Riferimento per il libraio : 2126376
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Daumier, Honore
Le Charivari Les supplices de la civilization 3 février 1853 No. 483 : Chez le Tailleur . Photo Rag Bright White Premium Quality A2
Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1853. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
Riferimento per il libraio : 2126362
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Daumier, Honore
Le Charivari Les Beaux Jours de la vie ca. 1845 - 1850 No. 68 : Un habit à la mod . Photo Matt Fibre A2
Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1845. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
Riferimento per il libraio : 2126374
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Daumier, Honore
Le Charivari Les supplices de la civilization 3 février 1853 No. 483 : Chez le Tailleur . Photo Matt Fibre A2
Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1853. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
Riferimento per il libraio : 2126361
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Daumier, Honore
Le Charivari Les supplices de la civilization 3 février 1853 No. 483 : Chez le Tailleur . Museum Etching Museum Quality A2
Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1853. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
Riferimento per il libraio : 2126363
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Daumier, Honore
Le Charivari Les Beaux Jours de la vie ca. 1845 - 1850 No. 68 : Un habit à la mod . Museum Etching Museum Quality A3
Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1845. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
Riferimento per il libraio : 2126373
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Daumier, Honore
Le Charivari Les supplices de la civilization 3 février 1853 No. 483 : Chez le Tailleur . Museum Etching Museum Quality A3
Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1853. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
Riferimento per il libraio : 2126360
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Daumier, Honore (1808-1879)
LE FORMAT DE PLUS EN PLUS MONTRE The paper gets bigger and bigger
Published on newsprint Le Charivari. 14 ¾ x 10. Lithograph. From "Les Beaux Jours del la Vie". Delteil 1162 ii/ii Oct 8 1845. unknown
Riferimento per il libraio : 1161
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DAUMIER, H (Adhemar, Jean)
Le Gens De Medicine dans l'oeuvre de Daumier
Paris: Editions Vilo 1966. Hardcover. Fine. Folio. Text in French. Very slight soiling to the cloth fine. Editions Vilo hardcover
Riferimento per il libraio : 62813
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DAUMIER, Honore
Le Jour de L'an
Paris: Aubert & Cie. 1838. First edition First state. This is the rarest version of this caricature with the title below and the Aubert imprint to the left but without the header title "La Caricature provisoire" second state or the title "Les 12 Mois" third state. It is also without the number 1. to the top right that appears on the later imprints. Signed h.D. in the plate. A very good clean impression with a little foxing only. The fold to the centre as called for on this edition. Verso is blank but for slight foxing. A very nice copy of this rare Daumier engraving. 16.5cm x 22.5cm. Cat.Rais.: Delteil 551 . Première édition premier état. Il s'agit de la version la plus rare de cette caricature avec le titre en bas et l'empreinte d'Aubert à gauche mais sans le titre d'en-tête "La Caricature provisoire" deuxième état ni le titre "Les 12 Mois" troisième état. Il n'y a pas non plus le chiffre 1 en haut à droite qui apparaît sur les tirages ultérieurs. Signé h.D. dans la planche. Très bonne impression propre avec seulement quelques rousseurs. La pliure est au centre comme prévu dans cette édition. Le verso est vierge à l'exception d'une légère rousseur. Un très bel exemplaire de cette rare gravure de Daumier. 16.5cm x 22.5cm. Cat.Rais. : Delteil 551 Aubert & Cie. unknown
Riferimento per il libraio : 4946
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Daumier, Honore
Le Membre de toutes les académies.
1842. Original lithograph. Delteil 2846. As printed in the Le Charivari. Marginal tear just inside image. 1842. unknown
Riferimento per il libraio : 01-0427
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Daumier, Honore, Bouchot, Gavarni, et al (illustrations by) Maurice Alhoy, Louis Huart, and Ch Philipon (text)
Le Musée pour Rire: Dessins par tous les caricaturistes de Paris
Chez Aubert 1839 Three volumes bound in one. First Edition. 4to 11 x 8.75 inches 150 b/w lithographic plates Bound in three-quarter calf and marbled paper boards spine lettered and decorated in gilt. Light scattered foxing throughout with occasional spots of minor soiling leather binding rubbed and worn at extremities corners scuffed with tearing to surface of the leather ¼-inch tear to the upper edge of front joint. Hardcover. Very Good. Chez Aubert hardcover
Riferimento per il libraio : 4726
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DAUMIER, HONORE (1808-1879)
LE PORTRAIT AU DAGUEREOTYPE
1844. Sur Blanc. Lithograph. From Les Etrangers à Paris pl. 16. D. 1287 ii/ii. Image: 8 x 7½. Margins: 13¾ x 10¼. Some foxing. Aubert
Riferimento per il libraio : 179
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Daumier, Honore
Le Prisme Classic Reprint: Encyclopédie Morale du Dix-Neuvième Siècle French Edition
paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Riferimento per il libraio : 1334416478.G ISBN : 1334416478 9781334416477
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Daumier, Honore
Le Régulateur.
1840. Original lithograph. Delteil 862. As printed in the Le Charivari. Marginal tear just inside image. 1840. unknown
Riferimento per il libraio : 01-0429
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Daumier, Honore
Le terrible Girardo-Girarini. . . La Presse.
Paris: Le Charivari Feb. 10 1949. Original lithograph. As printed in the Le Charivari. Delteil 1795. 4 pages. Paris: Le Charivari, Feb. 10, 1949. unknown
Riferimento per il libraio : 09-0418
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Daumier, Honore
LE VENTRE LEGISLATIF
Daumier Honore French 180.8-1879. LE VENTRE LEGISLATIF. Lithograph 1834. Published by L'Association Mensuelle in the issue of January 1834. With the ceneterfold but also folded horizontally. Signed in the stone. 11 x 17 1/8 inches image 14 x 21 1/2 inches sheet. The folds are apparent in the margins but very unobtrusive in the image. The title translates as "The Legislative Belly." The print is Daumier's satirical commentary on kind of people who made up the Chamber of Deputies in January of 1834. He shows them fat and self-satisfied implying that concern for the public good was not first on their minds. 1834 was a very volatile year in French politics with an insurrection in Lyon which was put down by military force. Conservatives who supported the monarchy and the status quo won the elections to the Chamber of Deputies. Only 200000 people those who paid a minimum of 200 Francs in taxes were eleigible to vote the population of France was then 30000000. This print with its strong graphic design and its forthright critique is among Daumiers most significant works. unknown
Riferimento per il libraio : 14808
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Daumier, Honore (1808-1879)
Le Wagon De Seconde Classe 1864
Lithographie 30 cm x 22 cm. Blatt 169 von 500. Original von H. Daumier signiert. Gerahmt 415 cm x 32 cm goldfarbene Holzleiste unter Glas. Siehe Bild unknown
Riferimento per il libraio : 3aa44
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Daumier, Honore
Le Wagon de seconde classe.
ca. 1870. Limited edition reproduction on rag paper. Numbered edition of 500. Maison 297. ca. 1870. unknown
Riferimento per il libraio : 01-0391
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Daumier, Honore
Le Wagon de troisième classe.
New York Graphic Society 1950s. Color reproduction. 20 x 26 inches. Maison 298. New York Graphic Society, 1950s. unknown
Riferimento per il libraio : 01-0394
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Daumier, Honore
Le Wagon de troisième classe.
ca. 1870. Limited edition reproduction on rag paper. Numbered edition of 500. Maison 298. ca. 1870. unknown
Riferimento per il libraio : 01-0392
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Daumier, Honore
Les Cent Robert-Macaire.
1839 . Paris: Bureau du J.al du Rire 1839. Gr.-8°. 100 Originallithographien auf Taf. Titelblatt-Lithographie von Célestin Nanteuil. Halbfranz. Einband mit 2 handkolorierten Darstellungen ländlicher Szenen in Japan auf Leinwand. Rücken mit rotem Schild und Goldschrift Zierleisten und floralem Muster. altersmässig gebräunt; minim stockfleckig; auf Vorsatz eingeklebte Beschreibung des Besitzers; 2 Taf. lose; Einband etwas beschabt; Kanten berieben; Ecken bestossen; Rücken verblichen Honoré Daumier 1808-1879 französischer Maler Bildhauer Grafiker und Karikaturist. unknown
Riferimento per il libraio : 78943BB
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Daumier, Honore
Les Avocats et les plaideurs = Lawyers and Litigants. No. 3.
Paris: 1851. Limited edition reproduction on rag paper. Numbered edition of 500. Delteil 2187. 37.5 x 30.5 cm. 14.75 x 12 inches. Paris: 1851. unknown
Riferimento per il libraio : 01-0372
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DAUMIER, Honore
Les Baigneurs.
<p>Paris Aubert n.d. 1840.</p><p>Folio 339 x 263 mm of 30 plates. Green half-sheepskin flat spine. <i>Contemporary binding</i>.</p><p><b>Complete and very rare set of 30 original lithographs in very nice proofs in black on white </b>in a very scarce issue of the 2nd or 3rd state out of 3 or 4 before correction with Aubert's address later erased.</p><p>Delteil 760 to 790.</p><p>The bathers on the banks of the Seine offered Daumier multiple subjects to evoke comical situations. </p><p>The series of thirty plates of<i>Les Baigneurs</i> published between June 1839 and September 1842 in <i>Le Charivari</i> was much appreciated by Delacroix for the quality of the anatomical studies it contains and which will have a female counterpart in 1847 with <i>Les Baigneuses</i>.</p><p><i>Honoré Daumier</i> 1808-1879 began his career as a political cartoonist for the newspapers "<i>La Caricature</i>" and "<i>Le Charivari</i>" under the sign of opposition to Louis-Philippe led by Charles Philipon the director of these publications.</p><p>But the laws of September 1835 put a brake on the freedom of the press and forced Daumier to reorient himself towards the caricature of manners. </p><p>Parisian society is then pinned in all its strata under the eyes of readers of "<i>Charivari</i>".</p><p><b>Formidable caricaturist of the ridicules of the French society of the 19th century</b><b></b> qualified of "<i>Michelangelo of the caricature</i>" he developed his lithographic career for the press from the July Monarchy until the fall of the Second Empire.</p><p>" <i>Delacroix not only appreciated but even studied the nude of the Baigneurs of Daumier</i> ". Béraldi.</p><p>"The source of the river Seine is found in Burgundy runs through Paris and ends in the Channel. The public baths in the Seine offered a highly welcomed refreshment in summer. According to information by Provost one of the ""Bathing Boats" called ""Petit Ecole de Natation"" was moored very close to Daumier's house at the Quai d'Anjou on the river Seine. In turning over this album all the different schools of swimming from the working-man's bath at 10 Centimes up to the noble baths where one walks on rugs. Daumier even allows us to peak a stolen glance at the ladies aquatic section. We also enjoy a view of the Seine and those strong gentlemen racing the train in the water swimming against the current. We see all these aspects from their amusing angle because Daumier's drawings are filled with grotesque physiognomies amusing scenes and all those little mishaps which strike the unfortunate swimmer. from a Charivari advertisement August 2 1843 The French painter Delacroix 1798-1863 was so impressed by Daumiers Bathers that he pinned a lithograph from this series to the wall of his studio. He advised his students to look at Daumiers prints exhibited in the windows of Auberts gallery in order to appreciate this masters drawing talent.""</p><p><b>Good condition except for few foxing on some plates.</b></p><p><br /></p><p><u>Français</u><br /></p><p>Paris Aubert s.d. 1840.</p><p>In-folio de 30 planches. Demi-basane verte dos orné en long. <i>Reliure de l'époque</i>.</p><p>339 x 263 mm.</p><p><b>Suite complète et très rare de 30 lithographies originales en très belles épreuves en noir sur blanc</b><b> </b>en très rare épreuve du 2e ou 3e état sur 3 ou 4 avant la correction avec l'adresse d'Aubert effacée par la suite.</p><p>Delteil 760 à 790.</p><p>Les baigneurs des bords de la Seine ont offert à Daumier de multiples sujets propices à évoquer des situations cocasses. </p><p>La série de trente planches des <i>Baigneurs</i> publiée entre juin 1839 et septembre 1842 dans <i>Le Charivari</i> était très appréciée de Delacroix pour la qualité des études anatomiques qu'elle contient et qui aura un pendant féminin en 1847 avec <i>Les Baigneuses</i>.</p><p>" <i>Daumier recherche avant tout l'expression juste qui lui est fournie par une rare faculté d'observation ce qui fit dire à Champfleury : "Dans le moindre croquis de Daumier on sent la griffe du lion". Les Daumier font aujourd'hui des prix fous. " </i>Carteret <i>Trésor du bibliophile</i> III p.188.</p><p><i>Honoré Daumier</i> 1808-1879 débute sa carrière comme caricaturiste politique pour les journaux " <i>La Caricature</i> " et " <i>Le Charivari</i> " sous le signe d'une opposition à Louis-Philippe conduite par Charles Philipon le directeur de ces publications.</p><p>Mais les lois de septembre 1835 mettent un frein à la liberté de la presse et obligent Daumier à se réorienter vers la caricature de mœurs. </p><p>La société parisienne est alors épinglée dans toutes ses strates sous les yeux des lecteurs du " <i>Charivari</i> ".</p><p><b>Formidable caricaturiste des ridicules de la société française du XIXe siècle</b><b></b> qualifié de " <i>Michel-Ange de la caricature</i> " il développa sa carrière lithographique pour la presse de la Monarchie de Juillet jusqu'à la chute du Second Empire.</p><p> " <i>Delacroix non seulement appréciait mais même étudiait le nu des Baigneurs de Daumier</i> ". Béraldi.</p><p>" Si plus tard les héritiers de Delacroix trouvèrent dans un de ses nombreux portefeuilles des croquis d'après 'les Baigneurs' de Daumier cela n'étonnera pas les admirateurs des deux maîtres. Les yeux gourmands de Delacroix dans leur soif d'études et d'observations ne pouvaient jamais assez se rassasier de lignes passionnées d'emportements michelangesques et de mouvements réels. L'accentuation robuste des œuvres de Daumier enthousiasmait cette nature distinguée comme un cavalier qui monté sur un élégant cheval arabe s'arrête tout à coup pour admirer un cheval de brasseur. " Revue de Paris</p><p>"The source of the river Seine is found in Burgundy runs through Paris and ends in the Channel. The public baths in the Seine offered a highly welcomed refreshment in summer. According to information by Provost one of the ""Bathing Boats" called ""Petit Ecole de Natation"" was moored very close to Daumier's house at the Quai d'Anjou on the river Seine. In turning over this album all the different schools of swimming from the working-man's bath at 10 Centimes up to the noble baths where one walks on rugs. Daumier even allows us to peak a stolen glance at the ladies aquatic section. We also enjoy a view of the Seine and those strong gentlemen racing the train in the water swimming against the current. We see all these aspects from their amusing angle because Daumier's drawings are filled with grotesque physiognomies amusing scenes and all those little mishaps which strike the unfortunate swimmer. from a Charivari advertisement August 2 1843 The French painter Delacroix 1798-1863 was so impressed by Daumiers Bathers that he pinned a lithograph from this series to the wall of his studio. He advised his students to look at Daumiers prints exhibited in the windows of Auberts gallery in order to appreciate this masters drawing talent.""</p><p><b>Belle condition sauf quelques rousseurs à certaines planches.</b></p> hardcover
Riferimento per il libraio : NY34
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Daumier, Honore
Les Baigneurs = The Bathers.
1842. Original lithograph. Delteil 790. As printed in the Le Charivari. 1842. unknown
Riferimento per il libraio : 01-0403
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Daumier, Honore (1808-1879).
Les Beaux Jours da la Vie: Un Monsieur qui se Rajeunit from the magazine Le Charivari.
Paris: Chez Aubert & Cie. 1844. Lithograph on newsprint. 36 x 24.5 cm sheet. Text in French on verso. Very Good minor surface soiling horizontal crease in center of sheet.Reference: Delteil No. 1121 state ii/ii. Paris: Chez Aubert & Cie., 1844. unknown
Riferimento per il libraio : 71-8941
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Daumier, Honore
Les Beaux jours de la vie.
1844. Original lithograph. As printed in the Le Charivari. Delteil 1124. 1844. unknown
Riferimento per il libraio : 01-0415
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DAUMIER, Honore
Les Bohemiens de Paris
DAUMIER Honore. Les Bohemiens de Paris. With 28 lithographs by Daumier. Folio. 345 x260 mm.Matted in a cloth folding case. Paris: Au Bureau de Journal Amusant & du Petit Journal pour Rire 1840-1842. Complete set of Daumier's "Les Bohémiens de Paris" series. All the prints in the present set are "sur blanc" i.e. printed individually on superior white wove paper without the text of the Charivari journal on the verso. Because of the finer paper and printing methods 'sur blanc' impressions are much more prized than those which appeared within the journal itself. Les Bohémiens de Paris figures prominently in Rumas' Daumier: 120 Great Lithographs which especially reproduces and describes Plate 9 "A Professional Sponger about to crash a fashionable Wedding Party" Plate 15 "A Sick-Nurse the French equivalent of Dickens' Sairy Gamp" and Plate 20 "A Minor Actor in a small theater who plays Wealthy Monarchs though actually starving here eating French Fries!. Plates 135671112142324252627 belong to Delteil's 2nd state of 3; The rest are all 3rd state. The first state avant la lettre are invariably described as "fort rare" and are now unfindable. In excellent condition. Delteil 822-849. BN Fonds Français Après 1800 Tom. V p. 478 No. 157. hardcover
Riferimento per il libraio : 172366
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