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Ives, Colta et al
Daumier Drawings
Ives, Colta et al: Daumier Drawings. Exhibition: New York, Metropolitan Museum, 1993. 280pp with 43 colour and 236 monochromeillustrations. Cloth. 28x27.9cms. Collection of Daumier's rarer and relatively little known drawings and watercolours produced for himself and a select number of people. Catalogue divided into six main sections: heads and figures; traditional figural compositions; scenes of contemporary life; portrayal of lawyers; depiction of street performers; Don Quixote and Sancho Panza. With chronology, selected bibliography, notes, index.. Collection of Daumier's rarer and relatively little known drawings and watercolours produced for himself and a select number of people. Catalogue divided into six main sections: heads and figures; traditional figural compositions; scenes of contemporary life; portrayal of lawyers; depiction of street performers; Don Quixote and Sancho Panza. With chronology, selected bibliography, notes, index.. Text in English
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Daumier; Raymond Picard
Daumier and the University: Teachers and Students
A clean, unmarked book with a tight binding. Full gray cloth boards. Edge wear and tears to dust jacket. 9 3/4"w x 12 1/2"h. 96 pages.
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Moore, Henry
Henry Moore: Drawings 1979-1983 from the Henry Moore Foundation : 5 September-19 October 1984
Introduction by Alan Wilkinson. Catalogue to accompany the exhibition 5 September - 19 October 1984.
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Rümann, Arthur
Daumier - Der Meister der Karikatur
Honoré Daumier (1808-1879): the master of caricature. Numerous illustrations. Ex libris plate on top corner of front pastedown. Browning to covers and text page
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Luigi Barzini
L'opera pittorica completa di Daumier
BUONO : Libro usato, proveniente da una collezione privata. La copertina riporta gli usuali segni del tempo. Le pagine possono risultare imbrunite o opacizzate. Non sono presenti segni, annotazioni o sottolineature nel testo. Consegna in 24/48 h. 27 i-sopra a+m
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Daumier: attualità e varietà. Ediz. illustrata
ill.
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Caricature di giudici ed avvocati. Litografia originale, firmata su pietra "h. D." (Honoré Daumier), stampata a Parigi nel 1846 da "Pannier & C.ie" per il quotidiano satirico Le Charivari edito a Parigi dal 1832 sino ai primi decenni del '900. Cm 24 x 18, la litografia, cm. 38 x 26, il foglio. Testo tipografico al verso. (7918)
Litografia della serie di caricature disegnate da Honoré Daumier (Marseille, 1808 - Valmondois, l879), il celebre pittore, litografo, disegnatore, scultore, per il noto quotidiano politico-satirico parigino Le Charivari (la litografia appartiene alla serie intitolata Les Gens de Justice). 1. Perdu, monsieur... perdu sur tous les points... et vous me disiez encore ce matin que ma cause était excellente! - Parbleu... je suis encore tout prèt à le soutenir si vous voulez en appeler... mais je vous préviens qu'en Cour royale je ne le soutiens pas à moins de cent écus! Anno 1845. Cm. 24 x 18. Il cliente deluso ascolta a bocca aperta ciò che gli annuncia il suo avvocato. Délteil, "Oeuvre litographié de H. Daumier, n. 1848.
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Messieurs les actionnaires, le créateur de la société, M. Macaire s'est démi de ses fonctions de gérant.... Litografia originale colorata all'acquerello con tocchi in gommalacca, n. 51 della serie di 100 stampe intitolata "Caricaturana", come si legge in alto a destra. La scritta "Daumier et Philipon", sotto l'immagine nel margine sinistro, è quasi del tutto illeggibile. II stato su 3. Pubblicata a Parigi da Aubert et Junca nel 1840 ca. Cm. 26 x 36. Ottimo esemplare. (6803)
I due personaggi che agiscono nella scena sono i protagonisti ricorrenti in tutta questa serie di caricature di Daumier, ispirata ai raggiri e alle trappole tese da disinvolti pseudo-finanzieri agli ingenui loro vittime. Mentre Robert Macaire sta in ascolto dietro una tenda violacea, a sinistra, il suo compare Bertand illustra con pittoreschi termini culinari il fallimento di un affare andato a male ai malcapitati azionisti radunati ad ascoltarlo. Hazard et Delteil, L'oeuvre lith. de H. Daumier, n. 1041.
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Due caricature di soggetto antiaustriaco. Due litografie di H. Daumier, siglate sulla pietra in basso a sinistra, in brillante coloritura d'epoca all'acquerello, impresse da Destouches e pubblicate a Parigi dalla Maison Martinet nel 1859. Cm. 26 x 35. Ottimi esemplari. (7937)
Litografie appartenenti alla serie intitolata "Ces bons autrichiens", che riunisce 30 caricature di H. Daumier (1808-1879) riferite alla campagna d'Italia del 1859, sostenuta a fianco dell'armata piemontese estratte da vari numeri del "Charivari". 1. Tu viens m'annoncer la victoire? Un generale austriaco tende speranzoso le braccia ad un uffuciale che corre verso di lui, piuttosto con l'aria di fuggire il nemico che non per portare la notizia della vittoria! Hazard & Delteil, n. 3001: III/3. 2. Tiens, tu te met en autrichien, toi pour faire la cuisine... Uno zuavo si rivolge scherzosamente ad un camerata che indossa una giubba bianca austriaca con livrea da cuoco. Hazard & Delteil, n. 3009: III/3. Nota Bene: Il prezzo deve intendersi per ciascuna (each) litografia.
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Honoré Daumier (Marsiglia 1808 – Valmondois 1879)
L'avvocato, 1843
Litografia misure: mm 352 x 242 Pittore, scultore e caricaturista francese. Nel 1816 si trasferisce con la sua famiglia a Parigi dove, per aiutare il padre poeta-restauratore e vetraio, Honoré si impiega prima come fattorino e successivamente presso una libreria. Tuttavia la sua passione per il disegno e la pittura prende il sopravvento e grazie ad un amico del padre nel 1823 entra all'Académie Suisse. Nel 1830 prende parte alla Rivoluzione che sconfisse la monarchia di Carlo X e qualche anno più tardi, tra il 1832 e il 1835, su richiesta del noto caricaturista Charles Philipon (1800-1862), comincia ad eseguire caricature per il giornale La Caricature e per il quotidiano Le Charivari. Philipon gli commissiona poi una serie di busti-caricatura di uomini politici e magistrati in terra cruda policroma; ne realizzerà una quarantina e li utilizzerà come modelli per le sue litografie. La forza politica di queste caricature irriverenti lo fecero condannare a sei mesi di prigione, tale esperienza fece sì che Daumier preferì mutare i soggetti ritratti passando alla satira di costume. La sua attività di pittore ebbe inizio nel 1848 con l'opera dal titolo La Repubblica nutre e istruisce i suoi figli. Questa litografia è tratta dal quotidiano francese Le Chiarivari. Al verso del foglio le notizie del giorno. La parola Chiavari può essere fatta risalire al XVII secolo, riferendola all'artista italiano Agostino Carracci il quale disegnò i cosiddetti “ritratti caricati”, ritratti e figure assurde; un'altra spiegazione per tale parola può essere trovata nel greco "Karebaria", sinonimo di un mal di testa basato sulla musica disarmonica ad alto volume di strumenti, non necessariamente musicali, come padelle, pentole ecc. Il quotidiano venne pubblicato dal 1832 fino al 1926, poi divenne settimanale fino al 1937. Il contributo di Daumier al successo di Le Chiavari è stato immenso. La litografia è la numero 3, numero indicato in alto a destra, della serie La Comedie Humaine: una serie composta da 7 litografie, apparse tra gennaio e aprile 1843 (5) e nel dicembre 1853 (2). Il titolo Comédie Humaine deriva da un'idea di Honoré de Balzac (1799-1850) che lo utilizzò nel 1841 per una serie di 89 ritratti di tipi parigini, evidenziandone tutte le caratteristiche umane. La serie di Daumier ne è il degno completamento visivo. Daumier doveva conoscere molto bene il sistema giudiziario francese e sicuramente questa tavola anticipa gli atteggiamenti gesticolanti che caratterizzano le tavole della serie Gens de Justice (42 tavole apparse nel 1848). Vediamo rappresentato un avvocato avvolto nella sua toga nel momento più alto del suo discorso; braccia alzate, sguardo fisso, fronte corrugata e occhi fissi verso un bastone appoggiato ad una sedia alla cui sommità troviamo un cilindro e una sciarpa che cade a terra. Impressione eccellente, ottimo stato di conservazione. Foglio intonso. Stato II/III con le scritte a piè di pagina. In basso a sinistra "Pannier Editeur R. du Croissant.16." e a destra "Imp. d'Aubert & Cie." Bibliografia: Deltail 1007.
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DAUMIER Honore
Variétés Drolatiques bound with Histoire Ancienne
Paris: Léopold Pannier et Cie. 1841. An Exceptionally Rare Daumier Album<br/>Seven Series Complete Containing Fifty Humorous Lithographs<br/><br/>DAUMIER Honoré illustrator. Variétés Drolatiques. Vulgarités. - Les Musiciens de Paris. - Proverbes de famille. - Proverbes et Maximes. - La Peche. - La Journée du Celibataire. - Les Saltimbanques. 50 Planches. Paris: Léopold Pannier et Cie. 1841. <br/><br/>Vulgarités. 10 plates DR 905-914<br/>Les Musiciens de Paris. 6 plates DR 919-924<br/>Proverbes de famille. 2 plates DR 797-798<br/>Proverbes et Maximes. 12 plates DR 803-814<br/>La Peche. 7 plates DR 815-821<br/>La Journée du Celibataire. 12 plates DR 607-618<br/>Les Saltimbanques. 1 plate DR 620<br/><br/>Total 50 plates complete.<br/><br/>"Pannier published a separate album with the title "Variétés Drolatiques" par Daumier Paris 1 vol. in-4° demi chagr. It contains the following complete seriessur blanc bringing the total of prints to 50:Vulgarités Musiciens de Paris Proverbes de Famille Proverbes et Maximes La Pêche Journée du Célibataire und Les Saltimbanques."<br/><br/>This album can be considered rare." Daumier Register.<br/><br/>OCLC locates just three of the plates from Proverbes Maximes. Nos. 6 9 and 11 all at Washington University OR USA. We located just one copy at auction - sold between October 1898 and July 1899!!!<br/><br/>The only plate that appears in the Armand Hammer Daumier collection is the second plate of La Peche p.67<br/><br/>Bound together with:<br/><br/>Exceedingly Rare Daumier Histoire Ancienne <br/>Complete with Fifty Superb Lithographs<br/><br/>DAUMIER Honoré. illustrator. PHILIPON Charles. Histoire Ancienne. Paris: Chez Aubert 1841-1843. <br/><br/>Folio 13 3/16 x 10 inches; 335 x 254 mm. Fifty superb lithograph plates. Some intermittent mainly marginal foxing.<br/><br/>Together 100 fine lithograph plates containing two of Daumier's rarest suites both complete.<br/><br/>Contemporary quarter dark brown morocco over marbled boards spine with four raised bands ruled in blind and lettered in gilt marbled end-papers.<br/><br/>A near fine and complete example of two of Honoré Daumier's finest and rarest works.<br/><br/>There is only one copy of Histoire Ancienne located in libraries and institutions worldwide The Bibliotheque Nationale de France.<br/><br/>"This series of 50 lithos on characters in ancient history and mythology appeared between 1841 and 1843. Daumier's irreverent satirizing of the sacred characters in Greek and Roman mythology contributed to the Romantic attack upon the Classical school in the continuing battle waged in the theater literature and the arts. Philipon's contrived poems as captions to the series contain many veiled allusions to Louis-Philippe and individuals in his reign." <br/><br/>Plate no. 22. "Le Baptême D'Achille." The baptism of Achilles; As one tempers a weapon of war Thetis wishing to make a hero of her brat dipped him in the Styx as soon as he saw the light which proves that a bath is good for all purposes. - On the Influence of Baths poem by Mr. Vigier. Deltail # 946.<br/><br/>Plate no. 46. "La Mère des Gracques." The mother of the Gracchi: One day when a gay lady was shamelessly praising her jewels which were worth a few cents this Roman mother showing her two young sons the hope of the country said "Behold my only jewels!" - Plutarch. Deltail # 970. This well-known story provided Daumier the chance to portray two typical Frenchwomen with typical unruly children. Deltail # 970.<br/><br/>Plate no. 47. "Pygmalion." O triumph of the arts! What was your amazement great sculptor when you saw your marble come to life and in a chaste and gentle manner slowly bow down to ask you for a pinch of snuff. - Count Siméon. Deltail # 971.<br/>Charles F. Ramus editor. Daumier 120 Great Lithographs<br/><br/>Histoire Ancienne is a series consisting of 50 numbered lithographs DR. 925-974 which appeared in the Charivari between December 1841 and January 1843. Between December 1841 and January 1843 Honoré Daumier in the Charivari published a series devoted to ancient history: fifty plates to antique themes seventeen of which illustrating the Iliad the Odyssey and Telemachus of Fenelon. "Alone without scientific mission Daumier traveled Greece drawing where a beautiful feeling attached him crying where a touching tradition was waiting. Drawing day and night he finally found the original Greek sense." says the satirical newspaper. The cartoonist wants to infuse "life movement privacy anything that lacked" the Greek hero petrified by ancient sculpture. Some illustrations comic relief reminiscent of Greek tombstones Daumier modernized by the effects of perspective or shortcuts. For each board a comment from a few to a "translation" of Homer crazy "light poetry" underline the ironic look worn by Daumier on antiquity.<br/><br/>"A quarrel between painters of the classic and romantic schools had fully flared up. Delacroix asked the "loaded" question: "Qui me délivrera des Grecs et des Romains" Who redeems us from the Greeks and Romans. Daumier succeeded to answer it his own way by showing historic personalities such as Hercules Pygmalion or Agamemnon in absurd situations. It was his method to put history into perspective.<br/><br/>In December 1841 the Charivari announced the arrival of this series as follows: "We have sent Monsieur Daumier to Greece alone and without any scientific support. He worked day and night to reveal the Greek soul of the past. Daumier brings antiquity back to us".<br/><br/>The lithographs of the series "Histoire Ancienne" were published between 1841 and 1843. Daumier was far ahead of his time when he started as one of the first to show how relative the importance of Greek and Roman Mythology can be in a modern world. The admirers of ancient history especially in Arts however were not dissipated easily. It would take another 15 years until Baudelaire in literature and Offenbach in music de-mystified the "old Greeks" and removed the centuries old dust from them." The Daumier Registry<br/><br/>Deltail. Catalogue raisonné de l'oeuvre lithographées de Honoré Daumier 925-974; Beraldi Les Graveurs du XIX siècle V p. 126; Ramus p. 126. Paris: Léopold Pannier et Cie., 1841 unknown books
书商的参考编号 : 04953
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Daumier Honore; Harris Bruce; Harris editor Seena; Getlein appreciation Frank; Getlein appreciation Dorothy
Honore Daumier: Selected Works
Bounty 1969. Very Good. Daumier Honore. Honore Daumier: Selected Works. Harris Bruce; Harris editor Seena; Getlein appreciation Frank; Getlein appreciation Dorothy. New York: Bounty 1969. 209pp. Illustrated. 4to. Red cloth. Book condition: Very good with light bumping and rubbing. A few tiny spots and light soiling on top edge. Dust Jacket Condition: Good with chipped and slightly curled edges and rubbing. Has yellowing light soiling and short tears. Now in protective plastic cover. Bounty hardcover books
书商的参考编号 : UHARHON00TM
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DAUMIER Honore
Daumier
Williamstown MA: Sterling and Francine Clark Art Institute 1962. First edition. Softcover. Exhibition catalog for a show that ran June 1962. Exhibit Nineteen. Includes 22 black and white illustrations. A very good copy in wrappers that are very lightly soiled. Sterling and Francine Clark Art Institute unknown books
书商的参考编号 : 142484
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DAUMIER Honore
Daumier in Retrospect 1808-1879 A Revolutionary Artist of His Time
Washington D.C.: The Corcoran Gallery of Art 1979. First edition. Softcover. 16 pages. Supplement catalog for a show that ran September 21 through December 18 1979. Includes 12 black and white illustrations. A very good copy in stapled wrappers with some wear. The Corcoran Gallery of Art unknown books
书商的参考编号 : 142482
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DAUMIER Honore
Honore Daumier: Anniversary Exhibition 1958
Boston MA: Museum of Fine Arts 1958. First edition. Softcover. Exhibition catalog for a show prepared and with an introduction by Peter A. Wick. Includes numerous black and white illustrations. An ex-library copy with a small institutional stamp and withdrawn stamp over on the title page. Otherwise a clean copy free of marks. Museum of Fine Arts unknown books
书商的参考编号 : 142086
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DAUMIER Honore
Lithographies de Honore Daumier Marseille 1808 - Valmondois 1879
Zurich: August Laube & Sohn 1969. First edition. Oblong softcover. 72 pages. Includes numerous small black and white illustrations. A very good copy in stapled wrappers with a sticker shadow to the front cover. August Laube & Sohn unknown books
书商的参考编号 : 139209
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KIST Jan Rie & Honore Daumier
Honore Daumier 1808 - 1879
Washington D.C.: National Gallery of Art 1979. First edition. Softcover. An exhibition catalog for a show at the National Gallery. Includes 100 illustrations. An about very good fine copy in wrappers with some minor foxing throughout. A good reference copy. National Gallery of Art unknown books
书商的参考编号 : 129212
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DAUMIER HONORE VICTORIN LOYRETTE Henri; Michael Pantazzi Segolene Le Men Edouard Papet
Daumier: 1808-1879
Ottawa: National Gallery of Canada 1999. First Edition. Quarto 31cm x 24.5cm. Yellow paper boards hardcover with titling in blue-gray on cover and spine; pictorial dustjacket; 600pp; illus. Near Fine copy; slight shelf wear to bottom corner tips; slight soiling to bottom textblock corner else clean and tight. Very Good dustwrapper; a 2cm tear to bottom corner back panel flap; chipping to upper spine panel else clean and sound. This volume exploring the work and life of French printmaker caricaturist and painter Honoré-Victorin Daumier was published in conjunction with the exhibition "Daumier" organized by the NAtional Gallery of Canada Ottawa; the Réunion des Musées Nationaux and the Musée d'Orsay Paris; and The Phillips Collection Washington DC in 1999-2000. Hundreds of reproductions in b&w and color. National Gallery of Canada unknown books
书商的参考编号 : 44359
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DAUMIER Honore IVES Colta Margret Stuffmann and Martin Sonnabend
Daumier Drawings
New York: Metropolian Museum of Art / Harry N. Abrams 1992. First Edition. Quarto 28.5cm.; publisher's cloth in pictorial dust jacket; xii268pp.; illus. Jacket a bit shelf worn a few tiny soil spots to upper panel old price stickers to upper flap and pastedown else Near Fine in Very Good jacket. Metropolian Museum of Art / Harry N. Abrams unknown books
书商的参考编号 : 37612
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DAUMIER Honore CABANNE Pierre; Lisa Davidson trans
Daumier Jacket title: Honoré Daumier: Painter of the Human Comedy
Paris: Vilo Publishing 1999. First English Language Edition. Folio 31cm.; publisher's boards in pictorial dust jacket; 189pp.; illus. throughout. Upper jacket panel a bit soiled light shelf wear; Fine in Very Good or better jacket. Vilo Publishing unknown books
书商的参考编号 : 37610
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DAUMIER Honore WASSERMAN Jeanne L. Joan M. Lukach and Arthur Beale
Daumier Sculpture: A Critical and Comparative Study Inscribed & Signed by Wasserman
Cambridge: Fogg Art Musuem Harvard University 1969. First Edition. Wrapper issue. Quarto 27.75cm.; publisher's black pictorial card wrappers; xiii1265pp.; photographic illus. throughout. Some light shelf wear general minor cockling from exposure to damp else Very Good and sound. Warmly inscribed and signed on title page at a later date 1999 by Wasserman. Fogg Art Musuem, Harvard University unknown books
书商的参考编号 : 34717
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KIST Jan Rie & Honore Daumier
Honore Daumier 1808 - 1879
Washington D.C.: National Gallery of Art 1979. First edition. Softcover. An exhibition catalog for a show at the National Gallery. Includes 100 illustrations. A clean very near fine copy in wrappers. National Gallery of Art unknown books
书商的参考编号 : 107568
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Daumier Honore
Married Life. New York n.d.
Daumier Honore. Married Life. New York: Pantheon Books n.d. 24 wide-margined 9-3/4" x 14-1/4" black-and-white plates and 8-page booklet housed in gilt-stamped portfolio with cloth boards. Wear to extremities of portfolio reinforcement tape to spine. Ex-library. Typewritten title to spine card pocket to rear pastedown of portfolio small institution stamps to margins of plates. $20. unknown books
书商的参考编号 : 35507
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CHAM pseudonym of Amedee de Noe; DAUMIER Honore
Album du Siége
Paris: Aux Bureaux du Charivari 1871. Thirty-Nine Wonderfully Satiric Images by Daumier & Cham<br/>of the Siege of Paris by the Prussian army in the Winter of 1870-1871<br/><br/>CHAM pseudonym of Amédée de Noé. DAUMIER Honoré. Album du Siége Par Cham et Daumier. Recueil de Caricatures publiées pendant Le Siege dans Le Charivari. Paris: Aux Bureaux du Charivari 1871. <br/><br/>First edition. Large quarto 12 x 9 5/8 inches; 305 x 244 mm. Pictorial lithograph title-page Cham and thirty-nine fine lithograph plates ten of which are by Honoré Daumier and the rest by Cham. <br/><br/>Publisher's red pebbled cloth over boards front cover lettered in gilt marbled endpapers. <br/><br/>Thirty-nine wonderfully satiric images of the siege of Paris by the Prussian army in the winter of 1870-1871 originally published in Le Charivari and reprinted as an album in 1871 with a new image used for the title page.<br/><br/>OCLC locates just sixteen copies in libraries and institutions worldwide nine in the USA four in the Netherlands two in Germany and one in Australia ten of these appear to be bound without the pictorial title. It would seem that this volume was only issued with uncolored plates.<br/><br/>"For many of Daumier's admirers his lithographs of 1870-1871 represent the peak of his achievement. They are in his last style massive stripped down direct which speaks as nothing else could for this tragic period in France's history. <br/><br/>The Siege of Paris - that took place from 19th September 1870 to 28th January 1871 and the consequent capture of the city by Prussian force - culminated in France's defeat in the Franco-Prussian War and the establishment of both the German Empire and the Paris Commune - the radical socialist anti-religious and revolutionary government that ruled Paris from 18th March to 28th May 1871. The Franco-Prussian War had led to the capture of Emperor Napoleon III in September 1870 the collapse of the Second French Empire and the beginning of the Third Republic.<br/><br/>The Plates:<br/><br/>1. Pictorial title-page Cham<br/>2. Modes Parisiennes en prévision du bombardment Cham 112<br/>3. Le bombardment Cham 5<br/>4. La valeur Prussienne n'attendant pas le nombre des années Cham 8<br/>5. Ceci a tué cela Daumier 3845<br/>6. Plus de Gaz Cham 127<br/>7. Préparant les éntrennes pour son peuple Cham <br/>8. Pour ne pas être bléssé je n'ai qu'a mettre ce plastron Oui monsieur en ayant soin bien entendu de ne pas sortir de chez vous Cham 107<br/>9. Un paysage en 1870 Daumier 3828<br/>10. Laissez appuyer moâ sur le bras à vôs! Fallait pas me laisser amputer Cham 129<br/>11. T'allais jamais à l'Église autrefois Pour le pain bénit on ne fait pas la queue Cham 18<br/>12. Tu t'es mis un faux ventre! Pour faire des sorties pour montrer à l'ennemi que nous avons beaucoup de vivres Cham 106<br/>13. Les animaux du jardin des plantes faisant queue comme tout le monde pour avoir leur viande Cham 110<br/>14. Square Napoléon Daumier 3824<br/>15. Je me suis mis dans les volontaires! Animal! Tu n'as pas 35 ans! On va dire que nous ne sommes pas mariés! Cham 121<br/>16. Ce pauvre Henri IV voyant emmener son cheval chez le boucher Cham 130<br/>17. Épouvantée de l'héritage Daumier 3838<br/>18. Madame Putois j/aurais tout de même jamais cru que vous tueriez votre chien pour nous en faire manger - Il a bien fallu. il était enrage! Cham 17<br/>19. Maintenant j'adore les gens grêlés ils me rappellent le gruyere! Cham 120<br/>20. Plus de viande! Allons donc! Cham 123<br/>21. Rationnement du pain - un monsieur allant diner en ville Cham 16<br/>22. Les Nouveaux Gardiens de Paris Cham 111<br/>23. Six heures et demie - les chevaux de Madame la Marquise sont sur la table Cham 104<br/>24. Le danger de manger de la souris est qu'ensuite votre chat ne coure après Cham 119<br/>25. On aurait pu profiter de passage du ballon-poste pour surprendre l'ennemi Cham 96<br/>26. L'empire c'est la paix Daumier 3814<br/>27. Ils auront beau emporter les pendules ils n'empêcheront pas l'heure de la vengeance de sonner Cham 138<br/>28. Nous ne nous serions jamais doutés tout de même que nous naviguerions un jour sur ce vaisseau-là Daumier 3819<br/>29. Le nouveau char de la victoire Daumier 3849<br/>30. Le revers de la médaille de Sainte-Hélène Cham 108<br/>31. Soldats! Il fait très froid; mais si l'on est content de vous on donnera un paletot fourré. au maréchal Fritz Cham 122<br/>32. La queue pour la viande de rats Cham 124<br/>33. Pauvre France!. le tronc est foudroyé mais les raciness tiennent bon! Daumier 3843<br/>34. Tant bis! Il aurait brobablement ennuyé blu tard les enfants de Fritz Cham 6<br/>35. J'ai besoin de quitter Paris - Pour rejoinder votre femme - Au contraire; voila cinq mois qu'elle ne m'a pas quitté Cham 27<br/>36. L'unité allemande Daumier 3831<br/>37. Les Prussiens m'ont donné un cigare! - C'est bien le moins alors qu'un Francais te donne aussi quelque chose Cham 28<br/>38. Aveugle! C'est triste mais c'est encore de la chance dans ce moment-ci! Cham 22<br/>39. Moi je suis ravitaillé!. le rests m'est égal Daumier 3851<br/>40. Après le Siége Cham 113<br/><br/>"Particularly to be noted are his bitter reflections on the legend which Charlet Bellangé Raffet and their imitators had helped to create. The desolate battleground of "The empire means peace" no. 26 offers an ironic commentary on an epigram uttered by Napoleon III in 1852. His "Square Napoleon" no. 14 displays the gravestones of those for whose death the Emperor has been responsible beginning with the Boulevard Monmartre in the winter of 1851 and ending with Sedan in 1870. In Cham's "The reverse of the Saint Helena medal" no. 30 indeed the country's disaster is attributed specifically to Napoleon Bonaparte as well as to Napoleon III. Daumier's first plate for 1871 showing France "Appalled by her heritage" no. 17 is bleak indeed but a later design offers a gleam of hope: "Poor France!. The trunk blasted but the roots hold fast" no. 33.<br/><br/>It should be mentioned that Cham's contributions to this album though trivial in comparison with Daumier's monumental compositions are by no means negligible. He provides the detail that Daumier omitted. The horrors of the bombardment are recorded in his plates but so too is the black humor of Parisian life during the siege. For example he shows the population pursuing food in any form - horses cats rats even a large woman regarded with speculation by an impudent boy: "No more meat! - Let's go then!" no. 20.<br/><br/>The plates included in Album du siège were transferred to zinc for engraving by Gillot's process rather than printed directly from Daumier's lithographic stones." Gordon N. Ray. The Art of the French Illustrated Book 1700 to 1914 p. 245. Paris: Aux Bureaux du Charivari, 1871 unknown books
书商的参考编号 : 04977
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DAUMIER Honore; GAVARNI; BOUCHOT; Philipon Charles
Musée pour rire Le
Paris: Chez Aubert 1839. With 50 Hand-Colored Lithographs<br/>including Nine by Honoré Daumier and Fifteen by Gavarni<br/><br/>DAUMIER Honoré Gavarni and others illustrators. ALHOY Maurice Louis Huart and Charles Philipon editors. Le Musée pour rire. Dessins par tous les caricaturistes de Paris; Texte par MM. Maurice Alhoy Louis Huart et Ch. Philipon. Paris: Chez Aubert Editeur des Cent-et-Un Robert-Macaire 1839<br/><br/>Volume II only of 3. First edition. Quarto 10 3/8 x 8 1/8 inches; 265 x 207 mm. i-ii half-title verso blank iii-iv title verso blank v-vi Table 200 pp. With 50 numbered 51-100 hand-colored lithographs heightened with gum arabic by Honoré Daumier nine Gavarni fifteen Frédéric Bouchot seventeen Benjamin i.e. Benjamin Roubaud four Bourdet three Grandville one and Edme-Jean Pigal one. Heavy spotting in places but mainly to text leaves. Plates generally clean.<br/><br/>Publisher's silk patterned paper over boards covers decoratively stamped in gilt smooth spine decoratively stamped and titled in gilt. Rebacked with the original spine laid down. With the engraved bookplate of author and collector Jaques Robiquet on front paste-down. <br/><br/>A reasonably priced album containing fine hand-colored lithographs of Bouchot Daumier & Gavarni etc. etc.<br/><br/>"The house of Aubert was ingenious in marketing its products. Its lithographs.were published one by one in periodicals like Le charivari and together in suites by the same artist without letterpress. Still a third form of publication was in albums made up of lithographs by several artists with accompanying texts. These collections most commonly took the form of volumes with the generic title Paris comique which consisted of twenty colored lithographs accompanied by quite unrelated texts. Aubert remarked that the resulting hodgepodge had ‘a plan that is easy to follow for it consists in not having any' and in fact this was indeed a frugal procedure for reusing old texts and already published plates. The interest of the various volumes of Paris comique resides entirely in the lithographs they happen to contain. It can be considerable however since Daumier and Gavarni are the predominant artists. Le musée pour rire represents a more considerable effort on the part of Aubert. To accompany 150 lithographs including forty-five by Daumier among them twenty-seven from Croquis d'expressions and eight from La galerie physionomique and forty-two by Gavarni new commentaries were commissioned on each plate all except two by Alhoy and Huart. Daumier's lithographs were trimmed slightly and their captions were relettered. The designs of the other artists were provided with decorative frames. The whole was then published in three handsome volumes and in copies with expert contemporary coloring like this one Le musée pour rire is among the freshest and most attractive of romantic illustrated books" Ray The Art of the French Illustrated Book.<br/><br/>Le Musée pour Rire "contained 150 lithographs by Daumier Gavarni Bouchot Traviès etc. These are re-impressions some of them in mirror image which had previously already been used for publication in Le Charivari. Most prints of the series ‘Croquis d'expressions' are contained in the book. The name of the series is missing and the texts were printed in a different type than in the original Charivari version. We do not consider these prints original lithographies but rather prints ‘after Daumier'". <br/><br/>Ray The Art of the French Illustrated Book 164. Paris: Chez Aubert, 1839 unknown books
书商的参考编号 : 04829
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Daumier Honore; Angus Malcolm translator; Philippe Robert Jones introduction catalogue and notes
Honoré Daumier - Humours of Married Life
Boston; Dijon: Boston Book & Art Shop; Imprimerie Darantiere 1968. Large quarto 32 x 24.5 cm. 163 pages. First American Edition simultaneous with the French edition of Andres Sauret of Daumier's Moeurs Conjugales. The sixty black and white lithographs as well as the color-illustrated dust jacket were printed rectos only by Mourlot Freres. Translated from the original French by Angus Malcolm. Introduction pages 5 - 22 Catalogue Raisonne pages 145-148 and Notes pages 149-161 by Professor Philippe Robert-Jones Director of the Musees Royaux. Some light age-toning to top edge of the tan cloth; otherwise fine. Illustrated dust jacket has a few very small spots to edges. Lacking additional unprinted acetate. Boston Book & Art Shop; Imprimerie Darantiere hardcover books
书商的参考编号 : 6561
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DAUMIER Honore; BELIN Auguste; PLATTIER Jules
Ces Amours d'enfans
Paris: Chez Aubert & Cie. 1850. Love These Children!<br/> But the Joys and Sweets of Fatherhood<br/>Are Extremely Scarce<br/><br/>DAUMIER Honoré. Henri-Daniel Plattel. Jules Platier. Ces Amours d'enfans. Joies et Douceurs de la Paternité. Paris: Aubert & Cie n.d. ca. 1850. <br/><br/>Oblong octavo. Hand-colored lithographed title by Auguste Belin and sixteen hand-colored lithographed plates heightened with gum arabic eight by Daumier the remaining by Plattel or Platier. 16 pp. at rear as Aubert catalog.<br/><br/>Publishers blind-stamped leather-grain red cloth over boards spine lettered in gilt "121" in gilt to upper cover. <br/>A very clean. bright and fine copy.<br/><br/>Reversed restrikes from the Aubert series Croquis D'Expressions 100 lithographed prints originally appearing in Le Charivari 1838-1839 fifty-five of which were executed by Daumier the remainder by Henri-Daniel Plattel and Jules Platier. All artist signatures have been removed and the hand-coloring is far more bright and vivid than the original issue prints that we have seen.<br/><br/>Croquis D'Expressions was never formally collected by Chez Aubert into an album. There are no copies of this later issue by Aubert collected under this new title in institutional holdings worldwide nor auction records. <br/><br/>The Plates with Daumier Registry # where applicable:<br/><br/>1. Est-il gentil notre bibi! il a déja un petit air scélérat le gueux! Daumier DR #470.<br/>2. Crie donc mátin!.égosille toi donc. et que çca finisse.ne pas fermer l'oeil pour un méchant moutard!.le diable emporte es enfans je n'en veux plus Daumier DR# 467.<br/>3. Oh! ce Chérubin comme il dort gentiment! Tiens Gustave c'est ton portrait tout craché! Daumier DR# 513.<br/>4. Allons bon les voilá tous trois partis.travaillez donc au milieu de ce charivari.chiens d'enfans! Daumier DR# 491.<br/>5. Vous allex voir!.vous allez voir ça va arréter le sang comme avec la main!! Daumier DR# 497.<br/>6. Oui ma chére laissez-moi lui donner cette petite soupe aux choux et vous verrez que ça lui vaudra mieux que tous leux drogues de médicine Plattel or Platier.<br/>7. Hein! quelle jolie tournure!///faudra en faire in avocat pas vrai.ou ben un grand artiste. Plattel or Platier.<br/>8. Puisuq tu es si riche ma tante vent bien t'epouser quoi que tu es bien laid et que tu n'as pas d'esprit du tout.c'est égal à ma tante.n'est ce pas ma tante Daumier DR# 505.<br/>9. Appuyez fort gna rien de meyeur our les coupe ou les tombres as pas peur Guguste ca te guérira ti va voir Daumer DR# 492.<br/>10. Tenez vous un peu tranquilles mes enfans vous finiriez peut-etre par ennuyer monsieur.Plattel or Platier.<br/>11. Le Maitre: Qu entendez vous par l'axe d'un cercle. Plattel or Platier.<br/>12. Lolo qu'aime tu mieux de ton papa ou de la maman - J'aime mieux les confitures Daumier DR# 500.<br/>13. C'est vrai aussi vous la contrariez toujours cet enfant! Plattel or Platier.<br/>14. Y disait comme ça: ton vieux grigou de père nous l'avons bien mis dedans. Plattel or Platier.<br/>15. Allons bon! tu me fais porter le petit porter ton cabas tu me fais mouller.tu gardes le parapluie et tute plains Plattel or Platier.<br/>16. Comment méchant vous pleurez vous criez toute la nuit.voulez vous bien vous taire et faire une petite risette à papa.Plattel or Platier. Paris: Chez Aubert & Cie., 1850 unknown books
书商的参考编号 : 02254
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Daumier Honore
Daumier Sculpture. A critical and comparative study by Jeanne L. Wasserman; Wasserman Jean L. ed
Greenwich CT: New York Graphic Society 1969. 4to. Cloth dust jacket. Very good copy of this standard work on Daumier's sculptures. New York Graphic Society unknown books
书商的参考编号 : 13414
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Daumier Honore
Law and Justice: Twenty-Four Lithographs Pantheon Books Inc. New York
New York: Pantheon Books Inc n.d. Hardcover. Very Good. Original cloth portfolio. 31 cm. Contains: 1 an 8 p. pamphlet including wrapper in French and English; and 2 24 unbound plates. <br/><br/> Pantheon Books Inc hardcover books
书商的参考编号 : 91352
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Fuchs Eduard. Illustrated by Honore Daumier.
Honore Daumier; Holzschnitte 1833-1870.
Munchen Albert Langen n.d. Folio. Cloth and paper boards lettered in gilt on the cover and spine 217 2 pp. Catalog of Daumier's woodcuts. Endpaper foxed and creased one corner bumped worn and the head and heel of the spine else very good. <br/><br/> Munchen, Albert Langen, n.d. hardcover books
书商的参考编号 : 6788
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DAUMIER Honore; PHILIPON Charles
Cent et Un Robert-Macaire Les
Paris: Chez Aubert et Cie 1839. An Exceptionally Rare Original Hand-Colored Copy<br/><br/>DAUMIER Honoré illustrator. PHILIPON Charles. Les Cent et Un Robert-Macaire composés et dessinés par M. H. Daumier sur les Idées et les Légendes de M. Ch. Philipon réduits et lithographiés par MM; Texte par MM. Maurice Alhoy et Louis Huart. Paris: Chez Aubert et Cie 1839. <br/><br/>First Quarto Edition Hand Colored Issue. Two quarto volumes bound in one. 10 3/8 x 8 inches; 264 x 203 mm. viii 200 1 1 blank 4 advertisements ; viii 202 1 1 blank 4 advertisements pp. With 101 magnificent hand-colored lithographed plates heightened with gum Arabic. A few text leaves with toning some light scattered foxing which generally only affects the blank plate margins still a very good copy of the excessively rare hand-colored issue.<br/><br/>Contemporary red chagrin over silk paper boards stamped in gilt. Smooth spines decoratively tooled and lettered in gilt all edges gilt. Front pastedowns with the engraved bookplate of "AM". <br/><br/>"Les Robert-Macaire remains Daumier's best-known series.Baudelaire chose it along with Histoire ancienne for specific discussion in his essay on French caricaturists and Carteret accorded it a place in his bibliography. Its contemporary popularity was immense. As an album it was published by Aubert in an edition of 2500 copies a far larger number than for any other series. Yet so persistent was the demand that 600 two-volume sets of reduced copies called Les cent-et-un Robert-Macaire were published in 1839.When politics became a forbidden topic in Le charivari where Caricaturana Les Robert-Macaire first appeared Daumier and Philipon turned to social satire. If they could not attack Louis Philippe directly they could at least show the kind of society that flourished under his gross and venal regime. Taking the flamboyant and florid swindler Macaire from the character that Frédérick Lemaître had created in a hack melodrama called L'Auberge des adrets they showed him and his inseparable companion the dejected and meager Bertrand ranging through all kinds of commercial enterprise in the stock market in the banks in the courts and in dozens of other public settings never failing to find eager dupes. Macaire is equally persuasive in the encounters of private life where no situation finds him at a loss for an appropriate flower of sentiment.Though Daumier's designs are superb in themselves particularly in the variety of supple and telling poses.that he conceives for Macaire and Bertrand they would be incomplete without the unfailing wit and point of Philipon's captions" Ray The Art of the French Illustrated Book pp. 234-236.<br/><br/>"These reduced and for the most part reversed copies of Daumier's lithographs apparently drawn by Menut Alophe are greatly inferior to the originals. Unlike Caricaturana the series is not often found colored" Ray The Art of the French Illustrated Book p. 236.<br/><br/>Carteret III p.187. Ray The Art of the French Illustrated Book 162. Vicaire III cols. 31-32 under Alhoy and V cols. 572-573 under Philipon. Paris: Chez Aubert et Cie, , 1839 unknown books
书商的参考编号 : 04944
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DAUMIER Honore
Album des Charges du Jour
Paris: Charivari and Martinet 1859. The Moroccan Sultan Monsieur Prudhomme a Stereotypical Bourgeois and the Chinese Emperor<br/>Thirty Fine Humorous Lithographs by Honoré Daumier<br/><br/>DAUMIER Honoré. Album des Charges du Jour. 30 Lithographies par H. Daumier. Paris: Au Bureau du Charivari.et chez Martinet 1859-60. <br/><br/>First edition. Oblong folio 10 3/8 x 13 5/16 inches; 264 x 338 mm. Lithographed pictorial title-page and thirty wonderful plates lithographed by Destouches. Some light foxing to a few plates mainly on the verso. <br/><br/>Publisher's pictorial lithographed yellow paper wrappers spine very slightly chipped at extremities otherwise fine.<br/>A Wonderful example.<br/><br/>This scarce album contains thirty fine and humorous lithographs by Daumier which had previously appeared in the Le Charivari in the series: Actualités En Chine Croquis de Chasse Ces Bons Parisiens and Emotions Nautiques. The three figures featured on the front cover and the title-page are: the Moroccan sultan Mr. Prudhomme a stereotypical bourgeois and the Chinese emperor.<br/><br/>OCLC locates just two copies in libraries and institutions worldwide New York Public Library NY USA & The Morgan Library & Museum NY USA.<br/><br/>The Plates:<br/>1. - Dire que nous v'la Parisiens!. <br/>Unbelievable. we are Parisians now too! DR #3235; Actualités<br/><br/>2. Mr. Prudhomme - Mon fils rappelle toi ce jour mémorable où tu as vu démolir à jamais le mur d'octroi. rappelle-toi que tôt ou tard la philosophie produit de la raison humaine; renversera de même les barrières des préjugés sociaux!. Le Petit Adolphe- Oui papa!. mais dis donc. papa . pourquoi qu'on les reconstruit un peu plus loin. <br/>Mr. Prudhomme - My son remember that memorable day when you saw the wall of the grant being demolished forever . remember that sooner or later philosophy product of human reason; will also reverse the barriers of social prejudice! . Little Adolphe- Yes dad! . but say so . dad . why do we rebuild them a little further .<br/>DR #10945; Actualités 141<br/><br/>3. Le Diamant Magnétiseur. Nouveau divertissement des soirées. - ou manière de s'amuser et de se faire loucher en société sans se fâcher.<br/>The Diamond Hypnotist.<br/>A new pastime at evening parties - or how to have fun and get someone to squint without getting into trouble. <br/>DR #3227; Actualités 134<br/><br/>4. Une Application Utile du Diamant Magnétiseur. <br/>- Ma femme est bien magnétisée!. je peux filer tranquillement pour le bal de l'opéra. dors bien bobonne!.<br/>Practical Application for a Diamond Hypnotist. <br/>My wife is hypnotized. now I can quietly leave for the opera ball. sleep well my dear! DR #3230; Actualités 140<br/><br/>5. Toujours les merveilles du diamant magnétiseur. - ou manière en société de faire prendre aux dames des poses non moins fatigantes que disgracieuses.<br/>More marvels from the diamond hypnotist. Or how to make the ladies pose in society in exhausting and not very gracious positions. DR #3228; Actualités 137<br/><br/>6. - Mon ami. viens donc voir ces jolis diamants!. <br/>- Ne regarde pas cela. imprudente!. ça te ferait loucher!!.<br/>- My dear come and have a look at these beautiful diamonds! <br/>- Don't even look at them you careless woman. they'll make you cross-eyed! DR #3229; Actualités 138<br/><br/>7. La Chiromancie Nouveau Passe Temps Des Bons Parisiens. <br/>- Adélaïde. j'ai beau chercher. je ne me trouve pas la petite ligne qui annonce une longue vie. mon Dieu!. dois-je donc mourir à la fleur de l'âge!.<br/>Palmistry New Parisian Pastime. <br/>- Adelaide. no matter how intensely I am searching I simply cannot find the line for long life. oh my God must I die in the prime of my days! DR #3240; Actualités 142<br/><br/>8. - Ah! Théophile. j'en apprends de belles sur ton compte. d'après le livre de Mr. Desbarolles je vois que tu as dans la main la ligne du libertinage!. - Ah!. bah.<br/>- Ah Théophile what ghastly things I am reading about you. According to the book by Mr. Desbarolles I can tell that you have in your palm the lines of a libertinage!. - Oh well. DR #3241; Ces Bons Parisiens 1<br/><br/>9. L'empereur du maroc consultant le celèbre sorcier desbarolles.<br/>- Voici une petite ligne qui m'indique que vous êtes destiné à recevoir une grande raclée!.<br/>The Emperor of Morocco in consultation with the Famous Magician Desbarolles.<br/>- This small line here indicates to me that you are going to get a royal thrashing! DR #3225<br/><br/>10. À Tanger<br/>- Sublime Majesté! . . . . . voici les Espagnols qui arrivent . . . . . je crois aller au devant de vos désirs afin de leur inspirer du respect . de déployer votre auguste parasol ! . <br/>- Laisse-moi donc tranquille Belboul avec mon parasol . . . . en ce moment-ci j'aimerais mieux avoir un Pare-à -balle ! . . . . . . <br/>In Tangiers.<br/>- Sublime Majesty. the Spanish are coming. in order to frighten them off I took the liberty to fully open your umbrella as a sign of your greatness! <br/>- Leave me alone with your umbrella Belboul. I would rather like to have an umbrella protecting me from their bullets. DR #3223<br/><br/>11. Le Cid se mettant aussi en campagne pour aller combattre les Maures.<br/>El Cid also takes to the field to fight against the Moors. DR #3233<br/><br/>12. Combat singulier entre le Cid et l'Empereur du Maroc.<br/>A unusual battle between El Cid and the emperor of Morocco. DR #3234<br/><br/>13. Un parasol dans une position difficile.<br/>An umbrella in a difficult position. DR #3224<br/><br/>14. - Voilà un vent qui va joliment contrarier le débarquement des Espagnols!. <br/>- Oui. mais c'est aussi un bien fichu temps pour mon parasol .<br/>- This wind will give the Spanish a hard time when disembarking. <br/>- Sure but look at what it is doing at my umbrella! DR #3226<br/><br/>15. - Dire que c'est là ce que les Français appellent des chinois!.<br/>Strange. this is what the French call "Chinois". DR #3120<br/><br/>16. - Ils vont être bien attrapés ces européens!. ils ont des canons qui sont terribles parce qu'ils sont rayés moi j'ai eu l'excellente idée de faire rayer tous mes soldats!.<br/>These Europeans will be quite surprised. they are using "rifled cannons" . thus I had the clever idea to add "rifles" stripes to the uniforms of my soldiers. DR #3118<br/><br/>17. Patrouille chinoise en reconnaissance.<br/>Chinese reconnaissance unit in action. DR #3117<br/><br/>18. - Tiens regarde cette caisse. elle renferme les envoyés Américains qui se rendent à Pékin!. <br/>- On dirait que cette voiture contient des animaux curieux. <br/>- Ma foi! s'ils sont curieux. tant pis pour eux car ils ne voient pas beaucoup le pays qu'ils traversent!<br/>- Look at that box - it contains the American envoys on the way to Peking! <br/>- Anyone would say it was a coach full of curious animals. <br/>- Well if they are curious so much the worse for them for they can't see much of the country they are travelling through. DR #3114<br/><br/>19. Arrivée à Pékin des ambassadeurs Américains.<br/>Arrival of the American Ambassador in Beijing. DR #3115<br/><br/>20. L'envoyé américain obtenant une audience de l'Empereur de la Chine.<br/>The Emperor of China receives the American Ambassador. DR #3116<br/><br/>21. - Tchinn-tchinn. tu m'apportes une bonne nouvelle!. je t'accorde l'insigne honneur de baiser l'auguste poussière de mes augustes souliers!.<br/>Tchinn Tchinn. you are bringing me good news! As a special sign of grace I will allow you to kiss the sublime dust of my sublime shoes! DR #3119<br/><br/>22. La Chine se civilisant.<br/>- Voyons. attention!. voici la théorie européenne. les yeux à quinze pas de distance et que le pied qui est à terre vienne rejoindre vivement celui qui est en l'air.<br/>China on its way to become civilized.<br/>Attention!. this is European theory now. the eyes must look fifteen feet ahead. . the foot on the ground must quickly join the one in the air. DR #3124<br/><br/>23. Fonctionnaires chinois veillant au salut de l'empire ! .<br/>Chinese civil servants diligently guarding over the welfare of the nation. DR #3123<br/><br/>24. -Tenez je viens de tuer un magnifique coq de bruyère!. <br/>-Mais malheureux!. c'est le coq Brahma de la ferme voisine. un coq qui vous coûtera peut-être plus de trente francs. sans compter les coups de fourche!.<br/>- Look! I just killed this magnificent grouse! . <br/>- Poor you! That is the rooster of the farm next door. That cock will cost you more than thirty francs not counting the pitchfork jabs! DR #3216<br/><br/>25. - Eh! bien. as-tu l'intention de rester là . <br/>- Non certes!. je t'attendais pour que tu me transportes sur ton dos jusqu'au village. <br/>- Merci à une lieue et demie d'ici!!. es-tu fou. <br/>- Allons!. voyons mon ami. fais comme si tu avais tué un chevreuil et que tu sois obligé de le rapporter chez toi!.<br/>- What about it. are you planning to stay here all day <br/>- Surely not. I thought you were going to carry me to the next village! <br/>- You must be joking. one and a half leagues. you must be crazy! <br/>- Oh come on. just pretend I were a stag you shot you would have had to carry him too. DR #3217<br/><br/>26. - Eh! bien. allons-nous continuer notre chasse malgré le vilain temps . . . . . <br/>- Non ! du tout . . . . . il pleut . . . . le gibier craint autant la pluie que nous . . . . il ne pourra manquer de venir se mettre à l'abri dans cette chaumière et nous allons en prendre beaucoup ! . . . . . .<br/>- Now what Are we going to continue hunting during the rain <br/>- Not at all! The animals are just as afraid of the rain as we are. They might not be able to find this shelter and we would end up losing too many of them! DR #3215<br/><br/>27. Mr. Prudhomme. - Comment . . . flots impudents ! . . . . . vous ne savez donc pas qui vous portez en ce moment que vous vous montrez si hardis à mon égard . . . . mer audacieuse! . . . apprends que comme Xerxès je pourrais te faire fouetter ! . . . . . <br/>Mme. Prudhomme Toute tremblante. - Oh! . . . mon ami . . . . . je t'en supplie ! . . . . ne lui dis pas d'insolences tu la mettrais en colère et elle serait capable de nous engloutir! . . . . .<br/>Mr. Prudhomme: - Obnoxious waves. don't you know whom you are carrying in this moment. oh audacious. know I shall like Xerxes whip you terribly. <br/>Mme Prudhomme: shivering of fear - Pray my dear friend do not offend the sea any longer. you might wake its fury and it might devour us completely! DR #3218<br/><br/>28. Les Eunuques Réformés par le Bey de Tunis.<br/>- Qu'allons-nous devenir. nous voilà mis à pied!. <br/>- Nous n'avons plus qu'à nous faire cochers de Constantinople!.<br/>Eunuchs reformed by the Bey of Tunis.<br/>- What's going to become of us. we have been fired. <br/>- The only thing we can do is go to Constantinople and become coachmen. DR #3237<br/><br/>29. Le nouveau costume des cochers turcs à Constantinople - Ni hommes ni femmes. tous eunuques!. <br/>Extrait de la nouvelle ordonnance.<br/>The new uniform of the Turkish coachmen in Constantinople. neither male nor female. all eunuchs. <br/>from the new ordinances. DR #3238<br/><br/>30. Une position difficile. - Tiraillé entre la civilisation et le parti rétograde.<br/>A difficult position. <br/>Torn between civilization and the conservative party. DR #3221. Paris: Charivari and Martinet, 1859 unknown books
书商的参考编号 : 04761
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DAUMIER Honore; Gavarni; Alhoy Maurice; Philipon Charles
Musée pour rire Le
Paris: Chez Aubert 1839. With 150 Hand-Colored Lithographs<br/>including Forty-Five by Honoré Daumier and Forty-Two by Gavarni<br/><br/>DAUMIER Honoré Gavarni and others illustrators. ALHOY Maurice Louis Huart and Charles Philipon editors. Le Musée pour rire. Dessins par tous les caricaturistes de Paris; Texte par MM. Maurice Alhoy Louis Huart et Ch. Philipon. Paris: Chez Aubert Editeur des Cent-et-Un Robert-Macaire 1839-1840.<br/><br/>First edition. Three quarto volumes bound in one 10 x 7 5/8 in; 251 x 193 mm. 1 half-title 2 title 600 pp. With 150 numbered hand-colored lithographs heightened with gum arabic by Honoré Daumier forty-five Gavarni forty-two Frédéric Bouchot twenty-two Victor Adam ten Platier seven Benjamin i.e. Benjamin Roubaud four Bourdet three Pruche three Platel two Grandville two Edme-Jean Pigal two Alophe Menut two Charles Vernier two Charles-Joseph Traviès one and others.<br/><br/>Bound ca. 1886-1890 by James Screeton of Hull with label to rear pastedown half black pebbled morocco over gray-brown cloth. Elaborately gilt tooled compartments gilt-rolled raised bands. All edges gilt. Some foxing and toning throughout but still a very good copy.<br/><br/>"The house of Aubert was ingenious in marketing its products. Its lithographs.were published one by one in periodicals like Le charivari and together in suites by the same artist without letterpress. Still a third form of publication was in albums made up of lithographs by several artists with accompanying texts. These collections most commonly took the form of volumes with the generic title Paris comique which consisted of twenty colored lithographs accompanied by quite unrelated texts. Aubert remarked that the resulting hodgepodge had ‘a plan that is easy to follow for it consists in not having any' and in fact this was indeed a frugal procedure for reusing old texts and already published plates. The interest of the various volumes of Paris comique resides entirely in the lithographs they happen to contain. It can be considerable however since Daumier and Gavarni are the predominant artists. Le musée pour rire represents a more considerable effort on the part of Aubert. To accompany 150 lithographs including forty-five by Daumier among them twenty-seven from Croquis d'expressions and eight from La galerie physionomique and forty-two by Gavarni new commentaries were commissioned on each plate all except two by Alhoy and Huart. Daumier's lithographs were trimmed slightly and their captions were relettered. The designs of the other artists were provided with decorative frames. The whole was then published in three handsome volumes and in copies with expert contemporary coloring like this one Le musée pour rire is among the freshest and most attractive of romantic illustrated books" Ray The Art of the French Illustrated Book.<br/><br/>Le Musée pour Rire "contained 150 lithographs by Daumier Gavarni Bouchot Traviès etc. These are re-impressions some of them in mirror image which had previously already been used for publication in Le Charivari. Most prints of the series ‘Croquis d'expressions' are contained in the book. The name of the series is missing and the texts were printed in a different type than in the original Charivari version. We do not consider these prints original lithographies but rather prints ‘after Daumier'". <br/><br/>James Screeton was the son of bookbinder William Screeton of Hull. It appears that he was partner of binder William Wardell until opened his own shop in 1886. <br/><br/>Ray The Art of the French Illustrated Book 164. Paris: Chez Aubert, 1839 unknown books
书商的参考编号 : 02253
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Ives Colta Feller; Stuffmann Margret; Sonnabend Martin authors; Herding Klaus; Wechsler Judith contributors; Daumier Honor
DAUMIER DRAWINGS
New York: Metropolitan Museum of Art 1992. Hardcover. Quarto; VG-; Hardcover; Spine blue with gold print; Slipcase in blue cloth with illustrated pastedown light shelfwear but clean and strong; Boards in blue cloth with gold print clean and strong; Text block clean and tight; "Published in conjunction with the exhibition held at the Stadelsche Kunstinstitut and Stadtische Galerie Frankfurt November 17 1992-January 17 1993 and at the Metropolitan Museum of Art New York February 26-May 2 1993"- title page verso; xii 268 pages frontispiece illustrated chiefly b&w. Shelf: Drawings & Etchings <br /> <br /> Oversized books. Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers please inquire for rates. 1342388. FP New Rockville Stock. Metropolitan Museum of Art hardcover books
书商的参考编号 : 1342388 ???????? : 0870996533 9780870996535
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DAUMIER.
Lawyers and Justice.
NY: Amiel nd. First printing of this edition. 4to. 121 pp. Fine in fine dust jacket. NY: Amiel unknown books
书商的参考编号 : 48053
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DAUMIER. Adhemar Jean.
Financial and Businessmen.
Paris & NY: Amiel 1974. First edition. 4to. 239 pp w/notes. Fine in fine dust jacket and near fine publisher’s cardstock slipcase. Paris & NY: Amiel unknown books
书商的参考编号 : 48055
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DAUMIER.
Lib Women Bluestockings and Socialist Women.
Paris & NY: Amiel 1974. First edition. 4to. 135 pp w/notes. Fine in fine dust jacket and fine publisher’s cardstock slipcase. Preface by Francoise Parturier catalogue and notes by Jacqueline Armingeat. Paris & NY: Amiel unknown books
书商的参考编号 : 48054
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DAUMIER. Passeron Roger.
Daumier.
NY: Rizzoli 1981. First US edition. 4to. 329 pp w/notes indexes and bibliography. Fine in fine dust jacket and publisher’s near fine light cardstock slipcase. NY: Rizzoli unknown books
书商的参考编号 : 48056
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Daumier
Lawyers And Justice
NY: Vilo. N.D. First Edition. Hardcover. 4to very good in torn dust jacket. . Vilo hardcover books
书商的参考编号 : 016937
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Daumier Honore Huart Louis
Museum Parisien Histoire Physiologique Pittoresque Philosophique et Grotesque de Toutes les Bêtes Curieuses de Paris et de la Banlieue .
Paris: Beauger et Cie 1841. First edition. 350 wood-engraved vignettes by Granville Gavarni Daumier Traviès Lécurieux and Monnier. iv 395 pp. 8vo. Contemporary full red pebbled morocco gilt a.e.g. Head of spine and joint repaired foxing dampstain to top margin and portion of text still an attractive copy in a contemporary French romantic binding. Bookplate. First edition. 350 wood-engraved vignettes by Granville Gavarni Daumier Traviès Lécurieux and Monnier. iv 395 pp. 8vo. "Rare en belle condition importante par son texte sur Paris et par son illustration due à une belle pléiade d'artistes" Carteret. Carteret III pp. 297-8 Beauger et Cie unknown books
书商的参考编号 : 316512
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Daumier
Le Prisme. Encyclopédie Morale de Dix-Neuvième Siècle
Paris: L. Curmer 1841. First edition. Illustrated by Daumier Gagniet Gavarni Grandeville Malapeau Meissonier. Pauquet. Penguilly Raymond Pelez Trimolet. 480 pp. 1 vols. 4to. Bound in contemporary half tan calf spine gilt marbled boards. Spine slightly faded and rubbed some light scattered foxing; Very Good. First edition. Illustrated by Daumier Gagniet Gavarni Grandeville Malapeau Meissonier. Pauquet. Penguilly Raymond Pelez Trimolet. 480 pp. 1 vols. 4to. L. Curmer unknown books
书商的参考编号 : 217800
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Daumier Honore Bouvy Eugene
Daumier. L'Œuvre Gravé du Maitre. Reproduction de touts les Planches. Notices sur chaque Œuvrage st sur chaque Planche. Introduction Historique et Index Alphabétique par .
Paris: Maurice le Garrec 1933. One of 550 copies. 991 illustrations. 2 vols. 4to. Printed wrappers largely unopened. Some minor creasing to wrapper edges else Fine. One of 550 copies. 991 illustrations. 2 vols. 4to. Maurice le Garrec unknown books
书商的参考编号 : 217249
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Daumier Honore Escholer Raymond
Daumier Peintre et Lithographe
Paris: H. Floury 1923. First edition. 4 colour and over over 100 monochrome plates. 202 pp. 1 vols. 4to. Bound in half dark morocco gilt spine about fine. First edition. 4 colour and over over 100 monochrome plates. 202 pp. 1 vols. 4to. Freitag no. 2071 H. Floury unknown books
书商的参考编号 : 217324
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Daumier Honore Fontainas Andre
La Peinture de Daumier
Paris: aux Édition G. Crès et Cie 1924. First edition. Illustrated with 46 plates. 38 pp. of text. 1 vols. 4to. Bound in three quarter dark morocco gilt spine about fine. First edition. Illustrated with 46 plates. 38 pp. of text. 1 vols. 4to. Freitag no. 2071 aux Édition G. Crès et Cie unknown books
书商的参考编号 : 217323
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DAUMIER Honore.
Doctors - patients and the medical profession. A commentary by Stephen Longstreet.
Los Angeles:: Lynton Kistler 1967. 1967. 340 x 272 mm. Portfolio. i 2 pp. 12 black and white prints laid in a folded paper portfolio; top cover faded else fine. (Lynton Kistler), 1967. unknown books
书商的参考编号 : M7722
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Daumier
Lawyers and Justice
New York New York U.S.A.: Tabard Press 1989. Hardcover. Very Good/Very Good. Preface by Julien Cain Member of the Institut de France. New York: Tabard Press 1989. Tan paper buckram binding with gilt titles. Some minor fading and wear to the dust jacket; otherwise a very good copy. In a Brodart dust jacket protector. <br/><br/> Tabard Press hardcover books
书商的参考编号 : 48138 ???????? : 0914427245 9780914427247
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Daumier
Law and Justice; Les Gens de Justice
New York: Tudor Publishing Company 1959 Large quarto. Illustrated with 47 full page plates reproduced from the original lithographs. Introduction by Julien Cain. Reddish black cloth with gilt lettering on spine and front cover. A very fine copy with worn and chipped pictorial dust jacket. . Tudor Publishing Company hardcover books
书商的参考编号 : 6494
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Daumier
HONORE DAUMIER 240 LITHOGRAPHS
Other: Other. Very Good. Hardcover. New York: Reynal & Hitchcock 1946. 240 pages plus index of plates. Contents are clean and sound with light toning to pages. Tan cloth binding is stamped "h.D." and is tight. Overall a very good copy. . Other hardcover books
书商的参考编号 : 43487
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Daumier Honore
Daumier Skira Color Prints
Cleveland: World Publishing Company n.d. ca. 1958. Paperback. Very good. Folio 32 cm. Blue folder with gilt titling and full color print "Coming out of School 1852." Six full color 24 x 30 cm prints by Daumier including "Coming Back from Market" "The Bath" "The Print Fanciers" "The Hurdy-Gurdy Players" "The Reader" and "The Third-class Compartment." Includes a brief essay on Doumier's artistry notes on the plates and a chronology of his life. Printed in Switzerland by Skira Color Studios. Cover shows edge wear fading and staining plates in near fine condition with only minor wear at edges not effecting art. Skira became world famous for publishing original works by Pablo Picasso Henri Matisse Man Ray and the legendary magazine Minotaure directed by Andrè Breton and Paul Eluard. "The 1950s and 1960s stand out for the publisher’s great international success. The famous Grand Books are born with their applied plates reproduced and printed at unbelievably high standards." Skira dot net World Publishing Company paperback books
书商的参考编号 : 28705
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DAUMIER Honore; Jean ADHeMAR.
Les gens de medecine dans l'oeuvre de Daumier: introduction de Henri Mondor; catalogue raisonne de Jean Adhemar.
Paris:: Editions Michele Trinckvel 1993. 1993. 4to. 133 pp. Illus. Brown cloth dust-jacket. Fine copy. ISBN: 2851320327 Editions Michele Trinckvel, 1993. hardcover books
书商的参考编号 : GG01574 ???????? : 2851320327 9782851320322
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