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Gill, Eric
Money & Morals.
Hardback. Very Good. Faber & Faber London. 1937. Signed by the illustrator Dennis Tegetmeier. Frontispiece and 9 Black and White illustrations by Denis Tegetmeier. Very Good without dust jacket. hardcover
書籍販売業者の参照番号
: 34580
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Gill, Eric; Denis Tegetmeir illus
Money and Morals
London: Published by Faber & Faber Ltd. Printed by Hague and Gill High Wycombe. July 1934. Hardcover in original dj. Sm 8vo 7.5" x 5" gilt pink-red cloth. Frontis. viii 1-125 pp. 126-128 blank eight additional illus. Bookplate of "Wyman Parker" on front pastedown. Signed by the author below printing statement at verso of title page. CONDITION: Very good covers fine with small white spots foxing to edges of text block and to the margins of a few leaves; dj good chip at head of spine toned at edges with short tears at extremities. <p>First edition limited to 1413 copies this copy signed by Gill. Wyman Parker was a librarian at Wesleyan University librarian at the Bread Loaf School of English and a collector of fine press books. </p> <p>REFERENCES: Gill 28.</p> London: Published by Faber & Faber Ltd., Printed by Hague and Gill, High Wycombe. [July] 1934 unknown
書籍販売業者の参照番号
: 9031
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Gill, Eric
Money Changers or Christ and the Money-Changers.
New York: E. Weyhe 1924 co-edition with St. Dominic's Press Ditchling Sussex England. Wood-engraving on Plate 8 of "Wood-engravings." Physick 111. No. 44 of the publications of the St. Dominic's Press. Edition of 150 copies. Skelton Check List no. 183. Printed on J Batchelor and Sons Ltd handmade paper. Sheet size 31 x 25 cm 12 x 10 inches. New York: E. Weyhe, 1924 (co-edition with St. Dominic's Press, Ditchling, Sussex, England) unknown
書籍販売業者の参照番号
: 51-0925
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Gill, Eric
Mother and Child.
New York: E. Weyhe 1924 co-edition with St. Dominic's Press Ditchling Sussex England. Wood-engraving on Plate 11 of "Wood-engravings." Physick 219. No. 44 of the publications of the St. Dominic's Press. Edition of 150 copies. Skelton Check List no. 183. Printed on J Batchelor and Sons Ltd handmade paper. Sheet size 31 x 25 cm 12 x 10 inches. New York: E. Weyhe, 1924 (co-edition with St. Dominic's Press, Ditchling, Sussex, England) unknown
書籍販売業者の参照番号
: 51-0927
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Gill, Eric (Illustrator)
Mr. Eric Gill Recollections of David Kindersley
New York: The Ward Ritchie Press 1967. First edition. Wraps. Orig. gray decorated wrappers. Near fine. Gill Eric. 24 pages. 17.5 x 11.5 cm. Illustrated. With laid-in oversllip signed by Ward Ritchie and Joseph Simon. Barry Moser's copy with his bookplate. This publication was also printed by the Book Club of California where Kindersley was a resident research fellow at the Williams Andrews Clark Library. The Ward Ritchie Press unknown
書籍販売業者の参照番号
: 23043
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Gill, Eric
Mrs Williams from Ditchling 1924
wood engraving of Mrs Williams of Ditchling signed in the plate EG Eric Gill paperback
書籍販売業者の参照番号
: 70885
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Gill, Eric
My Dear Brother
Risbury Herefordshire: The Whittington Press 1993. Limited. . Poster. Very Good. Whittington Press broadside/poster in an edition of 1000 copies printed in June 1993. A letter about Caslon Type Faces written by Eric Gill to his younger brother 'Maz' McDonald Gill and published in the Hawkesyard Review 1918. 'Its purpose here is to show the range of Caslon types in use at the Whittington Press. Each size was cast by Stephenson Blake of Sheffield. The 16-point came to us from the Stanbrook Abbey Press and was probably cast by the Caslon Foundry before it was acquired by Stephenson Blake Ltd in 1937. The 96 -point initial M was cast by American Type Founders'. Printed on Zerkall Ingres paper. Very good condition some creasing around edges. Will be sent rolled in a stout cardboard tube. stu Size: 650mm. x 485mm. <br/> <br/> The Whittington Press unknown
書籍販売業者の参照番号
: 019341
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Gill, Eric
NIGHT TREADETH ON DAY Eric Gill Ketton Stone Carving
1903. No Binding. Very Good. c. 1903. Ketton Stone. 21.5 x 38 x 9 cm. The most effective way to introduce this remarkably prescient example of "concrete poetry"-now more than a century old-is to draw extensively from some of the catalogue entries referenced below. The words carved here "Night treadeth on day" are taken from William Morris's poem For the Bed at Kelmscott 1891. The poem was embroidered by his daughter May Morris for the bed at Kelmscott Manor the Morris family's country home. This is the third last line in the poem. In 1989 there is the excellent entry by David Cohen in Peter Nahum Gallery's catalogue #4: "This carved inscription considered here was probably made in the first years of the 20th century. It is rare among Gill's inscriptions in that it is carved in relief for his letters are more usually engraved. The letters are not his own designs as far as we know and a few years later in his career Gill would have been too engrossed in commissions for tombstones memorial plaques and ecclesiastical inscriptions to have devoted such effort to a work most likely undertaken for personal pleasure or experiment. For Gill to choose a text by Morris to inscribe was most natural as there was a great affinity between the two men although Morris had died when Gill was still a teenager. Many of Gill's ideas about the evils of industrialism the value of handicraft socialism and medievalism derive closely from Morris. In 1903 Gill paid several visits to the Arts and Crafts Exhibition with which he himself would show from 1906. The Art Workers Guild which he joined in 1905 was deeply influenced by Morris. In later years after his conversion to Catholicism Gill tended to downplay his debt to Morris preferring instead to trace his pedigree to Ruskin.At the time of `Night treadeth on day' however no such theological barrier came between the young Gill and his mentor. This inscription resonates with the romantic fervour of Gill's early attraction to Morris's poetry and politics. Gill was a man for whom the literary and formal aspects of letters were inseparable. It would not be unreasonable perhaps for a contemporary audience familiar with Ian Hamilton Finlay or Tom Phillips to view this Ketton stone carving as an inadvertent precursor of `concrete poetry'. David Cohen August 1989. Peter Nahum Gallery's catalogue #4. Judith Collins notes several observations about the physical characteristics of the relief inscription in entry #102 of the Barbican 1992 Exhibition Catalogue p. 119. The letters are carved in relief standing out from the stone rather than being incised-a technique Eric Gill occasionally preferred between 1903 and 1910. A similar use of relief lettering can be seen in his 1920 Crucifixion panel. Interestingly this particular stone is not included in Evan Gill's Inventory of the Inscriptional Work of Eric Gill 1964 despite its provenance from the artist's own family. The work was exhibited at the following galleries: Anthony D'Offay Gallery London in Eric Gill: Drawings and Carvings A Centenary Exhibition 1982 catalogue no. 53 illustrated on pages 47 and 55; Peter Nahum Gallery London in British Art from the Twentieth Century 1989 catalogue no. 4 illustrated on pages 10-12; and Barbican Art Gallery London in Eric Gill: Sculpture 1992 catalogue no. 102 illustrated on page 119. Provenance: Rene Hague Gill's printer and husband of Joanna Joan Hague the artist's daughter; consigned to Anthony d'Offay Gallery in 1982; then with the Peter Nahum Gallery in 1989; purchased in 1996 from the Peter Nahum Gallery. unknown
書籍販売業者の参照番号
: 48719
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GILL, Eric
On the Flying Scotsman.
Beeches Press London. 1990. First separate edition. Royal octavo. Wrappers. An article which first appeared in the London and North Eastern Railway Magazine in 1933.Number 14 of 100 copies. This copy unlike most is accompanied by the folded-paper printer's hat as worn by Eric Gill.Fine in wraparound title-band. Beeches Press, London. unknown
書籍販売業者の参照番号
: GILLERIC014692
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Gill, Eric
Palm Sunday.
New York: E. Weyhe 1924 co-edition with St. Dominic's Press Ditchling Sussex England. Wood-engraving on Plate 6 of "Wood-engravings." Physick 86. No. 44 of the publications of the St. Dominic's Press. Edition of 150 copies. Skelton Check List no. 183. Printed on J Batchelor and Sons Ltd handmade paper. Sheet size 31 x 25 cm 12 x 10 inches. New York: E. Weyhe, 1924 (co-edition with St. Dominic's Press, Ditchling, Sussex, England) unknown
書籍販売業者の参照番号
: 51-0923
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Gill, Eric
Parlers D.80 1st state. Proof of an illustration on page 27 of 'God and the Dragon' E.R.G. 267 rhymes by H. D. C. Pepler No. 15 of the publications of the St. Dominic's Press Ditchling Sussex 1917
St. Dominic's Press 1917. Print. Wood-engraving 1 5/8 x 2 1/4 inches. The block was subsequently used for illustration on page 33 of 'Nisi Dominus' E.R.G. 372 rimes by H. D. C. Pepler St. Dominic's Press publication No. 29 1919; on page 35 of 'Horae Beatae Virginis Mariae Juxta Ritum Sacri Ordinis Praedicatorum Jussu Editae' E.R.G. 384 publication No. 37 1923; on page 5 of 'Aspidistras & Parlers' E.R.G. 392 a rhyme booklet by H. D. C. Ppeler publication No. 9d 1927. Printed on the same sheet as the 1st state. E.9132-1952. Printed on Japanese mulberry paper. Fine wood-engraving by Eric Rowton Gill ERG 1882-1940.<br> St. Dominic's Press unknown
書籍販売業者の参照番号
: 270979
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Gill, Eric (Illustrator)
Passio Domini Nostri Jesu Christi; Being the 26th AND 27th Chapters of Saint Matthew's Gospel From The Latin Text
Waltham St. Lawrence: Golden Cockerel Press 1926. Hardcover. Orig. white buckram spine lettered in gilt. Very good. 15 pages. 26 x 19.5 cm. Copy 188 of 250 printed by Robert Gibbings. Text is that of the Vulgate According To The Edition of the Aloysius Fillion Paris Letouzy Et Ane. Title page printed in red and black initial letters in red. Gill provides two full page and text wood engravings. Compositors: F. Young and A.H. Gibbs Pressman: A.C. Cooper. Interior contents pristine mostly unopened covers dusty spine darkened. CHANTICLEER 35. GILL 276. Golden Cockerel Press hardcover
書籍販売業者の参照番号
: 23982
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GILL, Eric
Passio Domini Nostri Jesu Christi: Being the 26th and 27th Chapters of Saint Matthew's Gospel from the Latin Text.
<p>Limited edition; 4to; original cream buckram and dust jacket. Edition of 250 copies this being number 57. Printed in red and black wood-engraved title vignette and illustrations by Gill. A fine copy end papers uncut and unopened dust jacket very slightly soiled and frayed at edges and wear to the extremities. Loosely inserted are a group of four wood-engravings from "Passio Domini Nostri Jesu Christi" comprising St. Mary Magdalen Physick 349 on japon inscribed by the artist in lower margin "Evan from Eric"; The Kiss of Judas 351 on wove paper with partial watermark inscribed by the artist in lower margin "Evan from Eric" spot within image; The Carrying of the Cross 352 on laid paper initialed by the artist and marked "proof" in lower margin; and an unsigned example of The Crucifixion 353. The wood-engravings come from the collection of Evan Gill the younger brother and biographer of the artist.</p> Golden Cockerel Press hardcover
書籍販売業者の参照番号
: 2626
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Gill, Eric
Portait of David Pepler
1934. Pencil portrait signed "Eric G" lower right identified and dated lower left. 14 x 10 inches matted. Mounted and framed. Some overall toning. Short closed tear underneath matting which is taped to verso of work. Pencil portrait signed "Eric G" lower right identified and dated lower left. 14 x 10 inches matted. David Pepler 1905-1934 was Eric Gill's son-in-law who married his daughter Betty in 1927 also the son of his partner in the Guild of St. Joseph and St. Dominic Hilary Pepler 1878-1951. Pepler died only a couple of weeks after Gill's return from his transformative trip to Jerusalem and he rode with the body from the hospital in London back to Pigotts. After the mass and requiem Gill spent the morning drawing David's portrait a process he described in his memoirs:<br /> "When the husband of our eldest daughter died she asked me to draw his portrait as he lay in our chapel. For several hours I stood close beside his body looking closely into his face and trying to transcribe his features accurately. That was a revealing experience - before my eyes death took him further from the living world. Even as I watched the bony structure of his face became more sharp and hard; the flesh contracted on his brows and nose and chin. The nobility and patience of his character became more emphatically visible. It was as it were a race between corruption and revelation. On the one hand his spiritual form became more visible as its fleshly shape became more attenuate - on the other the disintegration which death of the body precisely is became more and more woefully and nauseatingly imminent. I was not horrified I was not even astonished; but it was difficult thinking of the lips she had kissed to keep back my tears." Gill Autobiography pp. 237. unknown
書籍販売業者の参照番号
: 375751
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GILL, Eric
Portrait of John Gray.
1928. Large collotype of a pencil portrait by Eric Gill signed with his monogram and dated 16.8.’28 in the print. In addition this has been signed in pencil by the artist ‘Eric G’. Image size 27 x 31 cm. on a large sheet of art card.John Gray had been a young poet and friend of Oscar Wilde in 1890s London and was rumoured to be the origin of Dorian Gray. He was a promising poet and the author of Silverpoints which was published in 1893 designed by Ricketts. Later he became a Catholic parish priest and then a canon living in surburban Edinburgh with Andre Raffalovich when he became friends with Eric Gill. At the time of this portrait Gill was due to publish Gray’s novel ‘Park’.MacCarthy p.132 241 Portrait by Gill of his friend Canon John Gray author of Silverpoints and friend of Oscar Wilde supposedly the inspiration for Dorian Gray unknown
書籍販売業者の参照番号
: 11881
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Gill, Eric
Portrait of Mrs. W.
New York: E. Weyhe 1924 co-edition with St. Dominic's Press Ditchling Sussex England. Wood-engraving on Plate 24 of "Wood-engravings." Physick 270. No. 44 of the publications of the St. Dominic's Press. Edition of 150 copies. Skelton Check List no. 183. Printed on J Batchelor and Sons Ltd handmade paper. Sheet size 31 x 25 cm 12 x 10 inches. New York: E. Weyhe, 1924 (co-edition with St. Dominic's Press, Ditchling, Sussex, England) unknown
書籍販売業者の参照番号
: 51-0939
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GILL, Eric (illus); POWYS MATHERS, E
Procreant Hymn.
Waltham St Lawrence: Golden Cockerel Press 1926. First edition limited issue number 41 of 200 copies of which 175 were for sale. Procreant Hymn is first book illustrated by Eric Gill for the Golden Cockerel Press to which he contributed five copper engravings: in order these are titled "God Sending" "Earth Waiting" "Earth Inviting" "Dalliance" and "Earth Receiving" though their names are not printed in the book. The book was printed in Caslon type on handmade paper. The "explicit eroticism" of Gill's illustrations "shocked many of his former supporters and drew puzzled reproaches from the Dominicans" ODNB. Octavo. With 5 copper-engraved plates including frontispiece by Gill. Original cream buckram spine lettered in gilt top edge gilt others untrimmed. With dust jacket. A fine copy in the scarce dust jacket a little rubbed and toned couple of short closed tears to folds and rear panel sharp and well-preserved. Gill 277; Franklin pp. 329-30; Ransom p. 296. hardcover
書籍販売業者の参照番号
: 148020
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GILL, Eric (illus); POWYS MATHERS, E
Procreant Hymn
Golden Cockerel Press 1926. First Edition. Hardcover. Very good. Lovely just a little spotting to the blank pastedowns as always tiny bit of darkening to the spine. VG or better. Contents very clean in a custom paper slipcase with the front of the original jacket pasted on though badly spotted by that same paste as always that has protected the book. 191/200 COPIES printed on Batchelor handmade paper 5 copperplate-engravings by Eric Gill pp. 20 8vo. <br/><br/> Golden Cockerel Press hardcover
書籍販売業者の参照番号
: 5948
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GILL, Eric
Rahere.
1937. Original proof wood engraving second state. Printed on laid paper signed by the artist in ink and numbered by him 16/100 an edition of which only the first 25 were signed. Image size 8.7 x 11 cm. Framed and glazed.Proof of a design which in its first state had been used on the cover of Saint Bartholomew’s Hospital Journal in 1938.Physick 964 second state. unknown
書籍販売業者の参照番号
: 11880
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GILL, Eric; Denis Tegetmeier, illus
Sacred & Secular &c
London: J.M. Dent & Sons Ltd 1940. First Edition. Small octavo 20cm.; publisher's cloth in grey dust jacket printed in red red topstain; 197pp.; frontispiece full-page illus. throughout. Light wear to jacket extremities brief archival tape repair to spine crown verso not visible to exterior spine a hint toned else Very Good and sound. GILL 45. J.M. Dent & Sons Ltd unknown
書籍販売業者の参照番号
: 41279
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Gill, Eric
Sacred and Secular
J.M. Dent & Sons Ltd for Hague & Gill Ltd London 1940. Hardback with protected dust-wrapper. 19.5 x 13cm. 197pp 2. illustrations by Dennis Tegetmeier. A fdew spots to exterior fore-edge otherwise very clean. . First Edition. Hard Cover. Very Good/Very Good. J.M. Dent & Sons Ltd for Hague & Gill Ltd, London Hardcover
書籍販売業者の参照番号
: 18747
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GILL, ERIC
Sacred and Secular in Art and Industry
John Stephens 1949. 2nd Edition. Paperback. Very Good. 8vo. - Limited edition of 1000 copies - Paper wraps spotted and a little rubbed and toned - Edges of text block tanned - Booklet ow/ solid clean and bright - 31 pages John Stephens paperback
書籍販売業者の参照番号
: 637416
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GILL, Eric
Sacred and Secular in Art and Industry.
Rhode Island: John Stevens 1939. First edition first printing one of 400 copies only. In his lecture Gill explores the relationship and the ratio of power between art and industry skill and labour personality and impersonality and of course sacred and secular. Octavo. 1 in-text wood-engraved illustration by Gill. Original green card wrappers titles in black to front cover. Tips gently bumped the wrappers otherwise sharp and unfaded internally crisp; a near-fine copy. unknown
書籍販売業者の参照番号
: 142937
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Gill, Eric
SACRED AND SECULAR IN ART AND INDUSTRY
New Port: John Stevens 1939. 1st Edition. Soft cover. 1st Edition. Soft cover. Eric Gill. SACRED AND SECULAR IN ART AND INDUSTRY. First edition. A lecture given before the Royal Institution London February 1939. 8vo. printed green wrappers pp. 33 one woodblock illustration by Gill. One of only 400 copies - the entire edition. Neat name on ffe. A near fine copy with a hint of darkening at the spine. "The artist is not a different kind of person but every person is a different kind of artist." - EG. John Stevens unknown
書籍販売業者の参照番号
: 30837
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Gill, Eric (Author and Artist)
Sculpture and the Living Model
London: Printed by Hague & Gill Published by Sheed & Ward 1932. Limited Edition. Sewn binding. Near fine. Gill Eric. One of 500 copies duodecimo size 22 pp. Eric Gill 1882-1940 was a highly regarded printmaker sculptor and typographer as well as a complicated man. Gill provided illustrations for numerous fine press publications by the Golden Cockerel Press and the Saint Dominic's Press as well as with Pepler under the imprint of the St. Dominic's Press.<br /> <br /> ___DESCRIPTION: Pamphlet-stitched yellow wrappers printed in red and black with a wood engraving by Gill "Flames for Tree and Dog" P733a to rear wrapper frontispiece wood engraving by Gill "Artist and Mirror II" P837; duodecimo 6.75" by 4" pagination: 1-20 21-22.<br /> <br /> ___CONDITION: A near fine copy with clean wraps without edge wear the binding is tight the interior is clean and bright and entirely free of prior owner markings; light toning to the wrappers else fine. <br /> <br /> ___CITATION: Gill no. 23. <br /> <br /> ___POSTAGE: International customers please note that additional postage may apply as the standard shipping charge does not always cover costs; please inquire for details. <br /> <br /> ___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind book we sell. Please contact us with any questions you may have we are here to help. Printed by Hague & Gill, Published by Sheed & Ward unknown
書籍販売業者の参照番号
: 24032447
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Gill, Eric
Sculpture : an Essay
Sussex: Douglas Pepler Ditchling. Very Good with no dust jacket. 1918. Softcover. Wrappers lightly worn at edges. Small engraving by Gill in the advertisements at the end. ; 21 4 pp. of ads pages . Douglas Pepler Ditchling paperback
書籍販売業者の参照番号
: 6774
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Gill, Eric
Sculpture an Essay on Stone-Cutting with a Preface About God
Ditching Sussex nd but 1924: At Saint Dominic's Press. Small Octavo. From the library of Albert Sperisen and Eric Gill with their bookplates and from the library of Joseph D'Ambrosio with a letter laid in from Albert Sperisen to Joe JosephD'Ambrosio. 41 pp. Albert Sperisen was a book collector and he was also the Book Club of California's librarian from the 1950s until his death in 1999. Bound in pictorial beige cloth lettered and decorated in black spine plain with toning to spine and edges a bit of separation at the gutter after the title page but apparently reglued by one of the previous owners A very good copy. At Saint Dominic's Press unknown
書籍販売業者の参照番号
: 024137
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Gill, Eric
Sculpture - An Essay on Stone-Cutting with a Preface about God.
Hardback. Very Good. Saint Dominic's Press Ditchling. 1923. 3 wood engravings by Eric Gill. Very Good without dust jacket. Cloth covers lightly soiled. Previous owner's bookplate on front paste-down. hardcover
書籍販売業者の参照番号
: 34578
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GILL, Eric
Sculpture and the Living Model
London: Sheed & Ward 1932. Softcover. Very Good. First edition. 12mo. 21pp. Illustrated with an engraved frontispiece by Eric Gill. Sewn printed yellow wrappers. Front hinge a little tender lightly tanned and dust soiled a very good or better copy. Limited to 500 copies. Sheed & Ward unknown
書籍販売業者の参照番号
: 514082
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Gill, Eric
Sculpture and the Living Model
London: Sheed & Ward 1932. One of 500 printed. Paperback. Good Wraps have soiling toning chipping at the corners and front and back covers are starting at the spine bottom; interior is clean; binding is solid. Yellow sewn wraps with red and black lettering; 20 pp.; frontispiece. This is one of 500 printed copies. Sheed & Ward paperback
書籍販売業者の参照番号
: 193845
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Gill, Eric
Sculpture An Essay by Eric Gill. Reprinted from 'The Highway' June 1917
Saint Dominic's Press 1918. Booklet stitched. 20.5 x 14.5cm 21pp. This variant with no adverts and the price on the front cover of one shilling. A little wear to wraps. Contents clean. A25. First Edition. Paperback. Very Good. Saint Dominic's Press Paperback
書籍販売業者の参照番号
: 18384
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GILL, Eric
Sculpture and the Living Model.
London: Printed by Hague & Gill for Sheed & Ward 1932. Wood engraving by Eric Gill. One of 500 copies. 12mo. original sewn printed yellow wrappers. Rather worn with a little ripping at he spine stitching. Printed by Hague & Gill for Sheed & Ward unknown
書籍販売業者の参照番号
: 7790
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Gill, Eric (Author and Artist)
Sculpture and the Living Model Presentation Copy
London: Printed by Hague & Gill Published by Sheed & Ward 1932. Limited Edition. Sewn binding. Very good . Gill Eric. One of 500 copies duodecimo size 22 pp. inscribed by Eric Gill. Eric Gill 1882-1940 was a highly regarded printmaker sculptor and typographer as well as a complicated man. Gill provided illustrations for numerous fine press publications by the Golden Cockerel Press and the Saint Dominic's Press as well as with Pepler under the imprint of the St. Dominic's Press.<br /> <br /> This volume is a presentation copy with a nice association to Eric Gill's 1882-1940 sculptural work; here Gill articulates the purpose and artistry of sculpture of function as opposed to aesthetic appeal. <br /> <br /> Inscribed on the front wrap near the author's printed name "To Edward Maufe Sept. 1932 from &" "by Eric Gill" printed and signed "ECG" in green ink to the last page of text. Sir Edward Brantwood Maufe 1882-1974 was a friend sometime collaborator and longtime patron of Gill. A renowned architect particularly esteemed for his work on places of worship and memorials in 1932 Maufe won a competition to design Guildford Cathedral; Gill's sculpture "St John the Baptist" resides above the cathedral's south door. <br /> <br /> ___DESCRIPTION: Pamphlet-stitched yellow wrappers printed in red and black with a wood engraving by Gill "Flames for Tree and Dog" P733a to rear wrapper frontispiece wood engraving by Gill "Artist and Mirror II" P837; duodecimo 6.75" by 4" pagination: 1-20 21-22.<br /> <br /> ___CONDITION: A better than very good copy with clean wraps overall without edge wear but for slight creasing at the corners of the wraps the binding is tight the interior is clean and bright and entirely free of prior owner markings; light toning to the wrappers and slight foxing to the page block. <br /> <br /> ___CITATION: Gill no. 23. <br /> <br /> ___POSTAGE: International customers please note that additional postage may apply as the standard shipping charge does not always cover costs; please inquire for details. <br /> <br /> ___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind book we sell. Please contact us with any questions you may have we are here to help. Printed by Hague & Gill, Published by Sheed & Ward unknown
書籍販売業者の参照番号
: 17083234
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Gill, Eric
Sculpture An Essay
Ditchling: Douglas Pepler 1917. First edition. Original Wraps. Orig. printed wrappers. Near fine. Gill Eric. 24 pages. 20.5 x 14.5 cm. Number 21 of St. Dominic's Press Publications. The essay originally appeared in THE HIGHWAY June 1917 No. 70. Printed from Caslon O.F. on hand-made paper. Limited edition one of 400. GILL 5. Crisp bright copy. Douglas Pepler unknown
書籍販売業者の参照番号
: 9177
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Gill, Eric (After)
Sculpture No. 2
1930. Wood-engraving. Physick no. 629. Original is 5.125 x 2.5 inches. This version possibly by the notorious forger Earl M. Washington measures 5.25 x 3.25 inches on oatmeal colored paper 12 x 9 inches. Initialed E.g. and dated in pencil. Typed notation: "2nd. State . . .Experiment w/ Tint Tool . . . "" 1930. unknown
書籍販売業者の参照番号
: 51-0681
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Gill, Eric
Sculpture An Essay on Stone-cutting with a preface about God
Ditchling: Douglas Pepler 1923. Hardcover. Orig. beige linen cloth lettered in black. Near fine. Gill Eric. 41pages. 17 x 13 cm. The first edition entitled simply "Sculpture An Essay" published 1918 no. 21 of St. Dominic's Press publications. This edition in book form with considerable additions and alterations a Preface and three wood engravings by Gill. GILL 10. "This book comprises two esays previously published separately." TAYLOR & SEWELL A112. Printed on Batchelor hand-made paper very bright and clean Gill front cover illustration replicates that of the title page. Douglas Pepler hardcover
書籍販売業者の参照番号
: 15647
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GILL, Eric
SCULPTURE. An Essay On Stone-Cutting With A Preface About God.
Ditchling Sussex: Saint Dominic’s Press n.d. 1920 . Small 8vo. pp.41 pictorial beige linen cloth stamped in black; pencilled ownership autograph dated 1929 to head of title page light toning to free endpapers toning to spine and margins of boards water-staining to cloth at fore-margin of rear board overall very good. Ditchling, Sussex: Saint Dominic’s Press, n.d. (1920) hardcover
書籍販売業者の参照番号
: 37532
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Gill, Eric
Sculpture.
New York: E. Weyhe 1924 co-edition with St. Dominic's Press Ditchling Sussex England. Wood-engraving on Plate 29 of "Wood-engravings." Physick 228. No. 44 of the publications of the St. Dominic's Press. Edition of 150 copies. Skelton Check List no. 183. Printed on J Batchelor and Sons Ltd handmade paper. Sheet size 31 x 25 cm 12 x 10 inches. New York: E. Weyhe, 1924 (co-edition with St. Dominic's Press, Ditchling, Sussex, England) unknown
書籍販売業者の参照番号
: 51-0944
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GILL, Eric
Sculpture: An Essay By Eric Gill. Reprinted from "The Highway" June A.D. 1917
Ditchling: Douglas Pepler 1918. First Edition. Slim octavo; buff printed wrappers; 21pp 4pp publisher's ads. Covers trimmed short see note below; mild wear and creasing to wrapper edges still Very Good or better. Apparently a mixed issue: covers are Gill's third variant without the crossed-out price but title page rules and pagination p.5 conform to the earlier state. Since the wrappers on our copy are undersized by about 1/4" it seems plausible that this copy may have been made up using a remainder of the earliest state of the text with the later issue wrappers. Scarce Gill item; GILL Bibliography 5. Douglas Pepler unknown
書籍販売業者の参照番号
: 7029
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Gill, Eric
SDP and Cross and Initial Letter W.
New York: E. Weyhe 1924 co-edition with St. Dominic's Press Ditchling Sussex England. Two wood-engravings on the title page of "Wood-engravings" one printed in red. Physick 145 and 237. No. 44 of the publications of the St. Dominic's Press. Edition of 150 copies. Skelton Check List no. 183. Printed on J Batchelor and Sons Ltd handmade paper. Sheet size 31 x 25 cm 12 x 10 inches. New York: E. Weyhe, 1924 (co-edition with St. Dominic's Press, Ditchling, Sussex, England) unknown
書籍販売業者の参照番号
: 51-0920
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Gill, Eric
Self-portrait Museum Etching Museum Quality A2
Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 20th century 1927. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
書籍販売業者の参照番号
: 2050913
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Gill, Eric
Self-portrait Photo Matt Fibre A2
Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 20th century 1927. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
書籍販売業者の参照番号
: 2050911
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Gill, Eric
Self-portrait Museum Etching Museum Quality A3
Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 20th century 1927. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
書籍販売業者の参照番号
: 2050910
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Gill, Eric
Self-portrait Photo Rag Bright White Premium Quality A2
Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 20th century 1927. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
書籍販売業者の参照番号
: 2050912
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Gill, Eric
Shakespeare for Lovers/All of His Romantic Poems
hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
書籍販売業者の参照番号
: 0806515449.G ISBN : 0806515449 9780806515441
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Gill, Eric
Silver Birches or New England Woods.
New York: E. Weyhe 1924 co-edition with St. Dominic's Press Ditchling Sussex England. Wood-engraving on Plate 15 of "Wood-engravings." Physick 163. No. 44 of the publications of the St. Dominic's Press. Edition of 150 copies. Skelton Check List no. 183. Printed on J Batchelor and Sons Ltd handmade paper. Sheet size 31 x 25 cm 12 x 10 inches. New York: E. Weyhe, 1924 (co-edition with St. Dominic's Press, Ditchling, Sussex, England) unknown
書籍販売業者の参照番号
: 51-0931
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Gill, Eric; [Sister Corita Kent Association]
SOCIAL JUSTICE AND THE STATIONS OF THE CROSS Sr. Corita's Copy
James Clarke 1939. First Edition. Paperback. NEAR FINE. Sister Corita Kent's copy with a gift inscription to her d. 1954 from 'Carl' in a fine hand. 21pp. Demi 8vo in green letterpress-printed wraps with Gill's woodcut of the second station of the cross to front cover and title page. A long poem by the famed Catholic sculptor and typographer meditating on the fourteen stations of the cross. A lovely association: Sr. Corita was the preeminent Catholic printmaker of the generation following Gill and her art gave particular attention to aspects of social justice in the Christian faith. James Clarke paperback
書籍販売業者の参照番号
: 508065
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GILL, Eric
Social Justice & The Stations of the Cross.
James Clarke London. 1939. First edition. 12mo. pp iv 21. Title-page wood-engraving repeated on the upper cover by the author. Green boards. Printed by Hague & Gill Ltd High Wycombe. A poem in twelve sections on the theme of the Crucifixion.Ownership signature on front free endpaper. Head of spine slightly bumped. Very good indeed in the original glassine dustwrapper which is torn and defective. James Clarke, London. hardcover
書籍販売業者の参照番号
: GILLERIC010728
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Gill, Eric Fr Vincent McNabb pref
Songs without Clothes : Being a dissertation on the Song of Solomon and such-like songs
Ditchling Sussex: S. Dominic's Press. November 1921. Softcover with original gray dj. 12mo 7.25" x 4.75" cream stiff-paper covers. viii 46 pp. Bookplate of "Wyman Parker" at front pastedown. CONDITION: Good slight dampstain to front and rear covers near spine covers slightly toned at extremities slight offsetting to pastedowns from dj contents fine; dj good with worn spine and dampstain to front and rear panels. <p>First edition one of 240 copies. Number 34 of the S. Dominic's Press publications. "This book comprises two essays the first of which.originally appeared in 'The Game'.under the title 'The Song of Solomon and Such-like Songs.' It was revised and reprinted under its present title in 'Art-Nonsense' 1929.The second.is a reprint of the essay 'Of Things Necessary and Unnecessary which first appeared in 'The Game' October 1921. This also was revised and reprinted in 'Art-Nonsense.'" </p> <p>REFERENCES: Gill 8.</p> Ditchling, Sussex: S. Dominic's Press. [November] 1921 unknown
書籍販売業者の参照番号
: 9033
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Gill, Eric
SONGS WITHOUT CLOTHES
Ditchling Sussex: S. Dominic's Press. Very Good with no dust jacket. 1921. First Edition; First Printing. Hardcover. Grey paper-covered boards with cloth spine title label on front. Preface by Fr. Vincent McNabb O. P. Spine darkened and bumped at bottom edge. ; 5-1/4" x 8"; 46 pages . S. Dominic's Press hardcover
書籍販売業者の参照番号
: 6800
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